creative writing low residency mfa

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Ellen Bryant Voigt speaking at the MFA Program’s 40th Anniversary Gala

The mfa program for writers.

In 1976, Ellen Bryant Voigt, renowned poet and master teacher, founded the nation’s first low-residency creative writing program. In 1981, the program relocated from Vermont’s Goddard College to one of the most beautiful campuses in the country, Warren Wilson College.  Today, forty-five years after its inception, the prestigious MFA Program for Writers at Warren Wilson College remains one of the top writing programs in the nation.  Students of the program range in age from their early twenties to mid-sixties, in profession from teacher and journalist, doctor and bartender, to lawyer and lumberjack, and join us from all over North America, Europe, and Asia.  Our faculty have won virtually every major honor in the country, including MacArthur and Guggenheim Fellowships, Pulitzer Prizes, and the National Book Award.  Several have served as state poets laureate, and two have been named national poets laureate.  Our alumni have published hundreds of books, and their work has been featured in The New Yorker  and on the front page of  The New York Times   Book Review .

About the Program

An alternative to the wholly residential workshop, the program is structured to meet students’ needs, to help them recognize specific strengths and address specific weaknesses in their work, and to encourage them to see themselves as active participants in the creation and study of literature.

Every six months, students from across the globe gather here on campus to form a cohesive, non-competitive community that offers camaraderie, direction, and inspiration. The four-semester course of study toward the Master of Fine Arts degree is carried out by alternating on-campus residency sessions with semesters of independent study under close faculty supervision.  The residencies, attended by all faculty and students, are ten days long and take place two times a year, once in early January, and once in early July.

Readings, lectures, classes, workshops, meetings, informal exchange, and conferences all aide in fostering a strong sense of community among peers.  In the classes and team-taught workshops, students will find an environment that is non-competitive, while our low student-faculty ratio (never more than 5:1) ensures that each student will receive personalized attention that will help provide direction for the semester.

Following the residency, correspondence between the student and  the faculty supervisor occur at regular, contracted intervals. This individualized course of study and thorough engagement with faculty, occurring within the context of one’s ongoing adult life, make the Program useful to writers at all stages of their development.

The Master of Fine Arts degree at Warren Wilson represents the study of literature from within the writer’s perspective.  It is not, however, a technical or narrow degree.  The reading and analytical components of each Semester Project, and the variety of classes and workshops offered during the residency periods, provide opportunities for unusually well-integrated, humanities-based curricula–without sacrifice of direct manuscript, work, and criticism.

The Program’s commitment to active teaching and active learning is unshakeable.  While the balanced study of literature and the craft of writing does make its graduates attractive candidates for teaching positions, no one should apply to the program if he/she seeks the degree mainly for employment purposes.  Likewise, while our graduates publish their work widely, no one should apply seeking only an editor for projects in progress.  Our goal is not to supply credentials or technical support but to assist students with their education and their development as writers.

Degree Requirements

The student’s record must indicate the following:.

• Full participation in five residency sessions
• Successful completion of four semester projects, with a minimum accumulation of 60 graduate hours
• Work with at least four different faculty supervisors
• Broad reading in literature and contemporary letters, as demonstrated by a comprehensive bibliography of usually at least 50-60 entries
• The ability to write clear prose, and to articulate cogent response to work by other writers, as demonstrated every semester in brief bibliographical annotations or their approved equivalent
• A substantial analytical essay (30-50 pp.) of intelligence and insight
• A Thesis Manuscript of poetry (30-50 pp.) or fiction (70-100 pp.) of high quality
• An objective assessment of that manuscript by faculty and peers in a one-hour Thesis Interview
• A one-hour graduate class taught to peers during a residency period
• A public reading of his/her work during residency

The MFA Program for Writers at Warren Wilson College

701 Warren Wilson Rd. Swannanoa, NC 28778 [email protected]     (828) 771-3715

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15 Best Creative Writing MFA Programs in 2024

May 15, 2024

Whether you studied at a top creative writing university or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? If you’re considering an MFA, this article walks you through the best full-time, low residency, and online Creative Writing MFA programs in the United States.

What are the best Creative Writing MFA programs?

Before we get into the meat and potatoes of this article, let’s start with the basics. What is an MFA, anyway?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications typically require a sample portfolio, usually 10-20 pages (and sometimes up to 30-40) of your best writing. Moreover, you can receive an MFA in a particular genre, such as Fiction or Poetry, or more broadly in Creative Writing. However, if you take the latter approach, you often have the opportunity to specialize in a single genre.

Wondering what actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then, you finish the degree with a thesis project. Thesis projects are typically a body of polished, publishable-quality creative work in your genre—fiction, nonfiction, or poetry.

Why should I get an MFA in Creative Writing?

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

Fourth: resources. MFA programs are often staffed by brilliant, award-winning writers; offer lecture series, volunteer opportunities, and teaching positions; and run their own (usually prestigious) literary magazines. Such resources provide you with the knowledge and insight you’ll need to navigate the literary and publishing world on your own post-graduation.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers—and share feedback, advice, and moral support—in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name recognition.

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

FULLY FUNDED MFA PROGRAMS

1) johns hopkins university , mfa in fiction/poetry.

This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Many grads publish their first book within three years (nice). No nonfiction MFA (boo).

• Location: Baltimore, MD
• Incoming class size: 8 students (4 per genre)
• Admissions rate: 4-8%
• Alumni: Chimamanda Adichie, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center

The only MFA that offers full and equal funding for every writer. It’s three years long, offers a generous yearly stipend of $30k, and provides full tuition plus a health insurance stipend. Fiction, poetry, playwriting, and screenwriting concentrations are available. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $4,000 for the summer.

• Location : Austin, TX
• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
• Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. All students receive full funding, including tuition, a living stipend, and subsidized health insurance. The Translation MFA , co-founded by Gayatri Chakravorti Spivak, is also two years long but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 2.7-3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

Best MFA Creative Writing Programs (Continued) 

4) university of michigan.

Anne Carson famously lives in Ann Arbor, as do the MFA students in UMichigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $25,000 stipend, summer funding, and health care.

This is a 2-3-year program in either fiction or poetry, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Location: Ann Arbor, MI
• Incoming class size: 18 (9 in each genre)
• Acceptance rate: 2%
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University

Brown offers an edgy, well-funded program in a place that only occasionally dips into arctic temperatures. All students are fully funded for 2 years, which includes tuition remission and a $32k yearly stipend. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.  Fiction and Poetry Tracks are offered as well.

• Location: Providence, RI
• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

6) University of Arizona

This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It’s in “ the lushest desert in the world, ” and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona’s dry heat is good for arthritis.

This notoriously supportive program is fully funded. Moreover, teaching assistantships that provide a salary, health insurance, and tuition waiver are offered to all students. Tucson is home to a hopping literary scene, so it’s also possible to volunteer at multiple literary organizations and even do supported research at the US-Mexico Border.

• Location: Tucson, AZ
• Incoming class size: usually 6
• Acceptance rate: 1.2% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University 

With concentrations in fiction and poetry, Arizona State is a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Moreover, it encourages cross-genre study.

Funding-wise, everyone has the option to take on a teaching assistantship position, which provides a tuition waiver, health insurance, and a yearly stipend of $25k. Other opportunities for financial support exist as well.

• Location: Tempe, AZ
• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university.

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU also has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes. Concentrations in poetry, fiction, and creative nonfiction are available.

• Location: New York, NY
• Incoming class size: ~60; 20-30 students accepted for each genre
• Acceptance rate: 6-9%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers. Finally, teaching positions and fellowships are available to help offset the high tuition.

• Incoming class size: 110
• Acceptance rate: not publicized (boo)
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence 

Sarah Lawrence offers a concentration in speculative fiction in addition to the average fiction, poetry, and nonfiction choices. Moreover, they encourage cross-genre exploration. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere, and many teaching and funding opportunities are available.

• Location: Bronxville, NY
• Incoming class size: 30-40
• Acceptance rate: not publicized
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11) bennington college.

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer. The rest of the time, you’ll be spending approximately 25 hours per week on reading and writing assignments. Students have the option to concentrate in fiction, nonfiction, or poetry. Uniquely, they can also opt for a dual-genre focus.

The tuition is $23,468 per year, with scholarships available. Additionally, Bennington offers full-immersion teaching fellowships to MFA students, which are extremely rare in low-residency programs.

• Location: Bennington, VT
• Acceptance rate: 53%
• Incoming class: 25-35
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres, including screenwriting, poetry, fiction, and nonfiction. In addition, each student is matched with a faculty mentor who works with them one-on-one throughout the semester.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 in tuition a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Location: Santa Fe, NM
• Incoming class size : 21
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

VCFA is the only graduate school on this list that focuses exclusively on the fine arts. Their MFA in Writing offers concentrations in fiction, poetry, and nonfiction; they also offer an MFA in Literary Translation and one of the few MFAs in Writing for Children and Young Adults . Students meet twice a year for nine days, in January and July, either in-person or online. Here, they receive one-on-one mentorship that continues for the rest of the semester. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition for the full two-year program is approximately $54k.

• Location : Various; 2024/25 residencies are in Colorado and California
• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso.

UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Accordingly, this program is geared toward serious writers who want to pursue teaching and/or publishing. Intensive workshops allow submissions in Spanish and/or English, and genres include poetry and fiction.

No residencies are required, but an optional opportunity to connect in person is available every year. This three-year program costs about $25-30k total, depending on whether you are an in-state or out-of-state resident.

• Location: El Paso, TX
• Acceptance rate: “highly competitive”
• Alumni: Watch alumni testimonies here

15) Bay Path University

This 2-year online, no-residency program is dedicated entirely to nonfiction. Featuring a supportive, diverse community, Bay Path offers small class sizes, close mentorship, and an optional yearly field trip to Ireland.

There are many tracks, including publishing, narrative medicine, and teaching creative writing. Moreover, core courses include memoir, narrative journalism, food/travel writing, and the personal essay. Tuition is approximately $31,000 for the entire program, with scholarships available.

• Location: Longmeadow, MA
• Incoming class size: 20
• Alumni: Read alumni testimonies here

Best MFA Creative Writing Programs — Final Thoughts

Whether you’re aiming for a fully funded, low residency, or completely online MFA program, there are plenty of incredible options available—all of which will sharpen your craft while immersing you in the vibrant literary arts community.

Hoping to prepare for your MFA in advance? You might consider checking out the following:

• Best English Programs
• Best Colleges for Creative Writing
• Writing Summer Programs
• Best Writing Competitions for High School Students

Inspired to start writing? Get your pencil ready:

• 100 Creative Writing Prompts 
• 1 00 Tone Words to Express Mood in Your Writing
• 60 Senior Project Ideas
• Common App Essay Prompts

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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MFA Programs Database

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Our MFA database includes essential information about low- and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply.

Adelphi University

Poetry: Jan-Henry Gray, Maya Marshall Prose: Katherine Hill, René Steinke, Igor Webb

Albertus Magnus College

Poetry: Paul Robichaud Fiction: Sarah Harris Wallman Nonfiction: Eric Schoeck

Alma College

Poetry: Leslie Contreras Schwartz, Jim Daniels, Benjamin Garcia Fiction: Karen E. Bender, Shonda Buchanan, Dhonielle Clayton, S. Kirk Walsh Creative Nonfiction: Anna Clark, Matthew Gavin Frank, Donald Quist, Robert Vivian

American University

Poetry: Kyle Dargan, David Keplinger Fiction: Dolen Perkins-Valdez, Stephanie Grant, Patricia Park Nonfiction: Rachel Louise Snyder

Antioch University

Poetry: Victoria Chang Prose: Lisa Locascio

Arcadia University

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith Literature: Matthew Heitzman, Christopher Varlack, Elizabeth Vogel, Jo Ann Weiner

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith

Arizona State University

Poetry: Sally Ball, Natalie Diaz, Alberto Álvaro Ríos, Safiya Sinclair Fiction: Matt Bell, Jenny Irish, Tara Ison, Mitchell Jackson, T. M. McNally Creative Nonfiction: Sarah Viren

Ashland University

Poetry: Dexter Booth, Marcelo Hernandez Castillo, Adam Gellings, Tess Taylor, Vanessa Angélica Villareal Fiction: Kirstin Chen, Edan Lepucki, Sarah Monette, Nayomi Munaweera, Vi Khi Nao, Naomi J. Williams, Kyle Winkler Nonfiction: Cass Donish, Kate Hopper, Lauren Markham, Thomas Mira y Lopez, Lisa Nikolidakis, Terese Mailhot

Augsburg University

Poetry: Michael Kleber-Diggs Fiction: Stephan Eirik Clark, Lindsay Starck Nonfiction: Anika Fajardo  Playwriting: Carson Kreitzer, TyLie Shider, Sarah Myers Screenwriting: Stephan Eirik Clark, Andy Froemke

