Writers.com

Online Creative Nonfiction Writing Courses

Enroll in a Writers.com online creative nonfiction writing course, and discover nonfiction as powerful literature.

Creative nonfiction includes our memoir and personal essay writing courses as its two main subgenres.

You'll get weekly instructor feedback on your work, ongoing collaboration with other creative nonfiction writers, and a supportive course structure that will help you deepen and grow as an essayist.

Learn from published authors who have spent decades perfecting their craft, and are dedicated to supporting you and your work. Don't miss out: find the online personal essay writing class for you today!

Writers.com

Upcoming Online Creative Nonfiction Writing Courses

June courses, creative nonfiction: the art of telling true stories, with nicole hardy.

How do you tell your stories beautifully and authentically? Learn the fundamentals of creative nonfiction with Nicole Hardy.

Creative Nonfiction , Memoir , Personal Essay

creative nonfiction fundamentals

Finding Inspiration in Dreams

With amy bonnaffons.

Our dreams are fertile fields of inspiration, meaning, and creativity. Learn how to use your dreams as doorways to future writing.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Memoir , Novel , Personal Essay , Poetry , Short Story

Finding inspiration in dreams writing course

Observing What’s Vivid in Prose and Poetry

With marc olmsted.

Learn how to spotlight beauty through fresh, vivid, and surprising language, in this four week mindfulness writing course.

Creative Nonfiction , Fiction , Memoir , Novel , Personal Essay , Poetry , Short Story , Stage and Broadcast

observing what's vivid in prose and poetry

Story Lab: The Story-Subplot Connection

With jeff lyons.

Subplots are key to maintaining narrative pace and tension in a story. Drive your story forward with this deep dive into the elements of good storytelling.

Creative Nonfiction , Fiction , Memoir , Novel , Personal Essay , Short Story , Stage and Broadcast

Story Lab: The Story-Subplot Connection

Stringing the Beads: Craft Your Personal Essay

With joanna penn cooper.

Harness the freedom of the personal essay in this 4 week course, where we'll shape our ideas, thoughts, and obsessions into compelling nonfiction pieces. 

Creative Nonfiction , Personal Essay

stringing the beads personal essay writing course

These Fragments: From Journal Pages to Personal Essays

With rudri patel.

Learn to harvest the raw creativity of journaling into inspired, publication-worthy personal essays.

Creative Nonfiction , Lifestyle and Wellness , Memoir , Personal Essay

these fragments from journal to personal essay writing course

July Courses

Show and tell: how to write captivating memoir and nonfiction, with brad wetzler.

Your true story of healing or transformation can captivate and empower your readers. Learn how to balance showing the vivid details of your own journey with telling the broader themes for readers to apply in their own lives.

show and tell nonfiction writing course

Writing Autobiographical Fiction

With jack smith.

Learn to depart from "what really happened," and write compelling fiction from your own life experiences.

Creative Nonfiction , Fiction , Memoir , Novel , Personal Essay , Short Story

writing autobiographical fiction

Writing Our Grief: How to Channel Loss into Creative Expression

Writing about grief is a powerful healing tool. Turn pain into power in this personal essay course, with instructor Rudri Patel.

grief writing course

Writing the Memoir-in-Essays

With margo steines.

Learn how to tell your story through the memoir-in-essays, a form that allows writers to interweave the facts of their lives in interesting and evocative ways.

Writing the Memoir-in-Essays

The Lyric Essay: Invitation to Play

With elizabeth winder.

Create dynamic, genre-bending works of musical prose in this playful and exploratory lyric essay workshop. 

lyric essay course invitation to play

Beginner’s Mind: A Mindful Approach to Personal Essays

With susan barr-toman.

Write true and meaningful personal essays with the tools of mindfulness. We'll discover new insights in our work as we center ourselves, confront our inner critics, and write mindfully. 

Creative Nonfiction , Lifestyle and Wellness , Personal Essay

Beginner's Mind Mindfulness Nonfiction Writing Course

Writing the (Modern) Love Essay

With paz pardo.

How do you distill the complexity of (modern) love into language? Learn how in this workshop, where you'll transform your lived experience of romance into an essay. 

online writing course creative nonfiction

August Courses

Comics for people who can’t draw, with aubrey hirsch.

Can't draw? No problem! In this workshop, learn how to tell complete stories in publication-ready comics, no matter your artistic background. 

Lifestyle and Wellness , Personal Essay , Short Story

comics for people who can't draw

Writing Chronic Illness

Creative nonfiction offers a container for the sharing and exploration of illness. Tell the story of your body in this healing-oriented workshop.

Writing chronic illness

Rapid Story Development: A Master Plan for Building Stories That Work

In this 10 week story writing class, Jeff Lyons pairs the Enneagram with story development techniques to revolutionize your writing practice.

rapid story development enneagram writing course

Where the Diary Ends and the Essay Begins

With shelby hinte.

Start a diary practice and turn it into a mode of writing personal essays in this generative journaling workshop. 

From diary to essay writing course

Write into Mystery: Writing Flash Memoir on Wonder and the Unexplained

We often encounter wonder, mystery, and the unexplained in our everyday lives. Turn those experiences into flash essays in this community-centered course.

writing into mystery wonder and the unexplained

September Courses

A writerly life: develop a writing routine that works for you.

What does a writer's life look like? Build a productive writing habit in this course for writers of all backgrounds.

living a writerly life course

Creative Nonfiction and the Personal Essay

With gretchen clark.

Gretchen Clark pick axes her way into the volcanic marriage of real life and fiction. Weekly writing with incisive feedback.

online writing course creative nonfiction

Tiny and True: Creating Flash Essays with Mindfulness

How do you tell the full truth in under 1,000 words? Learn the art of flash essays and write nuggets of wisdom in this tiny essay class.

tiny and true flash nonfiction essay course

Write Your Memoir in 12 Weeks

With blaise allysen kearsley.

Writing a full memoir takes energy, momentum, and moral support. Find all three in this memoir writing intensive.

Creative Nonfiction , Memoir

write your memoir in 12 weeks

Writing with Consistency and Courage

With tamara dean.

What makes a successful writer? It's not talent, craft, or even the right connections—it's consistency and courage.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Live Workshop , Memoir , Novel , Personal Essay , Poetry , Short Story

writing with consistency and courage

October Courses

Plumbing the past: turning life experience into poetry, flash and creative non-fiction, with tina barry.

Dig deep into personal ritual while studying narrative poets, short fiction and non-fiction authors, and food writers.

Creative Nonfiction , Personal Essay , Poetry , Short Story

online writing course creative nonfiction

The Lyric Essay

Explore non-traditional and imaginative ways to tell your stories with this ten-week writing course online. Creative nonfiction teacher Gretchen Clark provides detailed feedback on weekly writing assignments that emphasize creative freedom.

online writing course creative nonfiction

Food Writing: Meals And Manuscripts

With jennifer billock.

Do you love cookbooks, cooking, or reading anything about food? This food writing course is for you. With award winning writer Jennifer Billock.

food writing course

Unscheduled Courses

These online writing classes don’t currently have a next session on our calendar, but will soon. If you see a course you’re interested in, use the “I’m Interested” button to let us know, and we’ll follow up with you when the course is on our calendar next.

Want to reach us or our instructors with questions about our online writing courses? Contact us at [email protected] , or visit the contact form .

(Live Workshop) Dream Writing

With zining mok.

How can writers harness the power of dreams? Let your slumber supercharge your creativity in this three hour dream writing workshop.

Creative Nonfiction , Live Workshop , Memoir , Personal Essay

dream writing dali

(Live Workshop) Writing Beginnings and Endings

With sarah aronson.

How do you write a story that's compelling to start and satisfying to finish? Sarah Aronson explains in this comprehensive one-day workshop.

Creative Nonfiction , Fiction , Live Workshop , Memoir , Novel , Personal Essay , Short Story

beginnings and endings

*Private Class | Embodied Writing: Improve Your Writing with Full-Body Creativity

With rosemary tantra bensko.

Have a grand time with specific physical exercises that honor your health, generate imaginative ideas, explore deeply and make your creative writing entertaining.

embodied writing interview | writing and the body

*Private Class | Embodied Writing: Somatic Practices to Improve Your Work

*private class | finding confidence in the braided essay: a craft and empowerment workshop for literary nonfiction.

Weaving your story with facts and research can help you craft a stronger essay. Tell your story with confidence in this empowering essay writing course.

braided essay writing course

*Private Class | Food Writing: Meals And Manuscripts

*private class | from pitch to publication: writing narrative journalism.

Explore literary journalism as a powerful means to share fascinating characters, stories, and perspectives. Learn all you need to start pitching, landing, and writing reported essays and features.

magazine writing reported features

*Private Class | Telling the Stories Your Body Holds: Writing and Shaping Strong Personal Essays

With sarah herrington.

Where do essays come from? In this course, they come from the body. Learn how to start—and finish—powerful essays that begin inside the self.

telling the stories your body holds

*Private Class | The Literary Essay

With jonathan j.g. mcclure.

Explore the literary essay - from the conventional to the experimental, the journalistic to essays in verse - while writing and workshopping your own.

the literary essay online writing course

*Private Class | Using Bullet Journaling to Achieve Writing Goals

Looking to keep your writing goals organized? Make it happen in our bullet journaling course. Learn the art of the BuJo with Rudri Patel!

Creative Nonfiction , Fiction , Lifestyle and Wellness , Memoir , Novel , Personal Essay , Poetry , Short Story , Stage and Broadcast

learn bullet journaling course

*Private Class | Write Your World: Express Your Creativity through Article Writing, Blogging, and Essays

Want to write your world, your way? Join us for this six-week program on article writing, blogging, and essays.

article writing, blogging, essays

*Private Class | Writing Our Grief: How to Channel Loss into Creative Expression

*private class | writing with tarot, with sandra novack.

Jump-start your creative juices, and explore a world of divination, symbolism, and imagery right at your fingertips: learn short story and novel writing through Tarot.

online writing course using tarot

Ambient Grief: Writing the Alteration

With jacinda townsend.

How do we write about moments of painful transition, or grief that the world doesn't recognize as grief? Turn ambient pain into powerful words in this transformational personal essay workshop. 

Ambient grief writing course

Anatomy of a Premise Line: How to Use Story and Premise Development for Writing Success

The premise line is the only reliable tool that can tell you, BEFORE you start writing, whether or not your story will “work.” In this class participants will learn how to master the process of premise line development—the essential first step in any book or screenplay’s development process.

Creative Nonfiction , Fiction , Memoir , Novel , Stage and Broadcast

online writing course creative nonfiction

Block Buster: Turbocharge Your Creativity with Breakneck Writing

Banish writer's block, unearth fresh ideas, and sharpen your storytelling ability with the practice of fast, timed writing.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Memoir , Novel , Personal Essay , Short Story , Stage and Broadcast

writing prompts for writers block

Boost Your Imagination and Reap the Literary Rewards

With giulietta nardone.

It happens to all of us: life gets in the way and our creativity falters. Get back on track with this four-week creativity boosting class!

boost your creativity writing class

Branches of Creative Nonfiction

With tess fahlgren.

What are the different types of creative nonfiction? From the personal essay to the hermit crab, learn the ropes of CNF in this 8 week class.

branches of creative nonfiction

But What Is Your Story Really About? Finding the Core of Your Short Memoir, Story, or Personal Essay

Take a four-week writing adventure deep into the core of your story, to find the true theme of your personal essay, short story, or short memoir.

Creative Nonfiction , Fiction , Memoir , Personal Essay , Short Story

what is your story about

Character Transformation Workshop: How to Write Stories that Emotionally Resonate

Learn how to write emotionally resonant journeys that stick with the reader, using the power of character transformation.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Memoir , Novel , Short Story , Stage and Broadcast

character transformation workshop

Claiming Our Stories: Autobiography, Memoir & Autobiographical Fiction

With anya achtenberg.

Turn your experience into fiction, autobiography, or creative memoir. Bring forward stories with a powerful truth at their core. Instructor Anya Achtenberg.

online writing course creative nonfiction

Craft Your Story: Short Fiction and Memoir Live Workshops

With margo perin.

Get tailored advice and inspiration for your fiction or nonfiction stories, in this weekly live workshop with award-winning instructor Margo Perin.

craft your story

Crafting the Poetry Novel: Advanced Workshop

With kelly bingham.

Want to make headway on your poetry novel? This workshop offers the structure and resources to get it done, with instructor Kelly Bingham.

Creative Nonfiction , Fiction , Memoir , Novel , Poetry

advanced poetry novel workshop

Creating Narrative in Comics

Art and storytelling have a rich relationship to one another. Explore that relationship in this class on writing narrative comics. Open to all artistic skill levels!

Creative Nonfiction , Fiction , Lifestyle and Wellness , Personal Essay , Short Story

creating narrative in comics

Creating the Visual Journal

With lissa jensen.

Go beyond narrow definitions of “journaling" to include visual images and let writing give what is seen a new voice. Surprise yourself.

creating the visual journal | visual journal writing class

Creative Writing & Storytelling Techniques For Business Professionals

Good writing helps business connect deeply with the clients they're hoping to work with. Learn how to hone the power of story in your professional career.

Creative Nonfiction , Fiction , Lifestyle and Wellness

Writing for Business Professionals

Deepening and Organizing Our Stories: Memoir/Creative Nonfiction and Autobiographical Fiction

For writers of memoir, creative nonfiction and fiction, with some experience. Particularly helpful to writers in the midst of a longer work.

Henri Rousseau Le centenaire de l'indépendance (1892)

Embodied Writing: Improve Your Writing with Full-Body Creativity

Embodied writing: somatic practices to improve your work, even smaller: adventures in short-form writing.

Course full. Contact us to join waitlist.

Less is more in this bite-sized writing class, where you'll learn how to tell complete stories under the tightest word counts.  

Fiction , Personal Essay , Poetry , Short Story

Even Smaller micro writing course

Find Your Brave: Publishing As An Act Of Courage

In this fun, transformative four-week program, get tips and techniques to bring out your courage to publish a story in print or online.

Creative Nonfiction , Fiction , Personal Essay , Short Story

Find Your Brave: Publishing As An Act Of Courage

Finding Confidence in the Braided Essay: A Craft and Empowerment Workshop for Literary Nonfiction

Finding the real story: essential elements of story in fiction and memoir.

Address the larger issues of writing story through a look at the essential elements of narrative in fiction and memoir.

Creative Nonfiction , Fiction , Memoir , Novel , Short Story

online writing course creative nonfiction

Food Writing: Food-Focused Memoir

The food we eat and enjoy tells volumes about our lives and experiences. Write it all down in this food memoir course, with Jennifer Billock.

Pierre Auguste Renoir -Luncheon of the Boating Party - Wikipedia

From Memory: Writing Fiction or Memoir from Lived Experience

With chin-sun lee.

In this class, you'll use a nearly infinite resource—your own memory—to craft compelling fiction or nonfiction stories.

Writing fiction and nonfiction from memory course

From Pitch to Publication: Writing Narrative Journalism

From the source: journaling for self-knowledge and creativity.

Journal to discover yourself, find a wellspring of creativity, and produce publication-ready pieces.

From the Source: Journaling for Self-Knowledge and Creativity

Fundamentals of Travel Writing

Take to the skies in this online travel writing course. We'll discuss the market, different types of travel writing, and pitching your piece!

travel writing course

Get Back to That Book

With donna levin.

For any number of reasons, the book we want to write gets waylaid. Get back to it in this motivational two part workshop.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Memoir , Novel

get back to that book

Get Clear on Your Story and Voice

With nadia colburn.

What is your story about? What is your voice? Whether you write poetry, fiction, or nonfiction, hone your writing in this 3 hour workshop.

get clear on your story writing class

Get It Done: Create the Scaffolding to Start (and Finish) a Writing Project

With eman quotah.

Get your butt in the chair, your mind roaming freely, and your creative juices flowing in this motivational, all-genres writing class.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Live Workshop , Memoir , Novel , Personal Essay , Poetry , Short Story , Stage and Broadcast

scaffolding a writing project

Get Your Book Done Intensive! 4 Weeks to Measurable Progress

The summer is the best time to get the ball rolling on your book. Join us if you really want to get your book into the world.

write your book class

Get Your Book Noticed: Writing Loglines That Sell

Your logline helps you query agents, market your book, and figure out the story itself. Hone your logline and set your book up for success in this Zoom workshop.

Log line writing course

How to Firm Up the “Mushy Middle” of Any Story

Ensure a strong middle throughline for any story. Say goodbye to the "mushy middle," and hello to stories that work.

Creative Nonfiction , Fiction , Memoir , Novel , Short Story , Stage and Broadcast

How to Firm Up the “Mushy Middle” of Any Story

How to Pitch

With rachel krantz.

Learn the ins and outs of pitching your work to print and online publications from Rachel Krantz, a full-time writer and formerly the Senior Feature Editor at Bustle.

Creative Nonfiction , Live Workshop , Personal Essay

how to pitch writing course

How To Start A Blog

With jessica festa.

Create your blog, brand it, create engaging content and successfully promote posts. Taught by journalist, writer and photographer Jessica Festa.

Jessica Festa - Starting A Blog

How To Start A Blog, Grow An Audience & Make Money

When planned right, a blog allows you to share your passion and make money in the process. Learn how to start a blog in this one-day webinar.

Creative Nonfiction , Lifestyle and Wellness , Live Workshop , Personal Essay

How To Build A Blog, Grow An Audience & Make Money

How To Turn Your Blog Into A Career

From branding to search engine optimization and advertising, this course puts bloggers on the path to earning an income through their blog.

Humor Is The New Black!

Ready to add a splash of fun to your writing life? Join us for a four-week humor writing class. We’ll read. We’ll laugh. We’ll write. We’ll experiment.

laughing from Imgarcade.com

I’ve Drunk Your Poisoned Nectar: Writing with the Goddess

With shankar narayan.

Dig deep into the rich mythology of South Asian goddesses to find new inspiration for your work in this generative, open-genre writing class.

goddess writing course

In Bloom: Nature Writing Workshop

With dana de greff.

Only 3 seats left!

Want to write about nature like Robert Frost, Henry David Thoreau, or Annie Dillard? Join us for this six-week nature writing course.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Personal Essay , Poetry , Short Story

online nature writing course

In Brief: Explorations in Short Story Forms

Explore the intricate world of short prose forms. Experiment with story forms from one-syllable micros to full-length short stories, and complete six new story drafts.

In Brief: Experiments with Short Prose Forms

In Your Own Words: Transforming Life Into Memoir and Fiction

Learn how to draw inspiration and material from your life experiences or those of people you know, or want to know, to craft compelling, publishable memoirs, personal essays, autobiographical novels and short stories, and/or narrative poetry.

online writing course creative nonfiction

It Starts with Play: Get (Back) into Writing

With janée baugher.

Harness the joy of creativity in this inspiration-focused class, where we'll uncover new ideas for writing projects and draft loads of new material. 

It Starts with Play writing course

Let It Rip: The Art of Writing Fiery Prose

You'll write prose that gets folks so hot and bothered they won't be able to put it down, even if it isn't about sex.

online writing course creative nonfiction

Let’s Get Personal: The Art and Craft of the Personal Essay

Draw inspiration and material from your life experiences or “real life” people you know to craft compelling, publishable personal essays. With author Margo Perin.

online writing course creative nonfiction

Make Your Prose Sing

With leslie lawrence.

Enrich your prose with techniques from poetry. Bring paper and pens; leave with a better ear and lots of ideas about how to make your prose sing.

make your prose sing writing course

Next-Level Creative Nonfiction: Elevating Essays, Memoir, Travel Writing & Literary Journalism

With wendy call.

Elevate your memoir, travel writing, literary journalism, & lyric and personal essays.

online writing course creative nonfiction

No More Excuses! Four Weeks to Finish and Submit Your Personal Essay or Short Memoir

Join us for this insightful four-week “get the writing done” program, give and receive thoughtful comments from your fellow writers and the instructor, and enjoy heaps of encouragement and writing wisdom along the way.

writing class for accountability and inspiration

Oral Storytelling Techniques for Writing Flash Nonfiction

With corey rosen.

In this class, you'll harness the power of oral storytelling to craft exceptional pieces of written nonfiction.

oral storytelling writing course

Ordinary to Extraordinary: Turning Everyday Experiences into Poetry

Only 1 seat left!

No experience is too small or mundane to serve as a foundation for extraordinary poetry and short fiction.

Creative Nonfiction , Personal Essay , Poetry

online writing course creative nonfiction

Overcome Writing Anxiety: Boost Your Storytelling Confidence in Four Short Weeks!

"Who are you to want to write?" Someone great, that's who! Politely ask Mr. or Ms. Fear to step aside while you sign up for this fun, freeing and functional adventure.

how to gain confidence writing

Scene Study: Strengthen Your Writing with Compelling Scenes

With susan pohlman.

Great stories are constructed with great scenes. Immerse your reader in your stories by learning the ropes of scene development.

scene writing course

Secrets & Confessions: Writing Deeply Personal Nonfiction

In this fully anonymous class, we will write and share the secrets we hold closest to our chests, and turn those secrets into compelling creative nonfiction. 

Personal nonfiction writing course

Shape Your Stories: Write Five Styles of the Personal Essay

Craft powerful nonfiction essays! By exploring five exciting essay forms, you'll learn to bring the stories of your life alive on the page. 

Five Styles of the Personal Essay

Six Flash Essays in Six Weeks

Tell the stories of your life in 1,000 words or less in this generative flash essays workshop. 

six flash essays in six weeks

Style and Sense: Bring Your Writing to Life

With john gottberg anderson.

How do we transport our readers to vivid worlds? In this course, learn the skills that evoke the senses and bring your writing to life.

style and sense bring your writing to life

Suspense Sells! Power Up Your Writing With Conflict, Tension and Emotion

Inject suspense into your stories to keep readers turning pages. For writers of all kinds of fiction: thrillers, mysteries, romance, humor, literary and memoir. A four week class with Giulietta Nardone.

online writing course creative nonfiction

Tales From The Memory Palace: 6 to 250 Word Memoirs

If you want to be an in demand storyteller in the digital age, you need to get in, get out and get going. In this "short" four-week memoir writing adventure, you'll learn to scope out, swoop down and snatch up important memories from your life then speed write them into miniature masterpieces.

online writing course creative nonfiction

Techwashed!: Writing with AI, Data, and Surveillance

Raise a mirror against society's relationship to technology in this two part workshop series where we will learn how to write about tech.

Creative Nonfiction , Fiction , Live Workshop , Memoir , Novel , Personal Essay , Poetry , Short Story

techwashed writing course

Telling the Stories Your Body Holds: Writing and Shaping Strong Personal Essays

Telling your food story, with hannah howard.

Let's write at the kitchen table together, as we explore using food as a lens to tell our stories.

food writing course

The Body and Soul of Your Memoir: Shape, Focus, and Write Your Memoir

With caryn mirriam-goldberg.

Unearth your memoir's soul (its main focus and calling) and body (its organization and structure) as you write toward a completed draft. 

The body and soul of your memoir | memoir writing course

The Chronology of Mind: From Journal to Poem or Prose

With barbara henning.

Gather material through writing and experimenting with journaling, researching and taking notes to develop into poems or prose works.

Creative Nonfiction , Fiction , Memoir , Personal Essay , Poetry , Short Story

A_Wilde_time Wiki Commons

The Heart Remembers: Writing About Loss

With charlotte maya.

How can we organize grief and loss into language? Honor your feelings and write moving essays in this heart-centered creative nonfiction class. 

the heart remembers writing about loss

The Literary Essay

The magic of flash nonfiction.

Tell your stories quickly and stylishly in this short form creative nonfiction workshop, where you'll come away honing the magic of flash nonfiction.

the magic of flash nonfiction

The Soundtrack of Your Life: Writing About Music, Memories and Mix Tapes

In a song inspired class, write several essays about the music that has moved you through life: the emotions, the relationships, the events, the outcomes.

online writing course creative nonfiction

The Surprising Sentence: Honing Your Prose Style

With jessie roy.

Great sentences stack up into great stories. Learn how to hone your style and voice at the most basic unit of writing, the sentence, in this workshop.

the surprising sentence writing course

The Wandering Heart: Tales of Connection

Wander through the rooms of your own life to discover stories of deep connection, reconnection or loss of connection and fashion your findings into stories suitable for blog posts, essays, short memoirs, short plays, scenes in screenplays, or chapters of novels.

Creative Nonfiction , Lifestyle and Wellness , Memoir

online writing course creative nonfiction

Toying with the Truth: Writing the Personal Essay

Experiment with creative nonfiction forms and find the best way to tell your personal stories. Write a short piece each week, and choose one draft to polish. 

Toying with the truth generative nonfiction workshop

Using Bullet Journaling to Achieve Writing Goals

Creative Nonfiction , Fiction , Lifestyle and Wellness , Poetry

Using Your Poetry Skills to Write Memoir

With freesia mckee.

How do poets tell their stories in prose? Take the leap from poetry to memoir in this hybrid writing workshop.

Creative Nonfiction , Live Workshop , Memoir , Poetry

memoir for poets

Word Flashes & Eye Snapshots: Sketching Your Life Awake

For any writer wanting to root writing in vision and vision in the body: for poetry, fiction, essay, memoir & pleasure.

online writing course creative nonfiction

Write from the Untamed Mind: Find Your Voice

With susan vespoli.

Join Susan in two writing circles each week: intimate spaces for writers to free-write together, saying yes to whatever shows up, followed by group read-arounds. These writing sessions are spontaneous, intimate, freeing, and transformative.

Write from the Untamed Mind writing course

Write Your World: Express Your Creativity through Article Writing, Blogging, and Essays

Writing about family.

Family is complicated, and so is writing about it. Navigate the complexities of writing about real relationships in this generative essay class.

Writing about Family

Writing Circle Workshop: Writing for Happiness, Healing, and Health (Monday/Friday)

Expressive writing can be a powerful elixir for what ails you. Learn and practice tools for writing expressively, including two virtual writing circles each week, turn raw writing into poetry or prose, and come away with a better understanding of how writing can lead toward wellness.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Memoir , Personal Essay , Poetry , Short Story

writing for happiness healing and health

Writing Circle Workshop: Writing for Happiness, Healing, and Health (Tuesday/Saturday)

Writing place in creative nonfiction.

In Creative Nonfiction, place is a character in itself. Deeply explore a narrative and a place of your choosing, and make weekly progress on your essay or memoir.

writing place in creative nonfiction

Writing the Body: A Nonfiction Craft Seminar

The weird and wild body is a rich site of exploration in creative nonfiction. Explore the questions, stories, and lessons your body holds in this seminar with Margo Steines.

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Creative Non-fiction Writing: Tell the Real Story

A course by katie hafner , journalist and author.

Katie Hafner

Discover the Milestone Approach for productive writing, as you learn to get to the heart of a true story and write with flair and creativity

  • 98% positive reviews ( 48 )
  • 1568 students
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Creative Non-fiction Writing: Tell the Real Story

By keeping our eyes wide open we can discover life experiences worthy of transforming into remarkable stories. Journalist and author Katie Hafner has honed her craft of telling true stories, with over 20 years of writing experience working for publications such as The New York Times and The Washington Post . She has also written six non-fiction books.

