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1 What Is Literature and Why Do We Study It?

literature origin definition

In this book created for my English 211 Literary Analysis introductory course for English literature and creative writing majors at the College of Western Idaho, I’ll introduce several different critical approaches that literary scholars may use to answer these questions.  The critical method we apply to a text can provide us with different perspectives as we learn to interpret a text and appreciate its meaning and beauty.

The existence of literature, however we define it, implies that we study literature. While people have been “studying” literature as long as literature has existed, the formal study of literature as we know it in college English literature courses began in the 1940s with the advent of New Criticism. The New Critics were formalists with a vested interest in defining literature–they were, after all, both creating and teaching about literary works. For them, literary criticism was, in fact, as John Crowe Ransom wrote in his 1942 essay “ Criticism, Inc., ” nothing less than “the business of literature.”

Responding to the concern that the study of literature at the university level was often more concerned with the history and life of the author than with the text itself, Ransom responded, “the students of the future must be permitted to study literature, and not merely about literature. But I think this is what the good students have always wanted to do. The wonder is that they have allowed themselves so long to be denied.”

We’ll learn more about New Criticism in Section Three. For now, let’s return to the two questions I posed earlier.

What is literature?

First, what is literature ? I know your high school teacher told you never to look up things on Wikipedia, but for the purposes of literary studies, Wikipedia can actually be an effective resource. You’ll notice that I link to Wikipedia articles occasionally in this book. Here’s how Wikipedia defines literature :

“ Literature  is any collection of  written  work, but it is also used more narrowly for writings specifically considered to be an  art  form, especially  prose   fiction ,  drama , and  poetry . [1]  In recent centuries, the definition has expanded to include  oral literature , much of which has been transcribed. [2] Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.”

This definition is well-suited for our purposes here because throughout this course, we will be considering several types of literary texts in a variety of contexts.

I’m a Classicist—a student of Greece and Rome and everything they touched—so I am always interested in words with Latin roots. The Latin root of our modern word literature  is  litera , or “letter.” Literature, then, is inextricably intertwined with the act of writing. But what kind of writing?

Who decides which texts are “literature”?

The second question is at least as important as the first one. If we agree that literature is somehow special and different from ordinary writing, then who decides which writings count as literature? Are English professors the only people who get to decide? What qualifications and training does someone need to determine whether or not a text is literature? What role do you as the reader play in this decision about a text?

Let’s consider a few examples of things that we would all probably classify as literature. I think we can all (probably) agree that the works of William Shakespeare are literature. We can look at Toni Morrison’s outstanding ouvre of work and conclude, along with the Nobel Prize Committee, that books such as Beloved   and  Song of Solomon   are literature. And if you’re taking a creative writing course and have been assigned the short stories of Raymond Carver or the poems of Joy Harjo , you’re probably convinced that these texts are literature too.

In each of these three cases, a different “deciding” mechanism is at play. First, with Shakespeare, there’s history and tradition. These plays that were written 500 years ago are still performed around the world and taught in high school and college English classes today. It seems we have consensus about the tragedies, histories, comedies, and sonnets of the Bard of Avon (or whoever wrote the plays).

In the second case, if you haven’t heard of Toni Morrison (and I am very sorry if you haven’t), you probably have heard of the Nobel Prize. This is one of the most prestigious awards given in literature, and since she’s a winner, we can safely assume that Toni Morrison’s works are literature.

Finally, your creative writing professor is an expert in their field. You know they have an MFA (and worked hard for it), so when they share their favorite short stories or poems with you, you trust that they are sharing works considered to be literature, even if you haven’t heard of Raymond Carver or Joy Harjo before taking their class.

(Aside: What about fanfiction? Is fanfiction literature?)

We may have to save the debate about fan fiction for another day, though I introduced it because there’s some fascinating and even literary award-winning fan fiction out there.

