• Creative Writing

The Creative Writing summer workshop brings together internationally acclaimed authors and students to study craft in fiction, poetry, creative nonfiction, and travel writing.

Creative Writing programs

Summer workshop, enroll in our creative writing programs, creative writing faculty.

Dinah Lenney is the author of  The Object Parade and  Bigger than Life: A Murder, a Memoir and, with Judith Kitchen, edited  Brief Encounters: A Collection of Contemporary Nonfiction (W.W. Norton, 2015). Her essays and reviews have been published in a wide range of publications and anthologies including  The New York Times, The Los Angeles Times, The Washington Post, AGNI, Creative Nonfiction, Ploughshares, TriQuarterly,  and the  Los Angeles Review of Books , where is the senior editor of creative nonfiction.

Elliott Holt is the author of the novel You Are One of Them , which was a New York Times Book Review Editors’ Choice and a finalist for the NBCC’s John Leonard Award for a first book. Her essays and short fiction have appeared in the New York Times, Time, Slate, Virginia Quarterly Review , and elsewhere, and she is the recipient of a Pushcart Prize, fellowships from Yaddo and the MacDowell Colony, and the 2015 Ellen Levine Award for her novel-in-progress. @elliottholt

Major Jackson is the author of four collections of poetry, most recently  Roll Deep , hailed in the  New York Times Book Review  as “a remixed odyssey.” His other volumes include  Holding Company ,  Hoops , and  Leaving Saturn . Jackson has published poems, essays, and book reviews in  American Poetry Review ,  Callaloo ,  The New Yorker ,  The Paris Review ,  Ploughshares ,  Poetry ,  Tin House , and in several volumes of  Best American Poetry . He is the recipient of a Guggenheim Fellowship, a Pushcart Prize, and the National Endowment for the Arts fellowship, among other honors. Major Jackson is the Richard A. Dennis Green & Gold Professor and University Distinguished Professor at the University of Vermont. He serves as the Poetry Editor of  The Harvard Review .

Rolf Potts’ essays and reportage have appeared in such venues as  The New Yorker, The Atlantic, National Geographic Traveler, Sports Illustrated,  the Travel Channel, and National Public Radio, as well as over 20 nonfiction anthologies, including the  Best American Travel Writing  series and the  Best Creative Nonfiction  series. He has won five Lowell Thomas Awards for his travel writing, and his first book,  Vagabonding , has been translated into seven languages. His second book,  Marco Polo Didn’t Go There , was the first American-authored travel book to win Italy’s prestigious Bruce Chatwin Award. Potts has taught nonfiction writing at Yale University, and he has served as the Paris American Academy writing workshop program director since 2005.

Study in Paris

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University of kent: creative writing (paris).

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Department
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Study type Taught

Designed with serious, ambitious writers in mind, this innovative and interdisciplinary Creative Writing MA combines taught modules and a dissertation. Your studies take place at Kent's Paris School of Arts and Culture. Alongside your creative writing modules, you are encouraged to consider choosing modules from the broad range of options offered our Paris centre. This programme offers students a unique opportunity to find inspiration both in and out of the classroom and to develop a creative voice in the stimulating surroundings of Montparnasse.

You can choose to begin your studies in September or January and can take a standard (90 ECTS) or an extended (120 ECTS) version of the programme. Part-time study is only available for EU/EEA passport holders, and for those who have the right to remain in France for the duration of their degree.

Full-Time, 1 years starts Jan 2025

Level RQF Level 7
Entry requirements

A first or upper-second class honours degree in a relevant subject (or equivalent), or substantial creative writing experience. You are required to submit a sample of your creative writing, and this will be the most significant factor in admissions decisions.

A piece or portfolio of creative work should be uploaded on the ‘Declaration’ page of the online application form. If fiction, this should be around 1,500–2,000 words; if poetry, approximately 4 pages.

On the ‘Course Details’ page, you should submit a description of around 300 words of your creative writing plans. Please tell us whether you intend to work in fiction, poetry, or narrative non-fiction and what experience you have working in this form. Please also give some indication of the concerns, style, ideas and/or themes that you are interested in exploring in your work.

Candidates who hold no first degree, or a first degree in a non-literary/creative subject area should include in their applications a summary of any information that might allow us to support the application on the grounds of ‘equivalent professional status’. This could include previous writing publication credits or other successes and/or relevant professional achievements.

All applicants are considered on an individual basis and additional qualifications, professional qualifications and experience will also be taken into account when considering applications.

Location Paris School of Arts and Culture
Reid Hall
4 Rue de Chevreuse
Paris
75006

Full-Time, 1 years starts Sep 2024

creative writing in paris

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Creative Writing - MA (Paris)

University of kent, different course options.

  • Key information

Course Summary

Tuition fees, entry requirements, university information, similar courses at this uni, key information data source : idp connect, qualification type.

MA - Master of Arts

Subject areas

Creative Writing

Course type

Designed with serious, ambitious writers in mind, this innovative and interdisciplinary Creative Writing MA combines taught modules and a dissertation. Your studies take place at Kent's Paris School of Arts and Culture.

Through seminars, tutorials, workshops, and precise editing, you will learn to take control of your own work and write exciting, contemporary material.

Alongside your creative writing modules, you are encouraged to consider choosing modules from the broad range of options offered at our Paris School of Arts and Culture. This programme offers students a unique opportunity to find inspiration both in and out of the classroom and to develop a creative voice in the stimulating surroundings of Montparnasse.

You can choose to begin your studies in September or January and can take a standard (90 ECTS) or an extended (120 ECTS) version of the programme. Part-time study is only available for EU/EEA passport holders, and for those who have the right to remain in France for the duration of their degree.

Studying at the Paris School of Arts and Culture

You spend the entire year at Kent’s Paris School of Arts and Culture where you study at the Columbia Global Center (known as Reid Hall), which is located in a historic corner of Montparnasse in the heart of Paris. At this specialist, postgraduate centre, we offer interdisciplinary, flexible programmes, taught in English, which take full advantage of all the cultural resources Paris offers. Study trips to the city’s museums, art exhibitions, archives, cinemas and architectural riches are an integral part of your studies.

The interdisciplinary nature of the School means you can choose modules from outside your subject area, broadening your view of your subject. As part of our international community of students and staff, you can take part in regular seminars and talks, write for the student-run literary magazine or help to organise our annual student conference.

Many career paths can benefit from the writing and analytical skills that you develop as a postgraduate student in the School of English. Our students have gone on to work in academia, journalism, broadcasting and media, publishing, writing and teaching; as well as more general areas such as banking, marketing analysis and project management.

UK fees Course fees for UK students

For this course (per year)

International fees Course fees for EU and international students

€18,750

A first or second class honours degree or equivalent in a relevant subject, or substantial creative writing experience. You are required to submit a sample of your creative writing, and this will be the most significant factor in admissions decisions. Applicants may be invited to an interview.

The University of Kent is an internationally renowned institution located in Canterbury and offers an impressive portfolio of postgraduate degree courses. The university teaches advanced skills, and provides access to fantastic professional networks and learning facilities to help postgraduate students realise their academic and personal goals. Kent's campuses are based in amazing locations, with two UK campuses in Canterbury and Medway... more

Text, Practice and Research - PhD

Full time | 3 years | 23-SEP-24

Creative Writing - MA (Canterbury)

Full time | 1 year | 23-SEP-24

Creative Writing - MA (Canterbury & Paris)

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Writers in Paris

View of the Eiffel Tower from NYU Paris

On this page: Costs | Academics | Courses and Syllabi | Housing and Meals | Excursions | Planning Travel | Faculty

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2024 Program Dates

Student Arrival: Friday, May 24, 2024 Student Departure: Saturday, June 22, 2024 *Please note that housing is provided for the exact dates of the program. If a student wishes to arrive earlier or depart later, the student will need to find their own accommodations.

Program Summary

Writers in Paris students choose to focus on poetry, fiction, or creative nonfiction, and attend daily writing workshops, craft seminars, and literary readings and events. Writing and reading assignments are designed to encourage immersion in the city. For example, poets might visit the Louvre to write ekphrastic poems or create Parisian street sonnets by taking a 14-block walk of the St. Denis area, where François Villon lived, and generating a line of poetry per block. Fiction writers might study dialogue by listening for overheard speech at a sidewalk café or learn about description and setting by writing a story set in the neighborhood where Hemingway lived and worked.

“I made connections with some of the best poets, writers and editors in the world.”

Literature Reading at Shakespeare and Company

Application Deadlines

Applications are no longer being accepted for summer 2024.

Please check back in fall 2024.

buildings in paris

Program Director

Deborah Landau Professor and Director, Creative Writing Program, NYU

[email protected]

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Tuition and Fees

Tuition , Fees, Housing and International Insurance are required, and these rates are set by NYU.

$14,752
$600

for 4 week program
Included


Single in Apartment - Montsouris
Premium Studio - Montsouris
Single Studio - Montsouris
Single with Bath - Maison de l’Île-de-France (MIF)**

**Limited availability

$3,277
$3,277
$2,726
$1,885

 

PLEASE NOTE: Students are responsible for purchase of transportation to/from program location. All students participating in the program are required to live in NYU-provided housing. Students are encouraged to budget for summer abroad programs based on individual needs. Additional resources for planning are available on the Additional Costs and Financial Assistance pages.