In this course, she teaches you the art of writing true stories through the productivity method: The Milestone Approach. Discover how to break down and map out the entire research and writing process, from identifying your central theme to sharing your writing with others. Explore the art of writing non-fiction — true stories, well told.

What will you learn in this online course?

14 lessons & 12 downloads

Lesson image

  • 14 lessons (2h 59m)
  • 12 additional resources (2 files)
  • Online and at your own pace
  • Available on the app
  • Audio: English
  • Level: Beginner
  • Unlimited access forever

What is this course's project?

Write your own non-fiction narrative based on a subject of your choice.

online writing course creative nonfiction

Who is this online course for?

This course is for those interested in exploring non-fiction writing.

Requirements and materials

No previous experience or knowledge is required. Writers of all levels, published and unpublished, are welcome. Basic knowledge of Excel or Google Sheets is recommended.

In terms of materials, all you’ll need is something to write with, including a word processor.

online writing course creative nonfiction

Katie Hafner is a seasoned professional who uses her experience to guide aspirant writers. To date, I have found the course to be informative and easy to follow.

justine.iarapps

justine.iarapps

very clear, easy-to-follow course content and approachable instruction style. ❤️

María Elena Hernández Maya

Excelente¡¡¡

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ersilia.longo

Corso estremante chiaro, ricco di consigli pratici estremamente utili. Consiglio vivamente

La autora propone un itinerario ameno, práctico y divertido para iniciarse en la escritura de no ficción. Los vídeos y consejos son estimulantes y aterrizados. Recomendado.

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Katie Hafner

Katie Hafner A course by Katie Hafner

Katie Hafner is a journalist and book author from New York, US. After graduating with a degree in German literature she went on to complete a master’s in journalism from Columbia University, and pursue her lifelong passion for writing. She then began working at a community newspaper in Lake Tahoe and worked her way up through different publications until she was hired by The New York Times in 1998.

Katie worked at The New York Times for ten years and remains a regular contributor. She has also worked at BusinessWeek and Newsweek , and written for several publications such as Esquire , Wired , The Washington Post , and The New York Times Magazine . Katie is also the author of six non-fiction books covering a range of topics from computer hackers, German reunification, pianist Glenn Gould, and even her own memoir. As well as this, Katie is the creator and host of the podcast Lost Women of Science.

Introduction

Getting started.

  • Nailing Down Your Idea
  • The Outline
  • Getting Down to Work: The Productivity Spreadsheet

Getting Down to Work

  • Finalizing the Productivity Spreadsheet
  • Assessing Your Research
  • Finding Good Interview Bytes
  • Writing the Story 1
  • Writing the Story 2

Editing and Polishing

  • The Big-Picture Edit: Getting Feedback and Moving Forward
  • Working with an Editor
  • To Learn More: A Conversation with the Editor

Final project

What to expect from a domestika course, learn at your own pace.

Enjoy learning from home without a set schedule and with an easy-to-follow method. You set your own pace.

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Learn valuable methods and techniques explained by top experts in the creative sector.

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Each expert teaches what they do best, with clear guidelines, true passion, and professional insight in every lesson.

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If you're a Plus member, get a custom certificate signed by your teacher for every course. Share it on your portfolio, social media, or wherever you like.

Get front-row seats

Videos of the highest quality, so you don't miss a single detail. With unlimited access, you can watch them as many times as you need to perfect your technique.

Share knowledge and ideas

Ask questions, request feedback, or offer solutions. Share your learning experience with other students in the community who are as passionate about creativity as you are.

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The community is home to millions of people from around the world who are curious and passionate about exploring and expressing their creativity.

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Domestika's courses are online classes that provide you with the tools and skills you need to complete a specific project. Every step of the project combines video lessons with complementary instructional material, so you can learn by doing. Domestika's courses also allow you to share your own projects with the teacher and with other students, creating a dynamic course community.

All courses are 100% online, so once they're published, courses start and finish whenever you want. You set the pace of the class. You can go back to review what interests you most and skip what you already know, ask questions, answer questions, share your projects, and more.

The courses are divided into different units. Each one includes lessons, informational text, tasks, and practice exercises to help you carry out your project step by step, with additional complementary resources and downloads. You'll also have access to an exclusive forum where you can interact with the teacher and with other students, as well as share your work and your course project, creating a community around the course.

You can redeem the course you received by accessing the redeeming page and entering your gift code.

  • Communication
  • Non-Fiction Writing
  • Storytelling

Creative Non-fiction Writing: Tell the Real Story. Writing course by Katie Hafner

Courses you might be interested in

UCLA Extension

Creative Nonfiction I

Discover the varied forms of creative nonfiction from memoir to personal essay and beyond in this introductory course.

What you can learn.

  • Learn to use artful language, dialogue, and character development to tell true stories
  • Practice developing structure and plot for real-life events
  • Read nonfiction by established authors to learn effective techniques

About this course:

Summer 2024 schedule.

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Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. Internet access required.

This course is held via video teleconference. Instructors use Zoom to offer live class meetings at the designated class meeting time. Students must be present at the course meeting time as each student’s final grade may include scores for participation. Please inform your instructor if you will miss a class meeting. You are responsible for any class information you missed. We suggest you arrange with a fellow classmate to share their notes when feasible.

Internet access required to retrieve course materials.

This online course is conducted through Canvas, a secure website that allows students to log in to access lectures, discussions, and other course materials on demand. There are no required live class meetings. Each course is structured with weekly assignments and deadlines. Lectures and coursework are accessible throughout the week. Workshops are conducted in writing via discussion boards with your instructor and classmates.

CLICK HERE TO VIEW THE PUBLIC SYLLABUS FOR THIS COURSE.

Fall 2024 Schedule

No meeting November 27. Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. Internet access required.

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Non-Fiction Writing Courses

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  • Non-fiction

Non-Fiction Writing Courses

Our creative non-fiction courses offer an inspiring and supportive environment for memoirists and life writers.

online writing course creative nonfiction

Our non-fiction writing courses: an overview

Our non-fiction courses are offered online and in-person and will give you all the tools you need for your project: how to research, how to select and shape story material, how to edit and where to take things next.

Our online non-fiction courses include five-day events, month-long self-paced courses and longer, more advanced options.

Your tutor – themselves an experienced memoirist or narrative non-fiction writer – will offer their own expertise as well as creating a sensitive, respectful and energising space for the group to share and develop their projects with each other.

online writing course creative nonfiction

Who are these courses for?

Aspiring memoirists.

Always wanted to write an autobiography? Start here – with introductory and intermediate courses available to help, you'll learn how to best begin putting your story on the page.

Life Writers

Whether the life you want to document is yours or someone else's, our courses will show you how to collect and organise your material into the most compelling narrative shape.

Fiction writers moving genre

You have some experience with fictional narratives, but telling a life story is something different. Learn how to apply the skills you already have and gain new ones to help with a creative non-fiction project.

  • Level Starting out Improving Advanced
  • Location Online London Newcastle
  • Length 1-5 days 12 weeks 6 month +
  • Featured Featured Upcoming Lowest Price A-Z Z-A

Our advanced courses in fiction and poetry offer the next step for the committed writer – serious writing time, industry advice and expert guidance, along with a close-knit group of fellow writers to keep you on track.

Non-Fiction Writing Courses ( 5 )

flying n page of old book with flowers on wooden background

Memoir and Life Writing

What do these levels mean?

Lucie Brownlee

Wednesday 26 Jun 2024

online writing course creative nonfiction

Writing Lives

Richard Skinner

Monday 12 Aug 2024

Last few places available

online writing course creative nonfiction

Start Your Memoir

Patti Miller

Monday 09 Sep 2024

Places available

Miranda Doyle

Thursday 26 Sep 2024

Notebook with pencil and cup on wooden table

Writing Memoir

Margie Orford

Tuesday 01 Oct 2024

Non-Fiction Tutors

Our non-fiction writing courses are led by acclaimed memoirists and authors, each experienced in helping writers get to the heart of their non-fiction project.

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Julia Blackburn

Julia Blackburn was born in London in 1948, the daughter of the poet Thomas Blackburn and the painter Rosalie de Meric. Her first book...

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Miranda Doyle's family come from the tiny island of Coney in Sligo Bay. She grew up in Edinburgh alongside three brothers and...

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Katherine Angel

Katherine Angel is the author of Tomorrow Sex Will Be Good Again (Verso, 2021), Daddy Issues (Peninsula Press, 2019), and...

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Philip Marsden

Philip Marsden is the award-winning author of a number of works of travel, history and fiction, including The Bronski House...

The whole experience was fabulous and exceeded my expectations... [it] opened my eyes and my book came to life. This course was a wonderful experience and I will never forget it and always be grateful for it.

[it] opened my eyes and my book came to life. This course was a wonderful experience and I will never forget it and always be grateful for it.

online writing course creative nonfiction

Frequently Asked Questions

What are the main types of non-fiction.

There are many types of non-fiction writing, including histories, academic texts, journalism and self-help. Most of our courses focus on memoir and life-writing, though some, like our Fiction Skills: Reseach online course, cover more general skills to aid non-fiction writing.

How experienced do I need to be to take these courses?

You don’t need to have written any non-fiction before to take the majority of these courses. You’ll find a level guide on each of the individual course pages to indicate whether it’s suitable for beginners or if a little more experience is required.

Can't find the right course?

online writing course creative nonfiction

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online writing course creative nonfiction

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Founded in 1929 in London, Faber is one of the world's great publishing houses. Our list of authors includes thirteen Nobel Laureates and six Booker Prize-winners.

online writing course creative nonfiction

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Course Level Guide

There’s something for everyone at the Faber Academy, whether you’re a complete beginner or a seasoned writer or somewhere in between. To help you select the right course for you, this guide breaks down what the different levels mean.

These courses are ideal for those who are curious about writing and have little to no prior experience in the field. There are no pre-requisite for these courses – all we ask is that you come with an open mind and a keenness to learn. That’s not to say they aren’t suitable for someone with more experience, though – if you’re looking to refresh your skills or experiment with a new area of writing, you’re also welcome to enrol.

These courses are ideal for those who have some experience in writing – as a hobby, or perhaps through academic or professional work – and are looking for challenging courses to hone their skills further. These courses are also a good next step if you’ve already taken a beginners’ class but don’t feel ready to commit to an advanced course yet.

These courses are ideal for seasoned writers who are serious about getting published. Entry to most of these courses is on an application basis and writers will usually be asked to submit samples of their work-in-progress or a past project.

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10 Best Creative Writing Courses for 2024: Craft Authentic Stories

Learn how to tell your story and engage your readers with great storytelling.

online writing course creative nonfiction

As a lifelong literature enthusiast, I decided to challenge myself in 2010 by participating in NaNoWriMo (National Novel Writing Month), which tasks participants with writing a 50,000-word draft within a month. Although I’ve only achieved this goal twice since then, the experience has been invaluable. I’ve connected with a wonderful community of writers, both online and in person.

Through my experience, I can confidently say that creative writing is a skill that can be developed and honed, just like any other. While traditionally associated with literature, creative writing is increasingly being recognized as a powerful tool in various forms of writing, from copywriting and storytelling to novels and poetry. It has the ability to captivate readers and elevate the impact of written expression.

online writing course creative nonfiction

If you’re searching for the best online Creative Writing courses and resources, you’ve come to the right place. This Best Courses Guide (BCG) is built from Class Central’s catalog of over 300 Creative Writing courses and selected according to a methodology that you can check below.

Click on the shortcuts for more details:

What is Creative Writing?

Courses overview, why you should trust us, how we made our picks and tested them, here are our top picks.

Click on one to skip to the course details:

15 hours
5-6 hours
4-5 hours
12 hours
1-2 hours
2 hours
5-6 hours
1-2 hours
1 hour
18 hours
NA

online writing course creative nonfiction

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Creative writing is a genre of writing that seeks to evoke emotions and feelings in its readers. It surpasses the limits of traditional forms of literature and emphasizes narrative craft, character development, and the use of literary tropes and poetic traditions. Creative writing finds application in various forms of writing, including screenplays, plays, novels, poems, and other written works. In this guide, I will delve into some of its most popular facets.

Enhancing resilience and creativity through writing

Research shows that the brains of professional writers work differently from those of novice writers. Moreover, creative writing has been found to boost resilience in students . If you want to enjoy the benefits of writing, it’s important to develop the habit of jotting down your thoughts and words. Doing so can help you overcome writer’s block.

Creative writing is so powerful that it’s used in prisons to give inmates a chance to express themselves in programs like PEN America . “By providing resources, mentorship, and audiences outside the walls, we help these writers to join and enrich the broader literary community.”

Creative writing is a skill that can be learned and practiced like any other. Techniques such as ABDCE structure, 1st or 3rd person point of view, “show don’t tell”, dialogues, and tropes can be easily learned through the online courses in this guide.

  • Together, they account for over 1M enrollments
  • Skillshare, with 2 courses, is the most featured provider
  • The single most popular course has nearly 400k enrollments
  • Three courses are entirely free or free-to-audit.

Best Fantasy And Short-Stories Writing Lessons For Beginners (Brandon Sanderson)

Besides being an awesome writer, Sanderson is an instructor with a very unique talent for keeping us engaged. He has also made available a full course in creative writing on YouTube , originally presented at Brigham Young University, which includes the most crucial tools for any beginner or even experienced writers. The course is comprehensive and rich in content, with great sound and video quality.

Each video discusses a specific tool or technique, so you can easily select the theme you want to explore next or watch it all in sequence. It’s up to you. I recommend you take your time, watch one video at a time and experiment with each concept, or even better, find a writing buddy or form a group to practice writing together.

What you’ll learn:

  • Plot construction, character development, and engaging storytelling
  • Techniques for crafting immersive worlds and believable viewpoints
  • Insights into the publishing industry, tailored for emerging writers
  • Strategies for writing compelling short stories and leveraging them for larger projects.
“Very informative! I’m a beginner writer looking to study writing for video games, and this class gave me a lot of helpful tools to start understanding how stories work/how to organize my ideas! Will definitely be returning to some of these lectures in the future for guidance 👍” – Paige Webster
Brigham Young University
Youtube
Brandon Sanderson
Beginner
15 hours
1.8M
5/5 (6 reviews)
None

Best University-level Creative Writing Course (Wesleyan University)

online writing course creative nonfiction

Creative Writing by Wesleyan University is a specialization for those looking for a way to improve their writing structure, scene and character creations and finding your style. Each course includes writing practice (for paying learners) and insightful interviews. It’s worth your time and effort if you are a disorganized writer like myself.

  • Techniques for crafting a bracing story with memorable characters and an interesting setting
  • How to employ a fresh descriptive style in your writing
  • Skills for analyzing and constructively evaluating peer writing
  • The ability to refine your writing, critique writing in general, and draw inspiration from existing literature
  • The process of drafting, rewriting, and completing an original story in the genre of your choosing.

It should be noted that the peer-grading system often lacks depth. However, the assignments are well-crafted and can be easily evaluated with minimal effort, providing some insights from other participants in the form of feedback or inspiration from their submissions.

“Great information about plot and scene structure. The information about revision was entirely new to me – thank you! The exercises were good and difficult in a good way that helped me hone my writing.” – Laura B, Coursera learner
Wesleyan University
Coursera
Brando Skyhorse, Amity Gaige, Amy Bloom and Salvatore Scibona
Beginner
40 hours
126K
4.7 (5K)
Yes, paid

Best Course to Find Your Voice (Neil Gaiman)

Neil Gaiman is currently one the most prolific writers I know of: he’s written books , comics , movies and even TV shows . Even if you’re not a fan of his style, there is definitely something you can learn from him.

In Neil Gaiman Teaches The Art Of Storytelling you will discover Neil’s philosophy on what drives a story and learn to unlock new stories within yourself.

While MasterClass doesn’t sell single courses, a subscription provides access to their entire library, including other writing courses like Margaret Atwood Teaches Creative Writing , Dan Brown Teaches Writing Thrillers , Malcolm Gladwell Teaches Writing , and James Patterson Teaches Writing . If you are considering the purchase, you should definitely enjoy the rest of their catalog.

By the end of this course, you will be able to:

  • Discover and develop your unique writing voice
  • Generate and develop original ideas
  • Create dynamic, well-rounded characters that come to life on the page.

This course includes a 94-page workbook that includes assignments and supplemental material.

MasterClass
Neil Gaiman
Beginner
4-5 hours worth of lectures
Paid Certificate Available

Best Practical Writing Course With Support (Trace Crawford)

online writing course creative nonfiction

I love it when a passionate teacher like Trace Crawford puts the effort into creating a comprehensive curriculum. COMPLETE Creative Writing – All Genres is a 12-hour course with 145 downloadable resources. In this course, you will learn how to write engaging fiction, poetry, drama, and creative non-fiction, helping you become the successful writer you want to be.

  • The four genres of creative writing: fiction, poetry, drama, and creative non-fiction
  • How to discover, refine, and share your unique writing voice
  • A series of authentic writing assignments designed to target the skills you need to develop
  • Writing techniques, literary devices, and specialized skills to enhance your writing
  • Opportunities for publishing, podcasts, and how to create a professional creative writing portfolio
  • Discover multiple public outlets to share your writing with others as you gain confidence and experience success in your writing ability.

This is a practical creative writing course that includes assignments reviewed by the instructor, though response time may vary.

“The short snippets of theory in combination with the short assignments suits my learning style. I don’t remember the last time I’ve written anything creative, but this course gave me the incentive to set some foundation and its actually quite enjoyable if you stick to it.” – Nikolaos-Stylianos Z., Udemy learner
Udemy
Trace Crawford
Beginner
12 hours
37 quizzes and  writing practice
31K
4.7 (3.9K)
Available, paid

Best Course to Overcome Writer’s Block: 10-Day Journaling Challenge (Emily Gould)

online writing course creative nonfiction

I couldn’t resist adding Creative Writing for All: A 10-Day Journaling Challenge to this guide. Emily Gould is a delightful instructor, and her approach to inviting you to participate in the challenge is impossible to decline. It’s the perfect course to overcome writer’s block, which is exactly what she proposes. In this 10-day creative writing challenge, filled with inspiring examples, observation prompts, and clever revision tricks, writers and enthusiasts will be able to express their creativity in a personal and artful way.

This course is the shortest one on the list, and it’s more about the challenge of keeping a journal. If you decide to subscribe to Skillshare, you can also enjoy their entire library of courses. In addition to the other two recommended courses on this list, you can also check out these other Skillshare courses: Writing Suspense: How to Write Stories That Thrill in Any Genre and The Writer’s Toolkit: 6 Steps to a Successful Writing Habit .

Skillshare
Emily Gould
Beginner
26 min
58K
99% (1K)
Available, paid

Best Course to Create Fiction From Personal Experience (Shaun Levin)

online writing course creative nonfiction

Shaun’s approach to writing in Short Story Writing: Create Fiction from Personal Experience is an unusual one. It draws from your personal experience to create a compelling fictional story. I can say from experience that this technique will help you write with more depth and authenticity. Every time we bring our own life to the story, it becomes alive, believable and relatable. In a way, all fictional stories are based on the author’s life.

This course will help you with techniques and a series of practical exercises to start writing your scenes from a more philosophical point of view, creating compelling stories. You’ll learn how to delve into your imagination to find everything you’ll need to become a prolific writer, no matter where you are.

By the end of the course, you will have a final project that will receive feedback from Shaun and other learners as well. Actually, if you want to check it out, in the course page on Domestika you can open the submitted projects and read the comments.

Shaun’s other courses: Creative Writing for Beginners: Bringing Your Story to Life .

“A practical course. Shaun Levin talks about theory but also demonstrates his process, which was invaluable. The exercises got my creative juices flowing. Thinking about doing his other course in the future.” – Maya Dicheva
Domestika
Shaun Levin
Beginner
2 hours
30K
99% (764)
Available, paid

Best Course to Make Writing Less Stressful with Best Practices (Jennie Nash)

online writing course creative nonfiction

If you struggle to start or get stuck in your writing, Write Your Book: Start Strong and Get It Done can help. With good advice and emotional support, you’ll learn techniques to make writing less stressful. The accompanying workbook guides you to think methodically by asking the right questions to keep you focused on your story and not chasing your own tail.

In this class, you’ll learn how to:

  • Design every element of your novel or memoir, including the protagonist, plot, story structure and a project success plan
  • Define your narrator’s voice
  • Determine where your story begins and where it ends
  • Decide what point you’re making about human nature
  • Make sure you’re giving your ideal reader exactly what they want
  • Gain the confidence you need to push past any doubts and finish your book.

This course is more of a masterclass, so there are no assignments included but it teaches good practices and provides a very useful workbook.

CreativeLive
Jennie Nash
Beginner
5-6 hours
18.8K
100% (29)
None

Best Course to Create A Compelling Story (Lisa Cron)

online writing course creative nonfiction

Writing: The Craft of Story is a series of well-produced lectures covering the basic building blocks of a story. Taught by author Lisa Cron, you will learn how to create compelling stories based on the way the brain responds to storytelling. This course emphasizes the importance of capturing the reader’s attention through techniques such as suspense, exploring the protagonist’s inner issues and dreams, specificity, and cause and effect. Upon completion of the quizzes, you will receive a certificate for your LinkedIn profile. Additionally, you can watch all the videos without subscribing to the course.

“Learning the fundamentals of crafting a story was and is a fascinating experience. And yes, I would highly recommend writing to anyone interested in learning how to express the communication of feeling.” – Nicole Gillard, LinkedIn learner.
LinkedIn Learning
Lisa Cron
Beginner
1-2 hours worth of material
100K
4.7 (649)
Available, paid

Best Course to Write Personal Essays with Impact (Roxane Gay)

online writing course creative nonfiction

Discover the art of crafting powerful personal essays with best-selling author Roxane Gay in her course, Creative Writing: Crafting Personal Essays with Impact . Through her honest and thoughtful approach, Roxane will help you find your story, craft your truth, and write to make a difference.

This master class offers eight video lessons that are filled with practical guidance, actionable tactics, and example essays to guide you from the first idea to a final, publication-ready work.

You’ll learn how to:

  • Find a specific purpose for telling your story
  • Connect your work to larger conversations and timely themes
  • Conduct crucial research to support your work
  • Navigate personal memories to write your truth
  • Write and revise your final work, and submit your work for publication.

Additionally, the class provides a downloadable worksheet to support your ongoing creative nonfiction writing practice, as well as links to additional resources.

If you enjoy creative nonfiction writing, you might consider this course that’s also on Skillshare: Creative Nonfiction: Write Truth with Style (Skillshare Original) by Susan Orlean

Skillshare
Roxane Gay
Beginner
1 hour
45K
100% (1.2K)
Available, paid.

Best Course to Develop Your Ideas And Research for Characters (The Open University)

online writing course creative nonfiction

Start Writing Fiction explores the writing process, from journaling and idea development to reflection and editing. It features insights from established writers such as Louis de Bernières, Patricia Duncker, Alex Garland, Abdulrazak Gurnah, Tim Pears, Michèle Roberts, and Monique Roffey,  who share their approaches to research and turning events into plot. Led by Derek Neale, a novelist and short story writer, this course provides a comprehensive understanding of the writing rituals and techniques used by successful writers.

You’ll get to critique the work of other writers and receive feedback. This course is designed for individuals interested in starting or improving their fiction writing and does not require prior experience in the subject.

You’ll learn:

  • Creation of characters in fiction
  • Different sources and ways of presenting characters in stories
  • Reading as a writer
  • Writing practice including creativity, research, observation and editing
  • Peer reviewing, workshops and the importance of feedback.
“This course takes learners through many aspects of writing such as developing characters, observing and describing details, finding inspiration, writing and editing. It includes some peer reviews which can be varying in quality. I was lucky enough to have some of my writing reviewed by a reviewer who gave very helpful and positive feedback.” – Pat Bowden
The Open University
Future Learn
Derek Neale
Beginner
24 hours
389,780 learners
4.7 (923)
Available, paid

What’s Next

Scribophile is one of the largest online writing communities. You can get feedback on your writing and join writing groups. If you decide to join with a free plan, you need to collect points by reviewing other writers’ work before submitting your own work for review. They also developed some advanced tools for evaluating work and guidelines to make sure you give/receive feedback that is actually meaningful.

NaNoWriMo started out as a month-long challenge where you invite your friends and join other writers in your region, be it online in their forums or in person, to challenge yourself in writing your first draft. Nowadays, they run all-year round writing challenges (but November is still the biggest one in terms of participation). What is cool about it is you actually get to meet people in real life with various writing skills and backgrounds. I was able to make some great friends over the years and even met a few professional writers that decided to join our local group just to support us.

If you have any resources you would like to have added here, leave a comment below.

Class Central , a Tripadvisor for online education, has helped 60 million learners find their next course. We’ve been combing through online education for more than a decade to aggregate a catalog of 200,000 online courses and 200,000 reviews written by our users. And we’re online learners ourselves: combined, the Class Central team has completed over 400 online courses, including online degrees.

Trying to find “the best” can be daunting, even for those of us who live and breathe online courses. Here’s how I approached this task.

First, I combed through Class Central’s Catalog and the internet to find a variety of free and paid open courses, some with certificates. You don’t need to enroll in a university to learn about creative writing.

When choosing courses, I considered the following factors:

  • Renowned Institutions : I looked for recognized institutions in creative writing
  • Instructor experience : I sought instructors with extensive experience in creative writing and engaging presentation styles
  • Popularity : I checked numbers of enrollments and views to find popular courses
  • Course content : I examined courses that covered a range of topics and presentation styles, including the basics and more advanced topics. I watched some course videos to sample courses I hadn’t already taken
  • Learner reviews : I read learner reviews (when available) to get a sense of the quality of each course, leveraging the Class Central database with its thousands of course ratings and reviews written by our users as well as available course provider reviews.

Then, I defined the scope for these recommendations. A creative writing course can cover various topics, so I chose top courses from a range of sub-fields.

Ultimately, I used a combination of data and my own judgment to make these picks. I’m confident these recommendations will be a reliable way to learn about creative writing.

Best Courses Guides. Start Learning, Stop Procrastinating.

Fabio Dantas

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Creative Non-Fiction Writings

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What if your words could create images of the world and take readers on exciting journeys to places they have never been? That's what creative nonfiction is all about. Creative nonfiction (CNF) goes beyond just telling a story: it uses words to express human experiences artistically. This course offers you the skills and techniques used in nonfiction writing, from developing a storyline to getting your story published and everything in between.

We first introduce you to the basics of nonfiction writing and its various forms. We explain how to identify target audiences and the purpose of your writing. We then show you how to craft narratives and apply storytelling techniques to meet that purpose. Research is a key component of creating compelling and credible creative nonfiction. We teach you how to incorporate research into your writing and describe the techniques used to craft writing different nonfiction genres.