Ball State University

Poetry: Katy Didden, Mark Neely Fiction: Cathy Day, Sean Lovelace Nonfiction: Jill Christman, Silas Hansen Screenwriting: Rani Deighe Crowe, Matt Mullins

Bard College

Jess Arndt, Shiv Kotecha, Mirene Arsanios, Hannah Black, Trisha Low, Christoper Perez, Julian Talamantez Brolaski, Simone White

Bath Spa University

Poetry: Lucy English, Carrie Etter, Tim Liardet, John Strachan, Samantha Walton, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Alexia Casale, Lucy English, Nathan Filer, Aminatta Forna, Maggie Gee, Samantha Harvey, Philip Hensher, Steve Hollyman, Emma Hooper, Claire Kendal, Kate Pullinger, C.J. Skuse, Gerard Woodward Nonfiction: Celia Brayfield, Richard Kerridge, Stephen Moss Scriptwriting: Robin Mukherjee

Poetry: Lucy English, Carrie Etter, Tim Liardet, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Nathan Filer, Aminatta Forna, Maggie Gee, Samantha Harvey, Philip Hensher, Claire Kendal, Kate Pullinger, Gerard Woodward Nonfiction: Richard Kerridge, Stephen Moss

Bay Path University

Mel Allen, Leanna James Blackwell, Jennifer Baker, Melanie Brooks, María Luisa Arroyo Cruzado, Shahnaz Habib, Susan Ito, Karol Jackowski, Yi Shun Lai, Anna Mantzaris, Meredith O’Brien, Mick Powell, Suzanne Strempek Shea, Tommy Shea, Kate Whouley

Bennington Writing Seminars at Bennington College

Poetry: Jennifer Chang, Michael Dumanis, Randall Mann, Craig Morgan Teicher, Mark Wunderlich Fiction: Peter Cameron, Jai Chakrabarti, Stacey D’Erasmo, Monica Ferrell, Rebecca Makkai, Stuart Nadler, Téa Obreht, Moriel Rothman-Zecher, Katy Simpson Smith, Taymour Soomro Nonfiction: Garrard Conley, Sabrina Orah Mark, Spencer Reece, Lance Richardson, Shawna Kay Rodenberg, Hugh Ryan, Greg Wrenn

Binghamton University

Poetry: Tina Chang, Joseph Weil Fiction: Amir Ahmdi Arian, Thomas Glave, Leslie L. Heywood, Claire Luchette, Liz Rosenberg, Jaimee Wriston-Colbert, Alexi Zentner Nonfiction: Amir Ahmdi Arian, Leslie L. Heywood

Bluegrass Writers Studio at Eastern Kentucky University

Poetry: Julie Hensley, Young Smith Fiction: Julie Hensley, Robert Dean Johnson Nonfiction: Robert Dean Johnson, Evan J. Massey Playwriting: Young Smith

Boise State University

Poetry: Martin Corless-Smith, Sara Nicholson, Taryn Schwilling Fiction: Mitch Wieland (Director), Anna Caritj Creative Nonfiction: Chris Violet Eaton, Clyde Moneyhun

Boston University

Poetry: Andrea Cohen, Karl Kirchwey, Robert Pinsky Fiction: Leslie Epstein, Jennifer Haigh, Ha Jin

Boston University—MFA in Literary Translation

Odile Cazenave, Yuri Corrigan, Margaret Litvin, Christopher Maurer, Roberta Micaleff, Robert Pinsky (advising), Stephen Scully, Sassan Tabatabai, J. Keith Vincent, William Waters, Dennis Wuerthner, Cathy Yeh, Anna Zielinska-Elliott

Bowling Green State University

Poetry: Abigail Cloud, Amorak Huey, Sharona Muir, F. Dan Rzicznek, Larissa Szporluk, Jessica Zinz-Cheresnick Fiction: Joe Celizic, Lawrence Coates, Reema Rajbanshi, Michael Schulz

Brigham Young University

Poetry: Kimberly Johnson, Lance Larsen, Michael Lavers, John Talbot Fiction: Chris Crowe, Ann Dee Ellis, Spencer Hyde, Stephen Tuttle Nonfiction: Joey Franklin, Patrick Madden

Brooklyn College

Poetry: Julie Agoos, Ben Lerner Fiction: Joshua Henkin, Madeleine Thien Playwriting: Dennis A. Allen II, Elana Greenfield

Goddard College

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Master of Fine Arts in Creative Writing

We believe in the power of your imagination. Since 1976, when Goddard College launched the nation’s first low-residency Master of Fine Arts in Creative Writing program , we have provided an enduring creative home for writers like you. Our goal is to help you find, refine, and share your words with the world.

Unlike many conventional MFA programs, we welcome writers in a variety of genres, including libretto, television writing, and the graphic novel, as well as creative nonfiction, poetry, dramatic writing, fiction, speculative fiction, and hybrid forms.

We support you in determining your artistic direction and work with you to individualize the course of study that will enable you to fulfill your dreams. We’ll provide the structure, deadlines, and guidance you need from professional mentors who are working writers in your chosen genre.

you’ll be inspired and energized, with a reading list designed specifically for you and a comprehensive plan to produce your creative thesis. During the semester, you’ll stay in close contact with your advisor as you produce monthly packets of work.

By the time you graduate, you not only will have accomplished your goal of finishing your book, play, script, or libretto, but you also will have radically transformed your sense of confidence and purpose as a writer.

About Goddard

Education for real living, through the actual facing of real life problems

• The Goddard Difference

Our philosophy starts with the idea experience and education are intricately linked

The MFA in Creative Writing Program supports students writing in the following genres:

• Creative Nonfiction / Memoir
• Playwriting
• Libretto Writing
• Screenwriting
• Television Writing
• Graphic Novel Scriptwriting
• Cross-Genre / Hybrid

Program Details

Monthly “packet exchanges” allow you to sustain an ongoing dialogue with your faculty advisor about your work throughout the semester. Every packet contains your work — creative pages, critical essays, and/or other degree requirements. Packets also include a process letter in which you raise any artistic concerns or questions about your work and life as a writer.

You’ll submit four written packets to your advisor each semester, on specific due dates, and your advisor will respond with detailed margin notes, a comprehensive response letter, and an engaging dialogue about how your critical explorations can assist you in bringing your creative work closer to your vision. In addition, you’ll engage in a “virtual packet” midway through the semester, consisting of a one-hour virtual meeting or phone call with your advisor.

Core Curriculum

The core focus of your MFA studies is your creative work. The intellectual rigor you gain through reading and critical analysis will help you develop your craft and voice. You’ll have many opportunities to share your work in readings and workshops, and you’ll deepen what you’ve learned by applying it in your Teaching Practicum.

Creative Work

Your thesis project consists of a complete book, play, script, or libretto. To help you progress toward that goal, you’ll be expected to engage actively in creative writing throughout each semester. Our students are encouraged to experiment with different genres and methods at each residency and during their first semester, and by their second semester, select a particular genre for their final thesis and concentration.

By the end of your final semester, you are expected to produce a unified creative thesis of professional quality, conforming to standard industry length. You will share an excerpt from this work at a public reading during your commencement residency.

Critical Writing

Close reading is the foundation of the critical work you’ll do at Goddard. Close reading means avidly exploring the construction of the text and moving beyond general impressions to note specific authorial choices and to consider their implications.

Each semester you will work with your advisor to create a reading list that reflects the themes, technical/craft issues, and literary traditions you choose to explore in depth. Your selections will be informed by your own personal experiences, educational background, and reading habits, with attention to such factors as gender, genre, and multiculturalism.

In response to your reading, over the course of your MFA you’ll complete 45-60 annotations, two five-page critical papers, and one twenty-page critical paper.

Teaching Practicum

As a terminal degree, the MFA in Creative Writing is a credential for faculty positions in higher education. To offer you the skills necessary to confidently enter the classroom as a teacher of creative writing, you are also required to complete a “teaching practicum,” as described in the next section.

Unique among MFA programs, Goddard has created a model that gives you:

• the freedom to shape the creative writing course that best serves your goals
• your choice of location and student populations
• your choice of craft topics
• an opportunity to expand your resume
• a way to give back to your community

With a minimum of just three students, our students have offered creative writing courses at colleges, grade schools, retirement communities, libraries, juvenile detention centers – even coffee shops!

Publishing Opportunities

You can be involved in all aspects of publishing, from editing to layout, with these opportunities:

• The Pitkin Review: the literary journal written and edited by Goddard College MFA in Creative Writing students
• Clockhouse : the national, Pushcart-mentioned literary journal, edited and published by Goddard College MFA in Creative Writing alumni
• The Writer in the World: the Goddard College MFA in Creative Writing blog for students and alumni

Visiting Writers & Professionals

At residencies, you’ll meet a diverse range of visiting writers and professionals from the worlds of book publishing, theater, and film and television production.

• Our  Visiting Writers Series  is one of the most anticipated aspects of each residency. Recent guest writers include Chris Abani, Lynda Barry, Nilo Cruz, Meghan Daum, Mary Gaitskill, Pablo Medina, Dinaw Mengestu, Ruth Ozeki, and Dani Shapiro.
• Our Visiting Professionals Series will introduce you to professionals from the publishing and production industries. Recent guests include editors and agents from Penguin/Tarcher, Hawthorne Books, Janklow & Nesbit, Feminist Press, Simon & Schuster, and Copper Canyon Press.
• Our  Alumni Readers Series  celebrates the professional achievements of our alumni. Recent alumni readers include Mark Doty, Justin Hall, Cara Hoffman, Simone John, Matthew Quick, and Selah Saterstrom.
• Our  Playwrights’ Enrichment Series  is unique among MFA writing programs. Once a year, on our Vermont campus, we welcome a visiting luminary from theatre or film. Recent guests include playwrights, librettists, and dramaturgs, as well as literary managers and directors from theatrical powerhouses, such as The Public Theater, HowlRound, Lark Theater, Dramatists Guild, Eugene O’Neill Theater, and the Sundance Institute.

Social Justice Book Club

We are a community of creative writers who are also serious readers—readers who want to be engaged, entertained, and enlightened. We come from a rich array of backgrounds and experiences.

It is this diversity that makes the residency a special place where we can explore books about race, gender, immigration, sexuality, or other topics related to social justice. The resulting conversations allow us to develop our identities—that is, who we are and what we want to say as writers in the world.

Some of the books the SJBC has chosen recently are:  Between the World and Me  by Ta-Nahisi Coates,  Good Kings, Bad Kings  by Susan Nussbaum,  All the Names  by Dinaw Mengestu,  Fun Home: A Tragicomedy  by Alison Bechdel, and  Night Sky with Exit Wounds  by Ocean Vuong.

Latest Posts

Alumni Mwalim Daphunkee Professor Peters

Faculty Member Louise Glück

Keynote Speaker Dharna Noor Addresses Climate Change

Pandemic Theater? A Goddard Playwright Adjusts

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Important Announcement

Demo Description

The Board of Directors for Goddard College have made the difficult decision to close the college at the end of the 2024 Spring term.  

Current Goddard students will have the opportunity to complete their degrees at the same tuition rate through a teach-out with like-minded institution, Prescott College . Updates and scholarship funds will be available in the coming weeks and months. Information will be posted to www.goddard.edu . 

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15 Best Low Residency MFA Programs

Author: Natalie Harris-Spencer Updated: February 18, 2023

The best low residency MFA programs offer you a more cost-effective way to complete a Master of Fine Arts in Creative Writing. The difference between a low residency and a fully remote program is that you’ll be expected to stay on campus for short periods throughout the year, giving you greater flexibility than if you’d have either been living on campus, or full-time in front of a computer screen.

What can you expect from the best low residency MFA programs?

These programs will force you to juggle your writing time around your day job , family, and cats, while still plunging you into that writers’ life you so crave. In many ways, they’re harder than the traditional brick-and-mortar school program, in that they give you a truer flavor of what it’s like to pursue a writing career with a million other things going on in your life. They’re also far more immersive than an online-only program.

You’ll be hit with a combination of remote and in-person learning. A typical school year comprises two semesters, of which there is usually a 10-day intensive residency on campus per semester (so, two residencies per year, for two years). The time in between residencies is remote i.e. spent from your writing desk at home, where you will be paired with a mentor or smaller groups of writers. In fact, the 1:1 mentorship is a huge benefit of a low residency MFA program ; you’ll get closer attention than you would if you were in a traditional college class.

The best low residency MFA programs will offer a variety of genres , including fiction, nonfiction, poetry, popular fiction, scriptwriting, literary translation, graphic novels and comics, and writing for young people, while some allow for a dual-genre path.

While MFAs are not cheap, low residency programs are certainly on the more affordable side. Read on for 15 best low residency MFA programs, listed in alphabetical order.

1. Antioch University

Offered by AU Los Angeles, Antioch University’s low-residency MFA in Creative Writing program is dedicated to the education of literary and dramatic artists, community engagement, and the pursuit of social justice. It offers two, 10-day residencies in June and December.