Eiffel Tower at sunset

All courses are taught in English. All students must register for 8 undergraduate credits.

Coursework consists of alternating afternoons of craft seminars and writing workshops. Evenings feature readings, lectures, panel discussions, and special events. The schedule includes time for writing, reading, and exploring Paris, and the program culminates in a celebratory reading showcasing student work. Students must register for one of the following courses:

This course is comprised of a writing workshop, craft seminar, and nightly literary events. Students work closely with two accomplished world-class writers—one in the context of the writing workshop, and another in the context of the craft seminar.

Workshops provide students with guidance on the art of revision, as well as with experience giving and receiving feedback. Individual private conferences supplement coursework, and each student submits a final portfolio of writing at the end of the program.  Sample Fiction Workshop Syllabus (PDF)

In the craft seminars—literature courses taught by writers for writers—students study great works of literature in order to learn how to create their own. Emphasis is on close reading and the basic elements of craft. Fiction writers consider stories and novels with a focus on the basic techniques of fiction, including plot, narrative, dialogue, tone, structure, rhythm, setting, and style.  Sample Fiction Craft Syllabus (PDF)

Students also attend a nightly series of readings, lectures, panel discussions, publishing forums, and special events. These events feature program faculty as well as international visiting writers, teachers, and editors.

Workshops provide students with guidance on the art of revision, as well as with experience giving and receiving feedback. Individual private conferences supplement coursework, and each student submits a final portfolio of writing at the end of the program.  Sample Poetry Workshop Syllabus (PDF)

In the craft seminars—literature courses taught by writers for writers—students study great works of literature in order to learn how to create their own. Emphasis is on close reading and the basic elements of craft. Poetry students read exemplary poems and study voice, style, line, image, music, metaphor, syntax, and diction.  Sample Poetry Craft Syllabus (PDF)

Workshops provide students with guidance on the art of revision, as well as with experience giving and receiving feedback. Individual private conferences supplement coursework, and each student submits a final portfolio of writing at the end of the program.  Sample Creative Non-fiction Workshop Syllabus (PDF)

In the craft seminars—literature courses taught by writers for writers—students study great works of literature in order to learn how to create their own. Emphasis is on close reading and the basic elements of craft. Creative non-fiction writers consider stories and novels with a focus on the basic techniques of creative non-fiction, including plot, narrative, dialogue, tone, structure, rhythm, setting, and style.  Sample Creative Non-fiction Craft Syllabus (PDF)

Monday - Thursday

3:00pm - 5:30pm: Alternating days of workshops and craft seminars

7:00pm - 9:00pm: Readings, talks, and special events

View of Notre-Dame Cathedral

Housing and Meals

All students participating in the program are required to live in NYU-provided housing.

Students will have the option to live at either Montsouris or Maison de l’Île-de-France (MIF) at Cité Universitaire**. Montsouris is a fully refurbished, NYU-dedicated residence in the 13th arrondissement featuring apartment-style single bedrooms and studios that all include a private bathroom and kitchenette. MIF is a 100% éco self-sufficient, brand new building featuring apartment-style single bedrooms with private bathrooms and shared kitchens. Please note there is no meal plan or dining hall.

**Availability at Maison de l’Île-de-France is limited.

A single studio room in NYU Paris's Montsouris building

Some of the information on this page may not be summer specific.

Student housing in Paris

Program activities include a weekly schedule of literary readings, talks, and panels; a dinner cruise on the Seine; and visits to parks, restaurants, cafés, and historic neighborhoods where famous writers have lived and worked.

Guest reading at Shakespeare & Co.

Planning Travel to Paris

Students are encouraged to consult internal and external resources to prepare for their summer program. The following links may be used for general destination information, immigration needs and travel medicine planning:

  • U.S. State Department Travel Information for France
  • All admitted and confirmed students should consult  The NYU Office of Global Services  for immigration support
  • CDC Health Information for Travelers to France
  • NYU students may consult the  NYU Student Health Center for Travel Medicine information and appointments

Photos shared by students

Students in Paris garden

DEBORAH LANDAU  (Director) is the author of four collections of poetry:  Soft Targets  (winner of the 2019 Believer Book Award),  The Uses of the Body  and  The Last Usable Hour , all Lannan Literary Selections from Copper Canyon Press, and  Orchidelirium , selected by Naomi Shihab Nye for the Robert Dana Anhinga Prize for Poetry. Her other awards include a Jacob K Javits Fellowship and a Guggenheim Fellowship.  The Uses of the Body  was featured on NPR's All Things Considered, and included on "Best of 2015" lists by  The New Yorker ,  Vogue ,  BuzzFeed , and  O, The Oprah Magazine , among others. A Spanish edition was published by Valparaiso Edicíones in 2017. Her work has appeared in  The New Yorker ,  The Paris Review ,  American Poetry Review ,  Poetry ,  The Wall Street Journal ,  The New York Times ,  CNN , and  The Best American Poetry , and included in anthologies such as  Resistance, Rebellion, Life: 50 Poems Now, Please Excuse This Poem: 100 New Poets for the Next Generation ,  Not for Mothers Only ,  The Best American Erotic Poems , and  Women's Work: Modern Poets Writing in English . Landau was educated at Stanford University, Columbia University, and Brown University, where she received a Ph.D. in English and American Literature. She is a tenured full Professor and Director of the Creative Writing Program at NYU.

Catherine Barnett

CATHERINE BARNETT  (Poetry) is the author of four poetry collections,  Solutions for the Problem of Bodies in Space  (2024 Graywolf);  Human Hours  (2018 Believer Book Award in Poetry and New York Times "Best Poetry of 2018" selection),  The Game of Boxes  (James Laughlin Award of the Academy of American Poets) and  Into Perfect Spheres Such Holes Are Pierced  (Beatrice Hawley Award). A Guggenheim fellow, she received a 2022 Arts and Letters Award in Literature, which honors exceptional accomplishment. Her work has been published in the  New Yorker ,  The New York Review of Books ,  The Nation , and  Harper’s , among many other places. She teaches in the NYU Program in Creative Writing and works as an independent editor.

Nathan Englander

NATHAN ENGLANDER  (Fiction) is the author of the novels Dinner at the Center of the Earth , The Ministry of Special Cases , and the story collections For the Relief of Unbearable Urges and What We Talk About When We Talk About Anne Frank , winner of the Frank O'Connor International Short Story Award and finalist for the Pulitzer Prize. His books have been translated in twenty languages, and his short fiction widely anthologized, most recently in 100 Years of the Best American Short Stories. Englander's play, The Twenty-Seventh Man , was produced at The Public Theater in 2012, and at The Old Globe in San Diego in 2015. He translated the New American Haggadah , and cotranslated Etgar Keret's Suddenly, a Knock on the Door . In 2017, he was awarded an Honorary Doctorate from Binghamton University. He is Distinguished Writer-in-Residence at New York University, and a columnist for Italy’s La Stampa newspaper. He lives in Brooklyn, New York, with his wife and daughter.

Alex Dimitrov

ALEX DIMITROV  (Poetry) is the author of three books of poems,  Love and Other Poems ,  Together and by Ourselves , and  Begging for It . His poems have been published in  The New Yorker , the  New York Times ,  The Paris Review , and  Poetry.  In addition to NYU, he has taught writing at Princeton University, Columbia University, and Barnard College. Previously, he was the Senior Content Editor at the Academy of American Poets, where he edited the popular series  Poem-a-Day  and  American Poets  magazine. With Dorothea Lasky he is the co-author of  Astro Poets: Your Guides to the Zodiac.  He lives in New York.

Katie Kitamura

KATIE KITAMURA  (Fiction) is a critic and novelist living in New York City. She is the author of  Gone to the Forest  and  The Longshot , both of which were finalists for the New York Public Library's Young Lions Fiction Award. Her newest novel,  A Separation , was published in February 2017. A recipient of a Lannan Residency Fellowship, Kitamura has written for  The New York Times, The Guardian, Grana, BOMB, Triple Canopy , and is a regular contributor to  Frieze .

Hari Kunzru

HARI KUNZRU  (Creative Nonfiction) is a Clinical Professor in the Creative Writing Program. He holds a BA in English Language and Literature from Oxford University and an MA in Philosophy and Literature from Warwick University. He is the author of six novels, including  White Tears , a finalist for the PEN Jean Stein Award, the Kirkus Prize, the Folio Prize, the James Tait Black Memorial Prize, One Book New York, the Prix du Livre Inter étranger, and a New York Times Notable Book of the Year. His latest novel  Red Pill  was published in 2020 by Knopf.

He is also the author of  The Impressionist ,  Transmission, My Revolutions, Gods Without Men  and a short story collection,  Noise . His novella  Memory Palace  was presented as an exhibition at the Victoria & Albert Museum in 2013. His work has been translated into over twenty languages. His short stories and essays have appeared in publications including The New York Times, The New Yorker, Guardian, New York Review of Books, Granta, Bookforum, October and Frieze . He has written screenplays, radio drama, and experimental work using field recordings and voice-to-text software. He has taught at Hunter College and Columbia University. He is a Fellow of the Royal Society of Literature and an Honorary Fellow of Wadham College, Oxford. He has been a Cullman Fellow at the New York Public Library, a Guggenheim Fellow and a Fellow of the American Academy in Berlin. He is a past deputy president of English PEN, a judge for the 2018 Man Booker International Prize and has been a frequent presenter, interviewer and guest on television and radio.

