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NYU Creative Writing Program

New york, united states.

The Graduate Creative Writing Program at New York University has distinguished itself for more than three decades as a leading national center for the study of literature and writing. The program enables students to develop their craft while working closely with some of today's finest poets and writers. Students also have an opportunity to enjoy America's most literary terrain, benefiting from the extensive cultural resources of the University and New York City.

Each year the faculty selects a talented group of writers and offers them rigorous and supportive teaching. Most candidates take one workshop and one other course each semester and complete the program in two years; only one writing workshop may be taken per semester. In the final semester, students present a creative thesis consisting of a substantial body of finished work in poetry, fiction, or nonfiction.

The NYU Creative Writing program provides an environment which enables students to work seriously at their craft and, through outreach programs, the literary journal Washington Square, and public readings, bring the art of writing to the larger community of New York City. This is a serious community of writers engaged in an exceptional program of study.

Washington Square is the literary review of New York University's Graduate Creative Writing Program. A biannual literary magazine, it is staffed and edited by CWP students. It includes work by established writers as well as NYU alumni. It sponsors a student reading series open to the public and enables students to experience working on a literary magazine in all phases of its production.

NYU's Creative Writing Program offers a prestigious literary reading series, free and open to the public. (Support is provided by NY Community Trust, the NY State Council on the Arts, Poets & Writers, Inc., Poetry Society of America, the NYU Book Center, and many more.) Guest writers are invited to meet informally with students during their visits. Recent guests have included André Aciman, Kaveh Akbar, Donald Antrim, Amy Bloom, Jericho Brown, Anne Carson, Alexander Chee, Susan Choi, Sandra Cisneros, Lydia Davis, Stuart Dybek, Mark Doty, Deborah Eisenberg, Melissa Febos, Joshua Ferris, Rivka Galchen, Jorie Graham, Terrance Hayes, Marie Howe, Etgar Keret, Maxine Hong Kingston, Rachel Kushner, Dorothea Lasky, Victor LaValle, Kiese Laymon, Jonathan Lethem, Sam Lipsyte, Patricia Lockwood, Layli Long Soldier, Carmen Maria Machado, James McBride, Dinaw Mengestu, Claire Messud, Lorrie Moore, Eileen Myles, Joyce Carol Oates, Sharon Olds, Morgan Parker, Carl Phillips, Claudia Rankine, Karen Russell, Tracy K. Smith, Gary Shteyngart, Edmund White, and Colson Whitehead.

Students may apply for fellowships that involve teaching in literary outreach programs. These programs, which have become national models for excellence in literary outreach, include The Starworks Fellowship Program, The Goldwater Writing Workshop, and the Veterans Writing Workshop.

Contact Information

58 West 10th Street Lillian Vernon Creative Writers House New York New York, United States 10011 Phone: 2129988816 Email: [email protected] https://as.nyu.edu/cwp.html

Minor / Concentration in Creative Writing +

Undergraduate program director.

The Minor in Creative Writing offers undergraduates the opportunity to hone their skills while exploring the full range of literary genres including poetry, fiction, and creative nonfiction. The Minor is a sixteen-point credit load consisting of three to four creative writing courses. V39.0815 Creative Writing: Introduction to Fiction & Poetry (or V39.9815 Creative Writing, or equivalent) is generally the foundational course, to be followed by twelve additional points in the form of three higher-level workshops (Intermediate/Advanced/Master Class; four points each) or one higher-level workshop combined with one of our summer intensives (Writers in New York or Writers in Paris; eight points each).

Master of Fine Arts in Creative Writing +

Graduate program director.

The Graduate Creative Writing Program at New York University has distinguished itself for more than two decades as a leading national center for the study of literature and writing. The program enables students to develop their craft while working closely with some of today's finest poets and writers. Students also have an opportunity to enjoy America's most literary terrain, benefiting from the extensive cultural resources of the University and New York City.

Washington Square Review is the literary review of New York University's Graduate Creative Writing Program. A biannual literary magazine, it is staffed and edited by CWP students. It includes work by established writers as well as NYU alumni. It sponsors a student reading series open to the public and enables students to experience working on a literary magazine in all phases of its production.

NYU's Creative Writing Program offers a prestigious literary reading series, free and open to the public. (Support is provided by NY Community Trust, the NY State Council on the Arts, Poets & Writers, Inc., the NYU Book Center, and many more.) Guest writers are invited to meet informally with students during their visits. Recent guests have included Andre Aciman, Fred Moten, Claire Messud, Carl Phillips, Rigoberto Gonzalez, Ladan Osman, Jenny Offill, Susan Choi, Khaled Mattawa, Layli Long Soldier, Chang rae-Lee, Curtis Sittenfeld, Pamela Sneed, Patricia Lockwood, Melissa Febos, Rachel Cusk, Karen Russell, Aimee Bender, Eliot Weinberger, Douglas Kearney, Kaveh Akbar, and Maggie Nelson, among many others.

Sharon Olds

Sharon Olds is a previous director of the Creative Writing Program at NYU. Her first book of poetry, Satan Says, received the San Francisco Poetry Center Award. Her second book, The Dead and the Living, was both the Lamont Poetry Selection for 1983 and the winner of the National Book Critics Circle Award. She is also the author of The Gold Cell; The Father; The Wellspring; Blood, Tin, Straw; The Unswept Room; Strike Sparks: Selected Poems, 1980- 2002; One Secret Thing; Odes; and most recently, Arias, which was a finalist for the T.S. Eliot Prize. In 2012, her collection Stag's Leap was awarded the T.S. Eliot Prize and the Pulitzer Prize. She received a Lila Wallace-Readers' Digest Grant in 1993, part of which was designated for the NYU workshop program at Goldwater Hospital on Roosevelt Island. In 1997, she received the Harriet Monroe Poetry Award. From 1998-2000 she was the New York State Poet Laureate. Professor Olds holds the Erich Maria Remarque Professorship at NYU.

https://as.nyu.edu/cwp/graduate/faculty.html

Zadie Smith

Zadie Smith was born in north-west London in 1975. Her first novel, White Teeth, was the winner of The Whitbread First Novel Award, The Guardian First Book Award, The James Tait Black Memorial Prize for Fiction, and The Commonwealth Writers' First Book Award. Her second novel, The Autograph Man, won The Jewish Quarterly Wingate Literary Prize. Zadie Smith's third novel, On Beauty, was shortlisted for the Man Booker Prize, and won The Commonwealth Writers' Best Book Award (Eurasia Section) and the Orange Prize for Fiction. Her most recent novel, Swing Time, was published in 2016. She is the editor of an anthology of short stories entitled The Book Of Other People and has published several collections of short stories including Martha and Hanwell (2005), and Grand Union (2019), as well as several collections of essays including Changing My Mind (2009), Feel Free: Essays (2018), and the most recent Intimations: Six Essays (2020). She was formerly the New Books columnist for Harper's Magazine. Zadie Smith is a graduate of Cambridge University and has taught at Harvard and Columbia universities. She is a fellow of the Royal Society of Literature. She became a tenured professor of fiction at NYU in 2010.

