writing club for students

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How to Start a Creative Writing Club

Last Updated: June 1, 2024 References

This article was co-authored by Ashley Pritchard, MA . Ashley Pritchard is an Academic and School Counselor at Delaware Valley Regional High School in Frenchtown, New Jersey. Ashley has over 3 years of high school, college, and career counseling experience. She has an MA in School Counseling with a specialization in Mental Health from Caldwell University and is certified as an Independent Education Consultant through the University of California, Irvine. This article has been viewed 35,695 times.

Do you have a passion for creative writing that you want to take to the next level? A great way to grow your writing skills is to start a creative writing club, where you can share your work with others who are invested in cultivating the same craft. Working with people who share similar interests to you is both fun and incredibly rewarding!

Things You Should Know

• If you’re a student, talk to your favorite English teacher and ask them to sponsor the club; the odds are extremely high that they’ll be thrilled by the idea!
• If you’re running the club, remember that different members are likely there for unique reasons—include a variety of poetry, fiction, non-fiction, and screenwriting activities.
• For a younger crowd, include a writing activity with every meeting and encourage members to share their work—be super supportive!
• Make sure that if you’re doing any workshop-style discussions that the members understand that critiquing someone’s work does not mean criticizing them as people.
• Clubs with older members will likely attract a good number of experienced writers, so you may want to start meetings by asking members if they’ve been working on anything they’d like feedback on before going into activities, lectures, or discussions.

Forming Your Club

• Possible locations include your house, public park, an open classroom, or anywhere else you can meet and converse without disturbing others.

• Word of mouth: Invite friends and acquaintances, and ask them to spread the word and bring their friends! Talk openly and excitedly about your club: your enthusiasm will help draw the interest of others. It’s a good idea to invite very broadly to begin with: the people who are truly invested in your club will show up and stick around.
• Posters and fliers: Design a cool flier and post it around school or your workplace! This is a nice way to draw attention to your club.
• Social media: For example, you can create a Facebook Event for the first meeting and share it widely with your friends!

• If you do decide to ask someone to be your advisor, be considerate of their time and respectful when making your request. Sending them an introductory email explaining your plans (in as much detail as you can) will allow them to make an informed decision. It is also courteous to offer to meet in person or talk over the phone/Skype so that they can ask any questions they might have before they make their decision.
• Advisors can be involved in a variety of ways, and this should be a conversation that you have directly with your potential advisor. Will they attend meetings? Will they offer guidance from afar? These are questions that are best to ask early on.

• This is related to possibly need an advisor: some schools require an advisor's signature on club registration forms. Once again, just be sure to research your school, university, or organization's requirements.

Holding for Your First Meeting

• You can choose an icebreaker that is relevant to the theme (if applicable) of your club, or you choose something entirely random. The point of this activity is to lighten the mood and help your members get to know each other and feel more comfortable opening up and sharing their work. Classic icebreakers like " Two Truths and Lie " (where everyone shares two true facts and a lie about themselves, and others guess the fabrication) and the "Name Game" (where each person has to find an adjective to describe themselves that starts with the same letter as their name) can be great simple options. [2] X Research source

• Write about an animal of your choice.
• Open up a dictionary, pick a word, and write what it means to you.
• Create a poem or story that starts with "Hello."
• Write a piece that's inspired by a conversation you've recently overheard.
• Write about something you dread or fear.

• If voting proves too messy (this might be the case, especially if you have many members), an easy and neutral online tool that may help you decide when to hold meetings is doodle.com (or other similar scheduling applications).

• Is your main goal as a group to spark new writing ideas together and actually practice writing during the meetings, or to critique and improve one another's written works? Alternatively, you may want to operate as more of a social/support group for writers, where you talk about your craft and hold one another accountable for your personal writing goals. Decide your focus together, and build that into your mission. [4] X Research source

• Bringing a large sheet of paper and pens (or whiteboard markers if your location has a whiteboard) can be a nice way of involving members in this process. Members can take turns suggesting and writing ideas. You can keep this piece of paper as a reminder for future meetings, or you can take it, type it up, and print it and share copies (or a combination).

Keeping Your Club Going

• It is helpful to bring a notebook to meetings so that new members can share their e-mails and/or phone numbers, and so that you can then add them to any groups or lists.

• It's a good idea to start an e-mail list, a Facebook group, and maybe a group chat so that you can add members and keep them informed and up to date on club meetings and activities. It's all up to you, but clear communication will help your club flourish.

• If you do choose to have writing partnerships be a part of your club structure, you may want to consider assigning writing partners randomly as well as have people change partners periodically. It's a good idea to try to prevent cliques from forming for many reasons: so that no one feels left out, so that members are receiving feedback on their work from multiple perspectives, and so that people are establishing many connections with many different members of different style, backgrounds, and personalities.
• Give members ideas of how to connect with their writing partner. Suggest accessible practices such as, "After you've written your piece, share it with your partner via Google Docs so that you can read each other's work. Then, coordinate a time to meet and discuss one your work in person." Encourage members to do whatever feels most comfortable to them.

• One way to do this is creating and sharing the link to a standing Google Form that is specifically designed for feedback. Creating an anonymous Google Form (or whatever type of digital survey works best for you) will encourage members to voice their opinions. It's good to establish protocol for how this feedback will be dealt with, early on: will you (as the leader) check the responses regularly, and will suggestions be discussed at meetings?
• Another way to gather feedback is to designate an allotted amount of time during meetings to open up the discussion for feedback and suggestions.
• If you and your members do decide that you want to discuss feedback weekly (however you choose to gather it, whether electronically or during meetings), you may also want to discuss the format of this discussion. Will it be an informal discussion? Will people vote? Will it depend on the feedback? These are good points to consider early on when determining club guidelines.

