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Writing Fiction: Creative and Critical Approaches: 6 (Approaches to Writing)

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Amanda Boulter

Writing Fiction: Creative and Critical Approaches: 6 (Approaches to Writing) Hardcover – 27 April 2007

  • ISBN-10 1403988102
  • ISBN-13 978-1403988102
  • Edition 2007th
  • Publisher Red Globe Press
  • Publication date 27 April 2007
  • Part of series Approaches to Writing
  • Language English
  • Dimensions 13.97 x 1.43 x 21.59 cm
  • Print length 224 pages
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Editing Fiction: How to write a book then pull it apart. 177 tips checklist. For all levels. (Morgen Bailey's Creative Writing Workbooks)

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  • Publisher ‏ : ‎ Red Globe Press; 2007th edition (27 April 2007)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 224 pages
  • ISBN-10 ‏ : ‎ 1403988102
  • ISBN-13 ‏ : ‎ 978-1403988102
  • Dimensions ‏ : ‎ 13.97 x 1.43 x 21.59 cm
  • 109,274 in Languages
  • 158,197 in Poetry & Drama Criticism

About the author

Amanda boulter.

Amanda Boulter is following her dream to become a full time writer. After nearly 25 years of teaching English and Creative Writing at the University of Winchester (big wave to all the lovely students and staff from those years), she is saying goodbye to nine o'clock lectures and hello to making up stories in the bath. So she has given up her job, sold her house, packed her two sons off to University and is now going her own way in a little house in the wilds of North Devon, England. She spends her days writing stories, growing vegetables and cycling up and down the Tarka Trail to have working picnics on the beach.

She is working with the prize-winning illustrator Leo Hartas to create a new series of children's books about a Viking boy called Little Moose and his dog Wolfie, telling the story of their lives growing up in a fantasy-historical world. From cute toddler tales to epic adventures, young readers can grow up with these new story-time friends as the series takes them from Toddler Books and Picture Books to Early Readers and Developing Readers, Chapter Books and finally YA Novels. There's a big journey ahead for Little Moose and Wolfie - and a big adventure for Amanda (and Leo) too. It's going to be fun!

How To Write Realistic Dialogue: Realistic Dialogue Writing Foundations (How To Write A Book Book 4)

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Writing Speculative Fiction: Creative and Critical Approaches: 5

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Writing Speculative Fiction: Creative and Critical Approaches: 5 Hardcover – 6 May 2019

In this engaging and accessible guide, Eugen Bacon explores writing speculative fiction as a creative practice, drawing from her own work, and the work of other writers and theorists, to interrogate its various subgenres. Through analysis of writers such as Stephen King, J.R.R. Tolkien and J. K. Rowling, this book scrutinises the characteristics of speculative fiction, considers the potential of writing cross genre and covers the challenges of targeting young adults. It connects critical and cultural theories to the practice of creative writing, examining how they might apply to the process of writing speculative fiction. Both practical and critical in its evaluative gaze, it also looks at e-publishing as a promising publishing medium for speculative fiction. This is essential reading for undergraduate and postgraduate students of creative writing, looking to develop a critical awareness of, and practical skills for, the writing of speculative fiction. It is also a valuable resource for creators, commentators and consumers of contemporary speculative fiction. Chapter 8, 'Horror and the Paranormal' was shortlisted for the Australasian Horror Writers Association (AHWA)'s 2019 Australian Shadows Awards.

  • Part of series Approaches to Writing
  • Print length 196 pages
  • Language English
  • Publisher Bloomsbury Academic
  • Publication date 6 May 2019
  • Dimensions 13.97 x 1.27 x 21.59 cm
  • ISBN-10 1352006162
  • ISBN-13 978-1352006162
  • See all details

Product description

As a book it is quite comfortable setting the writing of speculative fiction within the broader approaches to writing and linking those back to the giants of speculative writing over the last half-century or more. It is a concise and well-structured book that gently leads readers through the basics, while at every stage addressing its topic with appropriate examples, and exercises. – Shane Strange, University of Canberra, Australia

