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Hamline University Announces Its Joint JD/MFA In Creative Writing Degree

October 1, 2007.

A program set to “produce lawyers capable of exploring social and political issues through fiction and creative nonfiction writing,” is the first of its kind in the nation. Hamline University School of Law Dean Jon Garon elaborated, “To be successful, lawyers and other leaders must be able to think creatively and use disciplined imagination to solve problems. For students who can meet the rigorous admission requirements of both schools, the combined JD/MFA will encourage creativity and personal expression as part of the analytical rigor of law. Our graduates will be well positioned to serve as global leaders, thinkers, writers, and, of course, members of the bench and bar.” Minnesota’s first university, Hamline University also established the first MFA program in the state, and currently offers many joint degree programs.

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15 Best Creative Writing MFA Programs in 2024

May 15, 2024

Whether you studied at a top creative writing university or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? If you’re considering an MFA, this article walks you through the best full-time, low residency, and online Creative Writing MFA programs in the United States.

What are the best Creative Writing MFA programs?

Before we get into the meat and potatoes of this article, let’s start with the basics. What is an MFA, anyway?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications typically require a sample portfolio, usually 10-20 pages (and sometimes up to 30-40) of your best writing. Moreover, you can receive an MFA in a particular genre, such as Fiction or Poetry, or more broadly in Creative Writing. However, if you take the latter approach, you often have the opportunity to specialize in a single genre.

Wondering what actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then, you finish the degree with a thesis project. Thesis projects are typically a body of polished, publishable-quality creative work in your genre—fiction, nonfiction, or poetry.

Why should I get an MFA in Creative Writing?

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

Fourth: resources. MFA programs are often staffed by brilliant, award-winning writers; offer lecture series, volunteer opportunities, and teaching positions; and run their own (usually prestigious) literary magazines. Such resources provide you with the knowledge and insight you’ll need to navigate the literary and publishing world on your own post-graduation.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers—and share feedback, advice, and moral support—in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name recognition.

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

FULLY FUNDED MFA PROGRAMS

1) johns hopkins university , mfa in fiction/poetry.

This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Many grads publish their first book within three years (nice). No nonfiction MFA (boo).

• Location: Baltimore, MD
• Incoming class size: 8 students (4 per genre)
• Admissions rate: 4-8%
• Alumni: Chimamanda Adichie, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center

The only MFA that offers full and equal funding for every writer. It’s three years long, offers a generous yearly stipend of $30k, and provides full tuition plus a health insurance stipend. Fiction, poetry, playwriting, and screenwriting concentrations are available. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $4,000 for the summer.

• Location : Austin, TX
• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
• Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. All students receive full funding, including tuition, a living stipend, and subsidized health insurance. The Translation MFA , co-founded by Gayatri Chakravorti Spivak, is also two years long but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 2.7-3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

Best MFA Creative Writing Programs (Continued) 

4) university of michigan.

Anne Carson famously lives in Ann Arbor, as do the MFA students in UMichigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $25,000 stipend, summer funding, and health care.

This is a 2-3-year program in either fiction or poetry, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Location: Ann Arbor, MI
• Incoming class size: 18 (9 in each genre)
• Acceptance rate: 2%
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University

Brown offers an edgy, well-funded program in a place that only occasionally dips into arctic temperatures. All students are fully funded for 2 years, which includes tuition remission and a $32k yearly stipend. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.  Fiction and Poetry Tracks are offered as well.

• Location: Providence, RI
• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

6) University of Arizona

This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It’s in “ the lushest desert in the world, ” and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona’s dry heat is good for arthritis.

This notoriously supportive program is fully funded. Moreover, teaching assistantships that provide a salary, health insurance, and tuition waiver are offered to all students. Tucson is home to a hopping literary scene, so it’s also possible to volunteer at multiple literary organizations and even do supported research at the US-Mexico Border.

• Location: Tucson, AZ
• Incoming class size: usually 6
• Acceptance rate: 1.2% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University 

With concentrations in fiction and poetry, Arizona State is a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Moreover, it encourages cross-genre study.

Funding-wise, everyone has the option to take on a teaching assistantship position, which provides a tuition waiver, health insurance, and a yearly stipend of $25k. Other opportunities for financial support exist as well.

• Location: Tempe, AZ
• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university.

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU also has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes. Concentrations in poetry, fiction, and creative nonfiction are available.

• Location: New York, NY
• Incoming class size: ~60; 20-30 students accepted for each genre
• Acceptance rate: 6-9%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers. Finally, teaching positions and fellowships are available to help offset the high tuition.

• Incoming class size: 110
• Acceptance rate: not publicized (boo)
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence 

Sarah Lawrence offers a concentration in speculative fiction in addition to the average fiction, poetry, and nonfiction choices. Moreover, they encourage cross-genre exploration. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere, and many teaching and funding opportunities are available.

• Location: Bronxville, NY
• Incoming class size: 30-40
• Acceptance rate: not publicized
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11) bennington college.

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer. The rest of the time, you’ll be spending approximately 25 hours per week on reading and writing assignments. Students have the option to concentrate in fiction, nonfiction, or poetry. Uniquely, they can also opt for a dual-genre focus.

The tuition is $23,468 per year, with scholarships available. Additionally, Bennington offers full-immersion teaching fellowships to MFA students, which are extremely rare in low-residency programs.

• Location: Bennington, VT
• Acceptance rate: 53%
• Incoming class: 25-35
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres, including screenwriting, poetry, fiction, and nonfiction. In addition, each student is matched with a faculty mentor who works with them one-on-one throughout the semester.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 in tuition a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Location: Santa Fe, NM
• Incoming class size : 21
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

VCFA is the only graduate school on this list that focuses exclusively on the fine arts. Their MFA in Writing offers concentrations in fiction, poetry, and nonfiction; they also offer an MFA in Literary Translation and one of the few MFAs in Writing for Children and Young Adults . Students meet twice a year for nine days, in January and July, either in-person or online. Here, they receive one-on-one mentorship that continues for the rest of the semester. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition for the full two-year program is approximately $54k.

• Location : Various; 2024/25 residencies are in Colorado and California
• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso.

UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Accordingly, this program is geared toward serious writers who want to pursue teaching and/or publishing. Intensive workshops allow submissions in Spanish and/or English, and genres include poetry and fiction.

No residencies are required, but an optional opportunity to connect in person is available every year. This three-year program costs about $25-30k total, depending on whether you are an in-state or out-of-state resident.

• Location: El Paso, TX
• Acceptance rate: “highly competitive”
• Alumni: Watch alumni testimonies here

15) Bay Path University

This 2-year online, no-residency program is dedicated entirely to nonfiction. Featuring a supportive, diverse community, Bay Path offers small class sizes, close mentorship, and an optional yearly field trip to Ireland.

There are many tracks, including publishing, narrative medicine, and teaching creative writing. Moreover, core courses include memoir, narrative journalism, food/travel writing, and the personal essay. Tuition is approximately $31,000 for the entire program, with scholarships available.

• Location: Longmeadow, MA
• Incoming class size: 20
• Alumni: Read alumni testimonies here

Best MFA Creative Writing Programs — Final Thoughts

Whether you’re aiming for a fully funded, low residency, or completely online MFA program, there are plenty of incredible options available—all of which will sharpen your craft while immersing you in the vibrant literary arts community.

Hoping to prepare for your MFA in advance? You might consider checking out the following:

• Best English Programs
• Best Colleges for Creative Writing
• Writing Summer Programs
• Best Writing Competitions for High School Students

Inspired to start writing? Get your pencil ready:

• 100 Creative Writing Prompts 
• 1 00 Tone Words to Express Mood in Your Writing
• 60 Senior Project Ideas
• Common App Essay Prompts

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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The MFA program in Creative Writing at Syracuse has long been regarded as one of the best in the country. Each year six students are admitted in poetry and six in fiction to work closely in small workshops with an accomplished group of writers. Coursework includes a strong emphasis on the study of literature. Six semesters are usually needed to complete the M.F.A.

Applicants must upload a sample of fiction or poetry with their online application through CollegeNet no later than December 15, as well as complete the online graduate application for graduate study.  Admission is based primarily on the writing sample, but also upon the academic record. Thus, letters of recommendation should address not only the student’s creative work, but also his or her general preparedness for advanced graduate study. Likewise, in their personal statements on the application for graduate study, students should state their reasons for pursuing an M.F.A. in creative writing as well as describe their own backgrounds as writers.

Submit online Graduate Application via ApplyWeb by DECEMBER 15th. 