• Let members know what they should bring to the next meeting (i.e. laptop, notebooks, pens, etc.).
• Ideally, set at least a loose agenda for your next meeting, before you wrap up your first one. Your goal should be to get right down to writing and club discussions in your subsequent meetings, now that you've set some ground rules and expectations. [6] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source

Community Q&A

• Bringing snacks can be a fun addition to any meeting. But be sure to communicate any allergens (nuts, dairy, etc.)! This will help incentivize people to come to the meetings, and—particularly if your club is hosted during lunch or after school—makes sure that no one is hungry entirely. Thanks Helpful 0 Not Helpful 0
• Bringing some extra notebooks and pens to the first meeting (or first few meetings) is always a good idea, just in case someone forgets their own. Thanks Helpful 0 Not Helpful 0
• Try this fun activity: Pass sheets of paper around so everyone has one. Have everyone write the beginning of a story, pass the sheet to the person on their right, and have them continue the story (then folding the sheet over so the next person can only see the most recently added sentence, not any of the previous sentences). It's sort of like the game "telephone," and you can theme it around a particular topic! Thanks Helpful 0 Not Helpful 0

You Might Also Like

• ↑ https://www.writersdigest.com/publishing-insights/7-questions-to-ask-yourself-before-starting-a-writers-group
• ↑ https://icebreakerideas.com/quick-icebreakers/
• ↑ https://thinkwritten.com/365-creative-writing-prompts
• ↑ https://www.inkedvoices.com/writing/types/
• ↑ https://writingcenter.unc.edu/handouts/writing-groups/writing-group-starter-kit/

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How to Start a Creative Writing Club for Kids

I pitched the idea to a friend of mine, a professor of creative writing, who very graciously shared with me exercises she does with her grad students. It took some work but I brought them down to a level I thought would work with 4 th -6 th graders.

Next I had to get buy in from the school principal to run an after school club and use the library. She loved the idea but reminded me I needed a ‘baby sitter’ because I’m not a credentialed teacher. The librarian agreed to keep me on the straight and narrow and I promised to keep his library in good working order.

From there, I got myself invited to a PTA meeting to see if they would throw me some funds to run the club. Really all I wanted were notebooks, pencils and a few other little things here and there to help with the writing exercises. They said yes and I was off.

We meet once a month for an hour. We have two rules for Writing Club. The first is we are respectful of everyone’s ideas; if a fellow student is reading his/her work aloud, we are quiet and listen closely. The second is no one has to read if they don’t want to. No pressure. I also give away middle grade books I’m done reading. Winners beam like they’ve just won the lottery.

September’s giveaway books

At our first meeting this year fifty students showed up! I ran out of everything – notebooks, pencils, seats, table space – but seeing these kids, scribbling away, giving voice to the stories in their heads, gave me hope for the future.

(for specifics on the writing exercises, please visit my website )

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This is a great idea! Thanks for sharing.

50!!! Wow! That gives me hope for the future, too. I am so crazy busy this year but would love to do host a NaNoWriMo group for our middle school students. Maybe I should do it a different time of year and follow your lead. Thanks for the inspiration!

Absolutely love your idea and your website describing how you present the writing program. If I were a kid again, I would run to get to the head of line for your program. Thank you for teaching.

• Interview & Giveaway with Amie Darnell Specht & Shannon Hitchcock! February 7, 2024 by Mindy Alyse Weiss Welcome to the Mixed-Up Files, Amie and Shannon. We’re thrilled to have you here. Congrats on the launch of Dancing in the Storm. It’s so inspiring and powerful. I had... Read more →

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Extracurriculars.

Creative Writing Opportunities for High School Students

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If you’re a high school student interested in creative writing, you may or may not have a number of broad extracurricular options to pursue during the school year, depending on your school. You might be a part of your school’s literary magazine, or participate in creative writing workshops. Maybe you are lucky enough to attend a school with dedicated creative writing classes or poetry electives.

But what if your school doesn’t seem to offer much for students who want to pursue creative writing? Or what if you don’t even know where to begin looking? How can you keep your momentum headed towards your goal or otherwise use your time productively if you passionate about creative writing?

There are many activities available to high school students who enjoy creative writing. Some might be available through your school, but many are out there waiting for you to pursue them independently.

In this post, we’ll outline how you can take the initiative to pursue multiple creative writing opportunities both in and out of school. Keep reading to learn more about what opportunities are out there for high school-aged creative writers.

Why Pursue Creative Writing?

There are many reasons to pursue extracurriculars in general. They can serve to strengthen your academic profile, they allow you to pursue interests not otherwise available through traditional classwork, and they can provide valuable, real-world experience.

Creative writing is an extracurricular that is closely tied with your academic coursework in English and Language Arts and in fact is probably a partial requirement of at least some of your English classes. Pursuing it further exemplifies your commitment to the craft and gives you some insight into writing as a possible career path.

It might be easy to think of creative writing as nothing more than a hobby, but in reality many careers exist in which strong writing skills are coveted. By pursuing creative writing, you become well equipped for a career as not only an author or poet, but also in many other fields. We’ll discuss these more in depth at the end of this post.

Opportunities to Pursue Creative Writing

Literary magazine:.

This is the most obvious and most common way to study and produce creative writing in a formal setting at school. Many schools already have a literary magazine established and likely have regular meetings and a faculty adviser equipped to lend insight and advice.

You can usually join your school’s literary magazine at the beginning of a new school year, though you may also be able to join mid-year in some circumstances. Contact the editor or faculty advisor if you want to become involved. Over time you may even be able to take on a leadership role yourself. To learn more about the importance of this, check out CollegeVine’s Your Resume, Revamped: Securing Leadership Positions and Perfecting Your Extracurricular Profile . 

Another way to be involved with the literary magazine, even if you aren’t a part of its team, is to become a regular contributor. This isn’t always easy; some schools have highly competitive literary magazines or only produce one printed edition per year. If this is the case at your school, don’t get discouraged. Submit your best work, learn from feedback, and keep trying.

If your school does not have a literary magazine, you might consider starting one. Begin by talking to other students who have expressed interest in creative writing. Once you have a strong group of interested students, approach a member of your school’s faculty who would make a good adviser.

Your faculty adviser should be someone who has worked closely with you in the past and has some level of expertise in creative writing. Be clear what sort of commitment you are asking for from this person. You may need him or her to be present at every meeting, or you might simply need his or her signature and sporadic stamp of approval. Also remember that you will have some associated costs so having a faculty adviser who can help with fundraising could be important.

Literary magazines provide students interested in creative writing with some general insights into a formal writing publication, a glimpse at the process for submitting work and receiving feedback, and the opportunity to have their writing published for all to see.

Creative Writing Club:

If your school does not have a literary magazine or you are interested in pursuing creative writing in a less formal setting, a creative writing club might be a good bet for you.

These clubs generally operate as regular writing workshops during which students respond to prompts or practice free-writing, and then share their work and offer feedback to others. It is often similar to the submissions approval process at a literary magazine without the stress of possible rejection.

In addition, a creative writing club does not generally produce a publication, though some might print a collection of work at the end of the school year. Again, this differs from the traditional literary magazine because work is selected by the author rather than submitted for acceptance or rejection.

If your school does not have a creative writing club, it is easy to start one. Because there is no associated publication as in the case of a literary magazine, the process is generally less formal. You could meet before or after school and sometimes you don’t even need a faculty adviser; you just need a teacher who’s willing to share classroom space outside of school hours.