Returning to our question, what role do we as readers play in deciding whether something is literature? Like John Crowe Ransom quoted above, I think that the definition of literature should depend on more than the opinions of literary critics and literature professors.

I also want to note that contrary to some opinions, plenty of so-called genre fiction can also be classified as literature. The Nobel Prize winning author Kazuo Ishiguro has written both science fiction and historical fiction. Iain Banks , the British author of the critically acclaimed novel The Wasp Factory , published popular science fiction novels under the name Iain M. Banks. In other words, genre alone can’t tell us whether something is literature or not.

In this book, I want to give you the tools to decide for yourself. We’ll do this by exploring several different critical approaches that we can take to determine how a text functions and whether it is literature. These lenses can reveal different truths about the text, about our culture, and about ourselves as readers and scholars.

“Turf Wars”: Literary criticism vs. authors

It’s important to keep in mind that literature and literary theory have existed in conversation with each other since Aristotle used Sophocles’s play Oedipus Rex to define tragedy. We’ll look at how critical theory and literature complement and disagree with each other throughout this book. For most of literary history, the conversation was largely a friendly one.

But in the twenty-first century, there’s a rising tension between literature and criticism. In his 2016 book Literature Against Criticism: University English and Contemporary Fiction in Conflict, literary scholar Martin Paul Eve argues that twenty-first century authors have developed

a series of novelistic techniques that, whether deliberate or not on the part of the author, function to outmanoeuvre, contain, and determine academic reading practices. This desire to discipline university English through the manipulation and restriction of possible hermeneutic paths is, I contend, a result firstly of the fact that the metafictional paradigm of the high-postmodern era has pitched critical and creative discourses into a type of productive competition with one another. Such tensions and overlaps (or ‘turf wars’) have only increased in light of the ongoing breakdown of coherent theoretical definitions of ‘literature’ as distinct from ‘criticism’ (15).

One of Eve’s points is that by narrowly and rigidly defining the boundaries of literature, university English professors have inadvertently created a situation where the market increasingly defines what “literature” is, despite the protestations of the academy. In other words, the gatekeeper role that literary criticism once played is no longer as important to authors. For example, (almost) no one would call 50 Shades of Grey literature—but the salacious E.L James novel was the bestselling book of the decade from 2010-2019, with more than 35 million copies sold worldwide.

If anyone with a blog can get a six-figure publishing deal , does it still matter that students know how to recognize and analyze literature? I think so, for a few reasons.

  • First, the practice of reading critically helps you to become a better reader and writer, which will help you to succeed not only in college English courses but throughout your academic and professional career.
  • Second, analysis is a highly sought after and transferable skill. By learning to analyze literature, you’ll practice the same skills you would use to analyze anything important. “Data analyst” is one of the most sought after job positions in the New Economy—and if you can analyze Shakespeare, you can analyze data. Indeed.com’s list of top 10 transferable skills includes analytical skills , which they define as “the traits and abilities that allow you to observe, research and interpret a subject in order to develop complex ideas and solutions.”
  • Finally, and for me personally, most importantly, reading and understanding literature makes life make sense. As we read literature, we expand our sense of what is possible for ourselves and for humanity. In the challenges we collectively face today, understanding the world and our place in it will be important for imagining new futures.

A note about using generative artificial intelligence

As I was working on creating this textbook, ChatGPT exploded into academic consciousness. Excited about the possibilities of this new tool, I immediately began incorporating it into my classroom teaching. In this book, I have used ChatGPT to help me with outlining content in chapters. I also used ChatGPT to create sample essays for each critical lens we will study in the course. These essays are dry and rather soulless, but they do a good job of modeling how to apply a specific theory to a literary text. I chose John Donne’s poem “The Canonization” as the text for these essays so that you can see how the different theories illuminate different aspects of the text.

I encourage students in my courses to use ChatGPT in the following ways:

  • To generate ideas about an approach to a text.
  • To better understand basic concepts.
  • To assist with outlining an essay.
  • To check grammar, punctuation, spelling, paragraphing, and other grammar/syntax issues.

