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Off-beat Topics to Write About for an Article in 2024

Neil March 6, 2024 Blog Post Idea Generator Leave a Comment

Every other writer struggles with figuring out “What should I write about?” at some point in career. To be frank, coming up every time with unique topics to write about for an article is a challenge in itself. Sometimes it feels like reaching the end of the creative ideas rope😓! 

Source: Freepik

That’s the right time when you need a little motivation to ignite your creativity and get you in the mood for writing. And that motivation comes from content ideas. That’s why we emphasize that ideas are the writer’s currency💸, and for good reason! 

But with so many ideas floating around, how do you choose the right ones? Fret not, for inspiration is just around the corner! We’ve pooled together popular writing topics for your next blog post or article. So grab your ✎ or 💻 and get ready to write. 

What Type of Topics Can You Write an Article On?

Source: Giphy

There can be various things to write an article about. The decision to pick the right topic for writing an article often comes down to your interests and what your audience loves the most. Below, we’ve briefly explained some topics for articles that people generally like to engage with or explore. 

1. What’s Trending

While exploring things to write articles about, trending topics are a great option to share with your audience. Stay on top of the latest trends and buzz-worthy topics on the internet. From viral videos to breaking news, bring your readers the most captivating and relevant stories of the day.

2. News-worthy Industry Insights 

Get insider insights, expert analysis, and updates on the latest advancements in your industry. Keep your readers informed of what’s happening in the industry. Ensure you are among the first to break the news – it’ll be a jewel in the crown!

3. How-to Guides 

How-to guides (and listicles) perform very well in terms of keeping readers engaged and increasing dwell time . It’s because they empower readers to get done with something in an easy-to-follow manner with practical techniques and skills that they want to learn ( and earn from ).

4. Case Studies

Case studies are usually real-life examples and stories of how people and organizations have achieved success by overcoming challenges. They are attention-grabbing due to the lessons shared and best practices that readers can apply while pursuing their ambitions.

5. Debunking Myths

Clear up misconceptions and give your readers a deeper understanding by exposing the truth behind common myths. This idea mostly works wonders and might even bring you your first – or next – viral blogs .

6. Personal Experiences

Sharing your personal experiences in your articles lets you connect on a deeper level with your readers. For instance, you can share your inspirational journey towards achieving a goal or moments that changed your life. These articles may not vibe like typical posts, but they engage readers with a heart-to-heart connection.

How to Find Topics to Write About for an Article?

Now, let’s get to the crux of the matter at hand, i.e. how to find topics to write about. 85% of writers face writer’s block at times. Do you?

If you’re nodding yes like this, then don’t worry! We’ve got your back. This happens to most of us when we run out of topics for writing articles. The solution? Set aside dedicated time to brainstorm ideas. Take a break, and return to work with a refreshed mindset and new perspectives. 

There are also some robust online tools that provide you with a lot of creative ideas instantly. Have you tried our Blog Post Idea Generator ? Once you experiment with it, you’ll say, “ Aha! That’s what I needed .” The answer to  the“why” you’re just thinking about lies in the following reasons:

• 100% free of cost
• Unlimited content
• Completely customizable
• User-friendly platform
• Creativity level adjustment 
• Multiple language options 

What are you waiting for? Give it a shot now to get a plethora of good topics for articles.

Trending Article Topics to Write About for Every Niche

When Auston Kleon (best-selling author) said “ Your job is to collect good ideas. The more good ideas you collect, the more you can choose from to be influenced by. ” he knew what he was talking about. That’s why we’re providing you with 50+ trending topics to write an article about in every niche.

Health & Fitness

Let’s find catchy article topic ideas related to health and fitness that you can write about below.

• Weight loss
• Mental health
• Women health
• Sleep and rest
• Healthy aging

Selected the topic? It’s time to explore these fitness blog name ideas to choose from for your blog!

Science & Technology

Advancements in science and technology are constantly pushing the boundaries of what’s possible. Here are some potential article topics to write about to infotain your readers.

• Renewable energy 
• Cryptocurrency 
• Cybersecurity 
• Gadget reviews 
• Cloud computing 
• Virtual reality (VR)
• Augmented reality (AR)

Check out these awe-inspiring technology blog ideas to get you started.

Fashion & Lifestyle

Explore these catchy fashion & lifestyle topics to write an article on that people fall in love with easily.

• Seasonal outfits
• Sustainable trends
• Minimalism in lifestyle
• Upcycling clothes
• Gender-neutral fashion
• Shopping on budget
• Bag collection
• Morning routine
• DIY skincare

To get some inspo for starting a personal blog, browse through these best lifestyle blogs.

Business & Finance

There were 300M+ companies globally in 2021 that run their businesses and manage finances. From following startups to successful ventures, everyone is interested in getting updates from businesses across the world. Do you have a knack for business writing? The following topics to write articles can help you there.

• E-commerce trends
• AI role in finance
• Side hustles
• Remote work
• Stock market
• The gig economy
• Outsourcing

When you’re writing a business blog, consider checking our invaluable business blogging tips.

Travel & Adventure

If you’re a traveler (or an adventurer) and want to share your journey tales with your audience, these travel topics to write articles about are for you.

• Solo travel
• Thrilling Adventure
• Urban Exploration
• Traveling on a budget
• Backpacking essentials
• Heritage tourism
• Food tourism

Test out these best travel blog names to see which one fits the criteria of your blog requirements!

Personal Development

We curated these personal development topics to write articles on after researching what people love the most in this niche.

• Mindfulness
• Time management 
• Emotional intelligence
• Goal setting
• Career development
• Stress management

Before starting your blog, don’t miss out on these personal development blog ideas, specially crafted for passionate bloggers like you!

Final Thoughts

Whether blogger, marketer, or, writer, this article is for you. It saves you from the grind of finding topics to write about for an article. We helped you overcome this challenge by providing versatile topic ideas under the sun. Equipped with this knowledge, go forth and go viral!

I am a full-time online marketer, for over a decade now. Helped over 100,000+ people & generated well over $12M in online sales.

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How to Write an Article for a Magazine: Expert Tips and Tricks

By: Author Paul Jenkins

Posted on Published: June 14, 2023  - Last updated: June 23, 2023

Categories Writing

Magazine writing is a unique form of art that requires writers to carefully blend elements of storytelling, informative research, and reader engagement. Crafting an article for a magazine demands a flair for creative writing and an understanding of the submission process and the specific expectations of the magazine’s audience.

With a clear idea of the subject matter and a strong knack for storytelling, anyone can venture into the world of magazine writing and make a lasting impact on the readers.

The journey of writing a magazine article begins with understanding the fundamentals of magazine articles and their unique characteristics. It requires a thorough understanding of the target market, a well-defined topic, and an unmistakable voice to engage readers.

By focusing on these aspects, writers can create articles that resonate with a magazine’s audience, leading to potential ongoing collaborations and publication opportunities.

Key Takeaways

• Magazine writing involves a blend of storytelling, research, and reader engagement.
• Understanding the target audience and article topic is crucial to success.
• Focusing on writing quality and a unique voice can lead to ongoing publication opportunities.

Understanding Magazine Articles

Types of magazine articles.

Magazine articles can differ significantly from newspaper articles or other forms of writing . Several types of magazine articles include features, profiles, news stories, and opinion pieces. Feature articles are in-depth stories that provide substantial information about a specific subject, often written by freelance writers.

Profiles focus on an individual or organization, showcasing their accomplishments or perspective. News stories are shorter pieces that report timely events and updates, while opinion pieces allow writers to share their viewpoints on relevant matters.

The Purpose of a Magazine Article

The primary purpose of a magazine article is to entertain, inform, or educate its readers in an engaging and visually appealing manner. Magazine writing is crafted with the reader in mind, considering their interests, knowledge level, and preferences.

The tone, structure, and style may vary depending on the target audience and the magazine’s genre. This approach allows for a more flexible, creative, and conversational writing form than news articles or research reports.

Magazine articles are an excellent medium for freelance writers to showcase their writing skills and expertise on specific subjects. Whether they’re writing feature articles, profiles, or opinion pieces, consistency, factual accuracy, and a strong connection with the reader are essential elements of successful magazine writing.

Developing Your Article Idea

Finding a story idea.

Developing a great article idea starts with finding a unique and compelling story. As a freelance writer, you must stay updated on current events, trends, and niche topics that can spark curiosity in the readers.

Browse newspapers, magazine websites, blogs, and social media platforms to stay informed and derive inspiration for your topic. Engage in conversation with others or join online forums and groups that cater to your subject area for fresh insights.

Remember to select a theme familiar to you or one with expertise. This approach strengthens your article’s credibility and offers readers a fresh perspective.

Pitching to Magazine Editors

Once you’ve generated a story idea, the next step is to pitch your concept to magazine editors. Start by researching and building a list of potential magazines or publications suited to your topic. Keep in mind the target audience and interests of each publication.

Instead of submitting a complete article, compose a concise and engaging query letter. This letter should encompass a brief introduction, the main idea of your article, your writing credentials, and any previously published work or relevant experience.

When crafting your pitch, aim for clarity and brevity. Magazine editors often receive numerous submissions, so make sure your pitch stands out.

Tailor the tone of your query letter according to the general style of the target magazine, and consider mentioning specific sections or columns you believe your article would fit.

Patience and persistence are key attributes of successful freelance writers. Always be prepared to pitch your article idea to different magazine editors, and do not hesitate to ask for feedback in case of rejection. Refining and adapting your story ideas will increase your chances of getting published.

Remember to follow the guidelines and protocols established by the magazine or publication when submitting your query letter or article pitches. Also, some magazines may prefer to work with writers with prior experience or published work in their portfolios.

Consider starting with smaller publications or creating a blog to build your credibility and portfolio. With a well-developed article idea and a strong pitch, you’re on the right path to becoming a successful magazine writer.

Writing the Article

The writing process.

The writing process for a magazine article generally involves detailed research, outlining, and drafting before arriving at the final piece. To create a compelling article, identify your target audience and understand their preferences.

This will allow you to tailor your content to suit their needs and expectations. Next, gather relevant information and conduct interviews with experts, if necessary.

Once you have enough material, create an outline, organizing your thoughts and ideas logically. This helps ensure a smooth flow and lets you focus on each section as you write.

Revising your work several times is essential, checking for grammar, punctuation, and clarity. Ensure your language is concise and straightforward, making it accessible to a broad range of readers.

Creating an Engaging Opening

An engaging opening is critical in capturing the reader’s attention and setting the tone for the entire article. Begin your piece with a strong hook, such as an intriguing anecdote, a surprising fact, or a thought-provoking question. This will entice readers to continue reading and maintain their interest throughout the piece.

Remember that different publications may have varying preferences, so tailor your opening accordingly.

Organizing Your Content

Organizing your content is essential in creating a coherent and easy-to-read article. Consider segmenting your piece into sub-sections, using headings to clarify the flow and make the content more digestible. Here are some tips for organizing your content effectively:

• Utilize bullet points or numbered lists to convey information in a simple, organized manner
• Highlight crucial points with bold text to draw readers’ attention
• Use tables to present data or comparisons that may be difficult to express in plain text

As you organize your content, keep your target audience in mind and prioritize readability and comprehension. Avoid making exaggerated or false claims, damaging your credibility and negatively impacting the reader’s experience.

Remember to adhere to the submission guidelines provided by the magazine, as each publication may have different preferences and requirements. Following these steps and maintaining a clear, confident tone can create an engaging and informative magazine article that resonates with your readers.

Polishing Your Article

Proofreading and editing.

Before submitting your article to a magazine, ensure it is polished and error-free. Start by proofreading for grammar, spelling, and punctuation mistakes, making your article look more professional and credible. Using tools like grammar checkers is a good idea, but an experienced writer should also manually review their piece as the software might not detect some mistakes.

Editing your article is crucial, as it helps refine the structure and flow of your writing. Eliminate redundant or unnecessary words and reorganize paragraphs if needed. Consider asking a peer or a mentor to review it for an unbiased perspective.

Keep the magazine’s desired writing style in mind, and adapt your article suitably. For example, a news article may require a concise and informative tone, while a feature in a magazine on pop culture may call for a more conversational and engaging approach.

Using Appropriate Language and Style

To make your article stand out, it is essential to use appropriate language and style. Unlike online publication or social media writing, magazine journalism usually demands a more refined and professional tone. Focus on using a clear, neutral, knowledgeable voice conveying confidence and expertise.

Here are some tips to ensure your article fits the magazine’s desired style:

• Ensure you have a compelling subject line that captures the reader’s attention.
• Depending on the type of article you’re writing, decide if your piece should follow a more scholarly approach, like in a scholarly journal, or a more relaxed, opinion-based style found in lifestyle magazines.
• Use relevant examples to support your points, but avoid making exaggerated or false claims.
• Consider your audience and their interests. Choose the right vocabulary to engage them without making the content too pretentious or complicated.

By carefully proofreading and editing your work and using appropriate language and style, you can ensure your magazine article shines. Remember to stay true to your voice and the magazine’s requirements, and maintain a professional tone.

Frequently Asked Questions

What are the key components of a magazine article.

A magazine article typically includes a headline, introduction, body, and conclusion. The headline should be striking and attention-grabbing to capture the reader’s interest. The introduction sets the context and tone of the piece while giving the reader a taste of what to expect.

The body of the article is where the main content and message are conveyed, with vital information, examples, and analysis.

The conclusion summarizes the article by summarizing the main points and often providing a call to action or a thought-provoking question.

What is an effective writing style for a magazine article?

An effective writing style for a magazine article should be clear, concise, and engaging. It is essential to cater to the target audience by using language that resonates with them and addressing relevant topics. Keep sentences and paragraphs short and easily digestible, and avoid jargon unless the publication targets industry professionals.

Adopting a conversational tone while maintaining professionalism usually works well in magazine writing.