Alternatively, you could form a writing club that is completely independent of your school by meeting at the library or a friend’s house. Simply gather creative writing exercises from books or online searches and then gather on a regular basis to respond to them, share work, and offer constructive criticism.

A creative writing club can also be an important accountability tool for students who are working on independent creative writing projects. If you’re writing a longer piece or even a novel, or working on a collection of poetry, meeting regularly with like-minded writers can help to keep you on track and provide outside feedback that might otherwise be unavailable.

Creative Writing Tutor:

If creative writing is your passion and you want to share it with others, you might consider becoming a creative writing tutor for younger students.

Contact a local elementary school and ask if you might be able to volunteer. If so, arrive prepared to lead a small writer’s workshop. Bring any handouts you might need and practice your oral presentation ahead of time. If you need some inspiration for activities, check out the Creative Writing for Children page at PBS parents or the Story Starters page at Scholastic . These kid-friendly writing prompts are sure to inspire even the youngest authors.

If you can’t find a volunteer position at an elementary school, you could try reaching out to other local organizations. Girl or boy scout troops, community centers, or the local library are all possibilities.

Leading a creative writing group for younger students is a great way to hone your own thinking about creative writing, to practice your teaching and leadership skills, and to give back to your community.

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Writing Contests:

If you’re looking for more direction for your writing, and the idea of fame and fortune intrigues you, you should consider entering some writing contests. There are many to choose from, and most offer either cash prizes or scholarship money. Some are also quite prestigious.

For a list of some of the most respected writing contests open to high schoolers, check out The CollegeVine Ultimate Guide to High School Writing Contests .

Summer Programs:

As is now the case for most extracurriculars, there are many strong summer programs to choose from if you’d like to pursue creative writing during your school break. These programs can be competitive to get into and you will usually be required to submit a writing portfolio as a part of your application.

Programs such as these also strengthen your college application and reinforce your commitment to writing. A few of the strongest are:

• Interlochen
• Kenyon Review Young Writer’s Workshop
• California State Summer School for the Arts (Primarily for California residents, but a small number of non-residents are accepted each year.)

Many of these programs have scholarships available, so if finances are a concern, be sure to research a few options before ruling anything out.

In addition, many colleges offer summer programs in creative writing as well. These are usually similar in format to any of the aforementioned summer programs, with the added bonus of allowing you to build connections at colleges or universities that you might wish to attend. 

See if any schools on your list of potential colleges or universities offer summer programs and look into attending those. Otherwise, consider one of the following, which are known for their high quality instruction:

• Duke Young Writer’s Camp
• Carleton College Summer Writing Program
• Stanford Summer Institutes
• Lewis and Clark Fir Acres Workshop
• University of Iowa Young Writer’s Studio

Start a Blog

If you find that you are writing often but have nowhere to showcase your work or have trouble holding yourself accountable for producing work on a regular basis, starting your own blog might be a good fit. A blog is a great way to share your writing on a public platform, it can act as an informal portfolio of your work, and it helps to hold you accountable to a larger audience.

Many blogs are easily set up and hosted for free on websites such as WordPress , Blogger , LiveJournal , or Weebly . Share a link to your blog on your social media accounts or send out a group email to let friends and family know about it. As is the case any time you add to your online presence, be sure to discuss your plans with a parent or guardian ahead of time. 

Get Published Elsewhere

A blog isn’t the only platform for publishing your work. Many magazines and periodicals accept submissions from high school students. A long list of publications reviewing high school submissions can be found in the NewPages Young Authors’ Guide . 

You can also check with local publications like newspapers, smaller regional magazines, or even blogs you follow that might accept a guest post.

There are a myriad of ways to get your work to a bigger audience, and if that’s something you’re interested in doing, don’t be shy about asking or even sending unsolicited submissions. All it takes is one person to take a chance on you before you can call yourself a published author.

Career Aspirations for the Creative Writer

It’s easy to think of creative writing as the entry point to becoming a novelist or poet. You might even think that these are your only long-term career options should you choose to pursue creative writing seriously.

This is definitely not the case. Many, many career paths incorporate writing, and while you may not be writing fictional works the entire time, that does not mean that you won’t be incorporating your background in creative writing. All strong writing benefits from creativity.

Writers are especially valued in the fields of:

• Advertising
• American Literature
• Digital Media
• Educational and Instructional Technology
• Media Studies
• Public Relations
• Radio and Television
• Sports Communications
• Technical and Business Writing
• Webpage and Multimedia Design    

Remember, pursuing creative writing doesn’t necessarily mean you have to write a novel or publish a collection of poetry. Writers have valuable skills that can be applied broadly depending on their others skills and interests.

Want access to expert college guidance — for free? When you create your free CollegeVine account, you will find out your real admissions chances, build a best-fit school list, learn how to improve your profile, and get your questions answered by experts and peers—all for free. Sign up for your CollegeVine account today to get a boost on your college journey.

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The Muse Youth Program believes that power, healing, and change happen when creative writing  meets community and inspiration. By offering young minds  creative writing classes, mentorship programs, and  community events, we welcome young writers to explore  and develop their unique voices, improve their craft, and  pursue professional opportunities in the literary world. We  hope to foster a nurturing environment where writers of all  stripes come together, share ideas, and experience the power  that words can hold. 

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The Muse Writers Center offers our teen students the opportunity to submit to our in-house zine, Musings . Currently, submissions are OPEN for the 2024 Teen Zine: Retrograde! If you are nineteen or under and are local to Hampton Roads or have attended a class, club or event affiliated with The Muse, we welcome you to submit!

This program is open to any sophomore or junior high school student local to the Hampton Roads area. Those selected have access to free creative writing classes and mentorship from professional writers.

Applications will open in the fall for the 2025 Fellowship. The 2024 Fellowship class is underway and our Fellows are amazing!

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Lighthouse's Young Writers Workshops are designed to foster creativity, self-expression, and excitement about writing. There are no grades here, just the stories. We offer workshops at Lighthouse including afterschool and weekend workshops, the Young Authors Collective, and summer camps, as well as youth outreach in schools, at juvenile residential treatment centers, and in collaboration with other arts organizations.

For the latest on workshops and events,  sign up for our Young Writers Program e-newsletter . 

Lighthouse connects kids and teens to words, new friends, and a writing community. We offer workshops in poetry, fiction, nonfiction, playwriting, screenwriting, and many other genres and topics. Our classes are taught by published authors and are designed to foster creativity, self-expression, and excitement about writing.

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Lighthouse's Young Writers Camps are led by published and award-winning writers, and each workshop is designed to foster creativity, self-expression, and excitement about writing in young writers aged 8 to 18. Registration for half-day camp and applications for full-day camp will open on January 1, 2019.

