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Elements of Creative Writing
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J.D. Schraffenberger, University of Northern Iowa
Rachel Morgan, University of Northern Iowa
Grant Tracey, University of Northern Iowa
Copyright Year: 2023
ISBN 13: 9780915996179
Publisher: University of Northern Iowa
Language: English
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Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24
Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more
Comprehensiveness rating: 4 see less
Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.
Content Accuracy rating: 5
As far as I can tell, content is accurate, error free and unbiased.
Relevance/Longevity rating: 5
The book is relevant and up-to-date.
Clarity rating: 5
The text is clear and easy to understand.
Consistency rating: 5
I would agree that the text is consistent in terms of terminology and framework.
Modularity rating: 5
Text is modular, yes, but I would like to see the addition of a section on dramatic writing.
Organization/Structure/Flow rating: 5
Topics are presented in logical, clear fashion.
Interface rating: 5
Navigation is good.
Grammatical Errors rating: 5
No grammatical issues that I could see.
Cultural Relevance rating: 3
I'd like to see more diverse creative writing examples.
As I stated above, textbook is good except that it does not include a section on dramatic writing.
Table of Contents
- Introduction
- Chapter One: One Great Way to Write a Short Story
- Chapter Two: Plotting
- Chapter Three: Counterpointed Plotting
- Chapter Four: Show and Tell
- Chapter Five: Characterization and Method Writing
- Chapter Six: Character and Dialouge
- Chapter Seven: Setting, Stillness, and Voice
- Chapter Eight: Point of View
- Chapter Nine: Learning the Unwritten Rules
- Chapter One: A Poetry State of Mind
- Chapter Two: The Architecture of a Poem
- Chapter Three: Sound
- Chapter Four: Inspiration and Risk
- Chapter Five: Endings and Beginnings
- Chapter Six: Figurative Language
- Chapter Seven: Forms, Forms, Forms
- Chapter Eight: Go to the Image
- Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings
Creative Nonfiction
- Chapter One: Creative Nonfiction and the Essay
- Chapter Two: Truth and Memory, Truth in Memory
- Chapter Three: Research and History
- Chapter Four: Writing Environments
- Chapter Five: Notes on Style
- Chapter Seven: Imagery and the Senses
- Chapter Eight: Writing the Body
- Chapter Nine: Forms
Back Matter
- Contributors
- North American Review Staff
Ancillary Material
- University of Northern Iowa
About the Book
This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.
About the Contributors
J.D. Schraffenberger is a professor of English at the University of Northern Iowa. He is the author of two books of poems, Saint Joe's Passion and The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of The Necessary Poetics of Atheism . His other work has appeared in Best of Brevity , Best Creative Nonfiction , Notre Dame Review , Poetry East , Prairie Schooner , and elsewhere.
Rachel Morgan is an instructor of English at the University of Northern Iowa. She is the author of the chapbook Honey & Blood , Blood & Honey . Her work is included in the anthology Fracture: Essays, Poems, and Stories on Fracking in American and has appeared in the Journal of American Medical Association , Boulevard , Prairie Schooner , and elsewhere.
Grant Tracey author of three novels in the Hayden Fuller Mysteries ; the chapbook Winsome featuring cab driver Eddie Sands; and the story collection Final Stanzas , is fiction editor of the North American Review and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.
Contribute to this Page
As it was in the last edition, we have set first page as "A" and started "Title page" from "i".
Why is there a space here?
indent title on the second line so it's clear...
This should also be added under Nonfiction as well, the Hixson piece.
insert Hixson
change to "themes of the fourth edition" to avoid repeating "new" twice
The Fiction section is not appearing here... I'm not sure where it went.
I don't think we want his name here!!
AU: \(Global\) Please check if all such headings should \ be set in title case as given in the chapters.
Hyphen added here.
changed to lowercase
hyphen added here
semi colon added here
AU: Perhaps "creative"?
colon added here
AU: Please check if "The" sho\ uld be deleted as it is not a part of the name of university.
35 spelled out here
We have set first page as "A" and started "Title page" from "i". Accordingly page reference for Preface and About the Author is listed here.
AU: This style of this component of cha\ pters is given inconsistently in the contents. Please confirm one style that can be followed consistently throughout.
Content in Chapter 12 were removed at the later phase of the project, accordingly the TOC entries are removed here.
