creative writing for book

• NONFICTION BOOKS
• BEST NONFICTION 2023
• BEST NONFICTION 2024
• Historical Biographies
• The Best Memoirs and Autobiographies
• Philosophical Biographies
• World War 2
• World History
• American History
• British History
• Chinese History
• Russian History
• Ancient History (up to 500)
• Medieval History (500-1400)
• Military History
• Art History
• Travel Books
• Ancient Philosophy
• Contemporary Philosophy
• Ethics & Moral Philosophy
• Great Philosophers
• Social & Political Philosophy
• Classical Studies
• New Science Books
• Maths & Statistics
• Popular Science
• Physics Books
• Climate Change Books
• How to Write
• English Grammar & Usage
• Books for Learning Languages
• Linguistics
• Political Ideologies
• Foreign Policy & International Relations
• American Politics
• British Politics
• Religious History Books
• Mental Health
• Neuroscience
• Child Psychology
• Film & Cinema
• Opera & Classical Music
• Behavioural Economics
• Development Economics
• Economic History
• Financial Crisis
• World Economies
• Investing Books
• Artificial Intelligence/AI Books
• Data Science Books
• Sex & Sexuality
• Death & Dying
• Food & Cooking
• Sports, Games & Hobbies
• FICTION BOOKS
• BEST NOVELS 2024
• BEST FICTION 2023
• New Literary Fiction
• World Literature
• Literary Criticism
• Literary Figures
• Classic English Literature
• American Literature
• Comics & Graphic Novels
• Fairy Tales & Mythology
• Historical Fiction
• Crime Novels
• Science Fiction
• Short Stories
• South Africa
• United States
• Arctic & Antarctica
• Afghanistan
• Myanmar (Formerly Burma)
• Netherlands
• Kids Recommend Books for Kids
• High School Teachers Recommendations
• Prizewinning Kids' Books
• Popular Series Books for Kids
• BEST BOOKS FOR KIDS (ALL AGES)
• Ages Baby-2
• Books for Teens and Young Adults
• THE BEST SCIENCE BOOKS FOR KIDS
• BEST KIDS' BOOKS OF 2023
• BEST BOOKS FOR TEENS OF 2023
• Best Audiobooks for Kids
• Environment
• Best Books for Teens of 2023
• Best Kids' Books of 2023
• Political Novels
• New History Books
• New Historical Fiction
• New Biography
• New Memoirs
• New World Literature
• New Economics Books
• New Climate Books
• New Math Books
• New Philosophy Books
• New Psychology Books
• New Physics Books
• THE BEST AUDIOBOOKS
• Actors Read Great Books
• Books Narrated by Their Authors
• Best Audiobook Thrillers
• Best History Audiobooks
• Nobel Literature Prize
• Booker Prize (fiction)
• Baillie Gifford Prize (nonfiction)
• Financial Times (nonfiction)
• Wolfson Prize (history)
• Royal Society (science)
• Pushkin House Prize (Russia)
• Walter Scott Prize (historical fiction)
• Arthur C Clarke Prize (sci fi)
• The Hugos (sci fi & fantasy)
• Audie Awards (audiobooks)

Make Your Own List

Nonfiction Books » Language » Writing Books

The best books on creative writing, recommended by andrew cowan.

The professor of creative writing at UEA says Joseph Conrad got it right when he said that the sitting down is all. He chooses five books to help aspiring writers.

Becoming a Writer by Dorothea Brande

On Becoming a Novelist by John C. Gardner

On Writing: A Memoir of the Craft by Stephen King

The Forest for the Trees by Betsy Lerner

Worstward Ho by Samuel Beckett

1 Becoming a Writer by Dorothea Brande

2 on becoming a novelist by john c. gardner, 3 on writing: a memoir of the craft by stephen king, 4 the forest for the trees by betsy lerner, 5 worstward ho by samuel beckett.

How would you describe creative writing?

But because it is in academia there is all this paraphernalia that has to go with it. So you get credits for attending classes. You have to do supporting modules; you have to be assessed. If you are doing an undergraduate degree you have to follow a particular curriculum and only about a quarter of that will be creative writing and the rest will be in the canon of English literature . If you are doing a PhD you have to support whatever the creative element is with a critical element. So there are these ways in which academia disciplines writing and I think of that as Creative Writing with a capital C and a capital W. All of us who teach creative writing are doing it, in a sense, to support our writing, but it is also often at the expense of our writing. We give up quite a lot of time and mental energy and also, I think, imaginative and creative energy to teach.

Your first choice is Dorothea Brande’s Becoming a Writer , which for someone writing in 1934 sounds pretty forward thinking.

Because creative writing has now taken off and has become this very widespread academic discipline it is beginning to acquire its own canon of key works and key texts. This is one of the oldest of them. It’s a book that almost anyone who teaches creative writing will have read. They will probably have read it because some fundamentals are explained and I think the most important one is Brande’s sense of the creative writer being comprised of two people. One of them is the artist and the other is the critic.

Actually, Malcolm Bradbury who taught me at UEA, wrote the foreword to my edition of Becoming a Writer , and he talks about how Dorothea Brande was writing this book ‘in Freudian times’ – the 1930s in the States. And she does have this very Freudian idea of the writer as comprised of a child artist on the one hand, who is associated with spontaneity, unconscious processes, while on the other side there is the adult critic making very careful discriminations.

And did she think the adult critic hindered the child artist?

No. Her point is that the two have to work in harmony and in some way the writer has to achieve an effective balance between the two, which is often taken to mean that you allow the artist child free rein in the morning. So you just pour stuff on to the page in the morning when you are closest to the condition of sleep. The dream state for the writer is the one that is closest to the unconscious. And then in the afternoon you come back to your morning’s work with your critical head on and you consciously and objectively edit it. Lots of how-to-write books encourage writers to do it that way. It is also possible that you can just pour stuff on to the page for days on end as long as you come back to it eventually with a critical eye.

Get the weekly Five Books newsletter

Good! Your next book, John Gardner’s On Becoming a Novelist , is described as comfort food for the aspiring novelist.

This is another one of the classics. He was quite a successful novelist in the States, but possibly an even more successful teacher of creative writing. The short story writer and poet Raymond Carver, for instance, was one of his students. And he died young in a motorcycle accident when he was 49. There are two classic works by him. One is this book, On Becoming a Novelist , and the other is The Art of Fiction: Notes on Craft for Young Writers . They were both put together from his teaching notes after he died.

On Becoming a Novelist  is the more succinct and, I think, is the better of the two. He talks about automatic writing and the idea, just like Dorothea Brande, of the artist being comprised of two people. But his key idea is the notion of the vivid and continuous dream. He suggests that when we read a novel we submit to the logic of that novel in the same way as we might submit to the logic of a dream – we sink into it, and clearly the events that occur could not exist outside the imagination.

What makes student writing in particular go wrong is when it draws attention to itself, either through bad writing or over-elaborate writing. He suggests that these faults in the aspirant writer alert the reader to the fact that they are reading a fiction and it is a bit like giving someone who is dreaming a nudge. It jolts them out of the dream. So he proposes that the student writer should try to create a dream state in the reader that is vivid and appeals to all the senses and is continuous. What you mustn’t do is alert the reader to the fact that they are reading a fiction.

It is a very good piece of advice for writers starting out but it is ultimately very limiting. It rules out all the great works of modernism and post-modernism, anything which is linguistically experimental. It rules out anything which draws attention to the words as words on a page. It’s a piece of advice which really applies to the writing of realist fiction, but is a very good place from which to begin.

And then people can move on.

I never would have expected the master of terror Stephen King to write a book about writing. But your next choice, On Writing , is more of an autobiography .

Yes. It is a surprise to a lot of people that this book is so widely read on university campuses and so widely recommended by teachers of writing. Students love it. It’s bracing: there’s no nonsense. He says somewhere in the foreword or preface that it is a short book because most books are filled with bullshit and he is determined not to offer bullshit but to tell it like it is.

It is autobiographical. It describes his struggle to emerge from his addictions – to alcohol and drugs – and he talks about how he managed to pull himself and his family out of poverty and the dead end into which he had taken them. He comes from a very disadvantaged background and through sheer hard work and determination he becomes this worldwide bestselling author. This is partly because of his idea of the creative muse. Most people think of this as some sprite or fairy that is usually feminine and flutters about your head offering inspiration. His idea of the muse is ‘a basement guy’, as he calls him, who is grumpy and turns up smoking a cigar. You have to be down in the basement every day clocking in to do your shift if you want to meet the basement guy.

Stephen King has this attitude that if you are going to be a writer you need to keep going and accept that quite a lot of what you produce is going to be rubbish and then you are going to revise it and keep working at it.

Do you agree with him?

He sounds inspirational. Your next book, Betsy Lerner’s The Forest for the Trees , looks at things from the editor’s point of view.

Yes, she was an editor at several major American publishing houses, such as Simon & Schuster. She went on to become an agent, and also did an MFA in poetry before that, so she came through the US creative writing process and understands where many writers are coming from.

The book is divided into two halves. In the second half she describes the process that goes from the completion of the author’s manuscript to submitting it to agents and editors. She explains what goes on at the agent’s offices and the publisher’s offices. She talks about the drawing up of contracts, negotiating advances and royalties. So she takes the manuscript from the author’s hands, all the way through the publishing process to its appearance in bookshops. She describes that from an insider’s point of view, which is hugely interesting.

But the reason I like this book is for the first half of it, which is very different. Here she offers six chapters, each of which is a character sketch of a different type of author. She has met each of them and so although she doesn’t mention names you feel she is revealing something to you about authors whose books you may have read. She describes six classic personality types. She has the ambivalent writer, the natural, the wicked child, the self-promoter, the neurotic and a chapter called ‘Touching Fire’, which is about the addictive and the mentally unstable.

Your final choice is Worstward Ho by Samuel Beckett .

This is a tiny book – it is only about 40 pages and it has got these massive white margins and really large type. I haven’t counted, but I would guess it is only about two to three thousand words and it is dressed up as a novella when it is really only a short story. On the first page there is this riff: ‘Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.’

Support Five Books

Five Books interviews are expensive to produce. If you're enjoying this interview, please support us by donating a small amount .

When I read this I thought I had discovered a slogan for the classroom that I could share with my students. I want to encourage them to make mistakes and not to be perfectionists, not to feel that everything they do has to be of publishable standard. The whole point of doing a course, especially a creative writing MA and attending workshops, is that you can treat the course as a sandpit. You go in there, you try things out which otherwise you wouldn’t try, and then you submit it to the scrutiny of your classmates and you get feedback. Inevitably there will be things that don’t work and your classmates will help you to identify those so that you can take it away and redraft it – you can try again. And inevitably you are going to fail again because any artistic endeavour is doomed to failure because the achievement can never match the ambition. That’s why artists keep producing their art and writers keep writing, because the thing you did last just didn’t quite satisfy you, just wasn’t quite right. And you keep going and trying to improve on that.

But why, when so much of it is about failing – failing to get published, failing to be satisfied, failing to be inspired – do writers carry on?

I have a really good quote from Joseph Conrad in which he says the sitting down is all. He spends eight hours at his desk, trying to write, failing to write, foaming at the mouth, and in the end wanting to hit his head on the wall but refraining from that for fear of alarming his wife!

It’s a familiar situation; lots of writers will have been there. For me it is a kind of obsessive-compulsive disorder. It is something I have to keep returning to. I have to keep going back to the sentences, trying to get them right. Trying to line them up correctly. I can’t let them go. It is endlessly frustrating because they are never quite right.

You have published four books. Are you happy with them?

Reasonably happy. Once they are done and gone I can relax and feel a little bit proud of them. But at the time I just experience agonies. It takes me ages. It takes me four or five years to finish a novel partly because I always find distractions – like working in academia – something that will keep me away from the writing, which is equally as unrewarding as it is rewarding!

September 27, 2012

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

Andrew Cowan

Andrew Cowan is Professor of Creative Writing and Director of the Creative Writing programme at UEA. His first novel, Pig , won the Sunday Times Young Writer of the Year Award, the Betty Trask Award, the Ruth Hadden Memorial Prize, the Author’s Club First Novel Award and a Scottish Council Book Award. He is also the author of the novels Common Ground , Crustaceans ,  What I Know  and  Worthless Men . His own creative writing guidebook is  The  Art  of  Writing  Fiction .

We ask experts to recommend the five best books in their subject and explain their selection in an interview.

This site has an archive of more than one thousand seven hundred interviews, or eight thousand book recommendations. We publish at least two new interviews per week.

Five Books participates in the Amazon Associate program and earns money from qualifying purchases.

© Five Books 2024

The 20+ Best Books on Creative Writing

If you’ve ever wondered, “How do I write a book?”, “How do I write a short story?”, or “How do I write a poem?” you’re not alone. I’m halfway done my MFA program at Vermont College of Fine Arts , and I ask myself these questions a lot, too, though I’m noticing that by now I feel more comfortable with the answers that fit my personal craft. Fortunately, you don’t need to be a Master’s of Fine Arts in Writing candidate, or even a college graduate, in order to soak up the great Wisdom of Words, as I like to call it. Another word for it is craft . That’s because there are so many great books out there on writing craft. In this post, I’ll guide you through 20+ of the most essential books on creative writing. These essential books for writers will teach you what you need to know to write riveting stories and emotionally resonant books—and to sell them.

I just also want to put in a quick plug for my post with the word count of 175 favorite novels . This resource is helpful for any writer.

Now, with that done… Let’s get to it!

What Made the List of Essential Books for Writers—and What Didn’t

So what made the list? And what didn’t?

Unique to this list, these are all books that I have personally used in my journey as a creative and commercial writer.

That journey started when I was 15 and extended through majoring in English and Creative Writing as an undergrad at UPenn through becoming a freelance writer in 2014, starting this book blog, pursuing my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts , and publishing some fiction and nonfiction books myself . My point here is not to boast, just to explain that these books have all helped me better understand and apply the craft, discipline, and business of writing over the course of more than half my life as I’ve walked the path to become a full-time writer. Your mileage my vary , but each of these books have contributed to my growth as a writer in some way. I’m not endorsing books I’ve never read or reviewed. This list comes from my heart (and pen!).

Most of these books are geared towards fiction writers, not poetry or nonfiction writers

It’s true that I’m only one human and can only write so much in one post. Originally, I wanted this list to be more than 25 books on writing. Yes, 25 books! But it’s just not possible to manage that in a single post. What I’ll do is publish a follow-up article with even more books for writers. Stay tuned!

The most commonly recommended books on writing are left out.

Why? Because they’re everywhere! I’m aiming for under-the-radar books on writing, ones that aren’t highlighted often enough. You’ll notice that many of these books are self-published because I wanted to give voice to indie authors.

But I did want to include a brief write-up of these books… and, well, you’ve probably heard of them, but here are 7 of the most recommended books on writing:

The Artist’s Way by Julia Cameron – With her guided practice on how to rejuvenate your art over the course of 16 weeks, Cameron has fashioned an enduring classic about living and breathing your craft (for artists as well as writers). This book is perhaps best known for popularizing the morning pages method.

The Art of Fiction by John Gardner – If you want to better understand how fiction works, John Gardner will be your guide in this timeless book.

Bird by Bird by Anne Lamott – A beloved writing book on process, craft, and overcoming stumbling blocks (both existential and material).

On Writing by Stephen King – A must-read hybrid memoir-craft book on the writer mythos and reality for every writer.

Reading Like a Writer by Francine Prose – A core writing book that teaches you how to read with a writer’s eye and unlock the ability to recognize and analyze craft for yourself.

Steering the Craft by Ursula K. Le Guin – Many writers consider this to be their bible on craft and storytelling.

Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg – A favorite of many writers, this book takes an almost spiritual approach to the art, craft, and experience of writing.

I’m aiming for under-the-radar books on writing on my list.

These books are all in print.

Over the years, I’ve picked up several awesome books on creative writing from used bookstores. Oh, how I wish I could recommend these! But many of them are out of print. The books on this list are all available new either as eBooks, hardcovers, or paperbacks. I guess this is the right time for my Affiliate Link disclaimer:

This article contains affiliate links, which means I might get a small portion of your purchase. For more on my affiliate link policy, check out my official Affiliate Link Disclaimer .

You’ll notice a lot of the books focus on the business of writing.

Too often, money is a subject that writers won’t talk about. I want to be upfront about the business of writing and making a living as a writer (or not ) with these books. It’s my goal to get every writer, even poets!, to look at writing not just from a craft perspective, but from a commercial POV, too.

And now on to the books!

Part i: the best books on writing craft, the anatomy of story by john truby.

For you if: You want to develop an instinctive skill at understanding the contours of storytelling .

