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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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The Swans of Harlem

Journalist Karen Valby's first book, The Swans of Harlem , introduces readers to the little-known history of the Dance Theater of Harlem, which was founded in 1969 by Arthur Mitchell. Using interviews ...

Beyond the Book

Popular Dances of the 1960s-70s and Ballet

In The Swans of Harlem, Karen Valby explains how Arthur Mitchell sought to make ballet appealing and relevant to a Black audience. He and his dancers regularly visited schools to give talks and ...

The Sicilian Inheritance

Sara Marsala is going through a rough patch, to say the least. In the process of divorcing from her husband and battling for custody of her four-year-old daughter, being forced to close her restaurant...

A Brief History of Sicily

We may think of Sicily today as merely an extension of the Italian mainland, but the island has its own unique history that dates back thousands of years and reflects the cultural, political, and ...

The Light Eaters

The human race is completely dependent on plants. Many people, however, give little thought to plants' importance, often seeing them as closer to inanimate objects than fellow living things. ...

Boquila trifoliolata , the "Chameleon Vine"

Zoe Schlanger's popular science book The Light Eaters goes in-depth on several remarkable plants, one of which is the climbing vine Boquila trifoliolata. This woody vine, found in the temperate ...

Joy Is the Justice We Give Ourselves

As a recipient of the MacArthur "Genius" Grant, and a Professor of Wildlife Ecology and Master Teacher at Clemson University, author J. Drew Lanham would be undoubtedly qualified to explore man's ...

Books Exploring Our Relationship with Birds

Throughout his collection of poems Joy Is the Justice We Give Ourselves, J. Drew Lanham explores the restorative effect of immersing himself in nature. His particular passion, however, is birds. ...

Glorious Exploits

Lampo and Gelon are two unemployed potters in their thirties whose lives are spent between their usual tavern in Syracuse and the quarries where Athenian soldiers defeated in the Peloponnesian War ...

Irish Vernacular in Glorious Exploits

While it's impossible to determine for sure how ancient Greeks sounded, Ferdia Lennon asserts that, despite what one hears and reads in many works depicting this era, they didn't echo the tones of ...

Song of the Six Realms

Xue'er has no place in the kingdom of Qi or any of the Six Realms. Her name means "Solitary Snow" and it surely fits a girl doomed to life as an "undesirable." Orphaned when she was young, all Xue has...

Music and poetry are a central part of Song of the Six Realms by Judy I. Lin. They are cornerstones of life in the kingdom of Qi and the Celestial world beyond it. Music may entertain but it also ...

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The Stolen Child by Ann Hood

An unlikely duo ventures through France and Italy to solve the mystery of a child’s fate.

This Strange Eventful History by Claire Messud

An immersive, masterful story of a family born on the wrong side of history.

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Long After We Are Gone by Terah Shelton Harris After their father's death, four siblings rally to save their family home in this gripping and hopeful tale.

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The Most-Read Book Reviews of 2017

We review more than 8,000 books per year, and these were the 10 most-read reviews of books published in 2017.

10. Into the Water

Jules Abbott, the heroine of bestseller Hawkins’s twisty second psychological thriller, vowed never to return to the sleepy English town of Beckford after an incident when she was a teenager drove a wedge between her and her older sister, Nel. But now Nel, a writer and photographer, is the latest in a long string of women found dead in a part of the local river known as the Drowning Pool. As Nel put it, “Beckford is not a suicide spot. Beckford is a place to get rid of troublesome women.” Before Nel’s death, the best friend of her surly 15-year-old daughter, Lena, drowned herself, an act that had a profound effect on both Nel and Lena. Beckford history is dripping with women who’ve thrown themselves—or been pushed?—off the cliffs into the Drowning Pool, and everyone—from the police detective, plagued by his own demons, working the case to the new cop in town with something to prove—knows more than they’re letting on. Hawkins ( The Girl on the Train ) may be juggling a few too many story lines for comfort, but the payoff packs a satisfying punch.

9. We Were Eight Years in Power: An American Tragedy

National Book Award-winner Coates ( Between the World and Me ) collects eight essays originally published in the Atlantic between 2008 and 2016, marking roughly the early optimism of Barack Obama's presidency and the 150th anniversary of the end of the Civil War. The selection includes blockbusters like "The Case for Reparations" and "The Black Family in the Age of Mass Incarceration," which helped to establish Coates as one of the leading writers on race in America, as well as lesser-known pieces such as his profile of Bill Cosby (written in late 2008, before the reemergence of rape allegations against Cosby) and a piece on Michelle Obama before she became first lady. The essays are prefaced with new introductions that trace the articles from conception to publication and beyond. With hindsight, Coates examines the roots of his ideas ("Had I been wrong?" he writes, questioning his initial optimism about the Obama Administration) and moments of personal history that relay the influence of hip-hop, the books he read, and the blog he maintained on his writing. Though the essays are about a particular period, Coates's themes reflect broader social and political phenomena. It's this timeless timeliness--reminiscent of the work of George Orwell and James Baldwin--that makes Coates worth reading again and again.

8. Unstoppable: My Life So Far

In this insightful memoir, 30-year-old tennis star Sharapova details her life from her earliest memories to the present day. Her father, Yuri, whisked six-year-old Maria from Russia to Florida because of her tennis skills, at tennis star Martina Navratilova’s suggestion: “Your daughter can play; you need to get her out of the country to a place where she can develop her game.” What ensued for Maria was a life lived on tennis courts—either playing in tournaments or toiling in academies—partially funded by whatever work Yuri could find. Maria excelled quickly, though at the cost of a typical childhood. After winning Wimbledon at 17, she entered another isolated sphere, one of celebrity and its trappings. “In short,” she writes, “winning fucks you up.” She is similarly blunt when discussing how to lose and her rivalry with Serena Williams, whom Sharapova discovered bawling after Sharapova beat her at Wimbledon in 2004 (“I think she hated me for seeing her at her lowest moment”). Sharapova’s eloquent self-awareness provides a rare glimpse into the disorienting push and pull of a famous athlete’s life. “I know you want us to love this game—us loving it makes it more fun to watch,” she writes. “But we don’t love it. And we don’t hate it. It just is, and always has been.”

Flying the friendly skies in the 1970s was definitely an adventure, what with all those skyjackings, as Riley demonstrates in his first novel. Suzy Whitman is a stew working out of Sela del Mar, a coastal community near L.A. The year is 1972, and Suzy, upon graduation from Vassar, has impulsively followed in the footsteps of her older sister, Grace, a stewardess with Grand Pacific Airlines whose husband, Mike, is a magazine writer who wants to be the next Tom Wolfe. Riley employs a Wolfean methodology in bringing to life the stoner vibe of the time through curated period details, marred by some anachronisms. While skateboarding on the 4th of July, Suzy meets Billy Zar, a local weed dealer, who tricks her into using her position with the airline to smuggle harder stuff for him. A family health crisis forces Suzy into a life of crime that, in the end, leaves her with only one desperate way out. Throw in Jim Jones’s nascent religious cult and a backstory involving Scientology, and the result is an overstuffed novel that reads like the fictional equivalent of Brendan I. Koerner’s study of the ’70s skyjacking phenomenon, The Skies Belong to Us .