School Outreach

The Young Writers Program offers creative writing workshops in public and private schools as well as juvenile residential treatment centers throughout the Denver metro area. Led by working, published writers with a passion for sharing their craft, our outreach workshops provide access to our innovative creative writing programming for young people who cannot come to Lighthouse.

The Young Authors Collective, or YAC, is a group of talented, word-obsessed high school writers dedicated to experimenting with new creative forms, collaborating with other arts organizations, and writing a ton. We meet once a week at Lighthouse to generate new pieces, give friendly feedback, and work towards publication.

Support Young Writers

Our Future Scribes Depend on Your Support. Nearly all of the workshops and projects that will engage 2,300 students this year are free to attend, and for the sessions that do have tuition, such as summer writing camp, financial aid is available for any student who needs it. We want all young people who want to write to be able to do so and for them to be nurtured by the best instructors and mentors available. This only happens with the support of generous donors like you.

Free tools to make your students better writers and readers .

Quill.org, a non-profit, provides free literacy activities that build reading comprehension, writing, and language skills for elementary, middle, and high school students.

Writing Across the Curriculum: Quill's nonprofit mission is to now build both reading and writing skills through free, OER content across the curriculum. Over the coming years, we will be building a library of free ELA, social studies, and science activities that engage students in deeper thinking through writing prompts that provide immediate feedback.

9 million students have written 2 billion sentences on Quill.

Quill Reading for Evidence

Provide your students with nonfiction texts paired with AI-powered writing prompts, instead of multiple-choice questions, to enable deeper thinking.

Students read a nonfiction text and build their comprehension through writing prompts, supporting a series of claims with evidence sourced from the text. Quill challenges students to write responses that are precise, logical, and based on textual evidence, with Quill coaching the student through custom, targeted feedback on each revision so that students strengthen their reading comprehension and hone their writing skills.

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Help your students advance from fragmented and run-on sentences to complex and well structured ones.

Using the evidence-based strategy of sentence combining, students combine multiple ideas into a single sentence. They then receive instant feedback designed to help them improve their clarity and precision.

Quill Lessons

The Quill Lessons tool enables teachers to lead whole-class and small-group writing instruction.

Teachers control interactive slides that contain writing prompts, and the entire class responds to each prompt. Each Quill Lessons activity provides a lesson plan, writing prompts, discussion topics, and a follow up independent practice activity.

Quill Diagnostic

Quickly determine which skills your students need to work on with our diagnostics.

The diagnostics cover vital sentence construction skills and generate personalized learning plans based on the student’s performance.

Quill Proofreader

Proofreader teaches your students editing skills by having them proofread passages.

Students edit passages and receive personalized exercises based on their results. With over 100 expository passages, Proofreader gives students the practice they need to spot common grammatical errors.

Quill Grammar

Students practice basic grammar skills, from comma placement to parallel structure.

Quill Grammar has over 150 sentence writing activities to help your students. Our activities are designed to be completed in 10 minutes so you have the freedom to use them in the way that works best for your classroom.

How Quill Works

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You can quickly and easily set up your classroom in Quill by inputting student names or providing students with a unique code. If you use Google Classroom or Clever, you can automatically set up your classroom with one click.

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Decide if you want your students to proofread passages, combine sentences, or complete a diagnostic. Use our ten minute activities as building blocks during your classroom instruction.

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Use our reporting to spot trends and identify growth opportunities. Monitor comprehension on specific writing standards.

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See exactly where your students need intervention with our comprehensive reports.

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Student Writing Program

To encourage, recognize, and reward good writing – we’ve been doing it for 100 years! – the Charlotte Writers Club sponsors a variety of programs for specifically for students: virtual office hours during the school year, an annual Ask an Author event, student-oriented workshops, and a writing contest.  

Services in the Charlotte Writers Club’s (CWC) Student Writing Program are open to all students in the Charlotte Metro area (public, private, homeschooled, etc.). 

All components included in our Student Writing Program are FREE to local students. The Program is part of our mission to support local writers of all ages and genres, and promote their development through education, recognition, and community.

If you have any questions, please contact our Student Coordinator: [email protected]

Monthly Virtual Office Hours

Office hours are held twice a month during the school year and take place virtually (via Zoom) to accommodate as many students as possible. Office hours allow students to engage with CWC members and other authors willing to assist with writing projects (school papers, fiction, non-fiction, poetry—really anything!). Students can share their work, discuss the craft of writing and its challenges, whatever proves beneficial.

Two CWC volunteers are available during each office hour session. Please contact  [email protected]  for assistance. 

Student Story Contests

We have two separate contests for each of the following age groups:

1. Grades 5 through 8

2. Grades 9 through 12

PRIZES! PRIZES! PRIZES!NO ENTRY FEE – EVER!

The top three winners in each age group will receive cash prizes, a year’s membership to

Charlotte Writers Club, and more!!

Contest dates: November 28, 2024 – January 31, 2025, at 11:59 PM.

Student stories can be in any fiction genre and must be between 500 – 1,000 words.

Winners will be celebrated at our March 18, 2025 month ly  meeting and will have the opportunity to

read their work. Friends and family welcome!

Good luck to everyone!

We are excited about the possibilities and looking forward to reading your entries!

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• Creative Writing Ideas How To Club

Creative writing – How to nurture your young authors

Get pupils into the scribbling spirit with these ideas for the classroom and after-school clubs…

Get children excited about creative writing and use it to get to know your students better with this advice from teachers and education experts…

Use creative writing to get to know your pupils

How to run your own creative writing club, creative writing year 6 project.

Want to learn more about your class? Just let them write, says teacher Simon Hunt…

It’s remarkable what you can discover as a teacher when children have the freedom to express themselves in their writing.

At the beginning of term, I use creative writing to understand where a child is academically and to help me get to know all the children in my class.  

Why not just give them a test, you ask? Well, you can learn a surprising amount about a child from a piece of their creative writing. 

Interests and passions 

The choice of topics and themes in their writing can unveil children’s interests and passions, which is an incredibly valuable thing to know. Whether it’s street dance, football or dogs, you can use this knowledge to help spark their interest in maths, science, or any other subject by tailoring examples to suit them. 

Emotional expression 

Creative writing also provides an avenue for children to express their emotions and thoughts, which will allow you to understand more about their feelings and concerns. It can unveil a child’s depth of insight and emotional intelligence that they may be hesitant to express verbally. This will really help you choose the right support for them through the school year. 