All I want to do as a writer, my MO, is tell good stories well. It took me so long to understand that what really matters to me is good storytelling. That’s it—that’s the essence of what we do as writers… tell good stories well. And in The Anatomy of Story , legendary screenwriting teacher John Truby takes you through story theory. This book is packed with movie references to illustrate the core beat points in story, and many of these example films are actually literary adaptations, making this a crossover craft book for fiction writers and screenwriters alike.

How to read it: Purchase The Anatomy of Story on Amazon and add it on Goodreads

The art of memoir by mary karr.

For you if: You’re writing a memoir book or personal essays .

Nobody is a better person to teach memoir writing than Mary Karr, whose memoirs The Liar’s Club and Lit are considered classics of the genre. In The Art of Memoir , Karr delivers a master class on memoir writing, adapted from her experience as a writer and a professor in Syracuse’s prestigious MFA program. What I love about this book as an aspiring memoirist is Karr’s approach, which blends practical, actionable advice with more bigger-picture concepts on things like truth vs. fact in memoir storytelling. Like I said in the intro to this list, I didn’t include many nonfiction and poetry books on this list, but I knew I had to make an exception for The Art of Memoir .

How to read it: Purchase The Art of Memoir on Amazon and add it on Goodreads

The emotional craft of fiction by donald maass.

For you if: Plot isn’t your problem, it’s character .

From literary agent Donald Maass, The Emotional Craft of Fiction gives you the skill set you need to master emotionally engaging fiction. Maass’s technique is to show you how readers get pulled into the most resonant, engaging, and unforgettable stories: by going through an emotional journey nimbly crafted by the author. The Emotional Craft of Fiction is a must-have work of craft to balance more plot-driven craft books.

How to read it: Purchase the The Emotional Craft of Fiction on Amazon and add it on Goodreads

How to Write Using the Snowflake Method by Randy Ingermanson

For you if: You need a quick-and-dirty plotting technique that’s easy to memorize .

I first heard of the “Snowflake Method” in the National Novel Writing Month forums (which, by the way, are excellent places for finding writing craft worksheets, book recommendations, and online resources). In How to Write a Novel Using the Snowflake Method , the Snowflake Method is introduced by its creator. This quick yet thorough plotting and outlining structure is humble and easy to master. If you don’t have time to read a bunch of books on outlining and the hundreds of pages that would require, check out How to Write a Novel Using the Snowflake Method for a quick, 235-page read.

How to read it: Purchase How to Write a Novel Using the Snowflake Method on Amazon and add it on Goodreads

Meander, spiral, explode: design and pattern in narrative by jane alison.

For you if: You want to do a deep dive understanding of the core theory of story, a.k.a. narrative.

A most unconventional writing craft book, Meander, Spiral, Explode offers a theory of narrative (story) as recognizable patterns. According to author Jane Alison, there are three main narrative narratives in writing: meandering, spiraling, and exploding. This cerebral book (chock full of examples!) is equal parts seminar on literary theory as it is craft, and it will make you see and understand storytelling better than maybe any book on this list.

How to read it: Purchase Meander, Spiral, Explode on Amazon and add it on Goodreads

The modern library writer’s workshop by stephen koch.

For you if: You’re wondering what it means to be the writer you want to become .

This is one of the earliest creative writing books I ever bought and it remains among the best I’ve read. Why? Reading The Modern Library Writer’s Workshop echoes the kind of mind-body-spirit approach you need to take to writing. The Modern Library Writer’s Workshop doesn’t teach you the nuts and bolts of writing as much as it teaches you how to envision the machine. Koch zooms out to big picture stuff as much as zeroes in on the little details. This is an outstanding book about getting into the mindset of being a writer, not just in a commercial sense, but as your passion and identity. It’s as close as you’ll get to the feel of an MFA in Fiction education.

How to read it: Purchase The Modern Library Writer’s Workshop on Amazon and add it on Goodreads

Romancing the beat by gwen hayes.

For you if: You write or edit the romance genre and want a trusted plotting strategy to craft the perfect love story .

If you’re writing romance, you have to get Gwen Hayes’s Romancing the Beat . This book breaks down the plot points or “beats” you want to hit when you’re crafting your romance novel. When I worked as a romance novel outliner (yes, a real job), our team used Romancing the Beat as its bible; every outline was structured around Hayes’s formula. For romance writers (like myself) I cannot endorse it any higher.

How to read it: Purchase Romancing the Beat on Amazon and add it on Goodreads

Save the cat writes a novel by jessica brody.

For you if: You have big ideas for a plot but need to work on the smaller moments that propel stories .

Jessica Brody’s Save the Cat! Writes a Novel adapts Blake Snyder’s bestselling screenwriting book Save the Cat! into story craft for writing novels. Brody reworks the Save the Cat! methodology in actionable, point-by-point stages of story that are each explained with countless relevant examples. If you want to focus your efforts on plot, Save the Cat! Writes a Novel is an excellent place to go to start learning the ins and outs of what makes a good story.

How to read it: Purchase Save the Cat! Writes a Novel on Amazon and add it on Goodreads

Story genius by lisa cron.

For you if: You’re a pantser and are terrified at outlining yet also realize you might have a “plot problem .”

More than any other book, Lisa Cron’s Story Genius will get you where you need to go for writing amazing stories. Story Genius helps you look at plotting differently, starting from a point of characterization in which our protagonists have a clearly defined need and misbelief that play off each other and move the story forward from an emotional interior and action exterior standpoint. For many of my fellow MFA students—and myself— Story Genius is the missing link book for marrying plot and character so you innately understand the contours of good story.

How to read it: Purchase Story Genius on Amazon and add it on Goodreads

Wonderbook: the illustrated guide to creating imaginative fiction by jeff vandermeer.

For you if: You’re writing in a speculative fiction genre—like science fiction, fantasy, or horror—or are trying to better understand those genres.

Jeff VanderMeer’s Wonderbook is a dazzling gem of a book and a can’t-miss-it writing book for sci-fi, fantasy, and horror writers. This book will teach you all the skills you need to craft speculative fiction, like world-building, with micro-lessons and close-reads of excellent works in these genres. Wonderbook is also one to linger over, with lavish illustrations and every inch and corner crammed with craft talk for writing imaginative fiction (sometimes called speculative fiction). And who better to guide you through this than Jeff VanderMeer, author of the popular Southern Reach Trilogy, which kicks off with Annihilation , which was adapted into a feature film.

How to read it: Purchase Wonderbook on Amazon and add it on Goodreads

Writing picture books by ann whitford paul.

For you if: You’re looking to write picture books and/or understand how they work .

This book is the only one you need to learn how to write and sell picture books. As an MFA student studying children’s literature, I’ve consulted with this book several times as I’ve dipped my toes into writing picture books, a form I considered scary and intimidating until reading this book. Writing Picture Books should be on the shelf of any writer of children’s literature. a.k.a. “kid lit.”

How to read it: Purchase Writing Picture Books on Amazon and add it on Goodreads

Writing with emotion, conflict, and tension by cheryl st. john.

For you if: You need to work on the conflict, tension, and suspense that keep readers turning pages and your story going forward .

Mmm, conflict. As I said earlier, it’s the element of fiction writing that makes a story interesting and a key aspect of characterization that is underrated. In Writing with Emotion, Tension, and Conflict , bestselling romance author Cheryl St. John offers a masterclass on the delicate dance between incorporating conflict, the emotions it inspires in characters, and the tension that results from those two factors.

How to read it: Purchase Writing with Emotion, Tension, and Conflict on Amazon and add it on Goodreads

Part ii: the best books on the productivity, mfas, and the business of writing, 2k to 10k: writing faster, writing better, and writing more of what you love by rachel aaron.

For you if: You struggle to find the time to write and always seem to be a chapter or two behind schedule .

If you’re struggling to find time of your own to write with competing obligations (family, work, whatever) making that hard, you need Rachel Aaron’s 2k to 10k . This book will get you in shape to go from writing just a few words an hour to, eventually, 10,000 words a day. Yes, you read that right. 10,000 words a day. At that rate, you can complete so many more projects and publish more. Writers simply cannot afford to waste time if they want to keep up the kind of production that leads to perpetual publication. Trust me, Aaron’s method works. It has for me. I’m on my way to 10k in the future, currently at like 4 or 5k a day for me at the moment.

How to read it: Purchase 2k to 10k on Amazon and add it on Goodreads

The 3 a.m. epiphany by brian kitele.

For you if: You’re going through writer’s block, have been away from writing for a while, or just want to loosen up and try something new .

Every writer must own an an exercise or prompt book. Why? Because regularly practicing your writing by going outside your current works-in-progress (or writer’s block) will free you up, help you plant the seeds for new ideas, and defrost your creative blocks. And the best book writing exercise book I know is The 3 A.M. Epiphany by Brian Kiteley, an MFA professor who uses prompts like these with his grad students. You’ll find that this book (and its sequel, The 4 A.M. Breakthrough ) go beyond cutesy exercises and forces you to push outside your comfort zone and learn something from the writing you find there.

How to read it: Purchase The 3 A.M. Epiphany on Amazon and add it on Goodreads

The 4-hour workweek by timothy ferriss.

For you if: You think being a writer means you have to be poor .

The 4-Hour Workweek changed my life. Although not strictly about writing in the traditional sense, The 4-Hour Workweek does an excellent job teaching you about how passive income can offer you freedom. I first heard about The 4-Hour Workweek when I was getting into tarot in 2013. On Biddy Tarot , founder Brigit (author of some of the best books on tarot ) related how she read this book, learned how to create passive income, and quit her corporate job to read tarot full time. As a person with a total and permanent disability, this spoke to me because it offered a way out of the 9-to-5 “active” income that I thought was the only way. I picked up Ferriss’s book and learned that there’s more than one option, and that passive income is a viable way for me to make money even when I’m too sick to work. I saw this come true last year when I was in the hospital. When I got out, I checked my stats and learned I’d made money off my blog and books even while I was hospitalized and couldn’t do any “active” work. I almost cried.; I’ve been working on my passive income game since 2013, and I saw a return on that time investment when I needed it most.

That’s why I’m recommending The 4-Hour Workweek to writers. So much of our trade is producing passive income products. Yes, your books are products! And for many writers, this means rewiring your brain to stop looking at writing strictly as an art that will leave you impoverished for life and start approaching writing as a business that can earn you a real living through passive income. No book will help you break out of that mindset better than The 4-Hour Workweek and its actionable steps, proven method, and numerous examples of people who have followed the strategy and are living the lifestyle they’ve always dreamed of but never thought was possible.

How to read it: Purchase The 4-Hour Workweek on Amazon and add it on Goodreads

Before and After the Book Deal: A Writer’s Guide to Finishing, Publishing, Promoting, and Surviving Your First Book by Courtney Maum

For you if: You’re serious about making a living as a writer and publishing with a Big 5 or major indie publisher .

Courtney Maum’s Before and After the Book Deal addresses exactly what its title suggests: what happens after you sell your first book. This book is for ambitious writers intent on submission who know they want to write and want to avoid common pitfalls while negotiating terms and life after your debut. As many published authors would tell you, the debut is one thing, but following that book up with a sustainable, successful career is another trick entirely. Fortunately, we have Maum’s book, packed with to-the-moment details and advice.

How to read it: Purchase Before and After the Book Deal on Amazon and add it on Goodreads

Diy mfa: write with focus, read with purpose, build your community by gabriela pereira.

For you if: You’re stressed out wondering if you really need an MFA .

The MFA is under this header “business of writing” because it is absolutely an economic choice you make. And, look, I’m biased. I’m getting an MFA. But back when I was grappling with whether or not it was worth it—the debt, the time, the stress—I consulted with DIY MFA , an exceptional guide to learning how to enrich your writing craft, career, and community outside the structures of an MFA program. I’ve also more than once visited the companion site, DIYMFA.com , to find a kind of never-ending rabbit hole of new and timeless content on the writing life. On DIYMFA.com and in the corresponding book, you’ll find a lively hub for author interviews, writing craft shop talk, reading lists, and business of writing articles.

How to read it: Purchase DIY MFA on Amazon and add it on Goodreads

Mfa vs. nyc by chad harbach.

For you if: You’re wondering how far an MFA really gets you—and you’re ready to learn the realities of the publishing world .

About a thousand years ago (well, in 2007), I spent the fall of my sophomore year of college as a “Fiction Submissions and Advertising Intern” for the literary magazine n+1 , which was co-founded by Chad Harbach, who you might know from his buzzy novel, The Art of Fielding . In MFA vs NYC , Harbach offers his perspective as both an MFA graduate and someone deeply enmeshed in the New York City publishing industry. This thought-provoking look at these two arenas that launch writers will pull the wool up from your eyes about how publishing really works . It’s not just Harbach’s voice you get in here, though. The book, slim but mighty, includes perspectives from the likes of George Saunders and David Foster Wallace in the MFA camp and Emily Gould and Keith Gessen speaking to NYC’s writing culture.

How to read it: Purchase MFA vs. NYC on Amazon and add it on Goodreads

Scratch: writers, money, and the art of making a living – edited by manjula martin.

For you if: a) You’re worried about how to balance writing with making a living; b) You’re not worried about how to balance writing with making a living .

Scratch: Writers, Money, and the Art of Making a Living is alternately one of the most underrated and essential books on writing out there. This collection of personal essays and interviews all revolve around the taboo theme of how writers make their living, and it’s not always—indeed, rarely—through writing alone. Some of the many contributing authors include Cheryl Strayed ( Wild ), Alexander Chee ( How to Write an Autobiographical Novel ), Jennifer Weiner ( Mrs. Everything ), Austin Kleon ( Steal Like an Artist ), and many others. Recently a young woman asked me for career advice on being a professional freelance writer, and I made sure to recommend Scratch as an eye-opening and candid read that is both motivating and candid.

How to read it: Purchase Scratch: Writers, Money, and the Art of Making a Living on Amazon and add it on Goodreads

Write to market: deliver a book that sells by chris fox.

For you if: You don’t know why your books aren’t selling—and you want to start turning a profit by getting a real publishing strategy

So you don’t have to be an indie author to internalize the invaluable wisdom you’ll find here in Write to Market . I first heard about Write to Market when I first joined the 20Booksto50K writing group on Facebook , a massive, supportive, motivating community of mostly indie authors. Everyone kept talking about Write to Market . I read the book in a day and found the way I looked at publishing change. Essentially, what Chris Fox does in Write to Market is help you learn to identify what are viable publishing niches. Following his method, I’ve since published several successful and #1 bestselling books in the quotations genre on Amazon . Without Fox’s book, I’m not sure I would have gotten there on my own.

How to read it: Purchase Write to Market on Amazon and add it on Goodreads

And that’s a wrap what are some of your favorite writing books, share this:, you might be interested in.

• Four Romance Writing Tips from TITANIC

October 2023 Recommended Reads

Learn How to Read Tea Leaves with the Best Tea Leaf Reading Books

• Latest posts

Sarah S. Davis is the founder of Broke by Books, a blog about her journey as a schizoaffective disorder bipolar type writer and reader. Sarah's writing about books has appeared on Book Riot, Electric Literature, Kirkus Reviews, BookRags, PsychCentral, and more. She has a BA in English from the University of Pennsylvania, a Master of Library and Information Science from Clarion University, and an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.

• 5 Books I'm Looking Forward to This Summer

The Best Books of 2023

15 best new christmas romance books for 2023.

15 Best New Books for Nature Lovers

85 Roald Dahl Quotes from 10 of His Best Books

Latest from book lists.

5 Books I’m Looking Forward to This Summer

I’m back to blogging! It’s been an eventful last sixteen months as

Welcome to my roundup of the Best Books of 2023! Wow, can

In this list of the best new Christmas romance books for 2023,

If you want to learn how to read tea leaves, there’s no

The 30 Best Politics Books of All Time

The best politics books of all time capture the drama of political

• Writing, Research & Publishing Guides

Fulfillment by Amazon (FBA) is a service we offer sellers that lets them store their products in Amazon's fulfillment centers, and we directly pack, ship, and provide customer service for these products. Something we hope you'll especially enjoy: FBA items qualify for FREE Shipping and Amazon Prime.

If you're a seller, Fulfillment by Amazon can help you grow your business. Learn more about the program.

Sorry, there was a problem.

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required .

Read instantly on your browser with Kindle for Web.

Using your mobile phone camera - scan the code below and download the Kindle app.

Image Unavailable

• To view this video download Flash Player

Follow the author

Creative Writing For Dummies 1st Edition

There is a newer edition of this item:.