Raven Leilani

RAVEN LEILANI's  (Fiction) debut novel  Luster  (2020) was awarded the Kirkus Prize, Dylan Thomas Prize, NBCC John Leonard Prize, VCU Cabell First Novel Prize, Center for Fiction First Novel Prize, among others. Her work has been published in  Granta ,  The Yale Review ,  McSweeney’s Quarterly Concern ,  Conjunctions ,  The Cut , and  New England Review , among other publications. Leilani received her MFA from NYU and was an Axinn Foundation Writer-in-Residence. She was also selected as a National Book Foundation 5 Under 35 honoree. In 2022 she served as the John Grisham Fellow at the University of Mississippi and teaches creative writing at NYU.

Parul Sehgal

PARUL SEHGAL  (Creative Nonfiction) is a staff writer at  The New Yorker . She was previously a columnist and senior editor at  The New York Times Book Review  and a book critic   for  The New York Times.  Her work has appeared in  The Atlantic, Slate, Bookforum, The New Yorker, Tin House,  and  The Literary Review,  among other publications, and she was awarded the Nona Balakian Award from the National Book Critics Circle for her criticism.

Darin Strauss

DARIN STRAUSS  (Fiction) is the internationally bestselling author of the novels  Chang and Eng, The Real McCoy ,  More Than it Hurts You , the NBCC-winning memoir,  Half a Life , the comic-book series,  Olivia Twist,  and most recently the acclaimed novel,  The Queen of Tuesday: A Lucille Ball Story  (Random House, 2020). A recipient of a National Book Critics Circle Award, the Guggenheim Fellowship, an American Library Association Award, and numerous other prizes, Strauss has written screenplays for Disney, Gary Oldman, and Julie Taymor. His work has been translated into fourteen languages and published in nineteen countries, and he is a Clinical Professor at the NYU Creative Writing Program.

Brandon Taylor

BRANDON TAYLOR  (Fiction) is the author of the novels  The Late Americans  and  Real Life , which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a  New York Times Book Review  Editors’ Choice and a Science + Literature Selected Title by the National Book Foundation. His collection  Filthy Animals , a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers.

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Have you always dreamt of penning a novel? Our six-month course, "Write Your Book!: Six Months of Craft, Commitment, and Community," provides the mentorship and community to awaken your inner Ernest Hemingway and transform that dream into reality.

Maybe you want to work on your craft. We are offering three different craft classes by three different teachers, exploring setting, editing and structure.

There is also a single workshop on memoir writing, plus a four-week nonfiction class on writing publishable reviews, profiles, and personal essays.

For the poet in you, try our four-session in haiku.

And don't forget our coming in early June. More details soon!

Emphasizing both craft and creativity, our program is more than a series of classes; it's a community, a place where writers at all stages can come together, learn, share, and grow. Whether you're taking your first literary steps or looking to elevate your established writing practice, WICE's Creative Writing Program offers an inclusive and inspiring environment.

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If you have any questions, please send them to [email protected].

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creative writing in paris

24 Best universities for Creative Writing in France

Updated: February 29, 2024

  • Art & Design
  • Computer Science
  • Engineering
  • Environmental Science
  • Liberal Arts & Social Sciences
  • Mathematics

Below is a list of best universities in France ranked based on their research performance in Creative Writing. A graph of 23.9K citations received by 4.18K academic papers made by 24 universities in France was used to calculate publications' ratings, which then were adjusted for release dates and added to final scores.

We don't distinguish between undergraduate and graduate programs nor do we adjust for current majors offered. You can find information about granted degrees on a university page but always double-check with the university website.

Please note that our approach to subject rankings is based on scientific outputs and heavily biased on art-related topics towards institutions with computer science research profiles.

1. Pierre and Marie Curie University

For Creative Writing

Pierre and Marie Curie University logo

2. New Sorbonne University - Paris III

New Sorbonne University - Paris III logo

3. Claude Bernard University Lyon 1

Claude Bernard University Lyon 1 logo

4. University of Paris 8

University of Paris 8 logo

5. University of Aix-Marseilles

University of Aix-Marseilles logo

6. University of Lille

University of Lille logo

7. School for Advanced Studies in the Social Sciences

School for Advanced Studies in the Social Sciences logo

8. Paris West University Nanterre La Defense

Paris West University Nanterre La Defense logo

9. University of Paris 1 Pantheon-Sorbonne

University of Paris 1 Pantheon-Sorbonne logo

10. University of Strasbourg

University of Strasbourg logo

11. Grenoble Alpes University

Grenoble Alpes University logo

12. Paris Institute of Political Studies

Paris Institute of Political Studies logo

13. Paris Descartes University

Paris Descartes University logo

14. University of Poitiers

University of Poitiers logo

15. Catholic University of Lyon

Catholic University of Lyon logo

16. University of Lorraine

University of Lorraine logo

17. University of Nice-Sophia Antipolis

University of Nice-Sophia Antipolis logo

18. University of Burgundy

University of Burgundy logo

19. Francois Rabelais University

Francois Rabelais University logo

20. University of Bordeaux

University of Bordeaux logo

21. University of Nantes

University of Nantes logo

22. Paul Valery University, Montpellier 3

Paul Valery University, Montpellier 3 logo

23. Paris Diderot University

Paris Diderot University logo

24. University of Montpellier

University of Montpellier logo

The best cities to study Creative Writing in France based on the number of universities and their ranks are Paris , Villeurbanne , Saint-Denis , and Marseille .

Art & Design subfields in France

Paris Writing Workshops

Advanced Travel Memoir Workshop with Rolf Potts, Sept. 2-6, 2024; Novel Workshop with Lauren Grodstein • Sept. 2-6, 2024; and Beginner Travel Memoir Workshop with Rolf Potts, Sept. 9-13, 2024.

Explore your creativity in the City of Light

These are the writing workshops available in 2024:

Advanced Travel Memoir Workshop with Rolf Potts • Sept. 2-6, 2024 Five-day advanced short course on the art and craft of writing about journeys and places, led by Rolf Potts.

Novel Workshop with Lauren Grodstein • July 8-12, 2024 Five-day intensive short course on how to complete and sell your novel, led by Lauren Grodstein.

Beginner Travel Memoir Workshop with Rolf Potts • Sept. 9-13, 2024 Five-day beginners’ short course on the art and craft of writing about journeys and places, led by Rolf Potts.

creative writing in paris

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creative writing in paris

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Creative Writing Certificate: Paris Writing Intensive

Enrollment Update:  Registration is now open for fall adult and pre-college courses.  Browse all

Creative Writing Certificate: Paris Writing Intensive

About This Certificate

Parsons Paris and the Creative Writing Program at the Schools of Public Engagement have joined forces to present a non-credit certificate: the Paris Writing Intensive. During the program, students will have a chance to focus on their own creative writing with a fresh perspective by attending a series of in-depth morning writing workshops in the genre of their choice: fiction, nonfiction, or graphic novel/memoir/poetry. In the afternoon, students will take a closer look at contemporary French culture, examining France's colonial history and Paris' immigrant communities, and taking walking tours of the outer arrondissements. Instruction will include lectures, walking tours, and reading seminars focusing on the published work of migrants and exiles who have made France their home.

Long lauded for its rich literary history, Paris remains a hotbed of aesthetic fermentation and changing norms. Students will learn from our renowned graduate Creative Writing faculty, a project-based experiential learning curriculum, and the resources and stimulating academic environment that a collaboration between the Schools of Public Engagement and Parsons Paris can provide.

All courses are taught in English.

2024 Program Information:

  • Priority admissions deadline: December 15, 2023
  • Rolling admissions until February 1, 2024
  • Program Dates: May 31, 2024 - June 9, 2024
  • On or before January 14, 2024: 100% of tuition refunded
  • January 15, 2024 or later: 0%

What You’ll Gain

  • Intensive focus on developing a writing project and creating new work
  • One-on-one collaboration with leading MFA faculty
  • Lasting connections with an intimate group of students and instructors
  • An experience of writing in a community
  • A deeper understanding of contemporary French culture and Francophone literature on migration and exile
  • Cultural immersion that provides unique insight into Paris as a diverse, dynamic, and global city

What You’ll Earn

After completing the certificate requirements, you will be able to download and print a copy of your certificate and share it with your network. Your personal certificate will be accessible from your Student Portal.

Who Should Enroll

  • Current and emerging writers who would like to hone their technique, expand and deepen an existing project, or create new work inspired by their explorations of Paris
  • Anyone interested in learning about and engaging in contemporary French culture through the unique lens of postcolonial history and literature
  • Upper-level undergraduate and graduate students, and continuing education working professionals

How You’ll Learn

  • In the morning, students will have a chance to focus on their own creative writing by attending writing workshops in the genre of their choice: fiction, nonfiction, or graphic novel/memoir/poetry
  • Afternoon instruction will include lectures, walking tours, and reading seminars focusing on the published work of migrants and exiles who have made France their home
  • Small seminars and writing workshops allow for individualized attention
  • Critiques from leading faculty practitioners

Why The New School?