How should the introduction be written for a magazine article?

The introduction of a magazine article should engage the reader right from the start by grabbing their attention with a hook. This can be an interesting anecdote, a fascinating fact, or a provocative question. The introduction should also establish the flow of the rest of the article by providing brief context or outlining the piece’s structure.

What are the best practices for structuring a magazine article?

The structure of a magazine article should be well-organized and easy to follow. This often means using subheadings, bullet points, or numbered lists to break up the text and emphasize important content. Start with the most important information, then move on to supporting details and background information. Maintain a logical, coherent flow between paragraphs, ensuring each section builds on the previous one.

How can I make my magazine article engaging and informative?

To make a magazine article engaging and informative, focus on finding the right balance between providing valuable information and keeping the reader entertained. Use anecdotes, personal stories, and real-life examples to make the content relatable and genuine. When applicable, include engaging visuals (such as photos or illustrations), as they aid comprehension and make the article more appealing. Finally, address the reader directly when possible, making them feel more involved in the narrative.

What are some useful tips for editing and proofreading a magazine article?

When editing and proofreading a magazine article, focus on the bigger picture, such as organization and flow. Ensure that the structure is logical and transitions are smooth and seamless. Then, move on to sentence-level editing, examining grammar, punctuation, and style consistency. Ensure that redundancies and jargon are eliminated and that the voice and tone match the target audience and publication. Lastly, proofread for typos and errors, preferably using a fresh pair of eyes or a professional editing tool.

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10 Easy Ways to Find Good Ideas for Magazine Articles

• June 16, 2020

You want to write a magazine article or blog post, but you don’t have many – or any – ideas. You don’t even know how to find good magazine article ideas! No problem; these ten tips will help you find good – and interesting – ideas for your articles.

Before we go there, here’s one of my least favorite tips on how to find inspiration: “Book and magazine article ideas are everywhere ! All you have to do is stand in line at the grocery store, and you’ll overhear a conversation that’ll lead to a fascinating idea to write about.” Sure – ideas may be everywhere. The problem is recognizing GOOD ideas. It’s not just the idea that’s important; it’s finding the best slant, the most current research, the most compelling anecdotes.

Truth be told, the best way to find good ideas to write about for magazines is to tune your writer’s ear. And this takes practice. The more ideas you hear, the more articles and query letters you pitch, the more finely you’ll tune your instincts. My tips for finding – and recognizing – good magazine article ideas will help. But you need to practice until you find your footing in the writing world.

I became a successful freelancer shortly after I started writing because I read all the books on freelance writing. I made notes on books like  Make a Real Living as a Freelance Writer: How to Win Top Writing Assignments by Jenna Glatzer. I learned how professional magazine and online writers work with publishers, build relationships with editors, research market trends, and recognize which sections of a magazine are open to freelance writers. I also learned what kinds of articles are in demand, what to do if a publisher doesn’t pay my invoice, how to market my reprinted articles, and how to become an expert in my niche.

All it takes to be a successful freelance writer – or simply to find good article ideas for your own magazine, newspaper or blog – is to treat writing like a business. Learn everything you need to know about writing for magazines , and you’ll succeed beyond your wildest dreams.

How to Find Good Magazine Article Ideas

Great ideas are like diamonds: they need to be sought, mined, and polished. Strong feature articles have to be timely, well-rounded, and relevant. It also helps – a great deal – if you have a strong writer’s voice.

1. Use a phrase, idea, or person in a current article. For instance, I recently wrote an article about “how to love your job” for Reader’s Digest.ca . In researching that idea, I came across several unusual jobs. So, I pitched an article about “odd jobs” to Reader’s Digest . They bought it! See how freelance writing ideas snowball? Even a so-so article idea can lead to a strong, publishable article – if keep your eyes and ears open.

Ideas can be found in other people’s articles, books, blog posts, or poems. If you’re reading something and a question or though pops into your head, follow it up. That’s a great way to find ideas.

2. Read through your old articles. If you’re really stuck, peruse your old articles for possibilities. I love writing round-ups or “10 Things You Never Knew About…”, and there are usually tons of ideas in my past articles. Here’s a freelance writing tip for new freelancers: peruse those top 10 lists for ideas for articles that will work for you.

If your old articles focus on a specific topic, read  How to Get Your Magazine Article Published in a Niche Market .

3. Look through past research – and find out if new studies are out. My research contains dozens of ideas for new articles: why women don’t fall asleep after sex, whether aromatherapy works for men, and new discoveries about depression. Successful freelance writers learn how to recognize new ideas in past research discoveries, and find ways to spin off previously successful articles.

4. Take a retreat, class, or workshop. Getting out of your normal routine will expose you to new people, new writing ideas, and new ways to look at life. In trying new things and taking risks, you’ll find ideas to write about for magazine articles — and you’ll sell those article ideas to magazines!

5. Skim science or news websites. I read ScienceDaily and Eurekalerts every day for new ideas for articles. While most freelance writers have their own method for coming up with article ideas, I daresay most tap into the daily news or recent research. And those studies can be cited repeatedly. For example, I used a research finding about aromatherapy and depression in three or four different articles, all with different spins.

Do you have the “skin of a rhino”? Read 5 Ways to Keep Writing After Multiple Rejection Letters .

6. Listen to TV or radio talk shows. Freelance writers can really tap into “the pulse of the nation” when they watch The View , Oprah , or The Today Show . Learning what’s happening on TV is a good way to find ideas to write about for magazine articles — but successful writers can’t chase trends.

7. Find a good press release feed or website. This another way to find ideas to write about for magazines: keep up with current press releases. They can be a solid source of article ideas.

8. Don’t ignore the daily routine. As much as I don’t believe that magazine article ideas are “everywhere”, I do admit that you can create articles that sell from your life. I’ve done it. My first article sale was to alive magazine, called “The Upside of Ulcerative Colitis.” It was about how to cope with a chronic illness, which I do every day. Though my first article sale came from my own life, I’m not a big fan of mining my life for ideas.

9. Visit forums and discussion boards. Another way to find ideas to write about for magazine articles is to visit forums and chat rooms. It takes time to go through the various discussion boards, but freelancers can find all sorts of ideas and questions there!

10. Make WIIFM your standard. WIIFM stands for “what’s in it for me”? This relates back to my writing pet peeve that “writing ideas are everywhere.” The ideas could be everywhere, but the paid assignments aren’t…unless you’ve looked through your WIIFM lens. To test the merit of your article idea, answer the question: “What’s in it for the reader?” You’ve gotta help or entertain them somehow, or you won’t make money as a freelance writer.

For awhile, I was hiring writers for Quips and Tips. It was a great experience because it showed me what editors go through when receiving pitches and working with writers. To learn what I learned, read  Can’t Get Published? Freelance Writers, Stop Doing This…

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4 thoughts on “10 Easy Ways to Find Good Ideas for Magazine Articles”

I find article ideas in every day life, such as when I read magazines or watch the news.

I love your tips. This is of great help, thanks so much!

Awesome, Anne, I’m glad this blog post was helpful for you. ScienceDaily is a great resource for writers who need to find ideas to write about for their magazine articles – or even final class projects 🙂

Thank you Laurie! As a freshman in college and double major studying both Magazine & Multimedia Journalism, this was helpful for finding a magazine article idea on the ScienceDaily website you mentioned for my final project in a class. This information was what I needed to keep my mind on track with writing a good piece!!!

Magazine Articles: How to Write for Your Audience

Magazine content thrives when tailored to its readership. A successful magazine writer doesn’t just craft words but deeply understands their audience’s needs and preferences. This insight ensures that the content resonates, increasing engagement and loyalty.

Table of Contents

From choosing the right tone and voice to incorporating relevant visuals, every element should speak directly to the reader’s interests and expectations. As the magazine landscape evolves, writers must continuously adapt, keeping their fingers on the pulse of readers’ shifting desires, ensuring their work remains relevant and compelling.

Understanding the Importance of Audience-Centric Writing

Those pieces resonate with a specific audience that stands out in today’s vast content landscape. For magazines, staying relevant in the digital age isn’t just about glossy pages or captivating visuals; it’s crucial for magazine subscriptions. At its core, it’s about understanding and prioritizing the audience. Audience-focused writing isn’t merely a tactic for boosting magazine subscriptions; it’s necessary. As countless publications vie for attention, this approach dictates whether a magazine thrives or dwindles.

The Impact on Readership Engagement and Magazine Sales

The relationship between well-targeted articles and increased readership engagement is undeniable. When content resonates with readers’ interests, challenges, and aspirations, they are more inclined to engage, share, and discuss. This heightened engagement doesn’t just enhance brand loyalty; it also translates into tangible benefits for the publication.

Consider magazine subscriptions, a crucial revenue stream for many publications. When consistently presented with content tailored for them, a potential subscriber is significantly more likely to invest in a subscription. This commitment goes beyond a single purchase; it’s a sign of trust and a bond between the reader and the magazine. And in the age of fleeting digital interactions, such bonds are priceless. For magazines, this means a boost in sales and a growing, dedicated readership base that can be a goldmine for advertisers and partners.

Generic Content vs. Audience-Tailored Content for Magazines

The contrast between generic content and that tailored to an audience is akin to comparing fast fashion with custom tailoring. Much like off-the-rack clothing, generic content aims to fit a broad audience but only fits some people perfectly. It might capture attention momentarily, but it seldom leaves a lasting impression. Such content might get casual views, but it needs help to convert these views into dedicated magazine subscriptions.

On the other hand, audience-tailored content is crafted with precision. It considers its target readership’s unique preferences, behaviors, and needs. This bespoke approach ensures that readers see themselves in the content, feel understood, and, consequently, valued. Over time, this results in a stronger emotional connection to the publication.

The need for audience-centric writing becomes paramount as the magazine industry evolves and contends with various digital distractions. To increase magazine subscriptions and cultivate loyalty, magazines must prioritize content that deeply resonates with their readers. Standing out in a saturated market requires content that is both informative and impactful.

Defining Your Target Audience for Magazines

A target audience is a specific group for whom a product, service, or content is designed. In magazine art, this means creating visuals, illustrations, and designs that resonate with a particular segment of readers. A magazine’s art isn’t just about aesthetics; it’s a powerful tool that communicates messages, evokes emotions, and complements the written content. When tailored for a specific audience, this art can become a compelling element that draws readers in and keeps them engaged.

The Power of Knowing Your Magazine Readers

Diving deeper than surface-level demographics such as age, gender, or location, understanding your readers involves a comprehensive grasp of their psychographics, preferences, habits, and more. For magazine art, this is paramount.

Imagine a magazine targeting young urban professionals with a penchant for sustainable living. The art in this magazine would differ vastly from one aimed at retirees who love traveling. While demographics tell you ‘who’ your readers might be, psychographics illuminate ‘why’ they make confident choices, ‘how’ they perceive the world, and ‘what’ truly matters to them. This knowledge dictates the themes, colors, styles, and subjects of the magazine art, ensuring it aligns seamlessly with the content and resonates with the readers’ core values.

By understanding these intricate details, magazine publishers can craft art that not only decorates a page but also tells a story, evokes a sentiment, or reinforces a brand’s message, making the content more relatable and the magazine more memorable.

Unearthing Insights: Tools and Techniques for Magazines

Several tools and methods can aid publishers in identifying and researching their primary audience:

Surveys and Feedback Forms: Direct feedback from readers provides invaluable insights. Publishers can get a clearer picture of what resonates with their audience through structured questions about their interests, habits, and preferences.

Social Media Analytics: Platforms like Instagram , which are visually centric, offer insights into the types of magazine art and visuals that gain the most traction among followers.

Focus Groups: These small, discussion-based groups can offer deep insights into audience preferences, especially when launching a new magazine or redesigning an existing one.

Web Analytics: Google Analytics and similar tools offer insights into content popularity, reader demographics, and on-site activity, helping shape the visual strategy of online magazine content.

When created with a defined target audience, magazine art becomes more than just visuals on a page. It becomes integral to the magazine’s narrative, enhancing reader engagement and elevating the entire reading experience. Recognizing their audience is crucial for publishers aiming to create truly resonant art.

Recognizing Your Magazine Audience’s Needs and Preferences

The process continues once words hit the page in the evolving world of magazine publishing. The entire endeavor of magazine printing, from design to distribution, hinges on a profound understanding of the audience’s preferences. Recognizing these preferences ensures that what rolls off the presses is not only of high quality but also genuinely resonates with readers.

Steps to Deciphering the Magazine Reader’s Desire

Analyze Past Performance: Review previous issues and gauge which articles or features garnered the most attention. Observing patterns can offer insights into topics or genres your audience gravitates toward.

Stay Abreast of Trends: As the world changes, so do reader interests. Keeping tabs on global or local events and trends can guide content creation in sync with current affairs or popular culture.

Competitor Analysis: Observing what’s working for similar publications can offer insights into potential gaps in your own content or underline prevailing audience preferences in the magazine niche.

The Critical Role of Feedback and Surveys for Magazines

Feedback is the direct line to your readers’ minds. Post-issue surveys, reader polls, or feedback forms provide actionable insights. Questions about content quality, relevance, design, and magazine printing choices can offer valuable perspectives. For instance, feedback about print quality, paper texture, or environmental considerations can influence decisions in the magazine printing process, ensuring the end product meets audience expectations.

Regularly interacting with readers and seeking their opinions garners insights and builds a sense of community and trust . Readers feel valued when they know their opinions matter and can shape the magazine they love.

Leveraging Social Media and Online Communities for Magazines

In today’s digital age, online platforms play an indispensable role in understanding audience preferences:

Interact on Social Media: Through platforms such as Twitter, Instagram, and Facebook, immediate feedback is available. The comments, shares, and likes reveal the content readers value most.

Monitor Online Discussions: Websites like Reddit or niche forums can be goldmines for gauging reader sentiment. Observing discussions around magazine content or broader topics in the magazine’s domain can provide insights.

