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literature noun [U] ( BOOKS/POEMS )

the study of English literature
classical literature
I've got a BA in English literature from Liverpool University.
He's writing a book on Russian literature.
He's an expert on 20th century Japanese literature.

literature noun [U] ( INFORMATION )

(Definition of literature from the Cambridge Learner's Dictionary © Cambridge University Press)

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A body of written works related by subject-matter (e.g. the literature of computing), by language or place of origin (e.g. Russian literature), or by prevailing cultural standards of merit. In this last sense, ‘literature’ is taken to include oral, dramatic, and broadcast compositions that may not have been published in written form but which have been (or deserve to be) preserved. Since the 19th century, the broader sense of literature as a totality of written or printed works has given way to more exclusive definitions based on criteria of imaginative, creative, or artistic value, usually related to a work's absence of factual or practical reference (see autotelic). Even more restrictive has been the academic concentration upon poetry, drama, and fiction. Until the mid-20th century, many kinds of non-fictional writing—in philosophy, history, biography, criticism, topography, science, and politics—were counted as literature; implicit in this broader usage is a definition of literature as that body of works which—for whatever reason—deserves to be preserved as part of the current reproduction of meanings within a given culture (unlike yesterday's newspaper, which belongs in the disposable category of ephemera). This sense seems more tenable than the later attempts to divide literature—as creative, imaginative, fictional, or non-practical—from factual writings or practically effective works of propaganda, rhetoric, or didactic writing. The Russian Formalists' attempt to define literariness in terms of linguistic deviations is important in the theory of poetry, but has not addressed the more difficult problem of the non-fictional prose forms. See also belles-lettres , canon, paraliterature. For a fuller account, consult Peter Widdowson, Literature (1998).

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1.1: What is Literature?

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Page ID 40366

Heather Ringo & Athena Kashyap
City College of San Francisco via ASCCC Open Educational Resources Initiative

Defining Literature

In order for us to study literature with any kind of depth, first we must decide what constitutes literature. While works like William Shakespeare’s Romeo and Juliet and Harper Lee’s To Kill a Mockingbird are almost universally accepted as literature, other works are hotly debated, or included or excluded based on the context. For example, while most consider Toni Morrison’s Beloved literature, others debate whether more recent publications such as David Mitchell’s Cloud Atlas or Rupi Kaur’s Instagram poetry constitute literature. And what about the stories told through tweets, like Jennifer Egan’s “Black Box” ? What about video games, like Skyrim , or memes, like Grumpy Cat?

Students often throw their hands up in the air over such distinctions, arguing literature is subjective. Isn't it up to individual opinion? Anything can be literature, such students argue. At first glance, it could seem such distinctions are, at best, arbitrary. At worst, such definitions function as a means of enforcing cultural erasure.

However, consider a story about Kim Kardashian’s plastic surgery in People Magazine . Can this be considered on the same level of literary achievement as Hamlet ? Most would concede there is a difference in quality between these two texts. A blurb about Kim Kardashian’s latest plastic surgery, most would agree, does not constitute literature. So how can we differentiate between such works?

Literature vs. literature

As illustrated in the somewhat silly example above, one way we can define what constitutes literature is by identifying what is definitely not literature. For our intents and purposes of defining most terms in this textbook, we will use the Oxford English Dictionary ’s definitions. Many professors who teach Literature use the concept of Big L Literature vs. little l literature (Rollison).

While the definition of little l literature is fairly easy to understand and apply, the definition of Big L Literature remains amorphous. What makes a work “artistic”? How do we define “superior” or “lasting”?

Let’s break down some of the defining qualities of literature in a bit more detail, starting with the word “artistic.”

Exercise 1.1.1

Consider the following works of art. Which of these images do you feel is higher quality or more “artistic”? Which is lower-quality or less artistic? Why? Justify your position by analyzing the elements of each artwork.

man in dark suit stands on mountain overlooking a sea of clouds

While there may be some debate, most students usually respond that Friedrich's painting is more artistic. This is due to several composition differences between the two works:

Artist’s skill: it certainly appears as if the first image was produced by an artist with superior skill
Fame: for anyone who knows art history, the first image is famous while the other is not
Lasting quality: the first image has survived the test of time, remaining popular over two hundred years!
Meaning: the first image likely conjures deeper feelings, themes, or ideas, such as isolation and the primacy of nature. This is why this image has become the face of Romanticism.

But what about the images demonstrate the artists’ superior skills? While the second image appears to be produced with a simple doodle, and quickly composed, the first indicates more complexity, attention-to-detail, and craft. Freidrich leverages different colors, textures, shapes, and symbols to evoke a feeling in the viewer. Skilled artists will use different techniques, like the way they move the paintbrush, the pressure they exert or the direction of the brush. They will use textured paintbrushes for a specific effect, such as the difference between the light fluffy clouds and dark mountain rocks. They will use different color pallets to project, as accurately as possible, the feelings they are trying to evoke. In short, while anyone can paint, true artists leverage many different skills, techniques, and materials to render what is in their imagination into a real-life product.

So how does this relate to our attempts to define literature?

Literature is art, but with words.

While the artist uses different colors, paintbrushes, mediums, canvases, and techniques, the writer uses different genres and literary techniques called literary devices . Just like different types of paint, paintbrushes, and artistic tools, there are literally hundreds of literary devices, but some of the most common are metaphor, simile, personification, and imagery. Genre is the type or style of literature. Each genre has its own conventions. Literary genres include creative nonfiction, fiction, drama, and poetry . Works that are literary tend to masterfully use genre conventions and literary devices to create a world in the mind of the reader. Works that are less literary tend to be for practical and/or entertainment purposes, and the writer dedicates less focused energy towards artfully employing literary devices.

However, just because a work is not as literary as another does not mean it cannot be enjoyed. Just like a stick figure or cartoon character might be perfectly fine if intended for a particular audience or purpose, readers can still enjoy People Magazine even though it is not of the same literary quality as Hamlet .

So, to use an example from earlier:

While some literature falls into clear designations of literature or not literature, most works are open to debate. Given the sometimes difficult task of determining whether a work falls into one camp or the other, it may be more helpful to think of Literature less as a dichotomy than a spectrum, with popular magazines on one end and works like Hamlet and Beloved on the other, and most written works falling somewhere between the two extremes.

The Literary Spectrum

This spectrum can be a helpful way to think about literature because it provides a more open-ended way to discuss writing as art than simply labeling works as literary or not. After viewing the above chart, why do you think popular magazines and a Calculus textbook are considered "less literary"? In terms of popular magazines, they do not fit the definition of literature as "lasting" in the sense that they usually fade from relevancy quickly after publication. Additionally, the authors of such magazines are striving for quick entertainment rather than leaving a meaningful impression on the reader. They tend not to use literary devices, such as metaphor, in a masterful way. On the other end, Shakespeare's Hamlet definitely fits the definition of "lasting," in that it has survived hundreds of years. It is full of literary devices used for rhetorical effect and, one would argue, it touches upon deep themes such as death, the afterlife, murder, vengeance, and love, rather than trifling issues such as a starlet's most recent plastic surgery.

