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How to Teach Creative Writing to High School Students

Creative Writing was forced onto my schedule; I didn’t ask for it. But it ended up becoming my favorite class period of the day. While academic English courses can feel high-stakes and always short on time, Creative Writing can be a refreshingly relaxed elective class. In many districts with loose curriculums, Creative Writing is what you make of it. In this post, I outline six steps to show you how to teach creative writing to high school students.

Why Teach Creative Writing

Before we get into the how , let’s first address the why . Why bother teaching Creative Writing in the first place? Students’ basic skills are lower than ever; is now really the time to encourage them to break the rules?

If you want to get really deep into why you should teach Creative Writing, I have a whole post about it here.

But think about why you love reading. Is it because you were made to annotate or close read a bunch of classic novels? Probably not. You probably fell in love with reading while you were reading something that was fun. And because it was fun, you read more, and your skills as a reader grew.

The same principle applies to writing. If we can make it fun for our students, perhaps we can foster a love for it. And passion is what leads, eventually, to mastery.

Giving our students the opportunity to fall in love with writing is a gift that might help them grow in their academic writing later.

Teach Creative Writing to High School Students Step #1: Decide on Your Standards or Goals

Your school or district may have a mandated syllabus or curriculum. Mine did not. 

Whether you’re given student goals or have to create them, you must have an overall vision for what your Creative Writing class will accomplish. 

Is this a laid-back, engaging course designed to help students discover the fun in writing? Or is it a supplement to rigorous academics for college-bound high school students? 

If you know your school’s student population well, I encourage you to think about their needs. Some students just need to write more–more of anything, but lots more. Some students are high achieving and ready to write their first novels! If possible, design your course around the needs and interests of the general student population in your school or district. 

Regardless of how rigorous your Creative Writing course will be, deciding on these goals first will help you in backwards planning. 

Teach Creative Writing to High School Students Step #2: Choose Your Final Assessments and Big Projects

Before we can start planning our lessons, we have to decide what skills or knowledge our students will need. And to know what they need, we have to decide on their summative assessments.

Will your final assessment be a short story? A collection of poetry? Are you required to offer a final exam?

Once you know what students will need to do, you can make a list of the skill they’ll need. This list will become a list of lessons you’ll need to teach.

Fairy Tale Retelling Project

My Fairy Tale Retelling Project is a great Creative Writing assessment. For this project, students had to first choose a fairy tale. Then, they rewrote the story from the perspective of the villain.

This project works really well because students have structure. They can pick any fairy tale they want, but they can’t write about just anything.

Secondly, students already know the story, so they don’t have to worry about a beginning, middle, and end. The open-endedness of writing a story completely from scratch has paralyzed my students before. Structure allows students lots of creative freedom without the excuse of “I don’t know what to write.”

Author Study Project

If you’d like your Creative Writing class to help beginner writers have fun and just get some practice with fiction writing, a Fairy Tale Retelling Project would probably be perfect for your class.

Another project I’ve done with my students is an Author Study . In this project, students choose one author to study in-depth. Then, they attempt to replicate that author’s style in an original work.

If you’d like your class to also include lots of exposure to other writers or classic literature, then this might be a great assessment for your class.

Learn more about doing an author study in this step-by-step post.

Test or Final Exam

I also gave my students a final exam focused on literary terms.

This Literary Terms Test allowed me to test students on the academic knowledge they gained throughout class instead of their writing ability. This test also helped me fulfill my district’s requirement of having a final exam at the end of each course.

Once you’ve decided on your class’s major projects and assessments, you can begin designing the rest of your class.

Teach Creative Writing to High School Students Step #3: Backwards Plan

Now that you know what your students will need to do at the end of this class, you can list out everything you need to teach them in order for them to be successful.

For example, if you opt for an author study as a final project, you know what you will need to cover. You will need to teach students some literary terms so that they can describe an author’s style. You’ll need to show them how to analyze a poem.

During the course of your class, you’ll also want to expose students to a variety of authors and mentor texts. Students will need to practice basic writing techniques in order to replicate those of their chosen authors.

If you need some inspiration for what kinds of lessons to teach, check out this post on essential Creative Writing lessons.

Teach Creative Writing to High School Students Step #4: Decide on Your Class Structure

Once you’ve decided on the end goals for your Creative Writing class, you can use them to help create day-to-day plans. 

What will your class look like? Will it be full of lots of quiet and independent work time? Will it be full of frenetic energy with students working in collaborative groups? Are students writing in notebooks or on laptops?

Of course, a successful class will most likely include a mixture of all of the above. But it’s up to you to decide on your ratio. 

Again, I encourage you to think about your school’s population. If you’re on ninety-minute blocks, is it realistic for students to be quietly writing that whole time? If you have high-achieving students, might they benefit from working independently at home and then getting and giving peer feedback during class time?

Use your goals to help decide on a general class structure. 

Warm-ups for Creative Writing

You’ll need a consistent way to begin each class.

When I initially began teaching Creative Writing, I just wanted to provide my students with more time to write. We began every class period with free writing. I gave students a couple of prompts to choose from each day, and then we’d write for about ten minutes. 

( Those journal prompts are right here . Every day includes two prompts plus a third option of freewriting.)

Students were given the option to share part of their writing if they wanted to. Every couple of weeks I’d flip through their notebooks to make sure they were keeping up, but I only read the entries they starred for me in advance. 

Later, I wanted to add some rigor to my Creative Writing class and leverage more mentor texts. I created a Poem of the Week activity for each week of the course. 

This gave students the opportunity to study professional writing before using it as a mentor text for a new, original piece. 

(You can read more about using these Poem of the Week activities here.) 

As my goals for the class and my students change, so did the way we began class. 

How can you begin your class in a way that supports the end goals or teaches the desired standards? How often will peers work together?

Teach Creative Writing to High School Students Step #5: Focus on Engagement Strategies

Now you can actually start planning lessons and projects!

But as you do so, focus on creating engaging ones–especially if your class is meant to be a fun elective.

Need more tips? Check out this post full of Creative Writing teaching tips!

Use Mentor Texts and Lots of Examples

Have you ever tried putting a puzzle together without knowing what the image was going to look like? It would be pretty difficult! Similarly, students need lots of examples of strong writing to aspire to. 

Without clear models or mentor texts , students will happily turn in unread drafts. They’ll choose the first word that comes to their mind instead of searching for a better one. 

But if you surround students with great writing, highlight strong technique when discussing the writing of others, and challenge them to notice the details in their own writing, they’ll naturally become better at self-editing.

I don’t believe that you can provide students with too many mentor texts or examples of strong writing. As you teach Creative Writing, keep or take pictures of strong writing samples from students to use as examples later. 

Nearly all of my lessons and projects include an example along with instruction.

Model and Create with Your Students

You can even use your own writing as an example. When I had students free write to creative writing prompts, I always wrote with them. Sometimes I would then put my notebook under the document camera and model reading my own work.  

I would cross out words and replace them or underline phrases I thought were strong enough to keep. Model for students not just great writing, but the process of strengthening writing.

And then give them plenty of time to edit theirs. This is when having students engage in peer feedback is a game-changer. 

Without great writing to aspire to, however, students easily become lazy and turn in work that is “good enough” in their eyes. Don’t let them get lazy in their writing. Keep throwing greater and greater work in front of them and challenge them to push themselves. 

(This is another reason I love using Poem of the Week warm-ups –they expose students to a new writer every week!)

Set Clear Expectations

Creative writing causes a lot of students anxiety. There’s no “right” answer, so how will they know if they creatively wrote “correctly?”

Help them out by setting clear expectations. Offering a rubric for every project is great for this. If you can, give them specifics to include. “At least 500 words” or “three or more similes” are nice, concrete guidelines that students can follow.

Give Students Choice

Offering students choice always boosts engagement. It lets students take charge of their learning and pursue something that interests them.

For example, when I teach odes , students are given the opportunity to write about something they love.

With an author study , students can study a writer whose style and work they admire.

Teach Creative Writing to High School Students Step #6: Use Clear and Structured Expectations

While showing students excellent prose or perfect poetry should help inspire students, your writers will still need some hard parameters to follow. 

Academic writing is often easier for students than creative writing. Usually, academic writing follows a structure or certain formula. The rubric dictates exactly how many quotes need to be included or how long an essay needs to be. MLA or APA formats tell students how to punctuate quotes and citations. 

These rules don’t apply to creative writing. And while that’s exactly what makes creative writing awesome, it’s often overwhelming. 

So do your students a favor and give them some clear expectations (without, of course, entirely dictating what they need to write about).  

The project also includes a rubric, so young writers know what should be included in their stories.

Don’t give your students so much creative freedom that it paralyzes them! Your writers are still students; give them the same level of structure and organization that you would in any other class. 

Engage your students in more creative writing!

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Teach Creative Writing to High School Students Step #7: Give Students Choices

So how do you give students frameworks, requirements, and uphold high expectations without stifling their creativity?

Give students choices. You can write about A, B, or C, as long as you meet requirements 1, 2, and 3. 

Offering choices works with small one-day assignments or lessons as well as bigger, longer-term projects. 

The previously mentioned Fairy Tale Retelling Project is a great example of offering a narrow selection of choices that uphold expectations without dictating what students write. 

Another one of my favorite examples of offering students choices is my “Show. Don’t Tell” Mini-lesson . This lesson touches on everything students need to successfully learn creative writing. 

First I teach them the concept of showing vs. telling in writing through direct instruction. I show them lots of examples of expanding a “telling sentence” into a “showing paragraph.”

Then I model for students how I would write a paragraph that shows crucial information, rather than telling it. 

Lastly, I have students pick a strip of paper from a hat or a bag. Each strip of paper contains a “telling sentence” that they must then write as a “showing paragraph.” Students are limited by the sentences I provide, but they still have complete freedom over how they achieve that detailed paragraph. 

If you wanted to give students even more freedom, you could let them pick their sentences or trade with a peer rather than blindly choosing. 

Any time you can give students a choice, you give them permission to use their creativity and allow them to take some of the initiative in their own learning.

Teach Creative Writing to High School Students Step #8: Encourage Peer Collaboration and Feedback

We can tell students something a hundred times, but they won’t listen until a peer says the same thing. Us educators know the value of positive peer interaction, so don’t limit it in a creative writing class!

There are a ton of ways to implement peer interaction in a creative writing class. I often do this on the first day of class with a writing game. You’ve probably heard of it: everyone writes a sentence on a piece of paper, then everyone passes the paper and adds a sentence, and so on. 

I highly encourage you to use peer feedback throughout the class. I usually start having students share their work from day one with my free “I Am” Poem Lesson so that they can start getting used to having their work read by others immediately.

Make getting feedback so routine in your room that students don’t even question it.

It’s really tempting to let students get away without sharing their work. We don’t want to make shy or anxious students uncomfortable. I mean, what better way to completely ruin creative writing for a student than to make them feel embarrassed all the time, right?

But keep trying to encourage shy students to share. Even if that means you share it anonymously or read it aloud for them. 

I recommend including some kind of peer feedback with every writing assignment . Yes, even short practice assignments. This will work as a kind of “immersion therapy” for receiving feedback on more involved work.

After some time, you might find that your students even begin to share their work without your prompting! 

I like to organize the desks in my Creative Writing class so that students are in little groups. I’ve found that at least half of my classes will begin talking and sharing with one another in their little groups while working on projects. 

They’ll ask each other questions or to remind them of a word. They’ll read sentences aloud and ask if they sound right. Personally, I would much rather hear this kind of chatter in my class than have a dead silent room of boring writers!

However you decide to allow students to work together, be sure to provide the opportunity. Reading and getting feedback from peers could possibly teach students more about writing than any of your instruction (sorry!).

One of the truly great things about teaching creative writing to high school students is that there often isn’t a rigid curriculum. Of course, this is also sometimes one of the worst things about teaching creative writing to high school students!

You have total freedom over the assignments you give, the standards you teach, and how you organize and structure your classroom. After a few years of teaching Creative Writing, however, I’ve found that sticking to these six steps is a great way to have a successful semester.

If you’re excited about teaching your Creative Writing class, but are running low on prep time, check out my complete 9-week Creative Writing course ! Included are two different types of warm-ups, poetry analysis activities from well-known authors, mini-lesson, projects, and more!