The professional landscape as we've known it has changed dramatically, and ongoing learning is more important now than ever before. At The New School, we champion every student's creativity and growth. By combining integrated disciplines with collaborative problem solving, we deliver an immersive, transformative learning experience. Our faculty imparts the critical expertise students need to advance their careers or pivot to a new one in a constantly evolving world.

Additional Details

To apply, you need to have the following materials prepared before filling out the online application . 

Please submit:

  • Statement of purpose (250 to 500 words) detailing what you would like to work on during the course
  • Five-page writing sample
  • Copy of your CV

Required Course

1 Course(s)

  • NWRW 0003 Global Citizen Initiative–Creative Writing at Parsons Paris

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Session Time-Out

Privacy policy, the new school student privacy notice.

This privacy notice describes how The New School collects and processes personal data about you at The New School; how we use, store, transfer, and protect this personal data; and your rights in relation to this personal data. This notice applies to The New School, with global headquarters at 72 Fifth Avenue, New York, NY 10011 USA, as well as to its affiliated legal entities and branches (collectively “we,” “us,” or “our”):

  • TNS Parsons (“Parsons Paris”) of 45 rue Saint-Roch, 75001 Paris, France is the European branch of Parsons School of Design. Parsons Paris works closely with our US-based operations and certain information is shared between entities, so for purposes of this privacy notice, both The New School and Parsons Paris are data controllers. For more information on how your information is shared with third parties, please refer to Section 3 of this notice.

This privacy notice applies to all personal data we collect or process about you (i) from the information you provide to us when you interact with us before applying (e.g., when you express your interest in studying at The New School); (ii) when you apply to study at The New School and complete enrollment forms or other admissions documentation; (iii) when you communicate with us by telephone, email, or via our website (e.g., in order to make inquiries or raise concerns); (iv) when you interact with us during your time as a student at The New School; and (v) from third parties (e.g., from recruitment organizations, government agencies in connection with financial aid or student visas, or from your previous or current school, university, or employer(s), who may provide records or a reference about you, or who may sponsor or pay for your studies). This notice will inform you of:

  • Personal data we collect and use;
  • How we use your personal data and the basis on which we use it;
  • Who has access to your personal data;
  • How your personal data is protected and stored;
  • International transfer of your data;
  • How to exercise your rights;
  • How to contact us; and
  • Changes to the privacy notice.

1. Personal data we collect and use

We collect and use certain personal data about you. Personal data is information about you through which you can be identified (including where you can be identified by combining the information with other information).

Note that we may be required by law to collect certain personal data about you, or as a consequence of our contractual relationship with you. Failure to provide this personal data may prevent or delay the fulfilment of these obligations. We will inform you at the time your personal data is collected whether certain data is compulsory and the consequences of the failure to provide such personal data.

1.1 Personal data we collect directly from you

We collect some personal data directly from you. Personal data that is collected directly from you includes the following:

a) Personal details, such as your name(s), date of birth, and place of birth; b) Contact details, such as your phone number, personal email address, mailing address, and social media handles; c) Demographic details, such as your age, marital status, languages spoken, national origin, and current nationality; d) Citizenship status; e) Military or veteran status; f) Identification numbers, such as your Social Security number or other government-issued identification number; g) Authenticating information, such as user names, passwords, and security questions and answers; h) Passport and visa information; i) Financial information, such as your bank account information related to direct deposits; j) Information relating to financial aid, scholarships, and immigration status, such as information collected in connection with financial aid applications, financial aid and scholarship eligibility, immigration applications, and information about your or your family’s or your sponsor’s financial situation; k) Information about your location while on break from your studies; l) Information you submit in connection with your application for admission, including your personal essay, portfolio, academic transcript, test scores, disciplinary records, work history, and other information submitted with your résumé; m) Information about your preferences; n) Photographs for use in identification; o) Your emergency contact details, such as names of your emergency contacts and their contact information; p) Communications you send us, including your requests and information provided by you in the form of feedback or complaints about the program, housing, or other matters; and q) Information about your family, including the names of relatives who have attended The New School and education information.

1.2 Personal data generated by us

In addition, the following categories of personal data about you may be generated by The New School in the course of our relationship with you:

a) Student identifiers, such as your student ID number, NetID (user name for university systems), and other internal identification numbers; b) University email address; c) Employment details if you are employed by The New School as a student, such as work-study or other employment details, including salary or pay information, performance evaluations, and job actions; d) Travel information, including a log of travel excursions; e) Information about your computer and other devices, including your IP address, MAC address, and information about your browser and operating system; f) Records of emergency incidents; g) Student and education information, including your academic transcript, attendance records, grades, recommendations or feedback from teachers, and current and prior course schedules; h) Student conduct records; i) Audio and visual information captured by lecture capture systems, videoconferencing systems, web-based meeting applications, and similar technologies; j) Visual information captured by security cameras; k) Information regarding financial aid and eligibility for financial aid and scholarships; l) Federal immigration documents; and m) Information regarding building and cafeteria access.

1.3 Personal data we obtain from other sources

The New School may also obtain the following categories of personal data about you from third parties :

a) Contact and demographic information, including publicly available information, which we collect from third parties who provide us information about prospective students who may be interested in attending The New School. We may also collect this contact information from students about their parents, family members, and legal guardians; b) Feedback and information from your teachers, school faculty, and others; c) Information about your or your family’s or your sponsor’s financial status and ability to pay tuition or school expenses; d) Academic performance, test scores, student conduct (including complaints brought by you, about you, or to which you may be a witness), and attendance information from other institutions; and e) Non-academic performance information and feedback from organizations with which you have participated.

1.4 Sensitive data we collect and use

Some of the categories of personal data that we collect are considered special categories of personal data under European Union law. In particular, we may process the following types of sensitive data:

a) Health and medical information, including your medical history, information about your health during your time studying with The New School, information about disabilities or related accommodations, information about allergies or dietary restrictions, and health insurance information; b) Information about your racial or ethnic origin; c) Information about your gender identity, sex assigned at birth, and preferred pronoun (if you choose to disclose it for purposes of matching with roommates) and information about the facts and circumstances surrounding instances or allegations of sexual misconduct (which may be collected in the context of investigations into or adjudications of allegations of sexual misconduct, assault, or unlawful activity); and d) Information about criminal convictions.

2. How we use your personal data and the basis on which we use it

The New School uses your personal data in connection with your engagement with and your enrollment at The New School for the following purposes:

  • Considering your applications for admission and financial aid. Our basis for doing so is the performance of the pre-contractual relations we have with you and to serve our legitimate interests in selecting a diverse and qualified student body;
  • Contacting you about our academic programs, events, related opportunities, or other updates about The New School. This processing is necessary to serve our legitimate interests in marketing and student outreach. Where required by law, we will obtain your consent before sending you marketing communications.
  • Communicating with applicants throughout the application process. This processing is necessary to serve our legitimate interests in responding to applicant requests and efficiently managing the application process.
  • Carrying out our contractual obligations to you and exercising our rights in this respect, including provision of academic and support services, travel accommodations, insurance, housing, and related services associated with The New School academic program. Our basis for doing so is the performance of the contract we have with you.
  • Identifying students, including for creating a student identification card that includes your photo. This processing is necessary to serve our legitimate interests in keeping our campus and associated facilities safe and secure.
  • Supporting teaching, learning, and staff development using audio and/or video recording of lectures, presentations, or training events. Our bases for doing so are the performance of the contract we have with you and serving our legitimate interests in delivering educational services to students and enabling professional development for our faculty and staff;
  • Responding to emergencies, such as contacting you or your family in the event of an incident. This processing is necessary to serve our legitimate interests in supporting the health and well-being of our students;
  • Program development, travel planning, student development, tracking of academic progression, and commencement exercises. This processing is necessary to serve our legitimate interests in the efficient management and administration of our academic programs and extracurricular activities;
  • Keeping our campus and associated facilities safe and secure. This processing is necessary to serve our legitimate interests in protecting our students, property, and facilities;
  • Operating our information technology systems. This processing is necessary to serve our legitimate interests in supporting your use of the systems, understanding usage and performance of the systems, investigating information security or data integrity incidents, and providing evidence in disciplinary procedures;
  • Maintaining our alumni records. This processing is necessary to serve our legitimate interests in fostering relationships with alumni, maintaining alumni networks, and supporting our fundraising efforts;
  • Meeting the obligations of private organizations with oversight over The New School, such as accreditation organizations. This processing is necessary to serve our legitimate interests in maintaining accreditation;
  • Keeping our records accurate and up-to-date. This processing is necessary to comply with legal obligations and to serve our legitimate interests in efficient management and administration; and
  • Complying with legal obligations to which we are subject, including to defend your and our rights in legal proceedings and to cooperate with regulators, law enforcement, and governmental or other competent bodies. This processing is necessary to comply with legal obligations and to serve our legitimate interests in complying with the laws to which we are subject.