• FICTION APPLICANTS: UPLOAD your 20 page maximum writing sample with your CollegeNet application by DECEMBER 15.
• POETRY APPLICANTS: UPLOAD your 10-12 POEMS with CollegeNet application by December 15 . Do NOT mail in your poetry writing sample.

Candidates must complete 48 credits of coursework, which includes 9 credits of workshop, a minimum of 9 credits in forms courses, a 3-credit second-year essay seminar, 12 to 15 credits in other English department courses, 6 to 9 credits of electives outside the department, and 6 credits for the preparation of the thesis (a collection of poems or stories or a novel).

For more information about our graduate programs, visit our department web site at english.syr.edu .

Student Learning Outcomes

1. Writing, editing and revision in student’s primary literary genre, leading to a creative manuscript of publishable quality

2. Reading in ways that contribute to a student’s writing

3. Analyzing and writing with care about literary texts

4. Responding thoughtfully and critically to work by other MFA students

5. Demonstrate writerly discipline by accepting criticism from professionals and rewriting accordingly, writing regularly, and developing a life-long reading list

6. Place their own work in the context of a broad range of issues and activities associated with a literary writer and the communities in which the writer lives and works

7. Teach composition and research writing to undergraduates and conduct one-on-one tutoring sessions in a Writing Center

MFA Graduate Awards

First year MFAs come in on a Creative Writing Fellowship award which carries no teaching duties. The award comes with a stipend and a 24 credit hour tuition scholarship.

Second and third year students are funded by teaching assistantships. Teaching assistantships include a 24 credit hour tuition scholarship and a stipend of $20,000. Second year TAs will have full responsibility for teaching/consulting in the department of Writing Studies, Rhetoric, and Composition. They are expected to attend regular staff meetings and workshops and participate in a mentoring group. There is a review of each teaching assistant’s performance as a teacher. Third year students will teach in the English Department, courses to be determined on an as needed basis.

DEPARTMENT OF ENGLISH

• Litowitz MFA+MA Program

The Litowitz MFA+MA Program in Creative Writing and English

Program faculty, the department of english is grateful to northwestern university alumna jennifer leischner litowitz ’91 and her husband, alec litowitz for helping launch and support this program..

The Litowitz MFA+MA Program in Creative Writing offers intimate classes, the opportunity to pursue both creative and critical writing, close mentorship by renowned faculty in poetry, fiction, and creative nonfiction, and three fully supported years in which to grow as writers and complete a book-length creative project.  The Litowitz MFA+MA curriculum gives students time to deepen both their creative writing and their study of literature.  Students will receive full financial support for three academic years and two summers, a total of 33 months.  Both degrees—the MFA in Creative Writing and the MA in English—are awarded simultaneously at graduation.

Drawing on innovative scholarship, deep immersion in process, and cross-pollination between critical and creative texts, Litowitz students will complete a Capstone essay—a 20-25 page expanded version of a paper written for an English department graduate or MFA+MA seminar—by the end of their second year, and will spend their third year working on a book-length creative thesis of their own design, either within one genre or across genres.  The MFA+MA program's small size and attentive faculty will develop students' sense of literary context, the possibilities of genre, and their creative practice, while encouraging them to pursue the individual distinctiveness of their projects.

The Litowitz MFA+MA program provides significant exposure to a second genre in addition to the genre in which a student has been admitted. Students must take at least one out-of-genre workshop and have the option of taking more.

Over two years of coursework students will take:

In spring quarter of the second year, with advising and mentoring by the faculty, each student will complete the MA Capstone Essay.

In year three, students will be almost wholly dedicated to their creative thesis manuscripts.  Third-year students will take three quarters of the MFA Thesis Workshop/Tutorial.

Some students will complete their MFA thesis manuscript by the end of this year; others will wish to take more time.  The Graduate School permits students to submit the culminating project for the MFA at the end of full-time enrollment, or afterward.   

In all three years, students will be mentored by the faculty in the practice of their writing, the design of their projects, and regarding artistic and intellectual resources for their work.  In the teaching of creative writing and, through summer editorial work at TriQuarterly.org , students will get first-hand experience in editing a literary journal.

Visiting writers (including some anglophone international writers) will bring new perspectives to artistic practice, the three genres, and cross-genre or multi-genre work.

Students will pursue their work on our beautiful Evanston campus, amid artists, filmmakers, scholars and public intellectuals, with easy access to the vibrant literary arts scene of Chicago.

Admissions Cycle

Each year, the MFA+MA program admits new students in two of our three genres.  The genres in question rotate annually.  Information on the application process and the genres in which applications will be considered can be found here .

Creative Writing Program

The New School invites you to join a community of diverse writers, become part of New York City’s publishing world, and build a network of support on campus and beyond. Our prestigious MFA Creative Writing program is designed to help you develop your writing in supportive workshops and literature seminars led by an internationally recognized faculty and renowned authors.

books published annually by alumni and faculty

annual writing events, including the National Book Awards Finalist Reading

of admitted MFA students awarded merit-based university scholarships (2020–2021)

MFA in Creative Writing

As an MFA student at The New School, you can choose your concentration—in Arts Writing, Fiction, Nonfiction, Poetry, or Writing for Children and Young Adults—and receive personalized faculty mentorship and faculty and peer critiques. Innovative courses in publishing and multimedia storytelling engage you in the development of literature. Popular graduate minors include Impact Entrepreneurship and Transmedia and Digital Storytelling . Or you can apply to WriteOn NYC! , a New School–funded fellowship program providing MFA students with high-quality teaching experience in area middle schools and high schools. All students benefit from evening classes and events, which enable them to work or attend responsibilities during the day while enrolled in a  full-time program.

Related Programs

In addition to the renowned MFA in Creative Writing, The New School offers other programs and opportunities for writing students. These include noncredit courses and summer intensives, as well as an undergraduate major in the Bachelor’s Program for Adults and Transfer Students, the Writing and Democracy Honors Program, and undergraduate minors in related fields. Summer Writing Intensive Continuing Education Courses Writing & Democracy Honors Program BA in Creative Writing Undergraduate Creative Writing Courses

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The Writer’s Life in NYC

Creative Writing students come to The New School from across the United States and around the world to live the writer's life in New York City. Evenings with agents and editors, offered exclusively for MFA students, provide informal opportunities to meet publishing professionals.

The New School Bookshelf

We are proud to feature books recently published by The New School's Creative Writing community.

Sigrid Nunez, Faculty

Hurricane Child

Kacen callender, mfa '14.

The Impeachers

Brenda wineapple, faculty.

The January Children

Safia elhillo, mfa '15.

Mira Jacob, Faculty and MFA '01

Events & news.

• The Vera List Center for Art and Politics Presents New School New Books Event Series
• Adrian Madlener, History of Design and Curatorial Studies ’18, Explores Design Through Writing and Research
• The Vera List Center for Art and Politics Hosts Reading Room Featuring Faculty Books
• Richard Barone, School of Jazz and Contemporary Music Faculty Member, Debuts New Book about Music Scene in 1960’s Greenwich Village
• New Faculty Achievements from Across The New School Include Fellowships, Grants, and More
• Alexandra Kleeman, SPE Assistant Professor of Writing, Awarded Guggenheim Fellowship in Fiction

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Online MFA in Creative Writing Master of Fine Arts

Earn an MFA in Creative Writing Online

• $637/credit (48 credits total)
• Transfer up to 12 graduate credits
• 100% online – no residency required
• Four fiction genres to choose from
• Career-focused certificate included
• No application fee or GRE/GMAT scores required

Online MFA in Creative Writing Program Overview

Share your story with the world and let the power of storytelling take your career to new heights with an online Master of Fine Arts (MFA) in Creative Writing . As one of the only programs available that encourages a focus on genre fiction, our online MFA lets you hone your craft in an area specific to your strengths and interests. You'll also learn about the business side of creative writing, preparing you to market your work in the real world.

While most MFA programs require a residency, Southern New Hampshire University's online MFA in Creative Writing can be completed entirely online, with no travel necessary.

“Traditional MFA programs, whether full-time or low residency, are out of reach for many writers,” said Paul Witcover , associate dean of creative writing. “The SNHU online MFA was designed to make the MFA experience accessible to all fiction writers, opening the door to diverse voices excluded for too long from the literary conversation. Our program is dedicated to giving writers the tools to succeed on the page and beyond it.”

Graduates leave the program with a completed and revised novel in one of our four offered genres: Contemporary, Young Adult, Romance and Speculative. With the included certificates in either online teaching of writing or professional writing , you'll have the skills to support your writing career, no matter where it takes you.