Certainly, works of literature are up for debate: that is the quintessential question literary scholars might ask. What makes certain literary works survive the test of time? What makes a story, poem, or drama "good"? While literary scholars are less interested in proving a certain work is "good" or not -- and more focused on analyzing the ways to illuminate a given work -- it can be helpful for you to consider what kinds of literature you like and why you like it. What about the way it was written causes you to feel the way you do about it?

Who Decides What is Literature?

Now that we have at least somewhat clarified the definition of literature, who decides what works are or are not literature? Historically speaking, kings, queens, publishers, literary critics, professors, colleges, and readers (like you!) have decided which works survive and which works do not.

Aristotle was one of the first writers to attempt to decide what works fall into the category of literature, and what works do not. While Aristotle was most famous for his contributions to science and philosophy, he is also considered one of the first literary critics. A literary critic is a person who studies and analyzes literature. A literary critic produces scholarship called literary criticism . An example of this would be Aristotle’s Poetics , in which he identifies the defining qualities of a “good” Tragedy. Aristotle’s analysis of Tragedy was so influential that it is still used today, over two thousand years later!

When a work is officially decided to constitute literature, it enters something called the Canon. Not to be confused with the large metal tube that shoots bombs popular in the 16th through the 19th centuries (cannon), the Literary Canon is a collection of works that are considered by the powers that be to constitute literature. A work that falls into this designation is called canonical. So, to use an example from Aristotle’s Poetics , Aristotle defined Sophocles’ Oedipus Trilogy as the pinnacle of the Tragic Genre. From there, in part due to Aristotle's influence, Greek society valued Oedipus so much that they kept discussing, reading, referencing, and teaching it. Thus, it became a kind of shining example of the Tragic Canon, one which has lasted thousands of years and continues to be read and lauded to this day. Other tragedies, fairly or not, are often judged on their quality in comparison to Sophocles' works. Wild to think that someone who died thousands of years ago still influences what we consider literature today!

Memes and Video Games: Today's Literature?

All this talk of thousands-of-years-old texts might seem out of touch. A lot of people think "old and boring" and literature are synonymous. Students are often surprised to hear that comic books and video games can arguably be considered literature, too. There are plenty of arguments to be made that comic books, such as Maus by Art Spiegalman (1991) or Fun Home by Alison Bechdel (2006) are literature. Cutting edge literary scholars argue video games like Kentucky Route Zero by Cardboard Computer (2015) can be considered literary. There is also literature that is published in tweets, like Jennifer Egan's "Black Box" (2012). Some might even consider memes literature!

Generative question: do you think memes can be literary?

chihuahua makes a dramatic face with superimposed text: "me, a writing professor: *assigns 500 word essay*; students: *dramatic chihuahua face*"

A meme is an image or video containing cultural values or ideas, often represented through allusion (implied reference to another work, without naming that work or its author). Memes can spread rapidly spreads through social media. Why? Because the best ones are #relatable; that is, they speak to a common human experience.

Usually memes take the form of text superimposed on an image. For example, the meme above conveys the dramatic reaction students sometimes give when I assign an essay. This is done primarily through a literary device called hyperbole , or exaggeration for rhetorical effect. It conveys its message comically through certain conventions that come along with the meme genre, such as the syntactic structure "me, a [insert noun]" and asterisks, which convey action. Just like in the Shakespearean drama, the colon indicates what each character (me and the students, in this case) is saying or doing. My chihuahua's face looks silly and very dramatic. Through this use of image, text, format, and convention, the meaning I intended to convey was that I was making fun of my students for being over-dramatic about what to me seems like a fairly simple assignment. While some might dismiss memes as shallow, when you start to unravel the layers of meaning, they can actually be very complex and even, dare I say, literary!

Think about a recent meme you have seen, or your favorite meme of all time. Imagine explaining this meme to someone who has no idea what it means. What is the message or idea behind the meme? What cultural reference points does it use to convey its message? In what ways might this meme be considered literature? How might this compare to a short poem, like a haiku?

Not Literature

Let's say you come to the conclusion that a meme, a gossip magazine, or the Twilight Series is not literary. Does that mean you have to feel guilty and give up reading it forever? Or that it is not "good"?

Just because a work is not literary does not mean it is "bad," that it does not have value, or that one cannot enjoy it. Indeed, there are plenty of examples of written works that are on the less literary side of the spectrum but are still fun and enriching to read. Joe Dirt i s not on the same artistic level of cinema as Schindler's List , but my husband still loves watching it. Nothing Taylor Swift has produced is as deep as Tupac Shakur's "Changes" (1992) or Mitski's "Last Words of a Shooting Star" (2014), but listening to Taylor Swift is my guilty pleasure. This is all to say that whether a text is literary or not is not as important as the methods of analyzing texts. In fact, texts which were excluded from literature are often argued into the literary canon through such analysis. Part of what makes analyzing literature so fun is that it means the definition of literature is always up for debate! This is especially important given the history of the canon.

The Problem with the Canon

In an ideal world, literature would be celebrated purely based on its artistic merit. Well-written works would last, poorly-written works would wither from public memory. However, that is not always the case. Works often achieve public prominence or survive based on qualities unrelated to skill or aesthetics, such as an author's fame, wealth, connections, or acceptance by the dominant culture. William Wordsworth, for example, was named Poet Laureate of England and has been taught as one of the "Big Six" major Romantic-era authors ever since. Indeed, he is accepted as part of the Romanticism literary canon. One would be hard-pressed to find a Literature anthology that does not feature William Wordsworth . However, how many people have read or heard of Dorothy Wordsworth , William Wordsworth's sister, who arguably depicted Romantic themes with equal skill and beauty? Or James Hogg, a Scottish contemporary of Wordsworth who was a lower-class shepherd? Similarly, while most readers have encountered F. Scott Fitzgerald or Edgar Allen Poe in their high school literature classes, how many have read Frederick Douglass in these same classes? In short, all artistic skill (arguably) considered equal, why do some authors predominantly feature in the Canon while others do not?

Let’s perform an experimental activity.

Find a piece of paper or a whiteboard. On this piece of paper or whiteboard, write down as many works of literature that you feel constitute “Big L Literature.” Perhaps they are works you read in high school, works which have been made into films, or works you have been taught or told are literary masterworks. Don’t turn the page until you have written them down. Try to think of at least 10, but a larger sample size is better. Once you are finished, continue to the next paragraph.
Alright, now look at your list. If you know the author of the literary texts you named, write their name next to the work. If you do not know the author, Google the information and write it down. Continue doing this until you have named the author of each work. Once you are finished, read on to the next paragraph.
Now, as uncomfortable as it seems, label the gender/race/age/presumed sexual orientation of the authors you listed. After you have categorized them to the best of your ability, consider the following questions:
What percentage of the authors are male?
What percentage of the authors are white?
What percentage of the authors are old/dead?
What patterns do you notice? Why do you think this is?