6. Chemistry

A clipped, funny, painfully honest narrative voice lights up Wang’s debut novel about a Chinese-American graduate student who finds the scientific method inadequate for understanding her parents, her boyfriend, or herself. The optimist sees the glass as half-full, the pessimist half-empty, explains the narrator, while a chemist sees it as half-liquid, half-gaseous, probably poisonous. At 27, this aspiring chemist has reached a point in her research at which, seeing no progress, her thesis advisor suggests changing topics. Instead, she has a breakdown in the lab, smashing beakers and shouting until security guards are called. Her romantic relationship also reaches a turning point when her boyfriend takes a job out of state. The thought of relocation elicits the narrator’s unhappy memories of her family’s emigration from Shanghai to Detroit when she was five: her father learned English, worked hard, became an engineer, but her mother, a pharmacist in China, never quite adapted. Caught between parents, languages, and cultures, the narrator devotes herself to academic study. Only after her best friend has a baby does she begin to comprehend love, the one power source, according to Einstein, man has never mastered. Wang offers a unique blend of scientific observations, Chinese proverbs, and American movie references. In spare prose, characters remain unnamed, except for boyfriend Eric and the baby, nicknamed “Destroyer.” Descriptions of the baby’s effect on adults and adults’ effect on a dog demonstrate Wang’s gift for perspective—the dog’s, the chemist’s, the immigrant parents, and, most intimately, their bright, quirky, conflicted daughter.

5. Win Bigly: Persuasion in a World Where Facts Don't Matter

Dilbert cartoonist Adams, with his usual adroit touch and sense of humor, offers an enjoyably provocative guide to the art of persuasion. In 2016, Adams predicted that Donald Trump would win the presidency when few others considered him a serious contender. What did Adams see that experts missed? Declaring himself a “lifelong student” of the art of persuasion, Adams offers sharp insights into how Trump persuades people, keeps the spotlight on himself and the topics of his choice, and used these skills to talk his way into the White House. Using examples from Trump’s campaign, Adams outlines the tools and methods he sees as typical of master persuaders. He discusses why it’s effective to create a visual image such as the “big, beautiful wall,” which captured voters’ attention with a simple solution to a complex problem. To improve a social or business reputation, Adams writes, link to a strong “brand,” just as Trump did by borrowing his campaign slogan from Ronald Reagan’s successful 1980 campaign. In addition to a highly readable—and persuasive—guide to presenting ideas effectively, Adams has also written an insightful study of how Trump bested seasoned politicians.

4. The Incest Diary

An anonymous author reveals a lifetime of secrets in this unforgettable memoir as she tells the story of her relationship with her father, who raped her over the course of her childhood, until the author was 21. The result is one of the most frank and cathartic depictions of child abuse ever written. The author recalls abusing her Barbie dolls, her sense of being the “other woman” to her own mother, and the mingling of violence with desire, a tendency so crucial to the author’s development that it continues to govern her adult relationships. This is not a story of things getting better, but an unflinching and staggeringly artful portrait of a shattered life. “Sex with my father made me an orphan,” she writes, and the feeling is underscored, pages later, with a fact: “He threatened to kill himself if I told anyone.” Works of art by Fernando Botero and Frida Kahlo are invoked throughout, as are the fairy tales in which the author searches for analogues to explain her condition. But by the end of the book, she has articulated an experience that for many victims remains unspeakable.

3. Before We Were Yours

Wingate’s tightly written latest (after 2015’s The Sea Keeper’s Daughters ) follows the interwoven story lines of Avery Stafford, a lawyer from a prominent South Carolina family, and Rill Foss, the eldest of five children who were taken from their parents’ boat by an unscrupulous children’s home in the 1930s. With her father’s health ailing, duty-driven Avery is back in present-day Aiken, S.C., to look after him. She’s being groomed to step into his senate seat and is engaged to her childhood friend, Elliot, though not particularly excited about either. Though her dad is a virtuous man, his political enemies hope to spin the fact that the family just checked his mother, Judy, into an upscale nursing home while other elder facilities in the state suffer. At an event, Avery encounters elderly May Crandall and becomes fascinated by a photo in her room and a possible connection to Judy. While following a trail that Judy left behind, Avery joins forces with single dad Trent Turner, with whom she feels a spark. This story line is seamlessly interwoven with that of the abuse and separation that the Foss siblings suffer at the hands of the Tennessee Children’s Home Society, a real-life orphanage that profited from essentially kidnapping children from poor families and placing them with prominent people. Twelve-year-old Rill bears the guilt of not having been able to protect her siblings while also trying her best to get them home. Wingate is a compelling storyteller, steeping her narrative with a forward momentum that keeps the reader as engaged and curious as Avery in her quest. The feel-good ending can be seen from miles away, but does nothing to detract from this fantastic novel.

2. Manhattan Beach

Pulitzer-winner Egan's splendid novel begins in 1934 Brooklyn as Eddie Kerrigan struggles to support his wife and two daughters, one of whom is severely disabled. He finds work as a bagman, ferrying bribes for a corrupt union official. One day he brings his healthy daughter, Anna, to the Manhattan Beach home of Dexter Styles, a nightclub owner with underworld partners. The 11-year-old can't comprehend their business, but she senses that the two men have become "friends." By the time Anna is 19, Eddie has inexplicably vanished and America is in the Second World War. Working a dull job inspecting ship parts at the Brooklyn Naval Yard, Anna seizes the opportunity to become the first female civilian diver there. Around the same time, a second encounter with Dexter Styles raises hopes that he can help untangle the mysteries of her father's disappearance. As the stories eddy through time, Egan makes haunting use of shore and water motifs to balance dense period detail and explore the liminal spaces–between strength and weakness, depth and surface, past and future, life and death–through which her protagonists move. More straightforwardly narrated than some of Egan's earlier work, including the celebrated A Visit from the Goon Squad , the novel is tremendously assured and rich, moving from depictions of violence and crime to deep tenderness. The book's emotional power once again demonstrates Egan's extraordinary gifts.

1. What to Do About the Solomons

Respected leader at his kibbutz, founder of a thriving construction business, 75-year-old patriarch Yakov Solomon is fed up with his children in Ball’s debut novel about a prosperous, beleaguered Israeli family. Yakov no longer speaks to eldest son Ziv, who lives in Singapore with another man; middle son Dror suffers from severe sibling envy; rich and successful Marc’s California investment firm faces criminal investigation; daughter Keren’s husband, Guy, cannot control his artistic impulses; and daughter Shira, whose acting career peaked with a bit part in a Harry Potter movie, leaves her 11-year-old son, Joseph, home alone while she visits Hollywood. Money can’t solve their problems, and medication—prescribed or illegal—only makes them worse. Marc returns to the kibbutz, his wife stoned, his childhood sweetheart suicidal, his future uncertain, while Joseph assists his half-brother’s attempt to run away from army service. Clearly, the Solomons have come a long way from the ideals of the kibbutz in early years. Ball switches points of view for a mosaic of family members and associates in crisis and adrift. Her terse, sharp-edged prose captures settings ranging from an American jail where highest bail is king to a French military post where they haven’t won a war since Napoleon, but they sure know how to live. For all its humor, penetrating disillusionment underlies Ball’s memorable portrait of a family, once driven by pioneer spirit, now plagued by overextension and loss of direction, unsure what to do with its legacy, teetering between resentment, remorse, and resilience.

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The Best Fiction Books » The Best Novels

The best novels in english, recommended by robert mccrum.

The 100 Best Novels in English by Robert McCrum

Journalist Robert McCrum spent two years selecting the best novels ever written in English. Here he narrows it down to just five: a perfect introduction to the best fiction the English language has to offer.

