reed college creative writing

Go to: Division of Literature and Languages    

Joan Naviyuk Kane Poetry and creative nonfiction

Peter Rock Fiction and nonfiction

Creative writing courses at Reed are taught as workshops by practicing writers. Students write works of poetry and fictional and nonfictional prose, which are distributed to other participants in the workshop for review and critique. In addition to the workshops, occasional discussions and meetings with visiting writers are part of the program. Students are encouraged to participate in literary events both on and off campus and to create such events of their own.

Admission to creative writing courses requires consent of the instructor based on a writing sample. These samples are due the week before pre-registration; more information is here:   https://www.reed.edu/creative-writing/submissions.html

• CRWR 201 - Introduction to Creative Writing
• CRWR 207 - Introduction to Creative Nonfiction
• CRWR 224 - Poetry Studio I: Introduction to Poetry
• CRWR 321 - Special Topics Studio
• CRWR 331 - Special Topics Studio
• CRWR 481 - Independent Study

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Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.

Find a home for your poems, stories, essays, and reviews by researching the publications vetted by our editorial staff. In the Literary Magazines database you’ll find editorial policies, submission guidelines, contact information—everything you need to know before submitting your work to the publications that share your vision for your work.

Whether you’re pursuing the publication of your first book or your fifth, use the Small Presses database to research potential publishers, including submission guidelines, tips from the editors, contact information, and more.

Research more than one hundred agents who represent poets, fiction writers, and creative nonfiction writers, plus details about the kinds of books they’re interested in representing, their clients, and the best way to contact them.

Every week a new publishing professional shares advice, anecdotes, insights, and new ways of thinking about writing and the business of books.

Find publishers ready to read your work now with our Open Reading Periods page, a continually updated resource listing all the literary magazines and small presses currently open for submissions.

Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.

Our series of subject-based handbooks (PDF format; $4.99 each) provide information and advice from authors, literary agents, editors, and publishers. Now available: The Poets & Writers Guide to Publicity and Promotion, The Poets & Writers Guide to the Book Deal, The Poets & Writers Guide to Literary Agents, The Poets & Writers Guide to MFA Programs, and The Poets & Writers Guide to Writing Contests.

Find a home for your work by consulting our searchable databases of writing contests, literary magazines, small presses, literary agents, and more.

Poets & Writers lists readings, workshops, and other literary events held in cities across the country. Whether you are an author on book tour or the curator of a reading series, the Literary Events Calendar can help you find your audience.

Get the Word Out is a new publicity incubator for debut fiction writers and poets.

Research newspapers, magazines, websites, and other publications that consistently publish book reviews using the Review Outlets database, which includes information about publishing schedules, submission guidelines, fees, and more.

Well over ten thousand poets and writers maintain listings in this essential resource for writers interested in connecting with their peers, as well as editors, agents, and reading series coordinators looking for authors. Apply today to join the growing community of writers who stay in touch and informed using the Poets & Writers Directory.

Let the world know about your work by posting your events on our literary events calendar, apply to be included in our directory of writers, and more.

Find a writers group to join or create your own with Poets & Writers Groups. Everything you need to connect, communicate, and collaborate with other poets and writers—all in one place.

Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs.

Whether you are looking to meet up with fellow writers, agents, and editors, or trying to find the perfect environment to fuel your writing practice, the Conferences & Residencies is the essential resource for information about well over three hundred writing conferences, writers residencies, and literary festivals around the world.

Discover historical sites, independent bookstores, literary archives, writing centers, and writers spaces in cities across the country using the Literary Places database—the best starting point for any literary journey, whether it’s for research or inspiration.

Search for jobs in education, publishing, the arts, and more within our free, frequently updated job listings for writers and poets.

Establish new connections and enjoy the company of your peers using our searchable databases of MFA programs and writers retreats, apply to be included in our directory of writers, and more.

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Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.

The Maureen Egen Writers Exchange Award introduces emerging writers to the New York City literary community, providing them with a network for professional advancement.

Find information about how Poets & Writers provides support to hundreds of writers participating in literary readings and conducting writing workshops.

Bring the literary world to your door—at half the newsstand price. Available in print and digital editions, Poets & Writers Magazine is a must-have for writers who are serious about their craft.

View the contents and read select essays, articles, interviews, and profiles from the current issue of the award-winning Poets & Writers Magazine .