Jonathan Safran Foer

Jonathan Safran Foer is the author of the bestselling novel Everything Is Illuminated, named Book of the Year by the Los Angeles Times and the winner of numerous awards, including the Guardian First Book Prize, the National Jewish Book Award, and the New York Public Library Young Lions Prize. His other novels include Extremely Loud and Incredibly Close and, most recently, Here I Am. He is also the author of the nonfiction books, Eating Animals, and We Are the Weather: Saving the Planet Begins at Breakfast (2019). Foer was one of Rolling Stone's "People of the Year" and Esquire's "Best and Brightest,” and was included in The New Yorker magazine's "20 Under 40" list of writers. He lives in Brooklyn.

Matthew Rohrer

Matthew Rohrer is the author of The Sky Contains the Plans (Wave Books, 2020), The Others (Wave Books, 2017), which was the winner of the 2017 Believer Book Award, Surrounded by Friends (Wave Books, 2015), Destroyer and Preserver (Wave Books, 2011), A Plate of Chicken (Ugly Duckling Presse, 2009), Rise Up (Wave Books, 2007) and A Green Light (Verse Press, 2004), which was shortlisted for the 2005 Griffin Poetry Prize. He is also the author of Satellite (Verse Press, 2001), and co-author, with Joshua Beckman, of Nice Hat. Thanks. (Verse Press, 2002), and the audio CD Adventures While Preaching the Gospel of Beauty. With Joshua Beckman and Anthony McCann he wrote the secret book Gentle Reader! It is not for sale. Octopus Books published his action/adventure chapbook-length poem They All Seemed Asleep in 2008. His first book, A Hummock in the Malookas was selected for the National Poetry Series by Mary Oliver in 1994.

His poems have been widely anthologized and have appeared in many journals. He's received the Hopwood Award for poetry and a Pushcart prize, and was selected as a National Poetry Series winner, and was shortlisted for the Griffin International Poetry Prize. Recently he has participated in residencies/ performances at the Museum of Modern Art (New York City) and the Henry Art Gallery (Seattle).

Matthew Rohrer was born in Ann Arbor, Michigan, was raised in Oklahoma, and attended universities in Ann Arbor, Dublin, and Iowa City. He teaches in the Creative Writing Program at NYU and lives in Brooklyn.

Darin Strauss

Darin Strauss is the internationally bestselling author of the novels Chang and Eng, The Real McCoy, More Than it Hurts You, the NBCC-winning memoir, Half a Life, the comic-book series, Olivia Twist, and most recently the acclaimed novel, The Queen of Tuesday: A Lucille Ball Story (Random House, 2020). A recipient of a National Book Critics Circle Award, the Guggenheim Fellowship, an American Library Association Award, and numerous other prizes, Strauss has written screenplays for Disney, Gary Oldman, and Julie Taymor. His work has been translated into fourteen languages and published in nineteen countries, and he is a Clinical Professor at the NYU Creative Writing Program.

Deborah Landau

Deborah Landau (Director) is the author of four collections of poetry: Soft Targets (winner of the 2019 Believer Book Award), The Uses of the Body and The Last Usable Hour, all Lannan Literary Selections from Copper Canyon Press, and Orchidelirium, selected by Naomi Shihab Nye for the Robert Dana Anhinga Prize for Poetry. Her other awards include a Jacob K Javits Fellowship and a Guggenheim Fellowship. The Uses of the Body was featured on NPR's All Things Considered, and included on "Best of 2015" lists by The New Yorker, Vogue, BuzzFeed, and O, The Oprah Magazine, among others. A Spanish edition was published by Valparaiso Edici?ones in 2017. Her work has appeared in The New Yorker, The Paris Review, American Poetry Review, Poetry, The Wall Street Journal, The New York Times, CNN, and The Best American Poetry, and included in anthologies such as Resistance, Rebellion, Life: 50 Poems Now, Please Excuse This Poem: 100 New Poets for the Next Generation, Not for Mothers Only, The Best American Erotic Poems, and Women's Work: Modern Poets Writing in English. Landau was educated at Stanford University, Columbia University, and Brown University, where she received a Ph.D. in English and American Literature. She is a professor and director of the Creative Writing Program at New York University.

The Uses of the Body was featured on NPR's All Things Considered, and included on "Best of 2015" lists by The New Yorker, Vogue BuzzFeed, and O, The Oprah Magazine, among others. A Spanish edition is forthcoming from Valparaiso Ediciones.

Her work has appeared in The New Yorker, The Paris Review, Tin House, Poetry, The Wall Street Journal, and The New York Times, selected for The Best American Poetry, and included in anthologies such as Please Excuse This Poem: 100 New Poets for the Next Generation, Not for Mothers Only, The Best American Erotic Poems, and Women's Work: Modern Poets Writing in English.

Landau was educated at Stanford University, Columbia University, and Brown University, where she was a Javits Fellow and received a Ph.D. in English and American Literature. She teaches in and directs the Creative Writing Program at New York University, and lives in Brooklyn with her husband, sons, and daughter.

Nathan Englander

Nathan Englander's most recent novel is kaddish.com. He is also the author of the Dinner at the Center of the Earth, the collection What We Talk About When We Talk About Anne Frank, as well as the internationally bestselling story collection For the Relief of Unbearable Urges, and the novel The Ministry of Special Cases (all published by Knopf/Vintage). He was the 2012 recipient of the Frank O'Connor International Short Story Award and a finalist for the 2013 Pulitzer Prize for What We Talk About. His short fiction and essays have appeared in The New Yorker, The New York Times, The Atlantic Monthly, The Washington Post, Vogue, and Esquire, among other places. His work has been anthologized in The O. Henry Prize Stories and numerous editions of The Best American Short Stories, including 100 Years of the Best American Short Stories. Translated into twenty-two languages, Englander was selected as one of “20 Writers for the 21st Century” by The New Yorker, received a Guggenheim Fellowship, a PEN/Malamud Award, the Bard Fiction Prize, and the Sue Kaufman Prize from the American Academy of Arts & Letters. He’s been a fellow at the Dorothy & Lewis B. Cullman Center for Scholars and Writers at the New York Public Library, and at The American Academy of Berlin. In 2012 Englander's translation of the New American Haggadah (edited by Jonathan Safran Foer) was published by Little Brown. He also co-translated Etgar Keret's Suddenly A Knock at the Door and Fly Already, published by FSG. His play The Twenty-Seventh Man premiered at the Public Theater in 2012, and his new play, What We Talk About When We Talk About Anne Frank, winner of a 2019 Edgerton Foundation New Play Award, and the 2020 Blanche and Irving Laurie Theatre Visions Fund Prize, was commissioned by Lincoln Center Theater and was supposed to be running at The Old Globe in San Diego right now—sigh. He is Distinguished Writer in Residence at New York University and lives with his family in Toronto.