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Our 2020-21 Writing Curriculum for Middle and High School

A flexible, seven-unit program based on the real-world writing found in newspapers, from editorials and reviews to personal narratives and informational essays.

Update, Aug. 3, 2023: Find our 2023-24 writing curriculum here.

Our 2019-20 Writing Curriculum is one of the most popular new features we’ve ever run on this site, so, of course, we’re back with a 2020-21 version — one we hope is useful whether you’re teaching in person , online , indoors , outdoors , in a pod , as a homeschool , or in some hybrid of a few of these.

The curriculum detailed below is both a road map for teachers and an invitation to students. For teachers, it includes our writing prompts, mentor texts, contests and lesson plans, and organizes them all into seven distinct units. Each focuses on a different genre of writing that you can find not just in The Times but also in all kinds of real-world sources both in print and online.

But for students, our main goal is to show young people they have something valuable to say, and to give those voices a global audience. That’s always been a pillar of our site, but this year it is even more critical. The events of 2020 will define this generation, and many are living through them isolated from their ordinary communities, rituals and supports. Though a writing curriculum can hardly make up for that, we hope that it can at least offer teenagers a creative outlet for making sense of their experiences, and an enthusiastic audience for the results. Through the opportunities for publication woven throughout each unit, we want to encourage students to go beyond simply being media consumers to become creators and contributors themselves.

So have a look, and see if you can find a way to include any of these opportunities in your curriculum this year, whether to help students document their lives, tell stories, express opinions, investigate ideas, or analyze culture. We can’t wait to hear what your students have to say!

Each unit includes:

Writing prompts to help students try out related skills in a “low stakes” way.

We publish two writing prompts every school day, and we also have thematic collections of more than 1,000 prompts published in the past. Your students might consider responding to these prompts on our site and using our public forums as a kind of “rehearsal space” for practicing voice and technique.

Daily opportunities to practice writing for an authentic audience.

If a student submits a comment on our site, it will be read by Times editors, who approve each one before it gets published. Submitting a comment also gives students an audience of fellow teenagers from around the world who might read and respond to their work. Each week, we call out our favorite comments and honor dozens of students by name in our Thursday “ Current Events Conversation ” feature.

Guided practice with mentor texts .

Each unit we publish features guided practice lessons, written directly to students, that help them observe, understand and practice the kinds of “craft moves” that make different genres of writing sing. From how to “show not tell” in narratives to how to express critical opinions , quote or paraphrase experts or craft scripts for podcasts , we have used the work of both Times journalists and the teenage winners of our contests to show students techniques they can emulate.

“Annotated by the Author” commentaries from Times writers — and teenagers.

As part of our Mentor Texts series , we’ve been asking Times journalists from desks across the newsroom to annotate their articles to let students in on their writing, research and editing processes, and we’ll be adding more for each unit this year. Whether it’s Science writer Nicholas St. Fleur on tiny tyrannosaurs , Opinion writer Aisha Harris on the cultural canon , or The Times’s comics-industry reporter, George Gene Gustines, on comic books that celebrate pride , the idea is to demystify journalism for teenagers. This year, we’ll be inviting student winners of our contests to annotate their work as well.

A contest that can act as a culminating project .

Over the years we’ve heard from many teachers that our contests serve as final projects in their classes, and this curriculum came about in large part because we want to help teachers “plan backwards” to support those projects.

All contest entries are considered by experts, whether Times journalists, outside educators from partner organizations, or professional practitioners in a related field. Winning means being published on our site, and, perhaps, in the print edition of The New York Times.

Webinars and our new professional learning community (P.L.C.).

For each of the seven units in this curriculum, we host a webinar featuring Learning Network editors as well as teachers who use The Times in their classrooms. Our webinars introduce participants to our many resources and provide practical how-to’s on how to use our prompts, mentor texts and contests in the classroom.

New for this school year, we also invite teachers to join our P.L.C. on teaching writing with The Times , where educators can share resources, strategies and inspiration about teaching with these units.

Below are the seven units we will offer in the 2020-21 school year.

September-October

Unit 1: Documenting Teenage Lives in Extraordinary Times

This special unit acknowledges both the tumultuous events of 2020 and their outsized impact on young people — and invites teenagers to respond creatively. How can they add their voices to our understanding of what this historic year will mean for their generation?

Culminating in our Coming of Age in 2020 contest, the unit helps teenagers document and respond to what it’s been like to live through what one Times article describes as “a year of tragedy, of catastrophe, of upheaval, a year that has inflicted one blow after another, a year that has filled the morgues, emptied the schools, shuttered the workplaces, swelled the unemployment lines and polarized the electorate.”

A series of writing prompts, mentor texts and a step-by-step guide will help them think deeply and analytically about who they are, how this year has impacted them, what they’d like to express as a result, and how they’d like to express it. How might they tell their unique stories in ways that feel meaningful and authentic, whether those stories are serious or funny, big or small, raw or polished?

Though the contest accepts work across genres — via words and images, video and audio — all students will also craft written artist’s statements for each piece they submit. In addition, no matter what genre of work students send in, the unit will use writing as a tool throughout to help students brainstorm, compose and edit. And, of course, this work, whether students send it to us or not, is valuable far beyond the classroom: Historians, archivists and museums recommend that we all document our experiences this year, if only for ourselves.

October-November

Unit 2: The Personal Narrative

While The Times is known for its award-winning journalism, the paper also has a robust tradition of publishing personal essays on topics like love , family , life on campus and navigating anxiety . And on our site, our daily writing prompts have long invited students to tell us their stories, too. Our 2019 collection of 550 Prompts for Narrative and Personal Writing is a good place to start, though we add more every week during the school year.

In this unit we draw on many of these resources, plus some of the 1,000-plus personal essays from the Magazine’s long-running Lives column , to help students find their own “short, memorable stories ” and tell them well. Our related mentor-text lessons can help them practice skills like writing with voice , using details to show rather than tell , structuring a narrative arc , dropping the reader into a scene and more. This year, we’ll also be including mentor text guided lessons that use the work of the 2019 student winners.

As a final project, we invite students to send finished stories to our Second Annual Personal Narrative Writing Contest .

DECEMBER-January

Unit 3: The Review

Book reports and literary essays have long been staples of language arts classrooms, but this unit encourages students to learn how to critique art in other genres as well. As we point out, a cultural review is, of course, a form of argumentative essay. Your class might be writing about Lizzo or “ Looking for Alaska ,” but they still have to make claims and support them with evidence. And, just as they must in a literature essay, they have to read (or watch, or listen to) a work closely; analyze it and understand its context; and explain what is meaningful and interesting about it.

In our Mentor Texts series , we feature the work of Times movie , restaurant , book and music critics to help students understand the elements of a successful review. In each one of these guided lessons, we also spotlight the work of teenage contest winners from previous years.

As a culminating project, we invite students to send us their own reviews of a book, movie, restaurant, album, theatrical production, video game, dance performance, TV show, art exhibition or any other kind of work The Times critiques.

January-February

Unit 4: Informational Writing

Informational writing is the style of writing that dominates The New York Times as well as any other traditional newspaper you might read, and in this unit we hope to show students that it can be every bit as engaging and compelling to read and to write as other genres. Via thousands of articles a month — from front-page reporting on politics to news about athletes in Sports, deep data dives in The Upshot, recipes in Cooking, advice columns in Style and long-form investigative pieces in the magazine — Times journalists find ways to experiment with the genre to intrigue and inform their audiences.

This unit invites students to take any STEM-related discovery, process or idea that interests them and write about it in a way that makes it understandable and engaging for a general audience — but all the skills we teach along the way can work for any kind of informational writing. Via our Mentor Texts series, we show them how to hook the reader from the start , use quotes and research , explain why a topic matters and more. This year we’ll be using the work of the 2020 student winners for additional mentor text lessons.

At the end of the unit, we invite teenagers to submit their own writing to our Second Annual STEM writing contest to show us what they’ve learned.

March-April

Unit 5: Argumentative Writing

The demand for evidence-based argumentative writing is now woven into school assignments across the curriculum and grade levels, and you couldn’t ask for better real-world examples than what you can find in The Times Opinion section .

This unit will, like our others, be supported with writing prompts, mentor-text lesson plans, webinars and more. We’ll also focus on the winning teenage writing we’ve received over the six years we’ve run our related contest.

At a time when media literacy is more important than ever, we also hope that our annual Student Editorial Contest can serve as a final project that encourages students to broaden their information diets with a range of reliable sources, and learn from a variety of perspectives on their chosen issue.

To help students working from home, we also have an Argumentative Unit for Students Doing Remote Learning .

Unit 6: Writing for Podcasts

Most of our writing units so far have all asked for essays of one kind or another, but this spring contest invites students to do what journalists at The Times do every day: make multimedia to tell a story, investigate an issue or communicate a concept.

Our annual podcast contest gives students the freedom to talk about anything they want in any form they like. In the past we’ve had winners who’ve done personal narratives, local travelogues, opinion pieces, interviews with community members, local investigative journalism and descriptions of scientific discoveries.

As with all our other units, we have supported this contest with great examples from The Times and around the web, as well as with mentor texts by teenagers that offer guided practice in understanding elements and techniques.

June-August

Unit 7: Independent Reading and Writing

At a time when teachers are looking for ways to offer students more “voice and choice,” this unit, based on our annual summer contest, offers both.

Every year since 2010 we have invited teenagers around the world to add The New York Times to their summer reading lists and, so far, 70,000 have. Every week for 10 weeks, we ask participants to choose something in The Times that has sparked their interest, then tell us why. At the end of the week, judges from the Times newsroom pick favorite responses, and we publish them on our site.

And we’ve used our Mentor Text feature to spotlight the work of past winners , explain why newsroom judges admired their thinking, and provide four steps to helping any student write better reader-responses.

Because this is our most open-ended contest — students can choose whatever they like, and react however they like — it has proved over the years to be a useful place for young writers to hone their voices, practice skills and take risks . Join us!

Teach Creative Writing In High School With 10 Fun Activities

Creative writing is a meaningful aspect of literature that mandates you to utilize your expertise, ingenuity, and story to depict a critical message, emotion, or plot. It defies the traditional bounds of other forms of writing and is completely subjective to our preferences and experiences. In creative writing, it’s all about imaginativeness!

Using creative imagination and originality to convey feelings and concepts in a unique way is at the heart of creative writing. Simply stated, it’s about infusing your own ‘flair’ into your writing, moving beyond academic or other technical kinds of literature. 

In this post, we will explore the various activities which would be advantageous for a high schooler who wishes to indulge in creative writing!

What Happens When Creative Writing Is Put To Use?

Creative writing is any form of writing that deviates from traditional professional, investigative journalism, educational, or technological forms of literature. It is typically distinguished by emphasizing narrative craft, character development, literary tropes, or various poetic traditions.

Here are the few ways how high schoolers can benefit from creative writing –

1. Imagination

When you write creatively, you expand your imagination by creating new environments, scenarios, and characters. This way, you are also boosting and stretching your imagination, as well as “thinking out of the box.” This allows you to concentrate your energy on many other things and improve your ability to find fresh ideas and alternatives to problems you’re having. Whether you’re a researcher or a businessman, creative writing will increase your imagination and help you think more creatively, and push the boundaries.

2. Empathy and Communications skills

When you create characters, you’ll be constructing emotions, personalities, behaviors, and world views that are distinct from your own. Writers must conceive personalities, emotions, places, and walks of life outside of their own lives while creating universes with fictional characters and settings.

This can give children a good dose of empathy and understanding for those who aren’t like them, who don’t live where they do or go through the same things they do daily. Writers are better equipped to communicate when they have a greater understanding of other points of view. They can come up with creative ways to explain and debate subjects from multiple perspectives. This ability is crucial in both professional and personal situations. 

3. Clarification of Thoughts 

Creating structures in creative writing allows you to organize your impressions and emotions into a logical procedure. You may express both your thoughts and your sentiments through creative writing. For example, if you’re a marketing executive, you could create a short tale in which your clientele reads your promotional emails. You can guess what they’re up to, where they’re seated, what’s around them, and so on.

This enables you to focus on the language and strategies you employ. Alternatively, if you’re a technical writer writing on a new desktop platform, you could create a creative scenario in which a user encounters a problem. 