Read essays, articles, interviews, profiles, and other select content from Poets & Writers Magazine as well as Online Exclusives.

View the covers and contents of every issue of Poets & Writers Magazine , from the current edition all the way back to the first black-and-white issue in 1987.

Every day the editors of Poets & Writers Magazine scan the headlines—publishing reports, literary dispatches, academic announcements, and more—for all the news that creative writers need to know.

In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.

The Time Is Now offers weekly writing prompts in poetry, fiction, and creative nonfiction to help you stay committed to your writing practice throughout the year. Sign up to get The Time Is Now, as well as a weekly book recommendation for guidance and inspiration, delivered to your inbox.

Every week a new author shares books, art, music, writing prompts, films—anything and everything—that has inspired and shaped the creative process.

Listen to original audio recordings of authors featured in Poets & Writers Magazine . Browse the archive of more than 400 author readings.

Ads in Poets & Writers Magazine and on pw.org are the best ways to reach a readership of serious poets and literary prose writers. Our audience trusts our editorial content and looks to it, and to relevant advertising, for information and guidance.

Start, renew, or give a subscription to Poets & Writers Magazine ; change your address; check your account; pay your bill; report a missed issue; contact us.

Peruse paid listings of writing contests, conferences, workshops, editing services, calls for submissions, and more.

Poets & Writers is pleased to provide free subscriptions to Poets & Writers Magazine to award-winning young writers and to high school creative writing teachers for use in their classrooms.

Read select articles from the award-winning magazine and consult the most comprehensive listing of literary grants and awards, deadlines, and prizewinners available in print.

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Reed College’s Creative Writing Department

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The Visiting Writer Series at Reed College is sponsored by the Department of English. The intent is to bring interesting and diverse writers of prose and poetry to Reed to do readings and discussions. The department maintains a mailing list to which interested people can subscribe, to receive details of the upcoming readings.

The Visiting Writers Series takes place in the Eliot Chapel. The readings begin at 6:30 PM. Books are sold and refreshments are served.

Creative Writing

• Audio and Video
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Literary Audio and Video

• Reed Sound Recordings The following is a link to CDs, LPs, and cassettes that are cataloged with the subject poem, poet, poetry, etc...
• Reed Videos The following is a link to videos in the Reed College library collection cataloged with the subject poem, poet, poetry, etc...
• Thin Air Video an organization dedicated to videorecording and distribution of contemporary poets. Below is a link to Reed library's holdings of these videos
• Voices & Visions videos Voices and Visions is a series of videos dedicated to famous poets. Videos include commentary, performances, interviews.
• Online Streaming Resources Library databases with online audio/video streaming files

Reed College Visiting Writers Series

The  Visiting Writer Series  at Reed College is sponsored by the Department of English. Below is a link to recordings of writers who have participated over the past 20 years. Visiting Writers Recordings

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Reed and Creative Writing

<p>Hey guys. So I was just accepted to Reed, and I would greatly appreciate any information any of you might be able to offer regarding Reed’s English and Creative Writing departments. Writing is one of my passions, and it’s absolutely something I want to further pursue in college. In terms of a career, I may even want to be a novelist or poet… I totally loved Reed when I visited back in September and I’m currently choosing between Reed and one another school right now, but I realized the other day that I didn’t really know very much about their english department. </p>

<p>Any information you guys could give would be wonderful! Thanks!</p>

<p>I’m interested in taking quite a few creative writing classes while at Reed, and I know they all require a writing sample “audition”. From the coursebook descriptions, it seems pretty focused on workshopping.</p>

<p>Anyone else?</p>

<p>try checking on Reed’s livejournal communities: </p>

<p>Memories–helpul links to a catalogue of old livejournal entries [Memorable</a> Entries](<a href=“ http://www.livejournal.com/tools/memories.bml?user=reedlj]Memorable ”> Memorable Entries )</p>

<p>reedprospies–a catalog of common prospie and pre-orientation reedies’questions. [Reed</a> questions answered here](<a href=“ http://community.livejournal.com/reedprospies/]Reed ”> Reed questions answered here — LiveJournal )</p>

<p>Reedwatcher–reed’s livejournal–a lot of reedies around and someone will most likely be able to answer your questions… [url=<a href=“ http://community.livejournal.com/reedlj/]Reedwatcher[/url ”> Reed Community Posting Board — LiveJournal ]Reedwatcher[/url</a>]</p>

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Best Way to Write College Papers for a Creative Writing Degree

W riting a college paper should be less of a challenge if you're taking up a creative writing program. After all, the program is designed to nurture and train aspiring student writers to write literary pieces in different genres and often even includes writing workshop sessions. However, if you are a new student and not used to writing college papers, this guide has got you covered.