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Creative Writing Handbook - Becoming a Complete Writer in all Genres
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This book is for and about amazing you. It contains three main parts beyond this section. The next, ‘Creatives’ and ‘Control’ explores each notion separately. Part three examines the all-important G-forces: Grail and Grails. Discussions in this chapter underpin the thematic title and core pursuit of this book – aiding writers to identify and tightly define the core goal or goals that they desire to realize from their textual quests and conquests. Part four explores 17 popular writing genres and provides an original example of each. Four of these illustrations are first-time attempts by this writer to compose a script in a foreign discipline that is outside his comfort zone and areas of interest. May these modest, raw offerings embolden you to likewise experiment at becoming a complete writer. The penultimate chapter, Part five, explores six topics that may aid writers to answer the holy grail writer’s question, as defined by this author. These topics in order are: Spelling, scripts, styles, solo writing, champions (i.e., role models) and circulation. This book does not aim to teach readers how to develop most technical skills required of competent writers. Open-access and commercial literature available on these topics are mature. Engaging these topics are best served by a medley of resources such as handbooks, video presentations, college curricula and years of dedicated writing practice. Part I Publishers’ edition © Jericho 15 The concluding part of most sections and each chapter is titled ‘Further reading’. These parts offer one or two open-access resources that explore material discussed in that section/chapter in further detail. The principal pursuit of this book aims to help you to identify the core goal/s that may motivate you to be the best writer possible in your chosen fields. There is a dearth of literature that unravels this all-important journey. This book is suitable for informal educational settings and structured teaching environments. It may support writers of all skill levels who thrive from learning solo, in groups or a mixture thereof. It may also guide Creative Writing Professors who teach applied education courses at all levels – from certificate to Graduate-level coursework. Creative writing author authors authorship publication publishing self-publishing self-publication writing creativity Creative Writing 101
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11 Creative Writing Techniques
Learn how to add pizzazz to any type of writing.
The articles below show you how to use creative writing tools in fiction or non-fiction. Each article features a series of examples so it becomes easier to apply the technique.
List of creative writing techniques
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Personification
Show don’t tell
Repetition in writing
Contrast in writing
The rule of three in writing
Parallelism
1. Metaphors
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3. Analogies
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5. Personification
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6. Show don’t tell
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7. Repetition in writing
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8. Contrast in writing
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9. The rule of 3 in writing
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10. Parallelism in writing
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11. Switch the point of view (POV)
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The Creative Writing Handbook
Techniques for New Writers
- © 1996
- Latest edition
- John Singleton ,
- Mary Luckhurst
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Table of contents (10 chapters)
Front matter, making a mark.
- John Singleton, Mary Luckhurst
The Workshop Way
Words words words.
- John Singleton, Geoff Sutton
Writing the Self
The short story.
- John Singleton
Innovative Fiction and the Novel
- Elizabeth Baines
Writing to Form — Verse
- John Lennard
Writing for Performance: Stage, Screen and Radio
Journalistic writing.
- Mary Luckhurst, Betty Princep
Editing and Rewriting
- Liz Cashdan, Mary Luckhurst, John Singleton
Back Matter
- creative writing
About this book
Bibliographic information.
Book Title : The Creative Writing Handbook
Book Subtitle : Techniques for New Writers
Editors : John Singleton, Mary Luckhurst
DOI : https://doi.org/10.1007/978-1-349-13814-2
Publisher : Red Globe Press London
eBook Packages : Palgrave Literature & Performing Arts Collection , Literature, Cultural and Media Studies (R0)
Copyright Information : Macmillan Publishers Limited 1996
Edition Number : 1
Number of Pages : VIII, 284
Additional Information : Previously published under the imprint Palgrave
Topics : Creative Writing
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The creative writing coursebook : forty writers share advice and exercises for poetry and prose
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COMMENTS
Creative Writing Fundamentals _____ 1 Creative Writing is a very subjective discipline and mode of writing. However, there are some universal elements to consider and strengthen, no matter what genre you wish to write in. This guide will briefly go over images, voice, setting and story, which are central to any kind of Creative Writing you wish ...
The Handbook of Creative Writing ... Download Free PDF. Download Free PDF. The Handbook of Creative Writing. The Handbook of Creative Writing. Rozina Bibi. See Full PDF Download PDF. See Full PDF Download PDF. Related Papers. The Student's Guide to Writing. 1999 • Martin Coyle.
Introduction to Creative Writing . The creative self is fundamental to the way we find meaning and purpose in the world. The best fiction, poetry, and drama draw on everyday habits of imagination that make interaction with others possible and fruitful. At the same time, literature and creative writing develop basic skills of the imagination ...
This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States.