Interview by Sophie Roell , Editor

Emma by Jane Austen

Wuthering Heights by Emily Brontë

Middlemarch by George Eliot

Adventures of Huckleberry Finn by Mark Twain

Ulysses by James Joyce

1 Emma by Jane Austen

2 wuthering heights by emily brontë, 3 middlemarch by george eliot, 4 adventures of huckleberry finn by mark twain, 5 ulysses by james joyce.

Y ou’ve just published The 100 Best Novels in English . Having spent two years thinking about this topic…what would you say is the point of a novel?

Then, after modernism, in the mid- to late twentieth century, it became about experimentation and literary rarefication. Now, once again, it’s changed. It’s come back to its eighteenth century form, and it’s more to do with the marketplace. There’s a tremendous drive, certainly among publicists, to find novels that sell. They are desperate for a book to sell.

But, on something like empathy, why turn to a novel? Why not just start talking to your neighbours?

The novel is a literary form that enables you to have a highly private communion with the text. In private, you’re free. If I talk to my neighbour, I’m going to get bogged down in social and political controversy. Also, if you’re out in society, you’re going to be subjected to social convention. The point about the novel is that you’re free in your head. It’s unpoliced. Reading really does liberate you.

Is striving for social change, for instance through satire, an important characteristic of a novel?

It’s certainly a characteristic. But other than Gulliver’s Travels , there are very few satires in the tradition. On my list, the number of satires is probably around three. Others might have satirical elements but the idea of writing a pure satire for the sake of a satire, as a novel, is comparatively restricted.

But to have social change as an aim—changing the way things are or bettering the world—is that underlying a lot of the novels you’ve chosen?

Not really. As Sam Goldwyn famously said, “If you want to send a message, use Western Union.” It’s not a great form for it. A book I didn’t include— Uncle Tom’s Cabin —was designed to change the world. But very few, actually, are written with that particular objective in mind.

What about you personally—what do you get from novels?

Obviously, there is entertainment. As a species, we’re very susceptible to good storytelling. Novels that neglect that get into trouble. This is a pretty traditional point of view. But if you were to ask me, ‘What is a classic?’ one answer is that it’s something which stays in print. And something which stays in print is, on the whole, something which speaks to the storytelling gene within ourselves.

I like the point you made in your book about availability of novels today. You can download the whole of Jane Austen and Conrad for free and take the whole of Dickens on holiday. In a way, we’re in an age where there’s no excuse not to read all the classics, wouldn’t you say?

Absolutely. But, at the same time, not every Charles Dickens is a classic. He wrote some stinkers! Jane Austen didn’t but then she wrote very few. Yes, you can take all of Trollope on holiday but you probably wouldn’t want to. What I’ve done is a lot of the work: I’ve made a selection. It evolved over a period of about two years, so it’s quite considered. You might say it’s conventional—some of it is quite conventional—but books that are conventionally successful are ones that have been proved by time.

So, people should take the hundred you’ve chosen on holiday or set themselves the goal of reading one a week for a year, say?

Let’s talk a bit about each of your choices and why you’ve selected them. The first one you’ve given me is Emma .

You’ve got to have Jane Austen. She’s the first serious novelist. She is treating the novel in a way that we understand and creating an art form. I chose Emma . It would have been easier to choose Pride and Prejudice because it’s everyone’s favourite—it tops polls regularly. But if you want something a little bit more considered… It’s the most mature of the seven. I also happen to think the character of Emma is delightful and fascinating. She has all of the classic Austen heroine characteristics but, at the same time, she’s a bit more than that. She seems almost modern. You can imagine having a conversation with her on a train or a bus. You couldn’t necessarily imagine doing that with someone like Anne Elliot in Persuasion . It’s also a book that I first read when I was at school, so it’s a personal favourite. That’s the other thing we have to acknowledge: All these lists are faintly ludicrous–more than faintly. It’s bound to reflect a lot of personal bias and Emma was the first one that I ever read so it brings back happy memories.

It’s been consistently in print since it was published in 1816, which is amazing.

Yes, every single one of the books on this list has been. Some of them rather patchily. For example, a book like Tropic of Cancer just about scrapes in. It’s quite hard to find but it is in print. All the others are. Some of them have been through lots of different editions: Gulliver’s Travels has been published for children, for teenagers, as a political book and so on. It’s got many different forms and it’s endlessly being republished. The Folio Society couldn’t exist without that kind of book.

What I like about some of the female novelists you’ve chosen is the more domestic scenes they depict—there is that Jane Austen quotation how a novel should be about “three or four families in a country village.” This seems more realistic to me, closer to my own life, than capers or adventure stories like Tom Jones where people are rushing around the world, getting stuck on desert islands etc etc.

Yes I quite agree.

Is this a sexist divide?

Well, one thing that’s certainly true is that women read fiction more than men. If you ask any publisher they’ll tell you that the people that buy their books are women by ratio of two to one. You can’t really succeed in fiction if you aren’t appealing to a good chunk of women.

My only critique of Austen is that all her stories—in terms of the plotline—are about getting married. I find that a bit hard now that I am married. I feel like, ‘oh wait, all my expectations about what life was about, as formed by Jane Austen, were about getting married. What do I do next?’

Tell me a bit about book number 2. You’ve chosen Wuthering Heights by Emily Brontë , published in 1847.

So this is thirty years after the death of Jane Austen, it’s a generation on. It’s light years away. You couldn’t imagine anyone further from the world of Mr Woodhouse than Healthcliff. It’s about as far as it’s possible to get. But it’s very influential and Romantic. It fits into the Romantic movement in a way that Austen doesn’t.

By ‘Romantic’ what do you mean exactly?

It means a sensibility that celebrates being set free from convention. They’re very subtle, but every single character in Austen is—in one way or another—conventional. They pay tribute to the conventions of ordinary life. Whereas Cathy—and all of Emily Brontë’s characters—are more or less feral. That’s why we love them. It’s a different world, it’s a mad world. In some ways, Emily Brontë is more of a poet. But she has inspired many subsequent writers of fiction. You couldn’t imagine Lawrence without her, for example. You couldn’t imagine some of Hardy. It’s always said, isn’t it, that you’re either a Jane Eyre-ite or you’re a Wuthering Heights-ite—it’s one or the other.

It’s a little bit bleak about human nature isn’t it?

I think we like that don’t we? We want to have somebody investigate the bleakness of human nature. It’s not a feel-good novel. There are two options: you can either stay on the surface or you can go deep. There’s not much in between.

You’ve mostly chosen books that were written more than a century ago. Is that an important part of a novel for you, that it’s written in the past?

Yes. Also, one of the things about these books is that they all talk to each other. In a strange way, they’re connected. There’s an internal dialogue between one book and another. Sometimes it’s quite explicit: in the preface to the second edition of Jane Eyre , Charlotte Brontë acknowledges quite freely her debt to Thackeray—which is interesting, I think.

So, in a way, what you’re interested in is introducing people to the history of the novel. Somebody forwarded me an article about Emma recently, as the first novel written in the third person where you are also taken inside someone’s mind, as it were. Do you think it’s important to chart the first use of certain narrative techniques—knowing when writers started doing certain things?

Tell me about Middlemarch, A Study in Provincial Life which is from 1874. What makes this a great novel?

It’s partly the sheer ambition of it. Eliot was absolutely determined to paint a serious, detailed picture of provincial life. The other radical thing was to do it from the point of view of a disappointed woman. Dorothea is a very enthralling portrait.