Use Social Media Polls: Platforms like Instagram offer features where publishers can run quick polls. This can be about content preferences, magazine printing choices (like matte vs. glossy finishes), or cover design options.

Magazine printing is more than just replicating content on paper. It’s about molding an experience tailored to reader preferences. By seeking to understand these preferences, publishers can ensure that their magazines look and feel great and hit the mark with content readers genuinely care about.

Shaping Your Magazine Article’s Tone and Voice

The beauty of a magazine article is not just found in its content but also in how it’s presented. The tone and voice of an article act as the magazine frame, encapsulating the content and influencing the reader’s perception. Just as a frame can enhance or diminish a painting’s beauty, the tone and voice can amplify or muffle an article’s impact.

Language, Style, and Narrative: The Triad of Engagement for Magazine

The influence of language, style, and narrative within the magazine frame on reader engagement is undeniable. Consider two articles on the same topic but crafted in different tones: casual, conversational versus formal, and authoritative. Depending on the reader, one might resonate more profoundly within the magazine frame, while the other may fall short.

Language: The choice of words and phrasing can affect the relatability of the content. Simplistic language might appeal to a broad audience, while industry-specific jargon could resonate with professionals seeking in-depth insights.

Style: This includes sentence structure, use of metaphors, and pacing. A punchy, direct style might captivate busy readers, while a poetic, descriptive style might enchant those looking for immersive reading.

Narrative: How a story unfolds, whether it’s a linear progression, a flashback format, or an anecdotal approach, can either engage or alienate readers.

Adapting Tone and Voice: Mirroring Your Magazine Audience

To effectively frame your magazine content, understanding your target audience is crucial. A casual, optimistic, and forward-looking tone might be apt if your readers are young millennials interested in sustainable living. Conversely, an authoritative and detailed voice would be more appropriate if your magazine caters to industry veterans in a technical field.

By adapting the tone and voice based on audience characteristics, articles within the magazine frame become more than just words on paper; they transform into relatable pieces of content that communicate directly with the reader.

Showcasing Tone Adaptation: Real-world Examples for Magazines

Travel Magazines for Backpackers vs. Luxury Travelers: An article in a backpacking magazine might have a tone of adventure and spontaneity, using colloquial language and thrilling anecdotes. On the other hand, a luxury travel magazine might employ a sophisticated and serene tone, emphasizing comfort, exclusivity, and elegance.

Tech Magazines for Enthusiasts vs. Professionals: A tech magazine for enthusiasts might adopt an excited, futuristic tone, highlighting innovations and possibilities. In contrast, one for professionals might focus on in-depth analysis, technical specifications, and industry impacts, using a more measured and detailed voice.

Within the magazine frame, it’s essential to mold the tone and voice of articles to echo the heartbeat of the target audience. Doing so ensures that the content informs and deeply connects, making every word count.

Structuring Your Magazine Content for Maximum Impact

In the world of magazine publishing, content reigns supreme. However, how this content is presented – its structure and magazine layout – can significantly influence its effectiveness. As readers skim through pages, they’re drawn to compelling content in substance and presentation. Mastering the structure can mean distinguishing between a hastily scanned article and an engaging read that resonates with the audience.

Headlines, Introductions, and Conclusions: The Triple Pillars for Magazine

In the vast sea of content, headlines act as lighthouses. A compelling headline tailored for the audience can capture attention, setting expectations for what’s to follow. Consider the difference between “Economic Trends in 2023” and “How 2023’s Economy Affects Millennials”. While focusing on the same subject, the latter is specifically tailored to engage a segment of readers.

Following the headline, introductions should delve deeper, offering a glimpse of the content’s essence. An impactful introduction promises value, giving readers a reason to continue.

Conclusions, meanwhile, act as encapsulations. They reinforce the article’s core message and often provide a call to action or a thought-provoking statement, ensuring the content lingers in the reader’s mind.

Adapting Structure to Magazine Audience Preferences

The magazine layout and content structure should mirror the preferences of its target audience:

Listicles: Ideal for readers who prefer bite-sized information. A magazine targeting millennials might feature listicles like “Top 10 Eco-Friendly Brands of 2023”.

Long-form Articles: Suited for an audience seeking in-depth knowledge. A magazine catering to industry professionals might have detailed analyses or research-based articles.

Interviews: Effective for audiences who appreciate insights from personalities or experts. A fashion magazine might interview designers, offering readers an inside look into the fashion world.

Techniques for Enhanced Digestibility and Engagement

Use of Subheadings: Breaking content with relevant subheadings makes it more scannable and organizes information logically within the magazine layout.

Incorporate Visuals: Infographics, images, or illustrations can break textual monotony and further explain complex topics.

Use of Pull Quotes: Highlighting notable quotes or statements can draw attention and emphasize key points.

Interactive Elements: In digital magazine versions, integrating interactive elements like videos, links, or quizzes can boost engagement.

Consistent Formatting: Consistency in font sizes, styles, and spacing enhances readability and offers a visually pleasing magazine layout.

While the substance of the content is vital, the structure in which it’s presented is equally crucial. By optimizing the magazine layout and tailoring the structure to audience preferences, publishers can elevate their content’s impact, ensuring it reaches its audience and resonates deeply with them.

Incorporating Relevant Visuals and Multimedia in Magazines

The saying “An image speaks louder than words” rings especially true in magazine publishing. As integral components of magazine design, visuals and multimedia elements can transform an article from mere words on paper to a dynamic and immersive experience.

The Potent Role of Images, Graphics, and Videos for Magazines

Visual elements, images, infographics, or videos enhance reader engagement. Here’s why:

Emotional Resonance: An evocative image can elicit emotions, making content more impactful and memorable.

Complexity Simplified: Graphics and infographics can distill complex data or concepts into easily digestible visual formats, aiding comprehension.

Dynamic Engagement: Videos offer a multi-sensory experience, drawing readers into emotional narratives that complement the written content.

In essence, these elements bring life to the magazine design, adding depth and dimension that can captivate readers.

Choosing Visuals that Echo Your Magazine Audience’s Pulse

The selection of visuals is a delicate art that requires an intimate understanding of the target audience. A young, vibrant demographic might appreciate edgy, contemporary visuals, while a mature audience might resonate with classic, timeless imagery. To ensure visuals strike the right chord:

Maintain Authenticity: Opt for genuine, high-quality images over stock photos. Readers can often discern and appreciate authenticity in magazine design.

Align with Content: Visuals should complement and reinforce the message, not diverge from it. An article on sustainability, for instance, might benefit from earthy, serene imagery.

Diversity is Key: In today’s globalized world, it’s essential to ensure that visuals reflect diversity, be it in terms of culture, age, or gender.

Best Practices: Harmonizing Multimedia with Written Content for Magazine

Integrating multimedia without overshadowing the written word is crucial. Here are some guidelines:

Strategic Placement: Position images or videos where they offer context or clarity, such as beside relevant paragraphs or sections.

Avoid Overcrowding: While visuals enhance magazine design, an excess can clutter pages. Use whitespace judiciously to ensure a balanced and clean layout.

Captioning: Accompany visuals with concise captions, providing context and enhancing understanding.

Optimize for Digital: For digital magazines, ensure videos load quickly, and graphics are mobile-responsive, offering readers a seamless experience across devices.

Maintain Consistency: Stick to a consistent visual theme or style throughout the magazine to offer a cohesive reading experience.

While content is the backbone of any magazine, the magazine design—enriched with visuals and multimedia—forms its soul. By thoughtfully incorporating these design elements, publishers can enhance reader engagement, ensuring that their magazines inform, inspire, and captivate.

Testing and Refining Your Magazine Content

Every piece of content, while crafted with diligence, requires the touchstone of real-world reception. Assessing an article’s effectiveness is paramount before fitting it into the broader magazine template. This phase, involving testing and refining, ensures that what gets published meets the writer’s standard and resonates deeply with its intended audience.

Methods for Gauging Article Effectiveness

Focus Groups: Assemble a diverse group of individuals representing your target demographic. Have them read the article and provide feedback. Their reactions can offer valuable insights into how your broader audience might perceive the content.

Digital A/B Testing: For online magazines, this technique entails producing two versions of identical content, differing in headlines, visuals, or layout. Each version offers a unique perspective to engage readers differently. Monitor which version garners better engagement to inform the print magazine template decisions.

Surveys and Questionnaires: Post-reading, ask structured questions to gauge comprehension, interest, and areas of improvement. This quantitative data can help pinpoint specific strengths and weaknesses.

The Vital Role of Feedback Loops and Iterative Creation

Feedback isn’t just a one-time activity post-publishing. It should be a continuous loop, shaping the iterative content creation process. This ongoing feedback system ensures that:

• Writers and editors are attuned to evolving audience preferences.
• Regular improvements are made, enhancing the overall quality of the magazine template with each issue.
• Potential pitfalls or errors are identified and corrected before widespread publication.

In essence, using an iterative content creation approach within the magazine template, fueled by continuous feedback, ensures that the magazine remains relevant, accurate, and high-quality.

Refinement Based on Feedback: Crafting for Satisfaction

Once feedback is in hand, the actual task begins: refining the content. Here’s how to approach it:

Prioritize Feedback: All feedback is valuable, but not all of it may be applicable universally. Identify recurring themes or suggestions to address first.

Adjust the Magazine Template: Consider tweaking the template if specific content structures or formats consistently receive negative feedback. For instance, if readers find long-form articles tedious, infuse more listicles or shorter pieces.

Engage with the Audience: Revisit those who provided feedback, showcasing the adjustments made. This ensures the refinements hit the mark and builds trust with your audience.

Stay Open to Change: As the world evolves, so do reader preferences. Be adaptable and willing to overhaul aspects of content if they no longer serve the intended purpose.

While the initial crafting of content is vital, the subsequent phases of testing and refining are equally, if not more, crucial. By optimizing the magazine template based on genuine feedback, publishers can ensure their content remains a beacon of relevance, quality, and reader satisfaction.

Continuously Evolving with Your Magazine Audience

In the constantly evolving sphere of magazine publishing, understanding the reader is paramount. However, the challenge continues beyond a one-time comprehension. Readers’ preferences, like tides, shift over time, and the realm of magazine advertising offers a clear lens into this dynamism. Keeping pace with these changes is not just beneficial—it’s vital for the longevity and relevance of a magazine.

The Fluidity of Audience Interests and Preferences

Today’s voracious reader of tech innovations might be tomorrow’s enthusiast for sustainable living. Societal changes, technological advancements, global events, or personal life stages—all role-reshaping interests. Recognizing this, magazine advertising has to remain agile. Advertisements that once captivated might now fall flat, underscoring the importance of synchronizing with current audience sentiments.

Strategies for Staying in Tune with Audience Needs

Feedback Channels: Beyond the traditional letters to the editor, establish clear channels for readers to share their thoughts. This could be through online polls, social media interactions, or feedback forms inserted within the magazine.

Engage with Magazine Advertising Trends: By observing the types of products, services, and narratives being advertised, one can glean insights into prevailing audience interests. If eco-friendly products dominate the advertising space, it indicates a growing reader inclination towards sustainability.

Data Analytics: For magazines with a digital presence, harness the power of analytics. Which articles get the most views? What topics spark the most debate or share? Such data provides a goldmine of information on reader preferences.

Conduct Regular Surveys: Periodically distribute surveys, diving into reader interests, feedback on past issues, and desired future content. This proactive approach can help anticipate shifts before they fully manifest.

Continuous Learning and Adaptation: The Cornerstones of Modern Magazine Writing

In the face of an ever-changing audience, especially in magazine advertising, continuous learning, and adaptability principles are non-negotiable for magazine writers and editors. Here’s why:

Staying Relevant: A magazine that doesn’t evolve risks becoming outdated. Writers must continuously update their knowledge and approach to remain a trusted source.

Enhancing Engagement: By aligning with current audience preferences, magazines can ensure sustained engagement, keeping readers eagerly awaiting each new issue.

Optimizing Magazine Advertising: As content shifts to mirror audience changes, so must advertising. Magazines can maximize advertising efficacy and revenue by promoting products and services aligned with readers’ interests.

The relationship between a magazine and its readers is akin to a dance, with both parties influencing the other’s moves. By staying attuned to shifts in audience preferences, harnessing the insights from magazine advertising, and championing continuous learning, magazines can ensure they dance gracefully in perfect harmony with their ever-evolving audience.

Why is understanding the target audience crucial for magazine writing?

Understanding the target audience ensures that the content resonates with readers, leading to higher engagement, loyalty, and, in terms of magazine advertising, better returns.

How do visuals and multimedia enhance reader engagement?

Visuals and multimedia, when aligned with content, can evoke emotions, simplify complex topics, and offer a dynamic, multi-sensory experience, making the content more engaging and memorable.

How can I determine the effectiveness of my article before publishing it widely?

Methods like focus group discussions, A/B testing for online versions, and post-reading surveys can provide insights into an article’s effectiveness and areas for improvement.

How do feedback loops contribute to content quality?

Feedback loops ensure continuous improvement, ensuring that evolving reader preferences are considered, and potential errors or outdated content are addressed promptly.

How does magazine advertising reflect audience interests?

Advertisements are crafted based on market demands. By observing trends in magazine advertising, one can discern shifts in audience interests, preferences, and behaviors.

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WEEKLY WRITING PROMPTS

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Your teacher tasks you with writing a story based on an eavesdropped conversation. when the story is published, your subject isn’t happy..

LIVE – Funny

A character overhears something at a black-tie event that puts the night in jeopardy.

LIVE – Mystery

Write a story in which someone can only hear one side of a conversation and must piece together the meaning of what they’ve heard.

LIVE – Dialogue

Write a story about a child overhearing something they don’t understand.

LIVE – Kids

Write a story in which someone is afraid of being overheard.