2.1 How we use sensitive data

  • Health and medical information. To the extent we process health and medical information, we do so to support your health and wellbeing while attending The New School and to respond to medical and mental health issues and emergencies. In the case of information relating to disability or other accommodations, we process such data to provide learning assistance, mobility, and other necessary accommodations. Our basis for doing so is compliance with social obligations laws or where there is a substantial public interest in providing such services or accommodations. Additionally, in some contexts we may rely on your prior consent to process such data.
  • Information revealing an individual’s racial or ethnic origin. To the extent we process information revealing racial or ethnic origin, such information is voluntarily disclosed during the application process for purposes of statistical reporting related to diversity. We rely on your prior consent for such processing.
  • Information about an individual’s gender identity, sex assigned at birth, and preferred pronoun. To the extent we process information about an individual’s gender identity, sex assigned at birth, and preferred pronoun, such information is voluntarily disclosed to help facilitate matching with roommates for student housing purposes. Students are not required to provide such information, and where they do we rely on the student’s prior consent to process the information.
  • Information about the facts and circumstances surrounding instances or allegations of sexual misconduct. To the extent we process such data, we do so only in the context of investigations into or adjudications of allegations of sexual misconduct, assault, or unlawful activity. Our basis for doing so is that the processing is necessary for the initiation, exercise, substantiation, or defense of legal claims and that processing of sensitive information in this context serves a substantial public interest. To the extent such investigations do not specifically involve special categories of data as defined by applicable law, our basis for processing is that it is necessary to serve our legitimate interests in complying with our legal obligations.
  • Information about an individual’s criminal convictions. Where permissible under law, we may process this information in the context of the admissions process.

3. Who has access to your personal data

We treat your personal data with care and confidentiality. Your personal data will be available for the purposes mentioned above and only to employees on a need to know basis and to the extent reasonably necessary to perform their functions. We may share your personal data with third parties under the following circumstances:

  • Service providers and business partners. We may share your personal data with our service providers and academic or business partners that perform services for us. For example, we may partner with other companies or entities to provide services for you in relation to our academic programs or affiliated study abroad programs (for example, our mobility program), such as learning management system providers, information technology providers, emergency service providers, study abroad providers or other foreign institutions involved in our study abroad programs, homestay facilitators, tour operators, or other academic institutions. We may also partner with companies or other employers to provide internship opportunities to interested students; The New School may transmit your personal data or provide a recommendation for you to these organizations.
  • The New School’s global headquarters and branch campuses. The New School’s branch campuses are a part of The New School, whose global headquarters is located in the United States. The branch campuses work closely with our US-based operations and, from time to time, with each other. As a result, we may share certain personal data about you collected or used in the context of our academic programs with other New School personnel located at our main campus in the United States or other branch locations.
  • Law enforcement agencies, courts, regulators, government authorities, or other third parties. We may share your personal data with these parties where we believe this is necessary to comply with a legal or regulatory obligation, or otherwise to protect our rights or the rights of any third party.
  • Private organizations with oversight over The New School. We may share your personal data to the extent necessary to meet the obligations of private organizations with oversight over The New School, such as accreditation organizations.

Because we operate internationally, the recipients referred to above may be located outside the jurisdiction in which you are located (or in which we provide the services). See the section on “International transfer of your data” below for more information.

4. How your personal data is protected and stored

We implement physical, technical, and organizational measures designed to safeguard the personal data we process. These measures are aimed at ensuring the ongoing integrity and confidentiality of personal data.

We will retain your personal data for as long as we have a relationship with you (throughout the duration of your studies and in many cases afterwards, as part of the alumni community). Once our relationship with you has come to an end, we will retain your personal data for a period of time that enables us to:

  • Maintain academic records;
  • Comply with record retention requirements under applicable law;
  • Defend or bring any existing or potential legal claims; and
  • Resolve or otherwise address any complaints or queries relating to our programs.

Please note that personal data about admitted students is retained beyond graduation (or after your studies otherwise end), and the data is added to our permanent alumni records.

5. International transfer of your data

Your personal data may be transferred to, stored, and processed in a country that is not regarded as ensuring an adequate level of protection for personal data under the data protection laws of your locale.

We have put in place appropriate safeguards (such as contractual commitments) in accordance with applicable legal requirements to ensure that your personal data is adequately protected. For more information on the safeguards in place, please contact us at the details below.

6. How to exercise your rights

You have certain rights regarding your personal data. You have the right to access personal data The New School holds, and in some situations you have the right to have that personal data corrected or updated, erased, restricted, or delivered to you or a third party in a usable electronic format (the right to data portability). You may also object to how The New School uses your personal data if the legal basis for processing that information is our legitimate interest.

Where we are using your personal data on the basis of your consent, you have the right to withdraw that consent at any time. You also have the right to register a complaint to the applicable supervisory data protection authority.

If you wish to exercise these rights, or to notify us of a change in your details, or if you have any questions on the content of this notice, please contact us at [email protected] .

7. How to contact us

If you have questions or concerns regarding the way in which your personal data has been used, please contact us at [email protected] or:

The New School Office of Information Security and Privacy 71 Fifth Avenue, 9th Floor New York, NY 10003 USA

Our representative in the European Union is TNS Parsons, of 45 rue Saint-Roch, 75001 Paris, France.

We are committed to working with you to obtain a fair resolution of any complaint or concern about your privacy. If, however, you believe that we have not been able to assist with your complaint or concern, you have the right to make a complaint to the applicable supervisory data protection authority:

  • For Parsons Paris, the supervisory data protection authority is the Commission Nationale de l’Informatique et des Libertés – CNIL, 3 Place de Fontenoy, TSA 80715 – 75334 Paris, Cedex 07, https://www.cnil.fr/ .

8. Changes to the privacy notice

You may request a copy of this privacy notice from us using the contact details set out above. We may modify or update this privacy notice from time to time.

Where changes to this privacy notice will have a fundamental impact on the nature of the processing or otherwise have a substantial impact on you, we will notify you of the changes and give you sufficient advance notice so that you have the opportunity to exercise your rights (for example, to object to the processing). REVISED JUNE 24, 2020

REVISED APRIL 3, 2020

ADOPTED SEPTEMBER 4, 2019

Cookie Policy

This statement explains how we use cookies on our website. For information about what types of personal information will be gathered when you visit the website, and how this information will be used, please see our privacy policy.

How we use cookies

All of our web pages use "cookies". A cookie is a small file of letters and numbers that we place on your computer or mobile device if you agree. These cookies allow us to distinguish you from other users of our website, which helps us to provide you with a good experience when you browse our website and enables us to improve our website.

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We use the following types of cookies:

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Most web browsers allow some control of most cookies through the browser settings. To find out more about cookies, including how to see what cookies have been set and how to manage and delete them please visit https://allaboutcookies.org .

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The list below identify the cookies we use and explain the purposes for which they are used. We may update the information contained in this section from time to time.

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Creative Writing

Designed with serious, ambitious writers in mind, this innovative and interdisciplinary Creative Writing MA combines taught modules and a dissertation. Your studies take place at Kent's Paris School of Arts and Culture.

Key information

  • Duration 1 to 3 years
  • Start date September, January
  • Location Paris

Through seminars, tutorials, workshops, and precise editing, you will learn to take control of your own work and write exciting, contemporary material.

Alongside your creative writing modules, you are encouraged to consider choosing modules from the broad range of options offered at our Paris School of Arts and Culture. This programme offers students a unique opportunity to find inspiration both in and out of the classroom and to develop a creative voice in the stimulating surroundings of Montparnasse.

You can choose to begin your studies in September or January and can take a standard (90 ECTS) or an extended (120 ECTS) version of the programme. Part-time study is only available for EU/EEA passport holders, and for those who have the right to remain in France for the duration of their degree.

Studying at the Paris School of Arts and Culture

You spend the entire year at Kent’s Paris School of Arts and Culture where you study at the Columbia Global Center (known as Reid Hall), which is located in a historic corner of Montparnasse in the heart of Paris. At this specialist, postgraduate centre, we offer interdisciplinary, flexible programmes, taught in English, which take full advantage of all the cultural resources Paris offers. Study trips to the city’s museums, art exhibitions, archives, cinemas and architectural riches are an integral part of your studies.

The interdisciplinary nature of the School means you can choose modules from outside your subject area, broadening your view of your subject. As part of our international community of students and staff, you can take part in regular seminars and talks, write for the student-run literary magazine or help to organise our annual student conference.

The Creative Writing MA is also available at our Canterbury campus or split between Canterbury and Paris .

About the School of English

The School of English has a strong international reputation and global perspective, apparent both in the background of its staff and in the diversity of our teaching and research interests.

Our expertise ranges from the medieval to the postmodern, including British, American and Irish literature, postcolonial writing, 18th-century studies, Shakespeare, early modern literature and culture, Victorian studies, modern poetry, critical theory and cultural history. The international standing of the School ensures that we have a lively, confident research culture, sustained by a vibrant, ambitious intellectual community. We also count a number of distinguished creative writers among our staff, and we actively explore crossovers between critical and creative writing in all our areas of teaching and research.