Terrance Hayes

Terrance Hayes’s most recent publications include American Sonnets for My Past And Future Assassin (Penguin 2018) and To Float In The Space Between: Drawings and Essays in Conversation with Etheridge Knight (Wave, 2018). To Float In The Space Between was winner of the Poetry Foundation’s 2019 Pegasus Award for Poetry Criticism and a finalist for the 2018 National Book Critics Circle Award in Criticism. American Sonnets for My Past And Future Assassin won the Hurston/Wright 2019 Award for Poetry and was a finalist the 2018 National Book Critics Circle Award in Poetry, the 2018 National Book Award in Poetry, the 2018 TS Eliot Prize for Poetry, and the 2018 Kingsley Tufts Poetry Award. Hayes is a Professor of English at New York University.

Joyce Carol Oates

Joyce Carol Oates is a recipient of the National Book Award and the PEN/Malamud Award for Excellence in Short Fiction. She has published numerous essays and memoirs, novellas, plays, children's and young adult fiction, and dozens of works of short fiction, poetry, and fiction, including We Were the Mulvaneys and Blonde (a finalist for the National Book Award and the Pulitzer Prize), as well as the New York Times bestsellers The Falls (winner of the 2005 Prix Femina Etranger) and The Gravedigger’s Daughter, A Book of American Martyrs, and the most recent, Hazards of Time Travel, My Life as a Rat, and Night. Sleep. Death. The Stars. Her most recent works, published with HarperCollins, include the poetry collection American Melancholy (2021) and a collection of stories The (Other) You (2021). Her next novel Breathe will be published in August 2021. In 2013, she received the Bram Stoker Award for Best Fiction Collection for Black Dahlia and White Swan. Oates is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.

Catherine Barnett

Catherine Barnett is the recipient of a Guggenheim Fellowship, a Whiting Writers Award, the Glasgow Prize for Emerging Writers, and a Pushcart Prize. Her most recent collection, Human Hours, was published in 2018 by Graywolf Press and received the Believer Book Award in Poetry. She is also the author of Into Perfect Spheres Such Holes Are Pierced (Alice James Books, 2004), winner of the Beatrice Hawley Award, and The Game of Boxes (Graywolf Press, 2012), which received the James Laughlin Award from the Academy of American Poets for an outstanding second book. Barnett has taught at Barnard, Princeton, and Hunter, and is currently a Clinical Associate Professor at NYU.

Jeffrey Eugenides

Jeffrey Eugenides was born in Detroit, Michigan. His first novel, The Virgin Suicides, was published to major acclaim in 1993. It has been translated into thirty-four languages and made into a feature film. In 2003, Eugenides received the Pulitzer Prize for his novel Middlesex (Farrar, Straus and Giroux, 2002). Middlesex also won the WELT-Literaturpreis of Germany and the Great Lakes Book Award, and it was shortlisted for the National Book Critics Circle Award, France’s Prix Medici, and the International IMPAC Dublin Literary Award. His third novel, The Marriage Plot (FSG, 2011), was a National Book Critics Circle Award Finalist and was named a Best Book of the Year by The New York Times Book Review, NPR, The New Republic, Publisher's Weekly, and numerous other publications. His latest book, the story collection Fresh Complaint (FSG, 2017), was a New York Times Notable Book of 2017, and was named a Best Book of the Year by Kirkus, The Guardian, NPR, and others. His fiction has appeared in The New Yorker, The Paris Review, The Yale Review, Best American Short Stories, The Gettysburg Review, and Granta’s “Best of Young American Novelists.” Eugenides is the recipient of many awards, including fellowships from the Guggenheim Foundation and the National Endowment for the Arts, a Whiting Writers’ Award, and the Henry D. Vursell Memorial Award from the American Academy of Arts and Letters. He was elected to the American Academy of Arts and Letters in 2018. He taught creative writing at Princeton for many years before joining the NYU Creative Writing Program as a tenured full professor and the Lewis and Loretta Glucksman Professor in American Letters. Eugenides has been inducted into The American Academy of Arts and Letters and The American Academy of Arts and Sciences.

http://as.nyu.edu/cwp/graduate/Faculty1.html

Katie Kitamura

Katie Kitamura’s most recent novel is Intimacies. Longlisted for the 2021 National Book Award, it is a Barack Obama Summer Reading selection and a New York Times Editors’ choice. Her third novel, A Separation, was a New York Times Notable Book and a finalist for the Premio von Rezzori. She is also the author of Gone To The Forest and The Longshot, both finalists for the New York Public Library’s Young Lions Fiction Award. Her work has been translated into nineteen languages and is being adapted for film and television. A recipient of fellowships from the Lannan Foundation and Santa Maddalena, Katie has written for publications including The New York Times Book Review, The New York Times, The Guardian, Granta, BOMB, Triple Canopy, and Frieze. She teaches in the creative writing program at New York University.

Hari Kunzru

Hari Kunzru is a Clinical Professor in the Creative Writing Program. He holds a BA in English Language and Literature from Oxford University and an MA in Philosophy and Literature from Warwick University. He is the author of five novels, including White Tears, a finalist for the PEN Jean Stein Award, the Kirkus Prize, the Folio Prize, the James Tait Black Memorial Prize, One Book New York, the Prix du Livre Inter étranger, and a New York Times Notable Book of the Year. His latest novel Red Pill was published in 2020 by Knopf. He is also the author of The Impressionist, Transmission, My Revolutions, Gods Without Men and a short story collection, Noise. His novella Memory Palace was presented as an exhibition at the Victoria & Albert Museum in 2013. His work has been translated into over twenty languages. His short stories and essays have appeared in publications including The New York Times, The New Yorker, Guardian, New York Review of Books, Granta, Bookforum, October and Frieze. He has written screenplays, radio drama, and experimental work using field recordings and voice-to-text software. He has taught at Hunter College and Columbia University. He is a Fellow of the Royal Society of Literature and an Honorary Fellow of Wadham College, Oxford. He has been a Cullman Fellow at the New York Public Library, a Guggenheim Fellow and a Fellow of the American Academy in Berlin. He is a past deputy president of English PEN, a judge for the 2018 Man Booker International Prize and has been a frequent presenter, interviewer and guest on television and radio.

Claudia Rankine

Claudia Rankine is a recipient of the 2016 MacArthur Fellowship, and the author of six collections including Citizen: An American Lyric and Don’t Let Me Be Lonely; three plays including HELP, which premiered in March of 2020 at The Shed, NYC, and The White Card, and the editor of several anthologies including The Racial Imaginary: Writers on Race in the Life of the Mind. She also co-produces a video series, “The Situation,” alongside John Lucas, and is the founder of the Open Letter Project: Race and the Creative Imagination. In 2016, she co-founded The Racial Imaginary Institute (TRII). In addition to the MacArthur, her numerous awards and honors include the Forward Prize, the National Book Critics Circle Award for Poetry, a Guggenheim Fellowship, and fellowships from the Lannan Foundation and the National Endowment of the Arts. Her most recent book is Just Us: An American Conversation (Graywolf, 2020). A Chancellor of the Academy of American Poets, Claudia Rankine joined the NYU Creative Writing Program as a tenured Professor in Fall 2021.