This creative writing course then discusses the importance of editing and revising and provides various techniques and strategies you can use to improve your writing. We also demonstrate how to strengthen the clarity, coherence and overall quality of your text. Finally, we explore the ins and outs of the publishing industry and the effective marketing strategies used for nonfiction writing. This course has no prerequisites and is designed for anyone interested in writing who wants to enhance their CNF skills. This course draws on journalistic practices to show you how to create nonfiction narratives that are both informative and engaging, be they feature articles or your own story. Sign up to let your inner writer flourish and learn how to tell stories that matter.

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87 Best Nonfiction Creative Writing Classes in 2024

Showing 87 courses that match your search.

8-week Writing Sprints: A Generative Class

Sackett Street Writers

Writing Sprints is an exercise-intensive course designed to “unstick” writers struggling to start or continue new projects, boosting writing productivity. The course relies heavily on writing exercises (for both fiction & nonfiction writers). This class is for writers of all levels looking for inspiration and motivation.

Website: https://sackettworkshop.com/writing/2024/03/05/8-week-wri...

Categories: Nonfiction

Start date:

September, 2024

Prerequisites: A writing sample is recommended for this class.

The Secret Life of Scenes Workshop with David Biespiel

Attic Institute

Do you feel your writing gets bogged down in announcing, recounting, and summarizing? What you need is some scene-making medicine. Work with Attic Institute founder and two-time Oregon Book Award winner David Biespiel to learn the keys to explain less and dramatize more.

Website: https://atticinstitute.com/node/2830

Prerequisites: No prerequisites

Healing a Heart: Writing Your Way to Hope

Rockvale Writer's Colony

In this four-part class we'll explore the art and magic of writing as a healing process in a collaborative and supportive environment. Together, we will share our stories, read a variety of essays and short fiction in order to identify how others have utilized the written word to heal themselves.

Website: https://rockvalewriterscolony.org/workshops/november-8-10...

November, 2024

online writing course creative nonfiction

How to Write a Novel

Your story matters. Unlock your potential with daily video lessons from bestselling ghostwriter Tom Bromley, and finish your first draft in just 3 months. Learn more →

Teen Summer: Say It Like You Mean It

Whether characters are arguing, bantering, betraying secrets, or confessing their guilt, dialogue can be one of the most challenging parts of writing a scene. In this workshop, we’ll learn about the various ways you can use dialogue in your writing, such as to advance the plot or develop characters.

Website: https://grubstreet.org/workshop/teen-summer-say-it-like-y...

August, 2024

The Art of Live Storytelling

Ever dreamt of captivating an audience with your storytelling, condensing your writing into a sharp pitch, or confidently speaking in public? This course is designed for you. Uncover the craft of powerful storytelling using the classic "pity, fear, catharsis" framework and contemporary engagement techniques.

Website: https://grubstreet.org/workshop/the-art-of-live-storytell...

Prerequisites: For writers age 13 - 18 ONLY.

Writing Experimental Essays

The aim of this class is to open up your writing by embracing this experimentation with form and structure. You’ll learn about the lyric essay—braided, collage, and hermit crab and more.

Website: https://grubstreet.org/workshop/writing-experimental-essa...

Teen Summer: DIY Comic Book Making

You love comics, and graphic novels, and you like to doodle, but perhaps you’ve never finished a multi-page comic story? Or, you are a veteran comics creator and want to draw a new one! Now’s your chance to create a mini-comic during one week this summer.

Website: https://grubstreet.org/workshop/teen-summer-diy-comic-boo...

Developing Your Personal Essay - Pacific Time!

This workshop is designed for essay writers who are already working on personal essay projects and want to receive feedback in a supportive and constructively critical environment. The class will include workshops of student writing, discussions on the art and craft, and readings of exemplary works in the genre.

Website: https://grubstreet.org/workshop/developing-your-personal-...

Teen Summer: August Week of Creative Writing

Whether you’re working towards a novel or writing short stories, poetry, plays or genre-fluid experiments, this is an opportunity to improve your skills and learn about different literary techniques to help your big ideas come to life.

Website: https://grubstreet.org/workshop/teen-summer-august-week-o...

The Tough Stuff: Strategies for Writing About Pain, Trauma, and Loss

Writing through heartbreak and loss can provide a tool for discovering the insight lurking beneath the pain. Such writing will stir readers’ emotions, even helping process their own pain. Instructor Andrea Meyer will assign readings and writing exercises to help you tell your darkest, scariest, and most gratifying stories.

Website: https://grubstreet.org/seminar/the-tough-stuff-strategies...

Prerequisites: At least one act or thirty pages of a screenplay or television pilot completed.

Get Writing: Unblocking Writer's Block

Literary Arts

Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation.

Website: https://literary-arts.org/event/get-writing-unblocking-wr...

Narrative Structure for Fiction Writers

Writing NSW

In this writing course, we will discuss some non-fiction literary forms, such as memoir, essays, creative non-fiction and theme-driven autobiographical work and the differences between them, in helping situate the participant’s own work within this genre.

Website: https://writingnsw.org.au/whats-on/courses/the-art-of-wri...

How to choose a nonfiction writing class

Looking to build your writing skillset, learn more about your genre, or finally finish that nonfiction book you’ve been working on? You’re in the right place. That’s why we built this directory of the best writing courses.

However, creative writing classes aren’t one size fit all. If you’re planning to join a nonfiction writing class in particular, you’ll want to make sure that it matches what you’re seeking to learn about nonfiction writing.

So make sure to consider the following questions when you’re researching nonfiction writing courses:

  • Who is the instructor? How many years of experience do they have in nonfiction writing?
  • Is there something in particular you’d like to learn about nonfiction writing? Does this course include it?
  • How long is the course, and where is it taught?
  • How much does the nonfiction writing course cost? Does it fit into your budget?

More technical writing resources

Whether you’re a new or established author, there are always evergreen resources out there to how to get a headstart on nonfiction writing. 

Free online materials

  • How to Write a Nonfiction Book (blog post)
  • How to Write a Book Proposal (blog post)
  • How to Edit a Book (blog post)
  • 100+ Literary Agents Seeking Nonfiction Submissions (resource)
  • Top Nonfiction Book Publishers (resource)

Recommended books

  • For writers in the UK:  Writers' & Artists' Yearbook  
  • For writers in the US:  Writer’s Market 2020

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Gotham Writers

Creative writing 101.

Creative Writing 101

Creative Writing 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.

Are you eager to test the waters of creative writing but not sure where to start, or how? Have you written previously but been away for a while and hope to dip back in?

Here you will be guided surely and safely into the writing life. There’s no pressure to work on a specific project or even settle on which type of creative writing you prefer. The idea is to explore—see with a writer’s eyes, spark ideas to life, gain confidence, and experiment with both fiction and nonfiction.

Creative writing is one of the most fulfilling ways to express yourself, and you’re never too young or too old to give it a try. Come on in. The water’s fine.

online writing course creative nonfiction

The course is a great trigger to the pleasure of writing.

Aurelio Aragao

professor and screenwriter

This course includes both fiction and nonfiction prose.

The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.

Upcoming Classes NYC COVID Info

  • You can still enroll in this class. Starts Tuesday, June 11 1 spot left Online , anytime 6-Week Class Adela Brito
  • Starts Thursday, June 20 Zoom , 6:30pm – 9:30pm ET 6-Week Class Cleve Lamison
  • Starts Tuesday, June 25 Online , anytime 6-Week Class Salma Zarook
  • Starts Monday, July 8 1 spot left NYC , 6:30pm – 9:30pm ET 6-Week Class K Hank Jost
  • Starts Tuesday, July 9 4 spots left Online , anytime 6-Week Class Stephanie Stuve-Bodeen
  • Starts Tuesday, July 9 NYC , 7pm – 10pm ET 6-Week Class Kyleigh Leddy
  • Starts Tuesday, July 9 Zoom , 7pm – 10pm ET 6-Week Class Lyndsey Ellis
  • Starts Saturday, July 13 NYC , 12pm – 3pm ET 6-Week Class Mo Krochmal
  • Starts Saturday, July 13 Zoom , 2pm – 5pm ET 6-Week Class Cab Tran
  • Starts Wednesday, July 17 NYC , 10am – 1pm ET 6-Week Class Divya Sood
  • Starts Wednesday, July 17 Zoom , 2pm – 5pm ET 6-Week Class Sarah Moriarty
  • Starts Sunday, July 28 Zoom , 12pm – 3pm ET 6-Week Class Marissa Walsh
  • Starts Tuesday, August 6 Online , anytime 6-Week Class
  • Starts Monday, August 12 Zoom , 6:30pm – 9:30pm ET 6-Week Class Justine Teu
  • Class Full. Join wait list. Starts Tuesday, June 18 Online , anytime 6-Week Class George Jreije

Registration fee $25, paid once per term

Tuition: $355

Tour an NYC Class

Anytime, week-long sessions

Tuition: $339

Tour an Online Class

Real-time videoconference

Tour a Zoom Class

Tuition: $1,195

Explore One-on-One Options

This course explores fiction and types of creative nonfiction, and the techniques that go with them. Course components:      Lectures      Writing exercises New York City/Zoom classes The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes  Week 1 OIL: The importance of having fun with writing. Exploration of the cornerstones of creative writing—observation, imagination, language.

Week 2  Show and Tell: Understanding the difference between showing and telling. Techniques for showing—sensory, specificity, scenes.

Week 3 Individuality: The power of a journal. Writing what you know. Writing what you want to know. Finding your individual voice.

Week 4  Fiction: The types and forms of fiction. Where to find fiction ideas. The basics of creating a story—characters, plot, point of view.

Week 5  Nonfiction: Exploration of three types of creative nonfiction writing—memoir, personal essays, narrative nonfiction. Where to find nonfiction ideas.

Week 6  Getting Better: Good habits. Battling the blank page. Revision. Reading as a writer. Where to go next? Note: Content may vary among individual classes.

Adela Brito

Adela Brito

Adela Brito has published short stories in Acentos Review , the Sandy River Review,  Litbreak Magazine , Hieroglyph , and Moko Magazine , and she is a former fiction editor of The Pinch literary journal. Her nonfiction and poetry have appeared or are forthcoming in Writer’s Digest , Cathexis Northwest Press , Underwood,  Adelaide Literary Magazine , All About Jazz , c-nf , Counterculture UK , and Storyboard Memphis . She has taught at the University of Memphis and Nashville State Community College. She holds a BA from Florida International University and an MFA in Fiction from the University of Memphis.

Cab Tran

Cab Tran has published short fiction in Vagabond: Bulgaria's English Monthly , The Oleander Review , and Black Warrior Review , among many others. He is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight  by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.

Cleve Lamison

Cleve Lamison

Cleve Lamison is the author of the science fiction novel Full-Blood Half-Breed (Penguin Random House), and he is a contributing writer to Suvudu.com, a science fiction and fantasy blog at Random House. He is a staff writer for the television show Craig Ross Jr.’s Monogamy (Urban Movie Channel), and he wrote and directed the feature film Following Bliss , which won Best Feature Film at the Global Arts International Film Festival. His short film "The Story"   won the Denver World Film Festival, and his short film "Jack for President" was a runner-up in the New York 24-Hour Filmmaking Contest. He was the artistic director of the BlackBird Theatre Company in NYC; created, wrote, and drew the cartoon strip Rick the Roach for the Richmond News Leader; and is a veteran of the U.S. Army Reserves. He holds a BA from Virginia Commonwealth University.

Divya Sood

Divya Sood is the author of the novels Find Someone to Love and Nights Like This (both Riverdale Avenue Books). Her short stories have won the New Jersey Arts and Letters First Prize for Short Fiction and appeared in The Masters Review.  She   has taught at Rutgers University and Southern New Hampshire University. She holds a BA from Rutgers University, an MA in English, and an MFA in Fiction, both from New York University. 

George Jreije

George Jreije

George Jreije is the author of the  Shad Hadid  children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile , and the forthcoming graphic novel  Tarik’s Bazaar Adventure  (all HarperCollins). He has also written short stories published in collaboration with UNICEF. He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University. 

Justine Teu

Justine Teu

Justine Teu has published short fiction in Passages North , Storm Cellar , The Offing , Pidgeonholes , VIDA Lit , LEVEE magazine, and Pigeon Pages , among others, and her essays have appeared in Craft Literary , the Binghamton Journal of History, and Binghamton Writes . She has taught for WriteOn and for BuzzFeed. She holds a BA from the State University of New York-Binghamton and an MFA in Fiction from the New School.

K Hank Jost

K Hank Jost

K Hank Jost is the editor of A Common Well Journal . He is also the author of the novel MadStone  and the novel-in-stories Deselections   (both Whiskey Tit Books). His short stories and poems have appeared in Hobart , Vol. 1 Brooklyn , the Burning Palace , X-R-A-Y Lit Mag , and BULL , among others, and he is a regular contributor to the New Haven Independent . He has taught for the Brooklyn Center for Theatre Research.

Kyleigh Leddy

Kyleigh Leddy

Kyleigh Leddy is the author of the memoir The Perfect Other: A Memoir of My Sister (HarperCollins), which is based on her New York Times Modern Love essay “My Sister Disappeared Years Ago. I See Her Whenever I Want.” Her essays and articles have also appeared in New York Magazine , Parents, People ,  QCODE , and the Journal of Experimental Psychology, among others. She has worked for Parents magazine. She holds a BA from Boston College and an MSW from Columbia University.

Lyndsey Ellis

Lyndsey Ellis

Lyndsey Ellis is the author of the novel Bone Broth (Hidden Timber Books), and her short fiction has been published in Kweli Journal , Joyland , the Santa Monica Review , Parhelion , the Stockholm Review of Literature , and Orca, A Literary Journal , among many others. Her work has been anthologized in Golden State 2017: Best New Writing from California   (Outpost 19 Books), Black in the Middle: An Anthology of the Black Midwest (Belt Publishing) ,  and Crick! Crack!: Poems and Stories by Emerging Writers  (The Bonfire Collective). She wrote the Memory Book column for Catapult  magazine, blogged at For Harriet, and was fiction editor for The Account: A Journal of Poetry, Prose, and Thought . She has taught for the Loft Literary Center, the California Writers’ Club, Your Words STL, and midnight & indigo. She holds a BA from the University of Missouri-Columbia, and an MFA in Writing from California College of the Arts.

Marissa Walsh

Marissa Walsh

Marissa Walsh is the author of the picture book One Scoop or Two? And Other Ice Cream Questions (Union Square Books, forthcoming), the YA novel A Field Guide to High School (Delacorte Press), the memoir Girl with Glasses  (Simon and Schuster), and the nonfiction book Tipsy in Madras  (Penguin). She edited the anthologies Not Like I'm Jealous or Anything  (Delacorte Press) and Does this Book Make Me Look Fat?  (Clarion Books). She has worked as a literary agent with Fine Print Literary Management and as an editor at Random House. She holds a BA from Smith College.

Mo Krochmal

Mo Krochmal

Mo Krochmal is the executive editor and founder of  Social Media News NY . He was a founding producer for the New York Times website, senior editor of GenomeWeb , executive producer of Nassau News Live , and New York editor for TechWeb . He has written for United Press International, the New York Times , the Danbury News-Times , the Wilson Daily Times , and the Washington Daily News . He is the vice president of the New York City chapter of the National Association of Hispanic Journalists. He has facilitated professional communication training at the Courts of the United States, the US Patent and Technology Office, and Health Security Partners in Washington, DC. He has taught at Fairleigh Dickinson University, Hofstra University, Quinnipiac University, and the Graduate School of Journalism at Columbia University. He holds a BA from North Carolina State University and an MS in Journalism from Columbia University.

Salma Zarook

Salma Zarook

Salma Zarook wrote Salam From Salma , a travel and lifestyle blog, and now writes for Medium . Her essays and poetry have appeared in Pasadena Now and Voiceworks , and one of her short stories won the Australia-wide Write4Fun competition. She has taught for Johns Hopkins University, the New Horizon School LA, the Islamic Center of Southern California, and Five Tuition in Melbourne, Australia. She holds a BA from the University of Melbourne.

Sarah Moriarty

Sarah Moriarty

Sarah Moriarty is the author of the novel North Haven  (Little A). She has been managing editor and head writer for the blog A Child Grows in Brooklyn , where she continues to be a regular contributor, and she writes for the blogs  What to Expect  and Mommy Poppins. Her nonfiction has appeared in Quivering Pen  and Large Hearted Boy . She has taught for Medgar Evers College, the College of Staten Island, and St. Ann's School. She has studied at the School of the Museum of Fine Arts, holds a BA from Harvard University, and an MFA in Fiction from The New School. 

Stephanie Stuve-Bodeen

Stephanie Stuve-Bodeen

Stephanie Stuve-Bodeen is the author of the young adult Compound series, the young adult novels The Tomb, The Raft, The Detour , the middle grade Shipwreck Island series (all Feiwel and Friends), and the Elizabeti series of picture books (Lee & Low). She has taught at the Whidbey Island Writer’s Workshop. She holds a BS from the University of Wisconsin-River Falls and an MFA in Writing from Spalding University.

has published short stories in Acentos Review , the Sandy River Review,  Litbreak Magazine , Hieroglyph , and Moko Magazine , and she is a former fiction editor of The Pinch literary journal. Her nonfiction and poetry have appeared or are forthcoming in Writer’s Digest , Cathexis Northwest Press , Underwood,  Adelaide Literary Magazine , All About Jazz , c-nf , Counterculture UK , and Storyboard Memphis . She has taught at the University of Memphis and Nashville State Community College. She holds a BA from Florida International University and an MFA in Fiction from the University of Memphis.

has published short fiction in Vagabond: Bulgaria's English Monthly , The Oleander Review , and Black Warrior Review , among many others. He is the translator, with Quan M. Ha, of the short-story collectio n Hanoi at Midnight   by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.

is the author of the science fiction novel Full-Blood Half-Breed (Penguin Random House), and he is a contributing writer to Suvudu.com, a science fiction and fantasy blog at Random House. He is a staff writer for the television show Craig Ross Jr.’s Monogamy (Urban Movie Channel), and he wrote and directed the feature film Following Bliss , which won Best Feature Film at the Global Arts International Film Festival. His short film "The Story"   won the Denver World Film Festival, and his short film "Jack for President" was a runner-up in the New York 24-Hour Filmmaking Contest. He was the artistic director of the BlackBird Theatre Company in NYC; created, wrote, and drew the cartoon strip Rick the Roach for the Richmond News Leader; and is a veteran of the U.S. Army Reserves. He holds a BA from Virginia Commonwealth University.

is the author of the novels Find Someone to Love and Nights Like This (both Riverdale Avenue Books). Her short stories have won the New Jersey Arts and Letters First Prize for Short Fiction and appeared in The Masters Review.  She   has taught at Rutgers University and Southern New Hampshire University. She holds a BA from Rutgers University, an MA in English, and an MFA in Fiction, both from New York University. 

is the author of the   Shad Hadid   children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile , and the forthcoming graphic novel  Tarik’s Bazaar Adventure  (all HarperCollins). He has also written short stories published in collaboration with   UNICEF . He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University. 

has published short fiction in Passages North , Storm Cellar , The Offing , Pidgeonholes , VIDA Lit , LEVEE magazine, and Pigeon Pages , among others, and her essays have appeared in Craft Literary , the Binghamton Journal of History, and Binghamton Writes . She has taught for WriteOn and for BuzzFeed. She holds a BA from the State University of New York-Binghamton and an MFA in Fiction from the New School.

is the editor of A Common Well Journal . He is also the author of the novel MadStone   and the novel-in-stories Deselections   (both Whiskey Tit Books). His short stories and poems have appeared in Hobart , Vol. 1 Brooklyn , the Burning Palace , X-R-A-Y Lit Mag , and BULL , among others, and he is a regular contributor to the New Haven Independent . He has taught for the Brooklyn Center for Theatre Research.

is the author of the memoir The Perfect Other: A Memoir of My Sister (HarperCollins), which is based on her New York Times Modern Love essay “My Sister Disappeared Years Ago. I See Her Whenever I Want.” Her essays and articles have also appeared in New York Magazine , Parents, People ,  QCODE , and the Journal of Experimental Psychology, among others. She has worked for Parents magazine. She holds a BA from Boston College and an MSW from Columbia University.

is the author of the novel Bone Broth (Hidden Timber Books), and her short fiction has been published in Kweli Journal , Joyland , the Santa Monica Review , Parhelion , the Stockholm Review of Literature , and Orca, A Literary Journal , among many others. Her work has been anthologized in Golden State 2017: Best New Writing from California   (Outpost 19 Books), Black in the Middle: An Anthology of the Black Midwest (Belt Publishing) ,  and Crick! Crack!: Poems and Stories by Emerging Writers   (The Bonfire Collective). She wrote the Memory Book column for Catapult  magazine, blogged at For Harriet, and was fiction editor for The Account: A Journal of Poetry, Prose, and Thought . She has taught for the Loft Literary Center, the California Writers’ Club, Your Words STL, and midnight & indigo. She holds a BA from the University of Missouri-Columbia, and an MFA in Writing from California College of the Arts.

is the author of the picture book One Scoop or Two? And Other Ice Cream Questions (Union Square Books, forthcoming), the YA novel A Field Guide to High School (Delacorte Press), the memoir Girl with Glasses   (Simon and Schuster), and the nonfiction book Tipsy in Madras  (Penguin). She edited the anthologies Not Like I'm Jealous or Anything  (Delacorte Press) and Does this Book Make Me Look Fat?  (Clarion Books). She has worked as a literary agent with Fine Print Literary Management and as an editor at Random House. She holds a BA from Smith College.

is the executive editor and founder of  Social Media News NY . He was a founding producer for the New York Times website, senior editor of GenomeWeb , executive producer of Nassau News Live , and New York editor for TechWeb . He has written for United Press International, the New York Times , the Danbury News-Times , the Wilson Daily Times , and the Washington Daily News . He is the vice president of the New York City chapter of the National Association of Hispanic Journalists. He has facilitated professional communication training at the Courts of the United States, the US Patent and Technology Office, and Health Security Partners in Washington, DC. He has taught at Fairleigh Dickinson University, Hofstra University, Quinnipiac University, and the Graduate School of Journalism at Columbia University. He holds a BA from North Carolina State University and an MS in Journalism from Columbia University.

wrote Salam From Salma , a travel and lifestyle blog, and now writes for Medium . Her essays and poetry have appeared in Pasadena Now and Voiceworks , and one of her short stories won the Australia-wide Write4Fun competition. She has taught for Johns Hopkins University, the New Horizon School LA, the Islamic Center of Southern California, and Five Tuition in Melbourne, Australia. She holds a BA from the University of Melbourne.

is the author of the novel North Haven  (Little A). She has been managing editor and head writer for the blog A Child Grows in Brooklyn , where she continues to be a regular contributor, and she writes for the blogs  What to Expect  and Mommy Poppins. Her nonfiction has appeared in Quivering Pen  and Large Hearted Boy . She has taught for Medgar Evers College, the College of Staten Island, and St. Ann's School. She has studied at the School of the Museum of Fine Arts, holds a BA from Harvard University, and an MFA in Fiction from The New School. 

is the author of the young adult  Compound series , the young adult novels The Tomb , The Raft , The Detour , the middle grade Shipwreck Island series (all Feiwel and Friends), and the Elizabeti series of picture books (Lee & Low). She has taught at the Whidbey Island Writer’s Workshop. She holds a BS from the University of Wisconsin-River Falls and an MFA in Writing from Spalding University.

Related Courses

Fiction writing i.

The fascinating craft of fiction—literary, commercial, or genre.

Memoir Writing I

True stories about aspects of the writer’s life, whether essay or book-length.

Creative Nonfiction 101

A great entry point for the creative forms of nonfiction—memoir, essay, feature articles, reviews, etc.

Children’s Book Writers Conference

September 28-29

Morningside Campus Access Updates

Creative writing.

The Creative Writing Department offers writing workshops in fiction writing, poetry, and nonfiction writing. Courses are also offered in film writing, structure and style, translation, and the short story.

For questions about specific courses, contact the department.

Registration Procedures and Course Approval

All creative writing classes have limited enrollments and require instructor or departmental approval prior to registration.

Students should visit the Writing Department's website for details and instructions.

Registration Procedures

INTERMEDIATE FICTION WORKSHOP WRIT2100W001 3 pts

Intermediate workshops are for students with some experience with creative writing, and whose prior work merits admission to the class (as judged by the professor). Intermediate workshops present a higher creative standard than beginning workshops, and increased expectations to produce finished work. By the end of the semester, each student will have produced at least seventy pages of original fiction. Students are additionally expected to write extensive critiques of the work of their peers. Please visit  https://arts.columbia.edu/writing/undergraduate  for information about registration procedures.

Course Number

Times/location, section/call number, intermediate fiction workshop writ2100w002 3 pts, intermediate nonfiction wrkshp writ2200w001 3 pts.

The intermediate workshop in nonfiction is designed for students with some experience in writing literary nonfiction. Intermediate workshops present a higher creative standard than beginning workshops and an expectation that students will produce finished work. Outside readings supplement and inform the exercises and longer written projects. By the end of the semester, students will have produced thirty to forty pages of original work in at least two traditions of literary nonfiction. Please visit https://arts.columbia.edu/writing/undergraduate  for information about registration procedures.

INTERMEDIATE POETRY WORKSHOP WRIT2300W001 3 pts

Intermediate poetry workshops are for students with some prior instruction in the rudiments of poetry writing and prior poetry workshop experience. Intermediate poetry workshops pose greater challenges to students and maintain higher critical standards than beginning workshops. Students will be instructed in more complex aspects of the craft, including the poetic persona, the prose poem, the collage, open-field composition, and others. They will also be assigned more challenging verse forms such as the villanelle and also non-European verse forms such as the pantoum. They will read extensively, submit brief critical analyses, and put their instruction into regular practice by composing original work that will be critiqued by their peers. By the end of the semester each student will have assembled a substantial portfolio of finished work. Please visit https://arts.columbia.edu/writing/undergraduate  for information about registration procedures.

BODY & WORD WRIT3037W001 3 pts

Our writing often appears primarily as a product of cognitive faculties, and we easily overlook the profound influence our bodies exert on our thoughts and, consequently, our writing. Our perception of language itself is tied to how we perceive our physical selves. We can understand our bodies materially, as intricate structures of bone, muscle, and cells, or kinesthetically, through movement, force, and tone, intertwined with a spectrum of sensations like pain and pleasure, which intersect with our psychological and emotional landscapes. Through a series of movement exercises, readings, and writing assignments, this seminar delves into the profound impact a deeper understanding of our bodies and their movement can have on our writing, and conversely, how writing can influence our bodily experiences. Using various artistic mediums such as dance, film, literature, and fine arts, we aim to enhance our ability to articulate and write the body's presence and movement through space and time. Students from all concentrations are encouraged to join.

ADVANCED FICTION WORKSHOP WRIT3100Q001 3 pts

Building on the work of the Intermediate Workshop, Advanced Workshops are reserved for the most accomplished creative writing students. A significant body of writing must be produced and revised. Particular attention will be paid to the components of fiction: voice, perspective, characterization, and form. Students will be expected to finish several short stories, executing a total artistic vision on a piece of writing. The critical focus of the class will include an examination of endings and formal wholeness, sustaining narrative arcs, compelling a reader's interest for the duration of the text, and generating a sense of urgency and drama in the work. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures.