I have replicated this experiment dozens of times in the classroom, and, in most classes, the vast majority of what students have been taught are “Literary Masterworks” are written by (pardon my colloquialism) dead white males. Although, as time progresses, it seems there is increasing but not proportionate representation on average. For example, while women make up about half of the population, over 80% of the most popular novels were written by men ("Battle"). While there are many possible reasons for this discrepancy in representation (which could be the focus of an entire textbook), what does this mean for scholars of literature? For students? For instructors? For society?

As a cultural relic, similar to art, many scholars suggest literature is a reflection of the society which produces it. This includes positive aspects of society (championing values such as love, justice, and good triumphing over evil), but it can also reflect negative aspects of society (such as discrimination, racism, sexism, homophobia, historical lack of opportunity for marginalized authors).

For example, enslaved Africans were often prevented from learning to read and write as a form of control. When Phillis Wheatley published her book of poetry, Poems on Various Subjects, Religious and Moral (1773) she had to defend the fact that she wrote it, due to popularly held racist views that slaves were incapable of writing poetry. Later, Frederick Douglass wrote about how his enslavers banned him from reading and writing, as they realized "education and slavery were incompatible with each other" (Douglass). He later championed his learning to read and write as the means which conveyed him to freedom. However, even when trying to publish The Narrative of the Life of Frederick Douglass ( 1845) his publishers were forced to prove that it was, in fact, an enslaved person who wrote the story and not a white man who wrote it for him. Slave owners actively attempted to keep this book from circulation as it threatened the institution of slavery upon which they depended. Indeed, to this day, Douglass' book continues to be banned in some prisons for its potential to incite revolution (Darby, Gilroy).

How could Black writers enter the canon en masse if they were not allowed to read or write? Or if they were forced to spend all of their waking hours working? And if those who had the means to read and write had to jump through absurd hoops just to have their works published? And if even those texts which were published were banned?

Similarly, throughout much of Western history, women have been discouraged from pursuing reading and writing, as it distracted from society's expectations for women to focus on motherly and household duties. Until the 1700s, women were not allowed to go to college. Even then, very few went: only the extremely wealthy. It was not until the 19th century that women attended college in representative numbers. Virginia Woolf wrote in A Room of One's Own that if there are fewer works of literature written by women, it is only because society, historically, has not given women the time, education, funding, or space to do so. In this extended essay, she describes an imaginary sister of William Shakespeare who could have been just as great of a writer had she the same opportunities as her brother.

I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee's life of the poet. She died young—alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the cross-roads still lives. She lives in you and in me, and in many other women who are not here tonight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her.

Woolf argues that in our time those who have been excluded from literature can now join the canon by adding their voices. The inequity of representation in literature -- which has arguably improved, but in many ways persists today -- can be remedied if more people from a wide array of backgrounds and walks of life are empowered to study and create Literature. That is one reason why the current study of literature is so exciting. As a student and budding literary scholar, you have the power to influence culture through your reading and analysis of literature! For one author and scholar's perspective on this topic, please watch this the following TED Talk by Chimamanda Ngozi Adichie to see the ways in which such misrepresentations are harmful, and why it is important to veer away from the historically parochial Canon into what Chinua Achebe calls "a balance of stories" (qtd. Bacon).

screen capture of a TED Talk video of "The Danger of a Single Story" by Chimamanda Ngozi Adichie. Link to transcript and video.

Original video available on TED Talk website
Transcript of video

What "single stories" do you know? What are the "single stories" people have told about you? What story would you tell if you could? What kinds of stories do you want to read? Throughout this class, you will get the opportunity to encounter many different voices and stories from all over the world. While we faced hurdles of copyright permissions, the authors of this textbook attempted to embody the values espoused in this TED Talk & Chinua Achebe's conception of the "balance of stories." As you read the textbook, consider the stories which were omitted, why they were omitted, and what works of Literature you would include in this class if you could.

Works Cited

Bacon, Katie. "An African Voice." The Atlantic , 2000.

"Battle of the Authors: Are The Most Popular Rated Fiction Books Written by Men or Women?" Wordery , 1 Mar. 2019.

Darby, Luke. "Illinois Prison Bans Frederick Douglass's Memoir and Other "Racial" Books." GQ , 20 August 2019.

Douglass, Frederick. The Narrative of the Life of Frederick Douglass. 1845.

Friedrich, Caspar David. "Wanderer Above the Sea of Fog." Hamburger Kunsthalle Museum , 1818.

Gilroy, Paul. "Banned Books of Guantánamo: 'An American Slave' by Frederick Douglass." Vice , 14 Nov. 2014.

"literature, n.; 3b & 5" OED Online , Oxford University Press, September 2019, www.oed.com/view/Entry/109080. Accessed 6 September 2019.

Rollison, David. "Big L vs Little L Literature." Survey of World Literature I. College of Marin, 2008. Lecture.

Wheatley, Phillis. Poems on Various Subjects, Religious and Moral . 1773.

Woolf, Virginia. A Room of One's Own. 1929.

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What is Literature? || Definition & Examples

"what is literature": a literary guide for english students and teachers.

View the full series: The Oregon State Guide to English Literary Terms

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What is Literature? Transcript (English and Spanish Subtitles Available in Video; Click HERE for Spanish Transcript)

By Evan Gottlieb & Paige Thomas

3 January 2022

The question of what makes something literary is an enduring one, and I don’t expect that we’ll answer it fully in this short video. Instead, I want to show you a few different ways that literary critics approach this question and then offer a short summary of the 3 big factors that we must consider when we ask the question ourselves.

Let’s begin by making a distinction between “Literature with a capital L” and “literature with a small l.”

“Literature with a small l” designates any written text: we can talk about “the literature” on any given subject without much difficulty.

“Literature with a capital L”, by contrast, designates a much smaller set of texts – a subset of all the texts that have been written.

what_is_literature_little_l.png

speaker gesturing to literature with a small "l" rather than with a big "L"

So what makes a text literary or what makes a text “Literature with a capital L”?

Let’s start with the word itself. “Literature” comes from Latin, and it originally meant “the use of letters” or “writing.” But when the word entered the Romance languages that derived from Latin, it took on the additional meaning of “knowledge acquired from reading or studying books.” So we might use this definition to understand “Literature with a Capital L” as writing that gives us knowledge--writing that should be studied.

But this begs the further question: what books or texts are worth studying or close reading ?

For some critics, answering this question is a matter of establishing canonicity. A work of literature becomes “canonical” when cultural institutions like schools or universities or prize committees classify it as a work of lasting artistic or cultural merit.