This is an exciting book from a writer who knows how to enliven her prose with ideas, analysis, anecdotes and stunning quotations from her deep and wide reading. The compelling beauty of this book is the way it moves between ideas and stories, between analysis and narrative. – Kevin Brophy, University of Melbourne, Australia

The insights are often provocative and always useful. It sensibly focuses on how a writer can approach the idea of speculative fiction, and then brings in a critical perspective. – George Green, Lancaster University, UK

Indispensable, rich and enabling: no writer of speculative fiction should be without this book. Obligatory reading for students of creative writing. Working from examples and providing easy-to-use analytical tools, Writing Speculative Fiction provides essential reading for anyone involved in the creation or consumption of speculative fiction in its many guises… This is a generous offering, relaying well-researched advice leavened with encouragement and a gentle, wry humour. – Dr Clare E Rhoden, author of The Pale and Broad Plain Darkening

As boundaries between genres increasingly break down, editors and educators need to put aside genre cringe and assumptions of genre limitations. Writing Speculative Fiction comes as a timely and valuable addition to the bookshelves of students, writers and educators alike. Writing Speculative Fiction is a valuable addition to writers at any stage of development. Bacon delivers practical information, stimulating exercises and thought-provoking analyses with enthusiasm and authority. – Melissa Ferguson, scientist and author of The Shining Wall

Eugen Bacon’s book offers a paradox that is extraordinarily liberating. On the one hand it provides carefully researched, nuanced distinctions between fantasy, science fiction, horror and paranormal genres and their sub-genres to include fairy tales, dark fantasy, myths and legends, and magical realism, for example. On the other it embraces speculative fiction as an umbrella for bending traditional genre fiction, crossing into hybrids, or cross-genre forms rich with playful text that is also literary. – Louisa John-Krol, Australian Fairy Review

Writing Speculative Fiction is Eugen Bacon’s new and exciting non-fiction stroke of genius. The book explores creative and critical approaches to writing speculative fiction. But, regardless of your preferred genre, if you’re an aspiring writer of any style this impressive guide is for you! – Angela Wauchope, Other Terrain Journal, Swinburne University of Technology, Australia.

Eugen Bacon weaves together extracts from a variety of creative texts, commentary about storytelling, and anecdotes from her experiences as a teacher of creative writing to build a palatable, engaging, and endlessly useful guidebook. – Rebecca Langham, Celestial Book Reviews

Writing Speculative Fiction is permeated by an upbeat and playful tone that is entertaining and motivating. It is an informative and enjoyable read that will serve as a valuable resource for creative writing students and their teachers, and indeed anyone interested in the mechanics of writing and publishing dynamic and engaging speculative fiction. The book is packed with helpful advice for writers of any genre – covering diverse topics such as form, characterisation, voice, plotting, poetic expression, research, establishing a writing practice with discipline, and discerning reputable online publishing markets. – Dr Bronwyn Lovell, TEXT Journal

Writing Speculative Fiction is a resource worth revisiting again and again. It is a book designed for notetaking, highlighting, and dog-earing pages - the perfect companion for any writer of speculative fiction – Glam Adelaide

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Product details.

  • Publisher ‏ : ‎ Bloomsbury Academic; 1st ed. 2019 edition (6 May 2019)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 196 pages
  • ISBN-10 ‏ : ‎ 1352006162
  • ISBN-13 ‏ : ‎ 978-1352006162
  • Dimensions ‏ : ‎ 13.97 x 1.27 x 21.59 cm

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Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help writers enhance their own fiction. Negotiating the... This description may be from another edition of this product.

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  • Publisher Red Globe Press
  • Publication date 2007
  • ISBN 10  1403988110
  • ISBN 13  9781403988119
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  • Number of pages 224

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Creative writing and critical reading

Creative writing and critical reading

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This free course, Creative writing and critical reading , explores the importance of reading as part of a creative writer’s development at the postgraduate level. You will gain inspiration and ideas from examining other writers’ methods, as well as enhancing your critical reading skills. Examples will cover the genres of fiction, creative nonfiction, poetry and scriptwriting.