Getting started is one of the biggest challenges when writing. Unfortunately, college papers have deadlines. Therefore, you cannot sit back and wait for your creative juices to flow to begin with your work. In this situation, you can use a  thesis maker on the internet to generate ideas or outlines for your college paper for free. Laurie Smith, a content partnerships manager at MyStylus AI, highlights that certain advanced tools have the capability to generate complete papers. Some premium tools can even write an entire paper. 

Strategies for Writing College Papers for a Creative Writing Degree

A creative writing course involves a lot of writing, especially original literary pieces. Despite that, completing a college paper can still be challenging and stressful for some. There may not be restrictions common in academic, technical, and other forms of writing. However, you can still run out of ideas, feel incompetent, or lack time to meet the deadline.

This guide will provide you with valuable tips for writing better, including your college papers.

Read Tons of Materials and Take Notes

There's a reason why creative writing programs require students to read tons of material. You'll need inspiration to draw from, and reading will provide you with a wellspring of ideas. In thesis writing, you will need to include an introduction that discusses works that help shape the paper. 

So, get in the habit of reading if you haven’t already. 

Read different types of creative writing, from personal essays and short fiction to novels, graphic narratives, and memoirs. This is one way to gain knowledge and develop your writing skills. It will help you become familiar with grammar rules, sentence structures, and punctuation. You’ll learn new words, get ideas on how to start and end a story, and understand how different writers write.

But unless you have an eidetic memory, it could be challenging to remember everything you’ve read and learned. Hence, take notes of anything that captivates you and the inspirations you’ve gathered when reading any material. 

Find Inspiration in Unusual Places

Writing literary works requires observation, imagination, and the ability to express one’s thoughts with words. But sometimes, a writer can be trapped in a creative rut and run out of inspiration. Unfortunately, college papers have deadlines, and you have to find ways to refuel the fire. 

Reading is one of the effective ways to find inspiration. But if it does not work, do not worry because you can try many other ways. You can observe the world around you or pay attention to human interactions, nature, and anything around you. 

If that still does not work, consider spending time with yourself to reflect on your life journeys, your emotions, and questions you had in mind. Or you can engage in discussions with friends, listen to your loved one’s stories, or interview people with unique experiences. It also doesn’t hurt to venture beyond your comfort zone. For example, you can use  influencer marketing as your college paper topic .

Hook Readers at the Very Beginning

Writing an attention-grabbing opening is an oft-spouted tip in creative writing, and it’s for a reason. The beginning of creative writing sets the entire premise for the rest of the work. Hence, it is critical to make it enticing enough to convince your reader to continue reading the text.

You can grab readers' attention in many ways from the start. You can use vivid imagery, disrupt chronology, or pose thought-provoking questions. Your instructor or professor will probably have many papers to mark. Making yours interesting from the beginning will likely increase your teacher’s engagement.

Live Within Your Writing

Living amongst your writing is one of the secrets to success in writing a paper for your creative writing degree. This means knowing and understanding every minute detail that goes on within the world of your story. 

For instance, you may be writing a story about a prince on a quest to rescue a damsel in distress. If someone asked you what time the prince went to bed the previous night or what the princess ate for breakfast, you should be able to provide an answer.

Think About the Reader

Identifying your audience and thinking about them when you’re writing is important. It will help you determine the appropriate level of detail, the information to include and exclude, and the language type to use to hold their attention. And more importantly, you will end up writing for nobody if you try to write for everyone. 

If you are writing for a professor or instructor, make sure your paper is easy to read and interesting. Try a new structure or include arguments from lesser-known but relevant writers and thinkers that may spark your teacher’s interest.

Make Your College Paper Look Good

Proper formatting can be equally important as the content of your paper. So here are some pointers to make your formatting on point:

• Use a proper heading. Some instructors are strict about having the proper heading, so ensure you do not forget it. 
• Use the right font, size, and space. Most college papers use Times New Roman, 12-point font, and double-spaced because this formatting makes the paper easier to read. 
• Mind your margins. Margins are easy to forget, so always double-check your paper before turning it in.