Confidence and oracy 

Reading aloud is an important part of writing stories, as it gives children the opportunity to practise their oracy skills: pitch, tone, and intonation. And, vitally, hearing them read out loud will allow you to baseline their reading fluency. Presenting their writing to an audience can be very intimidating though, so should be handled sensitively. 

Some children naturally have quieter voices and may avoid volunteering to read aloud, as they are aware that not everyone can hear them. In class, we have a pass-around microphone that children use when reading.

The microphone is connected to a speaker, meaning that everyone can hear them. The simple act of holding the microphone can significantly impact a child’s focus when reading aloud – often serving as a sort of comfort blanket, boosting their confidence.

Ultimately, the important thing to note is that stories are meant to be read and heard, and anything we can do to encourage that nurtures children’s literary and communication skills. 

Imagination and creativity 

Creative writing reveals a child’s imaginative abilities, giving insights into their capacity for original thinking and storytelling. It can be surprising to see the children that excel at this and can help to highlight an aspect of a child’s personality that might otherwise not have come to light until later in the term. 

How to make it work 

If we want children to be excited about creative writing, we have to be too, so think about how you introduce the lesson. 

I often begin by telling my new class about how I felt about writing as a child. I loved reading books, but I struggled at school with spelling and grammar (in fact I still do).

Sharing how creative writing helped me overcome my fear of writing allows me to explain how I realised that what was important was the imagination and creativity I could bring to my story. 

As a published children’s author, I show them the books I’ve written and connect them back to what I learnt at school. I hope this helps them to overcome their worries about spelling and grammar – I’ve found post pandemic that more children feel anxious about ‘getting things wrong’.

Of course SPAG is still incredibly important but in creative writing I really want them to tell me a good story. 

There are so many ways to understand the children in your class and what makes them tick and, as teachers, we’re attuned to gathering this information from day one. However, I think creative writing is one of the best because it gives us the basics but also tells us so much more about the child. 

Simon Hunt is a Year 3 & 4 teacher at an inclusive school in Greater Manchester and education consultant for 500 Words 2023, the UK’s most successful children’s story writing competition hosted on BBC Teach. He also advises on 500 Words Live Lesson, which you can  watch online .

Would you rather fly, or be invisible? Explore endless impossibilities and get pupils into the scribbling spirit with these ideas…

If you could wish for one thing, knowing that it would definitely come true, what would it be? A million pounds? To fly? Talk to animals? Live in a tree house? Travel the world at the click of a finger?

I’ve asked this question hundreds of times to thousands of pupils, and their answers are always imaginative, normally well thought-out, and quite often, impossible . 

I then follow it up with the question, “What if you could experience that thing right here, right now?” Cue eyes widening, ears pricking and backs straightening. “All you need is… a pencil.” 

Creative writing club

Before becoming an author, I ran creative writing clubs in 30 schools a week for almost a decade. I hired over 100 tutors, won some awards, teamed up with publishers to arrange author events, and even had requests from teachers in Europe, Dubai and Australia asking to launch a club in their schools.

There were long waiting lists in almost every setting, and teachers, parents and librarians would ask on a weekly basis, “How have you turned that reluctant reader/writer into someone that actually wants to do more writing after school?”   

Just another writer

The secret? First and foremost, I planned workshops that were FUN. I knew if I enjoyed running them, pupils would enjoy taking part.

I was just another writer in the room who talked about the books I was reading, collaborated on ideas, and asked for feedback on stories in the same way they asked me.

At this point I wasn’t a published author – just someone that loved to invent characters and write about fantastical, magical worlds.

I wrote alongside the students, making mistakes, scribbling over anything I didn’t like, and asking for help whenever I got stuck.

Everyone knew this was just ‘rough’ work. There was no pressure. No marking. No tests. And we didn’t have to share our ideas if we didn’t want to.

Jumping-off points

I genuinely looked forward to every single workshop I ran, and I know the students felt the same when they came racing into the classroom and didn’t want to leave at the end (yes, even the ones who ‘hated’ writing to begin with!).  

Of course, I couldn’t rely on pupils simply coming up with new ideas each week for enjoyment. I had to provide them with inspiration, jumping-off points, and exciting writing hooks, too.

For this, I turned to the experts – children’s authors. I chose five ‘Authors of the Term’ that I knew would enthuse and inspire the students, and designed workshops around their books.

This was always a fun part of the process – I looked for books that had wide appeal, simple concepts, and an excitable element that made my inner child say ‘ oooh!’.  Here are a few examples . . . 

Writing for pleasure

I used Abi Elphinstone’s Rumblestar to write fast-paced adventure stories. We plotted our adventures on maps, devised the main action in ‘cloud planners’, and focused on exciting ‘world-crossing moments’ to start our stories.

At Halloween, I chose books like Guy Bass’ Stitch Head and Joseph Coelho’s Zombierella , and ended each workshop with a spooky storytelling session where we turned off the lights, closed the blinds, and sat on the floor as if we were gathered around a campfire!  

The most successful workshops were the simplest. I used L.D. Lapinski’s Strangeworlds series and copied what happened to the protagonist when she jumped inside a suitcase and travelled to another world.

Pupils planned their new setting, focused on the five senses, and described the first thing they noticed when they arrived.

Their stories were thrilling, fast-paced, hugely descriptive, and completely individual, because they had the freedom to take their ideas in any direction they chose. 

I normally scheduled two sessions around each book – the first session involved planning and starting stories (or poems / diary entries / letters, etc), and the second session involved extending, improving, or continuing them.

I also added one ‘paint a picture’ session (using images for inspiration) and ‘free writing’ at the end of each term to give pupils a chance to finish their favourite piece of work.   

Remember, if you want to boost writing for pleasure, pupils should know that they can write about anything. Nothing is off limits, impossible or ‘wrong’.

And if you’re not sure how to start your first session, why not ask your pupils that if there was one thing they could wish for, knowing that it would definitely come true… what would it be?

Creative writing activities

1) distraction.

Beware: pupils love this game so much, they might ask to play it every week! The idea is simple. Children write for 10 minutes, in silence, and if they speak / laugh / stop writing for an extended period of time, they get a ‘strike’.

If a table gets three strikes, they risk not being allowed to read their work out. The twist? It’s your job to distract them!

Shake tables and shout ‘EARTHQUAAAAKE!’, steal their pens, use rulers as drumsticks, play songs they’ll want to sing along to, bust out the YMCA and get caught by a bemused headteacher.

Between the giggling and dancing in their seats, pupils will write so much in these 10 minutes, and it’s a great way to get them writing without overthinking.

2) Where am I?

Give students a setting (e.g. a library / the moon / horse stables / a rocket ship) and challenge them to describe it without saying where it is.