If you choose to use Chat GPT, please include a brief acknowledgment statement as an appendix to your paper after your Works Cited page explaining how you have used the tool in your work. Here is an example of how to do this from Monash University’s “ Acknowledging the Use of Generative Artificial Intelligence .”

I acknowledge the use of [insert AI system(s) and link] to [specific use of generative artificial intelligence]. The prompts used include [list of prompts]. The output from these prompts was used to [explain use].

Here is more information about how to cite the use of generative AI like ChatGPT in your work. The information below was adapted from “Acknowledging and Citing Generative AI in Academic Work” by Liza Long (CC BY 4.0).

The Modern Language Association (MLA) uses a template of core elements to create citations for a Works Cited page. MLA  asks students to apply this approach when citing any type of generative AI in their work. They provide the following guidelines:

Cite a generative AI tool whenever you paraphrase, quote, or incorporate into your own work any content (whether text, image, data, or other) that was created by it. Acknowledge all functional uses of the tool (like editing your prose or translating words) in a note, your text, or another suitable location. Take care to vet the secondary sources it cites. (MLA)

Here are some examples of how to use and cite generative AI with MLA style:

Example One: Paraphrasing Text

Let’s say that I am trying to generate ideas for a paper on Charlotte Perkins Gilman’s short story “The Yellow Wallpaper.” I ask ChatGPT to provide me with a summary and identify the story’s main themes. Here’s a  link to the chat . I decide that I will explore the problem of identity and self-expression in my paper.

My Paraphrase of ChatGPT with In-Text Citation

The problem of identity and self expression, especially for nineteenth-century women, is a major theme in “The Yellow Wallpaper” by Charlotte Perkins Gilman (“Summarize the short story”).

Image of "Yellow Wallpaper Summary" chat with ChatGPT

Works Cited Entry

“Summarize the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Include a breakdown of the main themes” prompt.  ChatGPT.  24 May Version, OpenAI, 20 Jul. 2023,  https://chat.openai.com/share/d1526b95-920c-48fc-a9be-83cd7dfa4be5 

Example Two: Quoting Text

In the same chat, I continue to ask ChatGPT about the theme of identity and self expression. Here’s an example of how I could quote the response in the body of my paper:

When I asked  ChatGPT  to describe the theme of identity and self expression, it noted that the eponymous yellow wallpaper acts as a symbol of the narrator’s self-repression. However, when prompted to share the scholarly sources that formed the basis of this observation,  ChatGPT  responded, “As an AI language model, I don’t have access to my training data, but I was trained on a mixture of licensed data, data created by human trainers, and publicly available data. OpenAI, the organization behind my development, has not publicly disclosed the specifics of the individual datasets used, including whether scholarly sources were specifically used” (“Summarize the short story”).

It’s worth noting here that ChatGPT can “ hallucinate ” fake sources. As a Microsoft training manual notes, these chatbots are “built to be persuasive, not truthful” (Weiss &Metz, 2023). The May 24, 2023 version will no longer respond to direct requests for references; however, I was able to get around this restriction fairly easily by asking for “resources” instead.

When I ask for resources to learn more about “The Yellow Wallpaper,” here is one source it recommends:

“Charlotte Perkins Gilman’s The Yellow Wallpaper: A Symptomatic Reading” by Elaine R. Hedges: This scholarly article delves into the psychological and feminist themes of the story, analyzing the narrator’s experience and the implications of the yellow wallpaper on her mental state. It’s available in the journal “Studies in Short Fiction.” (“Summarize the short story”).

Using Google Scholar, I look up this source to see if it’s real. Unsurprisingly, this source is not a real one, but it does lead me to another (real) source: Kasmer, Lisa. “Charlotte Perkins Gilman’s’ The Yellow Wallpaper’: A Symptomatic Reading.”  Literature and Psychology  36.3 (1990): 1.