The Research Excellence Framework 2021 has produced very strong results for the School of English at Kent. With 100% of its research environment and 100% of its research impact judged to be ‘world leading’ or ‘internationally excellent’. The Times Higher Education has ranked English at Kent in the UK top 20 in its subject league table, out of 92 universities. (Times Higher Education). As scholars and creative practitioners, academic staff in the School of English are national and international leaders in their fields. The expert panel judged 93% of its research overall and just under 90% of its research outputs, as ‘world leading’ or ‘internationally excellent’.

Everything you need to know about our Creative Writing course

Entry requirements, course structure, how you'll study.

A first or second class honours degree or equivalent in a relevant subject, or substantial creative writing experience. You are required to submit a sample of your creative writing, and this will be the most significant factor in admissions decisions. Applicants may be invited to an interview.

Writing sample

A piece or portfolio of creative work should be uploaded on the ‘Declaration’ page of the online application form. If fiction, this should be around 1,500–2,000 words; if poetry, approximately four pages. This should be written in English, and should be a recent sample where possible. 

We're looking for ambition and originality, and a firm grasp of the form in which you're working and its essential elements (e.g. structure, characterisation, theme, effective imagery, appropriate choice of form, clarity and originality of concept and language). We will read this sample to ensure that you have the necessary experience and grounding in writing craft to undertake MA study. 

On the ‘Course Details’ page, you should submit a description of around 300 words of your creative writing plans. Please tell us whether you intend to work in fiction, poetry, or narrative non-fiction and what experience you have working in this form. Please also give some indication of the concerns, style, ideas and/or themes that you are interested in exploring in your work.

Request for consideration on the grounds of equivalent professional status

Candidates who hold no first degree, or a first degree in a non-literary/creative subject area should include in their applications a summary of any information that might allow us to support the application on the grounds of ‘equivalent professional status’. This could include previous writing publication credits or other successes and/or relevant professional achievements.

All applicants are considered on an individual basis and additional qualifications, professional qualifications and relevant experience may also be taken into account when considering applications. 

Please see our International Student website for entry requirements by country  and other relevant information. Due to visa restrictions, students who require a student visa to study cannot study part-time unless undertaking a distance or blended-learning programme with no on-campus provision.

English language entry requirements

This course requires an Excellent level of English language, equivalent to C1 on CEFR.  

Details on how to meet this requirement can be found on our  English Language requirements webpage . 

Examples:  

IELTS 7.0 with a minimum of 7.0 in each component 

PTE Academic 76 with a minimum of 76 in each sub-test 

A degree from the UK 

A degree from a Majority English Speaking Country 

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation.  Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

Optional modules

EN921 - Fiction (Paris) (30 credits)

EN899 – Paris: Portfolio (30 credits)

EN919 – Paris: Psychogeography (30 credits)

EN920 – Paris Workshop (30 credits)

Compulsory modules currently include

EN997 - Dissertation: Creative Writing (60 credits)

There is also an indicative list of modules you may be able to study in Paris .

Duration: 1 to 3 years depending on options taken

You take two modules in each of the first two terms and a Creative Writing Dissertation in the third (90 ECTS), or two modules in each of the first three terms and Creative Writing Dissertation in the fourth (120 ECTS).

You are required to take at least one Creative Writing module in each term, choosing from Fiction (Paris) or Paris: Psychogeography in the autumn term and Paris Workshop or Paris: Portfolio in the spring. For the remaining modules you will choose from the range on offer in Paris. While in Paris, you are encouraged to attend readings and talks, and to organise your own writing workshops.

For further information about these modules, and the University of Kent, Paris, please see www.kent.ac.uk/paris/

Teaching and assessment

You take a total of four modules, for which you will produce approximately 5,000 words each (or an equivalent number of poems or translations). In addition, you write a creative dissertation of about 12,000 words (or an equivalent number of poems or translations).

Programme aims

This programme aims to:

  • provide you with the opportunity to obtain a postgraduate qualification (MA) in one year, and to allow you, if required, a smooth transition to doctoral studies
  • give you the breadth of experience of studying creative writing modules in Paris.
  • extend and deepen your understanding of your own writing practice through coursework and research
  • enable you to develop an historical awareness of literary and creative writing traditions, particularly those that have been located in, or in some other way focussed on, Paris
  • develop your independent critical thinking and judgement
  • develop your independent creative thinking and practice
  • develop your knowledge and understanding of relevant aspects of contemporary Paris and the literary history of the city with a view to you incorporating some of these aspects into your own creative and critical writing
  • develop your understanding and critical appreciation of the expressive resources of language
  • enable you to make connections across your various modules and transfer knowledge between modules
  • provide you with teaching, workshops and other learning opportunities that are informed by current research and practice and that require you to engage with aspects of work and practice at the frontiers of knowledge.

Learning outcomes

Knowledge and understanding.

You will gain knowledge and understanding of:

  • key texts from contemporary British, American, postcolonial and world literatures
  • the main aspects of literary techniques and theory in fiction, poetry, and/or hybrid forms, including point of view, form, style, voice, characterisation, structure and theme
  • key literary traditions and movements, both contemporary and historical
  • the cultural history of modern Paris, as reflected in art and literature
  • terminology used in literary criticism
  • terminology used in creative practice
  • the cultural and historical contexts in which literature is written, published and read
  • critical theory and its applications to both reading and writing
  • the study and creation of the ‘text’ and how this is influenced by cultural factors
  • inter- and multidisciplinary approaches to the advanced practice of creative and critical writing
  • research methods.

Intellectual skills

You develop intellectual skills in:

  • the application of the skills needed for advanced academic study and enquiry
  • the evaluation of your research findings
  • the ability to synthesise information from a number of sources in order to gain a coherent understanding of theory and/or practice
  • the ability to make discriminations and selections of relevant information from a wide source and large body of knowledge
  • exercise of problem-solving skills
  • communication of complex ideas in prose, poetry or both
  • adaptation skills: learn to work in different environments by adapting to the educational, cultural and professional environments of England and France, while adopting an interdisciplinary approach to literary and creative studies.

Subject-specific skills

You gain subject-specific skills in:

  • advanced creative writing skills in prose, poetry or both.
  • the ability to produce work with ambition, depth, intellectual structure, sophistication, scope, independence and importance
  • the ability to sustain a piece of creative work and make choices about form, content and style
  • an understanding of a ‘whole’ in creative practice (whether this is a novel, a collection of poems or short stories or some other advanced project)
  • the ability to present creative writing professionally, both orally and in writing, demonstrating an awareness and understanding of current practice
  • advanced understanding of literary themes
  • enhanced skills in the close critical analysis of literary and other texts
  • informed critical understanding of the variety of critical and theoretical approaches to the study of texts and source materials
  • an ability to articulate knowledge and understanding of texts, concepts and theories relating to advanced English or cultural studies
  • well-developed linguistic skills, including a grasp of standard critical terminology
  • appropriate scholarly practice in the presentation of formal written work
  • an understanding of how cultural norms and assumptions influence questions of judgement
  • knowledge of French and European culture and literature
  • knowledge of the cultural development of modern Paris, as expressed in literature, art and creative writing practice.

Transferable skills

You will gain the following transferable skills:

  • advanced skills in communication, in speech and writing
  • the ability to offer and receive constructive criticism
  • the capacity to argue a point of view, orally and in written form, with clarity, organisation and cogency
  • enhanced confidence in the efficient presentation of ideas
  • the ability to assimilate, organise and work with substantial quantities of complex information
  • competence in the planning and execution of coursework
  • the capacity for independent thought, reasoned judgement, and self-criticism
  • enhanced skills in collaborative intellectual and creative work
  • the ability to understand, interrogate and apply a variety of theoretical and/or creative positions and weigh the importance of alternative approaches
  • research skills, including scholarly information retrieval skills
  • IT: word-processing, the ability to access electronic data and the ability to work efficiently and effectively in an online learning environment
  • living and working in diverse cultural environments: You will participate and work in academic communities in Paris. You will thus develop cultural knowledge and understanding, flexibility, imagination, resourcefulness and tolerance.

Study support

Postgraduate resources.

In Paris, you are encouraged to make full use of the city's cultural resources and to integrate that experience into your studies. The Louvre, Centre Pompidou, Musée d’Orsay, Musée d’Arte Moderne, Grand Palais and other world-class museums and exhibition spaces are on your doorstep.

In addition, you benefit from borrowing rights at the libraries of the University of Paris VII, which have viewing facilities and holdings of films, books and periodicals in English. Other Paris libraries with extensive relevant holdings include the French National Library, the Centre Georges Pompidou Public Library and the American Library in Paris, to which you are given access and a guided visit.

Dynamic publishing culture

Staff publish regularly and widely in journals, conference proceedings and books. They also edit several periodicals including: Angelaki: Journal of the Theoretical Humanities ; The Cambridge Bibliography of English Literature: 600-1500 ; The Dickensian; Literature Compass ; Oxford Literary Review ; Theatre Notebook and Wasafiri .

Global Skills Award

All students registered for a taught Master's programme are eligible to apply for a place on our  Global Skills Award Programme . The programme is designed to broaden your understanding of global issues and current affairs as well as to develop personal skills which will enhance your employability.