They should focus on the five senses. They must give at least three clues before the class can guess where it is, and the person who guesses correctly gets the next go.

The winner is the person who gets the most correct answers or the person that comes up with your favourite description.

3) Five-minute challenge

Tell pupils that most adults can write two lines in one minute, and then challenge them to write 10 lines in five!

Give constant time reminders, walk around the room shouting out ideas or words of encouragement, and watch their competitiveness soar.

This is a great game to play if, like me, you spend most of the lesson talking about books and story ideas, and realise there’s not much writing time left!

4) One-word game

This game is a great way to warm up imaginations at the start of a workshop. Ask pupils to stand behind their chairs and give them an opening line such as, ‘I was walking through the haunted castle when . . .’.

Walk (actually, it’s more of a run) around the room, pointing at each pupil in turn, and asking them to add one word to the story.

It must make sense and they have three seconds to answer. If they can’t think of a word, if it doesn’t make sense, or if they take too long, they are out and must sit down.

The winner is the last person standing. Note: when they get really good, try introducing a one-second hesitation rule – it’s hilarious!

5) What’s your problem?

Remind students that every story needs a problem to make it exciting.

Then ask them to stand behind their chairs and each give one problem like, ‘aliens invaded Earth’ or ‘I broke a fingernail’.

Problems can be big or small, but they must give an answer in three seconds, and they can’t repeat anything that’s already been said. The winner is the last person standing. 

Mel Taylor-Bessent is the author of The Christmas Carrolls and the director of the award-winning educational website, Authorfy . See more of Mel’s work at meltaylorbessent.com . Browse more creative writing prompts .

Combine twisting tongues and paperback publishing to produce an exciting writing project that allows pupils to make their very own book …

Have you ever tried to get your class excited about a writing exercise, only for them to pipe up with “But what’s the point?”.

We’ve all been there, and it can be incredibly frustrating when you don’t have an answer lined up.  

Well, with this project, the outcome is both evident and impressive!

As part of a workshop, we decided to show children the amazing process of publishing, while adding in some humour, and – of course – essential literacy skills…  

We visited Helen and her Y6 class for a morning, and explained to the children that we would do some writing that would lead to the publication of their very own paperback book.

We’d act as their agents, editors and publisher; they would have full control over all other aspects of the process.   

The class settled on tongue twisters as our subject, and began by inviting children to try out some old favourites.

After much twisting of tongues and accompanying laughter, we showed the children probably the best-known English example: the one featuring Peter Piper. Most knew the first line but didn’t know there were three more: 

Peter Piper picked a peck of pickled pepper.  

A peck of pickled peppers Peter Piper picked.  

If Peter Piper picked a peck of pickled peppers,  

Where’s the peck of pickled peppers Peter Piper picked?   

We challenged the class to compose 26 brand-new twisters, each following the  alliteration  pattern of that original but finding their own vocabulary.  

Dictionary skills

Helen organised the class into pairs or threes, and each group was given two letters of the alphabet to work on, ensuring no group got two of the trickier letters.

Armed with dictionaries, the children got to work, and by breaktime had produced some impressively inventive twisters.

Here’s an example, cleverly coping with one particularly difficult letter: 

Xavier Xmas x-rayed an extra-terrestrial xylophone.  

An extra-terrestrial xylophone Xavier Xmas x-rayed.  

If Xavier Xmas x-rayed an extra-terrestrial xylophone,  

Where’s the extra-terrestrial xylophone Xavier Xmas x-rayed?  

Although writing was the focus of the project, there were clear opportunities throughout for lots of worthwhile speaking and listening, too.

The pupils engaged in planning their tongue-twisters, and shared drafts in small groups.

Next, the groups came together to swap ideas and ask for opinions, and, finally, children read aloud their contributions and again asked for feedback.

Reading comprehension KS2

As the children worked, they giggled a lot, but the seriousness and concentration they brought to the task was impressive throughout.

The talk was easily focused, because, in  National Curriculum  terms, pupils were ‘discussing writing similar to that which they [were] planning to write’.

There was also a clear need for writers to read the original text very carefully, which was built into their discussion and planning for their own verses.

This focus was nicely balanced by the eager and sustained use of dictionaries and the need for creativity in their word-hunting, showing their ‘enjoyment and understanding of language, especially vocabulary’. 

Throughout, the process was always collaborative; writers understood they were working towards a shared, larger whole, and to tight deadlines, with a clear need for some ‘speedy writing’!

Once drafts were complete, all the children had to do some editing, and lots of proofreading. 

Paperback publishing

After breaktime, we explained that once we were gone, they, the writers, would be in charge. All 26 twisters must be typed up and emailed to us by the end of the week. For the book, they must write a blurb and an introduction, and choose a title.

We explained how easy and low-cost it is to self-publish; the only cost came with the ordering of actual copies and so they must settle on a price per copy and crucially decide how many they would like to order (sneaking in a bit of economics!).

The children listened with real attention to all this and asked a good number of questions after, showing a remarkably mature commitment to the task.   

Helen reported that the children very much liked the novel approach to writing.

They enjoyed their shared creativity and loved being entrepreneurs, relishing the involvement and control they had over the tasks, the decision-making, and the purpose.

For that short time, they had turned their classroom into a genuine publishing house and experienced purposeful writing for a real-world outcome – we won’t soon forget the looks on their faces when they saw their books for the first time.  

David Horner was a writer-in-schools for over twenty years. Mike Jackson is a former primary school headteacher. 

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• Grades 6-12
• School Leaders

NEW: Classroom Clean-Up/Set-Up Email Course! 🧽

The Best Student Writing Contests for 2023-2024

Help your students take their writing to the next level.

When students write for teachers, it can feel like an assignment. When they write for a real purpose, they are empowered! Student writing contests are a challenging and inspiring way to try writing for an authentic audience— a real panel of judges —and the possibility of prize money or other incentives. We’ve gathered a list of the best student writing contests, and there’s something for everyone. Prepare highly motivated kids in need of an authentic writing mentor, and watch the words flow.

1.  The Scholastic Art & Writing Awards

With a wide range of categories—from critical essays to science fiction and fantasy—The Scholastic Awards are a mainstay of student contests. Each category has its own rules and word counts, so be sure to check out the options  before you decide which one is best for your students.

How To Enter

Students in grades 7-12, ages 13 and up, may begin submitting work in September by uploading to an online account at Scholastic and connecting to their local region. There are entry fees, but those can be waived for students in need.

2.  YoungArts National Arts Competition

This ends soon, but if you have students who are ready to submit, it’s worth it. YoungArts offers a national competition in the categories of creative nonfiction, novel, play or script, poetry, short story, and spoken word. Student winners may receive awards of up to $10,000 as well as the chance to participate in artistic development with leaders in their fields.