4. Broadens Vocabulary and gets a better understanding of reading and writing

You’ll learn a larger vocabulary and a better understanding of the mechanics of reading and writing as you begin to practice writing exercises regularly. Even if you’re writing a budget report, you’ll know when rigid grammar standards work and when they don’t, and you’ll know what will make your writing flow better for your readers. Exploring different ways of expressing yourself when writing creatively allows you to extend your vocabulary.

You’ll notice a change in your use and range of language as you improve your writing over time, which will be useful in any professional route and social scenario. You’ll be able to bend and break the rules when you need to, to utilize your voice and make what you’re writing engaging without coming off as an amateur, dull, or inauthentic once you’ve grasped the fundamentals of writing professionally and creatively.

5. Building Self-Belief 

When you write creatively, you’re actively involved in an activity that allows you to fully develop your voice and point of view without being constrained. You have a better chance to investigate and express your feelings about various issues, opinions, ideas, and characters. And you’ll feel more at ease and secure stating your thoughts and perspectives in other things you write as a result of this.

Writers who don’t write creatively may be concerned about appearing authoritative or trustworthy. They accidentally lose their voice and sound like drones spouting statistics by omitting to include their perspective on the topics they’re writing about. As a result, they miss out on using their distinct voice and presenting themselves as an expert with real-world expertise.

Creative Writing Activities That Will Strengthen Your Writing Skills  

Short spurts of spontaneous writing make up creative writing activities. These writing exercises push a writer to tackle a familiar topic in a new way, ranging from one line to a lengthy tale. Short, spontaneous projects are common in creative writing programs, but any writer should make them a regular practice to extend their abilities and learn new tactics to approach a series of stories.

These activities must be performed for ten minutes at a time, several times a week – by creative writers. They’re designed to help you improve your writing abilities, generate fresh story ideas, and become a better writer.

1. Free Writing

Writing is the first and foremost activity that is going to give your creative writing a boost. Start with a blank page and let your stream of thoughts and emotions flow. Then simply begin writing. Don’t pause to think or alter what you’re expressing. This is known as “free writing.” This writing activity is referred to as “morning pages” by Julia Cameron, the author of ‘The Artist’s Way.’ She recommends that authors do this every day when they first wake up. Stream of consciousness writing can provide some intriguing concepts.

Allow your intellect to take the lead as your fingers type. Or write a letter to your younger self.  Consider a topic you’d like to discuss, such as a noteworthy event, and write it down. Give guidance or convey a message that you wish you had heard as a youngster or a young adult.

2. Modify a Storyline – Read

Most of us like to read. However, just reading won’t really help augment your creative writing skills. While reading bestows insight into the deeper meanings of numerous things, you need a more concrete approach to better your aptitude. To do this, you can modify any storyline. Take an episode from a chapter, if you’re feeling brave—from one of your favorite books and recreate it. Write it from the perspective of a different character. Swap out the main character in this exercise to examine how the story may be conveyed differently.

Take Percy Jackson’s thrilling conclusion, for instance, and rework it with Annabeth as the primary character. Another way to approach this creative activity is to keep the primary character but switch viewpoints. Rewrite a scene in the third person if the writer has told a story in the first person. 

3. Add Creative Writing Prompts or Create Flash Fiction

Use writing prompts, often known as narrative starters, to produce writing ideas. A writing prompt is a sentence or short excerpt that a writer uses to start composing a story on the spot. You can look up writing prompts online, pick a sentence out of a magazine at random, or use a brilliant line from a well-known work as the start of your short scene.

Another thing you can do to accentuate your writing is to create flash fiction. Sit down at your desktop or pick up a pen and paper and write a 500-word story on the spur of the moment. This isn’t the same as just writing whatever comes to mind. With no fixed guidelines, free writing generates a stream of consciousness. All of the basic components of a story arc, such as plot, conflict, and character development, are required in flash fiction, albeit in a shortened form.

4. Create a Fictitious Advertisement

Pick a random word from a nearby book or newspaper and create a fictitious commercial for it. Write one ad in a formal, abbreviated newspaper classified format to require you to pay special attention to your word choice to sell the item. Then write one for an online marketplace that allows for longer, more casual text, such as Craigslist. Describe the item and persuade the reader to purchase it in each one.

5. Engage in Conversations 

Engaging in conversations with your friends/family – or simply communicating can help brush up your writing skills. Talk to your loved ones about their hobbies, career, views on societal issues – any suitable topic for that matter. This helps implement others’ points of view and expands your mental ability. Another useful thing that you can do is – make another person’s tale and create it by implementing your own thoughts. Then talk about it in an impeccable manner. Also, talk in complete sentences. This goes to show your Linguistic intelligence proficiency – and helps augment your creative writing skills.

6. Create Your Own Website/Blog

Start your search for blogging. There are a million writing suggestions out there, but they all boil down to the same thing: write. Blogging is excellent writing practice because it gives you a place to write regularly.

To keep your fingers and mind nimble, write a post every day. Like most bloggers, you’ll want to restrict your subject—perhaps you’ll focus on parenting or start a how-to site where you can tell stories from your point of view.

7. Participate in Debates/Extempores  

Participating in debates, extempores – anchoring for your school function, giving a speech, all of these activities help boost your creative spirit. These group events make you understand what other people are envisioning, which in turn helps you generate new ideas, approaches, and methods. Not only do they improve your articulation and research skills, but they also develop critical thinking and emotional control abilities. All of these promote a better creative writing aptitude.

8. Start a YouTube Channel or Podcast 

Starting a YouTube channel or podcast will definitely level up your creative game. YouTube is a never-ending platform, covering myriads of topics. Choose a particular niche for your channel.

Then do your topic research, create content, manage SEO, approach brands, talk to clients and influencers – do all the good stuff. Communicating with other influencers and creating content will take your creative writing skills to another level. Starting a podcast will have a similar impact. 

9. Love them? Say it with your words!

We have many festivals, occasions, birthdays, parties, anniversaries and whatnot! You can employ these special days and boost your creative writing skills. You can make a token of love for them – writing about your feelings. You can also make gift cards, birthday cards, dinner menus, and so on. So let’s say, it’s your mother’s birthday, you can write her a token of love, elucidating your feelings and letting her know what all she’s done for you and that you’re grateful. Do this for all your near and dear ones. This not only spreads positivity and love but helps you develop your creative aptitude.

10. The What-if Game

The What-If game is an incredible way to upgrade your creative abilities. You can play this game with your friends, cousins, relatives, or solo. Here, you need to find links to many interesting hypothetical questions. For instance, what if the sun doesn’t rise for a week? What if there’s no oxygen for one minute? Play it with your peeps, or ask these questions to yourself. It can be anything random but concrete. If you don’t know the answers to the questions, look them up on Google. This way, you’re training your mind to learn new concepts all the while enhancing your visualization process. 

We can conclude that creative writing encourages students to think creatively, use their imaginations, imply alternatives, expand their thinking processes, and improve their problem-solving skills. It also allows the child to express themselves and grow their voice. Besides, it enhances reasoning abilities. The principle behind the creative writing concept is that everyone can gain the qualities that are needed to become a successful writer or, rather become good at writing. Creative writing is all about using language in new and innovative ways.

Sananda Bhattacharya, Chief Editor of TheHighSchooler, is dedicated to enhancing operations and growth. With degrees in Literature and Asian Studies from Presidency University, Kolkata, she leverages her educational and innovative background to shape TheHighSchooler into a pivotal resource hub. Providing valuable insights, practical activities, and guidance on school life, graduation, scholarships, and more, Sananda’s leadership enriches the journey of high school students.

Explore a plethora of invaluable resources and insights tailored for high schoolers at TheHighSchooler, under the guidance of Sananda Bhattacharya’s expertise. You can follow her on Linkedin

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The best writing prompts for high school

Ah, high school. The birthplace of future geniuses, the setting of a million Young Adult books — and the cutting ground of many a brilliant young author. Writing in the classroom is often the best outlet of creativity for kids, and what better way to get your students excited about it than through creative writing prompts for high school students?

Whether you use journal prompts or story ideas to kickstart your high school student’s imagination, writing prompts are sure to help broaden their thinking, sharpen their writing skills, record their thoughts, and get them to engage with the world around them.

If you're looking to cut to the chase, here's a top ten list of writing prompts for high school students:

• In the form of diary/ journal entries, write about someone who's just experienced a big "first."
• Just then, your phone rings. It's your friend and they have some interesting news...
• Write a short story where the protagonist has a doppelgänger.
• Write a story about a misunderstanding.
• Write a story about a strange family tradition, with at least two characters from the family narrating in the course of the story.
• Write a story about someone who would be described, above all else, as: kind.
• Write a story that centers on an Instagram post.
• Write a story that spans a month during which everything changes.
• Write about a group of people determined to win an award for making the biggest cookie ever.
• Write about someone going to extreme lengths to return an overdue library book.

If you have a high school student who’s interested in becoming an author, check out our free resources on the topic:

Develop a Writing Routine (free course) — Any high schooler who’s serious about becoming a published author should know that writing a book doesn’t just take talent. 90% of the process is sitting in front of a blank piece of paper, and having the drive and commitment to put words to paper. That’s why we created this free course, which shows people of any age how to develop a writing routine that works for you. It’s never too early to start the process today!

Want to encourage your high school students to start writing? Check out Reedsy’s weekly short story contest , for the chance of winning $250! You can also check out our list of writing contests or our directory of literary magazines for more opportunities to submit your story.

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10 Creative Writing Activities That Help Students Tell Their Stories

Lower the stakes and help them get started.

“I don’t have a story. There’s nothing interesting about my life!” Sound familiar? I don’t know a teacher who hasn’t heard students say this. When we ask our students to write about themselves, they get stuck. We know how important it is for them to tell their own stories. It’s how we explore our identities and keep our histories and cultures alive. It can even be dangerous when we don’t tell our stories (check out this Ted Talk given by novelist Chimamanda Ngozi Adichie and share it with your students for more on that). Storytelling is essential for every subject, not just English Language Arts; students dive deeper and engage when they practice thinking about how their own stories intersect with historical events, civic engagement, and the real-world implications of STEM. These 10 creative writing activities can work in every subject you teach:

Here are 10 of our favorite story telling activities that inspire students:

1. write an “i am from” poem.

Students read the poem “I am From” by George Ella Lyon. Then, they draft a poem about their own identity in the same format Lyon used. Finally, students create a video to publish their poems. We love this one because the mentor text gives a clear structure and example that students can follow. But the end result is truly unique, just like their story.

2. Design a social media post to share an important memory

How can you use your unique perspective to tell a story? We want our students to learn that they are truly unique and have stories that only they can tell that other people want to hear or could relate to or learn from. In this activity, students watch two Pixar-in-a-Box videos on Khan Academy to learn about storytelling and perspective. Then, they identify an interesting or poignant memory and design a social media post.

3. Create an image using a line to chart an emotional journey

How do you show emotion using a single line? In this activity, students watch a Pixar in a Box video on Khan Academy to learn about how lines communicate character, emotion, and tension. Then they experiment with these aspects as they write their story. We love using this for pre-writing and to help students explore their story arc. Also, for students who love to draw or learn visually, this can help them get started telling their story and show them that there are many different ways to tell a story.

4. Tell the story behind your name

Sharing the story behind our name is a way to tell a story about ourselves, our culture, and our family history. And if there isn’t a story behind it, we can talk about how we feel about it and describe what it sounds like. In this activity, students use video to introduce themselves to their classmates by discussing the origin of their name. This project asks students to connect their names (and identities) to their personal and familial histories and to larger historical forces. If you’re looking for a mentor text that pairs well with this one, try “My Name” by Sandra Cisneros .

5. Develop a visual character sketch

Give students the time to create a character sketch of themselves. This will help them see how they fit into their story. In this lesson, students create a visual character sketch. They’ll treat themselves like a character and learn to see themselves objectively.

6. Create a webpage to outline the story of your movie

Building a story spine is a great way to show students how to put the parts of their story in an order that makes sense. It’s an exercise in making choices about structure. We like this activity because it gives students a chance to see different examples of structure in storytelling. Then, they consider the question: how can you use structure to set your story up for success? Finally, they design and illustrate an outline for their story.