The canon, however, has proved problematic as a measure of what “Literature with a capital L” is because the gatekeepers of the Western canon have traditionally been White and male. It was only in the closing decades of the twentieth century that the canon of Literature was opened to a greater inclusion of diverse authors.

And here’s another problem with that definition: if inclusion in the canon were our only definition of Literature, then there could be no such thing as contemporary Literature, which, of course, has not yet stood the test of time.

And here’s an even bigger problem: not every book that receives good reviews or a wins a prize turns out to be of lasting value in the eyes of later readers.

On the other hand, a novel like Herman Melville’s Moby-Di ck, which was NOT received well by critics or readers when it was first published in 1851, has since gone on to become a mainstay of the American literary canon.

moby_dick_with_quote.png

graphic with cover of Melville's "Moby Dick" and quote

As you can see, canonicity is obviously a problematic index of literariness.

So… what’s the alternative? Well, we could just go with a descriptive definition: “if you love it, then it’s Literature!”

But that’s a little too subjective. For example, no matter how much you may love a certain book from your childhood (I love The Very Hungry Caterpillar ) that doesn’t automatically make it literary, no matter how many times you’ve re-read it.

Furthermore, the very idea that we should have an emotional attachment to the books we read has its own history that cannot be detached from the rise of the middle class and its politics of telling people how to behave.

Ok, so “literature with a capital L” cannot always by defined by its inclusion in the canon or the fact that it has been well-received so…what is it then? Well, for other critics, what makes something Literature would seem to be qualities within the text itself.

According to the critic Derek Attridge, there are three qualities that define modern Western Literature:

1. a quality of invention or inventiveness in the text itself;

2. the reader’s sense that what they are reading is singular. In other words, the unique vision of the writer herself.

3. a sense of ‘otherness’ that pushes the reader to see the world around them in a new way

Notice that nowhere in this three-part definition is there any limitation on the content of Literature. Instead, we call something Literature when it affects the reader at the level of style and construction rather than substance.

In other words, Literature can be about anything!

what_is_literature_caterpillar.png

speaker telling a secret with photo of Carle's "The Very Hungry Caterpillar" in the background

The idea that a truly literary text can change a reader is of course older than this modern definition. In the English tradition, poetry was preferred over novels because it was thought to create mature and sympathetic reader-citizens.

Likewise, in the Victorian era, it was argued that reading so-called “great” works of literature was the best way for readers to realize their full spiritual potentials in an increasingly secular world.

But these never tell us precisely what “the best” is. To make matters worse, as I mentioned already, “the best” in these older definitions was often determined by White men in positions of cultural and economic power.

So we are still faced with the question of whether there is something inherent in a text that makes it literary.

Some critics have suggested that a sense of irony – or, more broadly, a sense that there is more than one meaning to a given set of words – is essential to “Literature with a capital L.”

Reading for irony means reading slowly or at least attentively. It demands a certain attention to the complexity of the language on the page, whether that language is objectively difficult or not.

In a similar vein, other critics have claimed that the overall effect of a literary text should be one of “defamiliarization,” meaning that the text asks or even forces readers to see the world differently than they did before reading it.

Along these lines, literary theorist Roland Barthes maintained that there were two kinds of texts: the text of pleasure, which we can align with everyday Literature with a small l” and the text of jouissance , (yes, I said jouissance) which we can align with Literature. Jouissance makes more demands on the reader and raises feelings of strangeness and wonder that surpass the everyday and even border on the painful or disorienting.

Barthes’ definition straddles the line between objectivity and subjectivity. Literature differs from the mass of writing by offering more and different kinds of experiences than the ordinary, non-literary text.

Literature for Barthes is thus neither entirely in the eye of the beholder, nor something that can be reduced to set of repeatable, purely intrinsic characteristics.

This negative definition has its own problems, though. If the literary text is always supposed to be innovative and unconventional, then genre fiction, which IS conventional, can never be literary.

So it seems that whatever hard and fast definition we attempt to apply to Literature, we find that we run up against inevitable exceptions to the rules.

As we examine the many problematic ways that people have defined literature, one thing does become clear. In each of the above examples, what counts as Literature depends upon three interrelated factors: the world, the text, and the critic or reader.

You see, when we encounter a literary text, we usually do so through a field of expectations that includes what we’ve heard about the text or author in question [the world], the way the text is presented to us [the text], and how receptive we as readers are to the text’s demands [the reader].

With this in mind, let’s return to where we started. There is probably still something to be said in favor of the “test of time” theory of Literature.

After all, only a small percentage of what is published today will continue to be read 10, 20, or even 100 years from now; and while the mechanisms that determine the longevity of a text are hardly neutral, one can still hope that individual readers have at least some power to decide what will stay in print and develop broader cultural relevance.

The only way to experience what Literature is, then, is to keep reading: as long as there are avid readers, there will be literary texts – past, present, and future – that challenge, excite, and inspire us.

Want to cite this?

MLA Citation: Gottlieb, Evan and Paige Thomas. "What is Literature?" Oregon State Guide to English Literary Terms, 3 Jan. 2022, Oregon State University, https://liberalarts.oregonstate.edu/wlf/what-literature-definition-examples. Accessed [insert date].

Interested in more video lessons? View the full series:

The oregon state guide to english literary terms, contact info.

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Home » What is Literature – Definition, Types, Examples

What is Literature – Definition, Types, Examples

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Definition:

Literature refers to written works of imaginative, artistic, or intellectual value, typically characterized by the use of language to convey ideas, emotions, and experiences. It encompasses various forms of written expression, such as novels, poems, plays, essays, short stories, and other literary works.

History of Literature

The history of literature spans thousands of years and includes works from many different cultures and languages. Here is a brief overview of some of the major periods and movements in the history of literature:

Ancient Literature (3000 BCE – 500 CE)

Ancient Mesopotamian Literature (3000 BCE – 2000 BCE): This period includes the earliest known writings, such as the Epic of Gilgamesh, a Sumerian epic poem that explores themes of friendship, mortality, and the search for immortality.
Ancient Greek Literature (800 BCE – 200 BCE): This era produced works by legendary writers such as Homer, known for the Iliad and the Odyssey, and playwrights like Sophocles, Aeschylus, and Euripides, who wrote tragic plays exploring human nature and the conflicts between gods and mortals.
Ancient Roman Literature (200 BCE – 500 CE): Roman literature included works by poets like Virgil (known for the Aeneid) and historians like Livy and Tacitus, who chronicled the rise and fall of the Roman Empire.

Medieval Literature (500 CE – 1500 CE)

Early Medieval Literature (500 CE – 1000 CE): During this period, literature was mainly religious and included works such as Beowulf, an Old English epic poem, and The Divine Comedy by Dante Alighieri, an Italian epic poem that describes the journey through Hell, Purgatory, and Heaven.
High Medieval Literature (1000 CE – 1300 CE): This era saw the emergence of troubadour poetry in Provence, France, which celebrated courtly love, as well as the works of Geoffrey Chaucer, such as The Canterbury Tales, which combined diverse stories and social commentary.
Late Medieval Literature (1300 CE – 1500 CE): Notable works from this period include Dante’s Divine Comedy, Petrarch’s sonnets, and the works of Christine de Pizan, an early feminist writer.