2. Bard College

Bard College offers MFAs for artists in a variety of disciplines, not just writing. Each summer session runs for eight intensive weeks (there is no winter residency), and does not follow the traditional semester schedule. Most students receive some amount of financial aid, making it an attractive option for candidates.

3. Bennington College

Bennington College is widely regarded as one of the best low residency MFA programs in the United States. Residencies take place in picturesque Vermont, and their prestigious faculty includes many multi-published authors and literary prizewinners. You can elect to pursue a dual-genre path. Bennington’s residencies take place in January and June.

4. Cedar Crest College

This pan-European MFA offers a single 15-day residency at the beginning of July that rotates between Dublin, Ireland, Barcelona, Spain, and Vienna, Austria, with new locations coming soon. Unlike other programs, you’ll only attend three residencies in total, and you won’t go to the university campus in Allentown, Pennsylvania. But…you get to travel to Europe.

5. Goucher College

The only program dedicated solely to nonfiction writing, this low residency MFA attracts applicants and faculty interested in pursuing narrative, memoir, personal essay, and literary journalism. Literary agents and editors attend the two 10-day residencies in Baltimore, Maryland, and there are sponsored trips to New York to meet top publishing professionals.

6. Institute of American Indian Arts

Now in its tenth year, the emphasis with this particular Creative Writing MFA is on Native writers, voices, texts, and experience, although applications are open to all. Based in Santa Fe, New Mexico, it offer two 8-day residencies in January and July.

7. Lesley University

While the nine-day residencies take place in the “literary mecca” of Cambridge, Massachusetts, there’s also the opportunity for students to study abroad at a 12-day residency in rural Wales. Lesley has relationships with literary agencies and presses , so that you get a fast-track into publishing on submitting your thesis when you graduate.

8. Lindenwood University

Located in St. Charles, Missouri, Lindenwood University is unique in that there is no formal residency requirement: you can take classes fully on campus, online, or choose the low residency model. The program is more affordable than others due to its flexibility, and offers financial aid to teachers and candidates over the age of sixty.

9. New York University

Based on NYU’s campus in Paris, France, there are five, 10-day residencies held in January and July. This is one of the more expensive programs, with limited funding available. However, its faculty line-up is always incredible, and you’re paying for the prestige of Paris.

10. Pacific University

Based in Portland, Oregon, Pacific University’s MFA program places a strong emphasis on craft . It offers multiple full and partial merit-based scholarships to qualifying candidates. Residencies are in January and June.

11. Sewanee School of Letters

The model at Sewanee School of Letters in Tennessee is slightly different: you complete a single, six-week residency over the summer , which in turn is spread over the course of three to five summers, making it more affordable than other low residency programs.

12. University of New Orleans

Despite positioning itself as online MFA, the University of New Orleans is actually low residency, in that it offers a month-long residency every summer at various international locations, including Ireland and Italy.

13. University of Southern Maine (Stonecoast)

My alma mater . Stonecoast at USM offers two 10-day residencies in January and July, alongside a concurrent writers’ conference, in the picturesque town of Freeport, Maine. Its popular fiction program is especially popular with writers of horror, fantasy, and sci-fi, and its WISE program (writing for inclusivity and social equity) is at the heart of its ethos. In my humble opinion, it will always be one of the best low residency MFA programs.

14. Vermont College of Fine Arts

Another Vermont entry: proof that this beautiful state inspires creativity. Residencies are nine days and take place in December and July, with past residencies going further afield: Slovenia, Puerto Rico, Cozumel, Mexico, Rome, and Asheville, North Carolina. Literary translation and dual-genre paths are available.

15. Warren Wilson College

Established in 1976, Warren Wilson is the original low residency MFA program, introducing the format to North America and the rest of the world. Consequently, it’s on the pricier end, but there are multiple grants and financial aid available. It offers two, 10-day residencies in January and July near the wonderful town of Asheville, North Carolina, at the foot of the Blue Ridge Mountains.

Recommended reading

Here at Aspiring Author , we love recommending bestsellers and fawning over hot new releases. On this real time recommended reading list, you will find a list of top rated books on the publishing industry, craft, and other books to help you elevate your writing career.

How to Self-Publish on Amazon: The Essential Step-by-Step Guide to Publishing Success

People's Guide to Publishing: Building a Successful, Sustainable, Meaningful Book Business from the Ground Up (Good Life)

Into Thin Air: A Personal Account of the Mt. Everest Disaster

Full Circle: A Forty Year Love Story

Destinations of a Lifetime: 225 of the World's Most Amazing Places

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Natalie Harris-Spencer

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The MFA Program for Writers

The Nation’s Premier Low-Residency MFA Program

Now in its fifth decade, the MFA Program for Writers at Warren Wilson College , established in 1976 by master poet and teacher Ellen Bryant Voigt, continues to set the standard for the innovative model it pioneered. This rigorous, nurturing, and highly-selective four – semester graduate program, with study tracks in fiction and poetry, combines ten-day residencies on campus each January and July with five-month nonresident semesters in which students work individually with the country’s finest fiction writers and poets.

Our nationally-recognized MFA faculty encompass a range of aesthetics, and include Pulitzer and National Book Award winners, national and state poets laureate, and NEA, Guggenheim, Fulbright, and MacArthur fellows. Residency lectures and readings are free and open to the public.

Our diverse and close-knit student body come from all over the world, and from a variety of disciplines and occupations. MFA program alumni have won countless major awards and have published well over a thousand books . Application deadlines are March 1 and September 1 via Submittable on the MFA program website .

I am grateful for what the MFA Program for Writers at Warren Wilson offers all its students: the knowledge that allows us to become better and more ambitious readers and writers, and the connection to a community of other writers who will help us continue pursuing our interests throughout our lives. Rose McLarney (Warren Wilson BA, 2003; MFA 2010; Beebe Fellow 2010-11)

An Advantage for Undergraduates

Creative Writing majors at the undergraduate level benefit from the opportunity to attend January residency lectures and readings and to work with graduate-student mentors.

And each academic year, an MFA faculty member is in residence on the Warren Wilson campus for a week to teach undergraduate classes, present a workshop and a reading, and to meet with senior creative majors one-on-one.

More Information

Learn More About the MFA Program Requirements

Rose McLarney (BA ’03; MFA ’10; Beebe Fellow 2010-11), pictured with Matthew Olzmann (MFA ’09; 2012-13 Beebe Fellow) in Pew Library on the Warren Wilson campus

I am honored to serve as Director of the MFA Program for Writers, which has such an illustrious history and has launched the careers of so many talented writers worldwide, and which offers a vibrant, world-class education focused on artistry, rigor, community, and the possibilities of the imagination.

Dr. Gary Hawkins (MFA, 1995)

Gary Hawkins is a 1995 alumnus of the MFA Program for Writers at Warren Wilson College. Dr. Hawkins writes poems, writes on modern and contemporary poetry, and writes and presents on the scholarship of teaching and learning. His debut book of poems, Worker, was published in 2016.

Like this program? You might like these too.

Low-residency MFA in creative writing

Our low-residency MFA community inspires and sustains a lifetime of creative work.

Concentrations in the MFA in creative writing

Children and young adults.

Work with Pablo Cartaya, Traci Chee, Joe McGee, Isabel Quintero, Jessica Rinker and Kathryn Reiss.

Creative nonfiction

Work with Lidia Yuknavitch, Gayle Brandeis, Brian Turner, Suzanne Roberts, Gina Frangello and Leta McCollough Seletzky.

Work with Lidia Yuknavitch, Alan Heathcock, Brendan Basham, Gayle Brandeis and Peter Mountford.

Work with Brian Turner, Faylita Hicks, Brynn Saito, Lee Herrick, Rick Campbell and Gailmarie Pahmeier.

By writers, for writers

Come lean toward our fire and tell us your stories, poems, essays. We’re listening.

Our program was built entirely by writers, to guide authors organically through the exploration of their craft and thorough preparation for a sustainable life of creation and publication. No other program nurtures a writer from line and sentence to essay, story, poetry collection or novel like ours does.

Our editing semester is a uniquely practical experience in crafting work which is both thrilling and publishable. Our gifted faculty are here because they want to launch unique, individual voices within a global dialogue; to see risks taken, new moves in language braved, and students grow into professional and artistic peers.

How does a low-residency MFA program work?

We’ve made this program so that people who are unable to walk away from jobs and families and service can still become masters of their craft . . . NOW.

Over four distance-learning semesters, and five total 10-day residencies,  students will focus on their chosen genre (fiction, poetry, writing for children and young adults, or creative nonfiction) while exploring new territories of artistic expression.

Faculty meet with their students one-on-one during each residency to set plans, then work with them intensively throughout the semester providing written critiques. With a student-to-mentor ratio never greater than 5:1, students receive creative, focused, individualized feedback.

Each residency is a 10-day intensive period of workshops, seminars, readings and more, in which we explore the wide landscape of the writing life from practical tricks-of-the-trade to subtleties of conceptual nuance. Residencies are in early January and early August.  

Contact the director

June Sylvester Saraceno MFA-CW Program Director [email protected]

Apply to the low-residency MFA in creative writing  

Features of the low-residency MFA in creative writing

The editing semester.

Work a full semester one-on-one with an editor to make your manuscript polished – and publishable.

Approach your manuscript with greater objectivity, master the tools to shape its potential into a great reading experience on the page, and learn about the practical aspects of publishing from start to finish.

Writers in the Woods

Writers in the Woods presents intimate readings and workshops, open to all, with acclaimed authors in all genres.

The program has hosted scores of poets and writers from all over the country, including Carmen Maria Machado, Kaveh Akbar, Kim Addonizio, Rebecca Makkai, Nick Flynn, Tim O’Brien, Patricia Smith and many others.

Sierra Nevada Review

The Sierra Nevada Review is a biannual online literary magazine managed and edited by the MFA-CW students.

The magazine publishes poetry, short fiction, and literary nonfiction “that leans toward the unconventional, surprising, and risky. We appreciate experiments in form and content, and prefer works whose meanings deepen on repeated readings.”

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We want artists who will write for the rest of their lives. If you are interested in adding your voice to this transformative conversation and intrigued by the possibility of working with teachers and peers who are passionate about the art they love, then please contact us — we look forward to meeting you.

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Low-Residency MFA Mountainview Master of Fine Arts Fiction or Nonfiction

Go write your book:.

• Affordable tuition rates
• Each term begins with a weeklong residency
• Award-winning, nationally recognized faculty
• Only about 16 students per cohort
• Alumni have gone on to win major prizes
• Curriculum designed to help each student complete a publishable book

Low-Residency MFA Program Overview

Write the book you're meant to write, as you earn your Mountainview Master of Fine Arts (MFA) in fiction or nonfiction .

Our two-year, low-residency program allows students to live anywhere and work a full-time job. We never allow the number of students to exceed 65 total – about 16 per cohort – so our students develop close and sustaining relationships with faculty during our intensive weeklong residencies in the summer and winter .

During the rest of the year, our students work with faculty one on one, receiving thorough, regular editorial letters supplemented with video calls.

Our two principal goals:

• Create a close and vibrant writing community
• Graduate every student with an excellent manuscript in hand

Students choose to focus on fiction or nonfiction. Some choose specializations like young adult fiction and environmental writing.

Our full-time faculty members have won numerous awards, published books with major publishing houses and received international acclaim in every literary category from young adult to lyric essay to crime. Their work appears in such forums as The New Yorker, Harper's, The New York Times Magazine and Best American Short Stories.

Our alumni include a Pulitzer Prize finalist, a Guggenheim Fellow, a Whiting Award winner, and numerous other authors whose work is published by major publishing houses. 

Our faculty members, often referred to as "mentors," work to help each student find a literary voice, master their craft and produce a book-length manuscript of high literary quality.

With a Mountainview MFA, you'll get:

• An award-winning, nationally recognized faculty
• Flexibility of schedule
• A curriculum designed to help each student finish an excellent, publishable book (see some of our many successful alumni below)
• A vibrant and supportive creative writing community
• Visiting agents and editors from the best agencies and publishing houses at each residency
• Faculty members who specialize in young adult literature and environmental writing
• Highly competitive tuition costs

Looking for a fully-online program? Check out our online MFA and our online MA in Creative Writing .

Start Your Journey Toward a Low-Residency MFA

Director of Mountainview MFA, Associate Professor

Benjamin Nugent, the director of Mountainview, and an associate professor of English at SNHU, is the author of “Fraternity: Stories” (Farrar, Straus and Giroux, 2020), which was named one of the ten best books of 2020 by New York Magazine, and an Editor's Choice by The New York Times Book Review. His nonfiction has been published in Harper's and The New York Times Magazine, and his fiction received the 2019 Terry Southern Prize from The Paris Review.

Marcus Burke

Marcus Burke grew up in Milton, Massachusetts. He graduated from Susquehanna University where he played four years of varsity basketball. Burke went on to receive his MFA at the Iowa Writer’s Workshop where he was awarded a Maytag Fellowship, an Iowa Arts Fellowship, and upon graduation, a competitive grant in honor of James Alan McPherson from the University of Iowa MacArthur Foundation Fund.