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Write a story about a character driving and getting lost.

Write a story about a tennis match between two rivals., write a story that begins with someone dancing in a bar., write a story around someone (literally) bumping into someone else., write a story about a character running late for a job interview., subscribe to our prompts newsletter.

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Write a story titled 'Persuasion'.

Write a story titled 'the wind in the willows'., write a story titled 'desperate remedies'., write a story titled 'paradise lost'., write a story titled 'a tale of two cities'., write a narrative about a group of scientists exploring the deepest parts of the ocean., imagine a world where exploration is forbidden, and write a story about a character who defies this rule to satisfy their innate curiosity., center your story around a character’s personal exploration, whether it's trying a new hobby, visiting an unfamiliar place, or learning something completely new., set your story on a spaceship exploring the far reaches of space when something goes wrong., write a story in the form of diary entries, written by an explorer as they make their way through what they thought was an untouched location., win $250 in our short story competition 🏆.

We'll send you 5 prompts each week. Respond with your short story and you could win $250!

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Creative Writing Prompts

When the idea to start a weekly newsletter with writing inspiration first came to us, we decided that we wanted to do more than provide people with topics to write about. We wanted to try and help authors form a regular writing habit and also give them a place to proudly display their work. So we started the weekly Creative Writing Prompts newsletter. Since then, Prompts has grown to a community of more than 450,000 authors, complete with its own literary magazine, Prompted .  

Here's how our contest works: every Friday, we send out a newsletter containing five creative writing prompts. Each week, the story ideas center around a different theme. Authors then have one week — until the following Friday — to submit a short story based on one of our prompts. A winner is picked each week to win $250 and is highlighted on our Reedsy Prompts page.

Interested in participating in our short story contest? Sign up here for more information! Or you can check out our full Terms of Use and our FAQ page .

Why we love creative writing prompts

If you've ever sat in front of a computer or notebook and felt the urge to start creating worlds, characters, and storylines — all the while finding yourself unable to do so — then you've met the author's age-old foe: writer's block. There's nothing more frustrating than finding the time but not the words to be creative. Enter our directory! If you're ready to kick writer's block to the curb and finally get started on your short story or novel, these unique story ideas might just be your ticket.

This list of 1800+ creative writing prompts has been created by the Reedsy team to help you develop a rock-solid writing routine. As all aspiring authors know, this is the #1 challenge — and solution! — for reaching your literary goals. Feel free to filter through different genres, which include...

Dramatic — If you want to make people laugh and cry within the same story, this might be your genre.

Funny — Whether satire or slapstick, this is an opportunity to write with your funny bone.

Romance — One of the most popular commercial genres out there. Check out these story ideas out if you love writing about love.

Fantasy — The beauty of this genre is that the possibilities are as endless as your imagination.

Dystopian – Explore the shadowy side of human nature and contemporary technology in dark speculative fiction.

Mystery — From whodunnits to cozy mysteries, it's time to bring out your inner detective.

Thriller and Suspense — There's nothing like a page-turner that elicits a gasp of surprise at the end.

High School — Encourage teens to let their imaginations run free.

Want to submit your own story ideas to help inspire fellow writers? Send them to us here.

After you find the perfect story idea

Finding inspiration is just one piece of the puzzle. Next, you need to refine your craft skills — and then display them to the world. We've worked hard to create resources that help you do just that! Check them out:

• How to Write a Short Story That Gets Published — a free, ten-day course by Laura Mae Isaacman, a full-time editor who runs a book editing company in Brooklyn.
• Best Literary Magazines of 2023 — a directory of 100+ reputable magazines that accept unsolicited submissions.
• Writing Contests in 2023 — the finest contests of 2021 for fiction and non-fiction authors of short stories, poetry, essays, and more.

Beyond creative writing prompts: how to build a writing routine

While writing prompts are a great tactic to spark your creative sessions, a writer generally needs a couple more tools in their toolbelt when it comes to developing a rock-solid writing routine . To that end, here are a few more additional tips for incorporating your craft into your everyday life.

• NNWT. Or, as book coach Kevin Johns calls it , “Non-Negotiable Writing Time.” This time should be scheduled into your routine, whether that’s once a day or once a week. Treat it as a serious commitment, and don’t schedule anything else during your NNWT unless it’s absolutely necessary.
• Set word count goals. And make them realistic! Don’t start out with lofty goals you’re unlikely to achieve. Give some thought to how many words you think you can write a week, and start there. If you find you’re hitting your weekly or daily goals easily, keep upping the stakes as your craft time becomes more ingrained in your routine.
• Talk to friends and family about the project you’re working on. Doing so means that those close to you are likely to check in about the status of your piece — which in turn keeps you more accountable.

Arm yourself against writer’s block. Writer’s block will inevitably come, no matter how much story ideas initially inspire you. So it’s best to be prepared with tips and tricks you can use to keep yourself on track before the block hits. You can find 20 solid tips here — including how to establish a relationship with your inner critic and apps that can help you defeat procrastination or lack of motivation.

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Writing Prompts & Exercises

The time is now.

The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing —both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.

Tuesdays: Poetry prompts Wednesdays: Fiction prompts Thursdays: Creative nonfiction prompts

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Self-Healing

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A recent study in Scientific Reports journal revealed that, for possibly the first time, a nonhuman wild animal was seen using plant medicine to heal an active wound. In a rainforest in Indonesia, a Sumatran orangutan was observed ripping off leaves from a climbing vine plant, chewing them, and applying the plant sap to treat a wound on his face, which then healed after a few days. Write a personal essay on the theme of self-healing. Think about experiences when you’ve witnessed another person perform this task, or particularly resonant memories that pertain to your own past behavior. What are the primary emotions present throughout this process? What instances of self-treatment or self-medication in film, art, or literature created an impression on you?

Campus Story

Take inspiration from the concept of a campus novel—which takes place in and around the campus of a university and often involves the intertwined dynamics of students, professors, and conventions about learning and power—and write a story that engages with a school setting, whether prominently situated in the context of the plot or used for a particular scene. Some recent additions to the campus novel canon include Elif Batuman’s The Idiot (Penguin Press, 2017), Xochitl Gonzalez’s Anita de Monte Laughs Last (Flatiron Books, 2024), Kiley Reid’s Come and Get It (G. P. Putnam’s Sons, 2024), and Brandon Taylor’s Real Life (Riverhead Books, 2020). Will you include a character who is a student, teacher, administrative staff member, custodial worker or caretaker, or possibly an alumni revisiting the past? Consider the multitude of ways the incorporation of an educational environment might permeate the atmosphere of the narrative.

The Last Friend

“The day the last friend / dies / we sit alone. / A visitor / from outer space / tries hard / to summon us. / Someone says / EAT DEATH. / I fish around for answers / but the questions / still won’t come,” writes Jerome Rothenberg, who passed away in April, in his poem “The Last Friend.” Included in his collection of one hundred poems, A Book of Witness: Spells & Gris-Gris (New Directions, 2022), the poem presents a list of statements and observations, many of which refer to death or dying in some personal way, though the connections are enigmatic and the logical progression is oblique. Try your hand at writing a poem that mentions its subject directly, but which also deliberately obfuscates or remains ambiguous in its intentions. How might using the “I” as a witness include the reader into your point of view?

Mind Your Manners

The New York City culture and news website Gothamist recently asked New Yorkers about their thoughts on sidewalk etiquette in the crowded, bustling streets of their beloved city. What are the rules, who has the right-of-way, and who should yield? Respondents focused on always walking to the right of the sidewalk and to “move quickly and never stop.” One thoughtful respondent considered the cultural differences of sidewalks used for recreational strolls versus commuting. But the overall consensus was that among nine-to-fivers, tourists, parents with kids, dogwalkers, bicyclists, and groups, seniors deserve the right-of-way. Write an essay about the unwritten rules or etiquette you have observed in your daily surroundings. How have these common practices adapted to fit the needs of different people? Do they evolve over time as social norms change? Consider some of your own experiences with how public etiquette has helped or hindered harmonious community life.

The term sub rosa means “under the rose” in Latin and refers to something said or done in private. The rose has been associated with secrecy since ancient times, a decorative symbol often carved and painted in places like meeting rooms, banquet halls, and confessionals as reminders of confidentiality. This week write a short story that revolves around a conversation or discussion that occurs sub rosa in an enclosed space. Does a certain detail get leaked out or overheard? How might the secretive nature place a burden on your characters? Consider the ways in which the atmosphere and tone of your story feel distinctive in the time and space of your sub-rosa conversation versus the scenes that take place before or after the talk.

Wisdom in Translation

In the anthology Another Room to Live In: 15 Contemporary Arab Poets (Litmus Press, 2024) edited by Omar Berrada and Sarah Riggs, multinational and multilingual poet-translators challenge foundational narratives and rework mythologies through poetic expression. Yasmine Seale’s poem “Conventional Wisdom (Arabic Saying Translated Twenty Ways)” is composed of translations of an ancient aphorism expressing the inextricable place of poetry within Arab cultural heritage. Each line presents a variation on the truism: “Poetry is the record of the Arabs / The art of poetry is Arabs, collected / Good poetry is a list of Arabs / To speak in verse is to remain in Arab memory / To surpass another poet is the Arab odyssey.” Write a poem inspired by this idea of translating a proverb or maxim—either from another language or from English into English. How might you creatively interpolate different “translations” of the saying by incorporating connotations and riffing on free associations and personal experiences?

In Response

In a recent interview with Aria Aber for the Yale Review , when asked his thoughts on the responsibility of the poet, Jackson Prize–winning poet Fady Joudah says, “I often think that the responsibility of the poet is to strive to become the memory that people may possess in the future about what it means to be human: an ever-changing constant. In poetry, the range of metaphors and topics is limited, predictable, but the styles are innumerable. Think how we read poetry from centuries ago and are no longer bothered by its outdated diction. All that remains of old poetry is the music of what it means to be human.” Write a creative nonfiction piece that presents your personal theory of the responsibility of a writer or an artist. To construct an expansive approach, you might use observations about how different creative disciplines overlap in their goals, or consider what has remained resonant as the arts make their mark throughout various eras.

Earth to You

In honor of Earth Week, write a scene that revolves around a character who experiences an unexpected moment in a natural environment that produces a sensation of wonder, perhaps an unusual encounter with wild flora or fauna. You might contrast the elements of this scene with others in your story in which the character is interacting solely with humans or only attuned to the sounds, rhythms, and sights of city life and densely packed civilization. Is the occurrence mind-bogglingly quick and then reflected upon in hindsight, or does time slow down in the scene? How do you manage or manipulate the pacing and rhythm of your prose to draw attention to the emotional and psychological response of the character?

From Dirt Level

In Sharon Olds’s poem “May 1968,” the speaker recounts the memory of spending the night with other protesting students, who lay down their bodies on a New York City street at a university’s campus gates in order to obstruct the mounted police force that had been called in. While “spine-down on the cobbles,” she observes the city and surrounding scenery—the soaring buildings and the police and horses’ bodies—as she gazes upward, thinking about the state of her pregnant body. Write a poem this week from the vantage point of lying face-up, “from dirt level.” What circumstances bring you into this position? How does this upward point of view transform what you see, and how you feel about your own body?

More, please? Or, no more, please? In The Fast: The History, Science, Philosophy, and Promise of Doing Without (Avid Reader Press, 2024), John Oakes recounts his personal experience conducting a weeklong fast and examines the practice’s history and place within a wide range of religions and philosophies. The book also explores the act of self-deprivation and the potential transformative benefits of subtracting rather than adding to one’s life. “The act of fasting…won’t stop routine, but impedes it for a bit, signifying a shift and a determined unwillingness to follow standard operating procedure,” writes Oakes. Use this idea to consider your personal relationship with consumption—of food, conversation, media, clothes, space—and write a personal essay that reflects on what you might otherwise take for granted.

All in Your Head

In “Table for One,” a short story from Korean author Yun Ko-eun’s new collection of the same name, translated by Lizzie Buehler and published by Columbia University Press in April, a surreal quality seeps into the tale of a lonely office worker who enrolls in a course to make solitary dining easier. Tips from the course include: “Target corner tables rather than those in the middle. Seats at the bar are also good. Hang your coat or bag on the chair facing you and take advantage of tools like a book, earphones, a cell phone, or a newspaper.” The fantastic element of the story lies less in the oddity of the premise than in the narrator’s meticulously recounted neuroses and detailed rendering of processes that become seemingly cyclical. Write a scene that focuses on your character’s minute observations as they attempt to overcome something debilitating. Does the situation lend itself to a quirky or dark sense of humor?

Neither Questions nor Answers

“Where is the homeland / to lay a cradle for the dead / Where is the other shore / for poetry to step across the end point / Where is the peace / that lets the days distribute blue sky...” In Sidetracks , forthcoming in May from New Directions, the Chinese poet Bei Dao begins his book-length poem with a list of twenty-five enigmatic questions that dance around mythological, philosophical, and existential subjects. In Jeffrey Yang’s translation, the speaker’s questions lack the end punctuation of the original text, with question marks omitted. Through these unanswered questions, the poet conjures loss and nostalgia. Loosely following this structure, write a prologue to a poem that poses a series of questions gesturing toward your most pressing uncertainties. While Bei Dao’s lines are mysterious and mystical, allow your poem the tone and allusions that feel instinctive to you.

With Certainty

In a 1789 letter, Benjamin Franklin wrote the phrase, “in this world nothing can be said to be certain, except death and taxes.” Franklin was reflecting on the establishment of the U.S. Constitution, which he said promised to be durable, as well as his own ailing health and mortality. This week write a personal essay that riffs off this proverb, reflecting on your own worldview about what can be certain. You might start off with the prompt: “In this world, nothing can be said to be certain, except death, taxes, and ______.” Tell the story of how you arrived at your own ideas about what you can always count on, whether good or bad. What past experiences, encounters, or memories seem to reinforce your belief?