Renaissance Literature (14th – 17th centuries)

Italian Renaissance Literature (14th – 16th centuries): This period witnessed the flourishing of humanism and produced works by authors such as Francesco Petrarch and Giovanni Boccaccio, who emphasized the individual, the secular, and the revival of classical themes and styles.
English Renaissance Literature (16th – 17th centuries): This era saw the works of William Shakespeare, including his plays such as Hamlet and Macbeth, which explored complex human emotions and the human condition. Other notable writers include Christopher Marlowe and Edmund Spenser.

Enlightenment Literature (17th – 18th centuries)

This period marked a shift towards reason, rationality, and the questioning of established beliefs and systems. Influential writers during this time included René Descartes, John Locke, Voltaire, Jean-Jacques Rousseau, and Denis Diderot.

Romanticism (late 18th – mid-19th centuries)

Romantic literature emphasized individual emotion, imagination, and nature. Key figures include William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley, and John Keats.

Victorian Literature (19th century)

This era was characterized by the reign of Queen Victoria and featured writers such as Charles Dickens, Jane Austen, Charlotte and Emily Brontë, and Oscar Wilde.

Modernist Literature (late 19th – early 20th centuries)

Modernist literature emerged as a response to the social, political, and technological changes of the time. It is characterized by experimentation with narrative structure, language, and perspective. Notable modernist writers include T.S. Eliot, Virginia Woolf, James Joyce, and Marcel Proust.

Postmodern Literature (mid-20th century – present)

Postmodern literature challenges traditional notions of narrative and reality. It often incorporates elements of metafiction, intertextuality, and fragmented narratives. Prominent postmodern authors include Jorge Luis Borges, Italo Calvino, Salman Rushdie, and Margaret Atwood.

Contemporary Literature (late 20th century – present)

Contemporary literature encompasses a wide range of diverse voices and styles. It explores various themes and addresses contemporary issues, reflecting the cultural, social, and political contexts of the present time. Notable contemporary authors include Toni Morrison, J.K. Rowling, Haruki Murakami, Chimamanda Ngozi Adichie, and Zadie Smith.

Types of Literature

Types of Literature are as follows:

Short story

Graphic novel, electronic literature.

Poetry is a form of literature that uses language to convey emotions or ideas in a concise and often rhythmic manner. Poetry has been around for centuries, with many different cultures creating their own unique styles. While some people may view poetry as difficult to understand, there is often great beauty in its simplicity. Whether you are looking to read poems for enjoyment or to better analyze literary works, understanding the basics of poetry can be very helpful.

Examples of Poetry in Literature

There are countless examples of poetry in literature, ranging from ancient works to contemporary masterpieces. Here are just a few examples:

“ The Love Song of J. Alfred Prufrock ” by T.S. Eliot (1915): This modernist poem explores themes of alienation, identity, and the human condition.
“ Do not go gentle into that good night ” by Dylan Thomas (1951): This villanelle is a powerful meditation on death and the struggle for survival.
“ The Waste Land” by T.S. Eliot (1922) : This epic poem is a complex and multi-layered exploration of the modern world and its spiritual emptiness.
“ The Raven” by Edgar Allan Poe (1845) : This famous poem is a haunting and macabre exploration of grief, loss, and the supernatural.
“ Sonnet 18″ by William Shakespeare (1609) : This classic sonnet is a beautiful and romantic tribute to the beauty of the beloved.
“ Ode to a Nightingale” by John Keats (1819) : This ode is a sublime exploration of the power of beauty and the transcendent experience of art.
“ The Road Not Taken” by Robert Frost (1916) : This famous poem is a contemplative meditation on choices, regrets, and the uncertainties of life.

These are just a few examples of the many works of poetry that exist in literature. Poetry can explore a wide range of themes and emotions, using language and imagery to create powerful and moving works of art.

Prose is a type of written language that typically contains dialogue and narration. In literature, prose is the most common form of writing. Prose can be found in novels, short stories, plays, and essays.

Examples of Prose in Literature

“ The Essays” by Michel de Montaigne (1580) – This collection of prose is a seminal work of the French Renaissance and is credited with popularizing the use of personal reflections in prose literature. Montaigne’s writing style in these works is informal and conversational, and covers a vast range of topics including morality, philosophy, religion, and politics. The prose is notable for its intimacy and personal nature, as Montaigne often uses his own experiences and thoughts to illustrate his ideas.

A novel is a fictional book that is typically longer than 300 pages. It tells a story, usually in chronological order, and has characters and settings that are developed over the course of the story. Novels are often divided into chapters, which help to break up the story and make it easier to read.

Novels are one of the most popular genres of literature, and there are many different types of novels that you can read. Whether you’re looking for a romance novel, a mystery novel, or a historical fiction novel, there’s sure to be a book out there that you’ll love.

Examples of Novels in Literature

“Don Quixote” by Miguel de Cervantes (1605) – This novel is considered one of the greatest works of Spanish literature and is a satirical take on chivalric romance. It follows the adventures of a delusional knight, Don Quixote, and his loyal squire, Sancho Panza.
“Robinson Crusoe” by Daniel Defoe (1719) – This novel is considered one of the earliest examples of the English novel and is a tale of survival and self-reliance. It follows the story of a man named Robinson Crusoe, who is stranded on a deserted island for 28 years.
“Pride and Prejudice” by Jane Austen (1813) – This novel is considered one of the greatest works of English literature and is a romantic comedy of manners. It follows the story of Elizabeth Bennet and her complicated relationship with Mr. Darcy, a wealthy landowner.
“To Kill a Mockingbird” by Harper Lee (1960) – This novel is a classic of American literature and deals with issues of race, class, and justice in the American South during the 1930s. It follows the story of a young girl named Scout and her experiences with racism and prejudice.
“The Great Gatsby” by F. Scott Fitzgerald (1925) – This novel is considered a masterpiece of American literature and is a social commentary on the decadence and excess of the Roaring Twenties. It follows the story of Jay Gatsby, a wealthy and mysterious man, and his obsession with a woman named Daisy Buchanan.

A novella is a work of fiction that is shorter than a novel but longer than a short story. The word “novella” comes from the Italian word for “new”, which is fitting because this type of story is often seen as being between the old and the new. In terms of length, a novella typically has about 20,000 to 40,000 words.

While novels are usually about one main plot with several subplots, novellas are usually focused on one central conflict. This conflict is usually resolved by the end of the story. However, because novellas are longer than short stories, there is more room to develop characters and explore themes in depth.