What else is Eliot trying to do? Is it a social critique? Was she trying to warn people not to marry the wrong person?

It’s not that explicit. It’s more about the choices that you might make as a woman—or indeed as a man.

Is it about what it is to be a good person?

Let’s go on to book number 4 on your list: Huckleberry Finn . Now, this is your only choice from the United States.

Yes, I think we have to have it. Hemingway said that all American fiction comes from Huckleberry Finn . That’s true, in the sense that Twain invented a way of looking at the American experience and putting it into fiction. I think almost every American writer has to acknowledge that. He is for Americans as important as Chaucer might be for us. He’s a pioneer and shapes the terms of trade of American fiction writing for a long time. He was able to turn the American vernacular into literature.

Still, it does strike me as a bit of a caper or adventure story: camping in the woods, going on a raft down the river etc. Is that how you find it or not?

Well, it’s partly a sequel to Tom Sawyer which was a story for boys, so yes. But, at the same time, it’s also about race which is a very important question. It’s about the American frontier, which is also a very important: you can’t imagine a book like Kerouac’s On the Road or a lot of Hemingway without it. It’s a very important dimension in American life, the frontier, and Twain nails it completely.

For me, it’s very nice to read and it’s funny but it’s also a slice of history, an insight into that particular period before the Civil War. Was he an accurate portrayer of what the South was like? Is he describing his personal experience?

Yes, he’s drawing on his life on the Mississippi . If you read his Life on the Mississippi , you find a portrait of life on the river which feels like outtakes from the novel, in a way. Huckleberry Finn is written in at least two—if not three—parts and begins in fairly high spirits and gets darker and darker. It was written over quite a long period. Its darkness, in some ways, is quite unsatisfactory from a narrative point of view because it becomes very bleak. You talked about bleakness: he was very, very bleak.

And it’s always been controversial—even now.

Your final book, number five, is Ulysses —published in 1922.

Interestingly, that’s the same year as The Waste Land . You get these two modernist masterpieces in the same year—one at the beginning of the year, one at the end. One barely fifteen pages—one closer to a thousand pages. It’s like the North and the South Pole.

What is a modernist novel?

It’s a novel published after about 1910. It’s a novel that takes the traditional elements of place and time and mashes them up and reorders them. It attempts to capture the flow of human thought and human experience on the page in words and has no apparent interest in the conventions of the Victorian novel . It’s trying to represent the ordinary world in prose. Ulysses is a very brilliant, highly original attempt to put one man’s experience on one day to the pages of a book.

In your book, you point out that it has been said that ‘English-language fiction since 1922 has been a series of footnotes to James Joyce’s masterpiece.’

That’s certainly true about a lot of novels. I was reading this year’s Booker Prize shortlist and every one of those feels like a footnote. They’re just so trivial—each doing one thing that Joyce is probably doing a hundred times more brilliantly and in more different ways on any given page of Ulysses .

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It’s quite hard to understand, though. When I tried to read it age 20, my then boyfriend’s mother said the only way to read it was with a guide which would explain what was going on. At which point I gave up. I liked your suggestion, though that Ulysses is not that hard to read if you listen to a good audiobook version…

Listening to it is a good way because you hear it differently. Also because Joyce’s ear for the music of language is so extraordinary. I recommend it very highly.

But if you want to understand it straight-off, do you need to read A Portrait of the Artist as a Young Man first?

It helps, yes. The more you know about Joyce the more you understand and Ulysses certainly repays close attention and study. But you don’t need to bother with Finnegan’s Wake . I don’t think anyone has ever managed to read all the way though Finnegans Wake , it’s almost impossible.

What is Ulysses about?

It’s about Leopold Bloom’s day in Dublin. It’s about the trials of a middle-aged man, essentially, flashing backwards and forwards in time. It’s about his relationship to his wife. It’s also a portrait of a man in a place: a portrait of a man in Dublin—a Dublin that you can’t find anymore because it’s been so modernised. It used to be quite easy to find Joyce’s Dublin, it was quite available, but it has disappeared, I’m afraid.

Is there some cachet attached to novels if they’re harder to understand? Is that part of the definition of a novel —as opposed to a trashy read—that you have to work at it?

Not necessarily. There are some books which do make that demand and are taken more seriously because they make that demand. But it’s not a cast-iron rule. There are plenty of Dickenses which are a romp. I think some of the trouble we’ve got into in the near past was the idea that the more difficult it was the better it was.

December 11, 2015

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Robert McCrum

Robert McCrum is an associate editor of the  Observer . He was born and educated in Cambridge. For nearly 20 years he was editor-in-chief of the publishers Faber & Faber. He is the co-author of The Story of English (1986), and has written six novels. He was the literary editor of the Observer from 1996 to 2008, and has been a regular contributor to the Guardian since 1990. His most recent book is The 100 Best Novels in English .

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How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

What is the difference between a book review and a report?

Who is the target audience for book reviews and book reports, how do book reviews and reports differ in length and content, can i write professional book reviews, what are the key aspects of writing professional book reviews, how can i enhance my book-reviewing skills to write professional reviews, what should be included in a good book review.

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Getting Started

• Full-Text Sources by Time Period
• Reference Sources

Do you want to know how a book was received by scholars? Are you trying to determine the quality of a particular book? Or, are you just interested in knowing if a book is worth reading? Book reviews are a great place to start. This guide provides guidance on finding two types of book reviews, those for a general audience and those for a scholarly audience.

Reviews for a General Audience

Literature and popular works (memoirs, travel writing, manuals, etc.) are often reviewed by journalists or fellow authors upon publication in newspapers or magazines. Use the following databases to find reviews in these publications.

• Book Review Index This link opens in a new window & more less... A comprehensive online guide to book reviews with over five million review citations from thousands of publications.
• Book Review Digest Plus This link opens in a new window & more less... Book Review Digest is a reference database that provides review excerpts and book summaries for current English-language fiction and non-fiction books. Limit of 1 simultaneous user.
• Book Review Digest Retrospective This link opens in a new window 1903-1982 & more less... Indexes and abstracts reviews of English language adult and juvenile fiction and non-fiction titles. Reviews are selected from journals in the humanities, sciences, social sciences and library review media.

Other Sources for Book Reviews

Many reviews are published in newspapers and magazines. Use the guides below to find the best databases to search for reviews in these publications.

• How do I find magazines? by Ask a Librarian Updated Feb 17, 2024 436 views this year
• How do I find newspapers? by Ask a Librarian Updated May 15, 2024 6689 views this year

Reviews for a Scholarly Audience

Scholarly books are reviewed in academic or peer-reviewed journals and are written by academics. As these reviews place the work in the context of current scholarship, they can take several years to appear after the book was published.