YoungArts accepts submissions in each category through October 13. Students submit their work online and pay a $35 fee (there is a fee waiver option).

3. National Youth Foundation Programs

Each year, awards are given for Student Book Scholars, Amazing Women, and the “I Matter” Poetry & Art competition. This is a great chance for kids to express themselves with joy and strength.

The rules, prizes, and deadlines vary, so check out the website for more info.

4.  American Foreign Service National High School Essay Contest

If you’re looking to help students take a deep dive into international relations, history, and writing, look no further than this essay contest. Winners receive a voyage with the Semester at Sea program and a trip to Washington, DC.

Students fill out a registration form online, and a teacher or sponsor is required. The deadline to enter is the first week of April.

5.  John F. Kennedy Profile in Courage Essay Contest

This annual contest invites students to write about a political official’s act of political courage that occurred after Kennedy’s birth in 1917. The winner receives $10,000, and 16 runners-up also receive a variety of cash prizes.

Students may submit a 700- to 1,000-word essay through January 12. The essay must feature more than five sources and a full bibliography.

6. Bennington Young Writers Awards

Bennington College offers competitions in three categories: poetry (a group of three poems), fiction (a short story or one-act play), and nonfiction (a personal or academic essay). First-place winners receive $500. Grab a poster for your classroom here .

The contest runs from September 1 to November 1. The website links to a student registration form.

7. The Princeton Ten-Minute Play Contest

Looking for student writing contests for budding playwrights? This exclusive competition, which is open only to high school juniors, is judged by the theater faculty of Princeton University. Students submit short plays in an effort to win recognition and cash prizes of up to $500. ( Note: Only open to 11th graders. )

Students submit one 10-page play script online or by mail. The deadline is the end of March. Contest details will be published in early 2024.

8. Princeton University Poetry Contest for High School Students

The Leonard L. Milberg ’53 High School Poetry Prize recognizes outstanding work by student writers in 11th grade. Prizes range from $100 to $500.

Students in 11th grade can submit their poetry. Contest details will be published this fall.

9. The New York Times Tiny Memoir Contest

This contest is also a wonderful writing challenge, and the New York Times includes lots of resources and models for students to be able to do their best work. They’ve even made a classroom poster !

Submissions need to be made electronically by November 1.

10.  Nancy Thorp Poetry Contest

The deadline for this contest is the end of October. Sponsored by Hollins University, the Nancy Thorp Poetry Contest awards prizes for the best poems submitted by young women who are sophomores or juniors in high school or preparatory school. Prizes include cash and scholarships. Winners are chosen by students and faculty members in the creative writing program at Hollins.

Students may submit either one or two poems using the online form.

11.  The Patricia Grodd Poetry Prize for Young Writers

The Patricia Grodd Poetry Prize for Young Writers is open to high school sophomores and juniors, and the winner receives a full scholarship to a  Kenyon Review Young Writers Workshop .

Submissions for the prize are accepted electronically from November 1 through November 30.

12. Jane Austen Society Essay Contest

High school students can win up to $1,000 and publication by entering an essay on a topic specified by the Jane Austen Society related to a Jane Austen novel.

Details for the 2024 contest will be announced in November. Essay length is from six to eight pages, not including works cited.

13. Rattle Young Poets Anthology

Open to students from 15 to 18 years old who are interested in publication and exposure over monetary awards.

Teachers may choose five students for whom to submit up to four poems each on their behalf. The deadline is November 15.

14. The Black River Chapbook Competition

This is a chance for new and emerging writers to gain publication in their own professionally published chapbook, as well as $500 and free copies of the book.

There is an $18 entry fee, and submissions are made online.

15. YouthPlays New Voices

For students under 18, the YouthPlays one-act competition is designed for young writers to create new works for the stage. Winners receive cash awards and publication.

Scroll all the way down their web page for information on the contest, which accepts non-musical plays between 10 and 40 minutes long, submitted electronically. Entries open each year in January.

16. The Ocean Awareness Contest

The 2024 Ocean Awareness Contest, Tell Your Climate Story , encourages students to write their own unique climate story. They are asking for creative expressions of students’ personal experiences, insights, or perceptions about climate change. Students are eligible for a wide range of monetary prizes up to $1,000.

Students from 11 to 18 years old may submit work in the categories of art, creative writing, poetry and spoken word, film, interactive media and multimedia, or music and dance, accompanied by a reflection. The deadline is June 13.

17. EngineerGirl Annual Essay Contest

Each year, EngineerGirl sponsors an essay contest with topics centered on the impact of engineering on the world, and students can win up to $500 in prize money. This contest is a nice bridge between ELA and STEM and great for teachers interested in incorporating an interdisciplinary project into their curriculum. The new contest asks for pieces describing the life cycle of an everyday object. Check out these tips for integrating the content into your classroom .

Students submit their work electronically by February 1. Check out the full list of rules and requirements here .

18. NCTE Student Writing Awards

The National Council of Teachers of English offers several student writing awards, including Achievement Awards in Writing (for 10th- and 11th-grade students), Promising Young Writers (for 8th-grade students), and an award to recognize Excellence in Art and Literary Magazines.

Deadlines range from October 28 to February 15. Check out NCTE.org for more details.

19. See Us, Support Us Art Contest

Children of incarcerated parents can submit artwork, poetry, photos, videos, and more. Submissions are free and the website has a great collection of past winners.

Students can submit their entries via social media or email by October 25.

20. The Adroit Prizes for Poetry & Prose

The Adroit Journal, an education-minded nonprofit publication, awards annual prizes for poetry and prose to exceptional high school and college students. Adroit charges an entry fee but also provides a form for financial assistance.

Sign up at the website for updates for the next round of submissions.

21. National PTA Reflections Awards

The National PTA offers a variety of awards, including one for literature, in their annual Reflections Contest. Students of all ages can submit entries on the specified topic to their local PTA Reflections program. From there, winners move to the local area, state, and national levels. National-level awards include an $800 prize and a trip to the National PTA Convention.

This program requires submitting to PTAs who participate in the program. Check your school’s PTA for their deadlines.

22. World Historian Student Essay Competition

The World Historian Student Essay Competition is an international contest open to students enrolled in grades K–12 in public, private, and parochial schools, as well as those in home-study programs. The $500 prize is based on an essay that addresses one of this year’s two prompts.

Students can submit entries via email or regular mail before May 1.

23. NSHSS Creative Writing Scholarship

The National Society of High School Scholars awards three $2,000 scholarships for both poetry and fiction. They accept poetry, short stories, and graphic novel writing.