Spring Ephemeral

Spring ephemerals are plants—generally wildflowers native to deciduous forests such as tulips, daffodils, crocuses, and hyacinths—that bloom only for a very short period in the early spring during the brief window of time when the sun’s light and warmth can extend to the forest floor while the trees have bare branches. Once the overhead canopy is full for the season, the flowers usually die back to dormancy with only their underground parts intact for the remainder of the year. Write a short story that revolves around the theme of an occurrence with a similarly limited time span—and one that happens only rarely. Does knowledge of its fleeting nature compel your characters to perceive or value it in different ways? Is there the possibility of a reoccurrence, however infrequently?

A Few Things

“Though you have known someone for more than forty years, though you have worked with them and lived with them, you do not know everything. I do not know everything—but a few things, which I will tell,” writes Mary Oliver about her partner Molly Malone Cook in her book Our World (Beacon Press, 2009), which celebrates their life and home together in Cape Cod through Oliver’s essays and Cook’s photography. Write a poem about someone you have known for a long time, but who is no longer in your life. Begin first by forming two lists: one list for the things you knew about this person and a second list of what you did not know. Select several items from each list and compose a poem that paints a portrait through the lens of your relationship. What are the things that were shared, imparted, revealed, and hidden?

Animals Are People Too

The human tendency to anthropomorphize may come with risks great or small, but could there also be benefits? Last month, Indigenous leaders of New Zealand, Tahiti, and the Cook Islands signed a historic treaty granting legal personhood to whales, with the hope that the bestowal will lead to negotiations with Polynesian governments to enforce greater protective rights for the animals, which hold a position of sacred cultural importance. This week, write a personal essay that reflects on a moment, memory, or encounter that propelled you to project humanlike qualities onto an animal, whether a pet, insect, pest, or country critter. Do your personal beliefs about personhood collide or align with arguments about humanity and nature, or different types of sentience and consciousness?

In the Abyss

In the 1989 science fiction thriller film The Abyss , a search and rescue team descends thousands of feet into the depths of the ocean after a U.S. nuclear submarine mysteriously sinks in the Caribbean Sea. The word abyss could refer to both the oceanic zone that lies in perpetual darkness and to the more general space of mystery, fear, and awe in the face of the seemingly infinite expanse that the crew encounters, including an encounter with an alien being. Write a story that revolves around characters who find themselves in conflict with something deeply unknown and unfathomable. How might feelings of isolation surface or be exacerbated in such a situation? Play around with the pacing and order and quantity of revealed information to create a feeling of suspense.

What Is an Elephant?

In the ancient parable of the blind men and the elephant, a visually impaired group has gathered around an unfamiliar creature to them, each encountering by touch a different part of the animal. Although there are different interpretations of the parable, a poem by nineteenth-century poet John Godfrey Saxe describes how the first of the six men falls upon the elephant and exclaims that the animal is nothing but a wall, the second feels the tusk and disagrees saying the animal is like a spear, the third approaches the squirming trunk and calls the animal snakelike, and another feels the ear and states that the animal is like a fan. The story points at the limits of subjective truths and what is lost by only seeing one side of something. Write a poem that explores a single item, image, or action through a prism of different potential truths. Experiment with expressing contradictions and coexisting truths.

How do you tell the tale of your nose, lips, teeth, eyes, brows, and cheeks? This week, study yourself closely in a mirror, and write a memoiristic essay that relays the backstories of your facial features. Are there elements that have shifted, scarred, or been modified in some way with orthodontics, makeup, surgery, or the natural processes of aging? Have there ever been parts of your countenance that you’ve disliked or preferred, and has that changed over time? Take a long, hard look at yourself and reflect on the memories that come up and how your facial expressions and textures have evolved. You might decide to cover just one or two features, or be inspired to cover each part of your face and how they all have a story.

Raring to Go

This spring brings a rare occurrence of cicadas to the eastern United States: the simultaneous emergence of two separate broods, Brood XIII (the seventeen-year cycle Northern Illinois Brood) and Brood XIX (the thirteen-year cycle Great Southern Brood). Though otherwise harmless to humans, male cicadas serenade females at a range of up to ninety decibels, making for a pretty noisy season. In celebration of this double brood, write a short story set against the backdrop of an infrequent or unusual natural occurrence. How can you play with the imagery or symbolism of the phenomenon to expand on what your characters are experiencing? Do their actions reflect or contrast in some way with what’s happening in the background environment?

Seeing Shapes

“I read Call It in the Air , / Ed’s book about his painter sister & her death / at 44, like Billie Holiday, & I start to consider / 44. No. Not the death, just the conch of it, / how it whorls & opens, limelights / —44 limelights a woman,” writes Shamala Gallagher in her poem “‘The New York Times’ Says Aloe Is a Hoax,” published in the Academy of American Poets’ Poem-a-Day series. The lines in the poem shift from lightness to darkness, and the image of recursion and spiraling reappear as the speaker allows her mind to wander freely after a long day. Write a poem that experiments with a recurring shape that you’ve observed. Consider the connotations or associations with this shape, whether it be a number, ray of light, or plant. How might a simple form inspire you to think about the shape of time in your life?

Daily Grind

Day Jobs , an exhibition currently on display at Stanford University’s Cantor Art Center in California, examines the impact of day jobs on artists. Showcasing the work of three dozen visual artists, the accompanying catalogue offers first-hand accounts of how their employment in places like a frame shop, hair salon, and museum helped inform their creativity. The exhibit deconstructs the romanticized image of the artist and draws attention to how one’s economic and creative pursuits are often intertwined. Write a personal essay that considers how one of your day jobs unexpectedly influenced your own writing projects. How might something undertaken because of financial necessity also provide valuable ideas to explore in your art?

Order and Disorder

Sheila Heti’s new book, Alphabetical Diaries , published by Farrar, Straus and Giroux in February, is just that—rearranged sentences in order from A to Z made up of the author’s diaries kept over the course of a decade. By placing previously composed sentences into this structure, patterns emerge, and unexpected juxtapositions reveal fresh connections that form a new kind of narrative. “Basically it’s a crazy year, that’s what Claire said, this is going to be a crazy year. Be a pro , Lemons said. Be a woman. Be an individual , he suggested. Be bald-faced and strange. Be calm,” Heti writes. Take this idea of reordering your writing and use sentences from a story you’ve written in the past to create a new story. Experiment with different constraints, whether alphabetizing or grouping by another type of category, perhaps using recurring images or places. See where these arrangements take you.

Anne Carson’s 2017 poem “Saturday Night as an Adult,” which had a viral moment on X last summer, is structured as a short block of text recounting observations and thoughts around a dinner date with two couples. “We really want them to like us. We want it to go well. We overdress. They are narrow people, art people, offhand, linens,” writes Carson. “We eat intently, as if eating were conversation.” While the existential despair may seem tragicomic, Carson conveys an honest vulnerability that touches upon disappointment at the potential smallness of life. Write a poem that builds upon your observations of a mundane social encounter in order to capture larger concerns on your mind, perhaps using sharp, terse statements as Carson does in her poem. Is there humor to be found in these minute details?

Opposite Effects

In her groundbreaking 1962 book, Silent Spring , biologist Rachel Carson foretold of “a spring without voices.” Documenting the harmful effects of chemical pesticides used in the agricultural industry, her book sparked an awakening to the environmental crisis in the 1960s and 1970s and launched a movement that brought about the founding of the Environmental Protection Agency. “The history of life on earth has been a history of interaction between living things and their surroundings,” she writes. “Only within the moment of time represented by the present century has one species—man—acquired significant power to alter the nature of his world.” Write an essay that begins by examining how the environment, whether natural or manufactured, has molded you. Then consider how you have modified your surrounding environment—the nature of your world.

About Our Writing Prompts

What is a writing prompt and how do you use one? Whether you find yourself in front of a blank page or stuck in a work-in-progress, writing prompts can offer a spark that ignites your creative thinking and can lead to new writing. Prompts offer guidance, fresh ideas, and direction for writers of all levels of experience. First, choose a prompt for the genre in which you’d like to write, then carefully read it and consider what it is asking you to think about. It could be a specific setting, a writing technique, or an element of an imagined character; a specific poem, story, essay, song, book, or film from which you might take inspiration; or a current event or a topical theme. A writing prompt is filled with endless possibilities—and there is no wrong way to use one to generate new writing!

What makes our writing prompts unique? We have an archive of over 2,000 prompts, all original and offered here and in our weekly newsletter . You’ll find a variety of poetry, fiction, and creative nonfiction prompts—some inspired by recent and classic literature and other forms of art, current events, and writing practices, and others that offer guidance for a particular form, including sonnets, erasure poetry, flash fiction, lyric essays, and more. For more than fifty years, Poets & Writers has supported creative writers with trustworthy information and inspiration, and our weekly prompts provide a regular dose of encouragement and motivation.

What are the benefits of using writing prompts? Writing prompts can help you get unstuck if you’re in a rut and the ideas aren’t flowing. But even if you’re not experiencing writer’s block, writing prompts can offer a fresh take or a new approach to a work-in-progress. Writing prompts can also provide the motivation to experiment with a new form, try out a new genre, or learn about other writing techniques. And writing prompts are an invaluable tool for teachers who want to encourage and inspire their writing students.

What is this list of Best Books? Best Books for Writers is a list of essential books for creative writers that we curate to support your writing practice. Every week, we add a book (whether new or a classic) with a synopsis and highlights. Included are books on the writing life, anthologies of craft essays, collections of lectures, practical guides with writing exercises, and more.

Poetry writing prompts Every Tuesday we post a new poetry prompt to guide you in your practice. Get to know the work of contemporary and classic poets, as well as a variety of poetic forms.

Fiction writing prompts Every Wednesday we post a new fiction prompt to spark your imagination. Take inspiration from recently published short stories and novels, and of course, the classics.

Creative nonfiction writing prompts Every Thursday we post a new creative nonfiction prompt to help your exploration of this ever-changing genre. These prompts include information and inspiration for a variety of essays as well as memoirs. Discover new writers and their craft, and fresh ways to generate writing inspired by your life.

Need a starter pack? Check out our Writing Prompts for Beginners .

75 writing prompts for the curious minds

Anne-Laure Le Cunff

Many of Ness Labs’ readers want to write more. Oftentimes, people write back saying they would love to build a writing habit , but they don’t know what to write about. Writing prompts may sound cheesy but they’re actually a great way to get started. Here is a living repository of writing prompts you can use anytime you need some inspiration for your next article.

These writing prompts span topics such as creativity, productivity, science, and the human mind. Have fun!

• What are the most beautiful words in your native language?
• How do you document your life?
• What does it mean to be conscious?
• What is it like to be a bat?
• Why do we crave to create?
• Do we still need libraries?
• Should we trust “History”?
• What do you think about homeschooling?
• What is your earliest memory?
• Do we live in a simulation?
• Does the Internet make us smarter?
• How did the Internet impact our creativity?
• How did the Internet impact our self-esteem?
• How has social media impacted your life?
• Does being successful mean being happy?
• What books should everyone read?
• What movies or documentaries should everyone watch?
• How should the education system work?
• What’s the link between dreams and memories?
• How to find meaning outside of religion?
• Should extinct animals be resurrected?
• Do people need role models?
• Do people need a best friend?
• Should we be anonymous on the Internet?
• Is it possible to truly “be yourself”?
• How can we reduce our impact on the environment?
• Is modesty a weakness?
• Is novelty-seeking bad?
• What would you do if you won the lottery?
• Would you like to be immortal?
• “The world is a book and those who do not travel read only one page”—what do you think?
• Do leaders need to be extroverts?
• Should everyone have hobbies?
• What are some of the best ways to relieve stress?
• What’s the impact of sleep on our creative/cognitive performance?
• Are we ever ready to become parents?
• What would you create if you didn’t have to worry about money?
• Best books: read them once or twice?
• What are the best ways to acquire a new skill?
• What does it mean to get out of one’s comfort zone?
• Should people go to college?
• Should zoos be legal?
• Can creativity be taught?
• “When an old person dies, a library burns to the ground”—what do you think?
• What are the characteristics of a good relationship?
• Can trust be regained?
• What does “justice” mean?
• Are memes dangerous?
• Does everything happen for a reason?
• What are the pros and cons of being famous?
• What does it mean to reinvent oneself?
• Money: should we save or should we spend?
• How much does where you live define who you are?
• Is it possible to overcome your fears?
• Is fashion superficial or meaningful?
• What’s one piece of advice every child should hear?
• What piece of advice would you give to your parents before they have you?
• Why do we oscillate between motivation and procrastination?
• What skills should we teach in school?
• Is minimalism a fad?
• How can you identify your cognitive biases?
• Should we celebrate birthdays?
• What is your favourite place on earth?
• What does it mean to be a self learner?
• What do you want your eulogy to say?
• Have you ever felt lonely?
• Is it possible to fall in love with a complete stranger?
• What do you think about body modifications, such as tattoos and piercings?
• Can science fiction predict the future?
• Is science broken?
• Should everyone experience living in another country?
• What’s one skill everyone should have?
• Are some companies too powerful?
• Should we live on Mars?
• Should we upload our minds to the cloud?

Writing has a compounding effect. It’s a superpower you need to exercise with consistency. Don’t let a lack of inspiration stopping you from making it a habit. Please let me know if you answer any of these writing prompts. I would love to read your essays.

And if 75 writing prompts are not quite enough, you can explore the New York Time’s massive list of over 1,000 writing prompts on diverse topics such as gaming, relationships, arts, and history.

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• Our Mission

Honoring Student Voice and Choice With the Magazine Project 

When students create a magazine about a topic of their choice, it encourages them to write and rewrite carefully.