Burke’s debut novel, “Team Seven”, was published in 2014 by Doubleday Books. “Team Seven” received a starred review from Kirkus Reviews, was longlisted for the 2015 PEN Open Book Award and was one of the “10 Titles to Pick Up Now,” in O, The Oprah Magazine.

Rachel B. Glaser

Rachel B. Glaser is the author of the story collection “Pee On Water,” the novel “Paulina & Fran” and the poetry books “Moods” and “Hairdo.”

In 2017, she was on Granta’s List of Best Young American Novelists. Her fiction has been anthologized in “30 under 30” and “New American Stories.”

She lives in Northampton, Massachusetts.

Amy Irvine is the author of numerous essays and four nonfiction books addressing environmental, Indigenous and feminist concerns. She is a contributing editor for Orion Magazine, and her work has appeared or is forthcoming in Outside, Orion, Pacific Standard, Best American Science & Nature Writing, and Best American Food Writing. Her first memoir, “Trespass”, received the Orion Book Award, and the Ellen Meloy Desert Writers Award. Her memoir, “Almost Animal”, will be published by Spiegel & Grau in Spring 2023. Irvine, a Mountainview MFA alumnus, lives, writes and teaches off-grid on a remote mesa in southwest Colorado.

Jo Knowles is an award-winning young adult and middle-grade novelist. Her young adult books include "Living with Jackie Chan," "Pearl", "Jumping Off Swings", "Lessons from a Dead Girl" and "Read Between the Lines." Her middle grade/tween novels include "See You at Harry's," "Still a Work in Progress," "Where the Heart is," and "Meant to Be" (coming 2022). Some of her awards include a New York Times Editor's Choice and Notable Book, an American Library Association Notable Book, an IndieBound Summer Top 10, Bank Street College's "Best Book" list, Amazon's Best Middle Grades, an International Reading Association Favorite, New England Children's Booksellers Advisory Top Title, two SCBWI Crystal Kite Awards, Kirkus's Best Teen Books, the PEN New England Children's Book Discovery Award and YALSA's Best Fiction for Young Adults. Her books have appeared on numerous state book award lists for schools and libraries.

Andrew Martin

Andrew Martin is the author of the novel “Early Work”, a New York Times Notable Book of 2018 and a finalist for the Cabell First Novelist Award. He is also the author of the story collection “Cool For America”, which was longlisted for the 2020 Story Prize. His fiction has been published in The Paris Review, The Atlantic, The Yale Review, ZYZZYVA and The Los Angeles Review of Books Quarterly, and his essays and criticism have appeared in The New York Review of Books, Harper's, The New York Times Book Review, T: The New York Times Style Magazine and VICE. He has received fellowships from MacDowell and the UCross Foundation. He earned his MFA from the University of Montana and has a BA in English from Columbia University. He lives in New York.

Tracy O'Neill

Tracy O'Neill is the author of “The Hopeful”, one of Electric Literature's Best Novels of 2015, and “Quotients”, a New York Times New & Noteworthy book, TOR Editor's Choice and Literary Hub Favorite Book of 2020. In 2015, she was named a National Book Foundation 5 Under 35 honoree, long-listed for the Flaherty-Dunnan Prize and was a Narrative Under 30 finalist. In 2012, she was awarded the Center for Fiction's Emerging Writers Fellowship. Her short fiction was distinguished in the Best American Short Stories 2016, and earned a Pushcart Prize nomination in 2017. Her writing has appeared in Granta, Rolling Stone, The Atlantic, the New Yorker, LitHub, BOMB, Vol. 1 Brooklyn, The Believer, The Literarian, the Austin Chronicle, New World Writing, Narrative, Scoundrel Time, Guernica, Bookforum, Electric Literature, Grantland, Vice, The Guardian, VQR, the San Francisco Chronicle and Catapult. She holds an MFA from the City College of New York; and an MA, an MPhil and a PhD from Columbia University. While editor-in-chief of the literary journal Epiphany, she established the Breakout 8 Writers Prize with the Authors Guild.

Nadia Owusu '17

Nadia Owusu is a Ghanaian and Armenian-American writer and urbanist. Her first book, “AFTERSHOCKS”, topped many most-anticipated and best book of the year lists, including The New York Times, The Oprah Magazine, Vogue, TIME, Vulture and the BBC. It was a New York Times Book Review Editors’ Choice.

Nadia is the recipient of a 2019 Whiting Award. Her writing has appeared or is forthcoming in The New York Times, The Lily, Orion, Granta, The Paris Review Daily, The Guardian, The Wall Street Journal, Slate, Catapult, Bon Appétit, Travel + Leisure, and others. She lives in Brooklyn.

Lydia Peelle

Lydia Peelle is the Whiting Award-winning author of the novel “The Midnight Cool” and the story collection “Reasons for and Advantages of Breathing”, a New York Times Book Review Editors’ Choice book which received an honorable mention for the PEN/Hemingway Award and was a finalist for The Orion Book Prize. Peelle is also a recipient of the National Book Foundation's "5 Under 35" honor and the Anahid Award for Armenian American writers. She will be Writer in Residence at Vanderbilt University in fall 2021.

Rebecca Schiff

Rebecca Schiff is the author of the story collection "The Bed Moved" (Knopf 2016), a finalist for an LA Times Book Award in First Fiction and a Sami Rohr Prize.

Her fiction has appeared in Electric Literature, n+1, The Guardian, Washington Square and BuzzFeed, and it was anthologized in The Best Small Fictions 2017.

She lives in Eugene, Oregon.

Katherine Towler

Katherine Towler is author of a trilogy of novels: “Snow Island,” Evening Ferry” and “Island Light”. Praised by the Boston Globe as “luminous and moving,” “Snow Island” was chosen as a Barnes and Noble Discover Great New Writers title.

Towler is also the co-editor, with Ilya Kaminsky, of “A God in the House: Poets Talk About Faith,” a collection of interviews with prominent American poets. Her memoir, “The Penny Poet of Portsmouth” was published by Counterpoint Press in 2016.

Robin Wasserman

Robin Wasserman is the author of the novels “Girls on Fire” and “Mother Daughter Widow Wife”, a finalist for the 2021 Pen/Faulkner Award. A former children’s book editor, she is also the New York Times and USA Today bestselling author of more than ten novels for young adults. Her nonfiction has appeared in The Los Angeles Review of Books, Tin House and The New York Times. Wasserman lives in Los Angeles, where she works as a TV writer, most recently as a co-producer on the forthcoming, “Star Trek: Strange New Worlds”.

Adam Wilson

Adam Wilson is the author of three books, including, most recently, the novel “Sensation Machines”. He is a National Jewish Book Award finalist, and a recipient of the Terry Southern Prize. His work has appeared in Harper’s, the Paris Review, the New York Times Book Review, Tin House, Bookforum, VICE and the Best American Short Stories, among many other publications. In addition to Mountainview, he teaches regularly in Columbia University's MFA program. He lives in Brooklyn with his wife and son.

Many of our Mountainview graduates have gone on to success in the publishing world.

Notable alumni include:

• 2019 Whiting Award winner Nadia Owusu '17
• 2020 Edgar Award finalist John Vercher '16
• 2019 Pulitzer finalist Elizabeth Rush '11
• Raymond Carver Short Story Contest Morgan Green '21
• LA Times Book Prize for First Novel Kevin Keating '18
• Alumni published by Simon & Schuster, FSG, Bloomsbury, and other major publishers

Learn more about Mountainview graduates and what they've accomplished:

Kevin Keating '18

Since starting the Mountainview Low-Residency MFA, Keating has been awarded the Creative Workforce Fellowship, one of the most substantive awards for writers in the United States, and the Cleveland Arts Prize, the oldest award of its kind in America and a testament to the standard of excellence and quality of artists in Northeast Ohio. Previous winners include Toni Morrison, Rita Dove and Harvey Pekar. He has also been a featured speaker at the Miami Book Fair International.

David Moloney ’17

He earned his MFA from SNHU’s Mountainview Low-Residency program, where he won Assignment Magazine’s student writing contest. He was also awarded the Lynn Safford Memorial Prize.

His debut novel, "Barker House," was published by Bloomsbury in 2020. His work can be found in The Yale Review, Guernica, Lithub, Electriclit, The Common, Salamander, CrimeReads and GEN. He currently teaches writing at SNHU.

Elizabeth Rush '11

Her work explores how humans adapt to changes enacted upon them by forces seemingly beyond their control, from ecological transformation to political revolution.

Her writing has appeared or is forthcoming in the New York Times, National Geographic, the Guardian, the Atlantic, Harpers, Guernica, Granta, Orion, Creative Nonfiction, The Washington Post, Le Monde Diplomatique and the New Republic, among others.

John Vercher '16

John’s debut novel, Three-Fifths , launched September 10th, 2019, from Agora, the diversity-focused imprint of Polis Books and has received praise from Kirkus and starred reviews from the Library Journal and Booklist.

Three-Fifths was named one of the best books of 2019 by the Chicago Tribune. In the U.K., Three-Fifths was named a Book of the Year by The Sunday Times, The Financial Times, and The Guardian.

Three-Fifths has been nominated for:

• The Crime Writers’ Association’s (UK) John Creasey (New Blood) Dagger (Shortlisted, 2021)
• The Mystery Writers of America’s Edgar Award for Best First Novel
• Best Debut Novel (2019) for The Strand Magazine’s Critics’ Awards
• The Anthony Award for Best First Novel

Rights to Three-Fifths have been sold in France, Japan, Spain, Brazil, Germany, Mainland China, and the U.K.

In 2021, Three-Fifths was added to the curriculum of the course “Crime in American Film & Literature” at the University of North Carolina, Charlotte. In addition, Wilton High School in Wilton, Connecticut added Three-Fifths to their curated collection of titles for their 2021 town-wide reading program.

His second novel, After the Lights Go Out, will be published by Soho Press June 7, 2022 and Pushkin Press July 2022.

Low-Residency MFA Courses & Curriculum

Our two-year program is built around one-on-one study between students and faculty, allowing you to write from home most of the year and be part of a supportive writing community during our twice-yearly weeklong residencies.

During these two years, students work toward completing their creative thesis, a book-length manuscript of publishable quality, turning in monthly submissions to their mentors, and receiving detailed feedback via correspondence and conferencing.

Each semester, students work with their individual faculty mentors in developing reading lists. Students read approximately two books a month, focusing their attention on craft analysis. Every part of the curriculum is designed to help students hone their writing craft and finish excellent theses.

Upon completion of the program, students will have earned a 60-credit graduate degree, which is considered ''a terminal degree'' in creative writing. The Mountainview MFA degree prepares students and qualifies them for applying for college teaching positions.

Required Texts for MFA Program

Complement your mfa with a certificate, frequently asked questions.

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Master of Fine Arts in Creative Writing

Graduate Admissions 612-330-1101 [email protected]

MASTER OF FINE ARTS IN CREATIVE WRITING

Develop your craft from wherever you are. Refine your writing and enhance your literary citizenship with Augsburg’s low-residency Master of Fine Arts in Creative Writing.

Two-Year Low Residency

Take online courses during the fall and spring semesters, and spend ten days on campus each summer.

Study, write, and critique multiple genres:

• screenwriting
• playwriting

Career Concentrations

Programs designed to prepare you for the job market in these fields:

• translation

Howling Bird Press

Howling Bird Press  is staffed by students enrolled in the Publishing concentration.

Summer Residency

During three annual 7-day summer residencies, you'll explore the Twin Cities’ lively literary scene, connect with world-class visiting writers and mentors who are experts in their field, and join a lifelong community of fellow writers in the Twin Cities and beyond.

Background image: a vibrant, colorful mural of Minnesota native Bob Dylan in downtown Minneapolis.

"Over the course of the program I became far more confident in my own voice. Beyond learning more about the logistics of playwriting (style, submission process, etc.) I learned about how to review and analyze my own work and develop it beyond what I was previously capable."

Kirk Boettcher '16

MFA in Playwriting

"Becoming a part of this cohort felt like getting sorted into a Hogwarts house. We're all in this together and, while we may have different genres, we all come together in the Great Hall (summer residency) to celebrate each other and grow what writing is ultimately about: community, communication, and connection."

Gina Musto '18

"It’s all about quality, not quantity, and the personal attention this program gives to its students. Incoming students feel the freedom to share their work knowing that they are in a productive academic environment which can only grow. I haven’t come across another MFA program anywhere that can even come close in comparison."

Roz Perry '18

MFA in Poetry

"Augsburg has built a person-first mentorship system that provided me with technical writing skill and, sometimes more importantly, assistance in navigating the writing life, from publishing to self-esteem to all the challenges facing folks who endeavor to put words to paper."

Eric Rasmussen '18

MFA in Fiction

Ready to commit to your writing craft?