Research in the School of English comes roughly under the following areas. However, there is often a degree of overlap between groups, and individual staff have interests that range more widely.

The Centre for Creative Writing is the focus for most practice-based research in the School. Staff organise a thriving series of events and run a research seminar for postgraduate students and staff to share ideas about fiction-writing. Established writers regularly come to read and discuss their work.

Eighteenth Century

The particular interests of the Centre for Studies in the Long Eighteenth Century converge around gender, class, nation, travel and empire, and the relationship between print and material culture. Staff in the Centre pursue cutting-edge approaches to the field and share a commitment to interdisciplinary methodologies. The Centre regularly hosts visiting speakers as part of the School of English research seminar programme, and hosts day symposia, workshops and international conferences.

Nineteenth Century

The recently established Centre for Victorian Literature and Culture provides a stimulating and distinctive research environment for staff and students through seminars, conferences and collaborative research projects. The MA in Dickens and Victorian Culture is the only MA of its kind in the UK, and both the MA and the Centre places a particular emphasis on Victorian literature and culture associated with Kent and the south-east.

American Literature

Research in north American literature is conducted partly through the Faculty-based Centre for American Studies, which also facilitates co-operation with modern US historians. Staff research interests include 20th-century American literature, especially poetry, Native American writing, modernism, and cultural history.

Medieval and Early Modern

The Faculty-based Canterbury Centre for Medieval and Early Modern Studies has a distinctive brand of interdisciplinarity, strong links with local archives and archaeological trusts, and provides a vibrant forum for investigating the relationships between literary and non-literary modes of writing in its weekly research seminar.

Modern Poetry

The Centre for Modern Poetry is a leading centre for research and publication in its field, and participates in both critical and creative research. Staff regularly host visiting speakers and writers, participate in national and international research networks, and organise graduate research seminars and public poetry readings.

Postcolonial

Established in 1994, the Centre for Colonial and Postcolonial Research has acquired an international reputation for excellence in research. It has an outstanding track record in publication, organises frequent international conferences, and regularly hosts leading postcolonial writers and critics. It also hosts a visiting writer from India every year in association with the Charles Wallace Trust.

Staff research interests

Full details of staff research interests can be found on the School's website .

University of Kent logo

Many career paths can benefit from the writing and analytical skills that you develop as a postgraduate student in the School of English. Our students have gone on to work in academia, journalism, broadcasting and media, publishing, writing and teaching; as well as more general areas such as banking, marketing analysis and project management.

creative writing in paris

January entry

The annual tuition fees for students starting this course in January 2024 can be found on the  Student Finance page .

The 2024/25 annual tuition fees for this course are:

  • Creative Writing (90 ECTS) - MA at Paris
  • Creative Writing (120 ECTS) - MA at Paris

For details of when and how to pay fees and charges, please see our Student Finance Guide .

For students continuing on this programme fees will increase year on year by no more than RPI + 3% in each academic year of study except where regulated.* If you are uncertain about your fee status please contact [email protected] .

Your fee status

The University will assess your fee status as part of the application process. If you are uncertain about your fee status you may wish to seek advice from  UKCISA  before applying.

General information

For students continuing on this programme, fees will increase year on year by no more than RPI + 3% in each academic year of study except where regulated.* 

Additional costs

General additional costs.

Find out more about  general additional costs  that you may pay when studying at Kent. 

Search our scholarships finder for possible funding opportunities. You may find it helpful to look at both:

  • University and external funds
  • Scholarships specific to the academic school delivering this programme.

creative writing in paris

We have a range of subject-specific awards and scholarships for academic, sporting and musical achievement.

Unlock your potential with scholarships up to £5,000

Ready to apply?

Learn more about the  application process  or begin your application by clicking on a link below.

You will be able to choose your preferred year of entry once you have started your application. You can also save and return to your application at any time.

  • Creative Writing (90 ECTS) - Full-time - MA at Paris
  • Creative Writing (90 ECTS) - Part-time - MA at Paris
  • Creative Writing (120 ECTS) - Full-time - MA at Paris
  • Creative Writing (120 ECTS) - Part-time - MA at Paris

Need help deciding?

Our friendly team is on hand to help you with any queries you have.

Download our prospectus and guides.

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Everything you need to know about applying to Kent from abroad.

Apply for entry to Creative Writing

creative writing in paris

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creative writing in paris

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Kent has risen 11 places in THE’s REF 2021 ranking, confirming us as a leading research university.

creative writing in paris

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  • Summer Trips

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Summer creative writing institute.

Visiting students enrolled in the Summer Creative Writing Institute select a single writing workshop in Poetry, Fiction, or Creative Nonfiction. The three creative writing workshops are designed to help students to read their own work objectively, develop a critical vocabulary, and work deeply on issues of craft. Workshops meet for three and a half hours per day, four days a week, allowing three-day weekends for writing, travel, and tourism. 

One evening per week, students will attend readings and question-and-answer sessions with inspiring authors. The event evenings also unite the full group of creative writing students to enjoy informal discussion and refreshments. 

During the day, students benefit from the University’s library, common spaces, student café and, of course, the richness of the surrounding 7th arrondissement. Bordered by the Seine to the north, the Eiffel Tower to the west, and Les Invalides to the east, the septième is among the most enchanting and elegant of Paris neighborhoods, offering a rich array of restaurants, cafés, stores, and public spaces that, in the height of summer, show Paris at its best. 

Discover France While Studying in Paris

During your time at AUP Summer School, we encourage you to explore and immerse yourself in the culture and traditions of this amazing city and its surrounding area. While you are welcome to plan your own trips, at AUP you have the option to explore France through cultural excursions, organized by the Cultural Program Office. Discover Paris through activities and trips that are organized around the city. Study Impressionism in Claude Monet’s garden, visit world-renowned chocolatiers, or take an oenology class to better appreciate and identify wines from a variety of regions.

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About The American University of Paris

Established as a liberal arts college in 1962, The American University of Paris is an urban, independent, international university located at the meeting point of France, Europe and the world. The University provides an academic learning experience that places your personal, intellectual and professional development at its core. Our curriculum combines liberal arts inquiry, preparation for professional life and student-centered, active learning in small classrooms.  Located in the center of Paris, AUP is perfectly situated to help you embark upon your journey of discovery.

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Study abroad in Paris, France : Most popular universities for Creative Writing .

Are you thinking of studying Creative Writing, abroad? Below you can find the most popular universities and programmes to study Creative Writing in Paris, France. This list is based on visitors on the Studyportals websites, listing more than 150,000 English-taught Bachelor's and Master's programmes world-wide.

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The American University of Paris

University of kent - paris school of arts and culture, sciences po, european screenwriting school of paris-ceea, most popular creative writing programmes for international students in paris.

These are the most popular programmes among international students who are looking for a Creative Writing degree in Paris.

Writing & Criticism B

Creative nonfiction: crafting personal narratives, the poetic experience: a writing workshop, writing fiction, ceea international screenwriting summer class, writing and criticism, communications, media and creative industries.

  • Creative Writing

Study abroad in English

To apply at one of these universities, you may need a proof of English proficiency. There are several standardised English tests that you can take to proof your English level, such as the PTE (Pearson Test of English), TOEFL (Test of English as a Foreign Language), CAE (Cambridge Advanced English) and IELTS (International English Language Testing System), offered by British Council and IDP. IELTS is the most popular of these tests, with British Council offering more than 1000 test locations and being accepted by more than 9,000 organisations world-wide.

About Creative Writing

Creative Writing degrees teach ways of building stories by expressing thoughts, feelings, and emotions using the written medium, as opposed to simply presenting written facts. Future creative writers learn to use elements of fiction, character creation, and plot development. Upon graduation, you’ll have the opportunity to work as a play writer, screenwriter, journalist, or fiction writer.

Related disciplines

  • Language Studies
  • Philosophy & Ethics
  • Religious Studies & Theology
  • Ancient History
  • Christian Studies
  • General Studies & Classics
  • Islamic Studies
  • Liberal Arts
  • Modern History
  • Linguistics

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After the Novel: a manuscript workshop

July 8 - 12, 2024.

with Lauren Grodstein

Have you written a novel and aren't sure what to do with it? Do you find the whole publishing process overwhelming? Need a week to focus on finishing your novel, among experts and peers, in one of the most beautiful cities in the world?

In all her years teaching in MFA programs around the country, Lauren Grodstein noticed a pattern: students write most of a novel, almost  all  of a novel, but have a hard time finishing the work. Or, when writers do finish that novel, they find themselves overwhelmed by the next steps. For almost twenty years, Lauren has been teaching creative writing in Paris, helping writers like you figure out how to solve their manuscript problems. In this one week course, Lauren will walk you through editing for plot, writing the three-sentence pitch, crafting the perfect query letter, and navigating the agent search. With the help of visiting publishing pros, Lauren will guide you through finding an agent, the differences between major publishers and independents, and the various ways you can market your work.

You'll have the opportunity to chat with literary editors, agents, and best-selling novelists who will share their advice and best practices. Plus, Lauren offers manuscript consultations for writers who are looking for professional feedback. You'll leave Paris with a clear idea of how to take your novel out into the world and a new contact list full of professionals, mentors, and friends.