Creative Writing For Dummies covers:

Part I: Getting started

• Chapter 1: Can Everyone Write?
• Chapter 2: Getting into the Write Mind
• Chapter 3: Finding the Material to work with

Part II: The Elements of Creative Writing

• Chapter 4: Creating Characters
• Chapter 5: Discovering Dialogue
• Chapter 6: Who is telling the story?
• Chapter 7: Creating your own world
• Chapter 8: Plotting your way
• Chapter 9: Creating a Structure
• Chapter 10: Rewriting and editing

Part III: Different Kinds of Fiction Writing

• Chapter 11: Short stories
• Chapter 12: Novels
• Chapter 13: Writing for children
• Chapter 14: Plays
• Chapter 15: Screenplays
• Chapter 16: Poetry

Part IV: Different kinds of Non-fiction writing

• Chapter 17: Breaking into journalism - Writing articles/ magazine writing
• Chapter 18: Writing from life and autobiography
• Chapter 19: Embroidering the facts: Narrative non-fiction
• Chapter 20: Exploring the world from your armchair - Travel writing
• Chapter 21: Blogging – the new big thing

Part V: Finding an audience

• Chapter 22: Finding editors/ publishers/ agents
• Chapter 23: Becoming a professional

Part VI: Part of Tens

• Chapter 24: Ten top tips for writers
• Chapter 25: Ten ways to get noticed
• ISBN-10 0470742917
• ISBN-13 978-0470742914
• Edition 1st
• Publisher For Dummies
• Publication date January 1, 2012
• Language English
• Dimensions 7.75 x 0.75 x 9.75 inches
• Print length 386 pages
• See all details

Similar items that may deliver to you quickly

Customer reviews

Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.

Customers say

Customers find the book very informative and well written. They also mention that it includes everything.

AI-generated from the text of customer reviews

Customers find the book very informative, pragmatic, and full of great prompts, suggestions, and observations. They also say it provides motivation and encouragement and is helpful for newbie writers.

"A good primer and a good refresher ...." Read more

"...This book gives you the motivation and encouragement you need . THANKYOU." Read more

"Has been helpful with information that guides me to improve my writing skilla" Read more

"...details I'd never thought I'd need to know; all the information is very meaningful ...." Read more

Customers find the writing style well-written and amazing. They also say it's a good start to getting into writing.

"...The book is easy to read . Dirty up the pages with margin notes, yellow highlighting, and dog-earing important stuff." Read more

"I like this because it's well written and seems to include everything. Bear in mind that I haven't read the entire book...." Read more

"AMAZING.. GOOD START TO GET INTO WRITING ...." Read more

• Sort reviews by Top reviews Most recent Top reviews

Top reviews from the United States

There was a problem filtering reviews right now. please try again later..

Top reviews from other countries

• Amazon Newsletter
• About Amazon
• Accessibility
• Sustainability
• Press Center
• Investor Relations
• Amazon Devices
• Amazon Science
• Sell on Amazon
• Sell apps on Amazon
• Supply to Amazon
• Protect & Build Your Brand
• Become an Affiliate
• Become a Delivery Driver
• Start a Package Delivery Business
• Advertise Your Products
• Self-Publish with Us
• Become an Amazon Hub Partner
• › See More Ways to Make Money
• Amazon Visa
• Amazon Store Card
• Amazon Secured Card
• Amazon Business Card
• Shop with Points
• Credit Card Marketplace
• Reload Your Balance
• Amazon Currency Converter
• Your Account
• Your Orders
• Shipping Rates & Policies
• Amazon Prime
• Returns & Replacements
• Manage Your Content and Devices
• Recalls and Product Safety Alerts

• Conditions of Use
• Privacy Notice
• Consumer Health Data Privacy Disclosure
• Your Ads Privacy Choices

• Best Books 2023
• My book DNA
• Love audiobooks? Try Audible Plus for free!
• For Authors

The most recommended creative writing books

Who picked these books meet our 45 experts..

Mark David Gerson Author

Susan C. Conley Author

Bridget van der Zijpp Author

Valerie Howard Author

Liz Kinchen Author

Kyoko Mori Author

What type of creative writing book?

• ✓ Serendipity
• Most recommended
• Newest books
• Oldest books

Filter Creative writing books

• Fiction (8)
• Nonfiction (33)
• Action & adventure (1)
• American (2)
• Anthropology (1)
• Biography & autobiography (3)
• Business (1)
• Cartooning (1)
• Creativity (1)
• Detective (3)
• Education (2)
• Fiction writing (5)
• Grammar & punctuation (1)
• Graphic novels (2)
• Hard-boiled mystery (1)
• History (1)
• Iceland & Greenland (1)
• Intermediate readers (1)
• Journalism (1)
• Literary (3)
• Memory improvement (1)
• Multicultural (1)
• Mystery (3)
• Nonfiction writing (4)
• Nordic countries (1)
• People with disabilities (1)
• Personal growth (1)
• Polar regions (1)
• Psychological (1)
• Publishers & publishing industry (1)
• Reference (5)
• Rhetoric (1)
• Screenwriting (2)
• Self help (2)
• Self-esteem (1)
• Self-reliance (1)
• Stress management (1)
• Suspense (2)
• Suspense thriller (2)
• Thriller (2)
• Women's fiction (1)
• Writing (23)
• Writing skills (2)
• Aesthetics (1)
• Artistic creation (1)
• Boarding school (1)
• Brainstorming (1)
• British Army (1)
• Broadway theatre (1)
• Character arc (2)
• Contract killing (1)
• Creativity (2)
• Criminal (1)
• English language (2)
• Epic poetry (1)
• Fine art (1)
• Freelancer (1)
• George Lucas (1)
• Greenland (1)
• Hungary (1)
• Imagination (1)
• Independent music (2)
• Interior design (1)
• James Baldwin (1)
• Journalist (1)
• Mathematician (1)
• Metamorphosis (1)
• Metaphor (1)
• Musical theatre (1)
• Muslims (1)
• Nashville, Tennessee (1)
• New York City (1)
• Performing arts (1)
• Playwright (1)
• Rhetoric (3)
• Screenplay (4)
• Story arc (1)
• Storytelling (3)
• Teacher student relationship (1)
• United Kingdom (2)
• Writer's block (2)
• Writing (9)
• Children (1)
• Middle school (1)
• 4 year old (1)
• 5 year old (1)
• 6 year old (1)
• 7 year old (1)
• 8 year old (1)
• Preschool (1)
• Kindergarten (1)
• 1st grade (1)
• 2nd grade (1)
• 3rd grade (1)
• New books (2)
• Published 2022 (2)

Steering the Craft

By Ursula K. Le Guin ,

From my list on unlikely books to help you through creative blocks .

Why am I passionate about this?

Ask successful authors how they started writing, and many will tell you that they always wanted to write. Not me! In fact, through most of my first 35 years, I resisted engaging with anything even remotely creative. I wouldn’t have called it “writer’s block” back then because, having no conscious desire to be a writer, how I could I be blocked? Yet writer’s block is what it was. That I was ultimately able to recognize it as such and get past it has given me a unique perspective on others’ writing challenges, as well as the skill and compassion to help them free up their innate creative potential.

Mark's book list on unlikely books to help you through creative blocks

Why did Mark love this book?

As with Madeleine L’Engle, everything I’ve read by Ursula K. Le Guin—fiction as well as nonfiction—has radically influenced my writing and my teaching of writing. In fact, her impact on my creative awakening was so profound that I sent her a copy of my first book as a thank you! Steering the Craft is filled with wisdom and exercises for both new and seasoned writers, but perhaps the most liberating for blocked writers is her controversial view that “story” is defined by “change” not “conflict.” That’s especially welcoming for writers who feel hemmed in (and, perhaps, blocked) by the traditional definition.

1 author picked Steering the Craft as one of their favorite books, and they share why you should read it .

• Books like Steering the Craft
• Book lists with this book
• Why do people like this book?
• Creative writing
• Writer's block
• Screenplays
• Coming soon!
• Bookshop.org

By Rachel Cusk ,

From my list on women who travel far from home to gain perspective .

Bridget's book list on women who travel far from home to gain perspective

Why did Bridget love this book?

This book, the first in Rachel Cusk’s famous trilogy, was a revelation to me because it feels so radically unstructured but at the same time is fascinating in its form.

The narrator travels to Athens to teach a summer writing course but the details about her are kept so sketchy that we only really get to know her through the way she receives what others tell her. Faye is brilliantly observant, and only gradually do you begin to realise, as a reader, that the author is subtly meditating on a series of themes through these conversations, mostly about disappointments and divorces.

2 authors picked Outline as one of their favorite books, and they share why you should read it .

The first in Rachel Cusk's critically-acclaimed trilogy, shortlisted for the Folio Prize and the Goldsmith Prize and longlisted for the IMPAC Prize. Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator… show more.

• Books like Outline
• Biological species
• Literary fiction

Structuring Your Novel

By K.M. Weiland ,

From my list on for indie authors working to improve their craft .

Valerie's book list on for indie authors working to improve their craft

Why did Valerie love this book?

1 author picked Structuring Your Novel as one of their favorite books, and they share why you should read it .

Is Structure the Hidden Foundation of All Successful Stories?

Why do some stories work and others don’t? The answer is structure. In this award-winning guide from the author of the acclaimed Outlining Your Novel, you will learn the universal underpinnings that guarantee powerful plot and character arcs. An understanding of proper story and scene structure will show you how to perfectly time your story’s major events and will provide you with an unerring standard against which to evaluate your novel’s pacing and progression. Structuring Your Novel will show you:

• Books like Structuring Your Novel
• Indie music

Being Lolita

By Alisson Wood ,

From my list on teenage abuse and healing .

I resonate with these stories; I feel a kinship with authors of books about teen sexual abuse. My heart breaks for another innocent young person, and I am also inspired by the different ways we find healing and peace. I am so grateful for my healing journey that I want to share what helped me with others who are looking for greater peace with their struggles and scars. I am proud to join the ranks of these authors because we all shine a spotlight on the harm done by this too-common abuse of the trust and innocence of teenage girls. 

Liz's book list on teenage abuse and healing

Why did Liz love this book?

I resonated with this memoir of teen grooming because I saw myself in it and I felt less alone, like I had found a kindred spirit. Many details of our stories are different, but the core wounding from being taken advantage of by an older more powerful man felt the same.

The author and I both experienced the thrill of being chosen and the deep sadness resulting from this kind of betrayal, and we both found a way to heal, even though the scars remain.

1 author picked Being Lolita as one of their favorite books, and they share why you should read it .

AS FEATURED IN THE HULU DOCUMENTARY KEEP THIS BETWEEN US A dark relationship evolves between a high schooler and her English teacher in this breathtakingly powerful memoir about a young woman who must learn to rewrite her own story. “Have you ever read Lolita?” So begins seventeen-year-old Alisson’s metamorphosis from student to lover and then victim. A lonely and vulnerable high school senior, Alisson finds solace only in her writing—and in a young, charismatic English teacher, Mr. North. Mr. North gives Alisson a copy of Lolita to read, telling her it is a beautiful story about love. The book soon… show more.

• Books like Being Lolita
• Teacher student relationship
• Metamorphosis
• Biographies

The Long Field

By Pamela Petro ,

From my list on travel memoirs for those who love to wander .

Although two of my nonfiction books— The Dream of Water and Polite Lies —are about traveling from the American Midwest to my native country of Japan, I'm not a traveler by temperament. I long to stay put in one place. Chimney swifts cover the distance between North America and the Amazon basin every fall and spring. I love to stand in the driveway of my brownstone to watch them. That was the last thing Katherine Russell Rich and I did together in what turned out to be the last autumn of her life before the cancer she’d been fighting came back. Her book, Dreaming in Hindi , along with the four other books I’m recommending, expresses an indomitable spirit of adventure.  

Kyoko's book list on travel memoirs for those who love to wander

Why did Kyoko love this book?

When Pamela Petro traveled to Lampeter, Wales for the first time to enroll in a year-long master’s degree program, she had no idea that the open vista of sheep pastures and low hills around the town would strike a chord in her—she found herself nodding as if she was in agreement with the landscape—or that she would spend the rest of her life returning to Wales from the various American cities where she made a life as a writer and a teacher.  The Long Field takes us on a journey through time and ideas as well as of places. 

The book masterfully weaves together the accounts of various trips to Wales and elsewhere, the childhood spent in suburban New Jersey where, in spite of the family she loved and was loved by, Ms. Petro was overcome by a desire not to stay in one place, and most important of all,… show more.

1 author picked The Long Field as one of their favorite books, and they share why you should read it .

The Long Field burrows deep into the Welsh countryside to tell how this small country became a big part of an American writer's life. Petro, author of Travels in an Old Tongue, twines her story around that of Wales by viewing both through the lens of hiraeth, a quintessential Welsh word famously hard to translate. It literally means "long field," but is also more than the English approximation of "homesickness." It's a name for the bone-deep longing felt for someone or something--a home, culture, language, a younger self--that you've lost or left behind. Hiraeth is embodied by Arthur, King of… show more.

• Books like The Long Field

The Emotion Thesaurus

By Angela Ackerman , Becca Puglisi ,

From my list on getting any writer started in the industry .

I am passionate about this book list because it helped me get where I am today, a multiple-times bestselling author and an award-winning senior reporter. I began working as an overnight police round reporter before moving into sports, where I became one of Australia's best news-breaking rugby league journalists. I was then appointed News Corp Australia's Chief National Motorsports Writer and traveled the world chasing Formula 1 story, as well as covering Australia's V8 Supercar races. Everyone has to start somewhere, and for me, this list of books helped me begin and continue to grow to reach the level of success that I have.

James' book list on getting any writer started in the industry

Why did James love this book?

I stumbled upon this one in a library. Yes, they still have things called Libraries. And this book is a little ripper if you are writing fiction. 

If you have ever attempted to write a novel, you would have no doubt found yourself saying things like his heart was racing; he held his breath, a shiver ran up his spine, blah, blah, blah.  It’s not until you go back through your manuscript that you realize how many times you have used the same descriptions. Over and over and over again. 

This little gem of a book is jam-packed with alternatives. It offers brilliant tips on expressing the same emotions and feelings with originality and without repetition.

5 authors picked The Emotion Thesaurus as one of their favorite books, and they share why you should read it .

The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries! 

One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much. 

If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes:

• Books like The Emotion Thesaurus
• The English language

Plotting and Writing Suspense Fiction

By Patricia Highsmith ,

From my list on the secrets of great mystery writing .

My introduction to mystery writing was a competition for a first crime novel. I was lucky enough to win with Wobble to Death , about a Victorian long-distance race. When I went to collect the prize, I was startled to be asked if I was already at work on the next one. The publishers Macmillan had started a crime list and were looking for a career writer. I knew practically nothing about the genre and had to give myself a crash course. How I needed the support of books like these! After five years, I had the confidence to give up the day job and have made my living from mystery writing for almost fifty years. 

Peter's book list on the secrets of great mystery writing

Why did Peter love this book?

No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.

1 author picked Plotting and Writing Suspense Fiction as one of their favorite books, and they share why you should read it .

Named by The Times as the all-time number one crime writer, Patricia Highsmith was an author who broke new ground and defied genre cliches with novels such as The Talented Mr Ripley and Strangers on a Train. In the classic creative writing guide Plotting and Writing Suspense Fiction, Highsmith reveals her secrets for producing world-class crime and thrillers, from imaginative tips for generating ideas to useful ways of turning them into stunning stories.

• Books like Plotting and Writing Suspense Fiction
• Alfred Hitchcock
• Musical theatre

Writing Fiction, Tenth Edition

By Janet Burroway , Ned Stuckey-French ,

From my list on essential books for writers .

I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse , who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.

James' book list on essential books for writers

Now in its tenth edition, this book is for committed writers only. A highly valuable textbook on the writing process, Burroway covers story form, plot, structure, building character, place, and setting, and takes a detailed look at point of view. Each section comes with examples of how things do and do not work, as well as providing a list of suggested readings and writing prompts for further study. This book is a master class in creative writing that also calls on us to renew our love of storytelling and to celebrate the skill of writing well.

1 author picked Writing Fiction, Tenth Edition as one of their favorite books, and they share why you should read it .

More than a quarter million copies sold! A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels-inside or outside the classroom. This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway's tone is personal and nonprescriptive, welcoming learning writers… show more.

• Books like Writing Fiction, Tenth Edition
• Storytelling

The Writer's Journey

By Christopher Vogler ,

From my list on the art of filmmaking .

One reason I became a professor of humanities, teaching subjects like film, theater, and literature, was to share my enthusiasm for the great works of imagination which have inspired people for centuries. Stories shape our lives and pass on our most important values and beliefs to future generations. In my academic career, I have directed plays and have written two novels, but teaching film has been my major passion for the last several years. 

Larry's book list on the art of filmmaking

Why did Larry love this book?

