the cambridge companion to creative writing pdf

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The Cambridge Introduction to Creative Writing

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• > The Cambridge Companion to Creative Writing
• > Creative writing and new media

Book contents

• Frontmatter
• 1 Introduction
• PART I GENRES AND TYPES
• 2 A writing lesson: the three flat tyres and the outer story
• 3 In conversation: a new approach to teaching long fiction
• 4 Genre and speculative fiction
• 5 Writing drama
• 6 Poetics and poetry
• 7 Travel writing
• 8 Creative writing and new media
• 9 Creative translation
• 10 Life writing
• PART II TOPICS
• Further reading
• Other titles in this series

8 - Creative writing and new media

from PART I - GENRES AND TYPES

Published online by Cambridge University Press:  28 March 2012

From page to screen, from human to computer

Writing has always involved forms of technology, whether the pen, the typewriter or the computer. But the growth of new media technologies is offering many exciting possibilities for experimentation and innovation in creative writing. In new media writing – or networked and programmable writing, e-literature or digital writing as it is variously called – the screen replaces the page. In such writing environments we can make words kinetic, pursue new forms of interactivity and link disparate web pages. We can also interweave text, sound and image, and create environments in which readers/viewers transform texts through their bodily movements. Most radically, we can program the computer to compose fiction or poetry, thereby shifting our conception of authorship. Consequently, new media writing is a very diverse and challenging field which stretches from animated poetry and interactive fiction to computer-generated text and computer-interactive installations.

However, new media writing does not constitute a break with the literary tradition, rather it shows the influence of twentieth-century experimental writing from the modernists to the postmodernists. It incorporates techniques drawn from modernist collage, and visual and sound poetry, as well as the syntactical dislocations of American Language poetry. It can project alternative storylines like those we find in postmodern fiction, though to a higher degree of complexity, and its linking system provides an excellent environment for cross-genre writing, that is writing which mixes prose and poetry or critical and creative writing.

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• Creative writing and new media
• By Hazel Smith
• Edited by David Morley , Philip Neilsen , Queensland University of Technology
• Book: The Cambridge Companion to Creative Writing
• Online publication: 28 March 2012
• Chapter DOI: https://doi.org/10.1017/CCOL9780521768498.009

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The Unique Burial of a Child of Early Scythian Time at the Cemetery of Saryg-Bulun (Tuva)

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Pages:  379-406

In 1988, the Tuvan Archaeological Expedition (led by M. E. Kilunovskaya and V. A. Semenov) discovered a unique burial of the early Iron Age at Saryg-Bulun in Central Tuva. There are two burial mounds of the Aldy-Bel culture dated by 7th century BC. Within the barrows, which adjoined one another, forming a figure-of-eight, there were discovered 7 burials, from which a representative collection of artifacts was recovered. Burial 5 was the most unique, it was found in a coffin made of a larch trunk, with a tightly closed lid. Due to the preservative properties of larch and lack of air access, the coffin contained a well-preserved mummy of a child with an accompanying set of grave goods. The interred individual retained the skin on his face and had a leather headdress painted with red pigment and a coat, sewn from jerboa fur. The coat was belted with a leather belt with bronze ornaments and buckles. Besides that, a leather quiver with arrows with the shafts decorated with painted ornaments, fully preserved battle pick and a bow were buried in the coffin. Unexpectedly, the full-genomic analysis, showed that the individual was female. This fact opens a new aspect in the study of the social history of the Scythian society and perhaps brings us back to the myth of the Amazons, discussed by Herodotus. Of course, this discovery is unique in its preservation for the Scythian culture of Tuva and requires careful study and conservation.

Keywords: Tuva, Early Iron Age, early Scythian period, Aldy-Bel culture, barrow, burial in the coffin, mummy, full genome sequencing, aDNA

Information about authors: Marina Kilunovskaya (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Vladimir Semenov (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Varvara Busova  (Moscow, Russian Federation).  (Saint Petersburg, Russian Federation). Institute for the History of Material Culture of the Russian Academy of Sciences.  Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail:  [email protected] Kharis Mustafin  (Moscow, Russian Federation). Candidate of Technical Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Irina Alborova  (Moscow, Russian Federation). Candidate of Biological Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Alina Matzvai  (Moscow, Russian Federation). Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected]

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