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MFA in Creative Writing (Low-Residency)

Reach your full writing potential with your master’s in creative writing.

Join a community of writers from all walks of life on an immersive and personalized educational journey. Our faculty and mentors have uniquely designed a low-residency, personalized program geared toward helping you discover and reach your full writing potential in fiction, creative nonfiction or poetry.  

An integral part of the program are four, 11-day residencies, in Pittsburgh and Dublin, Ireland, that create an opportunity for you to engage and interface with fellow students, staff, mentors, and visiting renowned writers.

You will work one-on-one with American and Irish Mentors. With their expert guidance and your skill, you will become the writer you were meant to be.

Quick facts

• Sharpen your writing and storytelling skills in fiction, creative nonfiction, or poetry
• Learn an immersive and supportive community
• Travel to Pittsburgh and Ireland for engaging 11-day residencies with internationally-known writers

Credits Required:

Cost per credit:.

$1,124/credit

Time to degree:

As few as 5 semesters

On campus, some online

Master’s in creative writing curriculum 

You will work one-on-one with mentors both virtually and in person as you explore writing genres and engage in four, 11-day residencies in Pittsburgh and Dublin, Ireland. The residencies include workshops, masterclasses, and mentor conferences as well as opportunities to engage with visiting writers and alumni.

In a required practicum, you will work on a writing and reading plan and submit work for critique, review, and collaborative feedback. By the end of the program, you will produce a publishable body of work.

Choose the creative writing specialization that is best for you

Choose the creative writing area that best fits your career goals and personal aspirations. Each specialization provides you with the opportunity to hone the writing and storytelling skills for that area.

Develop your author’s voice and explore your creativity as you learn to write with a fiction focus. Choose from historical fiction, flash fiction, and young adult fiction. 

Creative Nonfiction

Explore memoirs, personal essays, short narrative work, and lyric essays as you find the voice and structure that best suits your story.

Understand the theories and treatment skills needed to work with a Explore your creativity, refine your voice, collaborate with other students and work with acclaimed and published poets to develop a publishable body of work.

GEORGIA HERTZ '23

“Writing - like any artform - can be a lonely path to tread, but it doesn't have to be done in isolation. Never have I felt such warmth and compassion from a group of writers as I have from my peers and mentors at Carlow University, both in Pittsburgh and in Dublin. We all delight in our growth as writers and we celebrate each other's successes with love, as if they were our own.”

PHILIP BORDER '22

“Every member of the poetry, fiction and CNF programs all feel like extended family members to me. They are always checking up on me to see what's new with my writing and to keep up on all of my forthcoming publications."

20: Carlow University MFA in Creative Writing Program’s 20th Anniversary Anthology

View or download our latest e-newsletter [pdf].

Tess Barry Program Director, MFA

Aimee Zellers, PhD Interim Associate Provost, Associate Professor of Philosophy

Joseph Bathanti Mentor, MFA

Richard Blanco Mentor, MFA

Evelyn Conlon Mentor, MFA

Carlo Gébler Mentor, MFA

Diane Glancy Mentor, MFA

Geeta Kothari Mentor, MFA

Gerry LaFemina Mentor, MFA

Brian Leyden Mentor, MFA

Karin Lin-Greenberg Mentor, MFA

Jean O'Brien Mentor, MFA

Lee Ann Roripaugh Mentor, MFA

Sarah Shotland Assistant Professor, Creative Writing

Judith Vollmer Mentor, MFA

Niall Williams Mentor, MFA

Enda Wyley Mentor, MFA

Jean o’brien mentor, mfa, contact admissions.

If you are interested in this graduate program, our Admissions team is available to help you with the next steps, including scheduling an on-campus visit or attending an upcoming event .

Support the Next Generation of Writers through our 20th Anniversary Scholarship Campaign.

MFA in Creative Writing

Virginia's low-residency program.

Randolph College > Academics > Graduate > MFA Creative Writing

Two years of one-on-one mentorship, five ten-day residencies, and a lifetime of support.

A New Kind of MFA Program

The Randolph College MFA in Creative Writing program is a two-year, intensive degree in creative writing: poetry, fiction, or nonfiction.

The low-residency program allows students to complete four semesters of one-on-one mentoring with our award-winning writing faculty remotely from home.

Students attend five 10-day residency sessions at Randolph College, one beginning each semester, as well as a final graduation residency at the end of the fourth semester.

Our award-winning writing faculty attend the residency sessions to mentor students, deliver insightful lectures, lead collaborative workshops, facilitate discussions, and present their writing.

The Master of Fine Arts is a terminal degree designed to develop individual artistry in…

Non-Fiction

Curriculum & Courses

The randolph difference, low-residency.

1-on-1 mentorship from home and five 10-day residencies on our beautiful campus.

2 Year Program

Earn your degree in 4 semesters of coursework, mentorships, and on-campus residencies.

Work one-on-one with a faculty mentor who provides training, feedback, and direction.

Diverse Faculty

Our faculty are accomplished writers and teachers who represent a broad spectrum of identity and culture.

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Low residency.

Take courses remotely from home and spend five 1-2 week residencies on campus.

Our faculty represent and value the full aesthetic and sociological diversity of contemporary theater.

MFA Faculty

Our diverse faculty of award-winning writers have demonstrated a talent and love for teaching and are committed to mentoring students with a spirit of rigorous compassion.

Current Students

Parents and Family

Faculty and Staff

Maps and Direction

Master of Fine Arts in Creative Writing

Master of fine arts in creative writing programs at reinhardt university, story and place in the south.

• 2-year/60-hour Program
• Study One-on-One with Award-Winning Writers
• Online Courses
• 3 Writing Residencies
• Beautiful Rural Campus Nestled in the Etowah Valley

Who Will You Study With?

Core writing faculty.

2024 Visiting Writers

Past Visiting Writers

Fiction:  Jessica Handler ,  Soniah Kamal ,  Gray Stewart ,  John Williams

Creative Nonfiction/Memoir:   Anjali Enjeti ,  Megan Volpert

Poetry:   Donna Coffey Little ,  Laura Newbern ,  William Walsh ,  Will Wright

Scriptwriting/Playwriting:   Michael Lucker ,  Scott Wilkerson

The Etowah Valley is a bridge between Atlanta and the Appalachian South , where nature meets culture. At Reinhardt University’s Etowah Valley Master of Fine Arts (MFA) Program writers create a literature that is story-driven and grounded in the places where we live, whether rural or urban. Reinhardt is the only higher education institution in Georgia offering a low-residency MFA in Creative Writing. Our 60-hour low-residency MFA in Writing offers classes in poetry, fiction, creative-nonfiction/memoir, and scriptwriting (film, TV, and stage).

Over the course of two years, each student works one-on-one with published writers in their genre. They also take cross-genre classes that teach the craft elements and several online courses with other students during the residency. Each summer, students visit our beautiful campus in North Georgia for a 10-day intensive residency to be immerses in writing daily writing workshops, craft classes, experiential excursions into natural and urban environments, and nightly readings on campus from our visiting writers. A very important component is the one-on-one meetings with writing mentors to discuss in-depth each student’s creative work. Our tree-lined campus is nestled in the shadow of Pine Log Mountain for the perfect writing experience.

English and Language Arts teachers in Georgia middle and high schools can use Reinhardt University’s MFA to upgrade to a Level 6 Specialist Degree for the purposes of promotion and salary increases. Teachers need to have been previously certified in either English or middle grades language arts or have passed the GACE in English or Language Arts before completion of the degree. The program is listed in the  Georgia Professional Standards Commission Certificate Upgrade Advisor  under Specialist Level 6 for English and middle grades Language Arts.

Our students travel from all over the United States to attend the summer residency to learn from some of the finest writers. In doing so, they embody a unique mixture of cultural traditions and lifestyles. Amid the thriving Atlanta film scene and Southern environmentalism, we believe in the art of storytelling that develops voice and meaning to the individual artist.

What You’ll Learn at RU

With one-on-one instruction from award-winning professors, the creative writing student can begin at any level and work toward publishing a manuscript. From the beginning draft and planning, through revision and editing, students are guided through the professional process of writing and publishing.

By the time you graduate with an MFA, you will:

• Demonstrate mastery of structure and form in their chosen genre
• Demonstrate mastery of style, including diction, syntax and tone
• Demonstrate mastery of image in concrete description and figurative language
• Demonstrate mastery of character, point of view and voice
• Demonstrate the ability to analyze craft elements in literary works within their chosen genre
• Demonstrate the ability to constructively critique the work of their peers
• Demonstrate the ability to prepare and submit their work for publication and performance
• Demonstrate the ability to conduct and document scholarly research

MFA Classes You’ll Take

Here are just a few of the classes you will take while pursuing your degree:

• Writer’s Workshop: Poetry, Prose, or Script
• Reading Place
• Creative Writing I, II, and III
• Reading Story
• Reading Image
• Reading Voice
• Reading Dialogue
• Reading Criticism

Open Course Catalog

Possible Careers

• Creative Writer
• Web Designer
• Video Game Designer
• Video Game Content Editor
• Concept Artist
• UX Designer
• Freelance Writer
• Advertising Designer
• Script Doctor

Related Programs

• Creative Writing
• English Language Arts Education

Creative Writing Program Details

Tuition and Fees

Reinhardt’s affordable tuition helps you get the personal attention and real-world experiences that will give you a competitive edge in the creative writing job market.

Based on the 2023-24 RU Catalog, the fee per credit hours is $560 (this fee is subject to change). The Catalog includes:

• Convocation of Artists and Scholars
• Creative Writing Club
• English Honor Society – Sigma Tau Delta
• Tutoring in the Center for Student Success
• Editor of the student literary journal, Sanctuary
• Participant in off-campus literary events, such as viewing plays at the Alliance Theatre
• Meeting local, national, and international authors

View Cost of Attendance

Scholarships and Financial Aid

Nearly all students at Reinhardt University receive some sort of financial aid or scholarship. Find out what options you may be eligible for.

Check Scholarship and Aid Eligibility

Summer Residency

Reinhardt University’s MFA in Creative Writing Summer Residency is a vibrant two-week gathering held in the last weeks of June. This residency brings together MFA students, esteemed faculty members, and renowned visiting writers on our picturesque campus, nestled in the heart of creative inspiration within the foothills of the North Georgia mountains.

Immerse yourself in a supportive and collaborative environment as you reside together in campus dormitories, fostering camaraderie and community among fellow writers. During this enriching event, participants engage in workshops, seminars, and discussions led by experienced faculty members and guest speakers, providing invaluable insights and guidance to help nurture your craft.

Throughout the residency, you’ll have the opportunity to learn, grow, and write alongside peers who share your passion for creative expression. Whether you’re honing your skills in poetry, fiction, nonfiction, or another genre, the Reinhardt University MFA Summer Residency offers a unique blend of instruction, inspiration, and connection to support your artistic journey.

Come join us for an unforgettable experience where creativity flourishes, friendships form, and writers thrive.

The Low-Residency Model

The Low-Residency model allows students to pursue their writing aspirations while maintaining their commitments to career and family.  In late June, on three occasions over the course of their study, students come to the Reinhardt campus for the 10-day Residency. In the intervening semesters, they are enrolled in an independent study with a writing mentor and in four online courses with instructors and their fellow students.

There are three residencies during the student’s MFA   Program: at the beginning, middle, and end. Prior to the first residency, new students arrive on campus for a one-day orientation program and practice workshop.  At their final residency, students conduct a craft lecture and give a public reading before graduating.

At the residencies, students stay in the dorms and eat in the cafeteria. They attend numerous writing workshops in their genre each morning, craft lectures, readings, seminars, and one-on-one consultations. Throughout the residency, there are readings each evening from the visiting writers, who also teach various craft lectures. Students  meet and interact with the visiting writers, as well as participate in late night informal Question & Answer sessions. There will also be several off-campus excursions during the residency to generate writing  prompts.

During the Fall and Spring semesters, students work one-on-one with a writing mentor in the independent-study classes entitled Creative Writing I, Creative Writing II, Creative Writing III, Thesis Part I (Critical Essay), and Thesis Part II (Creative Writing Project).  This apprenticeship with a well-known and award-winning writer is the heart of the Low-Residency MFA experience. Students receive detailed feedback and critiques that enable them to perfect their craft as a writer.  They also receive instruction and advice on how to submit work for publication and appropriate publishing venues. The culmination of the irs independent study is a book-length Creative Thesis, which can provide students with their first full-length manuscript for publication.

During the Fall and Spring semesters, students also take a set of online courses called Reading Image, Reading Voice, Reading Story and Reading Dialogue. The classes are offered in an 8-week format with students of all genres participating together, where they read and analyze texts to study craft elements. A weekly online session will  allow students to interact with one another and with their instructor.