I was talking recently with the parent of a student who was in my class nearly 15 years ago. “He still has his magazine! I know exactly where it is,” his mom said. I might be surprised that a young adult has kept an eighth-grade English assignment for over a decade, but I hear this often about my favorite activity of all time: the magazine project.

This project has evolved over the years to encompass a wide variety of skills, but originally it was designed to address one persistent frustration in the teaching of writing: How can we so thoroughly engage students in writing that they will take the time to proofread, edit, revise, and polish their work? Too often, students submit the first draft of a piece of writing and leave it at that. Close editing and revision call for a level of investment that can be difficult to inspire in young writers.

The Power of Choice

I know that letting students choose their writing topics can improve engagement , so I created a project that asks students to choose a topic of personal interest and spend most of a semester writing, designing, and publishing their own magazine on that topic. The combination of topic choice and a final published magazine greatly improves my students’ investment in their writing all semester long.

When I introduce the project, I explain to students that since they will be doing a lot of writing about that topic over the next few months, they need to choose their topic carefully. It might be a topic they already know really well, or they might choose one they want to learn more about. We brainstorm potential topics on paper, in small groups, and together as a class to help them decide on their favorite topics.

This big choice usually entices students, but many don’t believe that they really do get to choose, and they pepper me with questions:

• “Can I write about gum?” “Sure, if that’s what interests you.”
• “My whole magazine can be about gum?” “Yep. The whole thing.”
• “What about LGBTQ+ issues? Can I write about that?” “Of course. If that interests you, go for it.”
• “I love roller coasters. Can I write about that all semester?” “How fun! I can’t wait to read your magazine.”

But when a student tells me, “I would like to write about the vast enigma of space,” I am reminded that I can’t possibly anticipate what kinds of writing might engage every eighth grader, and giving them a choice is the best way to do that.

Topics range from the silly (gum) to the serious (civil rights, school safety, mental health) and everything in between (fashion, college life, travel, puppies, and, of course, the vast enigma of space). Not only does this choice mean that students will be more invested in their writing, but our classroom becomes abuzz with writers eagerly sharing ideas.

A Lesson Guide

Once they’ve been introduced to the project, I distribute a packet of directions that will guide them through the next few months. The packet has been an evolving work in progress as all the eighth-grade English teachers on our campus collaborate on the best ways to support our students through the production of their magazines.

We have found the packet to be invaluable to keep students on track whether they are at school, home with a cold, or away on a family trip. Our resource teachers also have told us they appreciate having all the directions in one place, as it helps them support our students throughout the semester. The packet includes the following:

• A list of required pieces for their magazine (essays, research notes, advertisements, letters to the editor, table of contents, front and back covers)
• Criteria for each required piece
• Brainstorm pages for topics, titles, advertisements, and captions
• A research note-taking page
• Graphic organizers for each essay
• Mentor texts for each essay
• Directions for formatting with technology
• Directions for an online magazine (optional)
• A final magazine rubric

The primary focus of the project is nonfiction writing: argumentative, informative, and biographical. But since all this writing is in the context of a magazine, students also learn a host of technology and design skills, like how to search for copyright-free images, illustrate essays with pictures and captions, use Google Drawings to design page layouts, and create an online publication.

In order to support our students as they work through the many stages of the project, we set deadlines and give feedback throughout. Essays are submitted for feedback, and students are given guidelines and class time to revise their work. We break up the writing time by assigning graphic design work in between the essays. Students enjoy creating their ads and front cover, but those assignments also need feedback and revision time. We look at how magazines have ads that relate specifically to the content of the magazine, which helps students create an ad to accompany each essay they write.

Twenty-five years ago, students glued their pages onto four pieces of folded 11 x 17 paper, and I used a long-arm stapler to secure the pages through the spine, just like a real magazine. But now we give students the option of creating an online magazine. This eliminates printing expenses, while also incorporating valuable technology skills. We have used Adobe Express , Canva , and Google Sites for student magazines, and our students have been thrilled with the professional quality of their final publications.

We schedule the final due date of the magazines for a week or so prior to open house so we can have them out on display for the community to see. These student-centered, uniquely individual magazines make a powerful statement about what matters to our students, what they are learning, and how they are able to demonstrate their learning through words, images, and design. And every time I encounter a former student, they say, “Mrs. Bradley! I still have my magazine!” That kind of pride confirms for us the power of this project.

Writing Prompts 101 - article

You don't have to be a professional writer to take advantage of the extremely effective writing tool known as the writing prompt. Understanding how to use this tool can spur creativity while helping you work past blocks.

What is a writing prompt?

A writing prompt is a topic that serves as a starting point for your brainstorming or mind mapping. The prompt can be a single word, a phrase, or even a picture. Its purpose is to give you something to focus on as you write. The best aspect of a writing prompt is that you don't have to stay on track with the original topic and are free to wander off in your own direction.

A writing prompt lets you start writing without any inhibitions or feelings of being held back. You might create simply an idea, a scene or a whole new story. You never know where a good prompt might take you and that's why they're such great tools.

How do I use a writing prompt?

A writing prompt can be a regular writing exercise, something that will help you learn to write for a longer stretch of time and with greater ease. With regular use, it can help you develop the habit of writing while developing some great story ideas in the process.

Next time you're stuck staring at a blank page wondering how to begin your new writing project, take a break and try a writing prompt. The refocusing of your mind on a random topic will help get your creative juices flowing. Even if you write for just a few minutes on the new prompt, you should find it easier to return to your original project.

You can also use writing prompts to develop your own writers' group. Just assign new members regular prompts. It encourages the group to share while strengthening everyone's skills.

What are some examples of a writing prompt and where can I find more of them?

Writing prompts typically look like this:

• The sun peeked over the hill.
• The smell of the fresh bread.
• For sale. Baby shoes, never used.
• “Did you hear that?”
• She woke, shivering.

The Internet is a great source of writing prompts. Several sites are dedicated to providing them, so you will have more than enough resources to keep you busy. Some of the best sites are:

• CreativeWritingPrompts.com
• WritersDigest.com
• WritingFix.com

If you'd like to post and respond to others who are writing from prompts, check out the great blogging communities on:

• SundayScribblings.blogspot.com
• OneMinuteWriter.blogspot.com

Finally, even your Twitter account can be used as a great resource for providing you with fresh writing prompts. All you need to do is follow one or more of these dedicated users to get access to the tweets:

• twitter.com/writingprompt
• twitter.com/writingink
• Victoria Spencer</a> likes this" data-format="<span class="count"><span class="icon"></span>{count}</span>" data-configuration="Format=%3Cspan%20class%3D%22count%22%3E%3Cspan%20class%3D%22icon%22%3E%3C%2Fspan%3E%7Bcount%7D%3C%2Fspan%3E&IncludeTip=true&LikeTypeId=00000000-0000-0000-0000-000000000000" >

Thank you for this information. I have gone online to find my writing prompts and I must say, there  is a lot of them out there that one can use to write down and turn them into a story. Thank you for this article. I will be turning all of mine into a story or put it in the story that I am hoping to be writing soon.

• sherica marshalee mills</a> likes this" data-format="{count}" data-configuration="Format=%7Bcount%7D&IncludeTip=true&LikeTypeId=00000000-0000-0000-0000-000000000000" >

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Book News & Features

Ai is contentious among authors. so why are some feeding it their own writing.

Chloe Veltman

The vast majority of authors don't use artificial intelligence as part of their creative process — or at least won't admit to it.

Yet according to a recent poll from the writers' advocacy nonprofit The Authors Guild, 13% said they do use AI, for activities like brainstorming character ideas and creating outlines.

The technology is a vexed topic in the literary world. Many authors are concerned about the use of their copyrighted material in generative AI models. At the same time, some are actively using these technologies — even attempting to train AI models on their own works.

These experiments, though limited, are teaching their authors new things about creativity.

Best known as the author of technology and business-oriented non-fiction books like The Long Tail, lately Chris Anderson has been trying his hand at fiction. Anderson is working on his second novel, about drone warfare.

He says he wants to put generative AI technology to the test.

"I wanted to see whether in fact AI can do more than just help me organize my thoughts, but actually start injecting new thoughts," Anderson says.

Anderson says he fed parts of his first novel into an AI writing platform to help him write this new one. The system surprised him by moving his opening scene from a corporate meeting room to a karaoke bar.

Authors push back on the growing number of AI 'scam' books on Amazon

"And I was like, you know? That could work!" Anderson says. "I ended up writing the scene myself. But the idea was the AI's."

Anderson says he didn't use a single actual word the AI platform generated. The sentences were grammatically correct, he says, but fell way short in terms of replicating his writing style. Although he admits to being disappointed, Anderson says ultimately he's OK with having to do some of the heavy lifting himself: "Maybe that's just the universe telling me that writing actually involves the act of writing."

Training an AI model to imitate style

It's very hard for off-the-shelf AI models like GPT and Claude to emulate contemporary literary authors' styles.

The authors NPR talked with say that's because these models are predominantly trained on content scraped from the Internet like news articles, Wikipedia entries and how-to manuals — standard, non-literary prose.

But some authors, like Sasha Stiles , say they have been able to make these systems suit their stylistic needs.

"There are moments where I do ask my machine collaborator to write something and then I use what's come out verbatim," Stiles says.

The poet and AI researcher says she wanted to make the off-the-shelf AI models she'd been experimenting with for years more responsive to her own poetic voice.

So she started customizing them by inputting her finished poems, drafts, and research notes.

"All with the intention to sort of mentor a bespoke poetic alter ego," Stiles says.

She has collaborated with this bespoke poetic alter ego on a variety of projects, including Technelegy (2021), a volume of poetry published by Black Spring Press; and " Repetae: Again, Again ," a multimedia poem created last year for luxury fashion brand Gucci.

Stiles says working with her AI persona has led her to ask questions about whether what she's doing is in fact poetic, and where the line falls between the human and the machine.

read it again… pic.twitter.com/sAs2xhdufD — Sasha Stiles | AI alter ego Technelegy ✍️🤖 (@sashastiles) November 28, 2023

"It's been really a provocative thing to be able to use these tools to create poetry," she says.

Potential issues come with these experiments

These types of experiments are also provocative in another way. Authors Guild CEO Mary Rasenberger says she's not opposed to authors training AI models on their own writing.

"If you're using AI to create derivative works of your own work, that is completely acceptable," Rasenberger says.

Thousands of authors urge AI companies to stop using work without permission

But building an AI system that responds fluently to user prompts requires vast amounts of training data. So the foundational AI models that underpin most of these investigations in literary style may contain copyrighted works.

Rasenberger pointed to the recent wave of lawsuits brought by authors alleging AI companies trained their models on unauthorized copies of articles and books.

"If the output does in fact contain other people's works, that creates real ethical concerns," she says. "Because that you should be getting permission for."

Circumventing ethical problems while being creative

Award-winning speculative fiction writer Ken Liu says he wanted to circumvent these ethical problems, while at the same time creating new aesthetic possibilities using AI.

So the former software engineer and lawyer attempted to train an AI model solely on his own output. He says he fed all of his short stories and novels into the system — and nothing else.

Liu says he knew this approach was doomed to fail.

That's because the entire life's work of any single writer simply doesn't contain enough words to produce a viable so-called large language model.

"I don't care how prolific you are," Liu says. "It's just not going to work."

Liu's AI system built only on his own writing produced predictable results.

"It barely generated any phrases, even," Liu says. "A lot of it was just gibberish."

Yet for Liu, that was the point. He put this gibberish to work in a short story. 50 Things Every AI Working With Humans Should Know , published in Uncanny Magazine in 2020, is a meditation on what it means to be human from the perspective of a machine.

"Dinoted concentration crusch the dead gods," is an example of one line in Liu's story generated by his custom-built AI model. "A man reached the torch for something darker perified it seemed the billboding," is another.

Liu continues to experiment with AI. He says the technology shows promise, but is still very limited. If anything, he says, his experiments have reaffirmed why human art matters.

"So what is the point of experimenting with AIs?" Liu says. "The point for me really is about pushing the boundaries of what is art."

Audio and digital stories edited by Meghan Collins Sullivan .

• large language model
• mary rasenberger
• chris anderson
• sasha stiles
• authors guild

• Israel-Hamas War

My Writing Students Were Arrested at Columbia. Their Voices Have Never Been More Essential

O n April 30, 56 years after Columbia sent the police in to arrest student protesters who had taken over Hamilton Hall in protest of the Vietnam War—protests the school loves to promote—I was walking my 12-year-old daughter home after her choir performance. We had gone an extra stop on the subway because the stop at 116th, Columbia’s stop, was closed. Instead, we had to walk back to our apartment from the 125th stop. When we got within sight of Columbia, a line of dozens of police blocked our path. I asked them to let us through; I pointed to our apartment building and said we lived there. As a Columbia professor, I live in Columbia housing.

“I have my orders,” the cop in charge said.

“I live right there,” I said. “It’s my daughter’s bedtime.”

“I have my orders,” he said again.

“I’m just trying to get home,” I said.

We were forced to walk back the way we came from and circle around from another block. Luckily, our building has an entrance through the bodega in the basement. This is how I took my daughter up to her room and sent her to bed.

Read More: Columbia's Relationship With Student Protesters Has Long Been Fraught

A week earlier, I had brought some food for the students camping out on Columbia’s West Lawn and had met with similar resistance. Security guards asked whether I was really faculty; I had already swiped my faculty badge that should have confirmed my identity. They asked to take my badge, then they said I hadn’t swiped it, which I had, two seconds earlier, as they watched. They said their professors had never brought food to them before. I didn’t know what to say to this—“I’m sorry that your professors never brought you food?” They called someone and told them the number on my badge. Finally, they were forced to let me through. They said again that their professors had never brought them food. “OK,” I said, and walked into campus. I reported their behavior and never received a reply.