Course learning outcomes

After studying this course, you should be able to:

  • understand the importance of reading as part of a creative writer's development
  • engage analytically and critically with a range of literary and media texts
  • recognise how critical reading supplies writers with inspiration and ideas
  • understand through writing practice one or more of the taught genres of fiction, creative nonfiction, poetry and scriptwriting
  • engage with postgraduate modes of reading and writing practice.

First Published: 04/03/2019

Updated: 05/09/2019

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Internationale DFG-Tagung: Writing a British Childhood in a Global Context? Critical Perspectives on Enid Blyton

Enid Blyton is one of the world’s most well-known and prolific authors of children’s literature. Her book series have entertained children across the globe and across generations for almost a century. The conference Writing a British Childhood in a Global Context? Critical Perspectives on Enid Blyton focuses on her work and its international reception. It takes place at the University of Potsdam on 25. - 27. September 2024 and is organised by Dr. Aileen Behrendt (University of Potsdam), Dr. Stefanie Jakobi, and Dr. Hadassah Stichnothe (University of Bremen). Funded by Deutsche Forschungsgemeinschaft (DFG). 

The conference will link the international, critical approaches of individual researchers to address the complex questions of representation strategies and intersectional identity constructions in Blyton's work, which also encompass cultural translation processes and the constructions of alterity. At the same time, the establishment of the "Blyton Brand" in the action and production system of literature will be investigated, as Enid Blyton is one of the most popular authors of children's and young adult literature. Her work is present in numerous translations, adaptations, and sequels in different languages worldwide.

Registration for the conference is now open:

To register for the conference, please click here .

Keynote speakers

  • Emer O'Sullivan (Leuphana University Lüneburg) 
  • Kimberley Reynolds (Professor Emerita Newcastle University)
  • Young Researcher Keynote: Siobhán Morrissey (University of Galway)  

Conference programme

  • 13:00 Arrival, Registration, and Coffee  
  • 13:30 Conference Welcome
  • 14:00 Keynote: Prof. Dr. Emer O’Sullivan: Blyton’s Island(s)
  • Prof. Dr. Rose-May Pham Dinh: The Englishness of Blyton’s school stories: a long-lasting puzzle for French readers?
  • Sofia Skeva: “Only toys are allowed to stay in Toy Village”: Thinking the Nation and (Dis)Locating Postwar Englishness in Enid Blyton’s Noddy Goes to Toyland (1949)
  • 16:30 Coffee Break
  • Prof. Dr. Rainer Emig: Ideological Desire in Enid Blyton
  • Dr. Deepti Ruth Azaria : Writing the caravan adventure: Examining traveller culture and holiday experience in the carnivalesque spaces of Blyton’s fiction
  • 18:15 Break
  • 19:00 Conference Dinner 
  • 09:00 Keynote: Prof. Dr. Kimberley Reynolds: "The house was crazy with the sound of Blyton": managing crises with Blyton’s Adventure books
  • 10:00 Coffee Break
  • Judith Simon: Childhoodnature in Enid Blyton’s The Faraway Tree Series and Ben Okri’s Every Leaf a Hallelujah
  • Abiral Kumar: Imported Mysteries and Abandoned Childhood: Reading Enid Blyton and Ruskin Bond in postcolonial children’s fiction.  
  • 11:45 Coffee Break
  • Dr. Hadassah Stichnothe: Clothing, Class, and the Body in Enid Blyton's Fiction
  • Dr. Athira Mohan: Food and the Female: A Reading of Selected Blytonian Narratives
  • 13:30 Lunch Break
  • Stefanie Holanik: The role of sports in Enid Blyton’s St. Clare’s series: The disciplined body, physical desires, and power dynamics
  • Benita Berthman: The Twins at Lindenhof? Radio Plays as a Transnational and Transmedial Adaptation of Enid Blyton
  • Prof. Dr. Lena Hoffmann: Famous, infamous, ignored: Enid Blyton as an invisible star author 
  • Dr. Stefanie Jakobi: Blyton is Wilson is Caspari – The Re-Writes and Sequels and their influence on the Blyton brand
  • 17:30 Student Exhibition 
  • 18:30 Break
  • Chair: Dr. Aileen Behrendt
  • 10:00 Young Researcher Keynote: Dr. Siobhán Morrissey: The Failure of a Colour-Blind Approach to Remove the Racism from Enid Blyton’s Fiction
  • Prof. Dr. Marina Balina: Reading Early Russian Children's Detectives through Enid Blyton's Literary Matrix
  • Prof. Dr. Larissa Rudova: The Rise of the Detective Genre in Post-Soviet Children’s Literature: Enid Blyton and Middle-Class Values
  • 11:15 Coffee Break
  • Dr. Ada Bieber: Ambivalent Girlhood in German Film Adaptations of Enid Blyton’s Famous Five and St. Clare’s
  • Dr. Mateusz Świetlicki: Enid Blyton and the Changing Polish Canon of Children’s Literature
  • 13:00 Conference Closing and Famous Five Picknick 
  • 14:00 Departure