7. Respond to a variety of writing prompts

Sometimes our students get stuck because they aren’t inspired or need a different entry point into telling their story. Give them a lot of writing prompts that they can choose from. Pass out paper and pencils. Set a timer for fifteen minutes. Then, write 3-4 writing prompts on the board. Encourage students to free-write and not worry about whether their ideas are good or right. Some of our favorite prompts to encourage students to tell their story are:

• I don’t know why I remember…
• What’s your favorite place and why?
• What objects tell the story of your life?
• What might surprise someone to learn about you?

8. Create a self-portrait exploring identity and self-expression

Part of what makes writing your own story so difficult for students is that they are just building their identity. In this activity, students explore how they and others define their identity. What role does identity play in determining how they are perceived and treated by others? What remains hidden and what is shown publicly?

9. Film a video to share an important story from your life

Encourage students to think about how to tell the story of a day they faced their fears. Students consider the question: How can you use different shot types to tell your story? They watch a video from Pixar in a Box on Khan Academy to learn about different camera shots and their use in storytelling. Then, they use Adobe Spark Post or Photoshop and choose three moments from their story to make into shots. We love using this to help students think about pace and perspective. Sometimes what we leave out of our story is just as important as what we include.

10. Try wild writing

Laurie Powers created a process where you read a poem and then select two lines from it. Students start their own writing with one of those lines. Anytime that they get stuck, they repeat their jump-off line again. This is a standalone activity or a daily writing warm-up, and it works with any poem. We love how it lowers the stakes. Can’t think of anything to write? Repeat the jump-off line and start again. Here are some of our favorite jump-off lines:

• The truth is…
• Some people say…
• Here’s what I forgot to tell you…
• Some questions have no answers…
• Here’s what I’m afraid to write about…

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3 Creative Writing Projects for High School Students

English teachers have the tough job of helping students grow their comprehension, grammar, argumentation, and persuasive writing skills. While literary analysis, research papers, and basic essays are important in that journey, creative writing projects can sometimes give students a nice break from the more mundane aspects of writing.

But coming up with creative writing projects requires, well, creativity. If you need help to think of ways to introduce this form to your students, we've provided some starting points below.

Why Choose Creative Writing?

High school creative writing projects can be beneficial in many ways. These projects have much more flexibility than other forms of writing, letting students explore things like structure and prose. It can also be an excellent reason to study other creative writing and be exposed to new styles, taking students out of their comfort zone.

These projects can be more long-term and require students to plan accordingly, allowing them to learn time management and planning skills. Meanwhile, the effort required will help them learn class material in a way that feels more applicable to their life.

But what is creative writing in high school? It can come in many forms - these are just some of them to get your students started.

1. Create a Website, Blog, or Podcast

Students may feel writing, or books need to be more exciting or applied in the internet age. If your student needs help to connect, a great path is to help them connect the art of writing with technology.

Students will create a website, blog , or podcast during these projects. The media can be based on an area of interest in their lives, a historical or cultural topic of their choice, or a theme related to a book or set of books they’re reading in class. You can set parameters within this, so long as they have freedom about what they write within the project.

Through this project, students will learn to synthesize and communicate information, write their copy, and exercise creativity and individuality. They will be able to take ownership of the information they choose to share on their website, blog, or podcast and take pride in what they are sharing.

Depending on the type of project they choose, they may also learn the technical skills required to create these mediums. Of course, as the educator, you can choose a medium you are confident can help students develop or even find a way to partner with another educator. These skills may follow them later in life or lead to a long-term project!

2. Give a Speech or Presentation as a Book Character

When you're focused on a particular work of fiction in class, asking students to embody the characters can be a great way to engage with the text and exercise their creativity. This can be done with a book the whole class reads, or you can allow students to choose their text and characters.

Crafting a speech or presentation from a character's perspective requires students to understand the story itself and deeply think about the character they choose--their personality, wardrobe, speech patterns, interests, etc. Not only will this help with understanding the text, but it's also a great exercise in empathy and walking in someone else's shoes.

Creative writing comes in once students have developed this understanding when they need to craft the speech or presentation. There can be a lot of freedom in what they write, and you may or may not require them to present in front of the class. If they do, it's also a great way to practice public speaking!

3. Turn a Book Chapter into a Short Film

Often, students better understand a book when they see it acted out as a play or film. To add another layer of understanding, you can ask the students themselves to convert the text into a short film. This is a great group project, though it can be done individually. You could allow students to turn material into a talk show or reality show to add more creative elements and variety to the project.

Like the character exercises, this will require students to understand the text they’re reading more deeply than if they were just discussing the material, taking a test, or writing a standard essay. Students will have to register scripts for their short film or talk show and create a concept for their reality show, which will help them learn more about writing in a different format.

Then, students can choose which role they want to play in the project, if they wish to spend time behind the camera writing, producing, directing, or filming , or if they want to act in the film. Once completed, their project will also be a teaching tool for their classmates!

Creative writing in high schools can be more than simply coming up with project ideas for a book or asking students to write a simple story. Ideas like these three help students synthesize information, work collaboratively, and ultimately learn to think outside the box.

When your students begin creative writing, you're likely to be surprised and delighted by the things they come up with that you couldn't have imagined!

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Creative Writing Resources For Secondary School Students

• Published July 28, 2022

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Do you LOVE writing? Do you wish you could learn more about creative writing and what it takes to be a creative writer? Do you know what career prospects you’d have as a creative writer?

It’s one of our most popular courses, and that’s why our creative writing summer course students demanded we release a guide!

We’ve put together this guide to give a detailed overview of everything you need to know about creative writing.

You’ll learn about:

• What is creative writing?
• Creative writing tips and how to use them
• Creative writing examples and why they’re good
• Creative writing exercises (over 30!)
• Creative writing prompts
• Creative writing prompts for middle school students
• Creative writing prompts for high school students
• What is the difference between prose and poetry?
• A Level Requirements for Creative Writing
• Best UK Universities For Creative Writing and what makes them good
• Career choices that creative writers have and what their salaries are
• & much more

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Creative Writing Unit for High School Students

My creative writing unit for high school students allows for adaptations and for fun! With plenty of creative writing activities, you’ll have flexibility. 

If you are looking for a creative writing unit, I have ideas for you. When I taught middle school, I sprinkled such activities throughout the school year. As a high school teacher, though, I taught an entire creative writing course. With no textbook and very little established activities, I largely worked from a blank slate.

Which. . . turned out well. I love teaching creative writing!

ELA Specific Classes

Older students often can choose electives for their ELA classes, and Creative Writing is a popular class. I’ve condensed my ideas into one post, so I organized the ideas by creative nonfiction and fiction writing and added pictures to organize this information for you.

EDIT: This post about my creative writing unit for high school writers has exploded and is about three times as long as a normal blog post. If you’d like to skip around to get inspiration for teaching creative writing, you can use the pictures and headings as guidance.

ANOTHER NOTE: I attempted to outline the days I spend on each topic, but several factors went into my estimates. First, each class differs in what they enjoy and what they dislike. If a class dislikes a specific topic, we will wrap it up and move on. If a class has fun with an assignment or needs more time to work, the days might vary.

What are the key elements of a creative writing unit?

Key elements of a creative writing unit include introducing different writing genres, teaching basic writing techniques, encouraging imagination and creativity, providing writing prompts and exercises, offering constructive feedback and revision opportunities, and fostering a supportive writing community.

How can we organize such activities?

Starting with creative nonfiction has worked for my classes, small pieces like paragraphs. I believe the success is because young writers can write what they know about. Then we can switch to fiction for the second quarter. Again, the days spent on each assignment varies, and I honestly do not stress about creative nonfiction being nine weeks and fiction being nine weeks.

All of the material listed below is in my newly updated Creative Writing Bundle . The pieces are sold separately, but that creative writing unit includes bonus material and a discount.

Ok, settle in! Here are my ideas about teaching creative writing with high school students.

First Week of School for a Creative Writing Unit

The first day of school , we complete activities that build awareness into the classroom environment about “creativity.” Do not shy away from setting a foundation of support and understanding as you engage with young writers. During my first creative writing classes, I neglected to spend time establishing expectations and community. The following semester, the time invested early paid off with engaged students later.

Those first days, we also discuss:

• Published vs. private writing. I tell writers they may share whatever they like with me and the class. As a community of writers, we will share with each other. Most of our writing will be public, but some will be private.
• A community of writers. Writing and sharing ideas requires maturity and acceptance. Not everyone will agree is largely my motto (about negotiables, not human rights), and I stress with students that they may read and provide feedback with topics in which they do not agree.
• Routines. Writers write. That sentence might sound silly, but some people believe that humans are born with a skill to write or they are not. Writing well takes practice. The practice can be short and unconnected to a larger product. I typically begin each week with a quick writing prompt , and we share our responses, which of course, builds that community of writers.

Whatever you are teaching—a creative writing unit or a creative writing class—spend some time establishing your expectations and goals with your students. Laying a foundation is never a waste of time! In fact, I believe so much in the power of the first week of a creative writing class that I have a blog post devoted to the concept.

Time: 2-3 days

First weeks: creative nonfiction

Creative nonfiction seems to be the genre of our time. Memoirs, essays, and hermit-crab essays flood bookstores and journals.

When students read captions on social media, profiles of their favorite artists, or long Threads, they are reading creative nonfiction. Not only should students be able to dissect this form of writing, but they should also be able to write in our society’s preferred genre.

Below, I’ve outlined creative nonfiction activities that work with teenagers.

Nonfiction Narrative Writing

Writing narratives (and meeting those standards) are trickier with older students. As a teacher, I struggle: Students will often tell me deep, meaningful, and personal parts of their lives, and I am supposed to grade those writings!

When students write a narrative , I address this situation immediately. Share with writers that their narrative ideas are strong (I believe that to be the truth!), and that in no way are we grading their ideas. Rather, we want their excellent narratives to be communicated in the best light; therefore, we will provide guidance about the structures of narrative writing.

The topic for a nonfiction narrative varies. Often, students write about themselves as learners or as community members. Framing students in a positive way allows them to explore their strengths in life and to build confidence as writers.

Time: 7-9 days

Object Essay

An object essay might sound like a “blah” type of assignment, but the simplicity allows students to push past their normal experiences. An object essay is simple, so they can experiment with their writing.

What object? I have assigned this essay several ways. For instance, I have brought in a very plain object (like a rock) and had students explain it. I like this approach because students can work together to discover the best descriptions.

Another way, my preferred way, is to allow students to choose the object. Students write about a coffee cup, water bottle, car keys, or bus pass. When students choose, the essays are richer with meaning.

Neither approach disappoints me, though! With a plain object, students must stretch themselves to be creative. Judge what your class needs and get students writing!

Time: 3-4 days

How-to Paper

No, not a “how to make a peanut butter and jelly sandwich” paper. A fun and meaningful how-to paper can encourage classes as they see themselves as experts.

What I like about a how-to paper is students get to be the expert in their paper. Finding a used vehicle to buy? Shopping for a formal event? Saving money? Cleaning a closet? Selling at consignment stores? Each writer has an area in which they shine, and a how-to paper allows them to share their knowledge with others. They write about “behind the scenes” or little known secrets.

Of all the creative writing activities, I assign the how-to paper early. It builds confidence in young writers.

Time: 5 days

Sell this Apple

Why an apple? When I wanted students to creatively sell something, I searched for something they could all have in common but sell in different ways. I wanted classes to have one object but to witness the multiple approaches for advertising. Apples (which I could also afford to bring to class) fit nicely.

What do students sell when they “sell an apple”?

• Dips for apples.
• Apples for preschool snacks.
• Charcuterie apple boards.
• Apple crisp.
• Red and green apple rainbows.

Basically, students can create a marketing plan for multiple age groups and other demographics. For instance, they can write a blog post about safety in cutting pieces for young children (and complete some research in the process). They can then “promote” a local apple orchard or fruit stand.

Another advertisement is an apple pie recipe for a Thanksgiving brochure for a supermarket.

When I gave students something simple, like an apple, they ran with the idea. Then, we can share our ideas for selling apples.

A profile is difficult to write, so this assignment is normally my last assignment of the quarter. Before we switch to writing fiction, we apply all our concepts learned to writing a profile.

Profiles are more than summaries of the person. Writers must take an angle and articulate the person’s traits utilizing Showing vs. Telling. Of all creative writing assignments, the profile, might be the most difficult. I place it in the middle of the semester so that writers understand our goals in class but are not tired from the end of the semester.