Edit Your Paper

Editing is arguably one of the most crucial steps in writing a college paper for a creative writing degree. Writing the perfect literature piece in your first draft is nearly impossible, so allocate time for editing.

When editing your work, be honest with yourself and determine what sections do not add value to your literary piece. Cutting out something you have spent time constructing with care can be difficult but necessary if you want the best outcome. 

Also, do not forget to proofread to ensure your grammar and spelling are impeccable. By making your paper error-free, you’re showing good attention to detail. Your paper should also flow smoothly from the beginning to the end. Make it coherent by using transitional expressions, repetition, and parallel structures, and by broadening your word choices.

Editing creative pieces can take a while, so leave enough time for editing and reviewing the draft. 

Let Someone Else Critique Your Work

It doesn’t have to be a professional creative writer or an expert in the same field. You can ask a trusted friend or family member who is unbiased to read through and sense-check the edited version of your paper. They can help you spot any sections that need improvement, sound nonsense, or have incorrect spelling or grammar. Make the changes immediately.

When asking someone to review your work, be open to constructive criticism and use the feedback to improve your college paper. 

Have Fun Writing Your College Paper

Creative writing is all about self-expression and originality, so above all, have fun writing your college paper. Relax and don’t get easily bogged down in the details, and remember that creative writing is supposed to be enjoyable.

References:

• Creative Writing Techniques to Improve Your Essays. (oxfordsummercourses.com). Retrieved from https://oxfordsummercourses.com/articles/creative-writing-techniques-to-improve-your-essays/
• Bachelor of Arts in Creative Writing. (www.ust.edu.ph). Retrieved from https://www.ust.edu.ph/academics/programs/bachelor-of-arts-in-creative-writing/
• Pendidikan Indonesia. (pendidikanindonesia-fib.ub.ac.id). Retrieved from https://pendidikanindonesia-fib.ub.ac.id/?p=2144
• Creative Thesis Guidelines. (uh.edu). Retrieved from https://uh.edu/honors/undergraduate-research/honors-thesis/class/creative-thesis-guidelines.pdf

Time in Elektrostal , Moscow Oblast, Russia now

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Go to: Division of Literature and Languages    

Joan Naviyuk Kane Poetry and creative nonfiction

Peter Rock Fiction and nonfiction

Creative writing courses at Reed are taught as workshops by practicing writers. Students write works of poetry and fictional and nonfictional prose, which are distributed to other participants in the workshop for review and critique. In addition to the workshops, occasional discussions and meetings with visiting writers are part of the program. Students are encouraged to participate in literary events both on and off campus and to create such events of their own.

Admission to creative writing courses requires consent of the instructor based on a writing sample. These samples are due the week before pre-registration; more information is here:   https://www.reed.edu/creative-writing/submissions.html

• CRWR 201 - Introduction to Creative Writing
• CRWR 207 - Introduction to Creative Nonfiction
• CRWR 224 - Poetry Studio I: Introduction to Poetry
• CRWR 321 - Special Topics Studio
• CRWR 331 - Special Topics Studio
• CRWR 481 - Independent Study

Bennington College Curriculum Spring 2025

Spring 2025, fundamentals of creative writing (lit2566.01).

Creative writing is a method not just of expression, but of deep attention: thus we will begin our journey to the blank page by looking, with wonder and precision, at pages filled by such masters of craft as Cathy Park Hong, Robyn Schiff, Nathaniel Mackey, Ben Lerner, Miranda July, Mariana Enriquez, and Souvankham Thammavongsa. Our reading assignments, which will span poetry and prose of various aesthetic stripes (from “dirty” realist poetry to absurdist parable), will introduce a wide variety of topics and questions that will aid our own creative writing throughout the term. Such topics and questions will include: (A) What narrative strategies might we employ to enact a sense of individual pleasure? Or of collective dread?; (B) How can we be architects of surprise for a reader when we ourselves often know “how the story ends”?; (C) What is enjambment in poetry and can we leverage sentence structure to mimic it in prose?; (D) What is a sonnet and how do various practitioners of it leverage the form to different effect? Does a certain tone arise from its combination of pace, proportion, and volta?; (E) As a unit of perception and experience, how does the poetic line differ from the sentence? And how do they interact over the course of a stanza or an entire poem?; and (F) What is “vantage” and how does it relate to “point of view”? How might these terms apply not just to a story but also a poem in narrative or monologue form?