Publications & Presses +

Washington Square Review

Visiting Writers Program +

Nick Laird, Nadifa Mohamed, Ocean Vuong, Marie-Helene Bertino, Kiran Desai, Alex Dimitrov, Uzodinma Iweala, David Lipsky, Leigh Newman, Idra Novey, Meghan O'Rourke, Julie Orringer, Jana Prikryl, Jess Row, Nicole Sealey, Parul Sehgal, Brandon Taylor, Hannah Tinti, Phillip B. Williams

Reading Series +

NYU Reading Series ( http://as.nyu.edu/cwp/reading-series.html )

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Creative Writing

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Contact us via email , text us at 646-265-1342, or schedule an appointment .

The NYU Creative Writing Program hosts a series of public readings by established and emerging writers at the Lillian Vernon Creative Writers House at 58 West 10th Street. To view the schedule for this semester's readings, visit the full NYU Creative Writing Program website .

You can also find video recordings of NYU Creative Writing Program readings on their YouTube channel and Recent Podcasts & Videos page, and listen to selected readings from 2017 and earlier on the Creative Writing Program's Classic Podcasts page .

• Authors Guild The Authors Guild advocates for the rights of writers by supporting free speech, fair contracts, and copyright. We create community and we fight for a living wage.
• AWP: Association of Writers & Writing Programs AWP provides support, advocacy, resources, and community to writers, college and university creative writing programs, and writers’ conferences and centers. As a national professional association of creative writers and writing programs, AWP brings together independent writers, academic writing programs, journals, presses, and arts organizations, and hosts the largest annual gathering of writers in North America.
• London Writers' Salon A UK-based writing community that offers free online "Writers' Hours" for quiet, focused work every weekday.
• PEN America Founded in 1922, PEN America is the largest of the more than 100 centers worldwide that make up the PEN International network. PEN America works to ensure that people everywhere have the freedom to create literature, to convey information and ideas, to express their views, and to access the views, ideas, and literatures of others.

Poets House is a national poetry library and literary center that invites poets and the public to step into the living tradition of poetry. Our poetry resources and literary events document the wealth and diversity of modern poetry, and stimulate public dialogue on issues of poetry in culture.  In the summer of 2009, Poets House moved to its permanent home at 10 River Terrace in Battery Park City and opened to the public on September 25, 2009.

Throughout its transformations, the heart of Poets House has remained its poetry collection. With over 50,000 volumes of poetry—including books, journals, chapbooks, audio and video tapes, and digital media—our collection is among the most comprehensive, open-access collections of poetry in the United States and is the foundation for all our programs and services.

• National Novel Writing Month (NaNoWriMo) National Novel Writing Month, often shortened to NaNoWriMo, is a U.S.-based nonprofit organization that promotes creative writing around the world. Its flagship program is an annual, international creative writing event in which participants attempt to write a 50,000-word manuscript during the month of November.

Looking for award-winning books? Here are some of the websites for major literary prizes and awards, which list current and previous award winners. You can use the Libraries' Catalog to search our collection for titles and/or authors.

• Booker Prize winners The Man Booker Prize "aims to promote the finest in fiction by rewarding the best novel of the year written by a citizen of the United Kingdom, the Commonwealth or the Republic of Ireland."
• Edgar Award winners An annual award for mystery and detective fiction, presented by the Mystery Writers of America. Use this link to search or browse their database of prize winners.
• Governor General's Literary Awards Each year, the Governor General’s Literary Awards (the GGs) honour the best in Canadian literature. As Canada’s national literary awards, the GGs represent the rich diversity of Canadian literature and its authors, translators and illustrators.
• Hugo Award winners The Hugo Awards, presented annually since 1955, are science fiction’s most prestigious award. The Hugo Awards are voted on by members of the World Science Fiction Convention ("Worldcon"), which is also responsible for administering them.
• Lambda Literary Awards The Lambda Literary Awards, presented by the Lambda Literary Association, identify and celebrate the best lesbian, gay, bisexual and transgender books of the year.
• National Book Award winners Established in 1950, the National Book Award is an American literary prize administered by the National Book Foundation, a nonprofit organization.
• National Book Critics Circle Awards The National Book Critics Circle awards are given each March and honor the best literature published in the United States in six categories—autobiography, biography, criticism, fiction, nonfiction, and poetry.
• Nebula Award winners The Nebula Awards ® are voted on, and presented by, active members of Science Fiction and Fantasy Writers of America, Inc.
• Otherwise Award The Otherwise Award (formerly the Tiptree Award) is an annual literary prize for science fiction or fantasy that expands or explores our understanding of gender.
• Pulitzer Prize winners The Pulitzer Prize is an award for achievements in newspaper and online journalism, literature, and musical composition in the United States.
• Shirley Jackson Award winners An award for "outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic."
• Stoker Awards Each year, the Horror Writers Association presents the Bram Stoker Awards for Superior Achievement, named in honor of Bram Stoker, author of the seminal horror work, Dracula.
• Women's Prize for Fiction Formerly known as the Orange Prize, the Women’s Prize for Fiction is the UK’s most prestigious annual book award for fiction written by a woman.
• World Fantasy Awards Awards for fantasy fiction, presented annually at the World Fantasy Convention.
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Creative Writing Courses and the Creative Writing Minor

Find out more about our  Spring 2022 courses and the Creative Writing Minor .

Creative Writing at NYU Shanghai: Worlds within worlds

Crafting a compelling narrative or poem is not only deeply satisfying in and of itself. We tell stories, memorize our favorite lyrics, and share lines from our favorite films because the right words in the right order create deep connections between and among us that resonate not only with our times, but with our pasts and our hoped-for futures. 

Sharpening and refining your skills as a writer and as a reader also makes enormous practical sense. Whatever your career path, the better you are at communication, persuasion and at reading people and situations, the greater your success will be. Careful, sustained practice in reading, writing and discussing fiction, poetry, drama, screenplays, games, films, creative nonfiction and today's emerging digital storytelling forms transfers directly to skills essential to success in business, marketing, journalism, game development, interactive media arts, the sciences — you name it. 

And at NYU Shanghai, we focus not only only writing in English, but on ways in which multilingual writing and literary translation can further enhance and deepen both your creativity and practical communication, analytic, and persuasion skills.

You can also gain valuable experience by working with fellow students and faculty on print and digital publication projects, whether it‘s our annual print journal,  The Poplar Review 杨高 , our student-run online journal Bright Lines 青 思 , or our BackLit video interviews with renowned visiting writers and translators who appear in our NYU Shanghai Literary Reading Series .

At NYU Shanghai, creative writing is not just about you and your words alone — it's also about community, events, connection, learning new skills, and growth.

Finally, if you're a Humanities or Interactive Media Arts major at NYU Shanghai, many of our courses can both fulfill elective credits and enrich and inform your studies in your major. 

Creative Writing Minor requirements 

You can complete the Creative Writing Minor with 16 credits:

• Introduction to Creative Writing (4 credits)
• 8 credits of intermediate or advanced level Creative Writing craft courses
• 4 credits of an additional Creative Writing craft course (of any level) or a designated elective (usually in literature, theater, or film).
• Note: There are 2-credit options both within the Creative Writing area as well as 2-credit electives in other areas that count towards the Creative Writing minor.

You can also take creative writing courses at a number of NYU’s global academic centers. Those looking for intensive summer course have opportunities to enroll in three engaging summer programs: Writers in Paris, Writers in Florence, and Writers in New York.