Time: 10-12 days

Final weeks: fiction

Fantasy, historical fiction, mystery, romance: Students consume a variety of fiction via books, movies, and shows. Fictional creative writing activities invite young writers into worlds they already consume.

Below, I’ve outlined some that work with teenagers.

Alternative Point-of-View

Grab some googly eyes or some construction paper and send students loose. (A few guidelines help. Should students remove the googly eyes from the principal’s office door?) Have them adhere the eyes to an inanimate object to make a “being” who learns a lesson. They should snap a picture and write a quick story about the learned lesson.

What type of lesson? Perhaps an apple with a bruise learns that it still has value and is loved with blemishes. Maybe a fire extinguisher realizes that its purpose is important even if it isn’t fancy.

Honestly, the creativity with the googly eyes adhered to inanimate objects is so simple, but it always is my favorite event of the semester. I officially call it the “ alternative point-of-view ” activity, but “googly eyes” is how my writers remember it.

Time: 2 days

Create a Superhero with a Template

A superhero does not need to wear a cape or fancy shoes. Rather, in this creative writing activity, students build a superhero from a normal individual. When I created the activity, I envisioned students writing about a librarian or volunteer, but students often write about a grandparent (adorable).

Since students enjoy graphic novels, I wanted students to experience making a graphic novel. The colorful sheets allow students to add their ideas and words to pages that fit their messages.

After students create a comic book, they will also write a brief marketing campaign for a target audience. Learning about who would buy their graphic novel typically leads them to parents and librarians which should lead students to discover the importance of reading. The advertising campaign additionally serves as a reflective component for the initial activity.

Product Review

Product reviews and question/answer sections are a genre all their own. SO! Have students write reviews and questions/answers for goofy products . Students will find a product and write several reviews and questions/answers.

This quick activity lends itself to extension activities. Once, a teacher emailed me and said her school bought some of the goofy products for a sort of “sharing” day with the school. Since students have access to pictures of the item, you can make a “catalog” for the class out of a Canva presentation and share it with them and your colleagues.

Here are a few examples:

• Banana slicer .
• Horse head .
• Wolf shirt.

Aside from the alternative point-of-view activity, the product reviews remain my personal favorite part of a creative writing unit. Writers find random products and write goofy workups that they share with the class.

Time: 3 days

Character Creation

Creating a well-rounded and interesting character requires prep work. The brainstorming part of the writing process, the pre-writing? We spend lots of time in that area as we create fleshed out characters.

I like to start with a multiple-choice activity. We begin my imagining the main character. Next, students take a “quiz” as the character. How does the character eat? What sort of movies does the character enjoy? hate? After the multiple-choice activity, they can derive what those pieces explain about their characters. Finally, they can begin to brainstorm how those pieces will develop in their story.

Flash Fiction

Flash fiction is a simple, short story. Writers might cheer when they hear I expect a 300-word story, but often, they discover it is a challenging assignment from class. A large part of a creative writing unit is giving students a variety of lengths so they can practice their skills under different circumstances.

Historical Fiction

Historical fiction is a popular genre, and classes are familiar with many popular historical fiction books. I find it helpful to have several books displayed to inspire students. Additionally, I read from the books to demonstrate dialogue, pacing, theme, and more.

Since my historical fiction activity takes at least two weeks to accomplish, we work on that tough standard for narrative writing. To that end, these activities target the hardest components:

• Pacing within a narrative.
• Developing a theme .
• Building imagery .
• Creating external conflicts in a story.
• Establishing a setting .

First, I used pictures to inspire students, to get them brainstorming. Second, I created those activities to solve a problem that all writers (no matter the age!) have: Telling vs. Showing. I found that my writers would add dialogue that was heavy on explanation, too “world building” for their narrative. The story sounded forced, so I took a step back with them and introduced mini-activities for practicing those skills.

Third, the above creative writing activities can EASILY be assignments independently for short and fun assignments. I teach them with historical fiction because that activity is at the end of the semester when my expectations are higher, and because students enjoy writing historical fiction so they are invested.

But! You can easily add them to another narrative activity.

Time: 10-12 days 

A clean tabloid! Tabloids are largely replaced by online social sharing creators, so they are fun to review with students. Students might not be familiar with tabloids at the grocery store checkout, but they are familiar with catchy headlines. They will be completely ready to write a tabloid !

To ensure a clean tabloid, I ask students to write about a children’s show, something scandalous happening from a cartoon. The results are hysterical.

Time: 4 days

Children’s Book

I have two introductory activities for the children’s book. One, students answer questions about a mentor text (another children’s book). Two, students evaluate the language of a specific book to start them in their brainstorming.

My students write their children’s book as a final activity in class as it requires all the elements of creative writing. When a school requires me to give a final exam, students write a reflection piece on their children’s books. If you are looking for a finale for your creative writing unit, a children’s book is a satisfying ending as students have a memorable piece.

Time 10-12 weeks

Final note on creative writing activities and bundle

I intended for this post to inspire you and give you ideas for teaching either a creative writing unit or a creative writing class in ELA. My first time through teaching creative writing, I worried that my lessons would flop and that students would not find their groove with me. I found success, but with modifications, I formed a cohesive semester.

The first time through, I did not frontload information and expectations. (Spending time at the start of class is my biggest message! Please establish groundwork with students!) I also did not provide concrete enough guidelines so students understood the differences between the assignments. After a few semesters, I developed my creative writing unit . With a variety of activities and an appropriate amount of structure, I found success, and I hope you do too.

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Great Summer Creative Writing Programs for High School Students

Immersive Summer Programs for Budding Writers

Summer is a terrific time for aspiring writers to focus on creative writing . Immersive programs give high schoolers the opportunity to develop writing skills, meet like-minded students, and gain an impressive line on their activities resumé. This list of excellent summer creative writing programs for high school students may offer just what the budding writers in your family need to make the most of their talents.

Emerson College Creative Writers Workshop

Emerson’s Creative Writers Workshop is a five-week program for rising high school sophomores, juniors, and seniors geared at developing their writing skills in a variety of media, including fiction, poetry, screenwriting, graphic novels, and magazine writing. Participants attend college-level writing classes exploring these genres in which they write and present their own work, create a final portfolio of their writing, contribute to the workshop’s anthology, and present a reading for family and friends. On-campus housing is available for the duration of the workshop.

Alfred University Creative Writing Camp

This summer writing program introduces rising high school sophomores, juniors, and seniors to many different genres, including poetry, short fiction, creative non-fiction, and drama. Students read and discuss the work of established authors and participate in writing-intensive exercises and workshop sessions led by Alfred University faculty members. Campers stay in university housing and enjoy a variety of recreational activities outside of classes and workshops such as movie nights, games, and social gatherings. The program runs annually for five days at the end of June.

Sarah Lawrence College Summer Writers Workshop for High School Students

This program is a one-week, non-residential summer workshop for rising high school sophomores, juniors, and seniors that explores the process of creative writing in a non-competitive, non-judgmental environment. Participants have the opportunity to attend small writing and theater workshops led by faculty and guest writers and theater artists, as well as attend and participate in readings. Classes are limited to 15 students with three faculty leaders per workshop to provide individual attention for each student.

Sewanee Young Writers Conference

This two-week residential program offered by The University of the South in Sewanee, Tennessee, provides dedicated rising high school sophomore, junior, and senior creative writers an opportunity to develop and polish their writing skills. The conference includes workshops in playwriting, fiction, poetry, and creative non-fiction led by celebrated professional writers as well as visiting writers whose works students analyze and discuss. Participants select one writing genre and spend their two weeks attending a small workshop dedicated to that genre, with opportunities for one-on-one contact with workshop leaders. Students also participate in lectures, readings, and discussions.

Emerging Writers Institute Creative Writing Camp

Allen Grove

Education Unlimited offers the Emerging Writers Institute creative writing camp each summer at Yale University , Stanford University , and UC Berkeley . This two-week residential program for rising 10th-12th graders includes daily workshops, evaluations, peer editing groups, and creative presentations designed to encourage students to challenge themselves as writers and hone their expressive writing process.

Each student chooses to major in the writing of either short stories, poetry, playwriting, or nonfiction. The bulk of their critical reading and writing exercises and workshopping is devoted to their selected major. Students may also attend afternoon workshops on nontraditional genres such as speechwriting, graphic novels, and advertising copy, as well as guest presentations by local authors and publishers.

Iowa Young Writers' Studio

The University of Iowa offers this two-week summer creative writing program for rising juniors, seniors, and college freshmen. Students choose one of three core courses in poetry, fiction, or creative writing (a more general course sampling from poetry, fiction, and creative nonfiction). Within their course, they participate in seminar classes in which they read and analyze literary selections and workshops to create, share, and discuss their own writing. Also offered are large group writing exercises, inspirational outdoor writing excursions, and nightly readings by prominent published writers. Many of the program's teachers and counselors are graduates of the university's Iowa Writers' Workshop, one of the most prestigious creative writing graduate programs in the country.

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Choose Your Test

Sat / act prep online guides and tips, 12 summer writing programs for high school students (2022 -2023).

Extracurriculars

Love reading, writing, and being creative? Then consider checking out summer writing programs for high school students! 

Whether you want to become a journalist or the next Poet Laureate, there are tons of summer writing programs that will help you achieve your goals. Participating in these programs can look great on college applications too! 

In this article, we’ll give you all the info you need to decide if creative writing summer programs for high school students are right for you, including: 

• A full description of 12 summer writing programs for high school students (including cost, eligibility, and what they cover!)
• A quick, five question quiz to help you decide if a summer writing program is right for you
• Three tips on how to impress colleges with your summer writing program

Let’s get started! 

Summer's the perfect time for sitting on the beach, eating ice cream...and participating in writing programs. 

What Are Summer Writing Programs for High School Students? 

Creative writing summer programs for high school students are a great way for students with an interest in writing to explore subjects they’re interested in, build skills for college, and meet other students who share their interests.  

As a bonus, summer writing programs can look great on college applications!

Summer writing programs for high schoolers are typically held between May and August each year . These programs are similar to a summer class or camp. Additionally, these programs last anywhere from a week to several weeks throughout the summer. 

Like summer camps, writing programs for high schoolers are pretty intensive. Students spend their time l istening to lectures from experts, participating in workshops, presenting their work, and getting real-life feedback. 

Best of all, summer writing programs are hands-on, so you’ll spend lots of time writing and creating original work ! The goal of any summer writing program is to help you develop and improve your writing skills through practice and feedback. 

While some programs teach general writing skills, many summer writing programs focus on a particular field or genre, like journalism, essay writing, or creative writing . For instance, if you’re thinking about becoming a journalism major, you might participate in a journalism writing summer program that’ll give you a glimpse of what it’s like to work in the industry.

There are many benefits of summer writing programs when it comes to college applications too. After all, writing great college essays is an important part of getting into your dream school! And because they’re extracurricular activities, summer writing programs are also a good option for students who are aiming for an arts-based spike approach on college applications. 

Dust off that typewriter...it's time to apply!

12 Summer Writing Programs for High School Students

We’ve put together a list of 12 summer creative writing summer programs for high school students to help you get a sense of the many great options out there. Our list includes journalism, research-based, and creative writing summer programs for high school students so you can find the best one for you! 

#1: The School of New York Times Summer Academy

• Eligibility: Must be entering 10th, 11th, 12th grade, or graduating high school
• Dates: Term 1: June 5-17; Term 2: June 19-July 1; Term 3: July 3-15; Term 4: July 17-29
• Location: New York City
• Cost: $6,420 for residential; $5,820 for day program
• Deadlines: Varies by term; deadlines range from early May to mid-June

The New York Times (NYT) offers a series of writing-based summer courses for high school students at their campus in New York City. Courses are designed to develop students’ curiosity and critical thinking through traditional coursework and in the museums, arts centers, think tanks, and start-up labs of New York City. Courses are offered on various topics , including creative writing and investigative journalism. 

The program “seeks talented student leaders with diverse interests, ambitions and writing styles.” To participate, students complete an online application that includes short answer questions and optional writing samples, high school transcripts, and one recommendation. 