ADVANCED FICTION WORKSHOP WRIT3100Q002 3 pts

Senior fiction workshop writ3101q001 4 pts.

Seniors who are majors in creative writing are given priority for this course. Enrollment is limited, and is by permission of the professor. The senior workshop offers students the opportunity to work exclusively with classmates who are at the same high level of accomplishment in the major. Students in the senior workshops will produce and revise a new and substantial body of work. In-class critiques and conferences with the professor will be tailored to needs of each student. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures.

HOW TO BUILD A PERSON WRIT3121W001 3 pts

Apocalypses now writ3125w001 3 pts, the ecstasy of influence writ3132w001 3 pts.

What does it mean to be original? How do we differentiate plagiarism from pastiche, appropriation from homage? And how do we build on pre-existing traditions while simultaneously creating work that reflects our own unique experiences of the world?

In a 2007 essay for Harper ’ s magazine, Jonathan Lethem countered critic Harold Bloom’s theory of “the anxiety of influence” by proposing, instead, an “ecstasy of influence”; Lethem suggested that writers embrace rather than reject the unavoidable imprints of their literary forbearers. Beginning with Lethem’s essay—which, itself, is composed entirely of borrowed (or “sampled”) text—this class will consider the nature of literary influence, and its role in the development of voice.

Each week, students will read from pairings of older stories and novel excerpts with contemporary work that falls within the same artistic lineage. In doing so, we’ll track the movement of stylistic, structural, and thematic approaches to fiction across time, and think about the different ways that stories and novels can converse with one another. We will also consider the influence of other artistic mediums—music, visual art, film and television—on various texts. Students will then write their own original short pieces modeled after the readings. Just as musicians cover songs, we will “cover” texts,  adding our own interpretive imprints.

SENIOR NONFICTION WORKSHOP WRIT3201W001 4 pts

Seniors who are majors in creative writing are given priority for this course. Enrollment is limited, and is by permission of the professor. The senior workshop offers students the opportunity to work exclusively with classmates who are at the same high level of accomplishment in the major. Students in the senior workshops will produce and revise a new and substantial body of work. In-class critiques and conferences with the professor will be tailored to needs of each student. Please visit  https://arts.columbia.edu/writing/undergraduate  for information about registration procedures.

HYBRID NONFICTION FORMS WRIT3214W001 3 pts

Writing about art writ3215w001 3 pts.

Prerequisites: No prerequisites. Department approval NOT required. 

This course will introduce students to writing about visual art. We will take our models from art history and contemporary art discourse, and students will be prompted to write with and about current art exhibitions and events throughout the city. The modes of art writing we will encounter include: the practice of ekphrasis (poems which describe or derive their inspiration from a work of art); writers such as John Ashbery, Gary Indiana, Eileen Myles, and others who for periods of their life held positions as art critics while composing poetry and works of fiction; writers such as Etel Adnan, Susan Howe, and Renee Gladman who have produced literature and works of art in equal measure. We will also look at artists who have written essays and poetry throughout their careers such as Robert Smithson, Glenn Ligon, Gregg Bordowitz, Moyra Davey, and Hannah Black, and consider both the visual qualities of writing and the ways that visual artists have used writing in their work. Lastly, we will consider what it means to write through a “milieu” of visual artists, such as those associated with the New York School and Moscow Conceptualism. Throughout the course students will produce original works and complete a final writing project that enriches, complicates, and departs from their own interests and preoccupations.

SCIENCE AND SENSIBILITY WRIT3217W001 3 pts

Life stories writ3225w001 3 pts.

In this seminar, we will target nonfiction that tells stories about lives: profiles, memoirs, and biographies. We will examine how the practice of this kind of nonfiction, and ideas about it, have evolved over the past 150 years. Along the way, we will ask questions about these nonfiction forms: How do reporters, memoirists, biographers, and critics make sense of their subjects? How do they create work as rich as the best novels and short stories? Can criticism explicate the inner life of a human subject? What roles do voice, point-of-view, character, dialogue, and plot—the traditional elements of fiction—play? Along the way, we’ll engage in issues of identity and race, memory and self, real persons and invented characters and we’ll get glimpses of such key publications as The Atlantic Monthly, The New Yorker, Esquire, Harper’s, and The New York Review of Books. Some writers we will consider: Frederick Douglass, Louisa May Alcott, Walt Whitman, Henry Adams, Joseph Mitchell, Lillian Ross, James Agee, John Hersey, Edmund Wilson, Gore Vidal, Gay Talese, James Baldwin, Vladimir Nabokov, Janet Malcolm, Robert Caro, Joyce Carol Oates, Toni Morrison, Joan Didion, and Henry Louis Gates Jr. The course regularly welcomes guest speakers.

ADVANCED POETRY WORKSHOP WRIT3300W001 3 pts

This poetry workshop is reserved for accomplished poetry writers and maintains the highest level of creative and critical expectations. Students will be encouraged to develop their strengths and to cultivate a distinctive poetic vision and voice but must also demonstrate a willingness to broaden their range and experiment with new forms and notions of the poem. A portfolio of poetry will be written and revised with the critical input of the instructor and the workshop. Please visit https://arts.columbia.edu/writing/undergraduate  for information about registration procedures.

Ecopoetics WRIT3321W001 3 pts

“There are things / We live among ‘and to see them / Is to know ourselves.’”

George Oppen, “Of Being Numerous”

In this class we will read poetry like writers that inhabit an imperiled planet, understanding our poems as being in direct conversation both with the environment as well as writers past and present with similar concerns and techniques. Given the imminent ecological crises we are facing, the poems we read will center themes of place, ecology, interspecies dependence, the role of humans in the destruction of the planet, and the “necropastoral” (to borrow a term from Joyelle McSweeney), among others. We will read works by poets and writers such as (but not limited to) John Ashbery, Harryette Mullen, Asiya Wadud, Wendy Xu, Ross Gay, Simone Kearney, Kim Hyesoon, Marcella Durand, Arthur Rimbaud, Geoffrey G. O’Brien, Muriel Rukeyser, George Oppen, Terrance Hayes, Juliana Spahr, and W.S. Merwin—reading several full collections as well as individual poems and essays by scholars in the field.

Through close readings, in-class exercises, discussions, and creative/critical writings, we will invest in and investigate facets of the dynamic lyric that is aware of its environs (sound, image, line), while also exploring traditional poetic forms like the Haibun, ode, prose poem, and elegy. Additionally, we will seek inspiration in outside mediums such as film, visual art, and music, as well as, of course, the natural world. As a class, we will explore the highly individual nature of writing processes and talk about building writing practices that are generative as well as sustainable.

21STC AM POETRY & ITS CONCERNS WRIT3365W001 3 pts

The lyric has often been conceived of as timeless in its content and inwardly-directed in its mode of address, yet so many poems with lasting claim on our attention point unmistakably outward, addressing the particulars of their times.  This course will examine the ways in which an array of 21st poets have embraced, indicted, and anatomized their cultural and historical contexts, diagnosing society’s ailments, indulging in its obsessions, and sharing its concerns.  Engaging with such topics as race, class, war, death, trauma, feminism, pop culture and sexuality, how do poets adapt poetic form to provide meaningful and relevant insights without losing them to beauty, ambiguity, and music?  How is pop star Rihanna a vehicle for discussing feminism and isolation?  What does it mean to write about Black masculinity after Ferguson?  In a time when poetry’s cultural relevancy is continually debated in academia and in the media, how can today’s poets use their art to hold a mirror to modern living?  This class will explore how writers address present-day topics in light of their own subjectivity, how their works reflect larger cultural trends and currents, and how critics as well as poets themselves have reflected on poetry’s, and the poet’s, changing social role.  In studying how these writers complicate traditional notions of what poetry should and shouldn’t do, both in terms of content and of form, students will investigate their own writing practices, fortify their poetic voices, and create new works that engage directly and confidently with the world in which they are written.

STORIES WITHIN STORIES WRIT3404W001 3 pts

The science fiction writer Ursula K. Le Guin, in her sly, radical manifesto of sorts “Carrier Bag Theory of Fiction,” proposes an idea of the “bottle as hero”: instead of conflict serving as our central organizing theory for narrative, she suggests that “the natural, proper, fitting shape of the novel might be that of a sack, a bag.” In other words: a container. These containers needn’t only apply to novels, I contend, but many types of literary narratives, whether they are classified as fiction, nonfiction, poetry, or some hybrid of forms.

With this in mind, the generative cross-genre craft seminar Stories within Stories aims to uncover beautiful and practical approaches to gathering small narratives into a larger, cohesive whole. Readings will include Svetlana Alexievich’s devastating novels in voices, Percival Everett’s incendiary novel-within-a-novel Erasure , Ted Chiang’s mesmerizing historical fantasy, Robin Wall Kimmerer’s braided essays of restoration, Nâzım Hikmet’s epic in verse Human Landscapes from My Country , Renee Gladman’s cross-disciplinary approaches to writing and drawing, Yevgenia Belorusets’s dispatches from Ukraine, Edward Gauvin’s identity-memoir-in-contributors’ bios, Saidiya Hartman’s speculative histories, Gary Indiana’s gleefully acerbic roman à clef Do Everything in the Dark , Alejandro Zambra’s standardized test-inspired literature, W. G. Sebald’s saturnine essay-fiction, and Lisa Hsiao Chen’s meld of biography and autobiography, as well as fiction and nonfiction by Clarice Lispector, Vauhini Vara, Eileen Myles, Olga Tokarczuk, and Julie Hecht, among other texts. 

In addition, we will also read essays on craft and storytelling by Le Guin, Gladman, Zambra, Lydia Davis, Walter Benjamin, Garielle Lutz, Ben Mauk, and more. What we learn in this course we will apply to our own work, which will consist of regular creative writing responses drawn from the readings and a creative final project. Students will also learn to keep a daily journal of writing.

FICTION WORKSHOP WRIT5100R001 6 pts

Fiction workshop writ5100r002 6 pts, fiction workshop writ5100r003 6 pts, fiction workshop writ5100r004 6 pts, fiction workshop writ5100r005 6 pts, fiction workshop writ5100r006 6 pts, fiction workshop writ5100r007 6 pts, fiction workshop writ5100r008 6 pts, fiction workshop writ5100r009 6 pts, fiction workshop writ5100r010 6 pts, nonfiction workshop writ5200r001 6 pts, nonfiction workshop writ5200r002 6 pts, nonfiction workshop writ5200r003 6 pts, nonfiction workshop writ5200r004 6 pts, poetry workshop writ5300r001 6 pts, poetry workshop writ5300r002 6 pts, poetry workshop writ5300r003 6 pts, poetry workshop writ5300r004 6 pts, poetry workshop writ5300r005 6 pts, special projects workshop writ5500r001 6 pts, cross-genre seminar writ6010q001 3 pts.

CROSS-GENRE SEMINAR

CROSS-GENRE SEMINAR WRIT6010Q002 3 pts

Cross-genre seminar writ6010q003 3 pts, cross-genre seminar writ6010q004 3 pts, cross-genre seminar writ6010q005 3 pts, cross-genre seminar writ6010q006 3 pts, fiction seminar writ6110r001 3 pts, fiction seminar writ6110r002 3 pts, fiction seminar writ6110r003 3 pts, fiction seminar writ6110r004 3 pts, fiction seminar writ6110r005 3 pts, fiction seminar writ6110r006 3 pts, fiction seminar writ6110r007 3 pts, fiction seminar writ6110r008 3 pts, fiction seminar writ6110r009 3 pts, fiction seminar writ6110r010 3 pts, fiction seminar writ6110r011 3 pts, fiction seminar writ6110r012 3 pts, nonfiction seminar writ6210r001 3 pts, nonfiction seminar writ6210r002 3 pts, nonfiction seminar writ6210r003 3 pts, nonfiction seminar writ6210r004 3 pts, nonfiction seminar writ6210r005 3 pts, nonfiction seminar writ6210r006 3 pts, nonfiction seminar writ6210r007 3 pts, poetry seminar writ6310r001 3 pts, poetry seminar writ6310r002 3 pts, poetry seminar writ6310r003 3 pts, poetry seminar writ6310r004 3 pts, poetry seminar writ6310r005 3 pts, translation workshop writ6400q001 3 pts, translation workshop writ6400q002 3 pts, translation workshop writ6400q003 3 pts, translation seminar writ6410r001 3 pts.

TRANSLATION SEMINAR

TRANSLATION SEMINAR WRIT6410R002 3 pts

Fiction lecture writ6510r001 3 pts, nonfiction lecture writ6520r001 3 pts.

NONFICTION LECTURE

POETRY LECTURE WRIT6530R001 3 pts

POETRY LECTURE

NONFICTION THESIS WORKSHOP WRIT8200R001 9 pts

Nonfiction thesis workshop writ8200r002 9 pts, nonfiction thesis workshop writ8200r003 9 pts, nonfiction thesis workshop writ8200r004 9 pts, nonfiction thesis workshop writ8200r005 9 pts, research arts writing writ9000qra1 0 pts.

Research Arts for MFA Writing Program - Students Must Have Completed 60 Points to Register

WRIT RESEARCH ARTS INTERNSHIP WRIT9800RRI1 6 pts

Interenship for MFA Writing Research Arts Students


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    University of North Georgia
   
  Jun 11, 2024  
2024-2025 Undergraduate Catalog    
2024-2025 Undergraduate Catalog

ENGL 2285 - Introduction to Creative Non-Fiction Writing

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Editor’s Top Selections – Best Creative Writing MFA Programs

online writing course creative nonfiction

Created by CreativeWritingEDU.org Contributor

Editors Choice Best Master of Fine Arts Badge

Once few and far between, master’s degrees aimed specifically at teaching creative writing have ballooned to meet demand in recent years. As of 2022, there were more than 300 of them.

Each MFA offers a distinctive experience and comes with its own theories and techniques for fanning the creative spark in students.

  • Some come with exquisite and carefully curated libraries exhibiting the finest selection of literature for study.
  • Others offer a fully-funded education , covering tuition and offering a stipend to give you the free time you need to write to your fullest potential.
  • Many have well-known authors serving as guest lecturers or even permanent presenters, offering a kind of access to genius you can’t find anywhere else.

It’s nice to have choices, but having choices also means making hard decisions. We’re here to help take some of the pain out of that process by presenting our own select choices for the very best universities offering MFA Creative Writing programs today.

How We Made Our Selections for the Finest Creative Writing MFA Programs

Schools that only teach creative writing at the master’s level have made a conscious choice to focus on a high level of training in the craft of writing. It’s completely appropriate to hold them to high standards.

It’s notoriously difficult to weigh any kind of artistic education program against another, however. Every writer is different. The process and program that you will get the most out of may be completely different from what the next author would benefit from.

So we look at the kinds of factors these degrees deliver that don’t revolve around process. Regardless of how an advanced level of creative writing is being taught, there are just some things that offer a better education no matter how they are applied. In our view, those include:

Top-notch Instructors With Genuine Writing and Publication Expertise

There’s no substitute for professors who have been there and done that in creative writing. Competition for top writers to teach at creative writing MFA programs is intense, and for good reason: when you are trying to master the muse, you want to hear about it from someone who already has.

But literary success is no guarantor of teaching ability. You wouldn’t want to be in a class taught by brilliant sci-fi author Harlan Ellison, for example, who has a whole section on his Wikipedia entry titled “Temperament.” Mentoring and the gentle art of delivering critical feedback to boost and not hinder students are key skills.

So, the best MFA in creative writing degrees employ professors with the rare combination of literary and academic talent—which is what you will find at each of the schools on this list.

The Resources To Support Your Writing Vision

Writers only float in a sea of ideas. The top MFA programs in creative writing have the resources to fill that ocean:

  • Expansive libraries for conducting research
  • Endowments to help fund student fellowships
  • Visiting writer and other lecture and reading series to develop broad visions and connections
  • School-run or affiliated literary journals or publishers to open up publication opportunities
  • International or other off-campus programs to broaden your literary experiences
  • Calm and inspiring writing residency options to put you in the right frame of mind to write
  • Small class sizes and workshops to foster intimacy and feedback

Although not all these programs will check every one of those boxes, each of them has a wealth of different resources to offer to help get students off the ground in both their creative exercises and their publishing careers.

A Track Record of Educational Success in Creative Writing

Most MFA programs are quick to acknowledge that you can’t teach talent—but you can foster and hone it.

That leads to demonstrable results in the form of graduates who have attracted top-dollar publishing deals, industry awards and recognition, and who have gone on to critical acclaim or even become instructors themselves.

This kind of reputation is golden in the literary world and all of these schools will have people sitting up and taking note when their name pops up in your author bio.

Strong Publishing Industry and Literary Community Connections

When you produce successful writers and hire well-known authors to instruct classes, important industry connections are an asset included in the deal. Those industry ties prove to be among the most important characteristics of the best creative writing MFA programs.

Each of these programs has developed connections to major publishers, agencies, and trade groups that help lay the groundwork for you to launch your writing career. There is fierce competition to land book deals in the publishing industry today. Every editor receives stacks and stacks of submissions and query letters; even the best authors have trouble making it out of the slush piles without a recommendation or introduction.

These schools have the kind of connections that will help get you introduced to decision-makers in big agencies and book publishers. Who you know still isn’t as important as how good your writing is, but with these programs, you’ll get the best of both worlds.

Diverse and Original Coursework in Foundational and Advanced Writing Skills

A Master of Fine Arts in Creative Writing puts a clear stamp on your work. It’s designed to get the best out of your native skill and polish it to the finest shine.

That means both ironing out the fundamentals of the writing craft and developing new and advanced skills. All of these degrees have a wide range of courses and workshops that offer a deep background in the knowledge and skills required for solid plotting, character development, and essential technical expertise as a writer. But they also go far beyond those to help you seek new sources of inspiration and experience. Exploring the poetry of science fiction; diving into post-apocalyptic writing; focusing on the art of telling a joke; comparing Western and Eastern literary forms and storytelling… all these kinds of classes and more offer you an edge in taking your writing to the next level with a degree from these schools.

Helping You Choose From Among the Finest Creative Writing MFA Programs in the Nation

All those features are what make these programs the best. But the real question you need to answer is which one will actually be the best for you ?

We can help you figure that out, too. Although each of these schools comes in on top of the pack of master’s-level creative writing programs in the country in general, each also has unique features that will determine how they fit in with your personal goals and style.

So for each listing, we give you plenty of additional information to help you make your decision. That includes data on:

You’ll also get a thumbnail sketch of what makes the school a great one, outlining many of the supporting facts behind the criteria we evaluated them on. But you’ll also get some of the highlights, the things that really make them stand out, such as:

  • Whether the school also offers undergraduate and doctoral degrees
  • Which concentration or specializations are offered
  • The formats in which the program is available
  • Whether the school is public or private
  • Rankings by respected third-party evaluators like The Princeton Review
  • Exemplary student-published literary magazines
  • Super low student-to-faculty ratios
  • Unique workshops or internship opportunities offered
  • Generous fellowship opportunities

It’s easy access to the kind of information that will help make your decision easy… all in one place.

State-By-State: Top Selections for the Best Creative Writing Master of Fine Arts (MFA) Programs in the U.S.

Competition to get into these elite MFA creative writing programs can be stiff. But if you are determined to get the finest graduate education in creative writing available today, then choosing from among these schools offers your best chances.

Find the Best MFA Creative Writing Programs in Your State

Connecticut.

District of Columbia

Massachusetts

Mississippi, new hampshire, north carolina, pennsylvania, rhode island, south carolina, university of arizona (public).

COLLEGE OF SOCIAL AND BEHAVIORAL SCIENCES

university of arizona

MFA in Creative Writing (on-campus)

Fully funded through graduate teaching assistantships

Also offers: BA in Creative Writing (on-campus)

  • Both programs allow students to focus on fiction, nonfiction, or poetry
  • MFA program is ranked among the top programs in the nation
  • Fully funded MFA offered through graduate teaching assistantships
  • MFA features unparalleled opportunities to write and research at the US-Mexico border through the Southwest Field Studies on Writing Program

The University of Arizona offers a BA and MFA in Creative Writing, both of which are part of one the top-ranked creative writing programs in the nation! Choose the BA in Creative Writing and you’ll learn from award-winning writers as you refine your skillset in writing, research, critical thinking, and literary analysis and explore the genres of fiction, nonfiction, and poetry (you’ll choose one genre as a focus after your first year of study). You’ll also be encouraged to take a variety of courses in professional and technical writing, the study of literature, writing and publishing, writing and community, and language, making this a truly well-rounded course of undergraduate study. The University of Arizona’s MFA in Creative Writing has been producing award-winning writers for 50 years and is regarded as one of the top programs of its kind in the nation. This fully funded, three-year program features your choice of fiction, poetry, or nonfiction concentration and a dynamic classroom experience that includes a world-class faculty and small, workshop-style courses.

University of Arkansas (Public)

FULBRIGHT COLLEGE OF ARTS AND SCIENCES

Fayetteville, AR

university of arkansas

MFA in Creative Writing & Translation (poetry, fiction, literary translation) (on-campus)

Fully funded MFA with absolutely no tuition costs for students accepted into the program

  • Highly selective program admits up to five students each year in each genre (poetry, prose, and literary translation)
  • Outstanding opportunities to learn from established writers through the Walton Reading Series
  • Consistently ranked among the top MFA programs in the country by Poets & Writers
  • Named among the “Top Five Most Innovative” programs of its kind by Atlantic Monthly

The University of Arkansas’ MFA in Creative Writing & Translation is a unique course of graduate study that’s personalized with your choice of concentration in poetry, fiction, or literary translation. This program is among the nation’s oldest MFA programs, yet never fails to impress with its dynamic, forward-thinking curriculum. In fact, it was named among the “Top Five Most Innovative” programs of its kind by Atlantic Monthly ! For more than 50 years, the university’s MFA in Creative Writing & Translation has produced some of the country’s top writers – and it’s little wonder why. The robust curriculum of this program is built on a solid foundation of coursework in craft and literary studies and complemented with a superb, student-centered learning environment that boasts small class sizes and a dedicated faculty.

University of California-Davis (Public)

COLLEGE OF LETTERS AND SCIENCES

uc davis

Also offers: BA in English-Creative Writing emphasis (on-campus)

  • Full funding guaranteed in the second year of the MFA program in exchange for undergrad teaching positions
  • Ranked among the top five public universities in the nation by the Wall Street Journal/Times Higher Education
  • MFA students choose a single genre – fiction, nonfiction, or poetry, or a multi-genre focus

The University of California – Davis offers both an undergraduate and graduate program in creative writing that are designed to inspire the emerging or established writer! Focused on the mastery of craft with a solid foundation in literary traditions, the BA in English with a Creative Writing emphasis is designed to expand your knowledge and refine your writing skills in preparation for a variety of careers in areas like publishing, marketing, journalism, advertising, and more. The innovative Creative Writing MFA program features a nice blend of studio and literature courses in your choice of fiction, nonfiction, poetry, or multi-genre. In the second year, you’ll teach creative writing courses to undergrad students as you prepare to become a successful practitioner in your own right. All students of the MFA are guaranteed full funding in their second year!

University of California-Irvine (Public)

SCHOOL OF HUMANITIES

online writing course creative nonfiction

MFA in English-Creative Writing (Fiction, Poetry) (on-campus)

Full funding available through graduate teaching assistantships

  • UCI named a Fulbright Hispanic-Serving Institution (HIS) Leader
  • Your choice of poetry or fiction concentration/emphasis
  • Superb student engagement and feedback through the Graduate Writers’ Workshop

The University of California – Irvine is home to the esteemed MFA in English with a Creative Writing emphasis, an exciting course of graduate study that allows students to explore poetry or fiction through dynamic workshops and seminars. Designed to bring together a talented group of writers with plans on a writing-intensive career, the MFA program is rich in close mentorship from accomplished visiting writers. This highly selective program admits just 12 new students each year to ensure one-on-one guidance and support from the program’s faculty. This program is built on the Graduate Writers’ Workshop, a group that meets each quarter to share and critique one another’s writing. Throughout the course of the program, students participate in the Graduate Writers’ Workshop and attend graduate-level seminars.

San Diego State University (Public)

COLLEGE OF ARTS AND LETTERS

San Diego, CA

san diego state university

  • Competitive graduate teaching associate positions available
  • Exciting Fulbright Fellowships available to study in places like Austria, Brazil, and Poland.
  • Your choice of focus in fiction, poetry, or cross-genre

San Diego State University’s MFA in Creative Writing offers is innovative, personalized, and designed to arouse your creative skillset. As one of the oldest MFA Creative Writing programs in the nation, this course of graduate study enjoys a long history of producing skilled, inspired writers. But don’t expect a stale, rote curriculum. Instead, you’ll immerse yourself in a dynamic program that includes your choice of concentration in fiction, poetry, or cross-genre as you work toward producing a manuscript of your original work. Students of this program also enjoy studying under internationally acclaimed visiting writers from around the world, and many students receive Fulbright Fellowships to study in places like Austria, Brazil, and Poland.

California College of the Arts (Private)

San Francisco, CA

california college of the arts

MFA in Writing (on-campus)

Also offers: BA in Writing and Literature (on-campus)

  • Superb faculty of accomplished scholars, writers, poets, and playwrights
  • Outstanding internship opportunities with Bay Area literary organizations available

For aspiring and emerging writers, the California College of the Arts offers a BA in Writing and Literature and an MFA in Writing! The BA offers a foundation in literature and critical inquiry and dynamic workshops in prose, poetry, drama, screenwriting, graphic novels, improvisation, and more. You’ll refine your skills in literary journalism, hybrid narratives, lyric essays, and much more as you conduct close readings and analyses of writing across time. BA students learn from acclaimed authors through the HearSay Reading Series… they contribute their talents to Humble Pie , the undergraduate journal… and they enjoy outstanding internship experiences with Bay Area literary organizations. The MFA program is offered at the Writers’ Studio, where students participate in workshops, readings, and craft talks and learn from accomplished authors through the famed Tuesdays Talk series. Here students explore nonfiction, fiction, and poetry in a close, supportive atmosphere that naturally elicits creativity and inspiration.