Humanities majors may take creative writing courses to fulfill some of the major requirements. Please see your academic advisor for more details, or contact the Creative Writing Coordinator .

2021-22 Creative Writing courses

CRWR-SHU 245 | 4 credits | Instructor: David Perry

In this new version of our introductory course, students will focus on writing their own stories, poems, and dramatic dialogues, as in any Intro to Creative Writing course. However, instead of working with a more conventional creative writing textbook, students will study craft through the lens of literary translation, getting “inside” exemplary works of literature by producing their own translations among and between Chinese, English and other languages. Translation will serve as a prompt for student’s own works, providing models and patterns for close study that students can then experiment with, take inspiration from, and adapt (or depart from) in creating their own work. This class recognizes and celebrates the global nature of reading and writing literature in the 21st century, and encourages students from different cultural and linguistic backgrounds to draw on their native tongues, traditions, and techniques in creating compelling work in English — but not just in English (or in one variety of English).   This course fulfills the Introduction to Creative Writing requirement for Creative Writing minors or a Humanities Survey requirement, with approval.

CRWR-SHU 200A | 4 credits | Instructor: Claire Whitenack

Science fiction, fantasy, horror, weird fiction, alternative histories—all fall under the heading of speculative fiction. In this class, students will study and practice worldbuilding, combining imaginative writing with research to create compelling, believable worlds, characters and stories—whether they are situated on other planets, in other dimensions, in magical realms, in super-high-tech futures, or wherever else the imagination can take us.

This course satisfies IMA Seminar and Creative Writing Minor. It is cross-listed with INTM-SHU 295. This course counts for an elective in Creative Writing, IMA and the Humanities major. 

CRWR-SHU 209 | 4 credits | Instructor: Genevieve Leone

In this intermediate creative writing workshop, students will write with the “I.” They will explore narrative possibilities across genres and modes, working at times from direct observation: observation of the self, of the world, and of the shifting relationships between and among all of us and it in its and our countless points and moments. At times, students will draw upon memory, at other times they will pay close attention to that which presents itself to us (as we present ourselves) “in the moment,” and at yet others upon research and reading. Throughout, students will experiment using techniques associated with fiction and poetry to push the “personal essay” in the direction of inspired creative nonfiction, memoir, autofiction, lyric and experimental poetry, and cross- genre hybrids. Along the way, they will develop a richer and more nuanced critical vocabulary to help us talk and think about what they are reading and writing.

This course counts for an elective in Creative Writing, IMA and the Humanities major.   

CRWR-SHU 159 | 4 credits | Instructor: Frances Hwang  | Tue/Thu  1:45-03:00pm,

This workshop course offers a broad introduction to the art of capturing the world around you in your own original fiction and poetry. Through close readings of classic and contemporary examples, intensive in-class workshops, and vigorous revision, students will learn to make their stories and poems live on the page through attention to plot, character, dialogue, language, heartbreaking images and the mystery of the perfect line break.

Pre-requisites: None Equivalency: This course counts for CRWRI-UA 815 Creative Writing: Introduction to Fiction and Poetry Introduction to Creative Writing is a requirement for all intermediate/advanced workshop classes. Fulfillment: Humanities Introductory course.

CRWR-SHU 217 | 4 credits | Instructor: Frances Hwang | Mon 4:15-6:45 pm

This course explores the art of writing short fiction with a focus on linked stories. In discussing what compelled him to write two linked short story collections, Junot Díaz muses, “Maybe I could have written conventional novels from both sets of material but I’m not convinced I could have gotten the same jagged punch, the same longing and silences that rise up from the gaps in and between the linked stories. I guess I’m just hopelessly fascinated by the realities that you can assemble out of connected fragments.” In this course, geared toward intermediate and advanced fiction writers, we explore the jagged power of the linked story collection and what can be gained from the points of connection as well as the narrative gaps between stories. Students will read linked collections by such writers as Junot Díaz, Denis Johnson, Haruki Murakami, Alice Munro, Elizabeth Strout, and Jenny Zhang and will complete several linked stories of their own, gaining appreciation for a form Sonya Chung aptly characterizes as “compression and vast heterogeneity in one!”

Prerequisite: CRWR-SHU 159 Intro to Creative Writing or CRWR-SHU 161 Intro to Literary Translation or Junior/ Senior standing.

Fulfillment: This course will fulfill one of the two the Intermediate Workshop components for the creative writing minor. Humanities other Advanced course.

CRWR-SHU 221 | 4 credts | Instructor: Daniel Woody |  Wed 4:15-6:45 pm

In this intermediate creative writing workshop, students will explore the possibilities of poetry by writing and sharing their own work while also engaging with exemplary works by great poets from a range of traditions, background and times, with a practical emphasis on contemporary poetry and its many vibrant modes and methods. At times, students will experiment with age-old forms such as the sonnet, haiku and sestina; at other times students will pursue the possibilities of contemporary performance poetry and spoken word, Modernist collage and pastiche, postmodern hybrid poetries, and emergent digital poetics. The goal for each student will be to create a body of work that draws on knowledge of traditional forms while also speaking directly to the unique circumstances of our times -- and each individual poet's experience.

Prerequisites: Students must have either 1) completed an Introduction to Creative Writing Course (CRWR-SHU 159 or CRWR-SHU 161) or 2) be of junior or senior standing.

CRWR-SHU 260 | 4 credits | Instructor: Amy Goldman | Tue 3:15-5:45 pm

The premise of this course is that gifted writers highly conscious of their craft teach us more pointedly about creative writing when, juxtaposed to the creative work of each, we hear, see and experience what each identifies as fundamental to his or her writing practice — whether technique, discipline, recurrent battle, avenue of inspiration, self-imposed rule or other. This course looks to such writers as guides from whom we may learn by studying the steps they have taken over time to develop and hone their craft. The course typically (but not always) pairs, each week, one or two pieces of an author’s creative work with another that reflects critically on some aspects of their writing practice, and on the craft of writing. In essence, this is a hybrid course that blends study of creative work with that of writers' critical self-reflection. Students also pursue their own creative writing projects, reflecting critically on their own process along the way. The course readings draw from multiple cultures, literary traditions, and genres including the short story, flash fiction, the novella, the essay, memoir, diary, children’s literature and poetry.

Prerequisite: Writing as Inquiry WRIT-SHU 101/102 OR CRWR-SHU 159 Introduction to Creative Writing OR CRWR-SHU 161 Introduction to Creative Writing: Literary Translation Focus

Fulfillment: This course counts as one of the three intermediate/advanced creative writing workshops required for completion of the Creative Writing Minor. 

WRIT-SHU 245 | 4 credits | Instructor:  Don Belt  |  4:45-6:00pm Tue-Th u

In this seminar and workshop, students use digital storytelling techniques and technologies to capture and make sense of the world around them. Students will use the affordances of various technologies to enhance the impact of their stories. In addition to attending to traditional elements of storytelling, such as language, structure, and style, students will incorporate image, sound, haptics, and design of various media interfaces. Different semesters will focus on different themes or story topics

Prerequisite: A final grade of C or higher in Writing as Inquiry

Fulfillment: IMA/IMB Elective; designated elective for Creative Writing.