All of these questions, and others, will only fuel us as we respond creatively to our readings through in-class discussion, in-class craft exercises, occasional workshops, and take-home writing prompts. This is a generative course; therefore, participants will turn in an original piece of writing every week, whether that be a vignette or a villanelle.

About the Program

While pursuing a BA in Creative Writing, students study literary texts and then produce their own poetry or fiction. The creative writing student is an artist. This major is perfect for those who love to write poems or stories, and who plan to do so no matter what. In addition to the required five courses in poetry or fiction writing, students must take five courses in English Literature or English Language. While some creative writing students attend graduate school to hone their skills and develop their art, others practice their craft in commercial industries like marketing or publishing. Ultimately, creative writers learn many skills that employers find desirable.

The Bell Tower , an undergraduate-run magazine for the arts affiliated with Purdue University’s Department of English, was founded in 1995 and is published yearly.

Books and Coffee talks (hosted by the Department of English) are held several times throughout the school year. Coffee and tea are available, followed by a half-hour talk about a selected work. The series is popular with faculty, staff, and students.

College of Liberal Arts

Degree Requirements

120 credits required, liberal arts curriculum.

Each liberal arts major is designed as a four-year plan of study and includes three types of courses: Major, Core, and Elective. Most students take five courses per semester, with some of each type.

Professional academic advisors meet individually with each of our students on a regular basis to help with course selection, academic planning, and career development, as well as to help students find additional resources on campus.

Departmental/Program Major Course Requirements (30 credits)

Required course (3 credits).

A grade of “B-” or better is required before attempting courses in Area A.

• ENGL 20500 - Introduction To Creative Writing Credits: 3.00 ♦

A. Creative Writing Courses - Choose Four (12 credits)

All Creative Writing courses except 20500, 31600, and 31700 may be repeated once by Creative Writing majors for credit. (The 40000 and 50000 level courses should be taken in order in any given genre; exceptions are granted by the permission of instructor.)

• ENGL 31600 - Craft Of Fiction From A Writer’s Perspective Credits: 3.00
• ENGL 31700 - Craft Of Poetry From A Writer’s Perspective Credits: 3.00
• ENGL 40700 - Intermediate Poetry Writing Credits: 3.00
• ENGL 40800 - Creative Writing Capstone Credits: 3.00
• ENGL 40900 - Intermediate Fiction Writing Credits: 3.00
• ENGL 50700 - Advanced Poetry Writing Credits: 3.00
• ENGL 50900 - Advanced Fiction Writing Credits: 3.00

B. Engaging English (3 credits)

May be taken concurrently with ENGL 20500.

• ENGL 20200 - Engaging English Credits: 3.00 ♦

C. Literature/Linguistics/English Education (12 credits)

• Any ENGL course not taken above; at least 9 credit hours must be at the 30000 level or above.

Other Departmental (31-55 credits)

The College of Liberal Arts Other Departmental area is designed to be experiential, informative, and relevant to life in a rapidly changing universe. It combines courses that fulfill University Core foundational outcomes, discipline diversity, social diversity, and other languages to produce a well-rounded background for students. Coursework is integrative and collaborative and fosters insight, understanding, independence, initiative, and the desire to reach across divides and redefine our relationship to the peoples and the worlds that surround us.

Core I: Disciplinary Diversity (6-18 credits)

Choose 1 course in 6 different disciplines within the College of Liberal Arts.

Note: Disciplines are differentiated by course prefix. Undistributed credit does not count to satisfy this requirement.

Core II: Social Diversity (1-3 credits)

Culture, religion, disability, gender, sexual orientation, race and ethnicity all play a role in how others perceive us and how we experience the world, and as such, are meaningful categories for analyzing social change and social problems past and present. The purpose of this category is to acquaint students with the pluralistic nature of the world and foster an appreciation and awareness of the diverse range of lived human experience. Courses in this list will expose students to important aspects of human diversity and foster understanding about different world views.

Choose one course from this list: CLA Core II - Social Diversity Selective List   .

Core III: Linguistic Diversity (3-4 credits)

Proficiency through Level IV in one world language. Courses may be required to reach Level IV proficiency; these courses will be counted toward electives.

Foundational Requirements (21-30 credits)

Students must complete approved coursework that meet the following foundational outcomes. Many of these can also be used to fulfill Core I, Core II, or Core III.