.st0{fill:#21386D;} What You'll Learn

• The business and technical sides of professional writing
• How to navigate the publishing ecosystem, identify agents and editors, and market your work to appeal to decision-makers
• Using social media to gain a following and build your brand
• How to teach writing in a classroom setting

.cls-1 { fill: #21386d; } How You'll Learn

At SNHU, you'll get support from day 1 to graduation and beyond. And with no set class times, 24/7 access to the online classroom and helpful learning resources along the way, you'll have everything you need to reach your goals.

The Value of an Online MFA

Emily Jones ’20 embraced a transformational experience through the online MFA in Creative Writing program, which supported her in taking her writing career to the next level. “I can now say, without even a hint of imposter syndrome, that I am a writer,” said Jones. “And that is because of Southern New Hampshire University.”

Career Outlook

According to the U.S. Bureau of Labor Statistics, writers and authors made a median annual salary of $69,510 in 2021, while editors made $63,350. 1

“Our mission is to give students a degree and associated practical skills they can use to forge successful pathways in academia, business, or by blazing their own career trail,” said Paul Witcover , associate dean of creative writing.

Earning one of the included certificates in online teaching of writing or professional writing will also be an invaluable addition to your resume for part-time, full-time and freelance jobs in a variety of fields, including:

• Higher education. Instruct writing courses in higher education settings. In 2021, postsecondary teachers made a median annual wage of $79,640, and you can expect to see a 12% growth in available positions through 2031, according to the BLS. 1
• Advertising. Use your storytelling skills in a way that influences consumer action. As a copywriter, you could find yourself doing any number of writing projects from crafting emails and ads to writing entire commercials.
• Marketing. If you're more comfortable with long-form prose, many businesses have invested in content writers who create quality content such as blog posts, ebooks and podcasts to attract and retain customers.
• Entertainment. Good at building suspense or setting up punchlines? From movies and plays to comedy and podcasts, being a good storyteller and writer is important to finding success in the entertainment industry.
• History. Every person's life has a plot, but it takes writers like you to tell their stories in a compelling way. Help readers relive the experiences of historic figures and pop culture icons as a biographer.

Higher Education

Instruct writing courses in higher education at a college or university, either in-person or online.

Advertising

Influence consumer action through copywriting, from print ads to digital advertising and broadcast commercials.

Create written content such as blog posts, ebooks and podcasts to attract and retain customers.

Entertainment

From movies and plays to comedy and podcasts, writers often find success in the entertainment industry.

The U.S. Bureau of Labor Statistics (BLS) predicts favorable job growth in postsecondary education. And while statistics are not available for all job settings mentioned above, the BLS reports the following:

.cls-1 { fill: #21386d; } Job Growth

The BLS predicts an 8% growth in available postsecondary teaching positions through 2032. 1

.cls-1 { fill: #21386d; } Potential Salary

Writers and authors made a median annual salary of $73,150 in 2022, while editors made $73,080 and postsecondary teachers made $80,840. 1

Understanding the Numbers When reviewing job growth and salary information, it’s important to remember that actual numbers can vary due to many different factors — like years of experience in the role, industry of employment, geographic location, worker skill and economic conditions. Cited projections do not guarantee actual salary or job growth.

Start Your Journey Toward an Online MFA in Creative Writing

If you're looking to earn your Master of Fine Arts online, you've found the right program. Even though there are no residency requirements, you'll still interact frequently with other students and faculty members in asynchronous discussions, critique workshops and within our online writer’s community, where students come together to share industry news, extend writing tips and develop critique partnerships.

"I liked MFA-514 (Advanced Studies in Genre Literature) best," said student Jamilla Geter . "It was a great look into the different genres. It really helped me narrow down what genre I wanted to write in."

"Though it was not writing exactly, its connection to it – especially in our digital world – was made clear almost immediately," she said. "Writing is not just providing content of value to your readers, but also creating avenues of access so those readers can find your content. This course helped me to understand that and to learn how I can create those avenues."

Besides allowing you to focus on your own creative interests, part of our 48-credit online MFA curriculum requires you to choose from 2 certificate offerings designed to round out your education and better prepare you for a multitude of writing-related careers.

The first choice is a Graduate Certificate in Online Teaching of Writing , which is tailored to those who see themselves teaching in an online classroom setting as a supplement to their writing careers. Students practice approaches to editing and coaching, learning how to establish a virtual instructor presence and cultivate methods for supporting and engaging students within online writing communities.

Learn more about the online teaching of writing graduate certificate .

Students can also choose the Graduate Certificate in Professional Writing , which highlights the technical and business opportunities available to writers. Students will develop a range of skills, such as copywriting, social media, marketing principles and/or content generation, learning many of the freelancing skills integral to today’s project-driven economy.

Learn more about the professional writing graduate certificate .

All of our courses are taught by accomplished authors and industry professionals who know both the craft and business of creative writing. They will work closely with you to develop both your creative and professional skill set.

"All instructors within my program were extremely knowledgeable and helpful," Warden said. "I learned a lot about the different career paths my instructors chose. ... The course instruction, along with their anecdotal experiences, helped in offering knowledge in different areas of our field.

MFA Program Thesis

The thesis for the Online MFA in Creative Writing is required to be a novel of at least 50,000 words in one of the four genres the program offers: Contemporary, Young Adult, Romance, and Speculative.

Every Southern New Hampshire University online MFA student who graduates from the program will do so with a revised novel manuscript in their chosen genre, which is completed in a three-course thesis series. Throughout your tenure in the program, you can either work on a singular idea that you will develop during the three thesis courses, or you can begin a new project for your thesis. You can also combine elements of the four genres offered in the program for your thesis. For example, your thesis might be a YA Speculative Fiction novel.

"My three thesis classes for the MFA degree were the most helpful," said Kathleen Harris '21 . "I was actually writing a book as my thesis, so it was both enjoyable and advantageous for the degree. And it was the end of a very long milestone of accomplishments."

Minimum Hardware Requirements Component Type   PC (Windows OS)   Apple (Mac OS)   Operating System  Currently supported operating system from Microsoft.   Currently supported operating system from Apple.  Memory (RAM)  8GB or higher  8GB or higher  Hard Drive  100GB or higher  100GB or higher  Antivirus Software  Required for campus students. Strongly recommended for online students.  Required for campus students. Strongly recommended for online students.  SNHU Purchase Programs  Visit Dell   Visit Apple   Internet/ Bandwidth  5 Mbps Download, 1 Mbps Upload and less than 100 ms Latency  5 Mbps Download, 1 Mbps Upload and less than 100 ms Latency  Notes:   Laptop or desktop?   Whichever you choose depends on your personal preference and work style, though laptops tend to offer more flexibility.  Note:   Chromebooks (Chrome OS) and iPads (iOS) do not meet the minimum requirements for coursework at SNHU. These offer limited functionality and do not work with some course technologies. They are not acceptable as the only device you use for coursework. While these devices are convenient and may be used for some course functions, they cannot be your primary device. SNHU does, however, have an affordable laptop option that it recommends: Dell Latitude 3301 with Windows 10.  Office 365 Pro Plus  is available free of charge to all SNHU students and faculty. The Office suite will remain free while you are a student at SNHU. Upon graduation you may convert to a paid subscription if you wish. Terms subject to change at Microsoft's discretion. Review system requirements for  Microsoft 365 plans  for business, education and government.  Antivirus software:  Check with your ISP as they may offer antivirus software free of charge to subscribers.  if (typeof accordionGroup === "undefined") { window.accordionGroup = new accordion(); } accordionGroup.init(document.getElementById('f756dce5bd874c61855f6f6e92d88470')); University Accreditation

Tuition & Fees

Tuition rates for SNHU's online degree programs are among the lowest in the nation. We offer a 25% tuition discount for U.S. service members, both full and part time, and the spouses of those on active duty.

Tuition rates are subject to change and are reviewed annually. *Note: students receiving this rate are not eligible for additional discounts.

Additional Costs: Course Materials ($ varies by course). Foundational courses may be required based on your undergraduate course history, which may result in additional cost.

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The 10 Best Creative Writing MFA Programs in the US

The talent is there. 

But the next generation of great American writers needs a collegial place to hone their craft. 

They need a place to explore the writer’s role in a wider community. 

They really need guidance about how and when to publish. 

All these things can be found in a solid Master of Fine Arts in Creative Writing degree program. This degree offers access to mentors, to colleagues, and to a future in the writing world. 

A good MFA program gives new writers a precious few years to focus completely on their work, an ideal space away from the noise and pressure of the fast-paced modern world. 

We’ve found ten of the best ones, all of which provide the support, the creative stimulation, and the tranquility necessary to foster a mature writer.

We looked at graduate departments from all regions, public and private, all sizes, searching for the ten most inspiring Creative Writing MFA programs. 