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Creative Writing (Minor)

Program description , minor declaration.

The New York University Program in Creative Writing, among the most distinguished programs in the country, is a leading national center for the study of writing and literature. The undergraduate and graduate programs provide students with an opportunity to develop their craft while working closely with some of the finest poets and novelists writing today. The creative writing program occupies a lovely townhouse on West 10th Street in the same Greenwich Village neighborhood where so many writers have lived and worked. The Lillian Vernon Creative Writers House allows writers—both established and emerging—to share their work in an inspiring setting.

The program's distinguished faculty of award-winning poets and prose writers represents a wide array of contemporary aesthetics. Our instructors have been the recipients of Pulitzer Prizes, MacArthur Genius, Guggenheim, and NEA fellowships, National Book and National Book Critics Circle awards, Pushcart Prizes, the Whiting Writer's Award, and more.

Undergraduates are encouraged to attend the program's reading series, which brings both established and new writers to NYU. Writing prizes, special events, and our undergraduate literary journal,  West 10th , further complement our course offerings and provide a sense of community for undergraduate writers. If you have questions about the minor in creative writing, please contact us at  [email protected] .

To request declaration of a minor, CAS students should visit the host department. To request declaration of a cross-school minor, CAS students should complete the online Minor Application available in their Albert Student Center. Students may also use the  Minor Application  in Albert to request cancellation of a CAS or cross-school minor.

Program Requirements

General information.

The minor requires the completion of four 4-credit courses (16 credits), comprised of the following:

The introductory workshop CRWRI-UA 815 Creative Writing: Intro Prose & Poetry , or the study away course CRWRI-UA 9815 Creative Writing , is generally the required foundational course, to be followed by 12 additional credits from the program's CRWRI-UA course offerings.

However, students who begin their minor by taking one of the program's 8-credit summer intensives—Writers in New York (CRWRI-UA 818, 819, or 835), Writers in Paris (CRWRI-UA 9818 or 9819), or Writers in Florence (CRWRI-UA 9828 or 9829)—are not required to take the introductory workshop (CRWRI-UA 815, CRWRI-UA 9815, or equivalent). Following completion of one of these 8-credit intensives, students may take advanced coursework in the same genre as their summer intensive and/or move directly into an intermediate workshop in an alternative genre. Students may also repeat an 8-credit summer intensive to complete the 16-credit minor. Intermediate and advanced workshops may be taken three times for credit.

Students wishing to begin the creative writing minor while studying away at an NYU site should register for CRWRI-UA 9815 Creative Writing or, if studying away in the summer, for one of the 8-credit intensives offered in Paris and Florence (CRWRI-UA 9818, 9819, 9828, or 9829). These courses are not considered outside courses and will automatically be counted toward the creative writing minor. All other creative writing courses taken away require a petition for substitution and are subject to approval by the program.

Policies Applying to the Minor

Policy on course substitutions, nyu policies, college of arts and science policies, program policies.

The creative writing minor must be completed with a minimum grade point average of 2.0 (C). No credit toward the minor is granted for grades of C- or lower, although such grades will be computed into the grade point average of the minor, as well as into the overall grade point average. No course to be counted toward the minor may be taken on a Pass/Fail basis.

Students may petition to apply one outside (non- CRWRI-UA) course toward the minor, either as the introductory prerequisite (equivalent to CRWRI-UA 815 or 9815) or as an elective. Ideally, the equivalent course will focus on students' own creative practice, craft element(s) of genre, and incorporate a workshop (peer feedback) structure.

To petition to substitute an outside course, students must complete the course substitution petition form, available on the program's website, and provide the course syllabus (as described on the petition form). The undergraduate programs manager will review the submitted syllabus to verify course level and determine substitution eligibility. Students must petition for course substitution prior to registration.

If the program pre-approves a non-NYU course for substitution, it can only be counted toward the minor if 1. the Office of the Associate Dean for Students in CAS has also approved the course credit for transfer, and 2. the student receives a grade of C or better.

University-wide policies can be found on the New York University Policy pages .

A full list of relevant academic policies can be found on the CAS Academic Policies page . 

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More From Forbes

A writing room: the new marketplace of writer classes, retreats, and collectives.

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A Writing Room is one of the fast-growing writer collectives. The four co-founders (left to right): ... [+] Reese Zecchin, Director of Production; Jacob Nordby, Director of Writer Development; A. Ashe, Creative Director; Claire Giovino, Community Director.

The past decade has brought an explosion in the number of books published each year in the United States (an estimated three to four million annually). In turn, this explosion is bringing a growing and evolving marketplace of writer classes, retreats and collectives. It is a marketplace creating new jobs and entrepreneurship opportunities—both for mainstream tech, marketing and managerial workers, as well as for writer/artist denizens of America’s bohemia.

The Drivers of Growth in Book Publishing

The number of book sales in the United States remains healthy, though it has leveled off in the past four years. In 2020, 756.82 million book unit sales were made in the US alone. This number climbed to 837.66 million in 2021, before falling slightly to 787.65 million units in 2022 and 767.36 million units in 2023.

What has changed dramatically has been the number of books published. Steve Piersanti of Berrett-Koehler Publishers estimates that three million books were published in the US, up 10 times from the number only 16 years ago . Other estimates put the number of published books annually at closer to four million .

The main driver of this growth in books published has been self-publishing. According to Bowker , which provides tools for self-publishing, an estimated 2.3 million books were self-published in 2021. Up through the 1990s (now the distant past in publishing), writers of all types of books, fiction and nonfiction, were dependent on convincing publishing houses to publish their work. As the technology for self-publishing and print on demand grew in the early 2000s, writers could publish on their own, and a very large number of Americans began to do so.

Fueling growth also is the level of affluence and discretionary income that an increasing segment of American society is reaching. For centuries, theorists across the political spectrum have envisioned a society, freed from basic economic needs, pursuing creative activities, with writing as a primary activity. In The German Ideology , Karl Marx could write about the economy of abundance in which individuals pursue writing as one of a series of daily activities—hunt in the morning, fish in the afternoon, write criticism in the evening. John Maynard Keynes in a 1930 essay, “ Economic Possibilities for Our Grandchildren” , envisions a time a hundred years forward (2030) in which writing is no longer the province of the upper classes. Contemporary theorists on the future of work, such as John Tamny, similarly see a blooming of creative and artistic activities by the average citizen.

Best High-Yield Savings Accounts Of 2024

Best 5% interest savings accounts of 2024, a writing room, and the emerging marketplace of writer training.

A marketplace of writing coaches, classes and retreats expanded throughout the late twentieth century and first years of the twentieth century. Published authors and even recently-minted graduates of MFA programs hung out shingles for individual coaching and small classes. Colleges expanded their writing programs and certifications, and writer retreats multiplied. Co-working and literary event spaces were established in major cities ( The Writers Room in New York, The Writers Grotto in San Francisco). But the marketplace continued to bump up against geographic and logistical limitations.

Then, along the came the internet, and its evolution.