Saint Mary’s College of California (Private)

SCHOOL OF LIBERAL ARTS

saint mary's college california

MFA in Creative Writing (Creative Non-Fiction, Fiction, Poetry, Book Manuscript) (on-campus)

Also offers: BA in English – Creative Writing (on-campus)

  • Ranked among the top five regional universities in the West by U.S. News & World Report
  • All MFA students receive partial funding and opportunities to apply for teaching fellowships, assistantships, and paid internships
  • Exciting selection of undergraduate internship opportunities available
  • Two-year MFA also includes the option of completing a third year in an additional genre or taking a fifth semester Book Manuscript Intensive course

Saint Mary’s College offers both undergraduate and graduate programs for the creative writer in a supportive private school setting that’s heralded for its academic rigor and plentiful hands-on learning experiences. The BA in English with a Creative Writing emphasis offers a foundation in the creative writing process and options to focus on a specific genre of creative writing like poetry, fiction, nonfiction, dramatic writing, or screenwriting. All students of this program also participate in the Creative Writing Reading Series, which includes attending events and meeting with visiting writers. On-campus internship opportunities include working with the Office of Marketing and Communications or the Center for Writing Across the Curriculum and contributing to riverrun , the undergraduate literary journal, while off-campus internship opportunities include organizations and publications like Counterpoint Press, Diablo Magazine , No Starch Press, Sierra Magazine , and more! The MFA in Creative Writing is a two-year course of study that features an award-winning faculty (including visiting writers in residence); opportunities to contribute to the MFA journal, MARY: A Journal of New Writing ; and your choice concentration in creative nonfiction, fiction, or poetry. Students may also complete a third year in an additional genre or take a fifth semester Book Manuscript Intensive course.

Western Colorado University (Public)

COMMUNICATION ARTS, LANGUAGE AND LITERATURE (CALL) DEPARTMENT

Gunnison, CO

western colorado university

MA/MFA in Creative Writing (low-residency)

  • Supportive, student-centered learning environment features an average class size of just 16
  • BA students gain valuable experience by editing a book published by Western Press Books and preparing their own work for submission
  • MFA offers convenient and flexible online study complemented with one-week on-campus residencies
  • MFA offers your choice of one of five genre concentrations: nature writing, genre fiction, poetry, publishing, or screenwriting

Western Colorado University is home to not one, but two creative writing programs that are designed to meet you wherever you are in your career. The BA in English with a Creative Writing emphasis is ideally designed for emerging writers who seek a comprehensive course of study delivered within a supportive community. Students of this program enjoy a strong foundation in English literature traditions, theory, and criticism with advanced courses in poetry, fiction, creative nonfiction, and scripts. You’ll also enjoy flexing your creative skills by contributing to WordHorde, the Creative Writing student organization, and lending help to other students through the Writing Center. Before you graduate, you’ll edit a book published by Western Press Books and prepare your own work for submission. The MFA Creative Writing program here provides an advanced course of study in one of five genres: nature writing, genre fiction, poetry, publishing, or screenwriting. This program comes complete with a dedicated faculty of award-winning writers and a low-residency model that delivers outstanding convenience and flexibility.

Western Connecticut State University (Public)

MACRICOSTAS SCHOOL OF ARTS AND SCIENCES

Danbury, CT

western connecticut university

MFA in Creative and Professional Writing (low-residency)

  • Outstanding record of graduate success: 87% of all graduates go on to publish books and/or work full-time as professional writers
  • Convenient and flexible program features a low-residency model that combines online study with dynamic residencies, either on-campus or abroad
  • Competitive graduate assistantships available

Western Connecticut State University offers the MFA in Creative and Professional Writing, which comes complete with a dynamic curriculum that’s delivered in a low-residency model for outstanding convenience and flexibility. We love this program because it offers a comprehensive graduate course of study in multiple genres (students here take workshops and course in all genres and styles), thereby preparing students as well-rounded, versatile writers who find success in both creative and professional writing fields. We also love this program’s exciting residency opportunities that now include options to study in Dublin, Ireland (during the Bram Stoker Festival) and at the Highlights Foundation Retreat Center in the Poconos!

Fairfield University (Private)

COLLEGE OF ARTS AND SCIENCES

Fairfield, CT

fairfield university

MFA in Creative Writing (poetry, fiction, creative nonfiction, screenwriting) (low-residency)

Also offers: Major in English-Creative Writing concentration (on-campus)

  • Options to focus the MFA on poetry, fiction, creative nonfiction, or screenwriting
  • Ranked among the top national universities by U.S. News & World Report
  • Low-residency model features dynamic, engaging residencies on Ender Island in Mystic, CT

Fairfield University’s MFA in Creative Writing offers your choice of focus in poetry, fiction, creative nonfiction, or screenwriting and a low-residency model that’s sure to fit well into your busy schedule. The program’s flexible and challenging curriculum is ideally designed to allow students to design a course of study that best aligns with their professional goals and personal interests. It’s also home to the CT Writing Project, which is home to outstanding opportunities to learn from visiting writers; attend writers’ retreats; and more. Choose Fairfield for your creative writing master’s program and you’ll enjoy opportunities to complete an internship in journalism, public relations, business writing, publishing, and more.

District of Columbia - DC

American university (private).

Washington, DC

american university washington dc

  • Competitive Merit Awards (tuition and stipends) available
  • Exciting opportunities to study in an intimate learning environment that encourages constructive feedback and support
  • Your choice of focus on a single genre or multiple genres

American University’s MFA in Creative Writing has been producing the next generation of creative writers for more than 30 years! The only program of its kind in our nation’s capital, the MFA in Creative Writing is your opportunity to explore the art and craft of fiction, nonfiction, and poetry. The flexible design of this program allows students to pursue a single genre or multiple genres, and the tightknit, supportive learning environment encourages superb guidance and feedback from peers and faculty. Students of this program contribute to Folio , the College of Arts and Sciences’ nationally recognized literary journal and Café MFA , the online journal of the Creative Writing program.

Florida State University (Public)

Tallahassee, FL

florida state university

Also offers: Major in Creative Writing (on-campus)

  • Ranked among the top national public universities by U.S. News & World Report
  • Home to a nationally and internationally renowned, award-winning faculty
  • Superb internship opportunities available

Florida State University offers both undergraduate and graduate programs in creative writing within one of the top writing programs in the country! Just some of the reasons why emerging creative writers flock to FSU include an award-winning faculty (many are recipients of the Pulitzer Prize, the National Book Award, the Guggenheim Foundation Fellowship and more)… opportunities to complete a teaching apprenticeship program through graduate teaching assistantships… and an Editing Internship, your chance to gain valuable, hands-on experiences with a magazine, newspaper, publishing house, television station, marketing firm, nonprofit organization, and more. FSU’s English Department is also home to the Southeast Review , a national literary magazine, and The Kudzu Review , the undergraduate literary magazine, both of which are great sources of hands-on learning experiences.

Florida International University (Public)

ARTS, SCIENCES, AND EDUATION

North Miami, FL

florida international university

  • Program graduates have published 200+ books
  • Ranked among the Best Colleges in the nation for social mobility and innovation by U.S. News & World Report
  • Home to a dedicated faculty of award-winning, working writers

Florida International University’s MFA in Creative Writing is where you’ll advance your understanding of professional standards and expectations as you hone your creative skillset in your chosen genre. Ideal for future endeavors in teaching, editing, publishing, the arts, and more, this illustrious program of study comes complete with an intimate learning environment; a curriculum of seminar-style courses, workshops, and form and theory courses; outstanding, one-on-one mentoring; and a dedicated faculty of award-winning, working writers. As you progress throughout the program, you’ll work toward the completion of a publishable, book-length creative thesis.

Stetson University (Private)

stetson university

MFA in Creative Writing (low-residency)

  • Program features a concentration in poetry and prose in the expanded field
  • Outstanding guidance and mentorship found here – residency workshops include a low, 5:1 student-to-faculty ratio
  • Exciting, low-residency model features online study combined with two residencies annually
  • Named among the nation’s Best Colleges by U.S. News & World Report

Stetson University’s MFA in Creative Writing offers an outstanding course of graduate study that’s delivered in a low-residency format to accommodate your busy schedule. Choose this program and you’ll enjoy intensive, dynamic mentorship and engagement marked by small workshop groups, individual mentoring sessions, craft lectures, translation workshops, and more. This program is innovative and dynamic, allowing students to explore the many political, social, aesthetic, and cultural factors that are reflective of your work. The low-residency model features online courses that are complemented with two, ten-day residencies where students gather to learn from accomplished writers and exchange their work with faculty mentors. Residencies are held at the Atlantic Center for the Arts in New Smyrna Beach, Florida, and at various international locations! Past residencies were held in Buenos Aires, Argentina and Rio de Janeiro, Brazil!

Georgia State University (Public)

Atlanta, GA

georgia state university

MA/MFA in English-Creative Writing concentration (on-campus)

Also offers: BA in English-Creative Writing (on-campus)

  • Ranked among the top innovative universities in the nation by U.S. News & World Report
  • Also offers: PhD in English, Concentration in Creative Writing, which is ranked among the top programs of its kind in the nation by Poets & Writers
  • Exciting international exchange and study abroad programs available to places like England, France, Italy, Germany, and China

Two creative writing programs, one world-class university—Georgia State University is where emerging writers head for outstanding instruction and inspiration! Choose the BA in English with a Creative Writing concentration and you’ll complete undergraduate study in British and American literature and culture alongside courses focused on the craft and art of creative writing and the poetry, fiction, and creative nonfiction genres. The MA/MFA in English with a Creative Writing concentration features your choice of focus on poetry or fiction and a superb curriculum that prepares students for further study at the PhD level or for careers in a variety of writing-intensive fields. We love the English Department’s award-winning faculty of poets, and authors and the exciting opportunities to hone your craft by contributing to the award-winning Five Points: A Journal of Literature and Art and the student-edited literary magazine, New South .

University of Idaho (Public)

DEPARTMENT OF ENGLISH

university of idaho

  • Fully funded MFA for all students through graduate teaching assistantships
  • Ranked among the top 8% best colleges in the nation by the Princeton Review
  • Ranked among the top 15% of American National Universities by U.S. News & World Report
  • Three MFA students are awarded fellowships to write in residence at the Taylor Ranch Research Station in the Frank Church Wilderness Area of the Selway-Bitterroot Mountains

The University of Idaho’s creative writing programs are part of the Department of English’s vibrant community where you can always find inspiration in the form of literary readings, scholarly lectures, conferences, student gatherings, and more. The BA in English with a Creative Writing emphasis boasts engaging courses in fiction, creative fiction, and poetry; esteemed professors who offer one-on-one mentorship; and outstanding opportunities to flex your creative writing skillset and gain valuable, hands-on experiences. The MFA offers a fully funded, three-year course of graduate study in nonfiction, poetry, and fiction. We love the mix of genre workshops, technique studios, and traditional seminars that provide students with an outstanding blend of study in the craft. And the practicum in literary magazine and editing production provides students with an expanded skillset upon graduation.

University of Illinois Urbana-Champaign (Public)

COLLEGE OF LIBERAL ARTS AND SCIENCES

university illinois urbana champaign

MFA in Creative Writing (Fiction, Poetry) (on-campus)

Fully funded program

Also offers: BA in Liberal Arts and Sciences-Creative Writing (on-campus)

  • Also offers a PhD in Writing Studies
  • Fully funded MFA offered through full tuition waivers, guaranteed teaching assistantships, and fellowships
  • MFA features your choice of focus on fiction or poetry and extensive study in literary publishing and editing

Two creative writing programs at one nationally renowned university – the University of Illinois Urbana-Champaign is where you want to be! The undergraduate creative writing major, which is one of the oldest programs of its kind in the country, is built on small, workshop-style courses in poetry, fiction, and nonfiction that are ideally designed to prepare students for exciting careers in a number of fields or for future graduate study. Students of this program edit and publish the Montage Arts Journal , the university’s undergraduate literary arts journal, which offers outstanding, hands-on learning experiences. The MFA Creative Writing program is a three-year, rigorous course of study in creative writing and literature that offers students the option of specializing in fiction or poetry. You’ll study under the program’s distinguished and dedicated graduate faculty as you take four workshops in your chosen genre and work toward producing a book-length, publishable manuscript. You’ll also receive extensive, hands-on experience in literary editing and publishing in this fully funded graduate program!

Northwestern University (Private)

WEINBERG COLLEGE OF ARTS & SCIENCES

Evanston, IL

northwestern university

MFA in Creative Writing (program is combined with a simultaneous MA in English) (low-residency)

Fully funded through fellowships and graduate assistantships

  • MFA is fully funded through fellowships and graduate assistantships
  • MFA allows students to work in one genre (poetry, fiction, or creative nonfiction) and also explore a second genre

Northwestern University’s creative writing programs are home to an accomplished faculty of award-winning authors and offered in a supportive, creative community where inspiration naturally flourishes. The Creative Writing major enjoys an outstanding record of graduate success and a reputation as one of the finest undergraduate programs of its kind in the nation. Through this program, you’ll explore poetry, fiction, and creative nonfiction, as well as other courses that explore hybrid genres. Students of this program enjoy a lively curriculum that includes learning from guest writers-in-residence through the Annual Writers’ Festival; participating in the Undergraduate English Association; and contributing their talents to the award-winning student literary magazines, Helicon and Prompt. The MFA + MA in Creative Writing and English program is a unique dual graduate program that provides students with the opportunity to pursue both creative and critical writing. This program boasts intimate classes; close mentorship from a renowned faculty of writers; and a variety of writing workshops in poetry, fiction, or creative nonfiction. And while students of this program are admitted in one genre, they enjoy opportunities to explore a second genre. This program is fully funded through fellowships and graduate assistantships. During the program’s two funded summers, students serve as part-time editorial assistantships for the prestigious online literary journal, TriQuarterly !

School of the Art Institute of Chicago (Private)

Chicago, IL

school of the art institute of chicago

MFA in Writing (low-residency)

Also offers: BFA in Writing (on-campus)

  • Named as “the most influential art college in the United States” by a Columbia University’s National Arts Journalism survey
  • Consistently ranked among the top graduate fine arts programs in the nation by U.S. News and World Report
  • BA program emphasizes writing across genres, including interdisciplinary and hybrid genres
  • Low-residency MFA combines online study with engaging, on-campus summer residencies

Whether the BFA or MFA is what you seek, the School of the Art Institute of Chicago has what you need! The BFA features a dynamic course of study that emphasizes writing across genres, including interdisciplinary and hybrid genres, and producing a creative project of your choice. Students also enjoy the many immersive, hands-on learning experiences available here that include contributing to Mouth , the student-run literary journal and F newsmagazine , the award-winning student newspaper; attending readings and workshops through the Visiting Writer and Artist Lectures; and attending Publishing Panel presentations. The low-residency MFA is a three-year program that’s designed for 21 st century artists and writers. This flexible program engages students and prepares them across various teaching platforms, with much of the curriculum focused on writing and studying other artists’ writings. The low-residency model features online study complemented with three, consecutive summer residencies where you’ll connect with your peers on campus to create and critique work.

Indiana University-Bloomington (Public)

Bloomington, IN

indiana university bloomington

Fully funded program through fellowships and teaching assistantships

  • Highly selective MFA enrolls just eight students each year (four in fiction, four in poetry)
  • Outstanding reputation for its focus on a diverse student body
  • Fully funded program offered through fellowships and assistantships

Indiana University – Bloomington’s MFA in Creative Writing features three years of fully funded graduate study at IU’s flagship campus! This dynamic program is focused on honing craft concepts and workshopping original student poetry and fiction under an award-winning faculty as you work toward the completion a book-length manuscript in the genre of your choice. This highly selective program enrolls just eight new students each year (four in fiction, four in poetry) to ensure an intimate learning environment of top emerging writers.

University of Notre Dame (Private)

Notre Dame, IN

university of notre dame

Fully funded through tuition scholarships and fellowships

  • Consistently ranked among the top 25 institutions of higher learning in the nation by esteemed publications like U.S. News & World Report, Forbes , and Niche
  • Exciting study abroad experiences available to the University College Dublin, Oxford, Cambridge, the University of East Anglia, Trinity College (Dublin), St. Andrews (Scotland), and Galway, Ireland
  • All students of the fully funded MFA program gain teaching, editorial, and publication experience

The University of Notre Dame offers both an undergraduate and graduate program in creative writing – your opportunity to explore and refine your craft within a world-renowned university. The Major in English with a Creative Writing concentration allows students to study the many ways in which literature shapes the human experience. Through small class sizes (just 15-17 students), students here connect with one another and engage with the distinguished faculty while honing their critical thinking, public speaking, and writing skills. The creative writing faculty, which is ranked among the best in the nation, teaches 15-20 creative writing classes ranging from fiction to poetry to nonfiction prose to playwriting/screenwriting. Students here often round out their undergraduate experience by engaging in internship, service learning, and study abroad experiences and by contributing to the university’s student-run publications. Notre Dame’s MFA in Creative Writing boasts a two-year, fully funded course of study that’s marked by a rigorous, self-directed learning experience and a diverse, international body of students. All students of this program gain teaching, editorial, and publication experience; participate in outreach programs with community partners; engage with visiting writers and artists; and conduct their own reading series.

University of Kansas (Public)

COLLEGE OF LIBERAL ARTS

Overland Parks, KS

university of kansas

MFA – Tracks in Fiction, Poetry, Playwriting (on-campus)

Also offers: BA, BGS (Bachelor of General Studies) Literature, Language and Writing-option to earn a Creative and Analytical Writing certificate (on-campus)

  • Also offers: PhD in Creative Writing
  • Competitive graduate teaching assistantships available for MFA students
  • Home to an esteemed faculty of published authors
  • BA/BGS in Literature, Language and Writing offers a nice selection of afternoon, evening, online, and hybrid courses
  • MFA offers concentrations in fiction, poetry, or playwriting

The University of Kansas boasts both undergraduate and graduate programs for the creative writer! The innovative BA/BGS in Literature, Language and Writing provides students with a versatile foundation in technical writing, editing, marketing, writing, and authoring, while the Creative and Analytical Writing certificate provides a deep dive into the craft of creative writing. Just some of the highlights of the BA/BGS in Literature, Language and Writing include an outstanding selection of afternoon, evening, online, and hybrid courses… an experienced, published faculty… and unmatched student engagement and mentorship. The MFA program features a three-year course of study and options to focus on fiction, poetry, or playwriting. You’re sure to love learning from the widely published faculty here that have been recipients of distinctions like the Hugo Award, the Gertrude Stein Award, the Nebula Award, and more. The MFA is ideally positioned within a university that’s home to esteemed centers like the J. Wayne & Elsie M. Gunn Center for the Study of Science Fiction (dedicated to research and education in science fiction) and the Project on the History of Black Writing (research unit focused on literary recovery work in black studies).

Western Kentucky University (Public)

POTTER COLLEGE OF ARTS AND LETTERS

Bowling Green, KY

western kentucky university

  • Ranked among the top public universities in the nation by U.S. News & World Report
  • Competitive MFA teaching assistantships available
  • MFA tracks include fiction, poetry, creative nonfiction, or scriptwriting; secondary concentration in literature, composition & rhetoric, or teaching English as a second language
  • Exciting undergraduate experiential learning opportunities available

Western Kentucky University offers both undergraduate and graduate programs in creative writing to meet students wherever they are in their academic and professional journey! The undergraduate Creative Writing program features a curriculum that’s grounded in the study of literature and marked by an exciting blend of courses in creative nonfiction, fiction, play/screenwriting, and poetry. Learning outside of the classroom is also standard fare here. You’ll find students learning from esteemed, visiting writers through the Readers Series; contributing to Zephyrus , the school’s literary publication; connecting with their peers through the English Club, the annual Senior Reading, and through the many open-mic nights and coffeehouse gatherings; and attending the annual Undergraduate Conference on Literature, Language, and Culture. The MFA in Creative Writing features a three-year course of study; tracks in fiction, poetry, creative nonfiction, and scriptwriting; and secondary areas in literature, composition & rhetoric, or teaching English as a second language.

Eastern Kentucky University (Public)

COLLEGE OF LETTERS, ARTS, AND SOCIAL SCIENCES

Richmond, KY

eastern kentucky university

  • Low-residency model offers optimal convenience and flexibility for working adults
  • Superb summer residency offered in Lisbon, Portugal
  • Real-time online workshops ensure superb engagement and communication with faculty and peers

Eastern Kentucky University’s MFA in Creative Writing – Bluegrass Writers Studio features a low-residency model that’s designed with flexibility and convenience in mind. Students of this program study in a close-knit, supportive community alongside other emerging writers in both literary and genre-writing. The Bluegrass Writers Studio is an innovative program that offers students an optimal blend of online courses and workshops complemented with intensive residency workshops and unparalleled international literary and cultural experiences. The program’s Domestic Summer Residencies, which are held in Richmond and in Lisbon, Portugal, are rich in intensive workshops, lectures, and readings and focused on individual writing.

McNeese State University (Public)

Lake Charles, LA

mcneese state university

Also offers: BA in English-Writing (on-campus)

  • All MFA students are offered teaching assistantships that include a partial tuition waiver and stipend
  • Ranked as one of the top regional universities in the South by U.S. News & World Report
  • MFA in Creative Writing is the oldest program of its kind in Louisiana and one of the oldest in the southeast
  • Option to add an MA in English to the MFA in Creative Writing without adding any additional hours or costs

McNeese State University offers both undergraduate and graduate programs in creative writing, making it a sure bet for emerging writers like you! The BA in English with a Writing concentration offers a firm foundation in classic and contemporary literature alongside courses and hands-on learning experiences designed to hone your creative writing skills and elevate your knowledge and skills in the areas of editing, rhetorical writing, and technical writing . Students of this program enjoy small class sizes and a highly engaging learning environment that’s marked by high-quality instruction from a widely published, dedicated faculty. The MFA in Creative Writing is the oldest programs of its kind in Louisiana and among the oldest in the southeast! Offering outstanding, hands-on instruction through a host of creative writing programs, this program is where poetry and fiction writers flock to elevate their creative writing skills and produce a book-length manuscript. McNeese’s MFA is one of the only programs in the country to offer students the opportunity to concurrently earn an MA in English without adding any additional hours or costs!

University of Baltimore (Public)

YALE GORDON COLLEGE OF ARTS AND SCIENCES

Baltimore, MD

online writing course creative nonfiction

  • Named as one of the most distinctive programs of its kind in the nation by Poets & Writers Magazine
  • Competitive graduate fellowships and teaching assistantships available
  • Your choice of focus in fiction, nonfiction, or poetry
  • Exciting internship and study teaching opportunities available

The University of Baltimore’s MFA in Creative Writing is one of the top programs of its kind in the nation and a dynamic, inspiring hub for emerging writers in the genres of fiction, nonfiction, and poetry. Students of this program hone their creative voice and elevate their skillset in writing , editing, and publishing as they gain valuable, hands-on experience through internships and student teaching opportunities. Just some of the places where students here intern include the Baltimore City Paper , Baltimore Magazine , Baltimore Jewish Times , and Baltimore Style Magazine !

Johns Hopkins University (Private)

KRIEGER SCHOOL OF ARTS AND SCIENCES

johns hopkins

MFA in Writing Seminars-Creative Writing (on-campus)

Fully funded through teaching fellowships

Also offers: Major in Writing Seminars-Creative Writing concentration (on-campus)

  • Fully funded MFA features a generous teaching fellowship
  • The Writing Seminars program is the second-oldest creative writing program in the country
  • BA program features a focus on fiction and poetry
  • Home to a nationally and internationally renowned faculty and acclaimed visiting writers

John Hopkins University offers both an undergraduate and graduate program in their famed Writing Seminars program! Undergraduate students here enjoy a solid liberal arts framework that’s complemented with courses in fiction and poetry and seminars on literature and the history and technique of poetry and prose. The Writing Seminar’s MFA program offers an advanced exploration of fiction and poetry. This program boasts a nationally and internationally renowned faculty; acclaimed visiting writers; and a curriculum that’s rich in intensive literary seminars and small workshops. Students complete a first-year portfolio and then round out their graduate course of study with a second-year thesis. This highly selective, fully funded program includes a generous teaching fellowship!

Hampshire College (Private)

Amherst, MA

online writing course creative nonfiction

MFA in Writing for Film and Television (low-residency)

  • Student-designed learning environment features personalized, independent work, close collaboration with faculty, and exciting hands-on experiences
  • MFA in Creative Writing features your choice of focus on poetry, fiction, or nonfiction
  • MFA Writing for Film and Television combines online study with weeklong residencies at the college’s Boston or Los Angeles campus
  • Hampshire is part of the Five College Consortium that allows students to explore academic offerings at Amherst College, Mount Holyoke College, Smith College, and the University of Massachusetts Amherst

Hampshire College offers no less than three, outstanding creative writing programs for emerging and practicing writers alike! The Major in Creative Writing offers a well-rounded exploration of fiction, literary journalism, and poetry through dynamic, workshop-style courses that feature intensive writing, active reading, and constructive feedback. Students of this program enjoy engaging with their peers and sharing ideas through writers’ coffeehouses; learning from acclaimed visiting writers; and flexing their creative skillset through one of the school’s publications. The low-residency MFA in Writing for Film and Television offers a convenient and flexible blend of online courses with week-long residencies at the Boston or Los Angeles campus at the beginning of each semester. This program features an esteemed faculty of filmmakers, producers, and screenwriters and the opportunity to produce a professional-caliber portfolio of original feature, pilot, and short screenplay samples. The Creative Writing MFA program is one of the longest-running programs of its kind in the nation. Some of the highlights of this program include an esteemed, published faculty; two award-winning literary journals; and close ties with the Boston publishing community.

Boston University (Private)

online writing course creative nonfiction

  • Ranked among the top 5% of all creative writing programs in the nation by The Atlantic for the distinction of its faculty and alumni
  • Superb opportunity to study and travel abroad through the Global Fellowship
  • Small cohorts ensure an outstanding, student-centered learning environment

Boston University’s MFA in Creative Writing is built on the university’s legacy of academic excellence and the Creative Writing Program’s reputation as one of most prestigious programs of its kind in the country! This program features your choice of fiction or poetry and a one-year course of study that’s highlighted by creative writing workshops and literature courses. It’s designed in small cohorts that accept just ten fiction writers and eight poets annually, and it’s fully funded, covering all tuition costs and offering a stipend for all students. All students of this program teach at least one course and fulfill a foreign language requirement during their MFA. Students are also eligible to receive a Global Fellowship for travel and study anywhere outside of the U.S. upon successful completion of their coursework and submission of their thesis.

University of Michigan-Ann Arbor (Public)

RESIDENTIAL COLLEGE

Ann Arbor, MI

university of michigan

Also offers: Major in Creative Writing and Literature (on-campus)

  • Outstanding study abroad opportunities available (University of Michigan has the most students studying abroad among the Big Ten universities)
  • Ranked among the top public national universities by U.S. News & World Report
  • Highly selective, fully funded MFA program accepts just nine poets and nine fiction writers annually
  • Undergraduate major in Creative Writing and Literature includes your choice of focus on fiction/creative nonfiction, poetry, or digital storytelling

Whether you’re interested in pursuing undergraduate or graduate study in creative writing, the University of Michigan – Ann Arbor has what you’re looking for! Undergraduate students in the Creative Writing and Literature program study fiction, poetry, and creative nonfiction (and choose a focus on fiction/creative nonfiction, poetry, or digital storytelling) in a student-centered learning environment that features dedicated faculty mentors and small, engaging writing seminars. Whether your plans include graduate study or a career in an area like education, editing, journalism, publishing, or beyond, this program is designed with you in mind! The fully funded Creative Writing MFA program features two years of study and options to focus on fiction or poetry. We love the program’s esteemed faculty of published poets and fiction writers and the many opportunities to learn from acclaimed writers through the Zell Visiting Writers Series. This highly selective program accepts just nine poets and nine fiction writers annually.