Each of these ten institutions has assembled stellar faculties, developed student-focused paths of study, and provide robust support for writers accepted into their degree programs. 

To be considered for inclusion in this list, these MFA programs all must be fully-funded degrees, as recognized by Read The Workshop .

Creative Writing education has broadened and expanded over recent years, and no single method or plan fits for all students. 

Today, MFA programs across the country give budding short story writers and poets a variety of options for study. For future novelists, screenwriters – even viral bloggers – the search for the perfect setting for their next phase of development starts with these outstanding institutions, all of which have developed thoughtful and particular approaches to study.

So where will the next Salinger scribble his stories on the steps of the student center, or the next Angelou reading her poems in the local bookstore’s student-run poetry night? At one of these ten programs.

Here are 10 of the best creative writing MFA programs in the US.

University of Oregon (Eugene, OR)

Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. 

Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on-one instruction in the English college system. 

Oregon’s MFA embraces its reputation for rigor. Besides attending workshops and tutorials, students take classes in more formal poetics and literature.  

A classic college town, Eugene provides an ideal backdrop for the writers’ community within Oregon’s MFA students and faculty.  

Tsunami Books , a local bookseller with national caché, hosts student-run readings featuring writers from the program. 

Graduates garner an impressive range of critical acclaim; Yale Younger Poet winner Brigit Pegeen Kelly, Cave Canem Prize winner and Guggenheim fellow Major Jackson, and PEN-Hemingway Award winner Chang-Rae Lee are noteworthy alumni. 

With its appealing setting and impressive reputation, Oregon’s MFA program attracts top writers as visiting faculty, including recent guests Elizabeth McCracken, David Mura, and Li-young Lee.

The individual approach defines the Oregon MFA experience; a key feature of the program’s first year is the customized reading list each MFA student creates with their faculty guide. 

Weekly meetings focus not only on the student’s writing, but also on the extended discovery of voice through directed reading. 

Accepting only ten new students a year—five in poetry and five in fiction— the University of Oregon’s MFA ensures a close-knit community with plenty of individual coaching and guidance.

Cornell University (Ithaca, NY)

Cornell University’s MFA program takes the long view on life as a writer, incorporating practical editorial training and teaching experience into its two-year program.

Incoming MFA students choose their own faculty committee of at least two faculty members, providing consistent advice as they move through a mixture of workshop and literature classes. 

Students in the program’s first year benefit from editorial training as readers and editors for Epoch , the program’s prestigious literary journal.

Teaching experience grounds the Cornell program. MFA students design and teach writing-centered undergraduate seminars on a variety of topics, and they remain in Ithaca during the summer to teach in programs for undergraduates. 

Cornell even allows MFA graduates to stay on as lecturers at Cornell for a period of time while they are on the job search. Cornell also offers a joint MFA/Ph.D. program through the Creative Writing and English departments.

Endowments fund several acclaimed reading series, drawing internationally known authors to campus for workshops and work sessions with MFA students. 

Recent visiting readers include Salman Rushdie, Sandra Cisneros, Billy Collins, Margaret Atwood, Ada Limón, and others. 

Arizona State University (Tempe, AZ)

Arizona State’s MFA in Creative Writing spans three years, giving students ample time to practice their craft, develop a voice, and begin to find a place in the post-graduation literary world. 

Coursework balances writing and literature classes equally, with courses in craft and one-on-one mentoring alongside courses in literature, theory, or even electives in topics like fine press printing, bookmaking, or publishing. 

While students follow a path in either poetry or fiction, they are encouraged to take courses across the genres.

Teaching is also a focus in Arizona State’s MFA program, with funding coming from teaching assistantships in the school’s English department. Other exciting teaching opportunities include teaching abroad in locations around the world, funded through grants and internships.

The Virginia C. Piper Center for Creative Writing, affiliated with the program, offers Arizona State MFA students professional development in formal and informal ways. 

The Distinguished Writers Series and Desert Nights, Rising Stars Conference bring world-class writers to campus, allowing students to interact with some of the greatest in the profession. Acclaimed writer and poet Alberto Ríos directs the Piper Center.

Arizona State transitions students to the world after graduation through internships with publishers like Four Way Books. 

Its commitment to the student experience and its history of producing acclaimed writers—recent examples include Tayari Jones (Oprah’s Book Club, 2018; Women’s Prize for Fiction, 2019), Venita Blackburn ( Prairie Schooner Book Prize, 2018), and Hugh Martin ( Iowa Review Jeff Sharlet Award for Veterans)—make Arizona State University’s MFA a consistent leader among degree programs.

University of Texas at Austin (Austin, TX)

The University of Texas at Austin’s MFA program, the Michener Center for Writers, maintains one of the most vibrant, exciting, active literary faculties of any MFA program.

Denis Johnson D.A. Powell, Geoff Dyer, Natasha Trethewey, Margot Livesey, Ben Fountain: the list of recent guest faculty boasts some of the biggest names in current literature.

This three-year program fully funds candidates without teaching fellowships or assistantships; the goal is for students to focus entirely on their writing. 

More genre tracks at the Michener Center mean students can choose two focus areas, a primary and secondary, from Fiction, Poetry, Screenwriting, and Playwriting.

The Michener Center for Writers plays a prominent role in contemporary writing of all kinds. 

The hip, student-edited Bat City Review accepts work of all genres, visual art, cross genres, collaborative, and experimental pieces.  

Recent events for illustrious alumni include New Yorker publications, an Oprah Book Club selection, a screenwriting prize, and a 2021 Pulitzer (for visiting faculty member Mitchell Jackson). 

In this program, students are right in the middle of all the action of contemporary American literature.

Washington University in St. Louis (St. Louis, MO)

The MFA in Creative Writing at Washington University in St. Louis is a program on the move: applicants have almost doubled here in the last five years. 

Maybe this sudden growth of interest comes from recent rising star alumni on the literary scene, like Paul Tran, Miranda Popkey, and National Book Award winner Justin Phillip Reed.

Or maybe it’s the high profile Washington University’s MFA program commands, with its rotating faculty post through the Hurst Visiting Professor program and its active distinguished reader series. 

Superstar figures like Alison Bechdel and George Saunders have recently held visiting professorships, maintaining an energetic atmosphere program-wide.

Washington University’s MFA program sustains a reputation for the quality of the mentorship experience. 

With only five new students in each genre annually, MFA candidates form close cohorts among their peers and enjoy attentive support and mentorship from an engaged and vigorous faculty. 

Three genre tracks are available to students: fiction, poetry, and the increasingly relevant and popular creative nonfiction.

Another attractive feature of this program: first-year students are fully funded, but not expected to take on a teaching role until their second year. 

A generous stipend, coupled with St. Louis’s low cost of living, gives MFA candidates at Washington University the space to develop in a low-stress but stimulating creative environment.

Indiana University (Bloomington, IN)

It’s one of the first and biggest choices students face when choosing an MFA program: two-year or three-year? 

Indiana University makes a compelling case for its three-year program, in which the third year of support allows students an extended period of time to focus on the thesis, usually a novel or book-length collection.

One of the older programs on the list, Indiana’s MFA dates back to 1948. 

Its past instructors and alumni read like the index to an American Literature textbook. 

How many places can you take classes in the same place Robert Frost once taught, not to mention the program that granted its first creative writing Master’s degree to David Wagoner? Even today, the program’s integrity and reputation draw faculty like Ross Gay and Kevin Young.

Indiana’s Creative Writing program houses two more literary institutions, the Indiana Review, and the Indiana University Writers’ Conference. 

Students make up the editorial staff of this lauded literary magazine, in some cases for course credit or a stipend. An MFA candidate serves each year as assistant director of the much-celebrated and highly attended conference . 

These two facets of Indiana’s program give graduate students access to visiting writers, professional experience, and a taste of the writing life beyond academia.

University of Michigan, Ann Arbor (Ann Arbor, MI)

The University of Michigan’s Helen Zell Writers’ Program cultivates its students with a combination of workshop-driven course work and vigorous programming on and off-campus. Inventive new voices in fiction and poetry consistently emerge from this two-year program.

The campus hosts multiple readings, events, and contests, anchored by the Zell Visiting Writers Series. The Hopgood Awards offer annual prize money to Michigan creative writing students . 

The department cultivates relationships with organizations and events around Detroit, so whether it’s introducing writers at Literati bookstore or organizing writing retreats in conjunction with local arts organizations, MFA candidates find opportunities to cultivate a community role and public persona as a writer.

What happens after graduation tells the big story of this program. Michigan produces heavy hitters in the literary world, like Celeste Ng, Jesmyn Ward, Elizabeth Kostova, Nate Marshall, Paisley Rekdal, and Laura Kasischke. 