Conference Venue

Universität Potsdam Neues Palais Haus 8 Audimax and Room 0.59

Organisation team

Dr Aileen Behrendt is a researcher and lecturer of British Literary and Cultural Studies and a coordinator of the DGF research training group ‘minor cosmopolitanisms’ at the University of Potsdam. She is currently working on a book about the politics of kindness in TV comedies.

Dr Stefanie Jakobi  is a lecturer at the Department for Children’s and Young Adult Literature at the University of Bremen. Her publications and research focus on transmedia phenomena in children's and youth media, gender, experiences of alterity, and intersectional issues.

Dr. Hadassah Stichnothe is a researcher and lecturer on children's and YA literature currently teaching at the University of Bremen. Her research focuses on adolescence and gender constructions as well as on Jewish children's literature and translatory aspects of children's literature.

COMMENTS

  1. Writing fiction : creative and critical approaches : Boulter, Amanda

    Writing fiction : creative and critical approaches by Boulter, Amanda. Publication date 2006 Topics Fiction -- Authorship, Fiction ... Language English. xi, 205 p. ; 22 cm Includes bibliographical references and index Introduction : a critical-creative approach to fiction -- Pt. I. Foundations -- 1. Establishing practice -- 2. Form and ...

  2. Writing Fiction: Creative and Critical Approaches (Approaches to

    Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help writers enhance their own fiction. Negotiating the creative-critical crossover, this is an approachable book that helps students develop practical writing skills and a critical awareness of creative possibilities.

  3. Writing Speculative Fiction : Creative and Critical Approaches

    In this engaging and accessible guide, Eugen Bacon explores writing speculative fiction as a creative practice, drawing from her own work, and the work of other writers and theorists, to interrogate its various subgenres. Through analysis of writers such as Stephen King, J.R.R. Tolkien and J. K. Rowling, this book scrutinises the characteristics of speculative fiction, considers the potential ...

  4. Writing Fiction: Creative and Critical Approaches

    Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help writers enhance their own fiction. Negotiating the creative-critical crossover, this is an approachable book that helps students develop practical writing skills and a critical awareness of creative possibilities.

  5. Writing Speculative Fiction: Creative and Critical Approaches

    The book explores creative and critical approaches to writing speculative fiction. But, regardless of your preferred genre, if you're an aspiring writer of any style this impressive guide is for you! - Angela Wauchope, Other Terrain Journal, Swinburne University of Technology, Australia.

  6. Writing Fiction : Creative and Critical Approaches

    Exploring writing as a practice, Amanda Boulter argues that the writer should be open to ideas and learning that might expand creative possibilities. Boulter draws from the work of writers, critics, and theorists to show how cultural and literary debates can help writers to enhance their own fiction. Negotiating the creative-critical crossover, Writing Fiction is a lively and approachable book ...

  7. Writing Speculative Fiction: Creative and Critical Approaches

    It connects critical and cultural theories to the practice of creative writing, examining how they might apply to the process of writing speculative fiction. Both practical and critical in its evaluative gaze, it also looks at e-publishing as a promising publishing medium for speculative fiction. This is essential reading for undergraduate and ...

  8. PDF Writing Fiction

    Introduction: A Critical-Creative Approach to Fiction 1 A critical-creative approach to writing 2 The Lawrence approach 3 The Weldon approach 4 Creative writing and critical theory 5 The structure of this book 6 Part I Foundations 9 1 Establishing Practice 11 Prewriting, Writing, Rewriting 12 Musing 12 The Muses 13 The rag-and-bone shop of the ...