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MFA Program Information

MFA Core Writing Faculty

Creative Writing Department

Reinhardt University Lawson Building, 124-B 7300 Reinhardt Circle Waleska, GA 30183-2981

[email protected] 770.720.5526

7300 Reinhardt Circle | Waleska, GA 30183

Connect With Us

Solstice MFA in Creative Writing

The Solstice MFA in Creative Writing Program offers a unique, affordable opportunity for students to act upon their artistic aspirations and embark on lives as serious writers and readers. This hybrid program is designed to be a transformative experience where accomplished faculty instruct students in craft and creative writing techniques that will bring their work to the next level. 

• 5 brief residencies followed by independent study working 1:1 with a mentor allow for more flexibility for the student's schedule
• 5 Concentrations: fiction—including popular fiction and genre fiction—creative nonfiction, poetry, comics & graphic narratives, and writing for children and young adults
• Award-winning writers who are dedicated to helping students find and develop their own, unique voices
• Students make lasting connections with a diverse, nurturing community of aspiring and accomplished writers

REQUEST INFO

Overview & career outcomes.

Lasell University's Solstice Low-residency MFA in Creative Writing is a selective full-time, two-year program that helps you further your writing practice with a high level of professional proficiency while developing your unique voice in a supportive community. This skills-based program combines five short, ten-day residencies—periods that feature literature & craft courses, writing workshops, seminars, readings, and panel discussions with a diverse cadre of writers, editors, and agents—with a 21-week long period of independent study in which each student works 1:1 with a mentor. This terminal degree offers a flexible format to help you fit the coursework into your schedule while providing an encouraging, immersive experience.

The program's mission is to nurture all the voices of America and beyond; to help students reach their full potential as writers through a demanding curriculum that balances the workshop experience with the study of literary craft, criticism, and theory; and to prepare students for the rigors of being a professional writer after graduation. The Solstice Program provides a supportive, welcoming environment in which writers of all backgrounds feel safe and are encouraged to take creative risks. Working with some of the best writers in the country, our students emerge with a deep, well-rounded knowledge of their art, a strategy for continuing the development of their creative vision, and a supportive circle of peers and mentors. We seek to instill in our students an appreciation for the value of community-building and community service, and the belief that engagement with the literary arts is not only a means to personal fulfillment but also an instrument for social justice and real cultural change.

Thanks to the support of founding faculty member and best-selling fiction writer Dennis Lehane as well as the Solstice Institute for Creative Writing, the Solstice MFA in Creative Writing Program launched at its first home institution—Pine Manor College—in 2006. The program landed at its current home at Lasell University in 2022, beginning its next chapter at an institution that aligns with its mission via the University’s commitment to fostering the next generation of creative thinkers, makers, leaders, and doers.

Hear what makes Lasell's Solstice MFA program different!

Solstice MFA Concentrations & Tracks

Concentrations.

The Solstice Low-Residency MFA in Creative Writing Program allows students to focus on their passion by offering 5 concentrations:

• Fiction (including genre & popular fiction)
• Creative nonfiction
• Comics & graphic narratives
• Writing for children & young adults

• Pedagogy Track

Students who not only want to write but also have a desire to teach at the college level will want to consider the Pedagogy Track.  During their internship semester, Pedagogy track students teach their own creative writing workshops in their home communities.

Along with selecting a concentration focus, students in the Pedagogy track learn how to plan and design courses, assess and grade students' work, and manage a classroom.   Find out more.  

Solstice Creative Writing Workshops

Lasell's MFA Program students complete five residencies over a period of two years. Each 10-day residency, held in summer and winter, begins the new semester with a demanding program of craft classes and workshops in which students’ creative work-in-progress is analyzed and discussed. Each of the eight three-hour workshops held during the residencies allows students to experience a variety of pedagogical approaches; to develop constructive critiquing skills; and to enhance their own writing (and artwork, in the case of graphic narrative students) via close study of other students' works-in-progress under the guidance of a faculty mentor. During each residency, students in workshop have the opportunity to work with at least two different faculty mentors, providing the chance for a wider range of perspectives and feedback. Our approach to the writing workshop emphasizes an atmosphere of mutual respect and consideration between students and faculty members. Each residency takes place on Lasell University's beautiful campus (located just 10 miles from downtown Boston).  Take a virtual tour of the Lasell campus!

What is a Low-Residency Format?

Click on the video below to hear Meg Kearney, Founding Director of the MFA in Creative Writing Program.

Benefits of the Low-Residency Format

• Sense of community - These intensive, inspiring residencies help students form a supportive, engaged community and lifelong connections with fellow writers, including faculty members.
• One-on-one communication with faculty mentors during the semester: Because our student-faculty mentor ratio is never more than one to five, students receive highly focused attention from some of our nation’s best authors.
• Flexible learning  - Independent learning, a flexible schedule, and autonomy. Solstice students are able to pursue their writing goals while balancing the demands of work and family.

The Lasell Solstice MFA Difference

• Our faculty are award-winning writers who come from a variety of different backgrounds; are committed to achieving diversity of race, class, and creed in the classroom; and are dedicated to helping students find and develop their own, unique voices.
• Our goal  is to create opportunities for ALL writers to pursue their creative goals.
• Diversity - Our students, faculty, and alum represent a wide variety of ethnic, social, and geographic backgrounds (from 30 different states, Canada, and Dakar, Senegal), creating a truly vibrant cross-section of America.

Maria Luisa Arroyo Cruzado'15,  MFA in Creative Writing, Poetry

 “At Solstice, I found faculty members and peers who understand how to foster each other's growth with compassionate clarity."

Our curriculum is designed to be flexible. Between the residencies, students work on semester-long projects directly (1:1) with a faculty mentor. During this time of independent work and study, students collaborate with their faculty mentors to explore their genres in depth through reading, discussion, craft analysis, and the creation of new work.

This full-time program requires 60 credits—including work done during the residency and the remaining semester—for completion.

Craft Classes & Electives

At each residency, students attend a minimum of five courses in *Craft, Criticism, and Theory, as well as three Elective Seminars & Studies sessions (one- to two-hour classes). These classes are designed to provide students with a deeper understanding of the structural, philosophical, and historical underpinnings of the art of writing and include Foundational Craft Courses. Foundational Craft Courses are designed to ensure that students graduate with a shared vocabulary within their genre concentrations and a firm grasp of creative writing essentials. Residencies provide students with an opportunity for immersion in a community of writers as they sharpen their craft and expand their visions of their art.

*Students opting for the Applied Pedagogy Track will be required to take four course units dedicated to pedagogy basics, course design, assessment and grading, and classroom management.

Course and Work Roadmap

Students are expected to devote at least 25 hours per week to independent study each semester. It should be noted that reading, as well as writing, (and, in the case of graphic narrative students, making comics), is a vital component of the Solstice MFA Program at Lasell University. By the time a student graduates, they will have read between 50 and 80 books.

At the close of each residency, faculty mentors work closely with students to draft a semester plan—including a reading list, and a schedule for five packet exchanges in which students receive feedback to their creative and critical work. 

First & Second Semester

In the first and second semesters, students are encouraged to draft new material and expand their knowledge, submitting five packets of creative and critical work for feedback from their mentors.

Second-semester students can explore working in another genre—enhancing their craft by exploring the possibilities and constraints of another form—before selecting a focus for the third- and fourth-semester projects.

Third Semester

Third-semester students complete a 30- to 35-page critical essay, an essential part of developing into mature writers. This work builds on the critical writing and thinking skills students have developed in their first and second semesters, during which they applied close reading, analytical, and interpretive skills to the drafting of short literary essays on single texts. The critical thesis challenges writers to create and build a sustained argument surrounding a single aspect (or a few aspects/elements) of literature and/or literature’s role(s) in the world. Students are expected to choose subjects with some personal appeal; ideally, the thesis topic should have an application to the student’s own creative work.

Third-semester students also have the opportunity to pursue an applied-track internship in arts administration, community programming, or publishing as part of their research for the major critical essay. These optional internships will enrich their experience, broaden their knowledge, and provide necessary research for the essay due at the end of the semester. *The Applied Pedagogy Track also requires students to complete an internship during their second or third semester in the MFA program, during which they will gain valuable teaching experience.

Fourth Semester

During the fourth, creative-thesis semester, students work closely with faculty mentors to revise work created during the MFA program with the goal of producing a book-length manuscript. The fifth and final graduating residency requires the presentation of a 60-minute lecture or course in the students’ specialized area or track, developed in their critical essays. In addition, graduating students deliver a 15-minute public reading from their creative theses.

Students and faculty are required to submit thorough evaluations of the residency and the semester project each semester. These evaluations become part of the student’s permanent record and determine whether credit is granted toward the 60-credit degree.

Alejandro Ramirez '15,  MFA in Creative Writing, Creative Nonfiction

 “At Solstice, I found a community that supported my vision and my voice, full of talented writers -- like you -- who encourage each other to grow."

Requirements & Deadlines

Requirements.

In order to graduate, students must have received a passing grade for 60 credits of course work and must have attended five, 10-day residencies. In addition to receiving passing grades for all course work, students must complete a creative thesis (a novel, graphic narrative, collection of poems, short stories, or creative nonfiction) that is approved by a faculty mentor, give a reading from their creative theses, and teach one-hour-long lecture at the culminating residency.

Please review the MFA application requirements for admission: 

For emailed transcripts, have them sent to [email protected] . For snail mail, have them sent to:

Lasell University Attn: Graduate Admission 1844 Commonwealth Ave Newton, MA 02466

• Two recommendation forms (completed by either former professors or anyone who can attest to the applicant’s dedication to the art of writing and ability to get along well in a community of fellow writers). Note that recommendation forms, located on our application portal, make the process efficient and simple; recommendation letters may be uploaded to supplement the forms, but are not mandatory.
• Your literary influences, including books you’ve recently read, and what you have learned about the craft of writing from these influences
• The strengths and weaknesses of your writing
• Your ability to listen to and use direct criticism of your work
• What you hope to gain from earning your MFA in Creative Writing
• Obstacles that might prevent you from devoting 25 hours per week to your study and corresponding regularly with your faculty advisor
• Your goals and aspirations as a writer and/or artist
• Other things you'd like us to know about you, relevant to this application
• Poetry: 10 typed pages (single spaced, one poem per page) total
• Fiction: 20–25 typed pages (double spaced) total
• Creative Nonfiction: 20–25 typed pages (double spaced) total
• Confident artists : 8–12 pages of sequential fiction or nonfiction
• Confident writers : 20+ pages of graphic narrative script (in standard script form or via “the Marvel Method,” i.e. the general outline of a story, major plot points, + some dialogue); pages of sequential art are not mandatory for confident writers.

*Note: Students in the Comics & Graphic Narratives Concentration are placed in the program as “confident artists” or “confident writers” based on their applications. Typically, confident artists aspire to improve their craft as writers to match their drawing talents, with the ultimate goal of becoming cartoonists who both write and draw their own stories. Confident writers are typically more interested in creating comics/graphic narratives in collaboration with an artist/illustrator. That said, even confident writers who do not consider themselves to be confident artists will be expected to learn and practice the fundamentals of comics art in order to more deeply understand the collaboration process.

A Note on Use of Artificial Intelligence (AI) Technology:  Any use of AI is considered plagiarism and prohibited by the Solstice MFA Program in application manuscripts. All critical and creative work should strictly be the work of the applicant. Writing is hard work; it has always been hard work, which has been one of its graces. We believe our students and those seeking to be our students are self-selected lovers of words who, as apprentices to this craft, share the goal of becoming the best, most original writers they can be on their own merit. This is not to say that AI-generated work is not being used in creative ways in certain circles, but we expect our applicants to generate the “inputs” that result in their original “outputs.” In the end, we trust that Solstice MFA Program applicants, along with faculty, staff, and students, believe that academic and artistic honesty are paramount and will live up to those ideals.

Note for prospective international students : At this time, the Solstice MFA Program is not in a position to consider F-1 international students for enrollment. We are able to accept applications from international students who are dual U.S. citizens or permanent residents, as well as those who have other visa types that permit study in the country, such as L2, H1B, and H4 visas. Contact Lasell University’s Office of International Student Admissions for more information.

MFA Deadlines

The Solstice MFA Program accepts applications on a rolling basis. The deadlines below determine your starting residency and eligibility for fellowships. Review our application guidelines as you decide when you want to apply to the program . Students who hope to receive a need-based scholarship  should submit their application and the FAFSA as early as possible, as these awards are granted until funds are depleted.

The Winter/Spring 2025 Semester

The winter 2025 residency, which begins our spring semester, is set for January 10 – 19, 2025. Writers who submit general applications by Monday, November 11, 2024, may be offered a space in the winter 2025 residency/spring semester. Following that date, all acceptances will be for the summer 2025 residency/fall semester. 

Fellowship Deadlines for Winter 2025

Applicants who wish to be considered for the  Francis L. Toner Fellowship for Veterans ,  Dubus Fellowship for Native & Indigenous Writers ,  Michael Steinberg Fellowship for Creative Nonfiction ,  Jacqueline Woodson Fellowship for a Young People’s Writer of African or Caribbean Descent ,  Doug & Betsy Sholl Fellowship for Poetry , or the  Dennis Lehane Fellowship for Fiction  should submit the general application form by Monday, October 28, 2024. Please note that Dubus Fellowship applications require a short essay.