This popular text on screenwriting relates films to narrative ideas found in ancient myths around the world.

Vogler does an excellent job in demonstrating how films often use elements of plot and character that have proven to be universal characteristics of stories for centuries. He applies these concepts not only to fantasy films but standard Hollywood dramas such as Titanic . 

5 authors picked The Writer's Journey as one of their favorite books, and they share why you should read it .

• Books like The Writer's Journey
• Screenwriting
• Hero's journey

A Stranger's Journey

By David Mura ,

From my list on for essayists and memoirists .

Dinty W. Moore is the author of the writing guides The Story Cure, Crafting the Personal Essay , and The Mindful Writer , among many other books. He has published essays and stories in Harper’s , The New York Times Magazin e, The Southern Review , Creative Nonfiction , and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.

Dinty's book list on for essayists and memoirists

Why did Dinty love this book?

Master teacher David Mura’s A Stranger's Journey addresses long-overlooked issues of race and identity in publishing and in the standard teaching of creative writing and he brilliantly advocates for a more inclusive and expansive definition of writing craft. Though this book is partly aimed at educators, he offers incredibly useful craft lessons as well, primarily through his deft analysis of work done by writers ranging from James Baldwin to Mary Karr to ZZ Packer. In a world that no longer accepts the notion that our greatest authors have to be “dead white men,” Mura offers a necessary window into the intersection of race, literature, and culture.

1 author picked A Stranger's Journey as one of their favorite books, and they share why you should read it .

Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as Junot Diaz, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Sherman Alexie, while making compelling connections to Mura's own life and work as a Japanese… show more.

• Books like A Stranger's Journey
• James Baldwin

Elements of Creative Writing

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

Content Accuracy rating: 5

As far as I can tell, content is accurate, error free and unbiased.

Relevance/Longevity rating: 5

The book is relevant and up-to-date.

Clarity rating: 5

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Modularity rating: 5

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Organization/Structure/Flow rating: 5

Topics are presented in logical, clear fashion.

Interface rating: 5

Navigation is good.

Grammatical Errors rating: 5

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

Contribute to this Page

70 Creative Writing Prompts to Inspire You to Write

by Tom Corson-Knowles | 11 comments

Writing prompts are a useful tool and resource for any writer, from beginners to published authors. A good prompt can give you the inspiration you need to craft a paragraph, a book, or an entire series.

You can also use them just for writing practice and to get your creative juices flowing. See where these ideas take you.

Fantasy Writing Prompts

• In your character’s world, only strong magic–users are allowed to survive past their 13th birthday. Your character has no magical ability—but even at 11 years old, they’ve discovered a way to fake it.
• Your character is granted one day in the land of the dead to retrieve their deceased beloved, only to discover that their one true love faked death to escape marriage.
• A mysterious statue appears in the forest that makes perfect duplicates of any human being that touches it. Your character is one such duplicate—and your “sponsor-body” is wanted for murder.
• Your character is a witch-hunter, tasked to track down and slay a powerful target—who is currently pregnant with your character’s child.
• A monster emerges from the forest and forces your character to care for its newborn offspring, which begins to look more human the longer your character cares for it.
• Your character is one of a species of sea creatures that inhabit the very deepest part of the ocean. This species has created an advanced civilization—and they’re getting ready to break the surface and take their rightful place as Earth’s rulers, with your character at the helm.
• Your character discovers that a certain mythical being is real—and they’re about to go extinct.
• Your character falls in love with a magical being. To keep their love alive, your character has to fight not only their family, but their entire race.

Historical Fiction Writing Prompts

• Your character is the daughter of a poor clergyman in mid-19th-century England. Without a dowry, she has little chance for marriage. Without a husband, she’s doomed to a spinster’s life as a governess or servant. In 1854 she joins Florence Nightingale’s group of female nurses bound for the Crimean Peninsula, where she discovers that the hell of war extends into the hospital at Scutari.
• Your character is an artisan in 12th-century Ireland at Clonmacnoise, a monastery that anchored a wealthy community of art, learning, and craftsmanship on the Shannon River. Medieval life is good in this beautiful town … until the Vikings arrive.
• England, 1776: A young astronomer has receives the job of a lifetime: traveling with the famous Captain Cook on his voyage to discover the fabled Northwest Passage. After the rigorous journey takes the crew from Tahiti to Siberia, damage to the ship’s mast forces a stop for repairs in Hawaii. Turns out the natives aren’t as friendly as they thought.
• Your character is one of the hundreds of thousands of craftsman tasked with creating the terracotta army in ancient China. He molds each soldier’s face after someone he knows: his father, his grandfather, a friend from his village, etc., and thinks about their lives and legacies as he works.
• Research the history of your own city or town. Imagine you lived there 50, 100, or even 200 years ago. What would your life have been like?

Horror/Thriller Writing Prompts

• Your character has a stalker with the ability to stop time. The stalker uses this ability to manipulate your character—and their efforts are escalating.
• Your character’s lover died in a horrible accident—but one day they simply return, and nobody but your character remembers that they died.
• Your character and their college friends attend their first off-campus party, and discover too late that the fraternity throwing the bash is a cult—and very serious about the concept of brotherhood.
• Your character is marooned on a tiny desert island. One morning, an idol appears outside their shelter’s front door. It’s stone—except for the real human head on top.
• Your character’s family moves into a new house with an in-ground pool that the previous owners paved over. At night, your character can hear something screaming beneath the concrete—something that isn’t human.
• Your character’s neighbor is an older man who mostly keeps to himself; your character often sees him taking walks or puttering around his garden. But when your character knocks on the old man’s door to invite him to a block party, things take a turn for the sinister.
• Your character is a mobile phone. The phone has just been purchased by a woman who turns out to be a criminal mastermind.
• Your character is a regular office clerk who just discovered that your company is brainwashing its employees. The goal of the company is menacing.
• Your character is on their way to work when they get stuck in a massive traffic jam. Suddenly, in the distance, there is a huge explosion.
• Your character is a serial killer, confessing to his crimes.
• Your character is at a Halloween party at a bar. Everyone is in costume when a man suddenly drops dead.
• Your character is out for a jog early in the morning, trips, and loses consciousness. When they wake up, they are in a morgue surrounded by dead and dissected bodies.

Mystery Writing Prompts

• A powerful pharmaceutical company recently released a new drug to market that dampens the arousal response in human beings. Your character is a private detective brought in to solve an unusual murder. The weapon? A lethal dose of this new drug, which was previously thought to be harmless.
• Your character’s child has been bringing home peculiar drawings from school for the past two weeks. Your character thinks nothing of it, until they realize that each drawing corresponds to one in a series of brutal murders that have plagued their tiny town.
• A marine zoologist is vacationing on a beach in a foreign country when they read about a local political figure who was killed in a shark attack. But from the photos, your character realizes that no shark made those puncture marks on the victim’s stomach—and that the accident may have, in fact, been murder most foul.
• A young police detective must find the kidnapped daughter of a powerful city planner. The hitch? She was at a Star Trek convention when she was kidnapped, and the only description of the culprit is that he “looked like Mr. Spock.”
• After taking a DNA test, your character discovers that their genetic material was altered in the womb. But your character was adopted, and has no records of who their birth parents are, or where they were born.
• Your character has been happily married to their partner for 25 years. But one day, a mysterious stranger shows up claiming to be your partner’s spouse and demanding to know what your character is doing in this stranger’s home.
• Your character is a retired military officer who is ready to leave his past behind him. One day, you accidentally walk in on a bank robbery in progress—and these aren’t ordinary criminals.
• Your character finds out that their deceased twin had multiple passports IDs with different names and faces. To find out more, your character must assume these identities in his place.
• Your character, an important New York businessperson, wakes up naked and alone in a strange, foreign land, with no recollection of how you got there. The native people take you in, but you don’t speak their language and know nothing about the culture. You must learn to communicate in order to get home.

Romance Writing Prompts

• After moving into a new house, your character begins to receive love letters addressed to the previous occupant. The letters have no return address, but they are so beautifully written that your character begins to fall in love with the writer, despite never having met the author.
• Your character is the first person in history to fall in love. They cannot describe the feeling to anybody else, especially not the person for whom they’ve fallen head over heels.
• Your characters have been married for over 700 years; when they die, they are reincarnated with all their memories, and simply find each other again.
• When your character’s country loses a long war, your character is tasked with negotiating the surrender. The person across the table holds the fate of both countries in their hands … and they’re pretty darn cute, too.
• Boy meets girl. Boy falls in love with girl. The catch? Their parents are engaged to be married!
• Your character is a teenager who writes short, fictional romance stories and posts them to a blog that they believe no one reads. One day, a fan starts responding to the stories, and your character connects with the fan on many levels, creating their own idealized, fictional romance story online. Now, they must decide whether they’re willing to let go of their “perfect” love story to meet the real (and inevitably, imperfect) person on the other side of the screen.
• Your character was born deaf and your character’s spouse was just involved in an accident that made them blind. After being together for six years, they must re-learn how to navigate the world together.
• Your character has a mental condition that landed them in a rehab facility. There, your character meets a recovering addict, and they connect instantly and begin to find healing in each other.
• Your character dreams of a person they’ve never met and wakes up convinced it is their true love.
• Your character shows up for an interview for their dream job, and discovers that their could-be boss is also their ex.

Science Fiction Writing Prompts

• Your character wakes up on a slab in a high-tech medical facility, hooked up to strange machines and occupying a body you don’t recognize. Before the doctors arrive, you hear a voice in your head: it’s your new body’s original owner, and they want it back.
• The aliens that land in your backyard strike a deal with your character: Murder one innocent person on the planet, and they will spare the earth. Refuse, or reveal the aliens’ existence to the world, and the planet is doomed.
• Your character is captain of a long-distance spaceship taking thousands of Earthling colonists to a new planet. One day, completely by accident, you discover what this spaceship uses for fuel, and are faced with a terrible moral dilemma of how to handle this information.
• Your main character is the warden of a virtual-reality prison. One day, a notorious murderer attempts to orchestrate a “breakout.”
• Your character is a child whose stuffed toy comes equipped with a nanny-cam and primitive AI. One day, the toy decides to take your character’s safety into its own mitten-like hands.
• Your character is an average college student. Somehow, your character discovers that everything they’re doing—every movement they make and every word they say, even in private—is being tracked and recorded. Now they must figure out who is recording and why—without the recorder knowing what they’re doing.
• Your character washes up on a remote island that has never been visited by an outsider before. Turns out, there’s a whole civilization there—but these “people” have been isolated for so long, they’ve evolved differently than people in the rest of the world.
• Your character is a troubled teenager who discovers that he has the power to see people’s futures by touching them. When you accidentally bump into a man on the subway, you see the man piloting a spaceship—and it’s moving towards your city. Now, you must find the man—and convince everyone else that the danger is real.

Comedy Writing Prompts

• Over Christmas, your character’s parents decide to take the family to the Caribbean. The first day there, both of your parents get sunburned and decide to spend the rest of the vacation indoors, leaving you and your little brother to your own devices.
• Your character is a reality TV judge, but not one of the judges that appears on TV—you’re one of the judges that decides which contestants even get to be on TV. After being subjected to a string of terrible singers, your character finally discovers someone great, and finds themselves strangely invested in the success of this contestant.
• Your character is a superfan of a popular musician. They wait in line to get front row seats to every show, spend outrageous amounts of money on paraphernalia on eBay, and have plastered nearly every wall of their apartment with posters and ticket stubs. One day, your character finally gets a chance to meet the musician—and he’s not what anyone expected.
• Your character is a schoolteacher who is watching two kids argue over a toy in the sandbox when suddenly, an alien creature rises out of the sand. The students decide to make it the class pet.
• Your character’s life is extremely mundane, until a stray dog starts showing up on their front porch every day.

Memoir/Nonfiction Writing Prompts

• Describe a time when you wanted to experience a spiritual moment or looked for spiritual guidance. Why were you in this situation? What were you hoping to get from it?
• Tell the story of your life in inverted chronological order.
• What was the happiest moment of your life? What made it the happiest?
• Write about an addiction. Include as much detail as possible, including how it started and your journey to overcoming it.
• Write about an experience that made you feel ashamed or guilty. How did it impact you? What have you done to move on?
• Think about the ways in which you’ve changed over the years. Can you identify any turning points? Be specific and describe those moments.
• Write about a job or career move that changed your life.
• Write about how you met your current partner or spouse. Do you think it was fate? What events led to you two meeting?
• Write about a person who has had a profound impact on your life—either positive or negative. How have you changed because of them? What have they done to cause your life to change?
• Write a biography of someone in your family who immigrated from one country to another.
• Create a cookbook in which every recipe is tied to a specific person or moment in your life.
• Describe something you’ve done that you’re proud of. How did you get to that moment? How can others learn from your experience?
• Tell the story of how the seed of faith was planted in your life. When did your spiritual journey began, who influenced and guided you in discovering your faith, and at what point did you realize you needed to change your life?
• Write about a memory of your favorite pet. What can animals teach us about ourselves?
• Think about a time when you learned a new skill. What made you want to learn it? Who did you learn from? How did you practice? How did you improve?

Creative Writing Prompts Can Boost Your Writing Skills

Using writing prompts can boost your creativity and improve your writing skills in a number of ways by:

• Helping to overcome writer’s block
• Exercising your imagination
• Increasing your rate of practice
• Teaching you more about yourself

If you’re still not sure using a writing prompt would be good for you, that’s great! If you feel you are against using writing prompts, then you have reason enough to explore it.

As they say, the opposite of love is not hate—it’s apathy. Strong feelings mean strong opinions and emotions, and writing with strong emotions can be incredibly productive and healing.

Did you find this post helpful? Let us know in the comments below!

If you liked this post, you might also like:

72 Journal Prompts to Boost Your Creative Writing Skills

Writing Motivation: 7 Tips for Staying Productive

46 Apps and Sites to Improve Your Writing Skills

75 Quotes About Writing for When You Feel Like Putting the Pen Down

Tom Corson-Knowles is the founder of TCK Publishing, and the bestselling author of 27 books including Secrets of the Six-Figure author. He is also the host of the Publishing Profits Podcast show where we interview successful authors and publishing industry experts to share their tips for creating a successful writing career.

11 Comments

Nice prompts! Can you do more on fantasy?

I love this. So helpful

thanks, so glad you found the prompts helpful! :)

Is there a way I can like this blog? I wish it was on Playstore so I could a rate it a 5. Good work, people.

Thank you, Mercy! We’re happy to have you here :)

Thank you for these. I will use some of them for my writing group.

You’re very welcome, we’re glad you liked them! :)

It is very useful for me as a beginner writer. Thankyou for your hard work.

we’re so glad you found these prompts helpful! :)

A useful tool for beginning and continuing writers. Thank you for the endeavor.

Glad you found the prompts helpful, Bernard! :) Let us know how they work for you!

Learn More About

• Fiction (223)
• Nonfiction (71)
• Blogging (47)
• Book Promotion (29)
• How to Get Reviews (9)
• Audiobooks (17)
• Book Design (11)
• Ebook Publishing (13)
• Hybrid Publishing (8)
• Print Publishing (9)
• Self Publishing (70)
• Traditional Publishing (53)
• How to Find an Editor (11)
• Fitness (4)
• Mindfulness and Meditation (7)
• Miscellaneous (118)
• New Releases (17)
• Career Development (75)
• Online Courses (46)
• Productivity (45)
• Personal Finance (21)
• Podcast (179)
• Poetry Awards Contest (2)
• Publishing News (8)
• Readers Choice Awards (5)
• Reading Tips (145)
• Software (18)
• Technology (18)
• Contests (4)
• Grammar (64)
• Word Choice (68)
• Writing a Book (65)
• Writing Fiction (195)
• Writing Nonfiction (81)

VIDEO COURSE

Finish your draft in our 3-month master class. Sign up now to watch a free lesson!

Learn How to Write a Novel

Finish your draft in our 3-month master class. Enroll now for daily lessons, weekly critique, and live events. Your first lesson is free!

Guides • Perfecting your Craft

Last updated on Feb 14, 2023

10 Types of Creative Writing (with Examples You’ll Love)

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too. 

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind. 

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view . 

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines. 

“Trying to Raise the Dead” by Dorianne Laux

 A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions. 

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined. 

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

 You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah 

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship. 

“I Will Follow You into the Dark” by Death Cab for Cutie

 ​​If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue. 

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.” 

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama. 

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid . 

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.” 

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good. 

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing. 

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success. 

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps. 

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything. 

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about. 

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well. 

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

Want to give short story writing a go? Give our free course a go!

FREE COURSE

How to Craft a Killer Short Story

From pacing to character development, master the elements of short fiction.

Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels: 

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers. 

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.  

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural. 

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.” 

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine. 

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure." 

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between. 

From Hell by Alan Moore and Eddie Campbell 

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." 

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible. 

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them. 

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through: 

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years." 

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story. 

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is." 

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales. 

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.” 

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be. 

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it. 

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

We made a writing app for you

Yes, you! Write. Format. Export for ebook and print. 100% free, always.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

11 Best Creative Writing Books (Fiction & Non-Fiction Picks)

Writing is a craft, and like any craft, it requires practice. Aspiring writers need to hone their skills to express their ideas and imagination in a meaningful way. Creative writing books can be a great instrument in helping newbie writers grow and succeed. In this article, we will highlight the best creative writing books for aspiring writers, with fiction and non-fiction genres shown separately below.

Why Creative Writing Books Are Essential for Aspiring Writers

Aspiring writers sometimes struggle to find their voice and develop their skills. It’s essential to understand that writing is a lifelong learning process. Creative writing books can offer guidance and insights into the craft, providing an opportunity for writers to expand their knowledge and develop their skills. These books can help you learn writing techniques, inspire your creativity, and guide you through the publishing process.

Enhancing your writing skills

Have you ever read something and became mesmerized by the prose? Acclaimed authors have developed their writing skills through years of practice. Yet, with the right tools and guidance, aspiring authors can master these skills much faster. Some of the best creative writing books offer insights on grammar and style that can enhance your writing skills.

For example, sifting through “ The Elements of Style ” by William Strunk Jr. and E.B. White can help in grammar and guide you in using figures of speech appropriately. This classic book teaches you how to structure your sentences and essays, ideal for writers looking to add a polished finish to their writing skills. Similarly, “ On Writing Well ” by William Zinsser guides writers on how to develop their voice, rhythm, and flow – which are all vital elements in improving writing skills.

Another excellent book that can help you enhance your writing skills is “ Bird by Bird ” by Anne Lamott. This book is full of practical advice and exercises that can help you develop your writing skills. Lamott’s humorous and engaging style makes it an enjoyable read, making it easier to digest the information and apply it to your writing.

Expanding your imagination

Creative writing books not only help you develop your writing skills, but they can also expand your imagination, which is the heart of any great piece of writing. They allow you to explore different worlds and narratives, learn how to describe settings and characters, and master the art of symbolism and metaphor. A great example of a book that can help with this is “ Writing Down the Bones ” by Natalie Goldberg. In this book, Goldberg shares effective techniques to free your mind of any mental barriers and open up your imagination. Through her prompts and writing exercises, Goldberg encourages writers to explore their creative ideas and urges them to take their writing to new heights.

Another book that can help you expand your imagination is “ The Creative Habit ” by Twyla Tharp. Tharp is a renowned choreographer, but her book is not just for dancers. It’s a practical guide to cultivating creativity in any field, including writing. Tharp shares her methods for developing creative habits, such as setting aside time for creativity and finding inspiration in unexpected places.

Learning from the experts

One of the best ways to improve your writing is to read works from successful authors. However, in addition to reading books, you can also learn from the writers themselves by reading their experiences and insights on writing. Through their personal journeys, published writers can offer insight into the industry and what it takes to become a successful author.

For instance, the book “ The Writing Life ” by Annie Dillard delves into the raw and honest realities of being a writer. It’s a must-read for aspiring writers looking for inspiration and guidance, as Dillard offers a unique perspective on the craft of writing. Similarly, “ The Art of Memoir ” by Mary Karr details how to write vivid memoirs, with honest and sometimes painful hints of Karr’s own journey.

Another book that can offer insights into the publishing industry is “ On Writing” by Stephen King. In this memoir, King shares his journey to becoming a successful writer and offers practical advice on writing and publishing. King’s candid and straightforward approach makes it an entertaining and informative read.

Overall, creative writing books are essential for aspiring writers who want to develop their skills, expand their imagination, and learn from successful authors. With the right guidance and tools, you can improve your writing and take your craft to the next level.

Top Fiction Writing Books

Writing fiction is an art that requires skill, creativity, and dedication. Whether you’re a beginner or an experienced writer, there are always ways to improve your craft. Reading books on writing can be a great way to gain new insights and techniques that can help you become a better writer. Here are the top 5 fiction writing books that every aspiring writer should read:

“On Writing” by Stephen King

“ On Writing ” by Stephen King is a must-read for any aspiring writer. King shares his personal journey as a writer, from his early struggles to his eventual success. He provides practical advice on everything from grammar and style to the importance of reading and revision. King’s candid and humorous writing style makes this book an enjoyable read that will leave you feeling inspired and motivated to write.

“Bird by Bird” by Anne Lamott

In “ Bird by Bird ,” Anne Lamott offers a refreshing and honest perspective on the writing process. She emphasizes the importance of taking things one step at a time and encourages writers to embrace their imperfections. Lamott’s witty and relatable anecdotes will make you feel like you’re chatting with a friend who understands the struggles of being a writer.

“The Elements of Style” by William Strunk Jr. and E.B. White

“ The Elements of Style ” is a classic writing guide that has stood the test of time. Written by William Strunk Jr. and E.B. White, this book offers practical advice on grammar, style, and usage. It’s a concise and easy-to-read guide that will help you improve your writing skills and make your prose more polished and professional.

“Writing Down the Bones” by Natalie Goldberg

If you’re looking for a book that will help you tap into your creativity, “ Writing Down the Bones ” is the perfect choice. Natalie Goldberg’s book is a collection of short essays that offer practical advice on writing and creativity. She encourages writers to let go of their inhibitions and write freely, without worrying about perfection. Goldberg’s exercises and prompts will help you develop a daily writing practice that can unlock your full creative potential.

“The War of Art” by Steven Pressfield

“ The War of Art ” is a book that every writer should read. Steven Pressfield’s book is a powerful manifesto on the creative process and the obstacles that writers face. He identifies the internal forces of resistance that can prevent writers from pursuing their dreams and offers practical advice on how to overcome them. Pressfield’s book is a call to action for writers who want to take their craft to the next level.

Reading these books will not only improve your writing skills but also provide you with the inspiration and motivation you need to keep writing. Remember, writing is a journey, and every step you take will bring you closer to your goal of becoming a successful writer.

Top Non-Fiction Writing Books

If you’re looking to improve your non-fiction writing skills, you’re in luck. There are many excellent books out there that can help you sharpen your craft and take your writing to the next level. Here are five of the best non-fiction writing books, each with its unique insights and tips.

“The Art of Memoir” by Mary Karr

“ The Art of Memoir ” by Mary Karr is a must-read for anyone interested in writing memoirs. Karr is a master of the genre, and she draws on her own experiences to provide invaluable guidance on how to craft compelling and vivid stories. In this book, Karr explores the dynamics of memory, the challenges of writing about real people, and the importance of honesty and vulnerability in memoir writing. Whether you’re a seasoned writer or just starting, “The Art of Memoir” is an excellent resource for anyone looking to improve their memoir writing skills.

“The Writing Life” by Annie Dillard

“ The Writing Life ” by Annie Dillard is a classic book on the challenges and rewards of being a writer. Dillard shares her own experiences and insights, offering honest and encouraging guidance to anyone looking to make a career out of writing. In this book, Dillard explores the difficulties and struggles involved in the writing process, as well as the joys and rewards of creating something new. Whether you’re a novice or an experienced writer, “The Writing Life” is an inspiring and insightful read.

“On Writing Well” by William Zinsser

“ On Writing Well ” by William Zinsser is one of the best books out there on writing non-fiction. Zinsser lays out guidelines for clear, concise writing, using excellent examples and insights to help writers craft engaging and compelling pieces. In this book, Zinsser covers everything from grammar and syntax to style and voice, offering practical tips and advice for anyone looking to improve their non-fiction writing skills.

“The Right to Write” by Julia Cameron

“ The Right to Write ” by Julia Cameron is an excellent resource for anyone looking to develop a consistent writing habit. Cameron offers practical tips and exercises to help writers find their voice and develop their writing skills. In this book, Cameron explores the importance of cultivating a writing practice, overcoming writer’s block, and finding inspiration in everyday life. Whether you’re a beginner or an experienced writer, “The Right to Write” is an inspiring and practical guide to the writing life.

“The Writer’s Journey” by Christopher Vogler

“ The Writer’s Journey ” by Christopher Vogler is an essential guide for anyone looking to craft engaging non-fiction. Vogler teaches writers how to develop character arcs, build tension, and create compelling stories that keep readers engaged from beginning to end. Whether you’re working on a memoir, a journalistic piece, or any other type of non-fiction, “The Writer’s Journey” is a valuable resource for learning the essential elements of storytelling.

So there you have it – five of the best non-fiction writing books on the market today. Whether you’re a beginner or an experienced writer, these books offer invaluable insights and tips for improving your craft and taking your writing to the next level. So pick up a copy, start reading, and get ready to take your writing to new heights!

The Verdict

There you have it, the best creative writing books for aspiring writers out there. Whether you’re passionate about writing fiction or non-fiction, these books offer valuable tips and insights into how to approach the craft. These books aren’t magical solutions to becoming a writer but are incredibly useful aids in the ongoing process of developing your skills and finding your voice. Investing time in studying these books is worth it for anyone looking to grow and develop as a writer.

• Recent Posts
• The 11 Best Books About Cats You Should Read - January 16, 2024
• The 9 Best Books on Building Confidence - January 16, 2024
• Discover the 10 Best Books on the Brain - January 16, 2024

Related Posts:

5 best books on writing for beginners and beyond

Whether you’re starting out in creative writing or looking to fine-tune your writing craft, there are a wealth of reference books out there..

Here are five that I find invaluable:

Self-Editing for Fiction Writers – Renni Browne and Dave King

The first time I flicked through Self-Editing for Fiction Writers , I was unimpressed. A chapter on Show Don’t Tell? Pleeeeeease. Are you also going to tell me not to use adverbs ?

Then I actually read the chapter on Show Don’t Tell and realised I’d never fully understood Show Don’t Tell before. Every chapter of Self-Editing for Fiction Writers is like that.

Renni Browne and Dave King explain the fundamentals of writing in a way that’s clear, comprehensive and yet also concise.

Having a problem with POV? Check this book. Dialogue a bit dodgy? Check this book.

I refer to this book at least once a month. I also recommend it to fellow writers more than any other writing book.

The Story Grid – Shawn Coyne

While Self-Editing for Fiction Writers is about the nuts and bolts of writing, The Story Grid zooms you upwards 26,000ft. Shawn Coyne’s book is all about helicopter-view, big-picture storytelling.

It’s also the solution to the hardest question you’ll have as a writer, “Why don’t people find my fiction compelling?”

(Trust me, I’ve been there.)

Shawn Coyne details narrative arcs and genre beats, and gives writers a framework to begin editing (truly editing, not polishing) their novel.

I am not kidding when I say that The Story Grid method was the only way I was able to make it through the final rewrite of my debut thriller, Dead Ringer .

On Writing – Stephen King

Ever noticed how many creative writing books are by writers you’ve never heard of?

This is the reason I rate Stephen King’s On Writing . Love him or hate him, you can’t argue with his success.

Some of King’s advice I agree with, some I don’t (King is far more of a pantser than I will ever be), but there’s plenty to chew over.

Most cheering, perhaps, is the account of King’s journey to publication and success. It’s a reminder of how much of this life is perseverance .

Writing Down the Bones – Natalie Goldberg

Writing Down the Bones is the book I return to when I need a shot of inspiration. Creative writing books can be dry. “Do this. Don’t do this.”

Natalie Goldberg, by contrast, is your effervescent fairy godmother. With chapter titles like “Writing is not a McDonald’s Hamburger”, Writing Down the Bones is all about learning to love the creative process.

Goldberg’s philosophy is that writing is a type of meditation and sessions of “freewriting”, where you write and write and write without stopping, can unleash your creativity.

This isn’t the way I write, typically, but it’s a good way of battling writer’s block or forcing a start to a new project when you feel overwhelmed.

2k to 10k: How to write faster, write better, and write more of what you love – Rachel Aaron

If Writing Down the Bones is airy-fairy, 2k to 10k is just-the-facts-ma’am. It’s also the craft book that best describes the way I write. If ever I find myself floundering, it’s usually because I’ve strayed from Rachel Aaron’s triangle .

Aaron’s story is pretty incredible: as a new mother with limited time to write and deadlines looming, she had to figure out a way to write a lot, fast. I doubt I will ever be cracking 10,000 words a day like Aaron, but by using her strategies, I easily started boosting my daily word count by 500 words or more.

What are those strategies? Write during your most creative hours; plan your stories with a detailed outline; figure out what you’re going to write ahead of time (daydreaming is better done when queueing at the bank, not at your desk; plot holes are better untangled in note form, not when you’re halfway through a scene); and pack your novel full of things you can’t wait to write.

Which writing craft books do you come back to time and again? Let me know your recommendations in the comments.

Pin this post:.

Similar Posts

How I got my short stories published in The People’s Friend

This week marks my seventh short story published by women’s magazine The People’s Friend. But mine wasn’t an instant success story – I got rejected a lot in the beginning. Find out what I did differently to turn those rejections into acceptances. When I started writing short stories about five years ago, one of the…

Let your readers hear your protagonist’s thoughts – Things I learned while writing Dead Ringer

Dead Ringer started life as a third-person novel, until my agent suggested I make it first-person. This was a big change, but it made the protagonists’ voices much clearer. The reader gets to sit in their heads, hear their thoughts. This, I think, is the superpower of novels (versus TV or movies). You get to…

Build compelling characters using reality TV archetypes

For guaranteed drama, take a leaf out a casting director’s book and use reality TV archetypes to build fascinating characters for your novel or short story. I’ve already outlined the lessons that writers can learn from reality TV. That was big-picture stuff. This is more granular, as I will outline specific types of people you’ll…

Don’t give ’em a reason to stop reading – Things I learned while writing Dead Ringer

One of my favourite pieces of feedback I’ve got on Dead Ringer is: “I stayed up past my bedtime reading it.” During one of my later re-drafts of the book, I did something bold. I re-cut all the chapters. I made them shorter and I changed the places where the chapters ended. My purpose (and…

One word you should remove from your writing vocabulary

You might assume this is a philosophical or motivational blog post, and I’m going to tell you there’s no such thing as “can’t”. Or that the word “failure” is a lie and should be reframed as a challenge. Nope. This is a post about the word “walked”. I really, really, really hate the word “walked”….

5 things I learned from my unpublished ‘drawer novel’

Like most writers, I have a ‘novel in a drawer’; an unpublished masterpiece (lol no) that I think about every now and again. It’s a YA novel about gymnastics that I finished about nine years ago. I laboured over it, sent it out to agents, and hoped hoped hoped it would be published. It’s still…

Thank you for these recommendations. I just got fired for the first time in my life! Instead of being down about it, I thought I’d use it to finally write a book. I also just found out I am going to be a grandma and would love to be a stay at home Gammy! Any other advice? Bless you.

• Pingback: Revisiting Gone Girl: 5 things writers can learn from it - Nicola Martin

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Free thriller

An empty road.

A rash decision., a deadly combination..

10 Best Creative Writing Books to Read in 2023

The world of creative writing possesses an extraordinary ability to unleash imagination, craft narratives, and evoke emotions that resonate with readers. Whether you're an aspiring writer or simply someone who appreciates the art of storytelling, consider Oxford Summer Courses. Embark on a transformative journey through our Creative Writing summer school, where you will have the opportunity to explore the art of crafting compelling narratives, experimenting with various writing styles, and honing your literary skills.

Where are Oxford Summer Courses Hosted?

Disclaimer:.

Please note that the following list of books is recommended reading to broaden your knowledge and deepen your appreciation of creative writing and literature. While some of these books may be included in the Oxford Summer Courses curriculum, the specific content of the summer school can vary. If you wish to study these subjects with us, you can apply to our Creative Writing summer school.

1. On Writing, by Stephen King

• "Amateurs sit and wait for inspiration; the rest of us just get up and go to work."
• Published in 2000, "On Writing" by Stephen King is a masterclass in the craft of storytelling. It combines King's personal journey as a writer with practical advice on honing your writing skills during your time at Oxford Summer Courses.
• Discussion: How can Stephen King's advice on discipline and the writing process benefit aspiring writers at Oxford Summer Courses today?

2. Bird by Bird, by Anne Lamott

• "Almost all good writing begins with terrible first efforts. You need to start somewhere."
• Anne Lamott's "Bird by Bird" is an encouraging guide for writers facing the daunting task of putting words on the page. Through humor and personal anecdotes, she offers valuable insights into the writing process during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How does Lamott's emphasis on "shitty first drafts" resonate with your own experiences as a writer at Oxford Summer Courses?