Their alumni place their works with venerable houses like Penguin and Harper Collins, longtime literary favorites Graywolf and Copper Canyon, and the new vanguard like McSweeney’s, Fence, and Ugly Duckling Presse.

University of Minnesota (Minneapolis, MN)

Structure combined with personal attention and mentorship characterizes the University of Minnesota’s Creative Writing MFA, starting with its unique program requirements. 

In addition to course work and a final thesis, Minnesota’s MFA candidates assemble a book list of personally significant works on literary craft, compose a long-form essay on their writing process, and defend their thesis works with reading in front of an audience.

Literary journal Great River Review and events like the First Book reading series and Mill City Reading series do their part to expand the student experience beyond the focus on the internal. 

The Edelstein-Keller Visiting Writer Series draws exceptional, culturally relevant writers like Chuck Klosterman and Claudia Rankine for readings and student conversations. 

Writer and retired University of Minnesota instructor Charles Baxter established the program’s Hunger Relief benefit , aiding Minnesota’s Second Harvest Heartland organization. 

Emblematic of the program’s vision of the writer in service to humanity, this annual contest and reading bring together distinguished writers, students, faculty, and community members in favor of a greater goal.

Brown University (Providence, RI)

One of the top institutions on any list, Brown University features an elegantly-constructed Literary Arts Program, with students choosing one workshop and one elective per semester. 

The electives can be taken from any department at Brown; especially popular choices include Studio Art and other coursework through the affiliated Rhode Island School of Design. The final semester consists of thesis construction under the supervision of the candidate’s faculty advisor.

Brown is the only MFA program to feature, in addition to poetry and fiction tracks, the Digital/Cross Disciplinary track . 

This track attracts multidisciplinary writers who need the support offered by Brown’s collaboration among music, visual art, computer science, theater and performance studies, and other departments. 

The interaction with the Rhode Island School of Design also allows those artists interested in new forms of media to explore and develop their practice, inventing new forms of art and communication.

Brown’s Literary Arts Program focuses on creating an atmosphere where students can refine their artistic visions, supported by like-minded faculty who provide the time and materials necessary to innovate. 

Not only has the program produced trailblazing writers like Percival Everett and Otessa Moshfegh, but works composed by alumni incorporating dance, music, media, and theater have been performed around the world, from the stage at Kennedy Center to National Public Radio.

University of Iowa (Iowa City, IA)

When most people hear “MFA in Creative Writing,” it’s the Iowa Writers’ Workshop they imagine. 

The informal name of the University of Iowa’s Program in Creative Writing, the Iowa Writers’ Workshop was the first to offer an MFA, back in 1936. 

One of the first diplomas went to renowned writer Wallace Stegner, who later founded the MFA program at Stanford.

 It’s hard to argue with seventeen Pulitzer Prize winners and six U.S. Poets Laureate. The Iowa Writers’ Workshop is the root system of the MFA tree.

The two-year program balances writing courses with coursework in other graduate departments at the university. In addition to the book-length thesis, a written exam is part of the student’s last semester.

Because the program represents the quintessential idea of a writing program, it attracts its faculty positions, reading series, events, and workshops the brightest lights of the literary world. 

The program’s flagship literary magazine, the Iowa Review , is a lofty goal for writers at all stages of their career. 

At the Writers’ Workshop, tracks include not only fiction, poetry, playwriting, and nonfiction, but also Spanish creative writing and literary translation. Their reading series in association with Prairie Lights bookstore streams online and is heard around the world.

Iowa’s program came into being in answer to the central question posed to each one of these schools: can writing be taught? 

The answer for a group of intrepid, creative souls in 1936 was, actually, “maybe not.” 

But they believed it could be cultivated; each one of these institutions proves it can be, in many ways, for those willing to commit the time and imagination.

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Department of English and Comparative Literature

MFA Program

Our Program and Literary Community

A 44 semester-unit, 2-year studio/research program: 

• A dual-genre program with concentrations in fiction, creative nonfiction , poetry, and playwriting/screenwriting.
• Curriculum includes writing workshops in primary and secondary genres, literature seminars, professional training courses, and internships.  
• First Year: All applicants are considered for six Graduate Steinbeck Fellowships (covers in-state tuition). 
• Second Year : Students can apply to be Teaching Associates in the English Department with a salary and tuition remittance.
• Connie L. Lurie Distinguished Visiting Author-in-Residence . Don George, Andrew Sean Greer, Nayomi Munaweera, and Faith Adiele (Spring 2020). Past visitors include: Vendela Vida, Cristina García, Ursula K. Le Guin, Ishmael Reed, Kim Addonizio, Simon Winchester, Tim Cahill, and Daniel Alarcón.
• Reed Magazine , the oldest student-run literary journal west of the Mississippi.
• Center for Literary Arts holds readings, discussions, and master classes with writers of exceptional voice and vision in San Jose since 1986. Guests since 2007 include E.L. Doctorow, Denis Johnson, ZZ Packer, Mary Roach, Salman Rushdie, Tracy K. Smith, Juan Felipe Herrera, Joy Harjo, T. C. Boyle, Viet Thanh Nguyen, William Finnegan, Paul Beatty, Marilyn Chin (Fall 2019), and Jonathan Franzen (Fall 2019).

Fall admission opens October 1.

Admission is based on a writing sample in the primary genre, in which the student will complete a full-length thesis.  Students must declare a primary and a secondary genre to apply for admission. 

• MFA Admission requirements
• Frequently Asked Questions

Why Choose Our MFA Program?

• Be part of workshops and literature seminars (averaging 15-16 students) taught by actively publishing, available faculty . 
• Courses are taught in-person and via online modalities, and are offered weekly in the late afternoons and evenings to fit your busy schedule.
• Apply for a fellowship! All applicants are automatically eligible to be considered for one of six full in-state tuition Graduate Steinbeck Fellowships in their first year. 
• Take advantage of a plethora of opportunities, such as joining the editorial staff of REED Magazine , an award-winning student-edited annual literary journal.
• Become a teaching assistant. Teaching opportunities while completing the degree through the department’s Graduate Assistant and Teaching Associate programs .
• Hear from renowned authors in events presented by the Center for Literary Arts and from our annual Lurie Visiting Author-in-Residence who teaches a graduate workshop each Spring. Come join our supportive literary and social community !

Reading List

For the MFA exam you should be prepared to cite approximately 8 works in the primary (approximately 4 per essay) and 4 works in the secondary on our reading list.

Past MFA Events

From MFA Theses Readings to Legacy of Poetry, you can find recordings and slide decks from our past events!

Nick Taylor , Director of Creative Writing  (408) 924-5087  Faculty Offices 106  [email protected]

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Living Writers' Series

Why Choose Our Program?

At SDSU, we believe our Creative Writing program is uniquely situated to provide writers with an exciting, informative, personalized—and affordable—path to attaining their MFA.

Inspired by Experiences

Inspired by our place in the world, the program provides a rich and diverse experience that goes beyond the classroom.

A Beautiful Location

Our campus is situated in the heart of San Diego, the site of early Californian history, and only minutes from the U.S./Mexico border.

A Global Approach to Writing

Our international approach is reflected in our course work and faculty expertise.

A History of Excellence

Established in 1989 by Poet Sandra Alcosser, SDSU became the second MFA Creative Writing program in California.

In the Spotlight

Michael Mark

Michael Mark is the author of Visiting Her in Queens is More Enlightening than a Month in a Monastery in Tibet which won the 2022 Rattle Chapbook prize. He was the recipient of the Anthony Hecht Scholarship at the Sewanee Writers’ Conference. He lives with his wife, Lois, a journalist, in San Diego.

The Hugh C. Hyde Living Writers' Series at SDSU is one of the longest continuously running series in the nation. The series has featured an impressive slate of award-winning authors, many of them who are alumni of our program. All of the events are free and open to the public.

Susan Conley

Susan Conley is the award-winning author of five books, including her most recent novel  Landslide . S he is a founder of the Telling Room, a creative writing lab for youth. She grew up in Maine and teaches on the faculty of the Stonecoast Writing Program.

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MFA in Creative Writing

‌ mfa in creative writing .

** Please note that the MFA does not have a poetry strand**

Applications for 2024/25 have now closed. Applications for 2025/26 will open on 1st October 2024.