Today, hundreds of businesses throughout the country offer assistance to aspiring writers. Many continue to offer some in-person assistance through coaching, classes or retreats. But as in other fields, the internet has allowed for a nationwide (worldwide) reach that these businesses are taking advantage of to scale. The major pre-internet writer assistance companies, such as The Writers Studio , added online courses and instruction, and the early internet-based companies from the 1990s, such as Writers.com (a pioneer in the internet field), steadily expanded their offerings. New enterprises are springing up on a regular basis, including the writer collectives.

A Writing Room is one of the fastest growing of the writer collectives, and its suite of services illustrate the how the field is evolving.

A Writing Room has its roots in the writing classes that novelist Anne Lamott had been teaching for some years, and her interest by the early 2020s in creating a larger on-going community of writers. Lamott connected with a team of four entrepreneurs who had experience with previous start-ups and expertise in online tools. In early 2023 they set out to develop A Writing Room.

Novelist Anne Lamott, one of the partners in A Writing Room.

A Writing Room launched in June 2023, and followed a few months later with an inaugural writers retreat in Santa Fe, New Mexico. Though hastily arranged, the retreat attracted more than 400 in person attendees and over 1600 attendees online. In the first half of 2024, the company set up a membership structure of monthly and annual memberships. Within months, over 550 writers had joined.

The products that members can access are aimed in part at teaching the craft of writing. In a recent author discussion (with close to 400 participants joining online) Lamott discussed the craft of writing with novelist Donna Levin . Both started publishing in the 1980s. They noted how much publishing and the role of the writer have changed, but emphasized the fundamentals that have remained over their forty years, related to craft and the responsibility of the writer: the daily commitment, the careful development of plot and characters, the numerous rewrites (as many as you think you need, and one more).

A Writing Room offers a series of on-demand courses, online discussions with authors and publishing professionals, and daily writing prompts, built around writing as craft. It further offers instruction on the paths to and options for publication, building a following of readers.

At its center, A Writing Room is about being part of a community of writers, giving and receiving regular feedback from other members, as well as feedback from writing mentors and coaches. In an interview earlier this year, Lamott explained:

The great myth about writing is that it's an entirely solitary activity. This really isn't true. Every book I've ever written has been with a lot of help from my community. I wouldn't be the writer I am today — and wouldn't even want to write — without people to share the process and finished work. Writing is a process, but it doesn't have to (and really shouldn't be) done in total isolation.

The writing process can feel overwhelming. It often does for me. Believe me, a trusted writing friend is a secret to life.

Other emerging writing collectives also emphasize community and cooperation. Levin underscored this point in the recent online discussion: “Writing can be such an isolated activity, and to some extent needs to be. You want to seek out a community that can give you the support you need and also the honest feedback.”

How the New Marketplace Is Evolving And Jobs Created

The founders of A Writing Room know that the marketplace for writer assistance is fast changing, and they need to be quick to adapt to increased competition. Already, several developments are driving change in the field:

· The entrance of major online education companies (i.e. Masters Class , Coursera, Udemy ).

· Faculty recruitment of writers with built-in audiences of sizable twitter and other social media followings.

· Partnerships with the major publishers and agencies, who hold out the promise of publication to participants of the classes, retreats and collectives.

· Specializations by race and ethnicity, gender, geography and genre.

· Market segmentation, and attention to higher income consumers.

A number of these developments reflect the changes in the broader publishing world and are likely to continue. Overall, the marketplace itself will be expanding, as publishing technology advances, along with discretionary income.

The jobs being generated by this new marketplace are a mix of tech, administrative, and writing coach positions. At A Writing Room, recent hires include a community liaison, video editor, customer support, and a “beta reader” providing feedback to writers on their drafts. The hiring process is sweeping up into jobs not only workers who have been in the regular economy, but also residents of America’s bohemia: writers and artists who previously were outside of (and often scornful of) the market system. What can be better than that.

In his 2023 book, The Novel, Who Needs It , Joseph Epstein, former editor of American Scholar , offers a paean to fiction as above all other intellectual endeavors that seek to understand human behavior. But what he says of fiction is true of other writing (memoir, history, even forms of self-help) that arouses the mind.

Yes, there are way too many books published each year, and yes only a very small percentage of writers will earn any significant income from their writing. But who knows what individual book will succeed commercially or critically, or add to our shared knowledge or wisdom. And really, why not encourage the craft of writing. How much does America benefit from most of the paper-pushing, meetings and e-mails that now pass for work in our economy of affluence.

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• BA in Humanities

Creative Writing

The Creative Writing concentration is designed for beginner through experienced writers who wish to develop their craft. Through studio classes in poetry, prose, and performance, you will concentrate on generating texts and learning the conventions of particular genres and forms. You also will participate in interdisciplinary humanities seminars that bring together reading, writing, theory, and method.

Build Your Audience

Improve as a writer with practice and feedback and increase your audience through publication in our literary and arts journal, Dovetail.

Faculty Contact

Dr. Clif Hubby

(212) 992-8397

[email protected]. 

Requirements

Creative writing concentration: craft studios category.

Students select four credits from Craft Studios and four credits from Workshops and an additional eight credits from either category.

• CWRG1-UC5243 The Craft of Playwriting 4
• CWRG1-UC5242 Poetry Studio 4
• CWRG1-UC5241 Prose Studio 4

Creative Writing Concentration: Workshops Category

Students select four credits from Workshops and four credits from Craft Studios and an additional eight credits from either category.

• CWRG1-UC5277 Creative Nonfiction Workshop 4
• CWRG1-UC5271 Fiction Workshop 4
• CWRG1-UC5272 Poetry Workshop 4
• CWRG1-UC5280 Writing for Children & Adolescents 4
• CWRG1-UC5275 Writing for The Screen 4
• CWRG1-UC5273 Writing for The Theater 4
• MEST1-UC6050 Digital Storytelling 4
• MEST1-UC6013 Writing for Media and Communication 4