Examples of Novella in Literature

“Heart of Darkness” by Joseph Conrad (1899) – This novella is a powerful and haunting portrayal of European imperialism in Africa. It follows the journey of a steamboat captain named Marlow, who is sent to find a man named Kurtz deep in the Congo.
“The Old Man and the Sea” by Ernest Hemingway (1952) – This novella is a Pulitzer Prize-winning story of an aging Cuban fisherman named Santiago and his epic struggle to catch a giant marlin. It is a testament to the resilience and determination of the human spirit.
“The Metamorphosis” by Franz Kafka (1915) – This novella is a surreal and disturbing tale of a man named Gregor Samsa, who wakes up one morning to find himself transformed into a giant insect. It explores themes of isolation, identity, and the human condition.
“Of Mice and Men” by John Steinbeck (1937) – This novella is a tragic story of two migrant workers, George and Lennie, who dream of owning their own farm but are thwarted by their own limitations and the harsh realities of the Great Depression. It is a powerful commentary on the American Dream and the plight of the working class.
“Animal Farm” by George Orwell (1945) – This novella is a satirical allegory of the Russian Revolution and the rise of Stalinism. It follows the story of a group of farm animals who overthrow their human owner and create their own society, only to be corrupted by their own leaders. It is a cautionary tale about the dangers of totalitarianism and propaganda.

A short story is a work of fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents.

The short story is one of the oldest forms of literature and has been found in oral cultures as well as in written form. In terms of length, it is much shorter than the novel, typically ranging from 1,000 to 20,000 words.

The short story has often been described as a “perfect form” because it allows for greater compression and variety than either the novel or poem. It also allows writers to experiment with different styles and genres.

Examples of Short Story in Literature

“The Tell-Tale Heart” by Edgar Allan Poe (1843) – This classic horror story is a chilling portrayal of a murderer who is haunted by the sound of his victim’s heartbeat. It is a masterful example of Poe’s psychological and suspenseful writing style.
“The Lottery” by Shirley Jackson (1948) – This controversial short story is a commentary on the dark side of human nature and the dangers of blind adherence to tradition. It follows the annual tradition of a small town that holds a lottery, with a surprising and shocking ending.
“The Gift of the Magi” by O. Henry (1905) – This heartwarming story is a classic example of a holiday tale of selflessness and sacrifice. It follows the story of a young couple who each give up their most prized possession to buy a gift for the other.
“A Clean, Well-Lighted Place” by Ernest Hemingway (1933) – This minimalist story is a reflection on the existential angst and loneliness of modern life. It takes place in a cafe late at night and explores the relationships between the patrons and the waiter.
“The Yellow Wallpaper” by Charlotte Perkins Gilman (1892) – This feminist short story is a powerful critique of the medical establishment and the treatment of women’s mental health. It follows the story of a woman who is confined to her bedroom and becomes obsessed with the yellow wallpaper on the walls.

A graphic novel is a book that tells a story through the use of illustrations and text. Graphic novels can be based on true stories, or they can be fictional. They are usually longer than traditional books, and they often have more complex plots.

Graphic novels first gained popularity in the 1970s, when publishers began releasing collections of comics that had been previously published in magazines. Since then, the genre has grown to include original works, as well as adaptations ofexisting stories.

Graphic novels are now widely respected as a form of literature, and they have been adapted into many different mediums, including movies, television shows, and stage plays.

Examples of Graphic Novels in Literature

“ Watchmen” by Alan Moore and Dave Gibbons (1986-1987) – This graphic novel is considered one of the greatest works of the medium and is a deconstruction of the superhero genre. It follows a group of retired superheroes who come out of retirement to investigate the murder of one of their own.
“ Maus” by Art Spiegelman (1980-1991) – This Pulitzer Prize-winning graphic novel is a harrowing and poignant account of a Jewish survivor of the Holocaust and his strained relationship with his son. The characters are depicted as animals, with the Jews as mice and the Nazis as cats.
“ Persepolis” by Marjane Satrapi (2000-2003) – This autobiographical graphic novel is a coming-of-age story set against the backdrop of the Iranian Revolution. It follows the author’s experiences growing up in Iran and then moving to Europe as a teenager.
“Sandman” by Neil Gaiman (1989-1996) – This epic fantasy series is a masterful exploration of mythology, literature, and human nature. It follows the story of Morpheus, the Lord of Dreams, as he navigates through the world of dreams and interacts with characters from across time and space.
“Batman: The Dark Knight Returns” by Frank Miller (1986) – This influential graphic novel is a gritty and realistic portrayal of an aging Batman who comes out of retirement to fight crime in a dystopian future. It is credited with revolutionizing the Batman character and inspiring a new era of darker and more mature superhero stories.

Electronic literature, also known as e-literature, is a genre of writing that uses electronic media to create works of art. This type of literature often includes elements of interactivity, hypertextuality, and multimedia.

E-literature has its roots in early computer games and interactive fiction. These early works were created using simple text-based programming languages like BASIC and HTML. Today, e-literature has evolved into a complex form of art that incorporates multimedia elements such as audio and video.

Examples of Electronic Literature in Literature

“ Afternoon: A Story” by Michael Joyce (1987) – This hypertext fiction is considered one of the earliest examples of electronic literature. It is a nonlinear narrative that can be read in multiple paths and contains multimedia elements like images and sound.
“ Patchwork Girl” by Shelley Jackson (1995) – This hypertext novel is a retelling of Mary Shelley’s “Frankenstein” that uses digital media to explore the themes of identity, gender, and creation. It contains animated graphics, video, and sound.
“ The Dreamlife of Letters” by Brian Kim Stefans (2000) – This work of interactive poetry uses computer algorithms to generate new poems based on the user’s input. It combines traditional poetic forms with digital technologies to create a unique reading experience.
“ Flight Paths” by Kate Pullinger and Chris Joseph (2007) – This work of electronic literature is a collaborative multimedia project that explores the lives of immigrants and refugees. It combines text, video, and audio to create an immersive and interactive experience.
“Inanimate Alice” by Kate Pullinger and Chris Joseph (2005-2016) – This interactive digital novel follows the story of a young girl named Alice as she grows up in a world of technology and media. It uses a combination of text, video, animation, and sound to create a unique and engaging narrative.

Non-fiction

Non-fiction in literature is defined as prose writings that are based on real events, people, or places. Non-fiction is often divided into categories such as biography, history, and essay.

Examples of Non-fiction in Literature

“ The Origin of Species” by Charles Darwin (1859) – This landmark book is one of the most influential works in the history of science. It lays out Darwin’s theory of evolution by natural selection and provides evidence for the descent of all living things from a common ancestor.
“The Autobiography of Malcolm X” by Malcolm X and Alex Haley (1965) – This autobiography is a candid and powerful account of Malcolm X’s life as an African American civil rights leader. It explores his journey from a troubled youth to a powerful orator and activist, and provides insights into the social and political climate of the time.
“ The Feminine Mystique” by Betty Friedan (1963) – This groundbreaking book is a seminal work of feminist literature. It critiques the idea of the “happy housewife” and argues that women’s social roles and expectations are limiting and oppressive.
“The New Jim Crow” by Michelle Alexander (2010) – This book is a powerful critique of the criminal justice system and its impact on communities of color. It argues that the system perpetuates racial inequality and provides a call to action for reform.