Creative writing in the   Mary Lavin Centre for Creative  Writing (within the UCD School of English Drama and Film)  draws on the long literary heritage of Dublin as a place that has produced many world-famous authors. It takes full advantage of the range of vibrant and dynamic literary activities in a country and a city where writers and writing are celebrated. The University has played a major role in the development of literary cultures both in Ireland and internationally and has long been associated with some of Ireland's greatest writers, including James Joyce, Flann O' Brien, Mary Lavin, Patrick Kavanagh, Maeve Binchy, Thomas Kinsella, Eilis Ni Dhuibne and Marina Carr. It is committed to supporting writers in all fields, including fiction, poetry and performance writing, as well as a diverse range of creative non-fiction. 

UCD offers two taught graduate courses in creative writing, an MA and MFA.  The MA is usually the most suitable programme for someone coming directly from a BA. Most students on the MFA have an MA or an equivalently developed writing practice. Admission to the MFA programme is very competitive. You will be taught in a small group by writers of international reputation. Our focus is on prose fiction and non-fiction, and the degree suits students working to finish a draft of a full-length novel, memoir or short story collection. Writing workshops run twice weekly through two semesters, and over the summer students receive individual supervision as they complete a final project. 

Writers currently involved with the MA and MFA programmes in creative writing include the poet Ian Davidson, novelist and poet Paul Perry, novelist Anne Enright, novelist Sarah Moss, novelist Declan Hughes, novelist Niamh Campbell, poet Éireann  Lorsung, and the Arts Council Writer in Residence for UCD. Participants in the MFA also get the opportunity to attend the very many cultural and literary events that take place in UCD and the Museum of Literature Ireland, and recent visitors include Mark O'Connell, Priscilla Morris, Sarah Gilmartin, Colin Barrett and Jan Carson. 

The School of English, Drama and Film has always included in its programme of extra-curricular activities a rich array of readings, writing workshops, writers’ groups, and special seminars offered by writers-in-residence. In 2006, we introduced the MFA in Creative Writing to enable committed writers to develop their potential within a supportive framework. It is a one-year course of seminars, workshops and supervisions providing teaching in theories and practices of writing. 

There are first-rate libraries and archives in UCD and the Dublin area. Over many years, the School has established a worldwide reputation for excellence in fostering postgraduate research and in teaching. Designated as a UNESCO City of Literature in 2009, Dublin has an immense amount to offer aspiring writers.

Further Information

What can i hope to achieve on the mfa.

As a participant on the MFA programme you will be part of a large world-class School of English, Drama and Film and will:

• be taught by experienced published writers with international reputations;
• experience and develop knowledge of the best contemporary writing;
• learn how to produce and develop new ideas for your own writing;
• gain skills in editing and revising;
• take part in workshops, seminars and one to one tutorials;
• explore the archives of some of the world’s leading writers in the Special Collections held in UCD;
• develop a portfolio of work in your own chosen genre. 

A fundamental tenet of the Creative Writing Programme at UCD is a belief in the value of learning from writers who have mastered their craft. Accordingly, the emphasis is on learning to read like writers.  Students who embark on this course will already have acquired many of the skills associated with a programme such as the MFA in Creative Writing. In addition to sharing the objectives as outlined above with the MA programme, they will have a full work in progress and will be given close individual supervision in the progress and completion of that work (50,000 words) with a view to offering it for publication at the end of the course.  Class sizes are small, so the learning environment while upbeat and in every sense enabling, is necessarily quite concentrated.  

What will I study?

As an indication of content, MFA students 2022-23 take the following core modules:

(Please be aware that module offerings are subject to change)

Semester 2 , what are the time commitments.

The majority of teaching on MFA in Creative Writing is structured around two intense block teaching days and requires students to be on campus on Mondays and Wednesdays. Please bear in mind that on occasion you may be required to attend lectures/seminars/launches outside of these hours.

(Please be aware that timetables can be subject to change due to spacing and resourcing schedules).

What are the demographics of the class?

Students on the MA and MFA come from diverse backgrounds. Some come straight from their undergraduate studies while others might have spent some years in different jobs before coming to the course to fulfil their ambition to be writers. The student group is international, and students come to UCD from many countries to pursue their writing ambitions including Ireland, the UK, US, New Zealand, India, Austria and Germany.  Most have a good deal of writing experience and wish to pursue professional careers in writing, with specialisations in novel writing/short stories or poetry. Several of our alumni have won prestigious awards.

Will I have the opportunity to work on a literary journal?

Yes. The HCE Review is an online quarterly journal run by the staff and students on the MA and MFA in Creative Writing.  The journal aims to publish fiction, poetry, creative non-fiction, and visual art from both established and emerging writers and artists from around the world.

You can read more about the journal  (opens in a new window) here .

What are the portfolio requirements? What should the personal statement reflect?

Applicants applying for the MFA should present a clear vision of the writing project they wish to develop during the programme.  A strong portfolio should contain an outline [approx 1 page] of the novel in progress, together with the opening 25 /30 pages. In the case of a short story collection, two stories; and finally, a personal statement of reasons for taking the course and references.

The  personal   statement should  include a short summary of your writing experience to date and any courses or workshops you have attended.  Include a brief introduction of your history as a writer and how and why you want to apply for the MFA.  What do you hope to achieve and how do you believe that the MFA will help develop as a writer? If you have been previously published or are the recipient of any literary awards, please include details of these, but bear in mind that a publication history is not required to apply.

What do students do following completion of the MFA?

Many of our alumni from the MA and MFA have gone on to successful careers in writing, publishing and media.

• Disha Bose MA (2015-2016)  Born and raised in India, Disha now lives in Ireland. She attended University College Dublin, where she completed a Masters in Creative Writing (2016).  Disha Bose’s debut novel Dirty Laundry, a domestic noir, is to be published by Viking Books in the UK and Commonwealth (May, '23), and by Ballantine Books in North America.
• Sonya Gildea MA (2019 - 2020) Winner of the John McGahern Literature Award 2021; Poetry Ireland Introductions poet 2021/22 (selected by Seán Hewitt), winner of an Ireland Chair of Poetry Student Award 2020; recipient of a literature Bursary Award 2021 from the Irish Arts Council and winner of the Cúirt International New Writer’s Award (2015). Sonya has published in Crannog; the Stinging Fly; the Irish Times; Tolka journal; the Cormorant Broadsheet; the Night Heron Barks; The Maynard journal of poetry; the commemorative anthology Hold Open the Door (UCD & Chicago Press 2020); the Poetry Ireland Introductions anthology This Is What You Mean To Me (2021); Arlen House Publishing anthology of contemporary Irish poetry (2022); and The Common literary journal (2022).
• Sree Sen MA (2019-2020)  Published in Poetry Ireland Review, The Honest Ulsterman, Local Wonders (poetry anthology by Dedalus Press), bath magg, Crossways, nether Quarterly, Headstuff and others. She’s the winner of the UCD Maeve Binchy Travel Award 2020, recipient of Cill Rialaig Residency 2020 & Agility Award 2021 by the Arts Council of Ireland. 
• Aingeala Flannery MFA (2018-2019) The Amusements debut novel published by Penguin Sandycove June 2022 Arts Council Literature Bursary 2020 and 2021 Winner Harper's Bazaar Short Story Competition 2019

'The MFA in Creative Writing at UCD gave me the encouragement and space I needed to focus on my writing. It was challenging and inspiring, I came away with fresh ideas and a stronger sense of my natural writing style and the themes that excite me.  Our class stayed in touch and it's wonderful to have that ongoing support - for the rejections as well as the celebrations. The MFA in Creative Writing changed my life'

• Aoife Fitzpatrick MFA (2018 - 2019) Debut novel, The Red Bird Sings, from Virago Press, June 2023 “I miss the MFA. Not just the notable experience and insight of its teachers, but their authentic interest and vital engagement. That's what makes this course special; why it can transform both writer and work-in-progress.“
• Liz Houchin MA (2018 - 2019) ‘Anatomy of a Honey girl (poems for tired women)’ published by Southword, 2021. Awarded Literature Bursary from Arts Council of Ireland, 2021. 
• Brendan Casey, MA (2018-2019) She That Lay, Silent-like, Upon Our Shore, was long-listed for the Deborah Rogers Foundation Award and will be published by John Murray Originals in 2023.

'The course allowed me to dedicate myself to writing in a structured nurturing environment in which I had the time and space to develop ideas. Since graduating I have signed with RCW literary agency in London, and the thesis I submitted in UCD went on to form the basis of my novel .' 