The Summer/Fall 2025 Semester

The summer 2025 residency, which begins our fall semester, is set for July 12 – 20, 2025. Writers who submit general applications by Monday, May 12, 2025 may be offered a space in the summer 2025 residency/fall semester. Following that date, all acceptances will be for the winter 2026 residency/spring semester.

Fellowship Deadlines for Summer 2025

Applicants who wish to be considered for the  Monica Hand Fellowship for Nontraditional Students ,  Kurt Brown Fellowship for Diverse Voices,  or  Billy Still Fellowship for Social Action & Writing  should submit the general application form (check the appropriate box on the form) by April 28, 2025. Please note that Kurt Brown and Still Fellowship applications require a short essay.

10% Lasell Alumni Discount

Alumni can take 10% off all master's and certificate programs. Does not apply if you receive a scholarship.

Form more details about scholarships and fellowships see our financial aid information  and our scholarship page .

Explore Solstice MFA in Creative Writing

Program Overview

• Social Action Writing Track
• Comics & Graphic Narratives Concentration

Faculty & Staff

• Upcoming Guest Faculty

Scholarships & Fellowships

Testimonials

Classes for Audit

Spotlight Poet Program

Graduate Publications

• Solstice Anthology

Professional Development

Post Graduate Opportunities

• Post Graduate Semester
• Post Graduate Certificate

Sign-up to receive The Lasell MFA Newsletter!

Live Q&A Session

Register for our next virtual event . .

• MS in Athletic Training Virtual Info Session Wednesday, May 29th @ 1:00 PM – 2:00 PM ET
• International Virtual Information Session Tuesday, May 21st @ 02:00 PM ET

Career Outcomes

60% have published in a literary magazine or journal, 30% have published at least 1 book, 15% have landed teaching or writing-related jobs, request more information.

Stay updated about our program options and start dates.  

MFA in Writing

Read. Write. Be Read.

One of the top low-residency programs in the country, the Bennington Writing Seminars is a  two-year, rigorous exploration of craft. You commit as much to reading as to writing and critical literary analysis. You create bold new works of fiction, nonfiction, or poetry, and may work in a dual-genre . You finish with a polished thesis and a critical paper. All this with the expert 1:1 guidance of acclaimed authors who develop a stake in your work. Our alumni, faculty, students, and staff publish work at the highest levels. Applications accepted March 1 and September 1.

What our Alumni Say

“There’s such an unparalleled and unwavering sense of support.”

Models & Mentors

Our faculty-student ratio of 1:1 provides true mentorship. You work closely with a faculty member who is an accomplished writer and a distinguished teacher.

Develop Your Skills

You may focus on one or more genres at Bennington. While most choose to specialize in fiction , nonfiction , or poetry , others work across two genres through our Dual-Genre Degree .

You may apply to begin during either of the 10-day residency sessions in 2025: Winter term (residency: January 9-19, 2025) or Summer term  (residency dates to come). Application deadlines are September 1  to begin in January and March 1 to begin in June.

Inclusive Community

We are committed to increasing access to our program for students from diverse backgrounds and to building community through sustained dialogue and practice. We offer  scholarships, and fund the emerging voices we want to support and read .

Bennington offer a self-directed pace that allows you to develop a sustainable, lifelong writing practice. We know how important it is for MFA students to gain teaching experience so we've developed the Residential Teaching Fellows program—a first-of-its-kind teaching opportunity among low residency MFA programs , among others.

Scholarships, Fellowships, Loans

We offer a range of scholarships  and  federal financial aid loans . All applicants are considered for merit scholarships.  Please contact us with any questions .

What Our Faculty Members Say

Nonfiction faculty member and MFA alum Hugh Ryan explains how the low-residency format worked for him.

@BennMFA_Writing

• Back to Hood.edu

Introducing the New Low-Residency MFA in Creative Writing

Hood College is excited to launch the low-residency MFA in creative writing beginning June 2024, a 48-credit program in fiction or poetry that includes four remote mentorship semesters and three 10-day summer residencies.

Inaugural Residency Launches June 2024

• English & Communication Arts
• Graduate School
• Graduate Student

Elizabeth Knapp, Ph.D., program director, discusses the new Creative Writing MFA below.

How did you get the idea for the low-residency MFA at Hood College?

The day of my interview in May 2008 (which was also the last day of classes), as I was walking across campus with my future colleagues, I said to one of them, “You know, this would be a lovely place for a low-residency MFA in creative writing,” and with that, the idea for the program was born. It’s been 15 years in the making now.

What’s unique about Hood College’s low-residency MFA in creative writing?

There are several key features of our program that we think make it stand out:

First, we are the only low-residency MFA in the state of Maryland that offers concentrations in both fiction and poetry; second, our program includes summer residencies on Hood College’s beautiful campus, which is within walking distance of Downtown Frederick (and one hour from Baltimore and Washington, D.C.), with its lively historic district featuring great restaurants, shops and a wonderful independent bookstore ; third, for the second of the three summer residencies, students have the option of attending the Prague Summer Program for Writers ; fourth, in addition to scholarships and other funding opportunities, we offer students the chance to help launch and serve on the staff of our new online literary magazine, Pergola ; fifth, our program focuses on literary publishing, and by the end of the program, students will be submitting their work to literary journals and magazines and may even be starting to publish it; finally, our program features dynamic permanent and guest faculty, including award-winning poets and fiction writers.

Students in the program will play an essential role in its development, and we look forward to welcoming writers from a variety of backgrounds and professions.

Why did you choose to partner with the Prague Summer Program?

The nation’s oldest study-abroad program for creative writers in the English language, the Prague Summer Program has been on our radar since the inception of our program. Now operating as an LLC, the Prague Summer Program had been affiliated for many years with the University of New Orleans and then Western Michigan University. As a Ph.D. student at the latter, I attended the PSP in summer 2005 and served as a teaching assistant for the poet Anne Marie Macari , so I have first-hand knowledge of the program’s outstanding faculty , including two MacArthur Fellows and a National Book Award Winner in fiction. In addition to the option of a three-week second summer residency through the PSP, we’ll also be offering teaching assistantships in the program.

What is the program’s philosophy?

Central to our program’s philosophy is the idea of balance—between writing and the demands of everyday life, between periods of solitude and social interaction—as well as the presence of a diverse and cohesive literary community. The latter in particular is essential to our identity as a program, as we believe that while we may write in solitude, we work together as a community to bring our art into the world.

The idea of balance is also central to the way we’ve structured our program. Our 10-day summer residencies are designed to immerse students in activities and subjects central to the writing life and to foster a sense of community and fellowship with other writers. At the end of the residency period, students return to their individual writing lives reenergized and recommitted to the practice of writing. They then commence a period of concentrated reading and writing in the semester between residencies under the close guidance of a faculty mentor.

Along with the residency experience, literary mentorship is a hallmark of our program. The mentorship semester is designed to help students develop close working relationships with experienced teachers and published authors who can direct them in all matters of literary craft, criticism and publishing. As immersive experiences, the mentorship semesters also provide students with a solid foundation in literary history, theory and practice, and students are expected to read broadly and deeply both within their genre and across genres.

Learn more about the new low-residency MFA in creative writing.

Are you ready to say Hello?

Choose a pathway.

Information will vary based on program level. Select a path to find the information you're looking for!

How to Apply

Mfa creative writing (low-residency).

Applications for our August 2024 Low-Residency MFA in Creative Writing cohort are currently being accepted. Admissions is rolling and applications will be accepted until the program is full.

Priority deadline: February 16, 2024.

Submit an Application

Apply online by creating a new account or signing in to an existing account.

At the end of your application, you will be prompted to pay a $60 nonrefundable application fee. If your current financial situation warrants waiving of your application fee, you may submit a fee waiver request.

Please note, only one application will be accepted per applicant. Do not apply more than once. Application fees are nonrefundable. 

APPLY ONLINE

Application Status

Transcripts.

Naropa University requires transcripts from any and all institutions where undergraduate or graduate coursework was completed, and it is very important that you successfully complete the coursework entered on your application. An official transcript of a conferred bachelor’s degree must be received by the Office of Admissions prior to beginning graduate coursework.

Transcripts that are uploaded as part of your application are not considered official; however, we encourage electronic submission at time of application to expedite an admissions decision.

If mailing, official transcripts should be sent to:

Naropa University Office of Admissions 2130 Arapahoe Ave Boulder CO 80302

Electronic transcripts from your university may be emailed to  [email protected] .

Electronic official transcripts are acceptable if submitted through a secure document sending service used by your university. If you submit your transcripts by email, as an attachment, they will not be accepted as official.

If you completed any coursework at a foreign college or university (other than a study abroad program), an  international education evaluation  is required.

Statement of Interest

In a concise statement of interest please address:

• Your writing goals and any personal information that you feel sheds light on your commitment to writing (e.g., details of your writing and reading practices, service to writing communities, artistic, professional, or academic objectives).
• How does pursuing an MFA prepare you to accomplish your goals as a creative writer? You may also address why you are interested in pursuing your MFA in Naropa’s experiential and contemplative academic setting.
• 1000 words or less in a standard 12-point font, double-spaced.

Creative Writing Sample

Letters of recommendation.

Two letters of recommendation are required. Recommendations must be from pertinent academic or professional sources, and may not be from family members, spouses, friends, or current or former therapists or spiritual advisors.

Financial Aid

Domestic applicants : learn more about how to apply for financial aid.

International applicants : learn more about how to apply for financial aid.

International Applicants

English proficiency testing.

• Internet test (iBT): 80 or higher
• Computer test (cBT): 213 or higher
• Paper test (pBT): 550 or higher
• 6.5 or higher

Non-U.S. Education Records

• Global Academic Evaluators ( www.aevaluators.com , 720-298-9564)
• Josef Silny & Associates, Inc. ( www.jsilny.com , 305-273-1616)
• World Education Services ( www.wes.org , 212-966-6311)
• SpanTran ( www.spantran.com , 713-266-8805)
• Copy of passport
• Financial documentation

Creative Writing (Low-Residency)

Connect with your counselor

Olivia phipps.

Graduate Admissions Counselor

• [email protected]
• Schedule an Appointment
• Attend An Info Session

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Naropa Campuses Closed on Friday, March 15, 2024

Due to adverse weather conditions, all Naropa campuses will be closed Friday, March 15, 2024.  All classes that require a physical presence on campus will be canceled. All online and low-residency programs are to meet as scheduled.

Based on the current weather forecast, the Healing with the Ancestors Talk & Breeze of Simplicity program scheduled for Friday evening, Saturday, and Sunday will be held as planned.

Staff that do not work remotely or are scheduled to work on campus, can work remotely. Staff that routinely work remotely are expected to continue to do so.

As a reminder, notifications will be sent by e-mail and the LiveSafe app.  

Regardless of Naropa University’s decision, if you ever believe the weather conditions are unsafe, please contact your supervisor and professors.  Naropa University trusts you to make thoughtful and wise decisions based on the conditions and situation in which you find yourself in.

Creative Writing Program Marks Three Decades of Growth, Diversity

By Luisa A. Igloria

2024: a milestone year which marks the 30 th  anniversary of Old Dominion University’s MFA Creative Writing Program. Its origins can be said to go back to April 1978, when the English Department’s (now Professor Emeritus, retired) Phil Raisor organized the first “Poetry Jam,” in collaboration with Pulitzer prize-winning poet W.D. Snodgrass (then a visiting poet at ODU). Raisor describes this period as “ a heady time .” Not many realize that from 1978 to 1994, ODU was also the home of AWP (the Association of Writers and Writing Programs) until it moved to George Mason University in Fairfax, Virginia.

The two-day celebration that was “Poetry Jam” has evolved into the annual ODU Literary Festival, a week-long affair at the beginning of October bringing writers of local, national, and international reputation to campus. The ODU Literary Festival is among the longest continuously running literary festivals nationwide. It has featured Rita Dove, Maxine Hong Kingston, Susan Sontag, Edward Albee, John McPhee, Tim O’Brien, Joy Harjo, Dorothy Allison, Billy Collins, Naomi Shihab Nye, Sabina Murray, Jane Hirshfield, Brian Turner, S.A. Cosby, Nicole Sealey, Franny Choi, Ross Gay, Adrian Matejka, Aimee Nezhukumatathil, Ilya Kaminsky, Marcelo Hernandez Castillo, Jose Olivarez, and Ocean Vuong, among a roster of other luminaries. MFA alumni who have gone on to publish books have also regularly been invited to read.