Drama is a genre of literature that tells a story through the use of dialogue and action. It often has a strong plot and characters who undergo change or development over the course of the story. Drama can be divided into several subgenres, such as tragedy, comedy, and farce.

Examples of Drama in Literature

“ Hamlet” by William Shakespeare (1603) – This tragedy is considered one of the greatest plays ever written. It tells the story of Prince Hamlet of Denmark and his quest for revenge against his uncle, who murdered his father and married his mother.
“ A Doll’s House” by Henrik Ibsen (1879) – This play is a landmark work of modern drama. It explores themes of gender roles, marriage, and personal identity through the story of a married woman who decides to leave her husband and children in order to discover herself.
“ Death of a Salesman” by Arthur Miller (1949) – This play is a powerful critique of the American Dream and the pressures of modern society. It tells the story of a salesman named Willy Loman and his family, as they struggle to come to terms with the realities of their lives.
“ Fences” by August Wilson (1985) – This play is part of Wilson’s “Pittsburgh Cycle,” a series of ten plays that explore the African American experience in the 20th century. It tells the story of a former Negro League baseball player named Troy Maxson and his relationship with his family.

Also see Literature Review

Examples of Literature

Examples of Literature are as follows:

“The Silent Patient” by Alex Michaelides
“Normal People” by Sally Rooney
“Where the Crawdads Sing” by Delia Owens
“The Water Dancer” by Ta-Nehisi Coates
“Harry Potter and the Cursed Child” by J.K. Rowling, Jack Thorne, and John Tiffany
“The Ferryman” by Jez Butterworth
“The Inheritance” by Matthew Lopez
“Sweat” by Lynn Nottage
“The Hill We Climb” by Amanda Gorman (inaugural poem at the 2021 U.S. presidential inauguration)
“The Tradition” by Jericho Brown
“Homie” by Danez Smith
“The Carrying” by Ada Limón
“Call Me by Your Name” (2017) directed by Luca Guadagnino (based on the novel by André Aciman)
“The Great Gatsby” (2013) directed by Baz Luhrmann (based on the novel by F. Scott Fitzgerald)
“The Lord of the Rings” trilogy (2001-2003) directed by Peter Jackson (based on the novels by J.R.R. Tolkien)
“The Handmaiden” (2016) directed by Park Chan-wook (based on the novel “Fingersmith” by Sarah Waters)
“Lemonade” (2016) by Beyoncé (visual album with accompanying poetry and prose)
“To Pimp a Butterfly” (2015) by Kendrick Lamar (rap album with dense lyrical storytelling)
“I See You” (2017) by The xx (album inspired by themes of love and connection)
“Carrie & Lowell” (2015) by Sufjan Stevens (folk album exploring personal and familial themes)
Blogs and online articles that discuss literary analysis, book reviews, and creative writing
Online literary magazines and journals publishing contemporary works of fiction, poetry, and essays
E-books and audiobooks available on platforms like Kindle, Audible, and Scribd
Social media platforms where writers share their works and engage with readers, such as Twitter and Instagram

Purpose of Literature

The purpose of literature is multifaceted and can vary depending on the author, genre, and intended audience. However, some common purposes of literature include:

Entertainment

Literature can provide enjoyment and pleasure to readers through engaging stories, complex characters, and beautiful language.

Literature can teach readers about different cultures, time periods, and perspectives, expanding their knowledge and understanding of the world.

Reflection and introspection

Literature can encourage readers to reflect on their own experiences and beliefs, prompting self-discovery and personal growth.

Social commentary

Literature can serve as a medium for social criticism, addressing issues such as inequality, injustice, and oppression.

Historical and cultural preservation

Literature can document and preserve the history, traditions, and values of different cultures and societies, providing insight into the past.

Aesthetic appreciation:

literature can be appreciated for its beauty and artistic value, inspiring readers with its language, imagery, and symbolism.

The Significance of Literature

Literature holds immense significance in various aspects of human life and society. It serves as a powerful tool for communication, expression, and exploration of ideas. Here are some of the key significances of literature:

Communication and Expression

Literature allows individuals to communicate their thoughts, emotions, and experiences across time and space. Through various literary forms such as novels, poems, plays, and essays, writers can convey their ideas and perspectives to readers, fostering understanding and empathy.

Cultural Reflection

Literature often reflects the values, beliefs, and experiences of a particular culture or society. It provides insights into different historical periods, social structures, and cultural practices, offering a glimpse into the diversity and richness of human experiences.

Knowledge and Education

Literature is a valuable source of knowledge, as it presents ideas, concepts, and information in an engaging and accessible manner. It introduces readers to different subjects, such as history, science, philosophy, psychology, and more, allowing them to expand their understanding and broaden their intellectual horizons.

Emotional and Intellectual Development

Literature has the power to evoke emotions and provoke critical thinking. By immersing oneself in literary works, readers can develop a deeper understanding of complex emotions, empathy for diverse perspectives, and the ability to think critically and analytically.

Preservation of Cultural Heritage

Literature acts as a repository of a society’s cultural heritage. It preserves the history, traditions, myths, and folklore of a particular community, ensuring that future generations can connect with their roots and learn from the experiences of the past.

Social Commentary and Critique

Literature often serves as a platform for social commentary and critique. Writers use their works to shed light on social issues, challenge societal norms, and promote positive change. By addressing controversial topics and presenting alternative viewpoints, literature can spark discussions and inspire activism.

Entertainment and Escapism

Literature offers a means of entertainment and escapism from the realities of everyday life. Engaging narratives, compelling characters, and vivid descriptions transport readers to different worlds, allowing them to experience joy, excitement, and adventure through the pages of a book.

Imagination and Creativity

Literature fuels the human imagination and nurtures creativity. It encourages readers to think beyond the boundaries of their own experiences, envision new possibilities, and explore alternative realities. Literature inspires writers to craft unique stories and ideas, contributing to the expansion of artistic expression.

Personal Growth and Self-Reflection

Reading literature can have a profound impact on personal growth and self-reflection. It provides opportunities for introspection, introspection, and self-discovery, as readers identify with characters, grapple with moral dilemmas, and contemplate the deeper meaning of life and existence.

The Enduring Impact of Literature

Literature has an enduring impact that transcends time and continues to influence individuals and societies long after it is written. Here are some ways in which literature leaves a lasting impression:

Cultural Legacy:

Literary works become part of a society’s cultural legacy. They shape and reflect the values, beliefs, and traditions of a particular era or community. Classic works of literature, such as Shakespeare’s plays or the novels of Jane Austen, continue to be studied, performed, and celebrated, preserving their impact across generations.