#2: Boston University Summer Journalism Academy

• Eligibility: Must be aged 14-18 
• Dates: Vary by year; Session 1: June 20-July 1; Session 2: July 4-July 15; Session 3: July 18-July 29
• Location: Boston University, Boston, MA
• Cost: On-Campus w/tuition, room, board and activity fees: $3700; On-Campus Commuter w/tuition and activity fees: $2700; Learn-from-Home: $1300
• Deadlines: Applications due mid-May

The Summer Journalism Academy at Boston University is designed to introduce high school students to life as news reporters . Students practice their skills in the classroom then apply them to hands-on learning opportunities in a real newsroom. One of the biggest perks is that students get to learn from working journalists who cover a wide range of beats. 

Students can participate in person or remotely. In-person participants can stay on BU’s campus through the residential program, where they’ll get a chance to live alongside other academy attendees. To participate, applications must be submitted online and should include a 300-word letter explaining the student’s interest in journalism.

#3: Asian American Journalist Association (AAJA) Journalism Camp

• Eligibility: 9th-12th graders with a strong interest in journalism 
• Dates: Summer; exact program dates may vary
• Location: Varies by year; JCamp 2022 is hosted by the University of Southern California
• Cost: No cost (travel expenses are also covered by the program)
• Deadlines: Applications due March 31

The AAJA‘s six-day summer training camp, called JCamp, gives students the opportunity to learn from journalists and journalism executives while developing their writing skills. This summer writing program gives students hands-on experience producing multi-platform news packages that are published on the program’s news site, JCamp Live. 

Students who show a strong interest in broadcasting, newspaper, magazine, photojournalism, or online media are encouraged to apply online. Also, JCamp isn’t limited to Asian American students, so all high school freshmen, sophomores, juniors, and seniors are eligible. Even better: all program costs are covered , including travel, university lodging, and meals. 

#4: Yale Daily News Summer Journalism Program

• Eligibility: Open to all high school students
• Dates: August 16-20
• Location: Varies by year; 2022 program held via Zoom
• Cost: Free to students from New Haven Public Schools; all other participants pay $160 in tuition
• Deadlines: Unspecified

The Yale Daily News Summer Journalism Program is a one-week journalism course for high school students. Students participate in workshops on the basics of writing and reporting, hear lectures by journalists from major publications, and work as a team to produce an issue of the Yale Daily News.  

As a bonus, the program is run entirely by undergraduate staff members of the Yale Daily News , so students will get to see what it’s like to be a real journalism student at an Ivy League school. 

To apply, students must submit four short answer questions and a pitch for one professional-grade news article . Students are encouraged to apply as early as possible as program costs may increase as the program start date approaches. 

Howard University's writing program is perfect for people who want to write across media--and yes, that includes TikTok.

#5: Howard University Multimedia Academy 

• Eligibility: Must be in 9th-12th grade
• Dates: June 14-25
• Location: Virtual/online
• Cost: Not specified
• Deadlines: Applications due June 5

Howard’s virtual summer writing program teaches students to use multimedia journalism to report on health and wellness in underserved communities . At the end of the program, students’ work appears on the Howard University News Service and on Voices of Tomorrow, a nonprofit that provides social services to immigrants and refugees from East African communities.  

Additionally, the best work by seniors and recent graduates will be eligible for the Dow Jones News Fund’s scholarship competition . To apply to Howard’s Multimedia Academy, students must fill out an online application, including a 250-word essay. 

#6: The Multicultural Journalism Program (MJW)  

• Eligibility: Rising 9th graders through college freshmen
• Dates: June 3-12
• Location: University of Alabama, Tuscaloosa, AL
• Cost: Free, including housing, meals, and field trips; students are responsible for transportation to and from Tuscaloosa
• Deadlines: Applications due April 1

MJW’s summer writing program selects 10 to 15 students to attend an intensive workshop held in Tuscaloosa, Alabama. This workshop focuses on multimedia reporting, writing, editing, graphics, photography, and production. During the workshop, students produce an issue of the MJP Journal to showcase everything they’ve learned. 

Applicants must submit a high school transcript, a typed 500-word essay explaining their interest in journalism, and a recommendation letter. The program also encourages students to submit samples of published journalistic work , but unpublished writing samples are also acceptable. 

#7: Carnegie-Mellon University Writing and Culture Program

• Eligibility: Must be at least 16 years old by program start date; must be a current high school sophomore or junior at time of application; must have an academic average of B (3.0/4.0) and/or have received a B or higher in their last English class.
• Dates: July 5-August 12
• Location: Carnegie-Mellon University, Pittsburgh, PA
• Cost: $9,000 for residential program; $6,932 for commuter program
• Deadlines: Applications accepted on a rolling basis

The Carnegie-Mellon Writing and Culture Program teaches high school students to think critically and express themselves creatively. This six-week course features classes taught by Carnegie-Mellon faculty, readings and events with local authors, and hands-on visits to Pittsburgh’s museums. Throughout the program, students produce a written portfolio that explores film, art, and culture . 

To apply, students must complete an online application that includes a high school transcript, responses to essay prompts, and up to three optional writing samples. If an applicant’s cumulative high school GPA is below a B average (3.0/4.0), submitting writing samples is strongly encouraged.

#8: Iowa Young Writers’ Studio Residential Program

• Eligibility: Must be a current 10th, 11th, or 12th grader
• Dates: Session 1: June 12-25; Session 2: July 10-23
• Location: University of Iowa, Iowa City, IA
• Cost: $2,500 for residential
• Deadlines: Applications due February 6

The Iowa Writers’ Workshop offers a two-week, residential creative writing summer program for 144 high school students from across the country. Once accepted, students will select a course of study from the following options: poetry, fiction, creative writing, playwriting, or TV writing. Students also participate in writing workshops, receive constructive feedback, and star in open mics and talent shows.

The Iowa Young Writers’ studio acceptance rate falls between 15% and 20% . A competitive application to this program will include a polished writing sample, statement of purpose, letter of recommendation, and high school transcript. Students from outside the United States are also welcome to apply. 

It turns out that Virginia is for writers.

#9: UVA Young Writers Workshop

• Eligibility: Session 1: rising 9th-12th graders; Session 2: rising 10th graders through rising first-year college students
• Dates: Session 1: June 19-July 1; Session 2: July 3-July 22  
• Location: Sweet Briar College, Sweet Briar, VA
• Cost: $2450 for Session 1; $3500 for Session 2
• Deadlines: Applications due March 1

UVA Young Writers Workshop is a summer program designed to immerse students in a creative writing genre . Students focus on one of the following for the duration of the program: short form creative writing, poetry, songwriting, screen and playwriting, creative nonfiction, or fiction. 

UVA Young Writers Workshop is one of the best summer writing programs for high school students because it offers two program sessions that are geared toward different skill levels . Session 1 is designed for a wider range of skill levels and experience, whereas Session 2 is geared toward more advanced writers. You can apply to both sessions online by submitting several writing samples, a brief autobiography, and a letter of recommendation. 

#10: Smith College Creative Writing Workshop

• Eligibility: Must be in 9th-12th grades; must be female-identified or gender-nonconforming students
• Dates: July 9-23
• Cost: $4,285
• Deadlines: Applications due May 15

Smith’s Creative Writing Workshop teaches the importance of practice and perseverance by engaging students in a multi-draft writing process in a variety of mediums . Students are taught by real published writers and get the chance to present their work at open mic and improv nights. In the evenings, there are even opportunities to meet with agents and learn how to create an author website!

Students are selected for this writing program based on academic performance, a written essay, and a teacher recommendation. Also, because Smith is a women’s college, this summer writing program is only open to young women, female-identified, or gender-nonconforming students . Students from outside of the U.S. are also encouraged to apply. 

#11: Sarah Lawrence Writer’s Week

• Eligibility: Must be in 9th-12th grade and 14 years of age or older by the program start date
• Dates: On-campus session: July 11-15; online session: August 1-5
• Location: Sarah Lawrence College, Bronxville, NY; online
• Cost: $1,125 for on-campus; $725 for online
• Deadlines: Unspecified; contact [email protected]​ for more information 

Writer’s Week at Sarah Lawrence is a week-long experience with creative writing and performance arts for high school students. Students attend workshops taught by real writers, artists, and Sarah Lawrence faculty and will get the chance to meet in small groups with workshop leaders. At the end of the week, the program hosts a celebration of student work and faculty and student readings. 

Sarah Lawrence Writer’s Week offers both an on-campus and online session (but note that the on-campus session is a day camp, not residential). Applications and registration must be completed online. 

#12: Alpha Science Fiction, Fantasy, and Horror Workshop for Young Writers

• Eligibility: Must be aged 14-19
• Dates: July 20-31
• Location: University of Pittsburgh-Greensburg, PA
• Cost: $1,200
• Deadlines: Unspecified; applications open in January 

Alpha is a twelve-day writing workshop for 20 high school students at the University of Pittsburgh’s Greensburg campus. During this program, students are expected to write an original science fiction, fantasy, or horror short story of 2000 words or more. During the writing process, students receive plenty of hands-on guidance. 

The Alpha program is held in-person on the University of Pittsburgh-Greensburg campus . To apply, students must fill out an online form and submit an original short story of at least 2000 words. 

Quiz: Is a Summer Writing Program Right for You?

If you’re still not sure if participating in a summer writing program is right for you, don’t worry–we’re here to help! 

We’ve put together a five-question, yes-or-no response quiz to help you decide if summer writing programs support your interests and goals. Just read the questions below and respond with “yes” or “no.”

• Is your English class the most exciting part of your school day?  
• Do you spend free time reading and writing for fun? 
• Are you looking for new challenges and experiences as a writer? 
• Are you willing to share your writing with others, including peers you’ve just met and writing professionals and experts? 
• Are you highly motivated to pursue your interests outside of school and even during your summer vacation? 

If you responded with “yes” to three or more of the questions above, you might consider applying to a summer writing program for high school students! 

At the end of the day, you want your summer activities to support your interests and boost your college applications . If you’re aiming for a future career as a writer or just want to hone your writing hobby, a summer writing program may be the perfect fit for you.

3 Tips To Impress Colleges With Your Summer Writing Program

Summer writing programs for high school students look great to college admissions teams . But what are the best ways to showcase your writing experience on your applications? 

We’ll show you how to impress colleges with your summer writing program–just check out the tips below !

Tip 1: Work It Into Your College Essays

You want your college essays to tell a vivid story about your interests . Your experiences in a summer writing program provide a great springboard for illustrating your interests and passions on your college applications! 

Colleges want to accept students who are creative, courageous, and motivated to pursue their dreams. Writing about how you stretched and grew during your summer writing program will show colleges that you’re up for a challenge…and that you won’t give up, no matter how many revisions your draft needs. 

Tip 2: Connect It to Your Major

If you’re already certain you want to major in a writing-related field in college, your summer writing program will be especially helpful. Many elite schools ask students to apply directly to their chosen major. So if you’re applying to an arts or humanities major, there’s a good chance you’ll have to submit a writing sample as part of your college application . 

The good news is that most summer writing programs give you the chance to produce original writing and receive critiques from professional writers. By taking the writing you produce during your summer writing program and continuing to revise it, you’ll have a top-notch writing sample to include with your application.

Tip 3: Ask a Program Instructor for a Recommendation

Creative writing summer programs for high school students give you the opportunity to connect with writing faculty at elite colleges and real-life writers, journalists, poets, and more. These professionals provide feedback on your writing during your summer program…which means they’ll have unique insights into your potential as a college student ! 

In fact, several summer writing programs offer students the chance to receive a college recommendation from program faculty . For instance, the New York Times Summer Academy says this about recommendations from program faculty:

As a pre-college program, [NYT] Summer Academy gives students the opportunity to get a glimpse of the college experience while also exploring possible topics of study. Typically, college admissions officers look favorably on students who continue to enhance their academic portfolio during the summer months. Students will also benefit from receiving a narrative evaluation from their instructor which can be included as part of their college applications.

If you build strong rapport with an instructor at your summer writing program, consider staying in touch and asking them to write you a letter of recommendation for your college applications. Having a recommendation from someone outside of your high school will show colleges that you’re already building real-world connections with people in your future career field . 

What’s Next? 

Writing programs can prepare you for writing your college admissions essays . Our expert guide breaks down the whole admissions essay writing process , step by step.

One popular college essay format is the “why this school?” prompt. We’ll show you how to write an amazing “why this college” essay that will wow admissions counselors.  

If you’re not sure what a great college essay looks like, that’s okay. We’ve compiled a list of over 140 college essays that can inspire you as you’re writing yours! 