3. The Elements of Style, by William Strunk Jr. and E.B. White

• "Omit needless words."
• A timeless classic, "The Elements of Style" is a concise guide to writing well. It provides essential rules of grammar and composition that every writer should know, especially during their time at Oxford Summer Courses.
• Discussion: How do the principles outlined in "The Elements of Style" apply to various forms of creative writing, from fiction to poetry, at Oxford Summer Courses?

4. The story, by Robert McKee

• "Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. They are the currency of human contact."
• Robert McKee's "Story" is a comprehensive exploration of the principles behind effective storytelling. It's a must-read for anyone looking to understand the structure and elements of compelling narratives during their time at Oxford Summer Courses.
• Discussion: How can the insights from "Story" enhance your ability to construct engaging and impactful stories during your Creative Writing summer school at Oxford Summer Courses?

5. Big Magic, by Elizabeth Gilbert

• "Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart."
• In "Big Magic," Elizabeth Gilbert delves into the creative process and encourages writers to embrace their creativity with courage and curiosity, a valuable lesson during your time at Oxford Summer Courses.
• Discussion: How can Gilbert's philosophy on creativity inspire you to approach your writing with a sense of wonder and daring at Oxford Summer Courses?

6. The Art of Fiction, by John Gardner

• "Fiction seeks out truth. The writer has to go into the dark, quiet spaces of himself and feel around for the truth."
• John Gardner's "The Art of Fiction" offers profound insights into the art and craft of writing fiction. It explores the intricacies of character development, plot, and the writer's role in conveying truth through storytelling during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Gardner's exploration of truth in fiction inform your own creative writing endeavors at Oxford Summer Courses?

7. Writing Down the Bones, by Natalie Goldberg

• "Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open."
• Natalie Goldberg's "Writing Down the Bones" is a meditative guide to writing practice. It encourages writers to tap into their innermost thoughts and emotions during their Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Goldberg's approach to writing as a form of meditation help you access deeper layers of creativity in your work at Oxford Summer Courses?

8. The Elements of Eloquence, by Mark Forsyth

• "Rhetoric is the art of dressing up some unimportant matter to fool the audience for the moment."
• "The Elements of Eloquence" explores the art of rhetoric and language play. Mark Forsyth's witty and informative book will inspire you to experiment with language in your writing during your time at Oxford Summer Courses.
• Discussion: How can a deeper understanding of rhetorical devices enhance your ability to craft persuasive and evocative prose at Oxford Summer Courses?

9. Zen in the Art of Writing, by Ray Bradbury

• "Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spent the rest of the day putting the pieces together."
• Ray Bradbury's "Zen in the Art of Writing" is a collection of essays that celebrate the joy and passion of writing. Bradbury shares his insights on creativity and the writing life during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Bradbury's enthusiasm for writing infuse your own creative process with energy and purpose at Oxford Summer Courses?

10. The Nighttime Novelist, by Joseph Bates

• "Writing is an exploration of the heart."
• "The Nighttime Novelist" by Joseph Bates is a practical guide for writers who balance their craft with busy lives. It offers strategies for maximizing your writing time and making progress on your projects during your time at Oxford Summer Courses.
• Discussion: How can the techniques outlined in "The Nighttime Novelist" help you maintain a consistent and productive writing practice at Oxford Summer Courses?

Oxford Summer Courses invites you to immerse yourself in the enchanting world of creative writing during your time at our summer school. In this blog post, we present a meticulously curated list of 10 classic books that will ignite your imagination and deepen your understanding of the art of storytelling. From Stephen King's practical wisdom in "On Writing" to Ray Bradbury's celebration of the writing life in "Zen in the Art of Writing," these books will serve as your companions on your creative writing journey at Oxford Summer Courses. Through our Creative Writing program, you will have the opportunity to explore these influential texts, share your insights with fellow writers, and refine your craft. Join us on this literary adventure and embark on a transformative experience that will shape your writing skills and inspire your creative spirit during your time at Oxford Summer Courses. Who knows, you might just discover a newfound passion for the art of storytelling and create narratives that resonate with readers for generations to come.

Ready to Join Oxford Summer Courses?

After submitting your application, we'll be in touch very soon to inform you of the outcome. Apply now to begin your journey with Oxford Summer Courses!

Share this article

Ignite your passion for creative writing at Oxford Summer Courses. Immerse yourself in a carefully curated list of books that will spark your creativity, refine your storytelling abilities, and help you embark on a transformative journey as a writer.

Get Our Newsletter

Oxford Summer Courses LTD

18 Beaumont Street, Oxford, OX1 2NA, United Kingdom

+44 01865 818403

Juniors 9-12

Oxford 13-15

Oxford 16-17

Oxford 18-24

Cambridge 13-15

Cambridge 16-17

Advanced Cambridge 18-24

GDPR Notice

Privacy Policy

Terms and Conditions

Sign up to our newsletter

Oxford summer courses is an organisation which contracts with the colleges of the universities of oxford, cambridge and london for the use of facilities, but which has no formal connection with the universities of oxford, cambridge and london., oxford summer courses © 2024, oxford summer courses is a company registered in england and wales with company number 08011543.

25 best books on writing for authors that want to master their craft

When I decided I wanted to be a writer, I got my hands on everything I could about plotting, prose, story and character development and the art of creative writing.

Here’s what I learned: the majority of books from famous writers are self-reflecting memoirs with a handful of good life lessons. Inspirational, but not  useful.

Although – I will add – sometimes inspiration is  exactly the missing piece; because without a burning desire to succeed as a writer, few authors will take the time to master their craft.

What is “craft”? Craft is the skill of doing something well; of  making something.

In my opinion, 

Craft is the “how”. Art is the “why.”

Most writers and even many gurus (especially the famous writers) only focus on the art, the why, the passion. But writing a passionate book is not the same as writing a good book.

YOU do not get to define the quality, or the value of your work – that depends on its impact, which means ultimately, readers will decide for themselves (although you can get better at communicating the value).

I’ll also point out, when most people talk about the craft of writing, they’re actually talking  about the art: the flowery, ornamental, sentence-by-sentence choice of words that few real readers will care about. While pretty writing can be an effective additional  feature of a book, it  is not  the book.

So when I talk about the craft of writing, I’m talking about the nuts-and-bolts, universal tips, tools, lessons, techniques and strategies that you can actually use to avoid common amateur mistakes and make your manuscript stronger.

In my opinion, there are too few books like this: and instead a whole bunch of completely separate, unique approaches, so that when you read them all, you’re actually left to pick and choose or assimilate as many useful approaches as possible.

That’s why I wrote BookCraft: a complete system to writing books readers love .

But it took me a PhD, a few dozen books and a decade to get there, and I’m indebted to the insights of many great writers who came before me; peers in my field or the publishing industry; and story experts.

So without further ado, these are what I think are the  most useful books for authors who are determined to improve their writing. PS. I’m also including some “author writing business” books – because the first step to good writing is understanding

that art is creativity focused into an object of value.

Figuring out who your audience is, what they expect and appreciate, and how to make them happy will be critical to your success, confidence, skill and writing craft (because the more people like your writing, and the faster you see favorable results, the more likely you’re going to persevere and move from inexperienced to masterful.)

I didn’t list them in preference, but my top three: nobody wants to read your shit; plot perfect; and write from the middle.

The 3 secrets to book marketing, and a haunted castle tour.

Totally free. Get it here.

I’m a philosophy dropout with a PhD in Literature. I covet a cabin full of cats, where I can write fantasy novels to pay for my cake addiction. Sometimes I live in castles.

Sharing is caring!

The Adventures in Writing Series

This series of books takes you on an adventure through the world of creative writing. You’ll learn about — and experiment with — fiction, poetry, and creative nonfiction writing. Plus, you’ll acquire essential writing tools and learn useful writing techniques, all while having fun with your craft. Click any book cover or title to read a full description and get your copy!

• Discussions
• Reading Challenge
• Kindle Notes & Highlights
• Favorite genres
• Friends’ recommendations
• Account settings

Creative Writing Books

A book’s total score is based on multiple factors, including the number of people who have voted for it and how highly those voters ranked the book.

People Who Voted On This List (27)

Post a comment » Comments

Featured news & interviews.

• Create New List
• Lists I Created
• Lists I've Voted On
• Lists I've Liked

Anyone can add books to this list.

Saving My Votes

Friends votes, how to vote.

To vote on existing books from the list, beside each book there is a link vote for this book clicking it will add that book to your votes.

To vote on books not in the list or books you couldn't find in the list, you can click on the tab add books to this list and then choose from your books, or simply search.

Welcome back. Just a moment while we sign you in to your Goodreads account.

Helping Writers Become Authors

Write your best story. Change your life. Astound the world.

• Start Here!
• Story Structure Database
• Outlining Your Novel
• Story Structure
• Character Arcs
• Archetypal Characters
• Scene Structure
• Common Writing Mistakes
• Storytelling According to Marvel
• K.M. Weiland Site

Juggling Life and Writing: 9 Tips for Maintaining Creative Focus

One of the most common frustrations of any writer’s life is how difficult it can often be to find time to actually  write . For those with other jobs that pay the bills or family responsibilities, writing time can slip away all too easily. Even those who write full-time discover their time can get eaten up just as quickly with the same time-management problems as before, not to mention the demands of the business side .

What’s a writer to do? Reader Colleen F. Janik asked for tips, saying:

How in the world do you manage to stay on track with your books and not allow life to get in the way? There are so many unexpected events involving family members, friends, moving from one location to another. I have books that have been left far behind me in a trail of dust and rubble.

9 Tips for Juggling Life and Writing

Colleen is not alone. Personally, I have lamented throughout my life that there wasn’t just one more hour in the day. And yet every time I juggle my schedule around to find an extra hour, I end up with the same lament sooner than later. Even when you think writing is one of your top priorities, it is shockingly easy to see it slip so far down on the to-do list that days or even weeks pass before you find yourself back at your desk. Cue the frustration and the guilt.

There is no quick fix. But there are many perspectives and habits we can cultivate on a daily basis so their effects multiply over time, even when life is at its most demanding and chaotic. Here are nine tips to get you started.

1. Don’t View Life and Writing as Separate

This one is important. So often we mentally divide everything that happens to us into different categories. There is Writing, and then there is Job, Family, Health. Whatever is left, we then tend to leave in the big lump that is simply Life. Ironically, the Life pile is the one we often tend to feel we are missing out on. But Life is all there is, my darlings. All the other categories are arbitrary distinctions we use to help us get organized. Although bringing a sense of order to our minds is always a good thing, our vision can become so narrow we miss the forest for the trees.

When we despair of juggling life and writing, we’re operating in a dualistic mindset that wants to separate the writing (or whatever else) from the life. When something other than writing happens, we suddenly feel we’re off-track. When we get the opportunity to move to a new state or we set aside time to celebrate a family member’s marriage or we confront a health crisis—it can feel like we’ve failed in maintaining our writing goals. Operating from such a sum-zero mindset suggests that to succeed at one thing (even if it is just facing what is necessary) means to fail at something else. This creates totally unnecessary pressure.

This is not to say schedules can’t be refined and better habits can’t be cultivated. But we might do better to release the idea that we have to control life if we’re ever going to be successful at prioritizing our writing. If we give ourselves the opportunity to open ourselves to the true flow of creativity, we realize it is operating not just when we’re at our desks, but in every surprising moment of every day.

2. Identify Your Pain Points

Really the entire challenge of juggling life and writing is about coming into flow with ourselves. One of the first steps is to consciously map whatever is creating resistance that blocks our ability to keep writing effortlessly within the the flow our daily schedules.

Start by identifying your pain points. What do you feel is obviously blocking your ability to be consistent with your writing time? The answers may be big events that are currently demanding huge chunks of your time and attention. But the answers may also focus on little things, like giving in to the temptation of social media or being too tired in the evenings to write even though you do have time then.

Make a list. It can help to imagine what your ideal day would like—one where making time for writing would feel effortless. What exists in your real life that is notably missing from this ideal day? Those are probably your most potent pain points.

3. Figure Out Where Writing Fits in Your Priorities

After examining your pain points, consider your priorities. Start generally. What’s most important in your life? You may list things like Family, Pets, Travel, and Writing. Then get more granular and make a list of your daily priorities. What tasks are non-negotiable? Write down everything you can think of, including eating lunch, picking your kids up from school, and your favorite way to relax.

Now get real with yourself and consider where writing ranks in this list. You may find it is at the top, but you may also find it’s way down at the bottom. There is no answer that’s better than another. The only thing that’s important here is that you are radically honest with yourself. Make a list that reflects how you truly feel, not how you think you should feel.

Once you’ve got the list, you can identify the “big” pieces in your life and start planning accordingly. If writing is one of those big pieces, then it deserves to be prioritized. If it is not, then you can give yourself permission to wait until some of those top-ranking big pieces (such as moving or helping with a wedding) are no longer on the to-do list. Or you can start creating a more non-traditional writing schedule that plans your writing around the things on your list that are, in fact, more important to you.

4. Take Care of Your Nervous System

Time management is really stress management. This is particularly important to a discussion of writing, because stress is a total mood-killer when it comes to creativity. Not only can an over-burdened schedule squeeze writing out of your day altogether, it can also mean that even when you do sit down to write, you arrive at your desk with an empty tank and nothing much to say.

As per Tip #1, one of the dangers of trying to view writing as something separate from the rest of life is that we can forget that all the rest of life supports our writing. Above all, if we are to nurture our writing time and creative spark, we must take care of our nervous systems. Fostering healthy time management and creating daily schedules that mitigate stress are crucial in successfully integrating writing into our daily lives.

More than that, any task on our list that focuses on taking care of ourselves (and, really, don’t they all?) is a task that, instead of being in competition with our writing time, is in support of it. Eating healthy (which includes grocery shopping and meal prepping), staying fit, and nurturing our relationships are all crucial factors in creating our most creative life possible.

5. Assign the Right Amount of Time for Writing

One of the reasons we might sometimes fail to meet daily or weekly writing goals is because we’ve set the bar unrealistically high. Although it sounds great to be able to write for two hours or more a day, this simply isn’t practical for the demands of every schedule. Look at your lists of priorities and pain points and realistically assess how much time you actually have to  comfortably spend on writing on a regular basis. Everyone’s different, and there is no “right” amount of time.

One of the single most self-nurturing flexes I’ve introduced to my own life is to stop being idealistic about my scheduling. Not only is it important to assess, with reasonable accuracy, how much time each task in your day will take—and therefore how much time will be left for writing—it is also important to tally all the little time-suckers that probably aren’t on your list. It’s so easy to think, Oh, I can do such-and-such  in two minutes or less—and then to do thirty or more of those “little” things throughout the day—and then wonder where you lost that extra hour.

6. Always Keep Your Toe in the Water

For some people, the right amount of time for writing might indeed be several hours every day—or it might be several hours once a week—or it might be fifteen minutes every day—or even just half an hour once a week. If writing is indeed a priority for you, then what is most important is creating a schedule that is, first and foremost, achievable . No matter how good it looks on paper, if you can’t make it happen long-term, then it’s really not all that productive or effective, is it?

Second, you want to create a schedule that balances your most realistic amount of productivity with the amount of regularity you need to maintain creative continuity from writing session to writing session. I call this “keeping your toe in the creative waters.” For those who are able to write every single day, this will take care of itself. But for those whose best writing schedule spreads out their writing sessions, just  make sure you’re not losing your creative thread. If a more time-intensive writing schedule is hard for you, then just know it is totally enough to write less frequently. It doesn’t make you less of a writer.

7. Daily Scheduling and Habit Stacking

As we all know, the daily schedule is really where the magic happens. This is such  a personal plan, because everyone is different. We all have different relationships to time itself, as well as different strengths and weaknesses when it comes to routines and habits. Understanding yourself and what makes you feel most creative is the key to creating a successful daily schedule.

Take your list of priorities and pain points and use it to map your day. The goal is not to create a concrete schedule that can never be altered, but to create a structure that can help you line up necessary tasks with their most productive timing within the day. I live by my schedule, but I am constantly tweaking it.

Habit stacking is a great way to optimize how much you can accomplish, freeing up extra time so you can fit in good stuff like writing. Habit stacking involves integrating a new habit into an existing routine by associating it with an established behavior. Instead of creating entirely separate habits, identify tasks you already do regularly and leverage those routines to seamlessly introduce new habits. For example, if you need to take supplements or medications, you can link that to mealtimes. If you want to get in more reading and/or exercise, you can listen to audiobooks while you walk.