Influence on Other Art Forms:

Literature has a profound influence on other art forms, such as film, theater, music, and visual arts. Many famous literary works have been adapted into films or stage productions, reaching new audiences and extending their influence beyond the written word. Artists and musicians often draw inspiration from literary themes, characters, and narratives, further amplifying their impact.

Shaping Worldviews:

Literature has the power to shape and challenge worldviews. Through stories, ideas, and perspectives presented in literary works, readers are exposed to different cultures, experiences, and ideologies. This exposure fosters empathy, broadens perspectives, and encourages critical thinking, ultimately influencing how individuals perceive and understand the world around them.

Inspirational Source:

Literature serves as an inspirational source for individuals in various fields. Writers, artists, scientists, and thinkers often draw inspiration from the works of literary giants who have explored the depths of human emotions, grappled with existential questions, or challenged societal norms. Literature provides a wellspring of ideas and creativity that continues to fuel innovation and intellectual discourse.

Social and Political Change:

Literature has played a significant role in driving social and political change throughout history. Many literary works have addressed pressing social issues, advocated for human rights, and challenged oppressive systems. By shedding light on societal injustices and encouraging readers to question the status quo, literature has been instrumental in inspiring activism and fostering social progress.

Universal Themes and Human Experience:

Literature explores universal themes and the complexities of the human experience. Whether it’s love, loss, identity, or the pursuit of meaning, these themes resonate with readers across time and cultures. Literary works offer insights into the depths of human emotions, dilemmas, and aspirations, creating a shared understanding and connecting individuals across generations.

Intellectual and Personal Development:

Reading literature stimulates intellectual growth and personal development. It encourages critical thinking, analytical skills, and the ability to empathize with diverse perspectives. Literary works challenge readers to reflect on their own lives, values, and beliefs, promoting self-discovery and personal growth.

Enduring Literary Characters:

Iconic literary characters have a lasting impact on popular culture and the collective imagination. Characters like Sherlock Holmes, Hamlet, or Elizabeth Bennet have become archetypes, influencing the portrayal of similar characters in other works and becoming a part of our cultural lexicon.

Preservation of History and Memory:

Literature plays a crucial role in preserving historical events, experiences, and cultural memories. Historical novels, memoirs, and eyewitness accounts provide valuable insights into past eras, allowing future generations to learn from and connect with the past.

About the author

Muhammad Hassan

Researcher, Academic Writer, Web developer

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Definition of 'literature'

literature in American English

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Definition of literary

Examples of literary in a sentence.

These examples are programmatically compiled from various online sources to illustrate current usage of the word 'literary.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.

Word History

1605, in the meaning defined at sense 1a

Phrases Containing literary

anti - literary

literary agent

literary executor
pre - literary

Dictionary Entries Near literary

literal-minded

Cite this Entry

“Literary.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/literary. Accessed 10 May. 2024.

Kids Definition

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The Met Gala’s Strange but Fitting Literary Inspiration

In 1962, J.G. Ballard published “The Garden of Time,” a short story about aristocrats overrun by “an immense rabble.” Now it’s the dress-code theme for the year’s most lavish ball.

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By Jim Windolf

May 6, 2024

In an Instagram post on Feb. 15, Vogue rather cryptically announced the dress code for this year’s Met Gala: “The Garden of Time.”

An article published that same day on the Vogue website cleared things up a little, noting that “The Garden of Time” was the title of a short story by J.G. Ballard , a British author who specialized in dystopian works of fiction.

“The Garden of Time” appeared in the February 1962 issue of The Magazine of Fantasy & Science Fiction and was included in the “The Complete Stories of J.G. Ballard,” a collection published not long after the author’s death in 2009. The story describes the last days of Count Axel and his wife, known only as the Countess, who reside in a Palladian villa surrounded by a garden.

They pass the days in seclusion. The count busies himself by attending to rare manuscripts. The countess plays Bach and Mozart on a harpsichord.

The threat to their peaceful existence arrives in the form of an army on the horizon. As it moves closer, Count Axel develops a clearer view of this “vast throng of people, men and women, interspersed with a few soldiers.” In an effort to turn back the advance of this “immense rabble,” he reverses time by plucking blooms from the garden’s most exquisite plant, the time flowers.

Soon enough, the last flower is plucked, and the mob overruns the property. The villa lies in ruins, and all that remains of the count and countess is a pair of statues “gazing out over the grounds” from behind a stand of thorn bushes.

“The Garden of Time” is a fitting but ironic choice as a theme for the year’s most lavish celebration. It’s fitting because the Met Gala celebrates the contemporary equivalents of aristocrats at a time of widespread social anger toward elites; it’s ironic because the reference suggests that the guests and hosts may be doomed.

The same Ballard story inspired a 2021 fashion collection by the designer Thom Browne. The clothing was understated and classic, and the clay-like makeup worn by some of Mr. Browne’s models suggested creatures halfway between statue and human.

The sympathies of “The Garden of Time” seem to lie with the count and countess. And yet the author slips in hints that their lovely existence may be empty. When Count Axel puts his arm around his wife’s waist, he realizes that “he had not embraced her for several years.”

In a 1975 interview with Science Fiction Monthly, Mr. Ballard denied that the story suggested that he missed a bygone way of life. “I think some social changes that took place in this country in the mid-’60s are the best and greatest thing that ever happened here,” he said, adding that it was “marvelous” to see the breakdown of old class divisions.

Our Coverage of the 2024 Met Gala

Zendaya Makes Two Arrivals: The actress wore a second John Galliano design to make a late (re)entrance at the Met Gala . The first was a custom Maison Margiela couture dress he created specifically for her.

A Fitting Literary Inspiration: In 1962, J.G. Ballard published “The Garden of Time,” a short story about aristocrats overrun by “an immense rabble.” It was a fitting but ironic choice as this year’s dress-code theme .

The Body Spectacle: The night saw Kim Kardashian engaged in a kind of body modification via extreme corseting. While Tyla, the South African singer and songwriter, appeared coated in sand .

Arrests and Protests: As expected, protesters gathered near the Met Gala to protest the war in Gaza, creating an atmosphere far different from the one inside the event.

The ‘Naked’ Trend: What better way to distinguish oneself from hundreds of well-dressed competitors than to wear almost nothing at all?

A Night of Firsts: Here’s the story behind Rebecca Ferguson’s sequin, bird-covered dress , Da’Vine Joy Randolph’s all-denim look , Pamela Anderson’s new incarnation , Christian Cowan and Sam Smith’s debut as a couple , and Amanda Seyfried’s semi-recycled look .

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The Met Gala's Strange but Fitting Literary Inspiration
In 1962, J.G. Ballard published "The Garden of Time," a short story about aristocrats overrun by "an immense rabble." Now it's the dress-code theme for the year's most lavish ball.