• Humanities - all approved courses accepted.
• Behavioral/Social Science - all approved courses accepted.
• Information Literacy - all approved courses accepted.
• Science #1 - all approved courses accepted.
• Science #2 - all approved courses accepted.
• Science, Technology, and Society - all approved courses accepted.
• Written Communication - all approved courses accepted.
• Oral Communication - all approved courses accepted.
• Quantitative Reasoning - all approved courses accepted.
• Double counting of courses is allowed across the various categories.
• All accredited programs whose accreditation is threatened by CLA Core requirement, both professional BAs and BFAs, are exempt from Liberal Arts Core I & II in order to meet accreditation standards and requirements. Liberal Arts Core III: Linguistic Diversity is still required for such programs.
• “Degree +” students (students with a second major outside of Liberal Arts) are exempt from the CLA Core.

Electives (35-59 credits)

Grade requirements.

• A grade of “B-” or better in ENGL 20500 is required before attempting courses in Area A.

Course Requirements and Notes

• All Creative Writing courses (Area A) except 20500, 31600, and 31700 may be repeated once by Creative Writing majors for credit. (The 40000 and 50000 level courses should be taken in order in any given genre; exceptions are granted by the permission of instructor.)

College of Liberal Arts Pass/No Pass Option Policy

• P/NP cannot be used to satisfy Liberal Arts Core, Liberal Arts major, minor, or certificate requirements.

University Requirements

University core requirements, for a complete listing of university core course selectives, visit the provost’s website ..

• Human Cultures: Behavioral/Social Science (BSS)
• Human Cultures: Humanities (HUM)
• Information Literacy (IL)
• Oral Communication (OC)
• Quantitative Reasoning (QR)
• Science #1 (SCI)
• Science #2 (SCI)
• Science, Technology, and Society (STS)
• Written Communication (WC) 

Civics Literacy Proficiency Requirement

The civics literacy proficiency activities are designed to develop civic knowledge of purdue students in an effort to graduate a more informed citizenry. for more information visit the civics literacy proficiency  website..

Students will complete the Proficiency by passing a test of civic knowledge, and completing one of three paths:

• Attending six approved civics-related events and completing an assessment for each; or
• Completing 12 podcasts created by the Purdue Center for C-SPAN Scholarship and Engagement that use C-SPAN material and completing an assessment for each; or
• Earning a passing grade for one of  these approved courses (or transferring in approved AP or departmental credit in lieu of taking a course).

Upper Level Requirement

• Resident study at Purdue University for at least two semesters and the enrollment in and completion of at least 32 semester hours of coursework required and approved for the completion of the degree. These courses are expected to be at least junior-level (30000+) courses.
• Students should be able to fulfill most , if not all , of these credits within their major requirements; there should be a clear pathway for students to complete any credits not completed within their major.

Additional Information

• Liberal Arts offers a streamlined plan of study for students pursuing a second degree outside CLA. Contact the CLA Advising Office for more information.

Sample 4-Year Plan

Fall 1st year.

• Written Communication - Credit Hours: 3.00-4.00
• World Language Level I  - Credit Hours: 3.00
• Quantitative Reasoning - Credit Hours: 3.00
• Behavioral/Social Sciences (CLA Core I: 1 of 6) - Credit Hours: 3.00

15-16 Credits

Spring 1st year.

• Oral Communication - Credit Hours: 3.00
• World Language Level II - Credit Hours: 3.00
• Humanities (CLA Core I: 2 of 6) - Credit Hours 3.00
• Science - Credit Hours: 3.00

Fall 2nd Year

• Area A Creative Writing Selective - Credit Hours: 3.00
• Area C Selective - Credit Hours: 3.00
• World Language Level III - Credit Hours: 3.00
• CLA Core I: 3 of 6 - Credit Hours: 3.00

Spring 2nd Year

• Area C Selective - Credit Hours: 3.0
• World Language Level IV (CLA Core III) - Credit Hours: 3.00
• Science, Technology, and Society - Credit Hours: 3.00
• CLA Core I: 4 of 6 - Credit Hours: 3.00

Fall 3rd Year

• CLA Core I: 5 of 6 - Credit Hours: 3.00
• CLA Core II: Diversity Selective - Credit Hours: 3.00
• Elective - Credit Hours 3.00