From an initial cohort of 12 students and three creative writing professors, ODU’s MFA Creative Writing Program has grown to anywhere between 25 to 33 talented students per year. Currently they work with a five-member core faculty (Kent Wascom, John McManus, and Jane Alberdeston in fiction; and Luisa A. Igloria and Marianne L. Chan in poetry). Award-winning writers who made up part of original teaching faculty along with Raisor (but are now also either retired or relocated) are legends in their own right—Toi Derricotte, Tony Ardizzone, Janet Peery, Scott Cairns, Sheri Reynolds, Tim Seibles, and Michael Pearson. Other faculty that ODU’s MFA Creative Writing Program was privileged to briefly have in its ranks include Molly McCully Brown and Benjamín Naka-Hasebe Kingsley.

"What we’ve also found to be consistently true is how collegial this program is — with a lively and supportive cohort, and friendships that last beyond time spent here." — Luisa A. Igloria, Louis I. Jaffe Endowed Professor & University Professor of English and Creative Writing at Old Dominion University

Our student body is diverse — from all over the country as well as from closer by. Over the last ten years, we’ve also seen an increase in the number of international students who are drawn to what our program has to offer: an exciting three-year curriculum of workshops, literature, literary publishing, and critical studies; as well as opportunities to teach in the classroom, tutor in the University’s Writing Center, coordinate the student reading series and the Writers in Community outreach program, and produce the student-led literary journal  Barely South Review . The third year gives our students more time to immerse themselves in the completion of a book-ready creative thesis. And our students’ successes have been nothing but amazing. They’ve published with some of the best (many while still in the program), won important prizes, moved into tenured academic positions, and been published in global languages. What we’ve also found to be consistently true is how collegial this program is — with a lively and supportive cohort, and friendships that last beyond time spent here.

Our themed studio workshops are now offered as hybrid/cross genre experiences. My colleagues teach workshops in horror, speculative and experimental fiction, poetry of place, poetry and the archive — these give our students so many more options for honing their skills. And we continue to explore ways to collaborate with other programs and units of the university. One of my cornerstone projects during my term as 20 th  Poet Laureate of the Commonwealth was the creation of a Virginia Poets Database, which is not only supported by the University through the Perry Library’s Digital Commons, but also by the MFA Program in the form of an assistantship for one of our students. With the awareness of ODU’s new integration with Eastern Virginia Medical School (EVMS) and its impact on other programs, I was inspired to design and pilot a new 700-level seminar on “Writing the Body Fantastic: Exploring Metaphors of Human Corporeality.” In the fall of 2024, I look forward to a themed graduate workshop on “Writing (in) the Anthropocene,” where my students and I will explore the subject of climate precarity and how we can respond in our own work.

Even as the University and wider community go through shifts and change through time, the MFA program has grown with resilience and grace. Once, during the six years (2009-15) that I directed the MFA Program, a State Council of Higher Education for Virginia (SCHEV) university-wide review amended the guidelines for what kind of graduate student would be allowed to teach classes (only those who had  already  earned 18 or more graduate credits). Thus, two of our first-year MFA students at that time had to be given another assignment for their Teaching Assistantships. I thought of  AWP’s hallmarks of an effective MFA program , which lists the provision of editorial and publishing experience to its students through an affiliated magazine or press — and immediately sought department and upper administration support for creating a literary journal. This is what led to the creation of our biannual  Barely South Review  in 2009.

In 2010,  HuffPost  and  Poets & Writers  listed us among “ The Top 25 Underrated Creative Writing MFA Programs ” (better underrated than overrated, right?) — and while our MFA Creative Writing Program might be smaller than others, we do grow good writers here. When I joined the faculty in 1998, I was excited by the high caliber of both faculty and students. Twenty-five years later, I remain just as if not more excited, and look forward to all the that awaits us in our continued growth.

This essay was originally published in the Spring 2024 edition of Barely South Review , ODU’s student-led literary journal. The University’s growing MFA in Creative Writing program connects students with a seven-member creative writing faculty in fiction, poetry, and nonfiction.

Enhance your college career by gaining relevant experience with the skills and knowledge needed for your future career. Discover our experiential learning opportunities.

Picture yourself in the classroom, speak with professors in your major, and meet current students.

From sports games to concerts and lectures, join the ODU community at a variety of campus events. 

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What You Won’t Learn in an MFA

An mfa can teach you skills, but will it prepare you for a writing career.

By 2018, I had written five books and decided to pursue an MFA in creative writing with a concentration in fiction. For me, earning an MFA gave me the time and space I needed to quit my day job and transition to writing full-time, but that was something I had been building toward for over a decade. Of course, I can’t speak to all MFA programs, but in many cases, they focus almost exclusively on writing skills and don’t give writers the concrete skills they need to make money writing and publishing. I often found myself answering questions for my classmates about what publishing was really like. It simply wasn’t being taught, sometimes because faculty themselves were struggling with how to navigate writing as a business.

An MFA program may be the right choice to help you become a better writer, or because you want the qualification to teach writing at a college; it may not give you insights into navigating the publishing landscape.

Here are some of the professional development skills you may need to gain outside of the classroom on your writing journey.

Getting published

Many MFA programs don’t talk to authors about the good, the bad, and the ugly in both traditional publishing and self-publishing. There is often an assumption that if you’re in an MFA program, you’ll be seeking a traditional publishing deal. But most programs also don’t teach writers the skills to query small presses or agents who can query large presses. Even as self-publishing has become an increasingly popular publishing choice, many MFA programs aren’t giving students a clear picture of what it involves.

Contracting

My MFA program was great, but never once during my studies did I hear anyone talk about how to read, negotiate, or understand a contract. As an indie author, you’ll have fewer contracts to interact with than authors who choose to traditionally publish their work, but contracts will still come up—contracts with designers who are working on your books, contracts with podcasts or magazines publishing excerpts of your work. In my MFA program, students who were publishing were left to talk with each other to try to understand how contracts work. Most writers aren’t legal experts, and we benefit from having either a private attorney or an attorney through an organization such as the Author’s Guild review our contracts. I would love to see MFA programs better prepare writers to navigate these business interactions, to negotiate writing rates, and to understand what rights we may be signing away with a particular contract.

Writing to market

The culture of MFA programs often shames or diminishes the idea of writing to market, and instead prioritizes creating literary art for the sake of art. This is a completely valid way to approach your writing life. However, if your goal is to publish your work and sell books, understanding the market and how to write books that appeal to readers is important. There’s nothing wrong with writing books with mass-market appeal, but, depending on the program you attend, you may not hear that in classes. Especially for writers considering the self-publishing route, learning how to understand current trends and how to write books that connect to them is invaluable.

Writing is your passion, and seeing your name in print might be your dream, but when it happens, your writing also becomes a business. Understanding how to manage a writing business is something that most new writers won’t have a lot of experience with. For example, when you get paid from book sales, speaking arrangements, or most anything to do with your books, taxes aren’t going to be withheld. Instead, you’ll need to put money aside to pay your taxes. MFA programs generally don’t cover these details or highlight the importance of hiring an accountant or tax professional to help you with setting up your writing business. You may need to form an LLC for your self-publishing business, open a business bank account, and file taxes appropriately for your writing work. As a self-published author, you also may need to keep records tracking orders and inventory.

Most authors are not able to make a living from books alone. Many writers are balancing a variety of different content creation and income streams. This may include teaching at a college or university (for which a terminal degree such as an MFA is required), freelance writing, and independent teaching, to name a few possibilities. The more writing programs can give MFA students the tools they need to understand the business side of their work, the more successful they will be.

Sassafras Lowrey writes fiction and nonfiction and was the recipient of the 2013 Lambda Literary Award for emerging LGBTQ writers.

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Palm Desert Low-Residency MFA

Creative Writing and Writing for the Performing Arts

Latest News for May 18th, 2024

Spring 2024 Residency Schedule Announced

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Frequently Asked Questions

This page includes estimates for the tuition and fees for the 2024-2025 academic year, which begins in Fall 2024. After the University of Maine System Board of Trustees approves tuition and fees in late May, you can visit  Graduate Tuition & Fees  for the final rates.

Tuition rates vary based on several factors: your chosen program of study, residency status (in-state, out-of-state, or Canadian), and mode of study (fully online, in-person, blended, hyflex, or low residency).

The tuition estimates below are organized by program:

• Fully online programs & Leadership doctoral program (PhD): Scroll down to view estimated e-tuition rates.
• In-person, blended, hyflex, & low-residency programs: These programs are categorized into 3 levels with a structure called Differential Tuition. Scroll down to find your program in Differential Level 1, Differential Level 2, or Differential Level 3.
• Stonecoast MFA in Creative Writing: Tuition is charged by the semester. View Stonecoast tuition estimate .

E-tuition: Online programs

There are specific accelerated online degree programs that do not charge mandatory fees. These include:

School of Education and Human Development

• Educational Leadership (MSEd)*
• Special Education — Data Directed Student Progress (MS)
• Teacher Leadership — Curriculum, Instruction, and Assessment Concentration (MSEd)*
• Teaching English to Speakers of Other Languages (TESOL) (MSEd)*

School of Nursing

• Nursing — Administration and Leadership (MSN)
• Nursing — Nursing Education (MSN)
• Nursing — RN to MSN — Nursing Administration and Leadership (MSN)
• Nursing — RN to MSN — Nursing Education (MSN)

If your online program is not listed, please refer to the Online programs section above.

Differential Tuition: In-person, blended, hyflex, & low-residency programs

Differential level 1.

Students enrolled in certificate programs, as well as non-degree students (also known as non-matriculated students) taking individual courses, are eligible for these rates.

About the NEBHE Tuition Break Program

New England residents may be eligible to enroll in certain programs at a reduced tuition rate.  Learn more and browse eligible programs .

Leadership Studies Master’s Program (MA) | Hyflex mode of study

Our Leadership Studies Master’s program is also available fully online. See Online programs .

All students in our low-residency Leadership Doctoral Program (PhD) are eligible for our e-tuition rate. See Online programs .

School of Education and Human Development in-person and blended degree programs

• Counseling (MS)
• Educational Leadership (MSEd)**
• Educational Psychology — School Psychology concentration (MS)*
• Public Policy — Educational Leadership and Policy Concentration (PhD)
• School Psychology Doctor of Psychiatry (PsyD)*
• Teaching and Learning — Extended Teacher Education Program (ETEP) (MSEd)*
• Teacher Leadership (MSEd)**
• Teaching English to Speakers of Other Languages (TESOL) (MSEd)**
• Teaching English to Speakers of Other Languages (TESOL): Initial PreK-12 ESOL Certification (MSEd)

Special tuition break programs

Out-of-state students enrolled in the following programs receive our in-state rate:

• Educational Psychology — School Psychology concentration (MS)
• School Psychology Doctor of Psychiatry (PsyD)
• Teaching and Learning — Extended Teacher Education Program (ETEP) (MSEd)

Differential Level 2

Differential level 3.

Differential Level 3 in-person & blended degree programs

• Computer Science (MS)
• Data Science (MS)
• Music — Composition (MM)
• Music — Conducting (MM)
• Music — Jazz Studies (MM)
• Music — Music Education (MM)
• Music — Pedagogy (MM)
• Music — Performance (MM)
• Nursing — Adult-Gerontology Acute Care Nurse Practitioner (MS)
• Nursing — Family Nurse Practitioner (MS)
• Nursing — Psychiatric-Mental Health Nurse Practitioner (across the lifespan) (MS)
• Nursing (DNP)
• Statistics (MS)

Master of Occupational Therapy (MOT) and Entry-Level Occupational Therapy Doctorate (OTD)

View full program costs:

• Master of Occupational Therapy (MOT)
• Entry-Level Occupational Therapy Doctorate (OTD)

Post-Professional Occupational Therapy Doctorate (OTD)

This program is fully online. All students receive our e-tuition rate.

Stonecoast MFA in Creative Writing

For details about other program costs, please contact the Stonecoast MFA in Creative Writing .

Estimated 2024-2025 graduate fees

We have mandatory fees that students pay every year. There are also fees that are charged under specific circumstances.

We’re here to help! Contact our knowledgeable Student Financial Services team .

You can also browse the frequently asked questions section below.

Differential tuition is used to balance the expense of offering higher-cost academic programs.

Programs with a mode of study that is in person, blended, hyflex, or low-residency are categorized by program costs into three tuition levels. Each level is charged a different tuition rate. These are Differential Level 1 (Standard rate), Differential Level 2, and Differential Level 3.

Students enrolled in certificate programs and non-matriculated students taking individual courses are charged the standard rate of Differential Level 1.

Fully online programs will not charge differential tuition. Students enrolled in online programs are eligible for our e-tuition rate.

The tuition rates provided on this page are estimates. In late May, the University of Maine System Board of Trustees will approve the final tuition rates. The final 2024-2025 tuition rates go into effect starting with Fall 2024 courses.

Fully online programs will not charge differential tuition. Students enrolled in online programs are eligible for the e-tuition rate. See Online program e-tuition for the estimated 2024-2025 rate.

Non-matriculated students (also known as non-degree students) who are taking individual courses will be charged the standard tuition rate of Differential Level 1 .

Students enrolled in certificate programs will be charged the standard tuition rate of Differential Level 1 .