978--521-76849-8 - The Cambridge Companion to Creative Writing Edited by David Morley and Philip Neilsen Frontmatter More information the cambridge companion to creative writing Creative writing has become a highly professionalised academic discipline, with popular courses and prestigious degree programmes worldwide. This book is a
Print and Digital Options for The Practice of Creative Writing: A Guide for Students, 4e. Choose the format that works best for your course, and ask about our pack-aging options that offer savings for students. To order the fourth edition, use ISBN 978-1-319-21595-8. Achieve Writer's Help.
It may also guide Creative Writing Professors who teach applied education courses at all levels - from certificate to Graduate-level coursework. Creative writing author authors authorship publication publishing self-publishing self-publication writing creativity Creative Writing 101
creative writing in higher education; there are fine examples available in print (Dawson, 2005; Myers, 1995). The first five chapters explore principles and procedures of creative writing that apply generally to the writing and techniques of fiction, creative nonfic-tion, poetry and, to some extent, drama. Guests to this party include reading,
Synopsis: A page-long summary of the plot of a novel, screenplay, or other literary text written in engaging prose. Syntax: The principles that govern the rules of grammar, linguistics, and the construction of sentences and phrases. Tercet: Also known as a triplet, a tercet is a stanza of three lines in poetry.
genre includes poetry, fiction (novels, short stories), scripts, screenplays, and creative non-fiction. Elements1 Voice: An author's unique style and way of saying things. You should be able to recognize an author's written voice the way you recognize a person's spoken voice. In creative writing, one goal is to develop your written voice.
6. Show don't tell. To let readers experience your story, show don't tell. Showing means using sensory details and describing actions to direct a mental movie in your reader's mind. Get inspired by these examples of "show, don't tell" …. Show don't tell examples >>. 7. Repetition in writing.
1 of 6. Creative Writing: Short Stories. This handout will help you understand and analyze the formal craft elements used by writers in the creation of short stories so that you can effectively employ them in your own. Definition of the Short Story. By its very nature, the short story is difficult to define.
About this book. The Creative Writing Handbook is a new kind of textbook which will prove an indispensable guide for anyone who wants to develop and improve their writing. Written by professional writers and teachers it covers all aspects of the writing process, from drafting first thoughts to shaping them into polished and publishable work.
viii, 284 pages ; 22 cm
The creative writing coursebook : forty writers share advice and exercises for poetry and prose. Publication date 2001 Topics Creative writing, Authorship -- Technique, Rhetoric ... Pdf_module_version 0.0.17 Ppi 360 Rcs_key 24143 Republisher_date 20220129101144 Republisher_operator [email protected] ...
writing as you can from good writing. None of your time spent reading or writing is wasted, if you're learning along the way. Questions to ponder or discuss: • What makes writing good or effective? o Think of your favorite book. Why do you love it? What does that book do that other books do not do? • What makes writing bad or unenjoyable?
Creative Writing Activity for High School Students . 3 GENERAL. 4 How to Teach reative Writing Activities Students may feel reluctant and threatened by a blank piece of paper and a request to write a story about a given topic. However, with some inspiration and fun activities, reluctant
9 In Search of the Writer's Creative Process 149 Todd Lubart 10 Writing as a Collaborative Act 166 R. Keith Sawyer 11 Writing as an Interaction with Ideas 180 Mark A. Runco 12 Creative Cognition in Science Fiction and Fantasy Writing 196 Thomas B. Ward and E. Thomas Lawson part iv: the development 13 Writing in Flow 213 Susan K. Perry
Creative Writing and its Significance Structure 1.0 Objectives 1.1 Introduction 1.2 What is Creative Writing? 1.3 Scope and Area of Creative writing 1.4 Analysing a Creative Composition 1.5 Things that must be avoided by a Writer 1.6 Gradation of Creative Writing from Pulp to Great Writers 1.7 Origin of Thought and Birth of an Idea
Essential skills for creative writing: Integrating multiple domain-specific perspectives. December 2012. Thinking Skills and Creativity 7 (3):209-223. DOI: 10.1016/j.tsc.2012.04.006. Authors ...
For educators, creative writing pro-vides a great way to broaden the curriculum and give stu-dents new, different challenges. Creative writing enhances our imagination and understanding of strategies that help us to create original ideas and new solutions to challenges we face. Thinking about personal growth, creative writing
Subject Description: The course aims to develop practical and creative skills in reading and writing; introduce students to the fundamental techniques of writing fiction, poetry, and drama; and discuss the use of such techniques by well-known authors in a variety of genres. Each class will be devoted to the examination of techniques and to