Starting Points

• JSTOR This link opens in a new window Recommended Starting Point . Use Advanced Search and limit to "Reviews". You can also limit by discipline. & more less... A database of back issues of core journals in the humanities, social sciences, and sciences. All issues of each journal are included in full-text except for the most recent 2-to-5 years.
• IBR Online This link opens in a new window & more less... Multilingual and interdisciplinary index to book reviews, chiefly in the arts, humanities and social sciences.
• Web of Science This link opens in a new window Conduct your search for book or author, and then limit to "Book Reviews". & more less... Authoritative, multidisciplinary content covers over 10,000 of the highest impact journals worldwide, including Open Access journals and over 110,000 conference proceedings. You'll find current and retrospective coverage in the sciences, social sciences, arts, and humanities, with coverage available to 1900. Includes the Science Citation Expanded, Social Sciences Citation Index, and Arts & Humanities Citation Index. Web of Science is especially useful for its citation linking.
• Periodicals Index Online This link opens in a new window & more less... Part of Nineteenth Century Index. Indexes the contents of thousands of periodicals in the humanities and social sciences from 1665 to 1995, including many European titles. Includes links to some full-text articles. Dates of full-text coverage vary by title.
• Humanities & Social Sciences Index Retrospective This link opens in a new window & more less... Database corresponds to International Index, 1907 - March 1965; Social Sciences & Humanities Index, April 1965 March 1974; Humanities Index, April 1974 March 1984; and Social Sciences Index, April 1974 March 1983

Other Databases for Book Reviews

We strongly recommend searching the article database or index that covers the academic literature in a specific field for reviews. Use the Advanced Search option and limit to "Book Reviews" or "Reviews".  Find the best database for book reviews in your field by using our subject guides.

• Library Subject Guides

Book Review Indexes in Print

Below are a few print sources for finding book reviews.

• Combined Retrospective Index to Book Reviews in Humanities Journals, 1802-1974 & more less... 10 vols. Ed by Evan Ira Farber. Woodbridge: Research Publications, 1982-1984. Covers 150 literature, philosophy, classics, folklore, linguistics & music journals, from England and the US Organized by primary authors or editors and then by book titles.
• Literary and Historical index to American Magazines, 1800-1850 & more less... Ed by Daniel A. Wells & Jonathan Daniel Wells. Westport: Praeger, 2004.

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Publications with Book Reviews

• London Review of Books Library has on microfilm 1979 - present.
• New York Review of Books This link opens in a new window & more less... New York Review of Books reviews contemporary books in all subject areas.
• New Yorker Library has in print 1925 - present.
• Publishers Weekly Library has in print and microfilm 1873 - present. Recent issues available online via Find It!
• TLS: Times Literary Supplement Historical Archive This link opens in a new window & more less... Covers 1902-2006. This easy-to-navigate, fully-searchable resource is a witness to the cultural revolutions of the last 100 years and offers unparalleled opportunities for tracking the views of influential opinion-makers, the response of their peers, the controversies of the day and how they developed. --Publisher's website
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Can a great love story also be a great political novel?

Gustave Flaubert’s classic, “Sentimental Education,” tracks the amorous adventures of an ambitious young man in a fraught time surprisingly like our own.

Late May, with June weddings in the offing — this is love’s own sweet season, the time of year when people decide to reread “Pride and Prejudice.” Even though Jane Austen’s wit and psychological insight can be pitiless, that masterpiece remains one of literature’s sunniest, happiest books, complete with a fairy-tale ending. Still, the chief fact about love is that most of the time it doesn’t work out. For more realistic accounts of its passion and anguish, you need to turn to French fiction.

All the darker aspects of love can be found there: brokenhearted renunciation in Madame de Lafayette’s “The Princess of Cleves”; coldly calculated seduction in Pierre Choderlos de Laclos’s “Les Liaisons Dangereuses”; erotic weariness in Benjamin Constant’s “Adolphe”; the torments of jealousy in Marcel Proust’s “In Search of Lost Time.” To this list, one should add Gustave Flaubert’s “ Sentimental Education ,” the story of a young man’s lifelong infatuation with a married woman, now newly and superbly translated, introduced and annotated by Raymond N. MacKenzie, a professor of English at the University of St. Thomas in St. Paul, Minn. While aspects of the book call to mind a male version of “Madame Bovary” (1857), it is far more ambitious in every way.

Published in 1869 in two volumes, the novel begins in 1850 when the 18-year-old Frédéric Moreau is returning by paddle-wheel from Paris to his provincial home in Nogent. Flaubert’s descriptions of the passing landscape evoke a world of calm and timeless rural beauty, until they are grossly interrupted when Frédéric notices a middle-age passenger flirting with a peasant girl, “his hand continually toying with a gold cross she wore across her breast.” A second, more important interruption occurs when Frédéric follows the man — his name is Jacques Arnoux — into the first-class lounge. At this point, Flaubert’s narrative pauses for a rare one-sentence paragraph: “It was like an apparition.”

The apparition — “wearing a big straw hat with pink ribbons that fluttered in the breeze behind her” — turns out to be Arnoux’s wife. Her hair is black and her skin dark, so that Frédéric thinks she might be Andalusian or even Creole. We never learn her exact age, but at this time she seems to be in her mid- to late 20s. Though her first name is Marie, the text always identifies her as simply Madame Arnoux.

Following this coup de foudre, Frédéric begins his pursuit of this virtuous, placidly beautiful woman by making friends with her vulgar, glad-handing husband. Jacques oversees a periodical devoted to the arts and operates a shady business in forged paintings. While he loves his wife and their little daughter in his fashion, he leaves them alone most evenings to dine out with cronies or spend time with his mistress Rosanette. Before long, Frédéric — who moves to Paris ostensibly to study law — has become one of his bosom buddies.

As the novel proceeds, Flaubert gradually expands its cast of important characters — there are at least 20 — to depict a significant cross-section of mid-19th-century Parisian society. These include Frédéric’s childhood friend Deslauriers, who dreams of editing a newspaper and becoming a power in the land; Sénécal, a fire-breathing socialist and would-be revolutionary; Pellerin, a painter who constantly likens his own work to that of the Old Masters; the writer Hussonnet, who claims that Balzac was overrated and Victor Hugo didn’t know the first thing about theater; and the ultrawealthy Monsieur Dambreuse. All these men, as well as Frédéric himself, will betray their ideals and one another.

While Frédéric’s on-again, off-again pursuit of the lonely Madame Arnoux drives “Sentimental Education,” Flaubert frames it with one of the most savage portraits of modern society and politics ever written. Employing pervasive irony and a characteristically impassive narrative voice, he presents the age as one of universal prostitution, a time when people do almost anything to gain, or preserve, money and power. Monsieur Dambreuse can stand as a representative example: “At different times he had lauded Napoleon, the Cossacks, Louis XVIII, 1830, the workers, all the different regimes, always worshiping Power, so much so that he would have paid for the privilege of selling himself.”

That last phrase suggests just how deeply contemporary this novel feels. Along with Madame Arnoux, who remains something of a cipher, the only truly admirable people in its many pages are a worker named Dussardier, who dies a Christ-like martyr to republican ideals; the abused courtesan Rosanette, who was sold at age 15 by her own mother; and, to some extent, a wealthy provincial girl named Louise Roque, who naively adores the shallow Frédéric. Shallow? In fact, “Sentimental Education” could easily bear the same subtitle as Thackeray’s “Vanity Fair,” which it somewhat resembles: “A novel without a hero.”

Almost soap-operatic in its abundance and variety of incident, this unrelenting indictment of modernity features orgiastic dinner parties, a duel, an altered will, lawsuits, a bankruptcy auction, a visit to the chateau of Fontainebleau, gushy romantic effusions, murder, the death of a baby and, not least, the revolution of 1848, which overthrew the reign of Louis Philippe for a short-lived republic, followed by a reactionary backlash in 1851 that brought Napoleon III to power. To Flaubert, though, the masses and the elites in this time of upheaval are equally brutish, and “the fanaticism of the wealthy counterbalanced the fury of the poor.”