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Location City:    Orlovo, Moskovskaya, Russian Federation (Russia) Near (Alt.): Rus' ICAO: Details Type: Heliport Latitude: 55�32'58"N (55.549444) Longitude: 37�51'52"E (37.864444) Variation: 12.03�E (WMM2020 magnetic declination) 0.14� annual change Related Locations Nearby: Farthest: Find:    beyond   but within    Copyright © 2004-2024 . All rights reserved. The Great Circle Mapper name and logo are trademarks of the . All other trademarks mentioned herein belong to their respective owners. Please see for attributions and further copyright information.       114 IMAGES DSC_0115 A Tale of Three Cities: NYU’s Summer Creative Writing Programs Literature and Creative Writing Major DSC_0003 AWP: Guide to Writing Programs NYU Creative Writing Program VIDEO JkBose postponed/ Class 10th 2024 Exam Unlock satisfaction and impact in your lifestyle business my seriousness when I'm sketching #shorts #short #viral #youtubeshorts #trending #youtube #video The Benefits of a Visual CRM Tracking Leads with Efficiency #writeyourname#shortvideos#calligrahy#viral#writing#trending Justin Torres at the 2023 National Book Awards Finalist Reading COMMENTS Creative Writing Program The graduate Creative Writing Program at NYU consists of a community of writers working together in a setting that is both challenging and supportive. Learn More. Low Residency MFA Workshop in Paris. The low-residency MFA Writers Workshop offers students the opportunity to develop their craft in one of the world's most inspiring literary capitals. Creative Writing (MFA) Learning Outcomes. Upon successful completion of the program, graduates will have achieved the following learning outcomes: Graduate students in the Creative Writing Program at NYU work intensively with faculty mentors in writing workshops and individual conferences to learn and master the basic elements of the craft of fiction, creative nonfiction, or poetry. Program in Creative Writing as.nyu.edu/cwp Lillian Vernon Creative Writers House, 58 West 10th Street, New York, NY 10011-8702 • 212-998-8816. Director. Professor Landau. The New York University Program in Creative Writing, among the most distinguished programs in the country, is a leading national center for the study of writing and literature. Course Offerings Creative Writing (2022 - 2024) In addition to the on-campus creative writing courses offered throughout the year, special January term and summer programs offer students a chance to study intensively and generate new writing in Florence, New York, and Paris. CRWRI-UA 815 Formerly Creative Writing: Introduction to Fiction and Poetry. PDF Creative Writing (MFA) 1. Graduate students in the Creative Writing Program at NYU work intensively with faculty mentors in writing workshops and individual conferences to learn and master the basic elements of the craft of fiction, creative nonfiction, or poetry. 2. Students are expected to read widely and deeply, and to acquire Master of Fine Arts in Creative Writing Requirements for the Master of Fine Arts degree include the completion of 32 points (eight 4-point courses) and the following specific requirements: (1) Four graduate creative writing workshops taken in four separate semesters (16 points). (2) One to four craft courses (The Craft of Poetry, CRWRI-GA 1950, or The Craft of Fiction, CRWRI-GA 1960 ... Master's in Professional Writing Online Master's (MS) in Professional Writing Online. 100% Online Study Option. Fully online and 36 credits, the MS in Professional Writing pairs the convenience of learning from any location with the quality of an NYU graduate degree. Real-world assignments in core and elective courses allow you to build a comprehensive, digital writing portfolio ... PDF Graduate Student Handbook Creative Writing Program New York University Course requirements for the Master of Fine Arts degree in Creative Writing include the completion of 32 points (eight 4-point courses) and the following specific requirements: Four graduate creative writing workshops (Workshop in Poetry, Workshop in Fiction, or Workshop in Creative Nonfiction) taken in four separate semesters. (16 points). Course Offerings Courses in Literature for Majors and Minors (Open to All Undergraduates) The following courses are open to all undergraduates who have fulfilled the College's expository writing requirement. Theory of Drama. ENGL-UA 130 Identical to DRLIT-UA 130. Offered every year. 4 points. Creative Writing Creative Writing Experiments provides a foundation in at least two genres or areas of creative writing (i.e. fiction, poetry, screenwriting, playwriting, creative nonfiction, literary journalism, memoir, and/or translation). The conversations and writing assignments will be guided by a reading list that emphasizes modern and contemporary global ... Creative Writing (CWP-UF) The course will require extensive writing, class participation, and peer feedback: most sessions will be devoted to workshops of student writing. The goal? To become better readers and creative writers, and to develop a heightened appreciation for the role of place in literature, as well as the complexity of producing literary work. AWP: Guide to Writing Programs Undergraduate Program Director Deborah Landau Director 58 West 10th Street NYU Creative Writing Program New York New York, United States 10011 Email: [email protected] URL: https://as.nyu.edu/cwp.html. The Minor in Creative Writing offers undergraduates the opportunity to hone their skills while exploring the full range of literary genres including poetry, fiction, and creative nonfiction. Introduction to Creative and Expository Writing REVISED DESCRIPTION: Introduction to Creative and Expository Writing introduces students to broad a range of writing activities, exercises and texts within the fields of creative and expository writing. Students will sharpen their skills through practice and reflection and learn how to use writing as a tool for thinking, learning and organizing ... Research Guides: Creative Writing: Organizations and events National Novel Writing Month (NaNoWriMo) National Novel Writing Month, often shortened to NaNoWriMo, is a U.S.-based nonprofit organization that promotes creative writing around the world. Its flagship program is an annual, international creative writing event in which participants attempt to write a 50,000-word manuscript during the month of ... Creative Writing Courses and the Creative Writing Minor You can complete the Creative Writing Minor with 16 credits: Introduction to Creative Writing (4 credits) 8 credits of intermediate or advanced level Creative Writing craft courses. 4 credits of an additional Creative Writing craft course (of any level) or a designated elective (usually in literature, theater, or film). Creative Writing (Minor) General Information. The introductory workshop CRWRI-UA 815 Creative Writing: Intro Prose & Poetry, or the study away course CRWRI-UA 9815 Creative Writing, is generally the required foundational course, to be followed by 12 additional credits from the program's CRWRI-UA course offerings.. However, students who begin their minor by taking one of the program's 8-credit summer intensives ... Summer 2013 Game Writing Masterclass The NYU Game Center is pleased to announce our first game writing Master Class, led by award-winning writer Susan O'Connor. This two day, hands-on workshop is designed for students and creative professionals from both inside and outside the industry who recognize the potential of the medium and want to play a part in shaping its future. Program of Study (CAS Bulletin) Students wishing to begin the creative writing minor while studying away at an NYU site should register for Creative Writing (CRWRI-UA 9815) or, if studying away in the summer, for one of the 8-point intensives offered in Paris and Florence (CRWRI-UA 9818, 9819, 9828, or 9829). These courses are not considered outside courses and will ... A Writing Room: The New Marketplace Of Writer Classes ... A Writing Room has its roots in the writing classes that novelist Anne Lamott had been teaching for some years, and her interest by the early 2020s in creating a larger on-going community of ... Creative Writing The Creative Writing concentration is designed for beginner through experienced writers who wish to develop their craft. Through studio classes in poetry, prose, and performance, you will concentrate on generating texts and learning the conventions of particular genres and forms. You also will participate in interdisciplinary humanities ... Flag of Elektrostal, Moscow Oblast, Russia : r/vexillology Animals and Pets Anime Art Cars and Motor Vehicles Crafts and DIY Culture, Race, and Ethnicity Ethics and Philosophy Fashion Food and Drink History Hobbies Law Learning and Education Military Movies Music Place Podcasts and Streamers Politics Programming Reading, Writing, and Literature Religion and Spirituality Science Tabletop Games ... File:Coat of Arms of Zhukovsky (Moscow oblast).svg 首页; 分类索引; 特色内容; 新闻动态; 最近更改; 随机条目; 资助维基百科 Elektrostal, Moscow Oblast, Russia Elektrostal Geography. Geographic Information regarding City of Elektrostal. Elektrostal Geographical coordinates. Latitude: 55.8, Longitude: 38.45. 55° 48′ 0″ North, 38° 27′ 0″ East. Elektrostal Area. 4,951 hectares. 49.51 km² (19.12 sq mi) Elektrostal Altitude. UUDO Heliport information about UUDO - Orlovo, MOS, RU. 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