• Sarah Gilmartin MFA (2018-2019) Her debut novel Dinner Party (Pushkin, 2021) was shortlisted for best newcomer at the Irish Book Awards and the Kate O’Brien Award 2022. Her stories have been published in The Dublin Review, New Irish Writing and The Tangerine. Her story The Wife won the 2020 Máirtín Crawford Award at Belfast Book Festival.
• Colin Barrett  won the Guardian First Fiction Prize with  Young Skins  [Pub. Stinging Fly Press / Jonathan Cape (UK) Grove Black Cat editions (US)] then went on to win both the Frank O'Connor International short story award and the Rooney Prize for Literature.  in 2015, Colin was nominated as one of the five under 35 honourees by the National Book Foundation in the US. His stories have appeared in  Five Dials ,  A Public Space  and  The New Yorker .
• Dave Rudden  is a leading writer of YA fiction and has been short-listed for the Hennessy New Writing Award and the Bath Short Story Prize. He is the author of numerous novels, most recent,  The Endless King ,  Doctor Who: Twelve Angels Weeping: Twelve Stories of the Villains from Doctor Who, The Forever Court  and  Knights of the Borrowed Dark.
• Jessica Traynor  won the Hennessy Emerging Poet Award and the Hennessy Writer of the Year Award in 2013 and was the recipient of the Ireland Chair of Poetry Bursary in 2014. She is the author of two collections of poetry,  The Quick  and  Liffey Swim  runner-up in the 2015 Troubadour International Poetry Prize and Liffey Swim which was nominated for the 2015 Strong/Shine Award for first collections. 
• Julie Morrissy  is an Irish poet, critic, and activist. Her first collection  Where, the Mile End  is forthcoming in February 2019 with  (opens in a new window) BookThug  (Canada) and  (opens in a new window) tall-lighthouse  (UK & Ireland). Her debut poetry pamphlet  I Am Where  (Eyewear 2015)   was shortlisted for Best Poetry Pamphlet in the Saboteur Awards 2016.
• Henrietta McKervey  has published three novels,  What Becomes Of Us  [Pub. Hachette Ireland],  The Heart of   Everything  and  Violet Hill .  Henrietta won both the Hennessy First Fiction Award and the UCD Maeve Binchy Travel Award in 2014. 
• Helena Nolan  is a poet and short fiction writer and was selected for the 2015  Poetry Ireland Introductions Series  and will read as part of the International Literature Festival in May. She won the Patrick Kavanagh Award in 2011, having come second in 2010. 
• Eamon McGuinness  is from Dublin. His poetry has appeared in  Poetry Ireland Review ,  Boyne Berries, Abridged, The Honest Ulsterman , and elsewhere. In 2017, he was featured on the Poetry Jukebox in Belfast and shortlisted for the Strokestown International Poetry Prize. His debut collection is forthcoming from Salmon Poetry.

How to Apply

• Applications for 2024-25 will open on 1st October 2023 
• The entry requirements for the MFA programme are any of the following; an MA, M Phil [Creative Writing], BFA [Creative Writing], BA Creative Writing Major/Joint Major or equivalent, an outline [approx 1 page] of the novel in progress, together with the opening 25 /30 pages. In the case of a short story collection, two stories; and finally, a personal statement of reasons for taking the course and references.
• Applications are reviewed on a rolling basis until all places have been filled by suitably qualified and capable applicants. We advise applying early to avoid disappointment.

Application requirements are:

1. Academic Transcript(s)

2. Outline of the novel (1 page approx) plus the first 25/30 pages; or two short stories

3. Personal statement

4. Any other supporting documentation that may be relevant to your application.

5. English Language test certificate (IELTS or equivalent at 7.5 with no component less than 7.0)

6. The email addresses of two academic referees.

Scanned copies of relevant academic qualifications and the writing sample should be included in the online application.

Once you submit your application, your referees will receive an email and a link to upload their reference letters. References should be on headed paper and signed. 

• For further details, module information and to start an application, please see our MFA Creative Writing UCD webpages.
• If you have any questions about the programme or the application process, please contact Fiona French, Graduate Administrator at  (opens in a new window) [email protected] .

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• Creative Writing, MFA

Master of Fine Arts in Creative Writing

A Master of Fine Arts (MFA) in Creative Writing is a terminal, two-year postgraduate degree that focuses on the art and practice of writing. At Arcadia, you choose between programs in fiction or poetry, and graduate with a completed manuscript of publishable quality, written under the guidance of the department’s award winning, diverse faculty.

Arcadia University’s low-residency MFA is distinctive in that it incorporates both a dynamic and flexible online learning environment, as well as a study abroad experience. You take between six and nine credits each term, and meet in person for a week-long residency at three different times during the course of study. Asynchronous workshops are conducted online every week during the fall and spring semesters, and are accessible at any time, through all platforms, allowing for a truly portable and flexible classroom. Our low-residency program allows you to tailor your own academic schedule in order to maintain a full-time professional life outside of school. 

Studying Creative Writing, you can expect:

• Visiting Writers:  Visiting writers work with MFA students at each residency to discuss both craft and business issues in the writing world.
• One-On-One Practicums: Each semester students participate in a series of one-on-one meetings with an instructor to review, edit, and discuss writing in detail. 
• Residencies & Study Abroad:  Arcadia’s MFA offers three, one week long residencies.  Arcadia believes a global perspective is an important facet of writing, so one residency takes place in Edinburgh, Scotland. Our residencies allow students to workshop writing with peers, faculty, and visiting writers.
• Marathon Literary Review: A literary journal established by the first class of Arcadia University’s MFA in Creative Writing. Its editorial staff is made up entirely of MFA students, and they create a publication that showcases the current voices and emerging talent of writers, poets, photographers, and other artists.
• Partial Funding Available: Funding packages ranging up to $4,000 are available. At least four TA positions per cohort will be offered; in order to be considered, you must apply by the priority deadline.

Experiential Learning

“I liked the flexibility of a low-residency MFA program, an increased ability to work during the program to make it a more financially feasible decision, and, of course, the Edinburgh residency.”

Andrew Huffman ’23, MFA in Creative Writing

UPCOMING EVENTS

What can i do with an mfa in creative writing.

An MFA degree in Creative Writing can prepare you for a career in editing, publishing, and teaching. 

Editing: A career in editing is an especially appealing option when you gain experience working on a literary journal during your time in our MFA program. Editors can work in a range of settings, including: advertising and public relations agencies, media outlets, nonprofit and government organizations, corporations, and universities.

Publishing: MFA graduates also may pursue a career in publishing, working for a small or large press.

Teaching : The MFA is considered a terminal degree in academia, so you are qualified to teach both creative writing and composition at the university level. With the needed state certifications, you can use your MFA to pursue a career in secondary education. You may also choose to teach in private schools.

Writing: In addition to seeking publication for your own creative work, with your MFA in Creative Writing you can write for magazines, newspapers, companies, and organizations. This includes business, marketing, professional, technical, pharmaceutical and medical writing. Full-time, part-time and freelance opportunities are available.

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Creative Writing, MFA

Small, intensive and supportive, merging a playful approach to contemporary experimentation with an ambitious exploration of literary traditions, Miami University's MFA program draws students from across the country and beyond to classes in creative nonfiction, poetry, fiction, multimedia and performance writing.

Practice-Oriented

The program’s core consists of four practice-oriented workshops focused on student writing. MFA writers also take seminars in literature (usually in contemporary British and American literature) and a course devoted to questions of theory and practice. Every aspect of the program - especially the close mentorship of faculty writers - is designed to nurture the composition of a publishable full-length work of fiction, poetry, or creative nonfiction by the end of the second year of study.

Miami’s graduate creative writing alumni enjoy successful writing careers (recent graduates have sold first books to Alfred A. Knopf, Random House and Harcourt) as well as careers in university teaching, public service, editing and publishing.

Funding Opportunities

All students admitted to the MFA program in Creative Writing hold generous Graduate Assistantships, teaching first-year composition in Miami’s renowned rhetoric and composition program. Non-teaching assistantships may also be available. Students teach creative writing during the second year.

My time at Miami was integral to the process of writing and selling my memoir. The creative writing faculty helped foster my voice and style and find the language I needed to talk about my project and my writing, which gave me an edge when pitching agents and publishers. My cohort provided astute and serious criticism of my writing as well as a community of writers with different writing styles and interests whom I still look to for advice and feedback.

Matt Young, author, Eat the Apple (Bloomsbury, 2018)

Graduate Successes

Faculty and mentors.

Graduate students often work with faculty from across the department, taking advantage of our rich interdisciplinary expertise

MFA Faculty

Joseph bates.