He spares almost no one. At grand dinners, rich old men converse in platitudes and are married to wives “who could have passed for their granddaughters.” All of them, Flaubert writes, “would have sold out France or even the whole human race to protect their own fortunes, to spare themselves the least discomfort or difficulty, or simply out of sheer baseness, out of their instinctive worship of Power.” When the revolution appears a success, Monsieur Dambreuse suddenly claims to have always been a republican at heart, really a man of the people, despite his immense wealth. He even commissions a painting from Pellerin: “It represented the Republic, or perhaps Progress, or Civilization, in the figure of Jesus Christ driving a locomotive through a virgin forest.”

In Flaubert’s view, the rioters in the streets are equally disgusting. Mouthing political clichés, a crowd storms the palace and invades the royal chambers. Amid the chaos and violence, “a working-class man with a black beard sat on the throne, his shirt half open, clearly thinking this was hilarious.” At the same time, “ex-convicts thrust their arms into the beds of princesses, rolling around on them as consolation for not being able to rape the women.”

In such a world, a woman’s beauty or wealth alone matters. While Frédéric maintains that his heart belongs to Madame Arnoux, that doesn’t prevent him from toying with heiress Louise Roque’s affections or carrying on simultaneous affairs with both pretty Rosanette and the icily calculating Madame Dambreuse. He grows utterly shameless: “He repeated to one the solemn oath he had just made to the other, sent them similar bouquets, wrote to them both at the same time.” Worse still, to win Madame Dambreuse as his mistress, “he made new use of his old love. He described for her all the feelings Madame Arnoux had inspired in him, but pretended that she was the cause of them, all those languors, those fears, those dreams.” Can betrayal sink further?

Oh, yes it can. For this “moral history of the men of my generation” — as Flaubert once called the book in a letter — depicts endless self-delusion in virtually all its characters, and in the worst of them a form of mediocrity that combines corruption, meanness and ineptitude. And yet, even though “Sentimental Education” can be slow-going, the book is far from depressing: Flaubert’s style really does seduce one by its beauty. Moreover, this great masterpiece, often undervalued, rises to a penultimate chapter you will never forget — the final meeting of Frédéric and Madame Arnoux in the autumn of their lives. It is one of the most perfectly written, emotionally powerful scenes in all fiction.

Sentimental Education

The Story of a Young Man

By Gaustave Flaubert, translated from French by Raymond N. MacKenzie

University of Minnesota. 480 pp. $19.95, paperback.

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The Best Books of the Year (So Far)

The nonfiction and novels we can’t stop thinking about.

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By The New York Times Books Staff

• May 24, 2024

Fiction | Nonfiction

We’re almost halfway through 2024 and we at The Book Review have already written about hundreds of books. Some of those titles are good. Some are very good. And then there are the following.

We suspect that some (though certainly not all) will be top of mind when we publish our end-of-year, best-of lists. For more thoughts on what to read next, head to our book recommendation page .

James , by Percival Everett

In this reworking of the “Adventures of Huckleberry Finn,” Jim, the enslaved man who accompanies Huck down the Mississippi River, is the narrator, and he recounts the classic tale in a language that is his own, with surprising details that reveal a far more resourceful, cunning and powerful character than we knew.

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Good Material , by Dolly Alderton

Alderton’s novel, about a 35-year-old struggling to make sense of a breakup, delivers the most delightful aspects of romantic comedy — snappy dialogue, realistic relationship dynamics, funny meet-cutes and misunderstandings — and leaves behind clichéd gender roles and the traditional marriage plot.

Martyr! , by Kaveh Akbar

A young Iranian American aspiring poet and recovering addict grieves his parents’ deaths while fantasizing about his own in Akbar’s remarkable first novel, which, haunted by death, also teems with life — in the inventive beauty of its sentences, the vividness of its characters and the surprising twists of its plot.

The Hunter , by Tana French

For Tana French fans, every one of the thriller writer’s twisty, ingenious books is an event. This one, a sequel to “The Searcher,” once again sees the retired Chicago cop Cal Hooper, a perennial outsider in the Irish west-country hamlet of Ardnakelty, caught up in the crimes — seen and unseen — that eat at the seemingly picturesque village.

Wandering Stars , by Tommy Orange

This follow-up to Orange’s debut, “There There,” is part prequel and part sequel; it trails the young survivor of a 19th-century massacre of Native Americans, chronicling not just his harsh fate but those of his descendants. In its second half, the novel enters 21st-century Oakland, following the family in the aftermath of a shooting.

Headshot , by Rita Bullwinkel

Set at a women’s boxing tournament in Reno, Nev., this novel centers on eight contestants, and the fights — physical and emotional — they bring to the ring. As our critic wrote: This story’s impact “lasts a long time, like a sharp fist to your shoulder.”

Beautyland , by Marie-Helene Bertino

In 1970s Philadelphia, an alien girl sent to Earth before she’s born communicates with her fellow life-forms via fax as she helps gather intel about whether our planet is habitable. This funny-sad novel follows the girl and her single mother as they find the means to persevere.

Knife: Meditations After an Attempted Murder , by Salman Rushdie

In his candid, plain-spoken and gripping new memoir, Rushdie recalls the attempted assassination he survived in 2022 during a presentation about keeping the world’s writers safe from harm. His attacker had piranhic energy. He also had a knife. Rushdie lost an eye, but he has slowly recovered thanks to the attentive care of doctors and the wife he celebrates here.

Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis , by Jonathan Blitzer

This urgent and propulsive account of Latin American politics and immigration makes a persuasive case for a direct line from U.S. foreign policy in Central America to the current migrant crisis.

The Wide Wide Sea: Imperial Ambition, First Contact and the Fateful Final Voyage of Captain James Cook , by Hampton Sides

By the time he made his third Pacific voyage, the British explorer James Cook had maybe begun to lose it a little. The scientific aims of his first two trips had shifted into something darker. According to our reviewer, the historian Hampton Sides “isn’t just interested in retelling an adventure tale. He also wants to present it from a 21st-century point of view. ‘The Wide Wide Sea’ fits neatly into a growing genre that includes David Grann’s ‘ The Wager ’ and Candice Millard’s ‘ River of the Gods ,’ in which famous expeditions, once told as swashbuckling stories of adventure, are recast within the tragic history of colonialism .”

The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon , by Adam Shatz

This absorbing biography of the Black psychiatrist, writer and revolutionary Frantz Fanon highlights a side of him that’s often eclipsed by his image as a zealous partisan — that of the caring doctor, who ran a secret clinic for Algerian rebels.

Fi: A Memoir , by Alexandra Fuller

In her fifth memoir, Fuller describes the sudden death of her 21-year-old son. Devastating as this elegant and honest account may be — it’s certainly not for the faint of heart — it also leaves the reader with a sense of having known a lovely and lively young man.

Explore More in Books

Want to know about the best books to read and the latest news start here..

An assault led to Chanel Miller’s best seller, “Know My Name,” but she had wanted to write children’s books since the second grade. She’s done that now  with “Magnolia Wu Unfolds It All.”

When Reese Witherspoon is making selections for her book club , she wants books by women, with women at the center of the action who save themselves.

The Nobel Prize-winning author Alice Munro, who died on May 14 , specialized in exacting short stories that were novelistic in scope , spanning decades with intimacy and precision.

“The Light Eaters,” a new book by Zoë Schlanger, looks at how plants sense the world  and the agency they have in their own lives.

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

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What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring new titles by claire messud, adam higginbotham, miranda july, hari kunzru, and more.