8. Minimizing Distractions

The goal is to build a life that is spent primarily on high-quality activities—such as writing. To make time for these high-quality activities, we have to constantly clear the junk activities that suck our time. Everyone’s distractions are different, but what we all share is that distractions are everywhere . Digital distractions, in particular, are insidious and must be dealt with consciously and rigorously on a regular basis. I’ve previously talked about Creativity vs. Distraction: 13 Tips for Writers in the Age of the Internet .

To minimize distractions, we must first become aware of our distractions. Once we’ve brought consciousness to whatever is wasting our time, we can work to either eliminate it (e.g., unsubscribe from emails, turn your phone to airplane mode, put the dog outside) or address whatever underlying motivation is driving our desire to continue it (i.e., scrolling Instagram helps numb feelings we’d have to face if we did yoga or wrote that chapter instead).

9. Have Grace: Your Life Is Your Story

Cultivating the discipline to optimize daily schedules and create more space for our writing is perhaps  the hallmark of a serious writer. But the idea that these schedules should never be interrupted or upended is deeply unkind to ourselves. Life will  happen. Life  should  happen. And it should be embraced, in all its messy joy and tragedy. After all, isn’t that messy drama what and why we write?

The key to all of this is really about creating a lifestyle that mitigates stress so we have the wherewithal to do what we want to do. The foundation of a low-stress life is the ability to have grace not only with ourselves but with every circumstance we encounter. The balancing point between discipline and flexibility is where the magic happens. Finding this magical point is sometimes less about forcing ourselves to create better schedules and more about allowing ourselves to accept, feel, and process the interruptions as they come. We will all go through seasons of more writing and less writing. That is inevitable and, in acceptance, that is beautiful.

In Henry David Thoreau’s words:

How vain it is to sit down to write when you have not stood up to live.

Wordplayers, tell me your opinions! What are your best tips for juggling life and writing? Tell me in the comments!

Click the “Play” button to Listen to Audio Version (or subscribe to the Helping Writers Become Authors podcast in Apple Podcast , Amazon Music , or Spotify ).

Love Helping Writers Become Authors? You can now become a patron. (Huge thanks to those of you who are already part of my Patreon family !)

Sign Up Today

Related Posts

K.M. Weiland is the award-winning and internationally-published author of the acclaimed writing guides Outlining Your Novel , Structuring Your Novel , and Creating Character Arcs . A native of western Nebraska, she writes historical and fantasy novels and mentors authors on her award-winning website Helping Writers Become Authors.

This is very wise advice. Especially the stress management. I have learned a ton about that in the last 4 years. It is vital to creativity and makes all the difference. Sounds like your move to the country will be a huge plus in the stress management department. Best of luck in your new country home!

Thank you! And, yes, I utterly agree about stress management. Stress (in my experience) is antithetical to creativity.

Hi, I am new at this and reading your book Outlining Your Novel and LOVE it. I love your style of sharing how to do all this. That said, you often give examples from your own writing and I am impressed with all the different characters (I am not a reader of fantasy books such as yours) and wanted to know how you keep track of them and the bios I imagine you have written? Is there a particular software you use or just word docs?

Thanks for commenting, Elaine! So glad you’re enjoying Outlining Your Novel , and thank you for the kind words about my own writing. I have used various different organizational tools over the years, but my perennial favorite is Scrivener. I talk about how use it for outlining process here: https://www.helpingwritersbecomeauthors.com/my-writing-process-pt-1-of-2-how-i-use-scrivener-to-outline-my-novels/

This is great. Feeling guilty for not writing “enough” usually just causes frustrated creatives to fall into a shame spiral that results in writing even less. Allowing yourself to reframe living as an essential part of the writing process is a great way to avoid that guilt.

Totally. Any creative act is highly personalized, and there is no “normal” we should be aspiring to.

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed .

• Novel Outlining
• Storytelling Lessons From Marvel

As an Amazon Associate I earn from qualifying purchases.

Write Your Best Book

Check out my latest novel!

( affiliate link )

Free E-Book

Subscribe to Blog Updates

Subscribe to blog posts rss, sign up for k.m. weiland’s e-letter and get a free e-book, love helping writers become authors.

Return to top of page

Copyright © 2016 · Helping Writers Become Authors · Built by Varick Design

• Craft and Criticism
• Fiction and Poetry
• News and Culture
• Lit Hub Radio
• Reading Lists

• Literary Criticism
• Craft and Advice
• In Conversation
• On Translation
• Short Story
• From the Novel
• Bookstores and Libraries
• Film and TV
• Art and Photography
• Freeman’s
• The Virtual Book Channel
• Behind the Mic
• Beyond the Page
• The Cosmic Library
• The Critic and Her Publics
• Emergence Magazine
• Fiction/Non/Fiction
• First Draft: A Dialogue on Writing
• The History of Literature
• I’m a Writer But
• Lit Century
• Tor Presents: Voyage Into Genre
• Windham-Campbell Prizes Podcast
• Write-minded
• The Best of the Decade
• Best Reviewed Books
• BookMarks Daily Giveaway
• The Daily Thrill
• CrimeReads Daily Giveaway

A Book Club of Two: The Time I Started a James Joyce Reading Group in College

Kristopher jansma on the special magic of reading “ulysses”.

I’d bought my copy of James Joyce’s Ulysses at a Barnes and Noble in Manhattan in 1999, the summer before I left for college, along with a stack of other novels that I was convinced my much-smarter classmates would have already read. How I even decided which novels those were, I am still not sure, but I carried that bronze Modern Library copy of Ulysses to college in Baltimore, and then it moved with me from dorm to dorm. In three years, I never opened it once.

Then one summer I packed it in a steamer trunk and brought it all the way to Oxford, where I had enrolled in a summer course focused on the works of Joyce… but even then, I failed to read it.

Over four weeks in that class, I’d enjoyed Dubliners and Portrait of the Artist and managed to keep up with our Irish professor’s lectures on secular epiphanies and Irish nationalism and unattached third person points of view—and then we turned to the mammoth, 768-page Ulysses . We attempted the opening section together, which he called “the Telemachiad,” but with each chapter I became more lost than before. Who was Buck Mulligan? Who was Kinch? What the hell were they talking about? Every line seemed like a cypher, or in some foreign language—sometimes they quite literally were.

Our professor seemed unsurprised that we weren’t getting into it, even after he gave us a schema that explained the themes and explained that Joyce’s contemporaries had been similarly puzzled, until he’d given them this guide. We settled in with these charts that paralleled the chapters back to Homer’s Odyssey , and perused the maps with the paths of the characters throughout Dublin on the day—June 16th—now known as “Bloomsday” in honor of this wonderful novel. He brought out a big green Gifford annotation and had us read it alongside the original text so that we could see all that was wrapped up inside.

But I couldn’t get into it. An international holiday was nice, I conceded, but what the hell is the point of a 768-page book that even the author’s closest friends needed to read with a cheat key?

Truly, the best way to experience Ulysses , our professor told us, was to hear it read out loud . We ought to go to Dublin next summer and hear it performed on Bloomsday, by genuine Irishmen like him—and then he treated us to a little taste.

He was right. As he read, “Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed,” the words were lifted by his lilting brogue. There was a rhythm, a music in it that I couldn’t see on the page. It had to be heard.

The following summer, in 2003, I did not go to Dublin, but returned to Manhattan to attend the MFA program at Columbia University. I was 21 years old and quickly discovering that most of my new classmates were much older than me, and I found it difficult to make many new friends there that first fall.

Then, in the winter, the administrator sent out an email to all of us writers, saying that they had some extra funding available to provide food and drinks to anyone who wanted to start a club of some kind. I thought back to my Joyce class at Oxford, and I wrote back, half-kidding, to ask if they’d pay for some Guinness and Jameson whiskey if I started a James Joyce Reading Group.

An hour later I had a signed letter granting me permission to use the department’s charge account at the Morton Williams grocery store across from the campus. They’d reserved me the biggest room on our floor in Dodge Hall and emailed the students to tell them to show up to read Ulysses out loud with me that Wednesday night.

A few days later, I walked into the room with my Modern Library copy and the Gifford annotation I’d picked up at Labyrinth Books that afternoon. In my bag was a six-pack of Guinness. Thank goodness I also had a big bottle of Jameson because there were nearly thirty classmates waiting for me.

We passed around the libations and I thanked everyone for coming. Suddenly I realized they expected me to lead this thing. How many times had I read Ulysses before, someone asked?

I explained that, oh no , I’d never even read it once. Just that I was very excited to dig in together.

I did my best to explain how we’d go about the project, at least as far as I’d managed to think it out… We’d go around the room and each person would read two pages of Ulysses out loud. Someone else would skim along as we went through the Gifford annotation and flag anything that sounded noteworthy.

When the two pages had been read, the other person would share the footnotes with us, and then we’d discuss a little and pass the books along to start in on the next two.

As you can imagine, it was slow going. But over the course of an hour, the group managed to get the old novel up and living. Together, we found the music in there again, albeit without the Irish accents.

We talked about the symbolism of Buck Mulligan’s bowl and the crossed mirror and razor. There was ample Irish slang to decode, and hidden references to catch everywhere: allusions to Irish history, to Christian dogma, to Greek myth, to Shakespeare. The book was tying together Xenophon, Hamlet, George William Russell, the prophet Malachai, the poetry of Yeats… it was all there, woven expertly into this tapestry of language.

At the end of the first night, we’d gotten through less than ten pages. Most people hadn’t yet gotten to read. But there was so much more ahead. We broke for the week and went home, a little tipsy, and I was happy.

I wanted to write like this, I thought. To dedicate long years to a huge novel filled with arcane secrets, deep knowledge. Something to be studied; something to be sung.

The following week, we’d lost about half the original crowd. A week after that we had six people. And then, by the fourth meeting, when I arrived with the booze and the books, it was just one guy waiting for me. His name was Michael.

Michael was a bit older than me, like everyone else, and I knew from class that he was a quiet guy, whose opinions came out rarely, but when they did, they came out with surprising passion. I liked him, a lot. And it seemed that he, alone, hadn’t given up on our project.

Disappointed, I asked Michael if he thought we should consider postponing, probably just cancelling it altogether. It seemed like the whole thing had been a kind of embarrassing failure after all. Initially, I had not expected very many people to be interested, but they had been. And then somehow, I’d blown it.

But Michael didn’t care. He shrugged and took a Guinness and the Gifford annotation and got ready. I opened Ulysses to where we’d left off and, just the two of us, we got to the end of the first section that night.

And we kept on going, meeting every week that we could for an hour, and sometimes longer. At some point I think we moved to a smaller room. Occasionally my other classmates would hear we were still going and say they were eager to dive back in again—but nobody ever actually came.

It remained a two-man reading group for the next 18 months. Michael and I filled our books with notes and scribblings and together we reached page 515 in our final meeting, about halfway through the “Circe” section.

I drew a little mark where we stopped, after a line delivered by Leopold Bloom, who is the central character of the novel:

Rosemary also did I understand you to say or willpower over parasitic tissues. Then nay no I have an inkling. The touch of a deadhand cures. Mnemo?

Like a lot of the novel, I have no idea what this means. Gifford’s annotation, as often is the case, explains very little:

• The idea that the “touch of a deadhand cures” was a common superstition at the time in Ireland for a way to get rid of warts by pressing them against a cadaver’s hand.

• Rosemary, according to Gifford, “symbolizes remembrance in the language of herbs.”

Who is Mnemo? What does that have to do with Rosemary? What is going on? The guide tells me that the Circe section is taking place in a brothel and represents, in a stage-play format for some reason, “a kaleidoscopic blend of real and imaginary happenings.” At 150 pages, it is the longest single section of the whole book, and probably one of the most narratively unclear.

Why? Why read an enormous, difficult book that refuses to make any sense? It was the same question I’d asked myself back in Oxford. I’m sure it was on the minds of my fleeing classmates, no fault to them—I can imagine many better uses of Wednesday nights than sitting around reading a book that makes very little sense, very slowly, while someone else offers footnotes that don’t generally make it much more readable.

Why keep on reading something you aren’t really understanding?

The James Joyce Reading Group helped me find a few answers, at least, to that question.

Because : you can find something beautiful even when you don’t understand it. Maybe especially when you don’t.

Because : Even when I didn’t understand Ulysses , since I’d started reading it, I’d noticed a little more music in my own writing.

Because : Rosemary symbolizes remembrance in the language of herbs. Because there’s a language of herbs . Because I knew a hundred new little things like that at the end of each night.

Because : During our reading sessions I scribbled down every little phrase that struck me as remarkable.

Dr. Eustace’s Private Asylum for Demented Gentlemen Every Friday buries a Thursday Begin to be forgotten for old sake’s sake Inquintessential triviality Lancinating lightnings Bells with bells with bells acquiring the absentminded war the name that we are told is ours it was blue o’clock the morning after the night before the secondbest bed Two multiplied by two divided by half is twice one Love laughs at locksmiths They floated, fell: they faded.

These, I copied onto the bookmarks I’d been using to keep my place in both the Ulysses and the annotation: a pair of postcards I’d bought in Oxford and never sent to anyone.

Reading them still makes me want to immediately run to the keyboard and begin typing.

Are they opening lines? Images? Are they titles? I’ve used one or two that way over the years.

But really, they’re poems.

Really, they’re reminders what any of us could do with just three or four or five words. Each one of them is worth the whole hunt, for me.

Besides all that, the James Joyce Book Club was a way to spend some time with a friend.

Michael and I didn’t talk about a whole lot outside of Joyce, but we didn’t really need to. Joyce gave us more than enough to talk about. Michael had a long-term boyfriend, I knew. Michael was a reader at the New Yorker , whose job was to pull through its unending slush pile looking for quality work. Of course, I asked him if he ever found any.

He told me that he’d read a few dozen submissions a day, and in the years that he’d been doing it he’d found maybe five stories worth passing up the chain. None of those had ever been published.

But he liked it. He was patient. He took his time with his own work and he took his time with other people’s. I’d never seen before what a truly rare thing that was—and in the many years since then I have hardly ever met another soul who could match it. It’s something I still aspire to.

Michael came to a reading I gave, many years later, of my first novel—which was about a pair of somewhat unreliable writers, mucking about with words like these, a pair of self-serious fools. It wasn’t 768 pages long, but I liked to think it had some music in it. In one scene, a character drinks in an Irish pub in an African village beneath a framed picture of James Joyce from his “rocking the eyepatch” era—my little nod to the picture from the cover of my Modern Library edition.

At the reading, I met Michael’s partner, at long last, and he met my wife. And we reminisced about our nights with Joyce. Neither of us had ever read past the spot where we’d stopped, way back then.

Just 253 pages left to go, I joked. We talked about trying to pick it back up again, but life had gotten busy—I wasn’t 21 anymore. My son had just been born, and it would be a while before I’d spend Wednesday nights doing much besides changing diapers. The last time I’d had a Guinness I had to sleep an hour afterwards.

But I keep Ulysses on the shelf in my office just beside the annotation, both postcards right where I left them, eighteen years ago now. I still look over those phrases I pulled out, when I’m craving some inspiration. It almost always lends a little. And one day, I’ll get to the rest.

Bloom’s journey through Dublin took him all of a day, but Odysseus was sailing around for twenty years, I reason.

Penelope waits.

They don’t call it a timeless work for nothing.

Kristopher Jansma

Previous article, next article.

• RSS - Posts

Literary Hub

Created by Grove Atlantic and Electric Literature

Sign Up For Our Newsletters

How to Pitch Lit Hub

Advertisers: Contact Us

Privacy Policy

Support Lit Hub - Become A Member

Become a Lit Hub Supporting Member : Because Books Matter

For the past decade, Literary Hub has brought you the best of the book world for free—no paywall. But our future relies on you. In return for a donation, you’ll get an ad-free reading experience , exclusive editors’ picks, book giveaways, and our coveted Joan Didion Lit Hub tote bag . Most importantly, you’ll keep independent book coverage alive and thriving on the internet.

Become a member for as low as $5/month

Skip to Content

Current Students

Interested in more? Search Courses

• Search Input Submit Search

Admission Steps

Professional creative writing - literary genres in book publishing certificate, admission requirements.

Terms and Deadlines

Degree and GPA Requirements

Prerequisites

Additional standards for non-native english speakers, additional standards for international applicants.

For the 2024-2025 academic year

Fall 2024 quarter (beginning in September)

Final submission deadline: July 26, 2024

International submission deadline: June 4, 2024

Winter 2025 quarter (beginning in January)

Final submission deadline: November 22, 2024

International submission deadline: September 9, 2024

Spring 2025 quarter (beginning in March)

Final submission deadline: February 14, 2025

International submission deadline: December 9, 2024

Summer 2025 quarter (beginning in June)

Final submission deadline: May 2, 2025

International submission deadline: February 24, 2025

Final submission deadline: Applicants cannot submit applications after the final submission deadline.