PhD, University of Cincinnati, 2006

Co-Editor of the Miami University Press Associate   Professor of English

Margaret Luongo

MFA, Creative Writing, University of Florida, 2001

Associate Professor of English

Eric Melbye

PhD, Creative Writing, University of Denver, 2001

Associate Professor of English (Middletown Campus)

Areas: Community-Based Learning, Creative Writing, Creative Writing Pedagogy, Exile Studies

PhD, English and American Literature, Cornell, 1995

Professor of English and Affiliate of American Studies, Director of the Miami University Humanities Center

Areas: U.S. Literary and Cultural History Since 1950, Cold War Studies, Postmodernism, Fiction Writing

TaraShea Nesbit

PhD, University of Denver, 2015 Associate   Professor of English

Areas: 20th and 21st Century Fiction and Creative Nonfiction, Historical Fiction, Lyric Essays, Multi-Genre Texts, Creative Writing Pedagogy.

Brian Roley  

JD, University of California, Los Angeles and MFA, Creative Writing, Cornell University, 1998

Professor of English and Affiliate of Global and Intercultural Studies, Director of Creative Writing

Areas: Creative Writing; Film, Theatre and Literature Adaptations; Disability / Medical Narratives; Contemporary and Twentieth Century Literature; Asian American Literature; Literature and the Law

Emily Spencer ,

M.F.A., University of Iowa, Iowa Writers' Workshop B.A., The Ohio State University

Areas: Poetry and Poetics, Creative Writing, Contemporary Poetry

PhD, University of Chicago, 1987

Assistant Professor of English and Co-Editor of the Miami University Press

Areas: Modern and Contemporary British, Irish, American, and Anglophone Literature, Creative and Performance Writing, Poetry and Poetics, Anecdotes and Ephemera, Travel Writing

Cathy Wagner

PhD, University of Utah, 2000 Professor of English

Areas: Creative Writing, Poetry Writing, Contemporary and Modern American Poetry and Poetics, Contemporary and Modern British Poetry and Poetics, Poetry and Politics

Current Creative Writing Grad Students

Creative nonfiction and fiction mfa students, ritika bali.

BA, English Literature, Lady Shri Ram College for Women MBA, Marketing, Institute of Management Technology

Creative interests: prose poem, flash, short stories, magical realism, photo essays, spiritualism, graphic novels, migration literature, journaling, folklore and legends, Indian mythology, historical fiction

Kayla Belser

BA International Business, University of Cincinnati BA Creative Writing, Northern Kentucky University

Chris Bowyer

MA Philosophy, Miami University BA Philosophy, Miami University

David W. Carstens

BA, English, Kenyon College

Creative interests: technology, religion, German, literature, philosophy, social alienation, individualism, game design, the internet, community (and the lack thereof), environmentalism, loneliness, climate change.

Ash Ganderi

BA, Creative Writing & Mass Communication, Miami University

Priyadarshini Oshin Gogoi

BA, MA, University of Delhi

Creative interests: YA and children's fiction, poetry, micro and flash fiction, hybrid genres, memoir, non-fiction writing, and speculative fiction

Joshua Konecke

MA, Kansas State University BA, University of Wisconsin-Green Bay

Molly Moran

MA, Georgetown University BA, Catholic University of America

Tanushree Mukherjee

MA, Journalism and Media Studies, University of Nevada, Las Vegas

Creative Interests: Reading fiction, hope to complete a long-form fiction project

Mary Newton

BA, English/Creative Writing, UCLA MA, English/Literature, San Francisco State University

Xavier Prince

BA, English, Salisbury University

Sammie  Stahlhut

BS, English Language Arts Education, University of Central Florida

Creative Interests: Novels and novellas, Southern Gothic, queer identity, absurdism, environmentalism, humor, and ordinary perspectives

Kendra Stiers

BA, Creative Writing, Miami University

BS, Creative Writing, Ashland University

Poetry MFA Students

Jeremy daugherty.

BA, MA, English, Northern Kentucky University

Creative interests: elegy and the works of confessional poets; creative writing pedagogy in the composition classroom.

Adefemi Fagite

BA, Federal University of Agriculture Abeokuta

Creative interests: social injustice, grief, speculative fiction, and African poetry

Matt Farley

BA, English Literature/Creative Writing, Miami University

Hallie Fogarty

BA, Northern Kentucky University

Creative interests: women poets, Affrilachian Literature, formal poetry, LGBTQ writers, mental illness in poetry, sestinas, confessional poetry

Sophia Judge

BA, Creative Writing, University of Cincinnati

Creative interests: climate-based literature and poetry, feminist works

Ross Kohler

BA, Miami University

Maddie Portune

BSB, Marketing & International Studies, IUPUI MA, English Literature, Indiana University

Creative Interests: Poetry (confessional, new formalism, micro), modern adaptations of mythology & religion, historical fiction (esp. Exploring European history & language), bisexuality in popular media & literature, feminist theory, queer theory, pedagogical approaches to writing & literature, linguistic justice & literary studies in young adult literature

Danton Remoto

MPhil, Publishing Studies, University of Stirling UK;  BA/MA Literature, Ateneo de Manila University, Philippines

Creative Interests : Postcolonial Poetry, Lyrical Poetry, Creative Writing Pedagogy

Hossein Sobhani

MA, University of Southern Denmark BA, Persian Gulf University

Creative Interests: Narrative and the way in which our lives and identities are intertwined with narrative

Cody Tieman

BA, English, Denison University

Kyle Williams

BA, University of West Indies

Reynie Zimmerman

Director of Graduate Creative Writing Program,   Brian Roley

Interim Director of English Department Graduate Studies, Madelyn Detloff ( [email protected] )

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The Master of Fine Arts in Creative Writing at BGSU is widely recognized as one of the country’s most prestigious. For more than fifty years, graduates of BGSU’s Program in Creative Writing have contributed to contemporary literary culture and published hundreds of books.

The MFA in Creative Writing program gives a comprehensive and rigorous education in the professional writing, editing, and marketing of poetry and fiction. Artistic development, craft knowledge, and professional presentation are guiding principles. 

Learning Outcomes

Upon completion of the MFA degree, students in the Creative Writing with a specialization in Fiction or Poetry program are expected to be able to:

• Develop individual, original approaches to writing fiction and/or poetry
• Produce a book-length thesis comparable in quality to the published work of contemporary poets and fiction writers
• Develop an understanding of their work’s place within the context of contemporary literature 
• Collaboratively assess literary work for publication 
• Apply craft knowledge to produce and distribute a literary journal through relevant technologies 
• Develop pedagogical skills sufficient to design and teach courses at the college level 

Admission Requirements

Application deadline is January 15 for Fall Semester.  Since application reviews may begin immediately after the deadline, we recommend submitting your application and providing all required documents before the deadline. Documents required:

• Applicants below a 3.00 GPA must submit a GRE score unless they have already completed a master’s degree.  Enter your GPA and GPA Scale with your undergraduate degree under the Academic History tab.
• Three Letters of Recommendation
• Statement of Purpose  (1-2 pages)
• A fiction or poetry sample (20 - 30 double-spaced pages of fiction, or 10 - 15 pages of poetry with poems single- or double-spaced)
• An academic or professional writing sample (8 - 15 pages, double-spaced)

Please do not submit screenplays, children’s stories, fantasy or science fiction.

International applicants are required to submit scores from the Test of English as a Foreign Language (TOEFL), the International English Language Testing System (IELTS), or the Pearson Test of English Academic (PTEA). Successful completion of ELS 112 will also be accepted for this requirement.  Additionally, Duolingo test scores will be accepted for applications through Summer 2025. Applicants of the Graduate College who have completed a previous degree (associate, bachelor’s master’s or doctorate) from a U.S. college/university or are from a country (click  here  for a complete list) in which instruction was delivered in English (and attended the university for at least two years) are exempt from providing these test scores. Please review the Creative Writing MFA program’s Application page at  http://www.bgsu.edu/arts-and-sciences/english/creative-writing/apply-online.html  for detailed information about application materials.

Application Requirements

Admissions Categories and Grade Point Average Requirements

International Application Information

Degree Requirements

Curriculum requirements, required courses (24 credits).

ENG 6320 taken during the summer semester may not be used to satisfy workshop requirements. 

• ENG 6320 - Graduate Writers Workshop (12 credits)
• ENG 6300 - Technique of Poetry
• ENG 6330 - Creative Writing and Desktop Publishing
• ENG 6370 - Pedagogy of Creative Writing
• ENG 7820 - Topics in English Studies

Electives (6 credits)

Select 2 courses.

Culminating Experience (6 credits)

• ENG 6990 - Thesis Research

Minimum Total Credits (36 credits)

Additional requirements.

• Minimum of 3 credits of 6990 required for Plan I master’s students.  Maximum of 6 credits may be applied toward degree requirements. 
• Minimum 3.0 graduate cumulative grade point average
• Minimum of 18 credits must be at the 6000-level or higher
• Minimum of  24 credits must be earned at BGSU
• All requirements must be completed within six years from the end of the earliest course used to fulfill degree requirements.

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