Claire Messud’s This Strange Eventful History , Adam Higginbotham’s Challenger , Miranda July’s All Fours , and Hari Kunzru’s Blue Ruin all feature among the best reviewed books of the week.

Brought to you by Book Marks , Lit Hub’s home for book reviews.

1. This Strange Eventful History by Claire Messud (W. W. Norton & Company)

14 Rave • 2 Positive Read an interview with Claire Messud here

“This monumental novel, which is a work of salvage and salvation … Quilted from scraps of memory treasured in the author’s attic for decades … Regardless of how much Messud may have drawn from biographical details, though, this novel grips our interest only because of how expertly she shapes these incidents for dramatic effect … A novel of such cavernous depth, such relentless exploration, that it can’t help but make one realize how much we know and how little we confess about our own families. I strove to withhold judgment, to exercise a little skeptical decorum, but I couldn’t help finishing each chapter in a flush of awe.”

–Ron Charles ( The Washington Post )

2. All Fours by Miranda July (Riverhead)

7 Rave • 3 Positive • 1 Mixed

“About the binary of heterosexual love and the claustrophobia inherent in being a mother in a heteronormative family. More broadly, it’s a book about straddling two worlds … In a move that rejects the traditional arc of the hero’s journey, she never even leaves California. But transformation happens anyway. The narrator rediscovers herself not by driving across state lines, but by standing a shadow’s length away.”

–Jenessa Abrams ( The Los Angeles Review of Books )

3. Blue Ruin by Hari Kunzru (Knopf)

6 Rave • 2 Positive • 1 Pan Read an excerpt from Blue Ruin here

“…a lively, ever-intensifying story as Jay weaves in discussions of race, immigration, work, and what it means to earn a living. It’s a darkly ironic tale of two bubbles—an art world divorced from economic reality and a Covid era that segregated us from society. A dark, smart, provocative tale of the perils of art making.”

1. Challenger: A True Story of Heroism and Disaster on the Edge of Space by Adam  Higginbotham (Avid Reader Press)

“Adam Higginbotham provides the most definitive account of the explosion that took the lives of the seven-person crew. He also meticulously explores the missteps and negligence that allowed the tragedy to occur … The pace is so brisk that readers will be surprised when they realize the vivid account of the Challenger launch doesn’t occur until well after halfway through the book … Compelling, comprehensive.”

–Andrew DeMillo ( Associated Press )

2. Skies of Thunder: The Deadly World War II Mission Over the Roof of the World by Caroline  Alexander (Viking)

3 Rave • 3 Positive • 1 Mixed

“Alexander casts her story as an ‘epic,’ yet it is one in which the actors suffer like Job more often than they fight like Achilles. There are stirring episodes of British sang-froid, ‘American-style glamour’ and remarkable courage among the region’s remote tribal peoples, but it is perseverance that assumes heroic proportions … Alexander adroitly explicates technical concepts—flight mechanics, de-icing, night vision—but is at her best rendering pilots’ fear … Epic.”

–Elizabeth D. Samet ( The New York Times Book Review )

3. Rebel Girl: My Life as a Feminist Punk by Kathleen Hanna (Ecco)

3 Rave • 3 Positive

“Packed with harrowing stories and illuminating revelations … Utilizing a voice that’s often bitingly funny but never insincere, Hanna proves a captivating narrator.”

–Zach Ruskin ( The San Francisco Chronicle )

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Kobo Clara Colour review: Judging books by their covers is now more fun

The color pages steal the show, but the faster processor is pretty nifty too..

Kobo isn’t the first on the color-ereader scene; Boox and Pocketbook have had color ereaders and tablets for years. Both of those companies make beautiful, premium devices that are highly capable and customizable — but they don’t offer the plug-and-play ereader experience of a Kindle or Kobo. Of all the ereaders I’ve tried over the past year, I’ve found Kobos do the best job of combining a user-friendly interface with quality hardware. And now that hardware has a new trick with a color screen on the Clara Colour .

It’s noteworthy that Kobo beat Kindle to the punch in getting a color ereader out the door. To be fair, Amazon is busy doing, well, everything , but it’s safe to bet that a color Kindle will be coming soon. For now, though, Kobo’s Clara Colour is the consumer-friendly color ereader to beat. A beefier processor makes it zippier than its already-fast predecessor, and the addition of color looks lovely, without detracting from the crisp and easy-to-read text. I’ll admit, I’m not an ereader diehard; I often return to my first love, print. But a few weeks with Kobo’s latest has me more excited than ever about reading on this cozy, effortless machine.

Kobo Clara Colour

Kobo’s Clara Colour has a beautiful build, a lovely color screen and a helpful and speedy operating system. It’s the color ereader to beat right now…until we see what Amazon does.

• Faster processor makes menus load quickly
• Color screen makes book covers pop
• Excellent iIntegration with local libraries
• OS makes it easy to find books and customize settings
• Allows access to third-party ePub books
• Screen isn’t as sharp or bright as the previous generation
• Kobo’s library isn’t as large as Amazon’s

Design and display

Most e-paper devices rely on a display made by E Ink . The Clara Colour uses the company’s new Kaleido 3 panel, which adds a printed Color Filter Array (CFA) layer on top of the existing black-and-white microcapsule layer. The color layer can display around 4,000 colors, with a resolution of 150 dpi. To be clear, a full color page on the Clara Colour looks nothing like what you’d get from the most basic LED screen. E-paper colors are muted and saturated, reminiscent of ‘70s comic book covers. But, also unlike LED, E Ink color panels actually look better under bright light.

The monochrome microcapsule layer creates sharp, 300 dpi text, same as the previous generation. But set side-by-side with the Clara 2E, the Clara Colour’s page does look less sharp. Get close to the screen and you’ll notice noise in the white parts of the page. The warm front light is more amber, too. That’s the nature of the color filter array: since it’s always there, any text you read is filtered through that layer. I have to stress that it’s only something I noticed because I’m writing this review and digging deep into the performance as compared to the previous generation. When it comes to actually reading, I found I preferred the softer, warmer effect of the Colour. It reminds me of the pulpy mass-market Stephen King and Anne Rice paperbacks I grew up reading.

Kobo’s customization options aren’t overly involved, but they grant enough control so you can change things like the typeface, font size, line spacing and margin width, as well as brightness and light warmth. On the outside, the Kobo Clara 2E and the Clara Colour look nearly identical. The screen is slightly more recessed on the Colour model and the soft-touch plastic is more textured, which is actually a benefit because it shows fewer fingerprints. The centimeter-wide bezels are just big enough for your thumb, which, along with the textured back, makes the reader easy to hold from different positions. It’s small enough I can grip it around the back, but I have larger hands, so that might not work for everyone.

With an IPX8 rating, the Clara Colour can handle full submersion in water. I haven’t gone that far with this review unit, but I did survive when I accidentally splashed water on it when washing my hands in the bathroom. Why was it in the bathroom? Because I stash my book near the toilet so I don’t sit there and stare at my phone. It’s the tactic that got me reading again after I had a kid and was temporarily convinced I’d never finish another book. I heartily recommend it, particularly with a reading device like this one that can handle the watery environment of a restroom.

Reading experience

The Clara Colour’s new chip makes loading menus, performing searches and flipping pages a touch faster than with the previous generation. The speed increase doesn’t amount to a drastically different experience, but quicker page turns keep the action going. Like if Murderbot is protecting its humans from HostileSecUnit1 and suddenly there’s another SecUnit at the bottom of the page, you need to know as fast as technologically possible what goes down next. Browsing for a new book and checking out previews is speedier, too, something I appreciate when everything on my dutifully curated TBR list looks like broccoli and I want ice cream.