Degrees and GPA Requirements

Bachelors degree: All graduate applicants must hold an earned baccalaureate from a regionally accredited college or university or the recognized equivalent from an international institution.

Grade point average: The minimum undergraduate GPA for admission consideration for graduate study at the University of Denver is a cumulative 2.5 on a 4.0 scale or a 2.5 on a 4.0 scale for the last 60 semester credits or 90 quarter credits (approximately two years of work) for the baccalaureate degree. An earned master’s degree or higher from a regionally accredited institution supersedes the minimum standards for the baccalaureate. For applicants with graduate coursework but who have not earned a master’s degree or higher, the GPA from the graduate work may be used to meet the requirement. The minimum GPA is a cumulative 3.0 on a 4.0 scale for all graduate coursework undertaken.

Program GPA requirement: The minimum undergraduate GPA for admission consideration for this program is a cumulative 2.5 on a 4.0 scale

Applicant must have successfully completed or be admitted to the Denver Publishing Institute course.

Official scores from the Test of English as a Foreign Language (TOEFL), International English Language Testing System (IELTS), C1 Advanced or Duolingo English Test are required of all graduate applicants, regardless of citizenship status, whose native language is not English or who have been educated in countries where English is not the native language. Your TOEFL/IELTS/C1 Advanced/Duolingo English Test scores are valid for two years from the test date.

The minimum TOEFL/IELTS/C1 Advanced/Duolingo English Test score requirements for this degree program are:

Minimum TOEFL Score (Internet-based test): 80 with minimum of 20 on each subscore

Minimum IELTS Score: 6.5 with a minimum of 6.0 on each band score

Minimum C1 Advanced Score: 176

Minimum Duolingo English Test Score: 115 with a subscore minimum of 105 for Literacy, Comprehension, and Conversation and minimum subscore of 95 for Production

English Conditional Acceptance Offered: No, this program does not offer English Conditional Admission.

Read the English Language Proficiency policy for more details.

Read the Required Tests for GTA Eligibility policy for more details.

Per Student & Exchange Visitor Program (SEVP) regulation, international applicants must meet all standards for admission before an I-20 or DS-2019 is issued, [per U.S. Federal Register: 8 CFR § 214.3(k)] or is academically eligible for admission and is admitted [per 22 C.F.R. §62]. Read the Additional Standards For International Applicants policy for more details.

Application Materials

Transcripts.

Writing Sample

We require a scanned copy of your transcripts from every college or university you have attended. Scanned copies must be clearly legible and sized to print on standard 8½-by-11-inch paper. Transcripts that do not show degrees awarded must also be accompanied by a scanned copy of the diploma or degree certificate. If your academic transcripts were issued in a language other than English, both the original documents and certified English translations are required.

Transcripts and proof of degree documents for postsecondary degrees earned from institutions outside of the United States will be released to a third-party international credential evaluator to assess U.S. education system equivalencies. Beginning July 2023, a non-refundable fee for this service will be required before the application is processed.

Upon admission to the University of Denver, official transcripts will be required from each institution attended.

Résumé Instructions

The résumé (or C.V.) should include work experience, research, and/or volunteer work.

Writing Sample Instructions

Graduate Certificates in Professional Creative Writing require a sample of your creative writing, preferably in the genre of the certificate to which you are applying. The sample may comprise 2-3 double-spaced pages of prose (fiction or creative nonfiction), 30-40 single- or double-spaced lines of poetry, or 1-2 single-spaced pages of dramatic writing (monologue, play, or screenplay). NOTE: Applicants may submit the personal statement from their Denver Publishing Institute application to satisfy the writing sample requirement.

Start the Application

Online Application

Financial Aid Information

Start your application.

Your submitted materials will be reviewed once all materials and application fees have been received.

Our program can only consider your application for admission if our Office of Graduate Education has received all your online materials and supplemental materials by our application deadline.

Application Fee: $50.00 Application Fee

International Degree Evaluation Fee: $50.00 Evaluation Fee for degrees (bachelor's or higher) earned from institutions outside the United States.

Applicants should complete their Free Application for Federal Student Aid (FAFSA) by February 15. Visit the Office of Financial Aid for additional information.

Microsoft 365 Life Hacks > Writing > 5 writing exercises you should try to improve your creativity

5 writing exercises you should try to improve your creativity

As we continue to develop our writing skills, occasionally we need to reacquaint ourselves with a creative boost. That’s where these five creative writing exercises can come in: they are designed to loosen up the blocks that might get in the way of our creative process. See what you can do to overcome the fear of the blank page with these fun ideas for getting the creative juices flowing.

What are creative writing exercises?

Sometimes, we can be stymied by our writing process: it is easy to fall into the all-or-nothing mentality that demands that we write a masterpiece right from the start. That’s why a creative writing exercise is a useful tool. They’re meant for writers to brainstorm and ideate potential new ideas for projects. Whether the ideas and words that we generate lead to something publishable is not the end goal: instead, they’re meant to provoke the improvisational skills that can lead to fun new ideas.

Get the most out of your documents with Word

Elevate your writing and collaborate with others - anywhere, anytime

Creative exercises to improve writing skills

Here are some ways to begin putting pen to paper:

Freewriting

Freewriting is the easiest creative writing exercise that can help with creative blocks. Simply write down anything that comes to your mind, without any attention paid to structure, form, or even grammar and spelling mistakes.

For example, if you’re working from a coffee shop, write based on what you notice around you: the potent smell of the barista’s latest batch of coffee… the furrowed eyebrows of the local students hard at work on their assignments.

Or, if you’re in your home office , perhaps you can observe the light that pours from your window in the morning hours as you start your 9 to 5. Or reminisce about the dusty, ill-used pens and paper clips sitting in the back of your desk drawer.

Do this for 10-15 minutes per session, uninterrupted: the Pomodoro technique can help with this.

Story starter prompts

Use an otherwise mundane phrase or sentence to kickstart a writing session and create a short story or character description. Try these sentences as story starters:

• The old man had a look of frustration.
• It felt like my husband had woken up angry.
• “Open a window,” Lucinda said, “it’s mighty hot in here.”

Letter to your younger self

This exercise asks the question: what would you say to your teenage self? Or a version of you 5, 10, or 20 years younger? In this exercise, you can recast your life in a different light and offer advice, reassurance, or reexperience a special moment again. Maybe you can write from a perspective of optimism: now that you are successful, for example, you can be excited to share your accomplishments. This highly personal exercise can help you tap into all manners of emotions that can then go into character development.

Take two characters from your work, or a book that you love and rewrite their experiences and plot points while switching their points of view. Perhaps one character knows something more than the other, or another character’s perspective and thoughts have been unwritten. Switching these POVs can help you see how a storyline shifts, taking on different tones and emotional beats.

Flash fiction

Flash fiction is a type of short fiction that is 500 words or less. The objective of this exercise is to craft a narrative or a character portrait all within a highly limited constraint. Flash fiction differs from freewriting in that you write with focus, aiming towards a fully-formed story that can include plot, conflict, and a character portrait. Writing flash fiction seems deceptively easy, but it can be a challenge—which is why literary magazines and writing contests often have opportunities to publish and award great flash fiction.

If you’re looking for more ways to tap into your creativity, check out more writing tips here .

Get started with Microsoft 365

It’s the Office you know, plus the tools to help you work better together, so you can get more done—anytime, anywhere.

Topics in this article

More articles like this one.

When to use 'while' vs. 'whilst'

“While” and “whilst” are usually interchangeable, but not always. See how they differ and learn how to use them effectively.

What is touch typing (and why is it important)?

Learn about the benefits of touch typing and how it can help you type faster and more accurately.

Is it “per say” or ‘per se’?

Address the misspelling of ‘per se’ to effectively communicate the intrinsic quality of something. Learn why it is commonly misspelled and how to use it correctly in your writing.

Elicit vs. illicit: What’s the difference?

Learn the difference between illicit vs. elicit, two homophones that sound alike but mean different things, and write without confusion.

Everything you need to achieve more in less time

Get powerful productivity and security apps with Microsoft 365

Explore Other Categories

More From Forbes

A writing room: the new marketplace of writer classes, retreats, and collectives.

• Share to Facebook
• Share to Twitter
• Share to Linkedin

A Writing Room is one of the fast-growing writer collectives. The four co-founders (left to right): ... [+] Reese Zecchin, Director of Production; Jacob Nordby, Director of Writer Development; A. Ashe, Creative Director; Claire Giovino, Community Director.

The past decade has brought an explosion in the number of books published each year in the United States (an estimated three to four million annually). In turn, this explosion is bringing a growing and evolving marketplace of writer classes, retreats and collectives. It is a marketplace creating new jobs and entrepreneurship opportunities—both for mainstream tech, marketing and managerial workers, as well as for writer/artist denizens of America’s bohemia.

The Drivers of Growth in Book Publishing

The number of book sales in the United States remains healthy, though it has leveled off in the past four years. In 2020, 756.82 million book unit sales were made in the US alone. This number climbed to 837.66 million in 2021, before falling slightly to 787.65 million units in 2022 and 767.36 million units in 2023.

What has changed dramatically has been the number of books published. Steve Piersanti of Berrett-Koehler Publishers estimates that three million books were published in the US, up 10 times from the number only 16 years ago . Other estimates put the number of published books annually at closer to four million .

The main driver of this growth in books published has been self-publishing. According to Bowker , which provides tools for self-publishing, an estimated 2.3 million books were self-published in 2021. Up through the 1990s (now the distant past in publishing), writers of all types of books, fiction and nonfiction, were dependent on convincing publishing houses to publish their work. As the technology for self-publishing and print on demand grew in the early 2000s, writers could publish on their own, and a very large number of Americans began to do so.

Fueling growth also is the level of affluence and discretionary income that an increasing segment of American society is reaching. For centuries, theorists across the political spectrum have envisioned a society, freed from basic economic needs, pursuing creative activities, with writing as a primary activity. In The German Ideology , Karl Marx could write about the economy of abundance in which individuals pursue writing as one of a series of daily activities—hunt in the morning, fish in the afternoon, write criticism in the evening. John Maynard Keynes in a 1930 essay, “ Economic Possibilities for Our Grandchildren” , envisions a time a hundred years forward (2030) in which writing is no longer the province of the upper classes. Contemporary theorists on the future of work, such as John Tamny, similarly see a blooming of creative and artistic activities by the average citizen.

Best High-Yield Savings Accounts Of 2024

Best 5% interest savings accounts of 2024, a writing room, and the emerging marketplace of writer training.

A marketplace of writing coaches, classes and retreats expanded throughout the late twentieth century and first years of the twentieth century. Published authors and even recently-minted graduates of MFA programs hung out shingles for individual coaching and small classes. Colleges expanded their writing programs and certifications, and writer retreats multiplied. Co-working and literary event spaces were established in major cities ( The Writers Room in New York, The Writers Grotto in San Francisco). But the marketplace continued to bump up against geographic and logistical limitations.

Then, along the came the internet, and its evolution.

Today, hundreds of businesses throughout the country offer assistance to aspiring writers. Many continue to offer some in-person assistance through coaching, classes or retreats. But as in other fields, the internet has allowed for a nationwide (worldwide) reach that these businesses are taking advantage of to scale. The major pre-internet writer assistance companies, such as The Writers Studio , added online courses and instruction, and the early internet-based companies from the 1990s, such as Writers.com (a pioneer in the internet field), steadily expanded their offerings. New enterprises are springing up on a regular basis, including the writer collectives.

A Writing Room is one of the fastest growing of the writer collectives, and its suite of services illustrate the how the field is evolving.

A Writing Room has its roots in the writing classes that novelist Anne Lamott had been teaching for some years, and her interest by the early 2020s in creating a larger on-going community of writers. Lamott connected with a team of four entrepreneurs who had experience with previous start-ups and expertise in online tools. In early 2023 they set out to develop A Writing Room.

Novelist Anne Lamott, one of the partners in A Writing Room.

A Writing Room launched in June 2023, and followed a few months later with an inaugural writers retreat in Santa Fe, New Mexico. Though hastily arranged, the retreat attracted more than 400 in person attendees and over 1600 attendees online. In the first half of 2024, the company set up a membership structure of monthly and annual memberships. Within months, over 550 writers had joined.

The products that members can access are aimed in part at teaching the craft of writing. In a recent author discussion (with close to 400 participants joining online) Lamott discussed the craft of writing with novelist Donna Levin . Both started publishing in the 1980s. They noted how much publishing and the role of the writer have changed, but emphasized the fundamentals that have remained over their forty years, related to craft and the responsibility of the writer: the daily commitment, the careful development of plot and characters, the numerous rewrites (as many as you think you need, and one more).

A Writing Room offers a series of on-demand courses, online discussions with authors and publishing professionals, and daily writing prompts, built around writing as craft. It further offers instruction on the paths to and options for publication, building a following of readers.

At its center, A Writing Room is about being part of a community of writers, giving and receiving regular feedback from other members, as well as feedback from writing mentors and coaches. In an interview earlier this year, Lamott explained:

The great myth about writing is that it's an entirely solitary activity. This really isn't true. Every book I've ever written has been with a lot of help from my community. I wouldn't be the writer I am today — and wouldn't even want to write — without people to share the process and finished work. Writing is a process, but it doesn't have to (and really shouldn't be) done in total isolation.

The writing process can feel overwhelming. It often does for me. Believe me, a trusted writing friend is a secret to life.

Other emerging writing collectives also emphasize community and cooperation. Levin underscored this point in the recent online discussion: “Writing can be such an isolated activity, and to some extent needs to be. You want to seek out a community that can give you the support you need and also the honest feedback.”

How the New Marketplace Is Evolving And Jobs Created

The founders of A Writing Room know that the marketplace for writer assistance is fast changing, and they need to be quick to adapt to increased competition. Already, several developments are driving change in the field:

· The entrance of major online education companies (i.e. Masters Class , Coursera, Udemy ).

· Faculty recruitment of writers with built-in audiences of sizable twitter and other social media followings.

· Partnerships with the major publishers and agencies, who hold out the promise of publication to participants of the classes, retreats and collectives.

· Specializations by race and ethnicity, gender, geography and genre.

· Market segmentation, and attention to higher income consumers.

A number of these developments reflect the changes in the broader publishing world and are likely to continue. Overall, the marketplace itself will be expanding, as publishing technology advances, along with discretionary income.

The jobs being generated by this new marketplace are a mix of tech, administrative, and writing coach positions. At A Writing Room, recent hires include a community liaison, video editor, customer support, and a “beta reader” providing feedback to writers on their drafts. The hiring process is sweeping up into jobs not only workers who have been in the regular economy, but also residents of America’s bohemia: writers and artists who previously were outside of (and often scornful of) the market system. What can be better than that.

In his 2023 book, The Novel, Who Needs It , Joseph Epstein, former editor of American Scholar , offers a paean to fiction as above all other intellectual endeavors that seek to understand human behavior. But what he says of fiction is true of other writing (memoir, history, even forms of self-help) that arouses the mind.

Yes, there are way too many books published each year, and yes only a very small percentage of writers will earn any significant income from their writing. But who knows what individual book will succeed commercially or critically, or add to our shared knowledge or wisdom. And really, why not encourage the craft of writing. How much does America benefit from most of the paper-pushing, meetings and e-mails that now pass for work in our economy of affluence.

• Editorial Standards
• Reprints & Permissions

Join The Conversation

One Community. Many Voices. Create a free account to share your thoughts. 

Forbes Community Guidelines

Our community is about connecting people through open and thoughtful conversations. We want our readers to share their views and exchange ideas and facts in a safe space.

In order to do so, please follow the posting rules in our site's  Terms of Service.   We've summarized some of those key rules below. Simply put, keep it civil.

Your post will be rejected if we notice that it seems to contain:

• False or intentionally out-of-context or misleading information
• Insults, profanity, incoherent, obscene or inflammatory language or threats of any kind
• Attacks on the identity of other commenters or the article's author
• Content that otherwise violates our site's  terms.

User accounts will be blocked if we notice or believe that users are engaged in:

• Continuous attempts to re-post comments that have been previously moderated/rejected
• Racist, sexist, homophobic or other discriminatory comments
• Attempts or tactics that put the site security at risk
• Actions that otherwise violate our site's  terms.

So, how can you be a power user?

• Stay on topic and share your insights
• Feel free to be clear and thoughtful to get your point across
• ‘Like’ or ‘Dislike’ to show your point of view.
• Protect your community.
• Use the report tool to alert us when someone breaks the rules.

Thanks for reading our community guidelines. Please read the full list of posting rules found in our site's  Terms of Service.