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

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21 Summer Writing Programs for High School Students in 2024

What’s covered:, 21 summer writing programs for high school students, how impressive are summer programs in college admissions, other ways to spend your summer.

Summer programs offer high school students an excellent opportunity to explore subjects that interest them, build valuable skills, get a taste of college life, and meet like-minded peers. They also look awesome on a college application! If you’re interested in writing, you’ll want to check out these 20 summer writing programs for high school students. 

1. Princeton Summer Journalism Program 

Dates: Classes begin mid July, residential portion is July 26 – August 5

Location: Online and in Princeton, NJ

Application deadline: February 15

The Princeton Summer Journalism Program (PSJP) selects 40 high-achieving students from low-income backgrounds to participate in its revered program. In the PSJP, students explore current events, listen to lectures, and participate in workshops led by professional journalists and Princeton professors. The program culminates with the publication of a student-produced newspaper, the Princeton Summer Journal . To qualify for the PSJP you must: 

• Be a junior in high school
• Live in the United States and intend to attend college in the U.S.
• Have a minimum GPA of 3.5 
• Have an interest in journalism
• The combined income of custodial parent(s)/guardian(s) plus child support payments, if any, must not exceed $60,000
• Qualify for free or reduced-price lunch 
• Qualify for an SAT or ACT fee waiver

Dates: August 3 – 9

Location: Austin, Texas

Application deadline: March 1

JCamp is a free six-day program put on by the Asian American Journalist Association that brings together a culturally diverse group of students from across the U.S. Under the eye of veteran journalists and leading media executives, students take part in workshops to sharpen their journalistic skills and gain hands-on experience producing multi-platform news packages for the program’s website. JCamp is not limited to Asian American students; any student with an interest in journalism—like writing for a newspaper or magazine—is encouraged to apply. 

3. Iowa Young Writers’ Studio 2 Week Residential Program

• Session 1: June 16 – 29
• Session 2: July 14 – 27

Location: In-person in Iowa City, IA, or virtual

Application deadline: February 4

Cost: In-person: $2,500; virtual: $575

The Iowa Young Writers’ Studio provides high schoolers the incredible opportunity to have a residential experience and study with graduates of one of the most renowned writing programs in the nation: the Iowa Writers’ Workshop. Participants in this program choose a focus—either poetry, fiction, creative writing, playwriting, or television writing—and share their work, practice their craft, and improve their writing while working alongside other high school writers from across the U.S. 

4. Sarah Lawerence Writers’ Week 

• Virtual: July 15 – 19
• In-person: August 5 – 9

Location: Virtual or Bronxville NY

Application deadline: TBD. Registration opens in February

Cost: Virtual: $1025; In-person: $1,550

During Sarah Lawerence Writers’ Week, participants (the program welcomes students entering the 9th, 10th, 11th, and 12th grades) explore the creative process led by esteemed Sarah Lawrence faculty and alumni. Sarah Lawerence Writing Week celebrates the risk and adventure of the creative process, fosters a non-competitive and non-judgmental environment, and keeps with the Sarah Lawrence tradition of individualized attention—groups are limited to 18 students with two faculty members per workshop. The program ends with a celebration that includes both faculty and student readings.  

5. California State Summer School for the Arts (CSSSA) Writing Program

Dates: July 6 – August 2

Location: Sacramento, CA

Application deadline: February 29

Cost: CA State Residents: $4,600; Out-of-state: $7,000

This summer program for high school students in California is a unique public-private partnership that was founded by the California State legislature in 1987. Approximately 70 students are selected to participate in this program led by professional writers and educators who guide them through work in fiction, poetry, non-fiction, and dramatic writing. The program prides itself on its creative environment and looks for young writers who love language, reading, and are ready to share their own stories. 

6. Juniper Young Writers Online Writing Lab 

• One-week program: July 29 – August 2
• Two-week program: July 29 – August 9

Location: Amherst, MA

Application deadline: March 7

Cost: $2,600 for one week; $4,950 for two weeks

Students in the Juniper Young Writers Online Writing Lab participate in writing sessions, share questions, and discuss their work and writing-related topics over the course of this program. Led by professional teachers, published authors, and graduate students at UMass Amherst, Writing Lab participants gain insight into the creative process, find inspiration for work, learn tips to improve their writing and develop relationships with other young writers. Students will be provided a written summary of their work, an evaluation toward writing goals, and future considerations for their writing.

7. Annenberg Youth Academy for Media and Civic Engagement (AYA) 

Dates: June 17 – July 19

Location: Los Angeles, CA

Application deadline: March 22

AYA is a free, immersive experience for talented high school students from the area surrounding USC. The program allows participants to explore USC Annenberg’s undergraduate programs, gain insight into careers in media and journalism, and meet the people advancing issues of race, gender, and ethnicity in communication and journalism. Over the course of this program, students build a variety of skills, including writing and critical thinking. 

8. Reynolds Young Writers Workshop 

Dates: June 22 – 29

Location: Granville, OH

Cost: $1,500

For more than a quarter of a century, Denison University has welcomed talented high school writers to its acclaimed Reynolds Young Writers Workshop. Led by Denison’s creative writing faculty and notable visiting writers, participants take part in small creative writing workshops and group sessions to explore a variety of writing techniques in an intimate and relaxed atmosphere.

9. Walter Cronkite School of Journalism and Mass Communication

Dates: June 23 – 28

Location: Phoenix, AZ

Application deadline: April 1

The Camp Cronkite program is a summer media enrichment camp allowing high schoolers to dive into the world of media. Led by Cronkite faculty, staff, and students, campers learn about digital journalism, broadcast journalism, or sports media. They will work on reporting, pitching, storytelling, and editing, and receive hands-on instruction in video editing, photography, reporting and writing, script development, and more. There are several scholarships available for students who demonstrate financial need. 

10. Alpha Science Fiction, Fantasy, and Horror Workshop for Young Writers

Dates: July 24 – August 4

Location: Pittsburgh, PA

Application deadline: March 10

Over Alpha’s 12 days, students with an interest in science fiction, fantasy, or horror learn how to generate ideas, turn those ideas into drafts, critique each other’s work, make revisions, and submit their work to paying markets. The program also provides students with an introduction to college life and allows them to explore a career as a professional writer. 

11. 92Y Unterberg Poetry Center Young Writers Workshop

Dates: July 8 – 25

Location: New York, NY

Application deadline: May 28

Cost: $2,600

The Unterberg Poetry Center has been home to established and up-and-coming poets since it was founded in 1939. Students at its Young Writers Workshop receive coaching from some of New York’s best writing teachers and explore a variety of forms, styles, and voices in a warm and supportive environment. Participants learn to look critically at their own work and will leave the workshop with a clearer understanding of their goals as a writer and what it takes to make a career in the literary world. 

12. Shared Worlds

Dates: July 14 – 27

Location: Spartanburg, SC

Application deadline: Rolling

This fun writing program is for high school students with an interest in speculative fiction—for example, science fiction, fantasy, and steampunk. Shared Worlds is a residential program for rising 8th-12th grade students to work under the guidance of renowned fantasy and science fiction writers. Over the course of the workshop, students imagine, build, and write their own stories and have their enthusiasm for writing encouraged. 

13. Bard College at Simon’s Rock Young Writers Workshop

Dates: July 7 – 27

Location: Great Barrington, MA

Cost: $3,500

This program is modeled on the well-known Language and Thinking Workshop all students entering Bard College are required to take. Unlike other creative writing workshops, leaders of this young writers workshop encourage informal, playful, and expressive writing and lean on peer response to develop polished pieces of writing. Students will live, eat, and work on campus, gaining firsthand experience living and learning in a college atmosphere while producing pieces ranging from short stories and poems to brief dramatic works and experiments in creative nonfiction.

14. Kenyon Review Summer Residential Young Writers Workshops

• Session 1: June 23 – July 6

Location: Gambier, OH

Cost: $2,575

Every summer, talented writers from across the U.S. come to the picturesque campus of Kenyon College to participate in its Young Writers Workshop. In this multi-genre program, students experience what it’s like to be part of the literary community while bolstering their talents, discovering new strengths, and challenging themselves in the company of similarly interested peers. 

15. Kenyon Review Summer Online Young Writers Workshop

Dates: June 16 – 21

Location: Online

Application deadline: April 15

For students who can’t make it to Ohio for two weeks, the online workshop is a great alternative. With writing workshops for three and a half hours every day, it’s possible to take advantage of the program without relocating. In the evening, students will attend virtual open mics, social gatherings, and talks and readings by authors. 

16. BYU Young Authors Academy

Dates: July 8 – 13

Location: Provo, UT

At BYU’s Young Authors Academy, students speak with local and nationally-recognized authors, review each others’ writing, work with faculty in the BYU English department, stay in campus housing, take small-group writing courses, and meet other, like-minded peers. Students can choose from two electives over the program, including Creating Believable Tales and Villains, Flash Fiction, and Breaking News. 

17. Fir Acres Writing Workshop

Dates: June 23 – July 6

Location: Portland, OR

Application deadline: March 8

Cost: $3,700

Fir Acres writing program takes sixty rising 10th-12th graders from around the country and forms a community of enthusiastic writers on the campus of Lewis and Clark College. Students participate in daily workshops studying and writing under the guidance of Lewis and Clark’s faculty. They also meet and hear from visiting writers and work on their own poetry, fiction, and other writings. 

18. LMU’s Beginning Screenwriting Program 

Application deadline: March 15

Cost: $5,800 plus a $65 application fee

LMU’s School of Film and Television offers this program to students looking to enhance their writing skills and learn the elements of screenwriting. Students will work on structure, character development, dialogue, formatting, and genre while analyzing both classic and contemporary popular movies. They will learn from faculty members who are also professional screenwriters and leave the program with a short script. 

19. Carnegie Mellon Pre-College Writing and Culture Program 

Dates: June 22 – July 20

Cost: $6,800- $8,995

Over the weeks of the program, students at CMU will examine film, writing, design, art, and culture through various lenses. Learning will take place both on CMU’s campus and around the city of Pittsburgh. Students will produce a body of work perfect for a portfolio during the program under the tutelage of highly distinguished faculty members of the Department of English. Classes are held Monday through Friday, and students emerge with individualized feedback and guidance to enhance their creative pursuits. 

20. Boston University Summer Journalism Academy

• On Campus: June 24 – July 12
• Virtual Session 1: June 17 – 28
• Virtual Session 2: July 1 – 12
• Virtual Session 3: July 15 – 26

Application deadline: April 19 for in person; May 10 for remote

Location: Virtual or Boston, MA

Cost: $1500 to $6200

Taught by working journalists, BU’s Summer Journalism Academy gives high school students actual reporting assignments to give them a jump-start into the world of journalism. With both virtual and in-person options, there is something for everyone. There are scholarships and financial aid available for students demonstrating financial need. Students must be a rising 9th, 10th, 11th, or 12th grader in high school to attend. For applicants who get their materials in by March 8th, there is a $400 discount for in-person, and a $200 discount for virtual learning. 

21. The School of The New York Times’ Summer Academy

• Term 1: June 9 – 21
• Term 2: June 23 – July 5
• Term 3: July 7 – 19
• Term 4: July 21 – August 2

Location: New York City

Cost: $5,935 to $7,220

From DIY Filmmaking to A Million Lives in the Law and Pop Music as Art & Business, The School of the New York Times offers a wide range of fascinating classes to students interested in journalism. In the heart of New York City, students can spend several weeks learning from experienced journalists working in the field. Scholarship applications are only available until the end of February, so interested students should apply ASAP. 

Summer programs—and other extracurricular activities—can help set you apart, particularly at highly selective schools. CollegeVine’s free admissions calculator can tell you how colleges value your extracurricular activities and uses factors like grades and test scores (along with extracurriculars) to estimate your odds of acceptance at hundreds of schools across the country. It even provides insight into how you can improve your profile!

Though summer break provides you with the most time to explore your passions, it is not the only time. Colleges want to see that you are curious about the world around you and are constantly seeking new learning opportunities. 

Instead of participating in a program, you could create your own. Writing a book or mobilizing a team to solve an issue in your local community are examples of independent efforts that look impressive to colleges. 

You can show further initiative by taking on internships and paying jobs. Both demonstrate initiative, a career direction, and key life skills like time management and responsibility. Since most internships are reserved for college students and graduates, it can be a challenge to find opportunities for high school students. To help with the search, here is a list of summer internships for high school students. Looking for more summer programs? Take a look at this list of virtual opportunities for high school students.