The UX is the same as all Kobos that don’t support stylus input, with just four options along a bottom menu bar: Home, My Books, Discover and More. Discover takes you to the Kobo store, where you can look for ebooks, audiobooks and titles from KoboPlus, the company’s monthly subscription for unlimited access to a selection of books (aka Kobo’s answer to Amazon Unlimited).

Discover’s recommendation section has a running list of titles called Just for You and, under Related Reads, suggests books you might like based on works you’ve finished. The connective threads between the titles isn’t anything surprising, but they offer a good place to start if you’re noodling on what to read next.

Kobo’s deep integration with OverDrive lets you borrow any title your local library has available with just a few seconds of setup and a library card. Clicking the three dots near the Buy button on any book brings up the option to borrow (or place a hold on) the ebook from your library. I admire how deeply Kobo supports the feature, placing something free and public on par with paid books and subscriptions.

Other features are nice to have, like gathering your Pocket articles from the web so you can read them later in the more focused environment of your Kobo. There’s also a beta web browser that I used to look up the Wikipedia entry on the Mason-Dixon line when I read Percival Everett’s James and the one for rook (the bird) when reading Tana French’s The Hunter . The browser’s not equipped for heavy surfing, but that’s a good thing. The extra effort it takes to browse keeps me on target with my reading. At the same time, I’m happy to dig up a little background info without picking up my phone, where the distractions are plentiful and compulsive.

The competition (aka Kindle vs Kobo)

There’s no escaping the fact that a Kobo ereader is not a Kindle. But the advantages Kindle has over Kobo are mostly in the availability of titles, not in hardware. The Kobo Clara Colour is most directly comparable to the standard Kindle. They have the same basic shape, the same size screen with 300 dpi text and 16GB of storage. But the Kindle is $50 cheaper.

However! Amazon’s device will serve you ads on the lockscreen and it costs $20 extra to remove them. It’s also not waterproof and has no warm light. No Kindle has a color display yet, but there are plenty of rumors suggesting that move is (pretty obviously) on the horizon . For now, though, color is another point in Kobo’s favor.

That said, if you’ve spent the past decade amassing a small library on Amazon, you won’t be able to access it on a Kobo without some major, quasi-unlawful finagling. I only have a few Kindle titles from my past, so starting over with Kobo didn’t feel like a loss.

Amazon’s ebook store is larger than Kobo’s, boosted by Kindle Direct Publishing exclusives and self-published books. Kobo has its own self-publishing program , but it’s far smaller. That said, every in-print book from a major publisher will show up in both the Kindle and the Kobo store. Every title I’ve searched for in the Kobo store was readily available.

Amazon’s subscription program, Kindle Unlimited , is bigger too, with four million combined audio- and ebook titles available. Comparatively, Kobo Plus currently claims 1.5 million ebooks and 150,000 audiobooks. Kobo’s plan is a tad cheaper at $10 per month to both read and listen, or $8 for ebooks only. Kindle Unlimited is $12 monthly and gives you access to both formats. Neither subscription includes bestselling titles from major authors, but there’s still plenty to choose from.

However, Kobo’s ebook access does outmatch Kindle's in two ways: the ability to shop third-party outlets and an easier OverDrive experience. Amazon uses its own digital rights management (DRM) technology, whereas most everyone else relies on Adobe’s DRM. That means if you buy a book from most major publishers on a third-party site (like ebooks.com or Google Books), you won’t be able to read the ePub file on your Kindle. There are a few extra steps for reading those titles on a Kobo, but it's easy enough. As for OverDrive, reading public library books on a Kindle isn’t hard , but you have to first go to OverDrive’s or your library’s site, find your book and select “read on Kindle” as the delivery option. With a Kobo, you click the three dots next to Buy, select Borrow and start reading seconds later on the same device.

The big question is whether the addition of color makes the Kobo Clara Colour better and worth the $10 over the previous generation. The faster processor alone makes up for the price hike and the waterproof build, warm front lights and lack of ads makes for a more premium ereader that justifies the $50 price disparity between the Clara Colour and the basic Kindle.

As for the color screen, it doesn’t make much difference when you’re reading a typical ebook. And the extra layer does add some noise to the whitespace and gives everything a warmer glow. But I didn’t mind the minute drop in clarity and actually preferred the softer, cozier appearance of the page. Colors look lovely on the book covers in my collection and recommended titles draw me to them with their muted blues and washed out reds.

You’ve probably heard of that trick where you switch your phone’s screen to grayscale to reduce its appeal. It seems to actually work , so I have to imagine the opposite is true, too. Anything that makes reading material more attractive — and better able to compete with the technicolor onslaught of digital distraction — is a win in my book.

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Pikmin Bloom has been helping me meet my outdoor walking goals for years

Pikmin Bloom was released for Android and iOS in 2021 by Pokémon Go developer Niantic as another “go outside and touch grass” app, and I’ve been playing it pretty regularly since then.

The Ninja Creami ice cream maker is down to $149 for Memorial Day

The Ninja Creami ice cream maker is $50 off right now, bringing the price down to $149 — the best price we’ve seen for it all year. It normally costs $200. The Ninja Creami can make ice cream, milkshakes, sorbet and more.

iPhone users may get AI-generated emoji and more app customization than ever with iOS 18

Bloomberg’s Mark Gurman reports that AI-generated emoji will be among the new features Apple shows off at WWDC. AI integration may also bring smart recaps for notifications, messages and more, according to Gurman.

Someone made a Flappy Bird tribute for the Playdate that lets you use the crank to fly

FlappyBird by Chibisuke is a Flappy Bird tribute game made for the Playdate handheld. You can control the bird using either the up or A button, or the crank to add more difficulty. It's available on itch.io.

Elon Musk is reportedly planning an xAI supercomputer to power a better version of Grok

Musk recently presented plans for a ‘gigafactory of compute’ to investors, The Information reports. This would power a future, smarter version of Grok and require at least 100,000 NVIDIA H100 GPUs.

Over a million Switch owners have bought the worst mainline Resident Evil game ever

Resident Evil 6 for Nintendo Switch just got added to Capcom’s Platinum Titles list, meaning it’s crossed the threshold of one million units sold. That's despite it being almost universally panned by fans of the series.

Uh-oh: ICQ is shutting down on June 26

ICQ will stop working on June 26, according to it website.

Meta and Activision face lawsuit by families of Uvalde school shooting victims

A lawsuit by the families of the Uvalde school shooting victims accuse Meta and Call of Duty publisher Activision of exposing the shooter to the weapon he used.

Roomba robot vacuums are up to $425 off for Memorial Day

Wellbots has the iRobot Roomba Combo J9+, Engadget’s favorite vacuum-mop combo, for $425 off. The machine not only cleans floors and carpets; its redesigned dock can automatically empty debris and refill it with mopping liquid.

SpaceX Raptor engine test ends in a fiery explosion

A SpaceX testing stand at the company's McGregor, Texas facilities went up in flames during a test of its Raptor 2 engines on the afternoon of May 23.

Doctor Who: 73 Yards review: Don’t stand so close to me

'73 Yards' offers a darker twist on the Doctor-lite episode.

You can now hum to find a song on YouTube Music for Android

YouTube Music for Android is releasing a tool that lets you hum a song to search for it. Users can also actually sing the tune or even play it on an instrument.