Western Michigan University (Public)

Kalamazoo, MI

western michigan

MFA in Creative Writing

Also offers: BA in English-Creative Writing option (on-campus)

  • Superb record of student success: 9 out of 10 students are employed and working quickly in their fields upon graduation
  • Outstanding study abroad opportunities – more than 100 programs in 40 countries available
  • Engaging workshop-style courses ensure outstanding opportunities to hone your creative skillset

Western Michigan University is home to both BA and MFA programs in creative writing for the emerging writer! The BA in English with a Creative Writing option is built on a foundation in British and American literature and the English language and complemented with dynamic, creative writing workshops that vary from introductory to advanced. Students of this program explore writing poetry, plays, fiction, and creative nonfiction alongside focused study in news, feature, and professional writing. The MFA in Creative Writing program offers a streamlined path to writing-intensive careers in poetry, fiction, or drama or future PhD study within prestigious programs.

University of Minnesota-Twin Cities (Public)

Minneapolis, MN

university of minnesota twin cities

  • Fully funded program through teaching assistantships and/or fellowships
  • Exciting program features an exploration of poetry, fiction, and nonfiction
  • Consistently ranked among the top graduate creative writing programs in the country

The University of Minnesota – Twin Cities offers an esteemed MFA in Creative Writing – a three-year course of graduate study that features a dynamic deep dive into writing, language, and literature, along with study in a related field. This exciting program, which has long been ranked among the top ten graduate creative writing programs nationally, offers a well-rounded exploration of poetry, fiction, and nonfiction. In fact, students of this program are encouraged to experiment and write across genres as they work toward honing their own creative voice. Housed within the flagship institution of the University of Minnesota System, which enjoys a reputation as being among the most prestigious public research universities in the nation, this program comes with full funding for all MFA students and exciting opportunities to conduct research, intern with major corporations and organizations, and study abroad.

Hamline University (Private)

Saint Paul, MN

hamline university

MFA in Creative Writing (on-campus)  

Also offers: BFA in Creative Writing (on-campus)

  • BA in English-Creative Writing concentration (on-campus)
  • Exciting, undergraduate faculty-led research opportunities available
  • Home to a nice variety of internship experiences
  • Superb faculty of accomplished writers
  • MFA features your choice of focus on poetry, fiction, or creative nonfiction

Hamline University is home to three different creative writing programs that are designed to meet you wherever you are in your career! Offering two undergraduate creative writing programs – one in creative writing and the other in English with a creative writing concentration, Hamline offers students the opportunity to hone their creative writing skillset and prepare for exciting careers in publishing, journalism, marketing, business, education, and beyond! The BFA in Creative Writing provides students with a well-rounded exploration of poetry, fiction, creative nonfiction, literary traditions, textual analysis, and the opportunity to refine your skillset in any number of genres. The BA in English with a Creative Writing concentration offers a journey in literature as you explore the process of writing a novel, script, or other creative work. We love their undergraduate creative writing programs here because they come complete with exciting opportunities to participate in faculty-led research; contribute to one of the many student-led publications like Runestone , the award-winning undergraduate online literary magazine; and complete internships with major names like Graywolf Press, the Minnesota Historical Society, and the Loft Literary Center. The MFA in Creative Writing boasts an in-depth course of study that’s marked by your choice of focus in poetry, fiction, or creative nonfiction; an esteemed faculty of accomplished writers; and a curriculum that prepares you for in-demand teaching and publishing careers.

Augsburg University (Private)

DIVISION OF ARTS AND SCIENCES

augsburg university

MFA in Creative Writing (Teaching, Translation, Publishing) ( low-residency )  

  • MFA program features a low-residency model that combines convenient, flexible online study with summer residencies
  • Exciting study abroad opportunities to Denmark and Iceland for undergraduate students
  • Undergraduate creative writing students may qualify for the MFA Masterclass option – an opportunity to participate in a single summer residency that includes a creative writing workshop

Augsburg University’s undergraduate and graduate programs in creative writing are exactly what emerging and practicing writers are looking for! The BA in English with a Creative Writing concentration offers a nice blend of both English literature and the creative writing process. Through this course of study, students explore the craft under the guidance of a dedicated faculty of working writers. Students also enjoy plenty of opportunities to flex their creative skillset outside of the classroom, with opportunities to participate in the Many Voice Project – a series that brings together students, professors, and staff to explore successful communication among diverse readers and writers; contribute to Thó Win Magazine , the campus literary, visual, and musical arts publication; and study abroad to Denmark and Iceland. The low-residency Creative Writing MFA program offers students a deep dive into writing in multiple genres and features a convenient and flexible format that blends online study with summer residencies. Students of this program hone their skillset in fiction, nonfiction, poetry, screenwriting, and playwriting over the course of three years to prepare for exciting careers in fields like teaching, publishing, and translation. Are you an undergraduate creative writing student with future graduate study in your sights? You may qualify for the MFA Masterclass option, which allows undergrad students to enroll in a single summer residency that includes a creative writing workshop.

University of Mississippi (Public)

University, MS

the university of mississippi

MFA in English (on-campus)  

  • Also offers: Ph.D. in English with Creative Writing Concentration
  • Outstanding visiting scholars and creative writers - past visitors have included filmmaker, Spike Lee, Pulitzer Prize winner Jeffery Eugenides, and National Book Award winner Mark Doty
  • MFA in English named among The Atlantic Monthly’s “Top Five Up and Coming Programs”

Creative writing is part of the fabric of the University of Mississippi, and it shows! The BA in English with a Creative Writing emphasis boasts a curriculum that brings together study in literature from all time periods and through diverse perspectives, along with a close examination and exploration of the craft of creative writing. The MFA in English, which has been consistently ranked among the top programs of its kind in the nation, offers your choice of concentration in poetry & fiction or creative nonfiction. This highly selective program (accepting between 6-8 students each year) is supportive, engaging, and fully funded!

Washington University in Saint Louis (Private)

St. Louis, MO

washington university in st louis

Fully funded program available through fellowships

Also offers: BA in English-Creative Writing concentration (on-campus)

  • Small, student-centered learning environment boasts first-year seminars of 15 or fewer students
  • Highly competitive program accepts just 15 students (five each in fiction, poetry, and creative nonfiction)
  • Fully funded MFA program is offered through fellowships

Regardless of where you are in your academic journey or your career, Washington University in St. Louis has the creative writing program for you! The BA in English with a Creative Writing concentration brings together emerging writers in a small, student-centered learning environment that boasts engaging poetry and fiction writing workshops. Small, first-year seminars of 15 students or less transition nicely to second semester workshops that take students to the next level in their writing journey and guide them to become outstanding readers and critics of literature. Interested in adding an international dimension to your undergraduate creative writing program? Many students study abroad at some of the top universities like Oxford, Edinburg, Trinity College in Dublin, the King’s College in London, and the University of Sydney. The Creative Writing MFA is a two-year program that allows students to refine their craft in fiction, poetry, and creative nonfiction. A distinguished, world-renowned faculty oversees dynamic and engaging workshops and craft courses, while the school’s reading series brings some of the most acclaimed authors and poets to the department for unmatched learning opportunities.

New England College (Private)

Manchester, NH

new england college

  • Low-residency MFA features a studio/research academic model that combines online study with on-campus residencies at the beginning of each semester
  • MFA features your choice of track in poetry, fiction, nonfiction, writing for stage and screen, or dual genre
  • MFA students may also pursue specialized study in areas like translation, editing & publishing, new media, performance, or cross-genre/hybrid forms
  • Competitive MFA teaching assistantships and scholarships available

New England College offers both a BA and MFA in Creative Writing to meet students wherever they are in their academic journey and career path! The BA in Creative Writing is supported by a dedicated faculty of published writers who are committed to providing students with close mentorship and support, while the program’s focus on individual transformation encourages students to explore many areas and genres. Through this program, students complete genre workshops in fiction, poetry, and creative nonfiction and courses focused on literary movements for a well-rounded course of study. The Creative Writing MFA is offered in a low-residency model that combines convenient and flexible online study with lively residencies at the beginning of each semester. Students here pursue a highly individualized program that features close mentorship by an award-winning faculty of writers and their choice of track in poetry, fiction, nonfiction, writing for stage and screen, or dual genre. Students may also pursue additional study in areas like translation, editing & publishing, new media, performance, or cross-genre/hybrid forms.

Rutgers University-Camden (Public)

GRADUATE SCHOOL OF ARTS AND SCIENCES

rutgers graduate school

  • Competitive teaching assistantships available
  • Multi-genre approach to learning includes workshops in your choice of genre (fiction, poetry, or nonfiction) and at least one other genre
  • Exciting opportunities to complete a writing residency at the Rutgers University Pinelands Field Station
  • Exciting study abroad opportunities available

Rutgers University – Camden offers an MFA in Creative Writing that features an in-depth exploration of the theory and practice of writing for poets, fiction writers, and nonfiction writers. This dynamic course of graduate study allows students to focus their work on a single genre yet still explore other genres. An outstanding faculty of esteemed writers and poets guides this esteemed program. Students here enjoy superb inspiration from a host of visiting writers and poets; they contribute to the university’s award-winning literary magazine, StoryQuarterly ; and they participate in inspiring writing residencies at the Rutgers University Pinelands Field Station. And if your academic goals include an international experience, you’ll be pleased to know that students here often study abroad in Europe, Asia, and South America.

Rutgers University-Newark (Public)

SCHOOL OF ARTS AND SCIENCES

rutgers university

  • Home to an outstanding, award-winning faculty of writers
  • Program enjoys exciting connections to big regional names for superb learning experiences
  • Fully funded, highly selective program accepts 14-16 full-time students per year—half in Fiction and half in Poetry

Rutgers University – Newark offers an established, dynamic, and nationally ranked MFA in Creative Writing that features your choice of fiction or poetry writing track. We love the many connections this program has to big names like the Newark Museum, the New Jersey Historical Society, and the New Jersey Performing Arts Center, all of which offer students unique opportunities for hands-on learning experiences. This fully funded course of study provides students with an unmatched opportunity to explore their craft, while the esteemed, award-winning faculty (many of whom are the recipients of awards like the Guggenheim, the National Endowment of the Arts, National Book Awards, and more) ensure outstanding support and mentorship.

Monmouth University (Private)

THE WAYNE D. MCMURRAY SCHOOL OF HUMANITIES AND SOCIAL SCIENCES

West Long Branch, NJ

monmouth university

MA/MFA in Creative Writing Dual Degree (on-campus)

  • Ranked among the best regional universities in the North by U.S. News & World Report
  • Exciting undergraduate internship experiences available
  • Exciting MFA course options include opportunities to study themes like thrillers, romance, and fantasy

Whether you’re seeking an undergraduate or graduate creative writing program, Monmouth University has what you need! The BA in English with a concentration in Creative Writing features a well-rounded liberal arts core alongside an in-depth exploration of creative writing, including fiction, nonfiction, and poetry. Students of this program enjoy studying under esteemed visiting writers; contributing to The Monmouth Review ; and completing exciting internship opportunities with big names like Penguin, Random House, and St. Martin’s Press, and with organizations like the National Geographic Society and the Monmouth County SPCA. The MA/MFA is an innovative and unique dual degree in Creative Writing that boasts a published, award-winning faculty; outstanding course options in fiction, nonfiction, and poetry; and exciting options to explore themes like thrillers, romance, and fantasy. Students of this program begin by completing the 30-credit MA in English with a Creative Writing concentration and then complete an additional 18 credits of intensive creative writing study that culminate in a book-length creative thesis.

Columbia University in the City of New York (Private)

SCHOOL OF THE ARTS

New York, NY

columbia university city of new york

MFA in Writing (Nonfiction, Fiction, Poetry, Literary Translation) (on-campus)

  • Home to an outstanding, internationally acclaimed faculty of writers and editors
  • Major in Creative Writing offers your choice of poetry, fiction, nonfiction, or multi-genre concentration
  • MFA offers your choice of fiction, poetry, or creative nonfiction concentration

Columbia University in the City of New York is where you’ll find both undergraduate and graduate programs in creative writing! These outstanding courses of study are housed in the famed School of the Arts, which enjoys a legacy of unmatched literary creation. Did you know that J.D. Salinger enrolled in a short story course here in 1939? Choose the Major in Creative Writing and you’ll study under an acclaimed, world-class faculty as you elevate your creative skillset in poetry, fiction, nonfiction, or multi-genre (combination of two genres). This program comes complete with writing workshops at all levels and exciting seminars that are sure to inspire and excite. The esteemed MFA Writing program is renowned for its faculty of acclaimed writers and editors; its focus on literary instruction; and its artistic and literary diversity. Students of this program choose a concentration in fiction, poetry, or creative nonfiction. They study in intimate workshops (just 7 to 12 students) and regularly present their work, receive constructive feedback from their peers, and meet with faculty for one-on-one conferences.

Sarah Lawrence College (Private)

Bronxville, NY

sarah lawrence college

Also offers: Major in Writing (on-campus)

  • Home to one of the largest writing faculties in the country
  • Workshop-style courses offer unmatched support, guidance, and constructive feedback
  • Exciting research and teaching opportunities available to MFA students
  • MFA concentrations in poetry, creative nonfiction, or speculative fiction

Whether you’re interested in an undergraduate or graduate degree in creative writing, Sarah Lawrence College has what you need to prepare for an exciting career or future graduate school! One of the first things you’ll notice is the vibrant artistic and writing community at Sarah Lawrence. It’s home to one of the largest writing faculties in the country; an outstanding selection of courses in fiction, nonfiction, and poetry; and engaging workshop-style courses that offer unmatched support and guidance. Thanks to a prime location near NYC, creative writing students enjoy access to opportunities in a vibrant, second-to-none arts and culture scene. The MFA program here boasts a dedicated faculty of distinguished writers; concentrations in fiction, poetry, creative nonfiction, or speculative fiction; and a versatile curriculum that allows students to explore writing that transcends genres. Some of the features of the MFA we’re particularly fond of include frequent meetings with faculty; small, intimate classes; and exciting graduate teaching and research opportunities.

Syracuse University (Private)

Syracuse, NY

syracuse university

  • Highly selective MFA program admits just six poets and six fiction writers annually
  • Outstanding record of student success – 94% of graduates are employed or in graduate school within six months of graduation
  • Ranked among the best national universities by U.S. News & World Report

Syracuse University offers a BA and MFA in Creative Writing and a storied legacy of producing acclaimed writers. From Stephen Crane to Joyce Carol Oates, Syracuse has long been where emerging and practicing writers flock for intensive study and unmatched inspiration! The BA program offers a balanced blend of literary study, workshop-style writing courses, and craft classes in creative nonfiction, fiction, and poetry. The renowned MFA in Creative Writing program is a three-year, highly selective course of graduate study that admits just six poets and six fiction writers each year.

Pratt University-Main (Private)

SCHOOL OF LIBERAL ARTS AND SCIENCES

Brooklyn, NY

pratt university

  • BFA features your choice of specialization in fiction, poetry, or nonfiction
  • MFA boasts exciting opportunities to participate in guided fieldwork residencies with an outside community organization, nonprofit, or activist group
  • MFA offers superb faculty mentoring

Pratt University boasts a BFA and MFA in Writing – your pathway to outstanding careers in publishing, editing, journalism, marketing, business, education, and beyond! Undergraduate creative writing students here study in a studio-based learning environment that includes specializing in fiction, poetry, or nonfiction and exploring contemporary genres like playwriting, screenwriting, children’s book writing, and young adult writing. The MFA in Writing program offers a highly rigorous, engaging program of study that’s built to address the needs of today’s contemporary writer in changing times. Some of the features of this program that you’re sure to love include The Writing Studio, a weekly critiquing forum; outstanding, one-on-one faculty mentoring; and guided fieldwork residencies with an outside community organization, nonprofit, or activist group.

North Carolina State University at Raleigh (Public)

COLLEGE OF HUMANITIES AND SOCIAL SCIENCES

Raleigh, NC

nc state university

  • Outstanding, student-centered learning environment features a low, student-to-faculty ratio of just 15:1
  • Named the top public university in North Carolina by Money Magazine
  • MFA in Creative Writing is the only one of its kind in the Raleigh/Durham/Chapel Hill region
  • MFA is fully funded through graduate teaching assistantships

North Carolina State University at Raleigh is home to both an undergraduate and graduate degree in creative writing! The BA in English with a Creative Writing concentration features a solid English foundation alongside courses in several genres, including fiction, poetry, nonfiction, and screenwriting. Intensive writing workshops here are designed to create an engaging, tightknit learning environment where students are encouraged to hone their creative voice. The MFA in Creative Writing boasts a two-year intensive course of graduate study that’s rich in workshops and interdisciplinary coursework and culminates in a final thesis of your original work. Students of this graduate course of study apprentice under master writers and learn from an experienced faculty of working writers and poets.

Warren Wilson College (Private)

THE MFA PROGRAM FOR WRITERS AT WARREN WILSON COLLEGE

Asheville, NC

warren wilson college

  • Home to the first and one of the most prestigious low-residency MFA programs in the nation
  • Originally founded in 1976 by Ellen Bryant Voigt, and in residence at Warren Wilson College since 1981
  • Superb faculty of award-winning authors and poets (many of whom are recipients of the Pulitzer Prize, Guggenheim and MacArthur Fellowships, National Book Awards, and more)
  • Low-residency MFA effortlessly combines individualized mentorship with on-campus residencies for maximum convenience and flexibility
  • MFA features a superb standard student-to-faculty ratio of just 3:1

The MFA Program for Writers at Warren Wilson College enjoys a national reputation as a top-ranked MFA program and features a prime learning environment that’s marked by extensive one-one-one exchanges between faculty mentor and student as well as on-campus residencies every six months. Well regarded for its craft-based rigor as well as its fostering of a supportive and noncompetitive environment, the MFA Program for Writers at Warren Wilson College prepares its graduates for a lifetime of writing.

Warren Wilson College’s undergraduate program in Creative Writing is designed to allow students to focus their undergraduate course of study on two genres (choose from fiction, creative nonfiction, and poetry). It’s also home to the Writing Studio, a place where students hone their creative voice and explore new ideas and techniques. Outstanding student and faculty feedback and exciting opportunities to engage in hands-on learning round out this comprehensive course of study.

The undergraduate program benefits from presence of Warren Wilson’s highly-regarded MFA program through twice-yearly visits by MFA Writers in Residence: faculty members who provide a class and reading. They also have the opportunity to attend January residency lectures and readings and work with MFA Mentors as part of an undergraduate “Residency Class.”

Miami University-Oxford (Public)

miami university oxford

  • Outstanding record of student success – 96% of all graduates are employed or continuing their education
  • Ranked among the top 50 public universities in the nation by U.S. News & World Report
  • Fully funded MFA provides graduate teaching assistantships to all MFA students; non-teaching assistantships may also be available

Miami University – Oxford is home to both a BA and MFA in Creative Writing – your opportunity to refine your creative skillset and become a successful writer in any number of fields! The BA program boasts a full-time creative faculty of eight award-winning writers who provide unmatched learning opportunities for a select group of students (usually between 20-25) in fiction, poetry, creative nonfiction, and screenwriting. Intensive, engaging workshop-style courses ensure outstanding collaboration, communication, and constructive feedback, while visiting authors offer readings and craft talks that are guaranteed to inspire. The MFA brings some of the most talented, emerging writers from across the country to participate in a close-knit, rigorous course of study in creative nonfiction, poetry, fiction, multimedia, and performance writing. Some of the highlights of this program include four, practice-oriented workshops and seminars in literature; close mentorship from faculty; and the opportunity to create a publishable, full-length work of fiction, poetry, or creative nonfiction by the end of the program. This fully funded program provides graduate teaching assistantships to all MFA students; non-teaching assistantships may also be available. And each year, two MFA students are awarded creative writing internships in China!

Kent State University at Kent (Public)

kent state university

Northeast Ohio MFA in Creative Writing (on-campus)

  • Program is a superb consortium of four universities - Kent State University, Cleveland State University, the University of Akron, and Youngstown State University
  • The program is marked by outstanding faculty guidance and mentorship
  • Students enjoy exciting opportunities to participate in regional and national events and programs
  • Full and partial funding opportunities available

Kent State University’s Northern Ohio MFA in Creative Writing (NEOMFA) offers a superb course of graduate study for the emerging creative writer! This program is a consortium program between Kent State, the University of Akron, Cleveland State University, and Youngstown State University. It boasts an award-winning faculty of fifteen and unmatched opportunities to hone your craft in plays, poetry, fiction, and creative nonfiction. This program brings together a diverse group of students for superb instruction, hands-on learning, faculty mentorship, and individual attention. Students here enjoy access to exciting programs and events like the Juniper Institute of Massachusetts, the Imagination Writers Conference in Cleveland, and the annual Association of Writers and Writing Programs Conference.

University of Oklahoma-Norman Campus (Public)

DODGE FAMILY COLLEGE OF ARTS AND SCIENCES

university of oklahoma

MA in English-Creative Writing (on-campus)

  • Competitive graduate teaching assistantships available
  • Versatile and flexible programs give students the freedom to choose courses and create a personalized course of study that best reflects their personal interests and career goals
  • Option to round out your program by creating a thesis of your original work in fiction, poetry, or creative nonfiction

The University of Oklahoma Norman is home to the esteemed MA in English with a Creative Writing emphasis – a superb graduate course of study for those with a love of creating the written word! We love the flexible and versatile design of this program that gives students the freedom to choose courses that best reflect their personal interests and professional goals. As a student of this program, you’ll work alongside a departmental advisor to design a personalized program of study. You’re also sure to appreciate the tightknit, engaging academic environment here that features small, seminar and pro-seminar courses and close mentorship from an internationally recognized faculty. You’ll also enjoy the option of rounding out your creative writing graduate program by creating a thesis of your original work in fiction, poetry, or creative nonfiction.

Eastern Oregon University (Public)

COLLEGE OF ARTS, HUMANITIES AND SOCIAL SCIENCES

La Grande, OR

eastern oregon university

MFA in Creative and Environmental Writing (low-residency)

Also offers: BA/BS in English-Writing (on-campus, online)

  • Outstanding, student-centered learning environment features small class sizes and a low, student-to-faculty undergraduate ratio of just 17:1
  • Flexible BA/BS degree offers your choice of on-campus or online study
  • Low-residency MFA blends convenient, online study with on-campus summer residencies
  • Specialty, one-of-a-kind Wilderness, Ecology, and Community MFA program, which connects students to the Pacific Northwest’s rich tradition of writers

Eastern Oregon University is where emerging creative writers flock for unmatched academic opportunities at the undergraduate and graduate level! The BA/BS in English – Creative Writing program boasts small class sizes; superb support from a dedicated faculty; and an opportunity to complete your degree 100% online! The online program features a fully online course delivery and options to study on a part- or full-time basis for outstanding convenience and flexibility. The MFA in Creative and Environmental Writing offers an in-depth exploration of the craft; a low-residency curriculum model that ensures superb convenience for working adults; genre focus options in fiction, poetry, or young adult literature; and a superb opportunity to specialize your program through the one-of-a-kind Wilderness, Ecology, and Community program, which connects students to the Pacific Northwest’s rich tradition of writers such as Gary Snyder, William O. Douglas, Kathleen Dean Moore, Annie Dillard, Robert Michael Pyle, and more.

University of Oregon (Public)

DIVISION OF GRADUATE STUDIES

university of oregon

Each MFA student is offered a teaching appointment in return for a full tuition waiver and stipend.

  • Opportunity to fully fund your MFA through a teaching appointment
  • Ranked a top-tier public research university and the top public university in Oregon by U.S. News & World Report
  • Highly selective program accepts just 10 students annually – five in poetry, and five in fiction

The University of Oregon’s MFA in Creative Writing features two years of study; your choice of focus in poetry or fiction; and a rich curriculum that’s highlighted by engaging, workshop-style courses and craft seminars. This rigorous course of study, which is one of the oldest and most distinguished programs of its kind in the nation, boasts unmatched opportunities to hone your craft and enjoy career success in a variety of fields. This highly selective program admits just 10 applicants each year (five in fiction and five in poetry) to ensure an intimate, highly engaging graduate experience.

University of Pittsburgh-Pittsburgh Campus (Public)

KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES

Pittsburgh, PA

university of pittsburgh

Also offers: BA in Writing (Fiction, Poetry, Nonfiction) (on-campus)

  • Ranked as the top university in the Northeast U.S. by the Wall Street Journal/Times Higher Education
  • Outstanding opportunities to learn from esteemed, visiting writers through the Pittsburgh Contemporary Writers Series
  • MFA features your choice of focus in fiction, nonfiction, or poetry

The University of Pittsburgh is home to a BA in Writing and an MFA in Writing, both of which are housed in the university’s famed Writing Program – a large and diverse community of artists who explore both traditional and emerging media. It’s where you’ll find students lending their talents to esteemed literary journals and digital publications and where visiting writers come to educate and inspire through the Pittsburgh Contemporary Writers Series. At the graduate level, the Writing Program admits nine students across the genres each year for a fully funded course of study in fiction, nonfiction, or poetry. We love the many exciting opportunities to expand your college experience through internships and study abroad experiences to places like London, Sydney, Berlin, Dublin, Paris, and Madrid.

Cedar Crest College (Private)

DEPARTMENT OF HISTORY, LANGUAGES AND LITERATURE

Allentown, PA

cedar crest college

Pan-European Creative Writing MFA (low-residency)

  • Options to focus on poetry, fiction, nonfiction, or travel writing
  • Home to the first pan-European graduate-level writer’s program offered by an American university
  • MFA boasts an award-winning internationally acclaimed faculty of writers
  • Exciting European residencies are complemented with online study for a flexible, versatile course of study

Cedar Crest is where you’ll find a superb course of graduate study in creative writing that comes complete with your choice of poetry, fiction, nonfiction, or travel writing focus… a low-residency model that delivers outstanding flexibility and convenience… and an unmatched opportunity to be inspired as you travel across Europe! The MFA in Creative Writing features an in-depth exploration of the craft of creative writing that culminates in the creation of your own original work of literature. Choose a focus (or two) and learn to refine your skillset under the guidance of an award-winning faculty of writers. This truly unique course of study brings together talented writers from around the world for three, 15-day intensive workshops held in superb European locations that are sure to spark your creativity. Residencies here are held in July and rotate between Dublin, Ireland; Barcelona, Spain; and Vienna, Australia. You’ll complete the rest of your program requirements through convenient online study.