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Department of English

M.f.a. creative writing.

English Department

Physical Address: 200 Brink Hall

Mailing Address: English Department University of Idaho 875 Perimeter Drive MS 1102 Moscow, Idaho 83844-1102

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M.F.A. Students

Raquel Gordon (First Year, Poetry) is a poet from Seattle and has a B.A. in creative writing and dance from the University of Washington. She has performed in music videos, dance films, and choreographed several stage performances including a solo performance in 12 Minutes Max in Seattle. She also loves to sing.

Jason Cahoon (First Year, Fiction) comes from Amherst, Massachusetts. Jason’s work concerns the simultaneous restrictions and empowerments of communal belongingness. He studied English at Bowdoin College in Brunswick, Maine. Jason taught English at Eaglebrook School, an independent school in Massachusetts. In addition to teaching, Jason served as an editor for The Outlook, the school’s art and literature magazine.

Kathleen Walker (First Year, Nonfiction) grew up in the foothills of South Carolina. Her work explores her childhood spent in rural Appalachia, queerness, witchcraft, and animals both mythical and real. Kathleen was chosen by Nikki Giovanni as the recipient of the 2021 Giovanni-Steger Poetry Prize. Her writing has been published in a variety of publications, including CutBank and Susurrus Magazine.

Annie Burky (First Year, Fiction) calls Colorado home and returns to the West by way of Brooklyn. While earning a M.A. at New York University, she was awarded the Gallatin Review’s prose prize. She writes on gender, religion, and inheritance. She has worked as managing editor at Ms. Mayhem magazine, literacy specialist in Uganda and instructor at China’s Southwest University.

Jennifer Yu (First Year, Fiction) is exploring.

Reid Brown (First Year, Poetry) writes on themes of femininity, mental illness, the human body, and the threads that connect people, place, and memory. She is the Associate Poetry Editor for Fugue. She lives with her husband, Shane, and their kitten BMO, and collects an unhealthy amount of yarn for knitting projects in various states of incompleteness.

Rya Sheppard (First Year, Fiction) is from Kellogg, Idaho. She is a graduate of the University of Idaho where she studied English and creative writing. Rya enjoys coffee shops, painting, and cats of all kinds.

Karissa Carmona (First Year, Poetry) hails from western Montana and writes about rural identity, violence, and surreality in the so-called American West. She is the winner of the 2022 Patricia Goedicke Prize in Poetry. Prior to University of Idaho, Karissa worked as a bookseller, community arts studio manager, and organizer for a coalition against gendered violence.

Trixie Zwolfer (Second Year, Fiction), is originally from Boise, Idaho. For her undergraduate degree, she attended Montana State University, where she studied writing and literature. She enjoys threading between the reality of our world and the speculative possibility of what it could be in her writing. In her free time, she can be found reading, hiking, and drinking copious amounts of tea.

Tymber Wolf (Second Year, Nonfiction), a Florida Gulf Coast University graduate, is passionate about writing about many things, including philosophy, the environment, personal essays, Judaism, and more. As a Florida native, Tymber is excited to see the environment her namesake inhabits. You can find some of Tymber’s award-winning work in The Mangrove Review. When Tymber isn’t writing, they’re probably doing one (or five) of an indefinite amount of hobbies.

Alicia Gladman (Second Year, Nonfiction), is from Western Canada by way of Chattanooga, Tennessee. She has worked in harm reduction for fourteen years, interested in conversations about accountability and personal freedom. She has a dog, two cats, and a lot of plants.

Maggie Nipps (Second Year, Poetry) is a poet and playwright from Wisconsin. Her work appears in Figure 1, Pinwheel, Sporklet, No Contact, Sip Cup, petrichor, and elsewhere. She co-founded and co-edits Afternoon Visitor, a new quarterly journal of poetry, visual art, hybrid text, and visual art.

Spencer R. Young (Second Year, Poetry) is a queer, genderfluid poet obsessed with identity and its transient borders. Their work, published in Terrain.org, 13th Floor Magazine, and elsewhere, encounters these binaric borders of identity and attempts to envision the space beyond them. Twice nominated for Best New Poets, Spencer holds an MA in Literature and Creative Writing from Kansas State University.

Gianna Marie Starble (Second Year, Fiction) is originally from Colorado and received her undergraduate degree in Professional and Creative Writing from Central Washington University. Her work has appeared in Manastash Literary Journal and The Hunger. In 2020 she won second place for best creative nonfiction piece in the Write On The River competition. When she is not writing, she is probably running with her dog, Blue.

Miriam Akervall (Second Year, Poetry) was born in Lund, Sweden, and grew up in Ann Arbor, Michigan. For the past six years they lived and worked in high country; most recently, the Idaho Boulder Mountains. Lately, they have been thinking about how memory lives in the body. Their work has appeared in Stone Journal, Ariadne Magazine, Voicemail Poems, and Apiary Magazine.

Emily Holmes (Second Year, Nonfiction) has spent most of her life living in wild places, looking for beauty and adventure. She seeks to connect people to place by telling stories about nature and exploring human relationships to wilderness. While studying rangeland ecology at Montana State University, Emily learned more about ski-bum life, trail running, and environmental advocacy about rangelands. These experiences strongly inform her creative projects.

Alex Connors (Second Year, Fiction) is originally from the north shore of Massachusetts. They attended UMass Amherst, where they studied poetry and social thought. They are working on a collection of short stories that explores the complexities of friendship, family, and queerness within working-class communities. Before coming to the University of Idaho, Alex spent many years as a farmer in western Massachusetts.

Natalie Kinkade  (Third Year, Nonfiction) was born and raised in Bend, Oregon. She writes about art, religion, depression, childhood, and her puppy, Pippin, among other things. Before attending the University of Idaho, she earned an M.A. in English from Ohio University. Her work has appeared in Gulf Coast and The Rumpus and is forthcoming in The Harvard Review.

Michael Harper (Third Year, Fiction; Hemingway Fellow) completed his M.A. in English at the University of Vienna. His work has appeared in The Manzano Mountain Review, Litro Magazine, Decomp Journal, and CafeLit. Prior to the University of Idaho, he taught English as a second language in Europe.

Emma Neal (Third Year, Fiction) was born and raised in Boise, Idaho. She attended Sarah Lawrence College, where she studied creative writing and religion. Currently, she is working on a collection of short stories about young women trying to understand themselves and searching for their communities. Emma enjoys coffee shops, live music, and painting. She taught yoga for two years at Sarah Lawrence College.

Steff Sirois (Third Year, Fiction) is a writer from Connecticut who is currently writing about womanliness, the multiple versions of her Self, and ghosts. Some of her recent work has appeared in Prism Review, LandLocked, and The Washington Post.

Daniel Lurie (Third Year, Poetry) grew up in eastern Montana. He attended Montana State University, Billings, where he received his B.A. in Organizational Communications. Daniel is the Poetry Editor for Fugue. His work has appeared in NewVerseNews, The Palouse Review, and FeverDream. His poem “One Night Only” is stamped into a concrete street in Billings.

Isabel Marlens (Third Year, Nonfiction) grew up in California and Colorado, and studied literature and ecology & evolution at Bennington College. She went on to work in the nonprofit world, writing about local economies and initiatives for community and ecological renewal. She is working on essays that layer the personal with thoughts on literature, psychology, evolutionary theory, history, and politics. She spends most of her free time rock climbing and traversing the rural West.

Christian Perry (Third Year, Nonfiction) is a white, Queer, Midwesterner born and raised in Michigan. They attended Michigan State University, where they studied a myriad of subjects and obtained a B.A. in English/Creative Writing in 2019. In 2020, Christian self-published their undergraduate thesis, thanks. Their free time is often spent playing Nintendo games and going on long walks.

Sam Simmons (Third Year, Fiction) is a writer from California. He is the current web editor for Fugue and teaches first-year composition and introductory creative writing. He is currently at work on a novel.

Cameron Martin (Third Year, Poetry) is a fat and queer writer originally from Michigan. He attended Wayne State University and the University of Idaho, where he studied English. Their writing has appeared in Sonora Review, The Normal School, Palette Poetry, and Afternoon Visitor. He’s currently working on collections of poetry and personal essays. In Moscow, they are one of the co-coordinators of the ‘queer-minded, queer-hearted’ Pop-Up Prose reading series.

Crystal Cox's (Third Year, Poetry) work has appeared in The Shore, Nimrod, Kissing Dynamite, The Bookends Review, and on the Academy of American Poets website. Her poem “Self-Portrait with Dolly Parton” won the 2022 Academy of American Poets University Prize, selected by Andrew Grace. She calls Missouri home.

Katie Ludwig (First Year, Nonfiction) has lived on the Palouse for 18 years. She is a performing singer/songwriter, Mom of 2 teenagers, and Native Plant Landscaper. She does exploratory writing about the Environment, Spiritual Philosophy, Self, Native Practices, and Hard Topics.

Local News | Avon High School recognized for creative Buckle…

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Local News | Avon High School recognized for creative Buckle Up Bowl campaign

Pat Sullivan, student resource officer at Avon High, said Avon students created a campaign centered around Cleveland area attorney and celebrity Tim Misny.

“The students took a bald head app and took pictures of all the teachers, and so there were photos of bald headed people all over the building telling everybody to buckle up,” Sullivan said. “I have to thank Mr. Misny, because first of all, we had to ask his permission, but also he sent a real nice video encouraging the students to buckle up.”

Eight other high schools participated in the program including Avon Lake, Columbia, Firelands, Keystone, Marion L. Steele, Midview, Oberlin and Wellington.

Kiara Williams and Caitlin Dahle, population health strategists for Lorain County Public Health, said some of the other schools did social media campaigns, TikTok challenges, daily announcements and mock crashes as a part of the Buckle Up Bowl.

Sullivan presented some stats as well including how out of six fatal crashes in Lorain County so far in 2024, three of those who died were unbuckled.

Through May 20, there has been 187 unbelted crashes this year in the county, which is on pace for improvement compared to 2023 when there was 629, he said.

“We’ve shown improvement, but there still is a lot more improvement that can be made,” Sullivan said.

Lorain County Public Health program manager Katie Bevan said this kind of program can help create a culture of road safety in the area.

“The Buckle Up Bowl focuses on promoting safe driving behaviors and we know that behaviors become habits,” Bevan said. “It really emphasizes this through education, promotion, policies and environmental changes.”

Bevan said it is important that students get a chance to choose what they want to do for the program.

“The students decide everything that goes in their own Buckle Up Bowl,” she said. “It’s not adults telling students what to do.

“This is an example of when we give youth freedom to be their own voice, they really do amazing things.”

Bevan said the Buckle Up Bowl also serves as a way for students to connect with their local law enforcement.

“It’s important for youth and people of all ages to have positive ways to connect with their local first responders, including the police department,” she said. “This is a great opportunity for them to do that and collaborate.

“We take local statistics and data from law enforcement and students use it to drive their projects.”

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New Scholarship Supports Western’s Graduate Program in Creative Writing

The Mari Sandoz Emerging Writer Scholarship will be awarded every year.

Students with a passion for writing about the people and landscapes of the West will have a new scholarship opportunity when they enter Western Colorado University’s Graduate Program in Creative Writing (GPCW), thanks to the generosity of the Mari Sandoz Heritage Society.

The Mari Sandoz Emerging Writer Scholarship will be available to one qualified first-year graduate student in the GPCW’s Nature Writing concentration starting in the summer of 2024. The scholarship will be granted each academic year, awarding the winner $3,000 each semester for a total of $6,000.

According to Mari Sandoz Heritage Society board member and director of the GPCW Nature Writing Concentration, Laura Pritchett, the scholarship aims to memorialize Mari Sandoz’s legacy as someone who had a passion for writing and loved the landscapes and peoples of the West. Through the scholarship, the board hopes to support significant writing about the West in the contemporary literary landscape.

“Sandoz’s writing emphasized the environmental and human landscape of the West and was recognized for her no-nonsense yet deeply evocative style,” Pritchett said. “She was passionate about sharing her hard-earned and well-honed writing skills. We’re fortunate to have the Mari Sandoz Heritage Society support this scholarship.”

Applying to the GPCW’s Nature Writing program will also serve as an application for the scholarship.

Author credit: Seth Mensing

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