On April 30, after I had got my daughter to bed, my partner and I took the dog down to pee. We watched the protesters call, “Shame!” as the police went in and out of the blockade that stretched 10 blocks around campus. Earlier that day, we had seen police collecting barricades—it seemed like there would be a bit of peace. As soon as it got dark, they must have used those barricades and more to block off the 10 blocks. There were reports on campus that journalists were not allowed out of Pulitzer Hall, including Columbia’s own student journalists and the dean of the School of Journalism, under threat of arrest. Faculty and students who did not live on campus had been forbidden access to campus in the morning. There was no one around to witness. My partner and I had to use social media to see the hundreds of police in full riot gear, guns out, infiltrate Columbia’s Hamilton Hall, where protesters had holed up , mirroring the 1968 protests that had occupied the same building.

In the next few days, I was in meeting after meeting. Internally, we were told that the arrests had been peaceful and careful, with no student injuries. The same thing was repeated by Mayor Adams and CNN . Meanwhile, president Minouche Shafik had violated faculty governance and the university bylaws that she consult the executive committee before calling police onto campus. (The committee voted unanimously against police intervention .)

Read More: Columbia Cancels Main Commencement Following Weeks of Pro-Palestinian Protests

Then, Saturday morning, I got an email from a couple of writing students that they had been released from jail. I hadn’t heard that any of our students had been involved. They told me they hadn’t gotten food or water, or even their meds, for 24 hours. They had watched their friends bleed, kicked in the face by police. They said they had been careful not to damage university property. At least one cop busted into a locked office and fired a gun , threatened by what my students called “unarmed students in pajamas.”

In the mainstream media, the story was very different. The vandalism was blamed on students. Police showed off one of Oxford Press’s Terrorism: A Very Short Introduction . (This series of books offers scholarly introductions that help students prepare for classes, not how-to pamphlets teaching them to do terrorism.)

“I feel like I’m being gaslit,” one of my students said.

I teach creative writing, and I am the author of a book about teaching creative writing and the origins of creative-writing programs in the early 20th century. The oldest MFA program in the country, the Iowa Writers’ Workshop, was funded by special-interest groups like the Rockefeller Foundation and, famously, the CIA, and was explicitly described by director Paul Engle as a tool to spread American values.

Read More: 'Why Are Police in Riot Gear?' Inside Columbia and City College's Darkest Night

The way we teach creative writing is essential because it shapes what kinds of narratives will be seen as valuable, pleasurable, and convincing. Today’s writing students will record how our current events become history. One of the strategies Columbia took with its police invasion was to block access of faculty, students, and press to the truth. It didn’t want any witnesses. It wanted to control the story.

For weeks, Columbia administration and the mainstream media has painted student protesters as violent and disruptive—and though there have been incidents of antisemitism, racism, and anti-Muslim hatred, including a chemical attack on pro-Palestine protesters , I visited the encampment multiple times and saw a place of joy, love, and community that included explicit teach-ins on antisemitism and explicit rules against any hateful language and action. Students of different faiths protected each other’s right to prayer. Meanwhile, wary of surveillance and the potential use of facial recognition to identify them, they covered their faces. Faculty have become afraid to use university email addresses to discuss ways to protect their students. At one point, the administration circulated documents they wanted students to sign, agreeing to self-identify their involvement and leave the encampment by a 2 p.m. deadline or face suspension or worse. In the end, student radio WKCR reported that even students who did leave the encampment were suspended.

In a recent statement in the Guardian and an oral history in New York Magazine , and through the remarkable coverage of WKCR, Columbia students have sought to take back the narrative. They have detailed the widespread support on campus for student protesters; the peaceful nature of the demonstrations; widespread student wishes to divest financially from Israel, cancel the Tel Aviv Global Center, and end Columbia’s dual-degree program with Tel Aviv University; and the administration’s lack of good faith in negotiations. As part of the Guardian statement, the student body says that multiple news outlets refused to print it. They emphasize their desire to tell their own story.

In a time of mass misinformation, writers who tell the truth and who are there to witness the truth firsthand are essential and must be protected. My students in Columbia’s writing program who have been arrested and face expulsion for wanting the university to disclose and divest, and the many other student protesters, represent the remarkable energy and skepticism of the younger generation who are committed not only to witnessing but participating in the making of a better world. Truth has power, but only if there are people around to tell the truth. We must protect their right to do so, whether or not the truth serves our beliefs. It is the next generation of writers who understand this best and are fighting for both their right and ours to be heard.

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A change of mind, heart, and soul

“Telling people not to use ChatGPT is not preparing people for the world of the future,” said Sam Altman, CEO of OpenAI.

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Did student or ChatGPT write that paper? Does it matter?

Sam Altman, CEO of firm that developed app, says ethics do matter, but they need to be rethought (and AI isn’t going away)

Harvard Correspondent

Colleges and universities have been wrestling with concerns over plagiarism and other ethical questions surrounding the use of AI since the emergence of ChatGPT in late 2022.

But Sam Altman, whose company, OpenAI, launched the chatbot app, said during a campus visit Wednesday that AI is such a powerful tool that higher education would be doing its students a disservice by turning its back on it — if that were even possible now. And some of the old rules of ethics will need to be rethought.

“Cheating on homework is obviously bad,” said Altman. “But what we mean by cheating and what the expected rules are does change over time.”

Altman discussed AI in the academy, along with the subtleties of using ChatGPT and other generative AI tools, while at the University to receive the Experiment Cup from Xfund , an early stage venture capital firm. That event was sponsored by the John A. Paulson School for Engineering and Applied Science, Harvard Business School, and the Institute for Business in Global Society ( BiGS ). It featured a conversation between Altman and Xfund co-founder Patrick Chung ’96.

Speaking to the Gazette before the Cup presentation, Altman likened the initial uproar at schools over ChatGPT to the ones that arose after the arrival of calculators and, later, search engines like Google. “People said, ‘We’ve got to ban these because people will just cheat on their homework,’” he said.

Altman, who left Stanford at 19 to start Loopt, a location-sharing social media app, said the reaction to calculators, for instance, was overblown. “If people don’t need to calculate a sine function by hand again … then mathematical education is over,” he said, with a gentle half-smile on his face.

Altman helped launch OpenAI in 2015 and its wildly influential ChatGPT — which can write papers and generate computer programs, among other things — before being removed in 2023 and then reinstated four days later as the company’s CEO.

ChatGPT, he said, has the potential to exponentially increase productivity in the same way calculators freed users from performing calculations by hand, calling the app “a calculator for words.”

He warned, “Telling people not to use ChatGPT is not preparing people for the world of the future.”

Following a bit of back-and-forth about how the ethics of using ChatGPT and other generative AI may differ in various disciplines, Altman came down hard in favor of utility, praising AI’s massive potential in every field.

“Standards are just going to have to evolve,” he said. He dismissed the notion that ChatGPT could be used for writing in the sciences, where the emphasis is on the findings, but not in the humanities, where the expression of ideas is central.

“Writing a paper the old-fashioned way is not going to be the thing,” he said. “Using the tool to best discover and express, to communicate ideas, I think that’s where things are going to go in the future.”

Altman, who last month joined the Department of Homeland Security’s Artificial Intelligence Safety and Security Board , said ethics remains a concern, and one that has yet to be resolved.

“There will be a conversation about what are the absolute limits of the tool, how do we as a society … negotiate ‘Here is what AI systems can never do.’ Where do we set the defaults? How much does an individual user get to move things around within those boundaries? How do we think about different countries’ laws?”

However, that discussion should not slow the development of AI. Instead, Altman described parallel tracks.

“Generally speaking, I do think these are tools that should do what their users want,” he said, before adding an important, if less than specific, caveat: “But there are going to have to be real limits.”

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Kristi Noem Attacks ‘Fake News’ for Questioning Fake Kim Jong-un Story

Kristi Noem ’s political career is imploding because she’s too MAGA-y for her own good.

Well, more specifically, it’s imploding because the South Dakota governor included a story about shooting her dog in her new book, No Going Back. As Politico reports , multiple people told her two years ago to cut the anecdote from a previous memoir, Not My First Rodeo :

Then, as now, Noem wanted the story in because it showed a decisive person who was unwilling to be bound by namby-pamby niceties, while others on the team — which included agents, editors and publicists at Hachette Book Group’s prestige Twelve imprint, and a ghostwriter — saw it as a bad-taste anecdote that would hurt her brand. The tale was ultimately cut, according to two people involved with the project.

Noem is also in trouble because it appears she lied about some other things in No Going Back , which comes out on Tuesday. Over the weekend, the book’s publisher said Noem’s untrue claims about meeting Kim Jong-un would be removed from future editions:

But more broadly, it seems these stories are in No Going Back because Noem wanted the book to convey to Donald Trump and his supporters that she’s not like the other politicians on his VP shortlist : She’s tough, she’s folksy, and she isn’t afraid to do what needs to be done, whether that means standing up to a foreign dictator or shooting a puppy.

So it isn’t surprising that Noem is trying to defend herself by using a classic MAGA tactic: saying she’s the victim of the “ Fake News .” But it is pretty funny, since the “news” in question is just stuff she said in her own book.

Noem’s reasons for blaming the media for her book debacle keep evolving. After The Guardian reported on April 26 that Noem’s book included an anecdote about fatally shooting her dog Cricket, the governor initially tried to spin the outrage as a positive, suggesting media pansies don’t understand how much dog-killing happens on the farm. “If you want more real, honest, and politically INcorrect stories that’ll have the media gasping, preorder ‘No Going Back,’” she wrote on X.

Then, in an interview with Sean Hannity a few days later, Noem said journalists weren’t just overreacting, they were misrepresenting what she wrote.

“Well, Sean, you know how the fake news works,” she said. “They leave out some or most of the facts of a story, they put the worst spin on it, and that’s what happened in this case.”

Noem didn’t present any additional facts, she just argued that a 14-month-old dog isn’t a “puppy” and claimed she was protecting her kids by personally executing “dangerous” working animals as their school bus dropped them at home.

“The point of the story is that most politicians they will run from the truth, they will shy away and hide from making tough decisions,” Noem told Hannity. “I tell the truth and I make tough decisions.”

Ironically, in her next two interviews, Noem seemed to “run from the truth.” Face the Nation ’s Margaret Brennan asked the governor a simple question: “Did you meet Kim Jong-un?”

Though Noem acknowledged that the claim is being removed from the book, she refused to answer the question directly, weirdly emphasizing that she’s met plenty of world leaders.

“As soon as this was brought to my attention, I certainly made some changes and looked at this passage,” Noem said. “And I’ve met with many, many world leaders. I’ve traveled around the world. As soon as it was brought to my attention, we went forward and have made some edits.”

Brennan kept pressing Noem on how the false claim got into the book and why it took her so long to catch it, since the governor read the audiobook herself. Brennan noted that this wasn’t a passing reference to Kim; Noem remarks in the book, “I’m sure he underestimated me, having no clue about my experience staring down little tyrants (I’d been a children’s pastor, after all).”

Rather than answering any of these legitimate questions, Noem sniped, “You have a question for me, Margaret?” and asked why the host wasn’t quizzing President Biden, who was not present during the interview, on his gaffes.

After her Face the Nation appearance, Noem complained on X: “In the fake news media, there are two sets of rules, and conservative are always treated differently. That’s why Americans don’t trust the Fake News.”

When ask about the Kim anecdotes Monday on CBS This Morning, Noem dodged again. “It’s a simple question: Did you or did you not meet with Kim Jong-un?,” asked anchor Natalie Morales. Noem just repeated her talking points. “That’s the answer that I have for you, is that it will be adjusted,” she said.

Noem pulled the same routine in an interview that aired Monday on NewsNation. She would not directly answer anchor Elizabeth Vargas’s questions, and claimed the Kim story wasn’t being removed because it’s false.

“Clearly if you’re taking it out of the book it’s because it’s untrue,” Vargas said.

“I’m giving you my answer, and no, that’s not the answer,” Noem responded. “This is something I asked to have adjusted and have the content and that name removed and that is truly what the action has been.”

Maybe Noem still thinks she can get out of this mess by emulating Trump. After all, he has employed “Fake News” as an epithet for just this scenario: when you want to shut down reporters’ legitimate questions without offering any coherent facts or explanations.

This post has been updated.

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Thousands Believe Covid Vaccines Harmed Them. Is Anyone Listening?

All vaccines have at least occasional side effects. But people who say they were injured by Covid vaccines believe their cases have been ignored.

Shaun Barcavage, 54, a nurse practitioner in New York City, said that ever since his first Covid shot, standing up has sent his heart racing. Credit... Hannah Yoon for The New York Times

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By Apoorva Mandavilli

Apoorva Mandavilli spent more than a year talking to dozens of experts in vaccine science, policymakers and people who said they had experienced serious side effects after receiving a Covid-19 vaccine.

• Published May 3, 2024 Updated May 4, 2024

Within minutes of getting the Johnson & Johnson Covid-19 vaccine, Michelle Zimmerman felt pain racing from her left arm up to her ear and down to her fingertips. Within days, she was unbearably sensitive to light and struggled to remember simple facts.

She was 37, with a Ph.D. in neuroscience, and until then could ride her bicycle 20 miles, teach a dance class and give a lecture on artificial intelligence, all in the same day. Now, more than three years later, she lives with her parents. Eventually diagnosed with brain damage, she cannot work, drive or even stand for long periods of time.

“When I let myself think about the devastation of what this has done to my life, and how much I’ve lost, sometimes it feels even too hard to comprehend,” said Dr. Zimmerman, who believes her injury is due to a contaminated vaccine batch .

The Covid vaccines, a triumph of science and public health, are estimated to have prevented millions of hospitalizations and deaths . Yet even the best vaccines produce rare but serious side effects . And the Covid vaccines have been given to more than 270 million people in the United States, in nearly 677 million doses .

