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The New York Review of Books is a prestigious book review journal. The biweekly publication is perfect for voracious readers and intellectuals.

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You never know what you'll find in each issue. The magazine is especially rewarding for people with wide interests: literature, politics, art, science, film, theater,

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The New York Review of Books

For over 50 years, The New York Review of Books has been the place where the world's leading authors, scientists, educators, artists, and political leaders turn when they wish to engage in a spirited debate on literature, politics, art, and ideas with a small but influential audience that welcomes the challenge. Each issue addresses some of the most passionate political and cultural controversies of the day, and reviews the most engrossing new books and the ideas that illuminate them.

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For 50 years, The New York Review of Books has been the place where the world's leading authors, scientists, educators, artists, and political leaders turn when they wish to engage in a spirited debate on literature, politics, art, and ideas with a small but influential audience that welcomes the challenge. Each issue addresses some of the most passionate political and cultural controversies of the day, and reviews the most engrossing new books and the ideas that illuminate them.

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• Language ‏ : ‎ English
• Publication date ‏ : ‎ May 20, 2024
• Date First Available ‏ : ‎ March 18, 2011
• Publisher ‏ : ‎ The New York Review of Books (May 20, 2024)
• ASIN ‏ : ‎ B004OYTR5C
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Announcing our summer subscription deal.

The art and life of Mark di Suvero

You’ve been inside all year … need a conversation starter? Announcing our summer subscription deal: starting today and through the end of August, you’ll find plenty to talk about when you subscribe to both The Paris Review and The New York Review of Books for a combined price of $99 . That’s one year of issues from both publications, as well as their entire archives—sixty-eight years of The Paris Review and fifty-eight years of The New York Review of Books —for $50 off the regular subscription price.

Since the beginning, when former Paris Review managing editor Robert Silvers cofounded The New York Review of Books with Barbara Epstein, the two publications have been closely aligned. With your subscription to both magazines, you’ll have access to fiction, poetry, interviews, criticism, and more from some of the most important writers of our time, from Joan Didion to James Baldwin, Susan Sontag to T. S. Eliot, Hilton Als to Elizabeth Hardwick.

Subscribe today and you’ll receive:

• One year of The Paris Review (4 issues)
• One year of The New York Review of Books (20 issues)
• Full access to both the New York Review and Paris Review digital archives—that’s fifty-eight years of The New York Review of Books and sixty-eight years of The Paris Review .

If you already subscribe to The Paris Review , we’ve got good news: this deal will extend your current subscription, while your new subscription to The New York Review of Books will begin immediately.

PS: Canadian and international readers, this deal is available to you, too—for $109 and $129, respectively!

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New York's A Book Place: Meet the charming bookstore that also hosts candle magic workshops

Independent bookstores are the heartbeats of their communities. They provide culture and community, generate local jobs and sales tax revenue, promote literacy and education, champion and center diverse and new authors, connect readers to books in a personal and authentic way, and actively support the right to read and access to books in their communities.

Each week we profile an independent bookstore, sharing what makes each one special and getting their expert and unique book recommendations.

This week we have Jocelyn Kaleita, owner of A Book Place in Riverhead, New York!

What’s your store’s story?

Opened in the summer of 2022, A Book Place is an indie bookstore in the middle of Long Island's North and South forks with carefully selected book collections and local handmade gifts. The shop is warm with its natural light and white-washed beams, making you instantly want to discover what's on the shelves, chat and relax. It is steps away from the Long Island Aquarium and connected to the local favorite restaurant Jerry and the Mermaid .

Check out: USA TODAY's Independent Bookstores Map

What makes your independent bookstore special?

Instead of a bestsellers section, A Book Place has a local author area for both adults and children. It sells locally crafted items, like candles, crochet gifts, bags, coffee and jewelry. We offer classes by artists and crafters, host book clubs, arrange events and work closely with local businesses, schools and libraries to support additional events, fundraisers and our community.

What's your favorite section in your store?

This is hard to answer as we change displays and settings around so often. I would have to say one of the most fun things we've gotten to do was to supply a patron with her reading books for a fun challenge: "reading through the alphabet." We were asked to select a book for each letter of the alphabet, wrap it and write clues as to what it was, but not tell what it was.

What book do you love to recommend to customers and why?

My favorite book is "Alice's Adventures in Wonderland," but most of my patrons are adults, who read either romance or thriller. The first week I was open the two authors who sold out instantly were Stephen King and Dean Koontz, both of whom I have only read one book of. I was seriously rethinking my choice of location.

It all worked out and now I do have a healthy mix, with mostly patrons who love for me to recommend a good book. I believe books choose you, so playing this game is often just a walk around the shop and talking to the patron about what they have read, enjoyed, or maybe haven't enjoyed.

Currently, my favorite book to recommended is "The Lost Bookshop" by Evie Woods.

What are some of your store's events, programs, or partnerships coming up this quarter that you would like to share?

We've had author events, birthday parties, Bestie Night and a few mini–Maker Markets. Most recently we have started crochet classes: beginner, advanced, adult and child's and home school. The shop has a book club that has been meeting for just over a year. We also host candle magic workshops, which offer a tranquil evening learning about aromatherapy, crystals and meditation.

Why is shopping at local, independent bookstores important?

There is the obvious reason: you're investing in your own community's longevity and economic stability. Your support directly supports local non-profits, causes and affiliates through donations, research and community events.

Shopping at an independent bookstore can offer better service that is more customizable and helpful. You are given more of a diversity in products and brands, as well as, reading material. Many of their vendors are local and can customize a product or arrange for a small batch to be delivered directly, saving the customer money. Getting to know small business owners is like making a new friend. Small businesses seamlessly grow a sense of community, recognition and trust you never build within a big box.