  9. Writing Fiction: Creative and Critical... by Boulter, Amanda

    Writing Fiction: Creative and Critical Approaches: 1 (Approaches to Writing) Paperback - 27 April 2007. by Amanda Boulter (Author) 4.8 13 ratings. Part of: Approaches to Writing (7 books) See all formats and editions. Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary ...

  10. Writing Fiction: Creative and Critical Approaches (Approaches to

    The idea of linking creative and critical approaches in a more obvious way is a great idea and would certainly help students to think more objectively about their writing.' - Jayne Steel, Department of English and Creative Writing, Lancaster University, UK --This text refers to an alternate kindle_edition edition.

  11. Writing Fiction: Creative and Critical Approaches|Paperback

    Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help writers enhance their own fiction. Negotiating the creative-critical crossover, this is an approachable book that helps students develop practical writing skills and a critical awareness of creative possibilities.

  12. Writing Fiction: Creative and Critical Approaches: 1

    Writing Fiction: Creative and Critical Approaches: 1 Paperback - 27 April 2007. by Amanda Boulter (Author) 4.8 14 ratings. Part of: Approaches to Writing (7 books) Edition: 1st. See all formats and editions. Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help ...

  13. Writing Fiction: Creative and Critical Approaches: Approaches to

    Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help writers enhance their own fiction. Negotiating the creative-critical crossover, this is an approachable book that helps students develop practical writing skills and a critical awareness of creative possibilities.

  14. Writing Fiction, Creative and Critical Approaches by A. Boulter

    Product Details. Exploring writing as a practice, Amanda Boulter argues that the writer should be open to ideas and learning that might expand creative possibilities. Boulter draws from the work of writers, critics, and theorists to show how cultural and literary debates can help writers to enhance their own fiction.

  15. Writing Fiction: Creative and Critical Approaches: 6 (Approaches to

    Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help writers enhance their own fiction. Negotiating the creative-critical crossover, this is an approachable book that helps students develop practical writing skills and a critical awareness of creative possibilities.

  16. Writing Fiction: Creative and Critical Approaches (Approaches to

    Buy Writing Fiction: Creative and Critical Approaches (Approaches to Writing): Read Books Reviews - Amazon.com

  17. Writing Speculative Fiction: Creative and Critical Approaches: 5

    Writing Speculative Fiction is Eugen Bacon's new and exciting non-fiction stroke of genius. The book explores creative and critical approaches to writing speculative fiction. But, regardless of your preferred genre, if you're an aspiring writer of any style this impressive guide is for you!

  18. Writing Speculative Fiction: Creative and Critical Approaches

    Writing Speculative Fiction: Creative and Critical Approaches (Approaches to Writing, 5) Hardcover - January 1, 2019 by Eugen Bacon (Author) 4.7 4.7 out of 5 stars 6 ratings

  19. Writing Fiction: Creative and Critical Approaches

    Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help writers enhance their own fiction. Negotiating the creative-critical crossover, this is an approachable book that helps students develop practical writing skills and a critical awareness of creative possibilities.

  20. Writing Fiction: Creative and Critical Approaches ...

    Writing Fiction: Creative and Critical Approaches (Approaches to Writing, 1) by Boulter, Amanda - ISBN 10: 1403988110 - ISBN 13: 9781403988119 - Red Globe Press ... The idea of linking creative and critical approaches in a more obvious way is a great idea and would certainly help students to think more objectively about their writing.' - Jayne ...

  21. Creative writing and critical reading

    This free course, Creative writing and critical reading, explores the importance of reading as part of a creative writer's development at the postgraduate level. You will gain inspiration and ideas from examining other writers' methods, as well as enhancing your critical reading skills. Examples will cover the genres of fiction, creative ...

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    Enid Blyton is one of the world's most well-known and prolific authors of children's literature. Her book series have entertained children across the globe and across generations for almost a century. The conference Writing a British Childhood in a Global Context? Critical Perspectives on Enid Blyton focuses on her work and its international reception.