Dr. Zimmerman’s account is among the more harrowing, but thousands of Americans believe they suffered serious side effects following Covid vaccination. As of April, just over 13,000 vaccine-injury compensation claims have been filed with the federal government — but to little avail. Only 19 percent have been reviewed. Only 47 of those were deemed eligible for compensation, and only 12 have been paid out, at an average of about $3,600 .

Some scientists fear that patients with real injuries are being denied help and believe that more needs to be done to clarify the possible risks.

“At least long Covid has been somewhat recognized,” said Akiko Iwasaki, an immunologist and vaccine expert at Yale University. But people who say they have post-vaccination injuries are “just completely ignored and dismissed and gaslighted,” she added.

In interviews and email exchanges conducted over several months, federal health officials insisted that serious side effects were extremely rare and that their surveillance efforts were more than sufficient to detect patterns of adverse events.

“Hundreds of millions of people in the United States have safely received Covid vaccines under the most intense safety monitoring in U.S. history,” Jeff Nesbit, a spokesman for the Department of Health and Human Services, said in an emailed statement.

But in a recent interview, Dr. Janet Woodcock, a longtime leader of the Food and Drug Administration, who retired in February, said she believed that some recipients had experienced uncommon but “serious” and “life-changing” reactions beyond those described by federal agencies.

“I feel bad for those people,” said Dr. Woodcock, who became the F.D.A.’s acting commissioner in January 2021 as the vaccines were rolling out. “I believe their suffering should be acknowledged, that they have real problems, and they should be taken seriously.”

“I’m disappointed in myself,” she added. “I did a lot of things I feel very good about, but this is one of the few things I feel I just didn’t bring it home.”

Federal officials and independent scientists face a number of challenges in identifying potential vaccine side effects.

The nation’s fragmented health care system complicates detection of very rare side effects, a process that depends on an analysis of huge amounts of data. That’s a difficult task when a patient may be tested for Covid at Walgreens, get vaccinated at CVS, go to a local clinic for minor ailments and seek care at a hospital for serious conditions. Each place may rely on different health record systems.

There is no central repository of vaccine recipients, nor of medical records, and no easy to way to pool these data. Reports to the largest federal database of so-called adverse events can be made by anyone, about anything. It’s not even clear what officials should be looking for.

“I mean, you’re not going to find ‘brain fog’ in the medical record or claims data, and so then you’re not going to find” a signal that it may be linked to vaccination, Dr. Woodcock said. If such a side effect is not acknowledged by federal officials, “it’s because it doesn’t have a good research definition,” she added. “It isn’t, like, malevolence on their part.”

The government’s understaffed compensation fund has paid so little because it officially recognizes few side effects for Covid vaccines. And vaccine supporters, including federal officials, worry that even a whisper of possible side effects feeds into misinformation spread by a vitriolic anti-vaccine movement.

‘I’m Not Real’

Patients who believe they experienced serious side effects say they have received little support or acknowledgment.

Shaun Barcavage, 54, a nurse practitioner in New York City who has worked on clinical trials for H.I.V. and Covid, said that ever since his first Covid shot, merely standing up sent his heart racing — a symptom suggestive of postural orthostatic tachycardia syndrome , a neurological disorder that some studies have linked to both Covid and, much less often, vaccination .

He also experienced stinging pain in his eyes, mouth and genitals, which has abated, and tinnitus, which has not.

“I can’t get the government to help me,” Mr. Barcavage said of his fruitless pleas to federal agencies and elected representatives. “I am told I’m not real. I’m told I’m rare. I’m told I’m coincidence.”

Renee France, 49, a physical therapist in Seattle, developed Bell’s palsy — a form of facial paralysis, usually temporary — and a dramatic rash that neatly bisected her face. Bell’s palsy is a known side effect of other vaccines, and it has been linked to Covid vaccination in some studies.

But Dr. France said doctors were dismissive of any connection to the Covid vaccines. The rash, a bout of shingles, debilitated her for three weeks, so Dr. France reported it to federal databases twice.

“I thought for sure someone would reach out, but no one ever did,” she said.

Similar sentiments were echoed in interviews, conducted over more than a year, with 30 people who said they had been harmed by Covid shots. They described a variety of symptoms following vaccination, some neurological, some autoimmune, some cardiovascular.

All said they had been turned away by physicians, told their symptoms were psychosomatic, or labeled anti-vaccine by family and friends — despite the fact that they supported vaccines.

Even leading experts in vaccine science have run up against disbelief and ambivalence.

Dr. Gregory Poland, 68, editor in chief of the journal Vaccine, said that a loud whooshing sound in his ears had accompanied every moment since his first shot, but that his entreaties to colleagues at the Centers for Disease Control and Prevention to explore the phenomenon, tinnitus, had led nowhere.

He received polite responses to his many emails, but “I just don’t get any sense of movement,” he said.

“If they have done studies, those studies should be published,” Dr. Poland added. In despair that he might “never hear silence again,” he has sought solace in meditation and his religious faith.

Dr. Buddy Creech, 50, who led several Covid vaccine trials at Vanderbilt University, said his tinnitus and racing heart lasted about a week after each shot. “It’s very similar to what I experienced during acute Covid, back in March of 2020,” Dr. Creech said.

Research may ultimately find that most reported side effects are unrelated to the vaccine, he acknowledged. Many can be caused by Covid itself.

“Regardless, when our patients experience a side effect that may or may not be related to the vaccine, we owe it to them to investigate that as completely as we can,” Dr. Creech said.

Federal health officials say they do not believe that the Covid vaccines caused the illnesses described by patients like Mr. Barcavage, Dr. Zimmerman and Dr. France. The vaccines may cause transient reactions, such as swelling, fatigue and fever, according to the C.D.C., but the agency has documented only four serious but rare side effects .

Two are associated with the Johnson & Johnson vaccine, which is no longer available in the United States: Guillain-Barré syndrome , a known side effect of other vaccines , including the flu shot; and a blood-clotting disorder.

The C.D.C. also links mRNA vaccines made by Pfizer-BioNTech and Moderna to heart inflammation, or myocarditis, especially in boys and young men. And the agency warns of anaphylaxis, or severe allergic reaction, which can occur after any vaccination.

Listening for Signals

Agency scientists are monitoring large databases containing medical information on millions of Americans for patterns that might suggest a hitherto unknown side effect of vaccination, said Dr. Demetre Daskalakis, director of the C.D.C.’s National Center for Immunization and Respiratory Diseases.

“We toe the line by reporting the signals that we think are real signals and reporting them as soon as we identify them as signals,” he said. The agency’s systems for monitoring vaccine safety are “pretty close” to ideal, he said.

Those national surveillance efforts include the Vaccine Adverse Event Reporting System (VAERS). It is the largest database, but also the least reliable: Reports of side effects can be submitted by anyone and are not vetted, so they may be subject to bias or manipulation.

The system contains roughly one million reports regarding Covid vaccination, the vast majority for mild events, according to the C.D.C.

Federal researchers also comb through databases that combine electronic health records and insurance claims on tens of millions of Americans. The scientists monitor the data for 23 conditions that may occur following Covid vaccination. Officials remain alert to others that may pop up, Dr. Daskalakis said.

But there are gaps, some experts noted. The Covid shots administered at mass vaccination sites were not recorded in insurance claims databases, for example, and medical records in the United States are not centralized.

“It’s harder to see signals when you have so many people, and things are happening in different parts of the country, and they’re not all collected in the same system,” said Rebecca Chandler, a vaccine safety expert at the Coalition for Epidemic Preparedness Innovations.

An expert panel convened by the National Academies concluded in April that for the vast majority of side effects, there was not enough data to accept or reject a link.

Asked at a recent congressional hearing whether the nation’s vaccine-safety surveillance was sufficient, Dr. Peter Marks, director of the F.D.A.’s Center for Biologics Evaluation and Research, said, “I do believe we could do better.”

In some countries with centralized health care systems, officials have actively sought out reports of serious side effects of Covid vaccines and reached conclusions that U.S. health authorities have not.

In Hong Kong, the government analyzed centralized medical records of patients after vaccination and paid people to come forward with problems. The strategy identified “a lot of mild cases that other countries would not otherwise pick up,” said Ian Wong, a researcher at the University of Hong Kong who led the nation’s vaccine safety efforts.

That included the finding that in rare instances — about seven per million doses — the Pfizer-BioNTech vaccine triggered a bout of shingles serious enough to require hospitalization.

The European Medicines Agency has linked the Pfizer and Moderna vaccines to facial paralysis, tingling sensations and numbness. The E.M.A. also counts tinnitus as a side effect of the Johnson & Johnson vaccine, although the American health agencies do not. There are more than 17,000 reports of tinnitus following Covid vaccination in VAERS.

Are the two linked? It’s not clear. As many as one in four adults has some form of tinnitus. Stress, anxiety, grief and aging can lead to the condition, as can infections like Covid itself and the flu.

There is no test or scan for tinnitus, and scientists cannot easily study it because the inner ear is tiny, delicate and encased in bone, said Dr. Konstantina Stankovic, an otolaryngologist at Stanford University.

Still, an analysis of health records from nearly 2.6 million people in the United States found that about 0.04 percent , or about 1,000, were diagnosed with tinnitus within three weeks of their first mRNA shot. In March, researchers in Australia published a study linking tinnitus and vertigo to the vaccines .

The F.D.A. is monitoring reports of tinnitus, but “at this time, the available evidence does not suggest a causal association with the Covid-19 vaccines,” the agency said in a statement.

Despite surveillance efforts, U.S. officials were not the first to identify a significant Covid vaccine side effect: myocarditis in young people receiving mRNA vaccines. It was Israeli authorities who first raised the alarm in April 2021. Officials in the United States said at the time that they had not seen a link.

On May 22, 2021, news broke that the C.D.C. was investigating a “relatively few” cases of myocarditis. By June 23, the number of myocarditis reports in VAERS had risen to more than 1,200 — a hint that it is important to tell doctors and patients what to look for.

Later analyses showed that the risk for myocarditis and pericarditis, a related condition, is highest after a second dose of an mRNA Covid vaccine in adolescent males aged 12 to 17 years.

In many people, vaccine-related myocarditis is transient. But some patients continue to experience pain, breathlessness and depression, and some show persistent changes on heart scans . The C.D.C. has said there were no confirmed deaths related to myocarditis, but in fact there have been several accounts of deaths reported post-vaccination .

Pervasive Misinformation

The rise of the anti-vaccine movement has made it difficult for scientists, in and out of government, to candidly address potential side effects, some experts said. Much of the narrative on the purported dangers of Covid vaccines is patently false, or at least exaggerated, cooked up by savvy anti-vaccine campaigns.

Questions about Covid vaccine safety are core to Robert F. Kennedy Jr.’s presidential campaign. Citing debunked theories about altered DNA, Florida’s surgeon general has called for a halt to Covid vaccination in the state.

“The sheer nature of misinformation, the scale of misinformation, is staggering, and anything will be twisted to make it seem like it’s not just a devastating side effect but proof of a massive cover-up,” said Dr. Joshua Sharfstein, a vice dean at Johns Hopkins University.

Among the hundreds of millions of Americans who were immunized for Covid, some number would have had heart attacks or strokes anyway. Some women would have miscarried. How to distinguish those caused by the vaccine from those that are coincidences? The only way to resolve the question is intense research .

But the National Institutes of Health is conducting virtually no studies on Covid vaccine safety, several experts noted. William Murphy, a cancer researcher who worked at the N.I.H. for 12 years, has been prodding federal health officials to initiate these studies since 2021.

The officials each responded with “that very tired mantra: ‘But the virus is worse,’” Dr. Murphy recalled. “Yes, the virus is worse, but that doesn’t obviate doing research to make sure that there may be other options.”

A deeper understanding of possible side effects, and who is at risk for them, could have implications for the design of future vaccines, or may indicate that for some young and healthy people, the benefit of Covid shots may no longer outweigh the risks — as some European countries have determined.

Thorough research might also speed assistance to thousands of Americans who say they were injured.

The federal government has long run the National Vaccine Injury Compensation Program , designed to compensate people who suffer injuries after vaccination. Established more than three decades ago, the program sets no limit on the amounts awarded to people found to have been harmed.

But Covid vaccines are not covered by that fund because Congress has not made them subject to the excise tax that pays for it. Some lawmakers have introduced bills to make the change.

Instead, claims regarding Covid vaccines go to the Countermeasures Injury Compensation Program . Intended for public health emergencies, this program has narrow criteria to pay out and sets a limit of $50,000, with stringent standards of proof.

It requires applicants to prove within a year of the injury that it was “the direct result” of getting the Covid vaccine, based on “compelling, reliable, valid, medical, and scientific evidence.”

The program had only four staff members at the beginning of the pandemic, and now has 35 people evaluating claims. Still, it has reviewed only a fraction of the 13,000 claims filed, and has paid out only a dozen.

Dr. Ilka Warshawsky, a 58-year-old pathologist, said she lost all hearing in her right ear after a Covid booster shot. But hearing loss is not a recognized side effect of Covid vaccination.

The compensation program for Covid vaccines sets a high bar for proof, she said, yet offers little information on how to meet it: “These adverse events can be debilitating and life-altering, and so it’s very upsetting that they’re not acknowledged or addressed.”

Dr. Zimmerman, the neuroscientist, submitted her application in October 2021 and provided dozens of supporting medical documents. She received a claim number only in January 2023.

In adjudicating her claim for workers’ compensation, Washington State officials accepted that Covid vaccination caused her injury, but she has yet to get a decision from the federal program.

One of her therapists recently told her she might never be able to live independently again.

“That felt like a devastating blow,” Dr. Zimmerman said. “But I’m trying not to lose hope there will someday be a treatment and a way to cover it.”

Apoorva Mandavilli is a reporter focused on science and global health. She was a part of the team that won the 2021 Pulitzer Prize for Public Service for coverage of the pandemic. More about Apoorva Mandavilli

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