Apply online by October 31.

Whether you let your students blog, start a podcast or video channel, or enter student writing contests, giving them an authentic audience for their work is always a powerful classroom choice.

If you like this list of student writing contests and want more articles like it, subscribe to our newsletters to find out when they’re posted!

Plus, check out our favorite anchor charts for teaching writing..

You Might Also Like

Best 2024 Competitions for Students in Grades K-12

Competitions in STEM, ELA and the arts, and more! Continue Reading

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• Book Reviews / Writing

Writing in Class with Choice and Community

by MiddleWeb · 11/03/2022

Writing Clubs: Fostering Choice, Collaboration, and Community in the Writing Classroom By Lisa Eickholdt and Patricia Vitale-Reilly (Stenhouse Publishers, 2022 – Learn more )

Reviewed by Dawna Brandt

The authors walked me through a step-by-step plan to engage my students in writing. They run their clubs all year, but change them up to keep engagement and interest high.

Their goal is to teach a short amount of time and let students practice for a long period of time. They spell out the materials needed, starting with a writer’s notebook. They believe that “a paper notebook requires you to write longhand, something recent brain research supports as a more effective way for humans to process and retain information” (10).

A variety of anchor charts and visuals are also a necessity. The charts should be colorful and visually appealing, but not overwhelming. Other tools include word walls, graphic or visual rubrics, and craft charts. Checklists are essential! They help students identify success criteria (Hattie 2009). Students also need a variety of paper, pens, inspiring quotes, mentor texts, and models.

I noted their quote, “teaching becomes a process of discovery in its own right.” I appreciated the many ways they demonstrated this philosophy throughout the book!

Launching a writing club

The next chapter helps you to “launch” the club in an exciting way. They begin by teaching students how to provide helpful feedback. This lifts the writer and helps them grow.

The process requires teaching two things: how to talk productively and respectfully, and how to talk about writing. “Creating a classroom community is one of the most vital aspects of teaching,” they say on page 20. I wholeheartedly agree with this.

During class they demonstrate how to give feedback by having a student sit in a feedback chair. The writer asks for specific feedback with the teacher offering choices to get this started.

Next, they talk about the power of partnerships. They do speed partnering in order for every student in class to partner with every other student at least once. Students take notes to refer to later. This shows the students that every child has unique qualities that may make them a good fit as a partner. The teacher uses a grid to keep track of the partnering and also notices especially good fits – students who seem more at ease as a talker or listener.

The stages of writing

The authors mention Donald Murray from The Leaflet saying, “The writing process is the heartbeat of writing.” They explain the three stages of writing: prewriting, writing, and rewriting. During these stages, the teacher will be giving mini lessons that the students can practice during their writing time.

I really enjoy how the authors include the dialogue between teacher and student! It gave me a sense of the class culture and the willingness to try new things. The teacher offered a draft of her own writing for the students to work on. They learned about different craft moves so they could later recognize these in the work of other writers.

Read a MiddleWeb article by the co-authors of Writing Clubs

Read another review of Writing Clubs by 7th grade teacher Katie Durkin

Read it through and then refer

This book is a great one to read all the way through the first time, and return to later for specific details and other references. It’s written in a very practical way, with the authors offering complete unit plans for different types of clubs.

The authors are very good at stating the objectives to their students and then reviewing them often. I also appreciate the low stakes writing that the students are expected to practice often. I am excited to use their ideas with my class this year!

Are you looking for lesson plans and ideas to engage your students as they learn writing skills? This is the book you’ve been waiting for! You’ll find teacher scripts that clearly show how to explain ideas and crafts. Ways to know which lesson to teach next. Checklists to keep your kids on track. Feedback techniques they can use with peers and for themselves. Ways to emulate other writers. Writing musts and mights.

All of these ideas and more are at your fingertips. Read this fast-paced book to level up your own writers!

Dawna Brandt has enjoyed working in education for over thirty years! Teaching kindergarten through fifth grade, she has spent most of her years teaching third grade. These darlings still have a zest for life and are becoming more independent, but don’t have a negative attitude. Instilling a love of learning is her primary goal. Her class has a culture of kindness and is a safe haven all day long.  Dawna lives in northern California with her wonderful husband and fur-baby, Allie. She is an avid reader, likes to ride quads, and practices karate.

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MiddleWeb is all about the middle grades, with great 4-8 resources, book reviews, and guest posts by educators who support the success of young adolescents. And be sure to subscribe to MiddleWeb SmartBrief for the latest middle grades news & commentary from around the USA.

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Writing Groups

Clearwater Writers Network

Organizer: Needs a new organizer. Could it be you? Location: Orofino, Idaho For more information visit their Facebook page: https://www.facebook.com/groups/1966187353598515/

Confluence Writers

Organizer: Janet Marugg Location: Lewiston, Idaho For more information and meeting times contact Janet at [email protected]

Palouse Chapter, Idaho Writers League

Current President: Mark Ready Location: Moscow, Idaho This group is a hybrid that meets in person and via zoom on the 2nd and 4th Saturdays for critique. For more information contact Mark at: [email protected]

Inland Northwest Society of Children’s Book Writers and Illustrators

Palouse Contact: Annette Pimentel Location: Spokane, Washington This group has a KitLit Book Club for adults that meets at One World Cafe in Moscow, Idaho. Meetings are at 11:30 am on the 1st and 3rd Mondays each month.

For more information about this group, visit their webpage: https://inlandnw.scbwi.org

Municipal Leaders: Jay Dearien (Moscow) & Sean Williams (Pullman) Location: Everywhere in November. Just Moscow, Idaho the rest of the year. National Novel Writing Month is November, but Jay holds edit and write-ins in Moscow, Idaho every Saturday at 10 AM. Location alternates between One World Café and Moscow Contemporary. Drop-ins welcome. Email Jay ahead of time to get the location, his email is: [email protected]

Also, visit the local NaNoWriMo Page: https://nanowrimo.org/regions/usa-idaho-moscow-Lewiston

Shari’s Critique Group

Palouse Contact: Sanan Kolva Location: Moscow, Idaho

This is a dedicated critique group that meets in the back of Shari’s on the 2nd and 4th Tuesdays each month. Meet at 6:30 PM for dinner, critiques usually start about 7:00 PM. They mostly focus on novels and longer works, but short stories are also welcome. Fiction/Nonfiction okay. If you come, bring copies of your work with you to pass out to be critiqued at the next meeting.

For more information, contact Sanan Kolva at https://sanankolva.com/contact-me/

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Why Join a Student Organization?

10 benefits of joining a club.

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