Brown University (Private)

THE COLLEGE

Providence, RI

brown university

MFA in Literary Arts (on-campus)

Also offers: BA in Literary Arts (on-campus)

  • Outstanding, student-centered learning environment features a low, 6:1 student-to-faculty ratio
  • Superb record of student success – 96% of all graduates are employed or in grad school within six months of graduation
  • Home to exciting, dynamic creative writing workshops for outstanding, hands-on learning

Brown University’s undergraduate and graduate programs in Literary Arts offer a deep dive into the craft of writing. Choose the undergraduate program and you’ll develop your skills in one or more genres through four creative writing workshops and six, reading-intensive courses. This unique course of undergraduate study (it’s one of just a few in the nation) is where emerging writers in fiction, poetry, electronic writing (hypertext), and mixed media gather to elevate and refine their creative skillset. The MFA program welcomes just 12 graduate student writers annually for an in-depth exploration of creative writing and a choice of focus in fiction, poetry, or digital-cross-disciplinary. This innovative program is focused on student-centered learning and features a rigorous curriculum that’s delivered by a faculty of internationally acclaimed writers.

University of South Carolina-Columbia (Public)

Columbia, SC

university of south carolina columbia

Also offers: BA in English-Writing concentration (on-campus)

  • Fully funded, highly selective MFA program accepts just eight students annually – four poets and four fiction writers
  • Ranked among the nation’s institutions with the best first-year experience by U.S. News & World Report
  • Highly versatile BA allows students to create a personalized program through their choice of writing courses

The University of South Carolina – Columbia’s BA and MFA programs are designed to inspire the emerging writer for an exciting pathway to careers in publishing, journalism, editing, marketing, business, and beyond! The BA in English with a Creative Writing concentration features a core of literature courses that are complemented with creative writing courses. Under the guidance of a faculty advisor, you’ll create a personalized course of study that best matches your personal interests and professional goals. We love the small class sizes and the superb faculty that’s dedicated to your success. The fully funded MFA program here is chocked full of features that are sure to align with your career goals. You’ll appreciate the intimate learning environment that comes complete with an award-winning faculty of writers, world-class visiting writers, and plenty of exciting opportunities to flex your creative skillset through hands-on experiences. The highly selective Creative Writing MFA accepts just four poets and four fiction writers each year and caps workshops at just 12 students for a truly engaging, dynamic program of study. Interested in pursuing education after you graduate? You’ll love the MFA program’s signature writing outreach program, Split P, which allows MFA students to hone their teaching skills in local public elementary schools.

Vanderbilt University (Private)

Nashville, TN

vanderbilt university

  • Ranked among the top 15 MFA programs in the country by Poets and Writers magazine
  • All MFA students receive a three-year, 12-month funding package
  • Highly selective MFA accepts students in poetry and prose

Vanderbilt University offers emerging and practicing writers their choice of an undergraduate or graduate-focused course of study in creative writing, both of which are built on the university’s longstanding reputation as a world-renowned institution. Both programs are delivered in small, seminar-style classes that encourage creativity, collaboration, and outstanding constructive feedback. The Creative Writing MFA program, which has been part of Vanderbilt’s fabric for nearly a century, features a three-year, fully funded course of graduate study that brings together emerging writers of fiction and poetry. This highly selective program is home to just 18 students at any time (nine in poetry and nine in prose), which ensures a truly tightknit, supportive learning environment. Just some of the unique opportunities available to students of the MFA include serving on the editorial board of the Nashville Review ; studying under distinguished, visiting writers-in-residence; and teaching introductory creative writing workshops.

University of Texas at Austin (Public)

university of texas austin

New Writer’s Project – MFA in Creative Writing (on-campus)

Michener center for writers – mfa in writing (on-campus).

*Both MFA options are fully funded  with absolutely no tuition costs for students accepted into the programs

  • Home to the Oxford Summer Program – an exciting exploration of life and literature at Oxford University in England
  • Features two, world-class MFA programs – one in creative writing and one in writing – both offer fully funded programs of study
  • Outstanding opportunities to learn from esteemed, working authors, attend events, and become immersed in the writing community, both on-campus and throughout Austin

The University of Texas at Austin plays host to both undergraduate and graduate programs in creative writing that are expertly designed to inspire and prepare emerging writers for a host of outstanding professional opportunities in fields like marketing, publishing, business, editing, education, and beyond! The Major in English with a Creative Writing concentration features a solid foundation in British, American, and world literature alongside focused courses in the art and craft of creative writing. The New Writer’s Project – MFA in Creative Writing and the Michener Center for Writers – MFA in Writing boast fully funded programs of study that are delivered in tightknit learning environments under close faculty mentorship. The three-year studio MFA in Creative Writing program features opportunities to study and practice fiction and poetry and connect with students and faculty of its partner MFA program, the Michener Center for Writers. This MFA in Writing program features a three-year program of study that admits writers in a primary genre (fiction, poetry, playwriting, or screenwriting) yet also provides them with ample opportunities to study a second genre. While the MFA in Creative Writing offers teaching experiences, the MFA in Writing funds students through fellowships alone, thereby requiring no teaching requirements.

Virginia Polytechnic Institute and State University (Public)

COLLEGE OF LIBERAL ARTS AND HUMAN SCIENCES

Blacksburg, VA

virginia tech

  • Exciting, study abroad opportunities include a faculty-led trip to London (offered through an exchange program with Loughborough University)
  • Fully funded MFA provides equal funding to all students
  • MFA program has been consistently ranked among the top 30 programs in the nation by Poets & Writers magazine
  • Highly selective MFA program admits just 4-5 students annually in each genre (fiction and poetry)

Virginia Tech is home to both a BA and MFA in Creative Writing and a rich learning environment that opens the door to a superb exploration of your creative interests. The BA program features an examination of major writers and literary traditions and a faculty of published writers that provide unmatched support and guidance as you work toward producing a portfolio of your own creative work. Explore your interests by choosing among the program’s more than 100 English courses (you’ll have 36 credits of free electives to personalize your course of study); study modern and contemporary literature; and dive deep into playwriting, nonfiction, or writing fiction for young people! The three-year, fully funded MFA features your choice of focus in poetry or fiction, a faculty of esteemed, published writers and scholars, and plenty of opportunities to explore your craft across genres.

Hollins University (Private)

JACKSON CENTER FOR CREATIVE WRITING

Roanoke, VA

hollins university

Also offers:

  • BA in Creative Writing (on-campus)
  • Superb undergraduate record of success – 95% of all graduates are employed or in graduate school within a year of graduating
  • MFA program features a personalized curriculum and outstanding faculty support
  • Hollins’ Creative Writing MFA has one of the highest publishing records of any graduate school in the nation
  • Hollins University has long been called “Pulitzer U” for its award-winning faculty and alumni

Hollins University’s Jackson Center for Creative Writing is where you’ll find exciting pathways to rewarding, writing-intensive careers in a variety of fields! Hollins’ multi-genre approach allows students to study and explore their craft in poetry, fiction, and nonfiction while also gaining a valuable foundation of knowledge in literature. Creative writing here is supported by a faculty of esteemed, award-winning writers and scholars and marked by outstanding, hands-on learning experiences both within and outside the walls of the classroom. At the undergraduate level, you’ll choose from a Major in Creative Writing or an English Major with a concentration in Creative Writing, while at the graduate level, you’ll have the opportunity to pursue the two-year MFA program, which is home to a versatile and personalized curriculum and the type of support that creates the most successful writers. This small program enrolls just 20-24 students at any given time, thereby keeping the learning environment small and highly engaging. This program includes funding opportunities that include travel and research funding.

University of Washington-Seattle Campus (Public)

Seattle, WA

university of washington

MFA in Creative Writing (Poetry, Prose) (on-campus)

  • Fully funded MFA – students funded through teaching assistantships, fellowships, and through the Amazon Literary Partnership
  • Home to an esteemed faculty of award-winning authors
  • Highly selective MFA program admits just 8-10 students annually

Creative writing is part of the fabric of the University of Washington – Seattle’s English Department, long offering outstanding courses of undergraduate and graduate study to produce competent, talented writers with skills that transcend career fields. The English major with a Creative Writing option is your opportunity to grow as a communicator and artist! This program features a small, student-centered learning environment that’s marked by writing workshops that are designed to spark your creativity and hone your skills. The MFA in Creative Writing is a two-year program of poetry and prose that boasts an outstanding faculty of award-winning writers (many of whom have been awarded fellowships from the Guggenheim Foundation, the MacArthur Foundation, and the National Endowment for the Arts). This highly selective, fully funded course of study admits just 8-10 students each year, thereby ensuring outstanding support and collaboration. Students here participate in literary seminars and workshops and round out their graduate study by completing a creative manuscript of original work.

University of Washington-Bothell Campus (Public)

SCHOOL OF INTERDISCIPLINARY ARTS AND SCIENCES

Bothell, WA

MFA in Creative Writing and Poetics (on-campus)

  • Versatile and flexible MFA encourages writing across the genres and exploring hybrid genres
  • Evening courses accommodate the lives of today’s busy, working students
  • Lively, on-campus gatherings bring together students, faculty, and renowned writers and artists

The University of Washington (Bothell campus) offers an esteemed MFA in Creative Writing and Poetics – a program rich in exploration and discovery. This uniquely structured program is structured according to areas of inquiry instead of genres, which allows students to explore and experiment across genres. You’re free to hone your craft here as you see fit, with experimentation with hybrid genres encouraged. Each year, students meet at the Fall Convergence, which brings together internationally renowned writers and artists. And the school year closes with the Spring Festival, a place for students to share their thesis work and get inspired by a student-nominated speaker. This program features evening courses that are designed to accommodate the busy lives of working students.

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Department of English

M.f.a. creative writing.

English Department

Physical Address: 200 Brink Hall

Mailing Address: English Department University of Idaho 875 Perimeter Drive MS 1102 Moscow, Idaho 83844-1102

Phone: 208-885-6156

Email: [email protected]

Web: English

Thank you for your interest in the Creative Writing MFA Program at the University of Idaho: the premier fully funded, three-year MFA program in the Northwest. Situated in the panhandle of Northern Idaho in the foothills of Moscow Mountain, we offer the time and support to train in the traditions, techniques, and practice of nonfiction, poetry, and fiction. Each student graduates as the author of a manuscript of publishable quality after undertaking a rigorous process of thesis preparation and a public defense. Spring in Moscow has come to mean cherry blossoms, snowmelt in Paradise Creek, and the head-turning accomplishments of our thesis-year students. Ours is a faculty of active, working writers who relish teaching and mentorship. We invite you in the following pages to learn about us, our curriculum, our community, and the town of Moscow. If the prospect of giving yourself three years with us to develop as a writer, teacher, and editor is appealing, we look forward to reading your application.

Pure Poetry

A Decade Working in a Smelter Is Topic of Alumnus Zach Eddy’s Poems

Ancestral Recognition

The region surrounding the University of Idaho is the ancestral land of both the Coeur d’Alene and Nez Perce peoples, and its campus in Moscow sits on unceded lands guaranteed to the Nez Perce people in the 1855 Treaty with the Nez Perce. As a land grant university, the University of Idaho also benefits from endowment lands that are the ancestral homes to many of the West’s Native peoples. The Department of English and Creative Writing Program acknowledge this history and share in the communal effort to ensure that the complexities and atrocities of the past remain in our discourse and are never lost to time. We invite you to think of the traditional “land acknowledgment” statement through our MFA alum CMarie Fuhrman’s words .

Degree Requirements

Three years to write.

Regardless of where you are in your artistic career, there is nothing more precious than time. A three-year program gives you time to generate, refine, and edit a body of original work. Typically, students have a light third year, which allows for dedicated time to complete and revise the Creative Thesis. (48 manuscript pages for those working in poetry, 100 pages for those working in prose.)

Our degree requirements are designed to reflect the real-world interests of a writer. Students are encouraged to focus their studies in ways that best reflect their artistic obsessions as well as their lines of intellectual and critical inquiry. In effect, students may be as genre-focused or as multi-genre as they please. Students must remain in-residence during their degrees. Typically, one class earns you 3 credits. The MFA requires a total of 54 earned credits in the following categories.

12 Credits : Graduate-level Workshop courses in Fiction, Poetry, and/or Nonfiction. 9 Credits: Techniques and Traditions courses in Fiction, Poetry, and/or Nonfiction 3 Credits : Internships: Fugue, Confluence Lab, and/or Pedagogy 9 Credits: Literature courses 12 Credits: Elective courses 10 Credits: Thesis

Flexible Degree Path

Students are admitted to our program in one of three genres, Poetry, Fiction, or Nonfiction. By design, our degree path offers ample opportunity to take Workshop, Techniques, Traditions, and Literature courses in any genre. Our faculty work and publish in multiple genres and value the slipperiness of categorization. We encourage students to write in as broad or focused a manner as they see fit. We are not at all interested in making writers “stay in their lanes,” and we encourage students to shape their degree paths in accordance with their passions. 

What You Study

During your degree, you will take Workshop, Techniques, Traditions, and Literature courses.

Our workshop classes are small by design (typically twelve students or fewer) and taught by core and visiting MFA faculty. No two workshop experiences look alike, but what they share are faculty members committed to the artistic and intellectual passions of their workshop participants.

Techniques studios are developed and taught by core and visiting MFA faculty. These popular courses are dedicated to the granular aspects of writing, from deep study of the poetic image to the cultivation of independent inquiry in nonfiction to the raptures of research in fiction. Such courses are heavy on generative writing and experimentation, offering students a dedicated space to hone their craft in a way that is complementary to their primary work.

Traditions seminars are developed and taught by core and visiting MFA faculty. These generative writing courses bring student writing into conversation with a specific trajectory or “tradition” of literature, from life writing to outlaw literature to the history of the short story, from prosody to postwar surrealism to genre-fluidity and beyond. These seminars offer students a dynamic space to position their work within the vast and varied trajectories of literature.

Literature courses are taught by core Literature and MFA faculty. Our department boasts field-leading scholars, interdisciplinary writers and thinkers, and theory-driven practitioners who value the intersection of scholarly study, research, humanism, and creative writing.

Award-Winning Faculty

We teach our classes first and foremost as practitioners of the art. Full stop. Though our styles and interests lie at divergent points on the literary landscape, our common pursuit is to foster the artistic and intellectual growth of our students, regardless of how or why they write. We value individual talent and challenge all students to write deep into their unique passions, identities, histories, aesthetics, and intellects. We view writing not as a marketplace endeavor but as an act of human subjectivity. We’ve authored or edited several books across the genres.

Learn more about Our People .

Thesis Defense

The MFA experience culminates with each student writing and defending a creative thesis. For prose writers, theses are 100 pages of creative work; for poets, 48 pages. Though theses often take the form of an excerpt from a book-in-progress, students have flexibility when it comes to determining the shape, form, and content of their creative projects. In their final year, each student works on envisioning and revising their thesis with three committee members, a Major Professor (core MFA faculty) and two additional Readers (core UI faculty). All students offer a public thesis defense. These events are attended by MFA students, faculty, community members, and other invitees. During a thesis defense, a candidate reads from their work for thirty minutes, answers artistic and critical questions from their Major Professor and two Readers for forty-five minutes, and then answer audience questions for thirty minutes. Though formally structured and rigorous, the thesis defense is ultimately a celebration of each student’s individual talent.

The Symposium Reading Series is a longstanding student-run initiative that offers every second-year MFA candidate an opportunity to read their works-in-progress in front of peers, colleagues, and community members. This reading and Q & A event prepares students for the third-year public thesis defense. These off-campus events are fun and casual, exemplifying our community centered culture and what matters most: the work we’re all here to do.

Teaching Assistantships

All students admitted to the MFA program are fully funded through Teaching Assistantships. All Assistantships come with a full tuition waiver and a stipend, which for the current academic year is roughly $15,000. Over the course of three years, MFA students teach a mix of composition courses, sections of Introduction to Creative Writing (ENGL 290), and additional writing courses, as departmental needs arise. Students may also apply to work in the Writing Center as positions become available. When you join the MFA program at Idaho, you receive teacher training prior to the beginning of your first semester. We value the role MFA students serve within the department and consider each graduate student as a working artist and colleague. Current teaching loads for Teaching Assistants are two courses per semester. Some members of the Fugue editorial staff receive course reductions to offset the demands of editorial work. We also award a variety of competitive and need-based scholarships to help offset general living costs. In addition, we offer three outstanding graduate student fellowships: The Hemingway Fellowship, Centrum Fellowship, and Writing in the Wild Fellowship. Finally, our Graduate and Professional Student Association offers extra-departmental funding in the form of research and travel grants to qualifying students throughout the academic year.

Distinguished Visiting Writers Series

Each year, we bring a Distinguished Visiting Writer to campus. DVWs interface with our writing community through public readings, on-stage craft conversations hosted by core MFA faculty, and small seminars geared toward MFA candidates. Recent DVWs include Maggie Nelson, Roger Reeves, Luis Alberto Urrea, Brian Evenson, Kate Zambreno, Dorianne Laux, Teju Cole, Tyehimba Jess, Claire Vaye Watkins, Naomi Shihab Nye, David Shields, Rebecca Solnit, Gabrielle Calvocoressi, Susan Orlean, Natasha Tretheway, Jo Ann Beard, William Logan, Aisha Sabatini Sloan, Gabino Iglesias, and Marcus Jackson, among several others.

Fugue Journal

Established in 1990 at the University of Idaho, Fugue publishes poetry, fiction, essays, hybrid work, and visual art from established and emerging writers and artists. Fugue is managed and edited entirely by University of Idaho graduate students, with help from graduate and undergraduate readers. We take pride in the work we print, the writers we publish, and the presentation of both print and digital content. We hold an annual contest in both prose and poetry, judged by two nationally recognized writers. Past judges include Pam Houston, Dorianne Laux, Rodney Jones, Mark Doty, Rick Moody, Ellen Bryant Voigt, Jo Ann Beard, Rebecca McClanahan, Patricia Hampl, Traci Brimhall, Edan Lepucki, Tony Hoagland, Chen Chen, Aisha Sabatini Sloan, sam sax, and Leni Zumas. The journal boasts a remarkable list of past contributors, including Steve Almond, Charles Baxter, Stephen Dobyns, Denise Duhamel, Stephen Dunn, B.H. Fairchild, Nick Flynn, Terrance Hayes, Campbell McGrath, W.S. Merwin, Sharon Olds, Jim Shepard, RT Smith, Virgil Suarez, Melanie Rae Thon, Natasha Trethewey, Philip Levine, Anthony Varallo, Robert Wrigley, and Dean Young, among many others.

Academy of American Poets University Prize

The Creative Writing Program is proud to partner with the Academy of American Poets to offer an annual Academy of American Poets University Prize to a student at the University of Idaho. The prize results in a small honorarium through the Academy as well as publication of the winning poem on the Academy website. The Prize was established in 2009 with a generous grant from Karen Trujillo and Don Burnett. Many of our nation’s most esteemed and celebrated poets won their first recognition through an Academy of American Poets Prize, including Diane Ackerman, Toi Derricotte, Mark Doty, Tess Gallagher, Louise Glück, Jorie Graham, Kimiko Hahn, Joy Harjo, Robert Hass, Li-Young Lee, Gregory Orr, Sylvia Plath, Mark Strand, and Charles Wright.

Fellowships

Centrum fellowships.

Those selected as Centrum Fellows attend the summer Port Townsend Writers’ Conference free of charge. Housed in Fort Worden (which is also home to Copper Canyon Press), Centrum is a nonprofit dedicated to fostering several artistic programs throughout the year. With a focus on rigorous attention to craft, the Writers’ Conference offers five full days of morning intensives, afternoon workshops, and craft lectures to eighty participants from across the nation. The cost of the conference, which includes tuition, lodging, and meals, is covered by the scholarship. These annual scholarship are open to all MFA candidates in all genres.

Hemingway Fellowships

This fellowship offers an MFA Fiction student full course releases in their final year. The selection of the Hemingway Fellow is based solely on the quality of an applicant’s writing. Each year, applicants have their work judged blind by a noted author who remains anonymous until the selection process has been completed. Through the process of blind selection, the Hemingway Fellowship Fund fulfills its mission of giving the Fellow the time they need to complete a substantial draft of a manuscript.

Writing in the Wild

This annual fellowship gives two MFA students the opportunity to work in Idaho’s iconic wilderness areas. The fellowship fully supports one week at either the McCall Outdoor Science School (MOSS), which borders Payette Lake and Ponderosa State Park, or the Taylor Wilderness Research Station, which lies in the heart of the Frank Church River of No Return Wilderness Area. Both campuses offer year-round housing. These writing retreats allow students to concentrate solely on their writing. Because both locations often house researchers, writers will also have the opportunity to interface with foresters, geologists, biologists, and interdisciplinary scholars.

Program History

Idaho admitted its first class of seven MFA students in 1994 with a faculty of four: Mary Clearman Blew, Tina Foriyes, Ron McFarland (founder of Fugue), and Lance Olsen. From the beginning, the program was conceived as a three-year sequence of workshops and techniques classes. Along with offering concentrations in writing fiction and poetry, Idaho was one of the first in the nation to offer a full concentration in creative nonfiction. Also from its inception, Idaho not only allowed but encouraged its students to enroll in workshops outside their primary genres. Idaho has become one of the nation’s most respected three-year MFA programs, attracting both field-leading faculty and students. In addition to the founders of this program, notable distinguished faculty have included Kim Barnes, Robert Wrigley, Daniel Orozco, Joy Passanante, Tobias Wray, Brian Blanchfield, and Scott Slovic, whose collective vision, rigor, grit, and care have paved the way for future generations committed to the art of writing.

The Palouse

Situated in the foothills of Moscow Mountain amid the rolling terrain of the Palouse (the ancient silt beds unique to the region), our location in the vibrant community of Moscow, Idaho, boasts a lively and artistic local culture. Complete with independent bookstores, coffee shops, art galleries, restaurants and breweries, (not to mention a historic art house cinema, organic foods co-op, and renowned seasonal farmer’s market), Moscow is a friendly and affordable place to live. Outside of town, we’re lucky to have many opportunities for hiking, skiing, rafting, biking, camping, and general exploring—from nearby Idler’s Rest and Kamiak Butte to renowned destinations like Glacier National Park, the Snake River, the Frank Church River of No Return Wilderness Area, and Nelson, BC. As for more urban getaways, Spokane, Washington, is only a ninety-minute drive, and our regional airline, Alaska, makes daily flights to and from Seattle that run just under an hour.

For upcoming events and program news, please visit our calendar .

For more information about the MFA program, please contact us at:  [email protected]

Department of English University of Idaho 875 Perimeter Drive MS 1102 Moscow, ID 83844-1102 208-885-6156

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Learn Essential Writing Skills

Writing Courses: Learn writing techniques for clear and effective communication. Understand how to write essays, reports, and creative pieces.

The language used throughout the course, in both instruction and assessments.

Choose the Writing Course That Aligns Best With Your Educational Goals

online writing course creative nonfiction

Michigan State University

Write Your First Novel

Skills you'll gain : Storytelling

(308 reviews)

Beginner · Course · 3 - 6 Months

online writing course creative nonfiction

Wesleyan University

Creative Writing

Skills you'll gain : Creativity, Human Learning, Storytelling, Writing

(5.9K reviews)

Beginner · Specialization · 3 - 6 Months

online writing course creative nonfiction

University of Michigan

Good with Words: Writing and Editing

Skills you'll gain : Writing, Communication, Leadership and Management, Professional Development, Critical Thinking, Creativity, Planning, Resilience

(2.4K reviews)

online writing course creative nonfiction

University of California, Irvine

Academic English: Writing

Skills you'll gain : Writing

(22K reviews)

online writing course creative nonfiction

Stanford University

Writing in the Sciences

(8.4K reviews)

Beginner · Course · 1 - 3 Months

online writing course creative nonfiction

Lund University

Writing in English at University

(600 reviews)

Beginner · Course · 1 - 4 Weeks

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Script Writing: Write a Pilot Episode for a TV or Web Series (Project-Centered Course)

(741 reviews)

Mixed · Course · 1 - 3 Months

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Writing and Editing: Word Choice and Word Order

Skills you'll gain : Writing, Creativity, Resilience

(1.9K reviews)

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Write A Feature Length Screenplay For Film Or Television

(209 reviews)

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Duke University

English Composition I

(1.1K reviews)

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Learn English: Writing Effectively with Complex Sentences

(60 reviews)

Intermediate · Specialization · 1 - 3 Months

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University of Colorado Boulder

Business Writing

Skills you'll gain : Communication, Writing, Business Communication, Critical Thinking, Professional Development, Natural Language Processing, Business Design, Decision Making, Strategy, Visual Design

(4.6K reviews)

Subjects related to Writing

In summary, here are 10 of our most popular writing courses.

  • Write Your First Novel :   Michigan State University
  • Creative Writing :   Wesleyan University
  • Good with Words: Writing and Editing :   University of Michigan
  • Academic English: Writing :   University of California, Irvine
  • Writing in the Sciences :   Stanford University
  • Writing in English at University :   Lund University
  • Script Writing: Write a Pilot Episode for a TV or Web Series (Project-Centered Course) :   Michigan State University
  • Writing and Editing: Word Choice and Word Order :   University of Michigan
  • Write A Feature Length Screenplay For Film Or Television :   Michigan State University
  • English Composition I :   Duke University

Skills you can learn in Business Essentials

Frequently asked questions about writing, what are the best free writing courses ‎.

If you're looking for the best free writing courses on the web, then look no further! Coursera has you covered with a wide variety of writing classes from Novel Writing to Journalism to Scientific Writing to English Composition to Poetry Workshop . There is something for everyone looking to hone their writing skills. ‎

What are the best writing courses for beginners? ‎

If you're just getting started with writing and looking for a comprehensive suite of courses, Coursera offers great options. The Writing for Business course provides a good foundation for clear and effective business writing. For those interested in honing their editing skills, Writing, Editing, & Words and Writing, Editing, & Structure cover writing process, drafting and revision for maximum clarity. Writing Your World and Writing About Ourselves focus on creative writing development with personal and fictional stories. ‎

What are the best advanced writing courses? ‎

For those looking to take their writing skills to the next level, Coursera offers excellent advanced writing courses. The Just Reading and Writing English course is a great resource for anyone wanting to brush up on their reading and writing skills. Additionally, for those looking for more in-depth grammar instruction, the English: Writing and Grammar: Adverb Clauses , English: Writing and Grammar: Noun Clauses , and English: Writing and Grammar: Adjective Clauses classes provide comprehensive instruction. Finally, Copy of Glasscock: Writing: Grammar & Style delves into the art of editing and revising, allowing users to learn the more nuanced aspects of writing. ‎

Why is it important to learn to write? ‎

Alongside verbal communication and body language, writing is one of the most essential forms of interpersonal communication. In the workplace, strong writing skills allow you to send persuasive emails to your boss or clarify complicated instructions with coworkers. In your personal life, writing allows you to keep in touch with friends and family members via texts, social media posts, or traditional letters.

Not all writing is intended for interpersonal communication. Sometimes you simply need to write to organize your thoughts or record information for later use. Writing things down by hand can also improve your memory retention and understanding of a subject. ‎

What are typical careers that use writing? ‎

Writing is an essential skill if you want to pursue a career in a field such as copywriting, journalism, technical writing, or scriptwriting. Copywriters use their writing to persuade audiences to try a service, buy a product, or participate in an event. Journalists write about current events, and their work can help people make informed daily decisions. Technical writers break down complex processes into more concise and easy-to-understand text. Scriptwriters, novelists, and poets produce artistic works that entertain, inspire, and inform audiences. Artistic works can also challenge viewers to explore a new perspective.