Last, and maybe the biggest, supporting a local indie bookstore makes everyone feel good! Instant serotonin boost when you buy something meaningful and special and are supporting something someone's dream!

Check out these titles recommended by A Book Place owner, Jocelyn Kaleita:

• "Lost to Dune Road" by local author and librarian Kara Thomas
• "Finlay Donovan is Killing It" by Elle Cosimano
• "Finlay Donovan Rolls the Dice" by Elle Cosimano
• "Expiration Dates" by Rebecca Serles
• "Beartown" by Fredrik Backman
• "The Leftover Woman" by Jean Kwok
• "Jobs for Girls with Artistic Flair" by June Gervais

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Fantastic Beasts and Other Creatures Abound in May’s Graphic Novels

There be monsters in four new volumes out this month (yes, even in “Nancy”).

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By Sam Thielman

Sam Thielman is a reporter and critic based in Brooklyn. In addition to his monthly column for The Times, he has written about comics and graphic novels for The New Yorker, The Atlantic, Slate and The Guardian.

The seven-year wait since Emil Ferris published her debut graphic novel has felt far longer than that, but MY FAVORITE THING IS MONSTERS, BOOK 2 (Fantagraphics, 412 pp., $44.99) is finally here, and now the first book is no longer in a class by itself. There is apparently nothing Ferris can’t render: A cartoony girl-werewolf — her protagonist, Karen Reyes, drawn as she sees herself — seems to flow from her multicolored ballpoint pens as easily as Jan Sanders van Hemessen’s musclebound Judith , standing contrapposto next to the head of Holophernes on one memorable page, wields her sword.

And that’s part of the point. Ferris is drawing a murder mystery and a story about Chicago in the 1960s and a coming-of-age tale, but she’s also interested in all the ways that high art is in conversation with low art. Her gangsters, drag queens and hippie philosophers might be aliens or vampires from a sleazy magazine on one page, but they could just as easily populate a Picasso or a Goya drawing on the next. There’s a page of Medusa as the Mona Lisa that feels like the book’s cri de coeur: Why shouldn’t beauty and monstrosity peacefully coexist within the same subject?

This is not merely an artistic problem. Karen’s beloved brother, Deeze, is devoted and protective, but he’s also brutally violent. And as Karen tentatively gets more comfortable being gay, she learns that one of her neighbors, Anka, a Holocaust survivor, has been murdered — a fact made all the more tragic because of the terrible things she did to survive.

Ferris doesn’t tie up all these plot threads; she revels in the contradictions rather than resolving them. A prequel, “Records of the Damned,” is reportedly already in the works, and somehow my anticipation for the next volume is already exactly the right kind of pleasant agony.

Last year when the artist Martin Simmonds was at New York Comic Con, he let curious passers-by flip through a beautiful portfolio of pages he had for sale. The most striking would become leaves for UNIVERSAL MONSTERS: DRACULA (Image/Skybound, 120 pp., $24.99) , drawn, painted and collaged by Simmonds and written by his frequent collaborator James Tynion IV. Those pages, with lace glued to them and gutters drawn with what looked like correction tape, are featured in this condensed “Dracula” story, a lush volume that plays up Mina Harker’s attraction to the Transylvanian count.

Simmonds and Tynion have produced less an adaptation of the 1931 Universal Studios film, as the cover suggests, than a tone poem on its themes, which is all to the good. The script is spare and the images are generous and baroque; often, they sweep across pages and beyond borders, and Dracula himself gains a dreamlike quality. Little wonder that their Mina is so thoroughly seduced.

Despite a charming visual style that looks like a 1990s Cartoon Network offering and a cover that promises “six twisted tales of adorable horror,” Jay Stephens’s DWELLINGS (Oni Press, 272 pp., $34.99) is both a single, rewardingly complicated narrative and decidedly not for kids. The story concerns a little Canadian town called Elwich, populated by an encyclopedic variety of scary-story protagonists: There’s the family on the lam from the mob, the woman whose puppet talks to her, and a demonic possession.

The characters are simple and their demises are satisfyingly horrible, a bit like especially gory episodes of “The Twilight Zone,” but that is only the plot. The icing is as much fun as the cake here: Each issue begins with an “advertisement” hawking cheap toys and magic tricks to kids, but the descriptive text is both funny (Existentialism, item No. 3306, is only $1.98) and very worrying. It’s the sort of thing you can enjoy once, and then resolve not to read again because it was too disturbing and then immediately pick back up.

The boom in reprinting classic newspaper comics somehow missed Ernie Bushmiller’s astounding “Nancy,” a strip that manages to reduce much of what makes comics work to its barest essence. (And yes, monsters dwell here as well.) It does this by making you laugh, and the editor Denis Kitchen has filled NANCY & SLUGGO’S GUIDE TO LIFE (New York Review Comics, 148 pp., $24.95) with many of Bushmiller’s best gags.

Bushmiller drew the strip for 44 years, and, unlike with Charles M. Schulz’s “Peanuts” or Frank King’s “Gasoline Alley,” there was no deep psychology or narrative engine, so “Nancy” occasionally repeated itself. Here, Kitchen doles out little bits of Bushmiller’s unchanging but inarguable genius with scientific precision. He’s separated the book into three themes: Money, Food and Sleep, with the last being the strangest and most fun. (It is also probably the least funny, but who cares?)

It’s a showcase for Bushmiller’s prodigious drawing skills, which he played down his whole career. One terrific strip has Nancy being swatted by a giant mosquito; another has ghouls, ghosts and devils chasing her through her dreams and inspiring her to open a haunted house. All of them, through that peculiar Bushmiller magic, take longer to describe than they do to read and enjoy.

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