Spring 3rd Year

• Area A Creative Writing Selective - Credit Hours 3.00
• CLA Core I: 6 of 6 - Credit Hours: 3.00
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World Language proficiency requirements vary by program. The following list is inclusive of all world languages PWL offers for credit; for acceptable languages and proficiency levels, see your advisor. (ASL-American Sign Language; ARAB-Arabic; CHNS-Chinese; FR-French; GER-German; GREK-Greek(Ancient); HEBR-Hebrew(Biblical); HEBR-Hebrew(Modern); ITAL-Italian; JPNS-Japanese; KOR-Korean; LATN-Latin; PTGS=Portuguese; RUSS-Russian; SPAN-Spanish)

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In alignment with the Degree Map Guidance for Indiana’s Public Colleges and Universities, published by the Commission for Higher Education (pursuant to HEA 1348-2013), a Critical Course is identified as “one that a student must be able to pass to persist and succeed in a particular major. Students who want to be nurses, for example, should know that they are expected to be proficient in courses like biology in order to be successful. These would be identified by the institutions for each degree program.”

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Elektrostal

Elektrostal Localisation : Country Russia , Oblast Moscow Oblast . Available Information : Geographical coordinates , Population, Area, Altitude, Weather and Hotel . Nearby cities and villages : Noginsk , Pavlovsky Posad and Staraya Kupavna .

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Elektrostal Demography

Information on the people and the population of Elektrostal.

Elektrostal Geography

Geographic Information regarding City of Elektrostal .

Elektrostal Distance

Distance (in kilometers) between Elektrostal and the biggest cities of Russia.

Elektrostal Map

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Elektrostal Nearby cities and villages

Elektrostal weather.

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Elektrostal Sunrise and sunset

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Elektrostal Hotel

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Elektrostal Nearby

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Elektrostal Page

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Geographic coordinates of Elektrostal, Moscow Oblast, Russia

City coordinates

Coordinates of Elektrostal in decimal degrees

Coordinates of elektrostal in degrees and decimal minutes, utm coordinates of elektrostal, geographic coordinate systems.

WGS 84 coordinate reference system is the latest revision of the World Geodetic System, which is used in mapping and navigation, including GPS satellite navigation system (the Global Positioning System).

Geographic coordinates (latitude and longitude) define a position on the Earth’s surface. Coordinates are angular units. The canonical form of latitude and longitude representation uses degrees (°), minutes (′), and seconds (″). GPS systems widely use coordinates in degrees and decimal minutes, or in decimal degrees.

Latitude varies from −90° to 90°. The latitude of the Equator is 0°; the latitude of the South Pole is −90°; the latitude of the North Pole is 90°. Positive latitude values correspond to the geographic locations north of the Equator (abbrev. N). Negative latitude values correspond to the geographic locations south of the Equator (abbrev. S).

Longitude is counted from the prime meridian ( IERS Reference Meridian for WGS 84) and varies from −180° to 180°. Positive longitude values correspond to the geographic locations east of the prime meridian (abbrev. E). Negative longitude values correspond to the geographic locations west of the prime meridian (abbrev. W).

UTM or Universal Transverse Mercator coordinate system divides the Earth’s surface into 60 longitudinal zones. The coordinates of a location within each zone are defined as a planar coordinate pair related to the intersection of the equator and the zone’s central meridian, and measured in meters.

Elevation above sea level is a measure of a geographic location’s height. We are using the global digital elevation model GTOPO30 .

Elektrostal , Moscow Oblast, Russia

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Elektrostal, visit elektrostal, check elektrostal hotel availability, popular places to visit.

• Electrostal History and Art Museum

You can spend time exploring the galleries in Electrostal History and Art Museum in Elektrostal. Take in the museums while you're in the area.

• Cities near Elektrostal

• Places of interest
• Yuri Gagarin Cosmonaut Training Center
• Central Museum of the Air Forces at Monino
• Peter the Great Military Academy
• History of Russian Scarfs and Shawls Museum
• Ramenskii History and Art Museum
• Bykovo Manor
• Pekhorka Park
• Balashikha Arena
• Malenky Puppet Theater
• Drama Theatre BOOM
• Balashikha Museum of History and Local Lore
• Pavlovsky Posad Museum of Art and History
• Saturn Stadium
• Church of Vladimir
• Likino Dulevo Museum of Local Lore
• Orekhovo Zuevsky City Exhibition Hall
• Noginsk Museum and Exhibition Center
• Fairy Tale Children's Model Puppet Theater
• Fifth House Gallery
• Malakhovka Museum of History and Culture