PROGRAM SCHEDULE

Monday, July 8

Plot and pacing

Using outlines and beat sheets

Discussion with best-selling novelist

Tuesday, July 9

Editing and streamlining your manuscript

Novel potholes and how to escape them

How to keep your readers turning pages

The two-sentence pitch

Discussion with literary agent

Wednesday, July 10                

The conventions of the novel: how and when to break the rules

Workshopping the query letter

What editors look for in a manuscript

Discussion with Big Five editor

Thursday, July 11

Self-publishing vs. independent publishing vs. Big Five publishing

What the publishing landscape currently looks like

Different ways to build a career

Discussion with indie publicist

Friday, July 12

Maintaining the writing life

Residencies/ conferences/ MFA programs/ literary magazines

Making more money writing

Lauren is an absolute joy to study with: smart, funny, engaging, kind. Not only did she help me grow and mature as a writer, she also gave me the tools I needed to accomplish my publishing dreams.

- Isaac Blum, National Book Award nominee for The Life and Crimes of Hoodie Rosen

Lauren Grodstein changed how I see writing. Her expertise in craft is rivaled only by her tireless teaching. She'll transform your work -- and, more importantly, how you think about your work.

- Anise Vance, Center for Fiction Prize nominee for Hush Harbor  

 I came away feeling like I knew more about being a writer and seeing a path toward to publishing than in all my years in my MFA program. Writing is an art but it is also a business.  It was also an incredible week of delicious food and adventures with wonderful writers. 

- Jayne Sosland, New York

AFTER THE NOVEL F AQ:

How much does it cost?

Before 4/15/24: $3,0 00 After 4/15/24: $3,500

What's included?

Tuition covers classes and a personalized m anuscript consultation. Housing and transportation are not included, but Lauren is happy to help you find affordable and convenient places to stay.

Class size?

Limited to 18 participants.

Where will classes be located?

In a workshop space in the 11th   arrondissement.  

How do I apply?

Fill out this form !

Other questions?  

Please contact  [email protected]

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COMMENTS

  1. Creative Writing

    CL2100 Introduction To Creative Writing: A Cross-genre Workshop. In this course, students practice writing fiction, creative nonfiction, and poetry while exploring the boundaries between genres. The workshop format includes guided peer critique of sketches, poems, and full-length works presented in class and discussion and analysis of literary ...

  2. Creative Writing Institute

    The Summer Creative Writing Institute offers students opportunities to write and share poetry and fiction under the guidance of a highly accomplished faculty member. At the same time, students will enjoy Paris life and culture while becoming steeped in some of its great literary legacy. Throughout its history, Paris has inspired writers from ...

  3. Creative Writing Summer Workshop

    Program Overview. The Paris Writing Workshop in July is a month-long creative writing workshop taught by four renowned professional writers. Craft classes in the first two weeks are taught in Fiction, Poetry, Travel Writing, Memoir, Personal Essay, Journal Writing, Plays and Screenplays, and Presentation and Performance, while the second half of the month is centered around the writing ...

  4. Creative Writing

    Potts has taught nonfiction writing at Yale University, and he has served as the Paris American Academy writing workshop program director since 2005. Study in Paris. Fashion Design. Interior Design. Fine Arts. Creative Writing. View Programs. About Us. Message from the President.

  5. Creative Writing Institute

    AUP's Summer Creative Writing Institute offers you the opportunity to write and share poetry, fiction, and creative non-fiction, engage in the creative experience of translation under the guidance of a highly accomplished faculty, enjoy Paris life and culture, and steep yourself in the city's great, literary legacy. The Summer Creative ...

  6. Creative Writing (Paris)

    Alongside your creative writing modules, you are encouraged to consider choosing modules from the broad range of options offered our Paris centre. This programme offers students a unique opportunity to find inspiration both in and out of the classroom and to develop a creative voice in the stimulating surroundings of Montparnasse.

  7. Creative Writing, M.A.

    About. Designed with serious, ambitious writers in mind, this innovative and interdisciplinary Creative Writing programme from University of Kent - Paris School of Arts and Culture combines taught modules and a dissertation, and allows you to share your year between Canterbury and Paris. Visit the Visit programme website for more information.

  8. Low-Residency MFA Writers Workshop in Paris

    The MFA Writers Workshop in Paris constitutes an intimate creative apprenticeship that extends beyond traditional classroom walls. Over two years, students and faculty convene regularly in Paris for five intensive ten-day residency periods held biannually in January and July (click here for a sample residency calendar).While in residency in Paris, students participate in a vibrant community ...

  9. Creative Writing

    Overview. Through seminars, tutorials, workshops, and precise editing, you will learn to take control of your own work and write exciting, contemporary material. Alongside your creative writing modules, you are encouraged to consider choosing modules from the broad range of options offered at our Paris School of Arts and Culture.

  10. Creative Writing in France: 2024 Master's Guide

    Studying Creative Writing in France is a great choice, as there are 8 universities that offer Master's degrees on our portal. Over 252,000 international students choose France for their studies, which suggests you'll enjoy a vibrant and culturally diverse learning experience and make friends from all over the world.

  11. Writers in Paris

    Writers in Paris students choose to focus on poetry, fiction, or creative nonfiction, and attend daily writing workshops, craft seminars, and literary readings and events. Writing and reading assignments are designed to encourage immersion in the city. For example, poets might visit the Louvre to write ekphrastic poems or create Parisian street ...

  12. Creative Writing Institute

    The Summer Creative Writing Institute offers students opportunities to write and share poetry and fiction under the guidance of a highly accomplished faculty member. At the same time, students will enjoy Paris life and culture while becoming steeped in some of its great literary legacy.

  13. WICE

    Siret 380 703 595 00039. Where Internationals Connect In English. WICE is an English-speaking community based in Paris that provides a wide array of learning and volunteer opportunities. We run events, courses and social occasions that introduce internationals to Paris through art, culture and language.

  14. Creative Writing in France: 24 Best universities Ranked 2024

    Below is the list of 24 best universities for Creative Writing in France ranked based on their research performance: a graph of 23.9K citations received by 4.18K academic papers made by these universities was used to calculate ratings and create the top. ... New Sorbonne University - Paris III. Ile-de-France | Paris. For Creative Writing # 195 ...

  15. Paris Writing Workshops

    These are the writing workshops available in 2024: Advanced Travel Memoir Workshop with Rolf Potts • Sept. 2-6, 2024. Five-day advanced short course on the art and craft of writing about journeys and places, led by Rolf Potts. Novel Workshop with Lauren Grodstein • July 8-12, 2024. Five-day intensive short course on how to complete and sell ...

  16. Creative Writing, M.A.

    About. The Creative Writing at University of Kent is designed with serious, ambitious writers in mind and combines taught modules and a dissertation. University of Kent. Paris , France. Top 2% worldwide. Studyportals University Meta Ranking. 4.0 Read 115 reviews. How well do you fit this programme?

  17. Creative Writing Certificate: Paris Writing Intensive

    About This Certificate. Parsons Paris and the Creative Writing Program at the Schools of Public Engagement have joined forces to present a non-credit certificate: the Paris Writing Intensive. During the program, students will have a chance to focus on their own creative writing with a fresh perspective by attending a series of in-depth morning writing workshops in the genre of their choice ...

  18. Creative Writing

    The 2024/25 annual tuition fees for this course are: Creative Writing (90 ECTS) - MA at Paris. Creative Writing (120 ECTS) - MA at Paris. For details of when and how to pay fees and charges, please see our Student Finance Guide. For students continuing on this programme fees will increase year on year by no more than RPI + 3% in each academic ...

  19. Write in Paris this Summer

    Summer Creative Writing Institute. Visiting students enrolled in the Summer Creative Writing Institute select a single writing workshop in Poetry, Fiction, or Creative Nonfiction. The three creative writing workshops are designed to help students to read their own work objectively, develop a critical vocabulary, and work deeply on issues of craft.

  20. Most popular universities and programmes to study Creative Writing in

    University of Kent - Paris School of Arts and Culture. Designed with serious, ambitious writers in mind, this innovative and interdisciplinary Creative Writing MA programme at University of Kent - Paris School of Arts and Culture combines taught modules and a dissertation, and allows you to share your year between Canterbury and Paris. Read more.

  21. After the Novel

    For almost twenty years, Lauren has been teaching creative writing in Paris, helping writers like you figure out how to solve their manuscript problems. In this one week course, Lauren will walk you through editing for plot, writing the three-sentence pitch, crafting the perfect query letter, and navigating the agent search.

  22. Writers in Paris

    Writers in Paris (May 24, 2024 - June 22, 2024) students choose to focus on poetry, fiction, or creative nonfiction, and attend daily writing workshops, craft seminars, and literary readings and events. Writing and reading assignments are designed to encourage immersion in the city. For example, poets might visit the Louvre to write ekphrastic ...

  23. Creative Writing Program

    The graduate Creative Writing Program at NYU consists of a community of writers working together in a setting that is both challenging and supportive. Learn More. Low Residency MFA Workshop in Paris. The low-residency MFA Writers Workshop offers students the opportunity to develop their craft in one of the world's most inspiring literary ...