Many other career paths are also writing-intensive. For example, public relations specialists need to constantly communicate with the press and public in media releases, and scientific researchers often have to record and share their findings in academic papers. ‎

How can online courses on Coursera help me learn about writing? ‎

Online courses on Coursera will help you learn or brush up on the basics of spelling, grammar, and sentence structure. Mastering these elements of writing gives you a foundation to build on. Courses in storytelling take your education a step further, offering lessons on crafting coherent and creative narratives. Other courses focus on more specific areas of interest, such as technical writing, poetry, journalism, and personal essays. You can take the lessons at your own pace and work on the lessons from anywhere that has internet access. ‎

What are the benefits of taking an online Writing course? ‎

Online Writing courses offer a convenient and flexible way to enhance your knowledge or learn new Writing skills. Choose from a wide range of Writing courses offered by top universities and industry leaders tailored to various skill levels. ‎

What Writing courses are best for training and upskilling employees or the workforce? ‎

When looking to enhance your workforce's skills in Writing, it's crucial to select a course that aligns with their current abilities and learning objectives. Our Skills Dashboard is an invaluable tool for identifying skill gaps and choosing the most appropriate course for effective upskilling. For a comprehensive understanding of how our courses can benefit your employees, explore the enterprise solutions we offer. Discover more about our tailored programs at Coursera for Business here . ‎

Other topics to explore

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The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing —both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.

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Coming Down Hard

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“The sun had just gone out / and I was walking three miles to get home. / I wanted to die. / I couldn’t think of words and I had no future / and I was coming down hard on everything.” In Linda Gregg’s poem “New York Address,” which appears in her retrospective collection, All of It Singing: New and Selected Poems (Graywolf Press, 2008), the speaker recounts bleak existential angst. Despite the pain and darkness, there are glimmers of light. In the second half of the poem, questions are stubbornly answered with snappy, tidy pacing: “Yes I hate dark. No I love light. Yes I won’t speak. / No I will write.” Write a poem that goes all in on angst, channeling a time that felt overwhelmingly uncertain and full of trepidation. How can you experiment with sound and diction to gently steer the dramatic toward the life-affirming?

Attentiveness

Nearly fifty years ago, the writer George Perec spent three days sitting behind a café window in Place Saint-Sulpice in Paris recording everything he saw. In his short book, An Attempt at Exhausting a Place in Paris , his observations of mundane occurrences and objects often considered unnoteworthy—passersby, cars, buses, pigeons, signs, and slogans—are documented. This week situate yourself in one spot, perhaps in your home or workplace, or in a public space like a park, busy crossroad, commercial area, library, or café. Then, jot down the objects and behavior you see, and the snippets of conversation you hear. Write a lyric essay composed of these notes, trying to avoid interpretations or analysis. Taken together, how do your observations create a portrayal of a specific time or place? Pay particular attention to how one observation might lead to another, and to potential rhythms and repetitions.

Power Couple

The 2023 thriller film Fair Play , written and directed by Chloe Domont, follows the lives of a young, newly engaged couple, Luke and Emily, who are colleagues working as analysts in the cutthroat world of high finance in New York. The film focuses on the progression of their relationship, which has been kept hidden from their hedge fund office, and the bitter disintegration of their happiness after a promotion that was initially rumored to go to Luke is unexpectedly bestowed upon Emily, which situates him as a subordinate to his wife within a misogynistic workplace. Write a short story that revolves around an occurrence that catalyzes a shift in the power dynamic between two main characters who have a close relationship. What are the initial responses, and does the transformation happen suddenly or gradually? Are there gender, generational, or other cultural issues that play a role?

Organic Insinuations

“All too often, on a ‘poetry scene,’ people prioritise ‘subject matter,’” says John Burnside in a 2023 interview about his writing process by Jesse Nathan published on McSweeney’s Internet Tendency. “I am sure that, as I am working, environmental concerns insinuate their way into the content of a poem organically, as other concerns will—but I would never start from there.” Inspired by the late Scottish poet, who died at the age of sixty-nine on May 29, write a poem that springs not from a predetermined topic or subject matter, but instead allows you to “trust in the sounds, the rhythms that come out of the day-to-day, the sheer immediacy and truth of the quotidian…and the images that lead, sometimes via fairly roundabout paths, to metaphor.” Later, as you reread and revise, what do you discover is the subject of your poem? What might have organically insinuated itself into your poem?

The maintenance or restoration of native plant and animal species has long been at the heart of many ecological and conservation projects, and has historically been a focus of land and environmental stewardship principles held by native and first peoples all over the world. But what if a beloved plant or animal is considered invasive, like the palm trees of Los Angeles or the cattle of Texas? What are the effects or consequences of centuries of existence with this invasive species in a particular locale? This week reflect on the notion of belonging—what are various places and times when you have felt a strong sense of belonging, and situations when you did not feel you belonged? Consider your own perspectives and responses when you encounter someone or something else that seems invasive or does not belong.

In Stephen King’s 1983 novel, Pet Sematary , a doctor moves into a remote house in Maine with his wife, two young children, and their pet cat, and learns from a neighbor about an ancient burial ground nearby cursed by a malevolent spirit which gave it power to reanimate those buried there. This is put to the test first by the family cat, and then by members of the family who die throughout the course of King’s horror story. While each formerly dead being is returned to the land of the living, they don’t come back quite the same. Write a story in which a creature or person returns from the dead, either in actuality or under circumstances in which their reappearance feels as if they are “back from the dead.” What familiar traits remain the same and what is disconcertingly different? Is their return ultimately for the better or the worse?

“I told a friend about a spill at the grocery store, which—the words ‘conveyor belt’ vanishing midsentence—took place on a ‘supermarket treadmill,’” writes Madeleine Schwartz in a recent essay published by New York Times Magazine about her experience of negotiating with and toggling between the French and English languages after moving from New York to Paris. In the piece, Schwartz notes that as she became more comfortable with living and thinking in French, she noticed a blurring of her linguistic capabilities, including a muddling of her articulative abilities in English. Think about a time or situation when words have failed you, or you’ve drawn a blank as to the mot juste. Write a poem that traces or enacts a loss of language, perhaps using invented words, phrases, and spellings or experimenting with font sizes, line breaks, and spacing.

Edible Memories

Many foods, flavors, and dishes hold a wellspring of emotional associations because they remind us of loved ones, habits and traditions, specific locales, and a different time of our lives when we were different people. Write a series of flash nonfiction pieces this week with each segment focusing on an edible item that evokes particularly resonant memories for you. You might begin by jotting down lists of foods you ate regularly growing up—breakfasts, school lunches, vending machine go-tos, favorite fast-food joints, diners, late night spots, home-cooked specialties—as well as a few momentous meals. Who are the people you associate with each one? Aside from taste and smell, consider the surrounding environment, atmospheric sounds, time of year, and who you were at that point in your life.

Wheels and Nails

While the American proverb “the squeaky wheel gets the grease” may be one you’ve heard time and again, often in reference to the idea that whoever raises or vocalizes a criticism the loudest will be appeased, there is a Japanese saying that translates to “the nail that sticks out gets hammered down,” which points to the positives of conformity in order to maintain a productive and humble society. It can also refer to putting someone who has become too successful back down in their place. Write a story in which your main character diverges from a group of people, and sticks their neck out, so to speak. Perhaps they vocalize a contrary perspective, protest something they feel is unjust, or simply present themselves in an unconventional manner. What are the consequences? Does your story lean toward one proverbial lesson or the other, or does the conclusion demonstrate more ambiguity?

Night at the Museum

If you could spend a night at any museum, which would you choose, and why? The French publisher Editions Stock has a series of books that begins with this premise—each author selects a museum, arrangements are made for an overnight stay, and a book is written about the experience. In Jakuta Alikavazovic’s Like a Sky Inside , translated from the French by Daniel Levin Becker, she spends a night at the Louvre in Paris, where childhood memories of visits with her father are vividly recalled. “From March 7 to 8, 2020, I spent the night in the Louvre, alone. Alone and at the same time anything but,” writes Alikavazovic. Write a poem that imagines a night at a museum of your choosing, anywhere in the world. What memories will you excavate from this imagined, solitary experience?

Chosen Family

Although the origin of the term is unknown and can be defined in many ways, a chosen family is made up of a group of people who choose to embrace, nurture, and support each other despite conventional understandings of biological or marital relationships. Oftentimes a chosen family is formed to take the place of a biological family, however, in some cases, these relationships are formed to expand a family. Write a personal essay about a relationship you have with a chosen family member. How did you first meet? Was there a particular incident that catalyzed what would become an inextricable bond? Has your commitment to each other been tested in ways big or small? Reflect on past memories and experiences you have had with this special person and how your relationship has evolved over the years.

Kingdom of the Planet

In the 1968 science fiction film Planet of the Apes , which is based on French author Pierre Boulle’s 1963 novel and has spawned several sequels and a recent reboot, a crew of astronauts crash-lands on a planet ruled by apes who have developed an advanced and hierarchical civilization, complete with systems of governance, labor, scientific research, and a military force. In this far-off place, humans have been reduced to mute primitive beings who are subjugated and kept captive as workers for the primates. Write a speculative story that takes place in another universe with a premise revolving around a role reversal. What are the rules and governing structures of the society that you invent? You might decide to approach your narrative with a tone of horror, satire, or comedy to emphasize your perspective on stereotypical assumptions and social expectations.

Another Country

“I love these raw moist dawns with / a thousand birds you hear but can’t / quite see in the mist. / My old alien body is a foreigner / struggling to get into another country. / The loon call makes me shiver. / Back at the cabin I see a book / and am not quite sure what that is.” In these eight lines that comprise Jim Harrison’s poem “Another Country,” which appears in his final collection, Dead Man’s Float (Copper Canyon Press, 2016), the late poet moves between observations about a natural outdoor setting and the speaker’s own bodily presence, arriving in the final two lines at a sentiment that expresses a feeling of defamiliarization at the seemingly mundane sight of a book. This week write a poem that explores the concept of being so absorbed in one environment or circumstance that to behold a different scene is like traveling to a strange and unknown realm.

Self-Healing

A recent study in Scientific Reports journal revealed that, for possibly the first time, a nonhuman wild animal was seen using plant medicine to heal an active wound. In a rainforest in Indonesia, a Sumatran orangutan was observed ripping off leaves from a climbing vine plant, chewing them, and applying the plant sap to treat a wound on his face, which then healed after a few days. Write a personal essay on the theme of self-healing. Think about experiences when you’ve witnessed another person perform this task, or particularly resonant memories that pertain to your own past behavior. What are the primary emotions present throughout this process? What instances of self-treatment or self-medication in film, art, or literature created an impression on you?

Campus Story

Take inspiration from the concept of a campus novel—which takes place in and around the campus of a university and often involves the intertwined dynamics of students, professors, and conventions about learning and power—and write a story that engages with a school setting, whether prominently situated in the context of the plot or used for a particular scene. Some recent additions to the campus novel canon include Elif Batuman’s The Idiot (Penguin Press, 2017), Xochitl Gonzalez’s Anita de Monte Laughs Last (Flatiron Books, 2024), Kiley Reid’s Come and Get It (G. P. Putnam’s Sons, 2024), and Brandon Taylor’s Real Life (Riverhead Books, 2020). Will you include a character who is a student, teacher, administrative staff member, custodial worker or caretaker, or possibly an alumni revisiting the past? Consider the multitude of ways the incorporation of an educational environment might permeate the atmosphere of the narrative.

The Last Friend

“The day the last friend / dies / we sit alone. / A visitor / from outer space / tries hard / to summon us. / Someone says / EAT DEATH. / I fish around for answers / but the questions / still won’t come,” writes Jerome Rothenberg, who passed away in April, in his poem “The Last Friend.” Included in his collection of one hundred poems, A Book of Witness: Spells & Gris-Gris (New Directions, 2022), the poem presents a list of statements and observations, many of which refer to death or dying in some personal way, though the connections are enigmatic and the logical progression is oblique. Try your hand at writing a poem that mentions its subject directly, but which also deliberately obfuscates or remains ambiguous in its intentions. How might using the “I” as a witness include the reader into your point of view?

Mind Your Manners

The New York City culture and news website Gothamist recently asked New Yorkers about their thoughts on sidewalk etiquette in the crowded, bustling streets of their beloved city. What are the rules, who has the right-of-way, and who should yield? Respondents focused on always walking to the right of the sidewalk and to “move quickly and never stop.” One thoughtful respondent considered the cultural differences of sidewalks used for recreational strolls versus commuting. But the overall consensus was that among nine-to-fivers, tourists, parents with kids, dogwalkers, bicyclists, and groups, seniors deserve the right-of-way. Write an essay about the unwritten rules or etiquette you have observed in your daily surroundings. How have these common practices adapted to fit the needs of different people? Do they evolve over time as social norms change? Consider some of your own experiences with how public etiquette has helped or hindered harmonious community life.

The term sub rosa means “under the rose” in Latin and refers to something said or done in private. The rose has been associated with secrecy since ancient times, a decorative symbol often carved and painted in places like meeting rooms, banquet halls, and confessionals as reminders of confidentiality. This week write a short story that revolves around a conversation or discussion that occurs sub rosa in an enclosed space. Does a certain detail get leaked out or overheard? How might the secretive nature place a burden on your characters? Consider the ways in which the atmosphere and tone of your story feel distinctive in the time and space of your sub-rosa conversation versus the scenes that take place before or after the talk.

Wisdom in Translation

In the anthology Another Room to Live In: 15 Contemporary Arab Poets (Litmus Press, 2024) edited by Omar Berrada and Sarah Riggs, multinational and multilingual poet-translators challenge foundational narratives and rework mythologies through poetic expression. Yasmine Seale’s poem “Conventional Wisdom (Arabic Saying Translated Twenty Ways)” is composed of translations of an ancient aphorism expressing the inextricable place of poetry within Arab cultural heritage. Each line presents a variation on the truism: “Poetry is the record of the Arabs / The art of poetry is Arabs, collected / Good poetry is a list of Arabs / To speak in verse is to remain in Arab memory / To surpass another poet is the Arab odyssey.” Write a poem inspired by this idea of translating a proverb or maxim—either from another language or from English into English. How might you creatively interpolate different “translations” of the saying by incorporating connotations and riffing on free associations and personal experiences?

In Response

In a recent interview with Aria Aber for the Yale Review , when asked his thoughts on the responsibility of the poet, Jackson Prize–winning poet Fady Joudah says, “I often think that the responsibility of the poet is to strive to become the memory that people may possess in the future about what it means to be human: an ever-changing constant. In poetry, the range of metaphors and topics is limited, predictable, but the styles are innumerable. Think how we read poetry from centuries ago and are no longer bothered by its outdated diction. All that remains of old poetry is the music of what it means to be human.” Write a creative nonfiction piece that presents your personal theory of the responsibility of a writer or an artist. To construct an expansive approach, you might use observations about how different creative disciplines overlap in their goals, or consider what has remained resonant as the arts make their mark throughout various eras.

Earth to You

In honor of Earth Week, write a scene that revolves around a character who experiences an unexpected moment in a natural environment that produces a sensation of wonder, perhaps an unusual encounter with wild flora or fauna. You might contrast the elements of this scene with others in your story in which the character is interacting solely with humans or only attuned to the sounds, rhythms, and sights of city life and densely packed civilization. Is the occurrence mind-bogglingly quick and then reflected upon in hindsight, or does time slow down in the scene? How do you manage or manipulate the pacing and rhythm of your prose to draw attention to the emotional and psychological response of the character?

From Dirt Level

In Sharon Olds’s poem “May 1968,” the speaker recounts the memory of spending the night with other protesting students, who lay down their bodies on a New York City street at a university’s campus gates in order to obstruct the mounted police force that had been called in. While “spine-down on the cobbles,” she observes the city and surrounding scenery—the soaring buildings and the police and horses’ bodies—as she gazes upward, thinking about the state of her pregnant body. Write a poem this week from the vantage point of lying face-up, “from dirt level.” What circumstances bring you into this position? How does this upward point of view transform what you see, and how you feel about your own body?

More, please? Or, no more, please? In The Fast: The History, Science, Philosophy, and Promise of Doing Without (Avid Reader Press, 2024), John Oakes recounts his personal experience conducting a weeklong fast and examines the practice’s history and place within a wide range of religions and philosophies. The book also explores the act of self-deprivation and the potential transformative benefits of subtracting rather than adding to one’s life. “The act of fasting…won’t stop routine, but impedes it for a bit, signifying a shift and a determined unwillingness to follow standard operating procedure,” writes Oakes. Use this idea to consider your personal relationship with consumption—of food, conversation, media, clothes, space—and write a personal essay that reflects on what you might otherwise take for granted.

All in Your Head

In “Table for One,” a short story from Korean author Yun Ko-eun’s new collection of the same name, translated by Lizzie Buehler and published by Columbia University Press in April, a surreal quality seeps into the tale of a lonely office worker who enrolls in a course to make solitary dining easier. Tips from the course include: “Target corner tables rather than those in the middle. Seats at the bar are also good. Hang your coat or bag on the chair facing you and take advantage of tools like a book, earphones, a cell phone, or a newspaper.” The fantastic element of the story lies less in the oddity of the premise than in the narrator’s meticulously recounted neuroses and detailed rendering of processes that become seemingly cyclical. Write a scene that focuses on your character’s minute observations as they attempt to overcome something debilitating. Does the situation lend itself to a quirky or dark sense of humor?

Neither Questions nor Answers

“Where is the homeland / to lay a cradle for the dead / Where is the other shore / for poetry to step across the end point / Where is the peace / that lets the days distribute blue sky...” In Sidetracks , forthcoming in May from New Directions, the Chinese poet Bei Dao begins his book-length poem with a list of twenty-five enigmatic questions that dance around mythological, philosophical, and existential subjects. In Jeffrey Yang’s translation, the speaker’s questions lack the end punctuation of the original text, with question marks omitted. Through these unanswered questions, the poet conjures loss and nostalgia. Loosely following this structure, write a prologue to a poem that poses a series of questions gesturing toward your most pressing uncertainties. While Bei Dao’s lines are mysterious and mystical, allow your poem the tone and allusions that feel instinctive to you.

About Our Writing Prompts

What is a writing prompt and how do you use one? Whether you find yourself in front of a blank page or stuck in a work-in-progress, writing prompts can offer a spark that ignites your creative thinking and can lead to new writing. Prompts offer guidance, fresh ideas, and direction for writers of all levels of experience. First, choose a prompt for the genre in which you’d like to write, then carefully read it and consider what it is asking you to think about. It could be a specific setting, a writing technique, or an element of an imagined character; a specific poem, story, essay, song, book, or film from which you might take inspiration; or a current event or a topical theme. A writing prompt is filled with endless possibilities—and there is no wrong way to use one to generate new writing!

What makes our writing prompts unique? We have an archive of over 2,000 prompts, all original and offered here and in our weekly newsletter . You’ll find a variety of poetry, fiction, and creative nonfiction prompts—some inspired by recent and classic literature and other forms of art, current events, and writing practices, and others that offer guidance for a particular form, including sonnets, erasure poetry, flash fiction, lyric essays, and more. For more than fifty years, Poets & Writers has supported creative writers with trustworthy information and inspiration, and our weekly prompts provide a regular dose of encouragement and motivation.

What are the benefits of using writing prompts? Writing prompts can help you get unstuck if you’re in a rut and the ideas aren’t flowing. But even if you’re not experiencing writer’s block, writing prompts can offer a fresh take or a new approach to a work-in-progress. Writing prompts can also provide the motivation to experiment with a new form, try out a new genre, or learn about other writing techniques. And writing prompts are an invaluable tool for teachers who want to encourage and inspire their writing students.

What is this list of Best Books? Best Books for Writers is a list of essential books for creative writers that we curate to support your writing practice. Every week, we add a book (whether new or a classic) with a synopsis and highlights. Included are books on the writing life, anthologies of craft essays, collections of lectures, practical guides with writing exercises, and more.

Poetry writing prompts Every Tuesday we post a new poetry prompt to guide you in your practice. Get to know the work of contemporary and classic poets, as well as a variety of poetic forms.

Fiction writing prompts Every Wednesday we post a new fiction prompt to spark your imagination. Take inspiration from recently published short stories and novels, and of course, the classics.

Creative nonfiction writing prompts Every Thursday we post a new creative nonfiction prompt to help your exploration of this ever-changing genre. These prompts include information and inspiration for a variety of essays as well as memoirs. Discover new writers and their craft, and fresh ways to generate writing inspired by your life.

Need a starter pack? Check out our Writing Prompts for Beginners .

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  1. The Best Free Online Writing Courses for Creative Writers, Fiction, and

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  2. Creative Non Fiction Writing

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  3. Creative Nonfiction Intro Classes, Level I

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  5. 5 Best Creative Writing Courses, Classes and Tutorials Online

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  6. Free Creative Writing Course for Writers Who Want to Improve

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  1. Novel with MA/MFA Creative Writing

  2. Choosing a Topic || Creative Nonfiction

  3. On Writing Well The Classic Guide to Writing Nonfiction William Zinsser

  4. ELEMENTS OF CREATIVE NONFICTION//THE TRICKS OF WRITING CNF

  5. Conventions and Forms || Creative Nonfiction

  6. Creative Nonfiction: What Is It and How to Write It

COMMENTS

  1. Online Creative Nonfiction Writing Courses

    6 to 10 Weeks | $545. Private Course, Text-Based. Have a grand time with specific physical exercises that honor your health, generate imaginative ideas, explore deeply and make your creative writing entertaining. Creative Nonfiction, Fiction, Memoir, Novel, Personal Essay, Short Story.

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    Online Classes Take a deep dive Since 2011, Creative Nonfiction's online courses have helped thousands of writers from all over the world tell their stories better. Our 5- and 10-week courses offer firm deadlines, a flexible schedule that fits your needs, and feedback to help you keep writing and improving your work. Terms start quarterly, […]

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    From online classes to webinars, all year round, CNF offers a variety of ways you can connect with the broader creative nonfiction community and learn new skills, generate new writing, stay focused, and create your best work. ... Explore Current Available Courses. Browse by type. Online Course. At every level, our 5- and 10-week courses offer ...

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    This course explores the unlimited possibilities of creative nonfiction, which embraces forms of creative writing such as personal essay, memoir, profiles and more. Working with the same techniques as fiction, including artful language choices, dialogue, character development, structure and plot, you are guided to transform factual events and ...

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    Our non-fiction writing courses: an overview. Our non-fiction courses are offered online and in-person and will give you all the tools you need for your project: how to research, how to select and shape story material, how to edit and where to take things next. Our online non-fiction courses include five-day events, month-long self-paced ...

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    Choose from writing courses in creative nonfiction, fiction, poetry, memoir, magazine writing, travel writing, the short story and more. Stanford Continuing Studies offers writing workshops and online and on-campus writing courses, so you can choose the format that best fits your schedule.

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    The Non-Sexy Business of Writing Nonfiction walks you through the good, the bad, and the ugly of writing, publishing, and marketing nonfiction books. In this 10-day course, you'll get an email each day walking you through some critical aspect of writing and publishing nonfiction, covering topics like:

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  11. Getting Started in Creative Nonfiction: A Ticket to the Truth

    You will work on a series of writing exercises precisely designed to get you writing your own creative nonfiction. Each week, you will do three writing exercises (250 to 500 words) using nonfiction prompts provided by the instructor. ... Throughout this course, you will find a supportive writing community, innovative prompts, engaging example ...

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    Stanford Continuing Studies' online creative writing courses make it easy to take courses taught by instructors from Stanford's writing community. Thanks to the flexibility of the online format, these courses can be taken anywhere, anytime—a plus for students who lead busy lives or for whom regular travel to the Stanford campus is not possible.

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    In summary, here are 10 of our most popular creative writing courses. Creative Writing: Wesleyan University. Write Your First Novel: Michigan State University. The Strategy of Content Marketing: University of California, Davis. Sharpened Visions: A Poetry Workshop: California Institute of the Arts. English Composition I: Duke University.

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    15 hours. Best University-level Creative Writing Course (Wesleyan University) 5-6 hours. Best Course to Find Your Voice (Neil Gaiman) 4-5 hours. Best Practical Writing Course With Support (Trace Crawford) 12 hours. Best Course to Overcome Writer's Block: 10-Day Journaling Challenge (Emily Gould) 1-2 hours.

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    8-week Writing Sprints: A Generative Class. Writing Sprints is an exercise-intensive course designed to "unstick" writers struggling to start or continue new projects, boosting writing productivity. The course relies heavily on writing exercises (for both fiction & nonfiction writers). This class is for writers of all levels looking for ...

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    This course explores fiction and types of creative nonfiction, and the techniques that go with them. Course components: Lectures Writing exercises New York City/Zoom classes The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes. Online classes Week 1

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    Introduction. Creative nonfiction is a broad term and encompasses many different forms of writing. This resource focuses on the three basic forms of creative nonfiction: the personal essay, the memoir essay, and the literary journalism essay. A short section on the lyric essay is also discussed.

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    The Creative Writing Department offers writing workshops in fiction writing, poetry, and nonfiction writing. Courses are also offered in film writing, structure and style, translation, and the short story. For questions about specific courses, contact the department.

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    ENGL 2285 - Introduction to Creative Non-Fiction Writing. This is a course on nonfiction genres, which includes personal essay, memoir, literary journalism, nature, travel, and science writing, cultural criticism, and other forms. Issues related to publication and writing for publication will be a significant focus of the course as well.

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    Rutgers University - Camden offers an MFA in Creative Writing that features an in-depth exploration of the theory and practice of writing for poets, fiction writers, and nonfiction writers. This dynamic course of graduate study allows students to focus their work on a single genre yet still explore other genres.

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    For more information about the MFA program, please contact us at: [email protected]. Department of English. University of Idaho. 875 Perimeter Drive MS 1102. Moscow, ID 83844-1102. 208-885-6156. The Master of Fine Arts Creative Writing program at the University of Idaho is an intense, three-year course of study that focuses on the ...

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    The distinction between beginning and intermediate writing is provided for both students and instructors, and numerous sources are listed for more information about fiction tools and how to use them. A sample assignment sheet is also provided for instructors. This resource covers the basics of plot, character, theme, conflict, and point-of-view.

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  29. Best Writing Courses Online with Certificates [2024]

    In summary, here are 10 of our most popular writing courses. Good with Words: Writing and Editing: University of Michigan. Creative Writing: Wesleyan University. Academic English: Writing: University of California, Irvine. Write Your First Novel: Michigan State University. Writing in the Sciences: Stanford University.

  30. 2,000+ Writing Prompts and Ideas from Poets & Writers

    Check out our Writing Prompts for Beginners. Tuesdays: Poetry prompts. Wednesdays: Fiction prompts. Thursdays: Creative nonfiction prompts. Get immediate access to more than 2,000 writing prompts with the tool below: Choose a genre: <Any>. Items/Page: 25.