Note: ALWAYS check any sources that ChatGPT or other generative AI tools recommend.

For more information about integrating and citing generative artificial intelligence tools such as ChatGPT, please see this section of  Write What Matters.

I acknowledge that ChatGPT does not respect the individual rights of authors and artists and ignores concerns over copyright and intellectual property in its training; additionally, I acknowledge that the system was trained in part through the exploitation of precarious workers in the global south. In this work I specifically used ChatGPT to assist with outlining chapters, providing background information about critical lenses, and creating “model” essays for the critical lenses we will learn about together. I have included links to my chats in an appendix to this book.

Critical theories: A targeted approach to writing about literature

Ultimately, there’s not one “right” way to read a text. In this book. we will explore a variety of critical theories that scholars use to analyze literature. The book is organized around different targets that are associated with the approach introduced in each chapter. In the introduction, for example, our target is literature. In future chapters you’ll explore these targeted analysis techniques:

  • Author: Biographical Criticism
  • Text: New Criticism
  • Reader: Reader Response Criticism
  • Gap: Deconstruction (Post-Structuralism)
  • Context: New Historicism and Cultural Studies
  • Power: Marxist and Postcolonial Criticism
  • Mind: Psychological Criticism
  • Gender: Feminist, Post Feminist, and Queer Theory
  • Nature: Ecocriticism

Each chapter will feature the target image with the central approach in the center. You’ll read a brief introduction about the theory, explore some primary texts (both critical and literary), watch a video, and apply the theory to a primary text. Each one of these theories could be the subject of its own entire course, so keep in mind that our goal in this book is to introduce these theories and give you a basic familiarity with these tools for literary analysis. For more information and practice, I recommend Steven Lynn’s excellent Texts and Contexts: Writing about Literature with Critical Theory , which provides a similar introductory framework.

I am so excited to share these tools with you and see you grow as a literary scholar. As we explore each of these critical worlds, you’ll likely find that some critical theories feel more natural or logical to you than others. I find myself much more comfortable with deconstruction than with psychological criticism, for example. Pay attention to how these theories work for you because this will help you to expand your approaches to texts and prepare you for more advanced courses in literature.

P.S. If you want to know what my favorite book is, I usually tell people it’s Herman Melville’s Moby Dick . And I do love that book! But I really have no idea what my “favorite” book of all time is, let alone what my favorite book was last year. Every new book that I read is a window into another world and a template for me to make sense out of my own experience and better empathize with others. That’s why I love literature. I hope you’ll love this experience too.

writings in prose or verse, especially :  writings having excellence of form or expression and expressing ideas of permanent or universal interest (Merriam Webster)

Critical Worlds Copyright © 2024 by Liza Long is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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A body of written works related by subject-matter (e.g. the literature of computing), by language or place of origin (e.g. Russian literature), or by prevailing cultural standards of merit. In this last sense, ‘literature’ is taken to include oral, dramatic, and broadcast compositions that may not have been published in written form but which have been (or deserve to be) preserved. Since the 19th century, the broader sense of literature as a totality of written or printed works has given way to more exclusive definitions based on criteria of imaginative, creative, or artistic value, usually related to a work's absence of factual or practical reference (see autotelic). Even more restrictive has been the academic concentration upon poetry, drama, and fiction. Until the mid-20th century, many kinds of non-fictional writing—in philosophy, history, biography, criticism, topography, science, and politics—were counted as literature; implicit in this broader usage is a definition of literature as that body of works which—for whatever reason—deserves to be preserved as part of the current reproduction of meanings within a given culture (unlike yesterday's newspaper, which belongs in the disposable category of ephemera). This sense seems more tenable than the later attempts to divide literature—as creative, imaginative, fictional, or non-practical—from factual writings or practically effective works of propaganda, rhetoric, or didactic writing. The Russian Formalists' attempt to define literariness in terms of linguistic deviations is important in the theory of poetry, but has not addressed the more difficult problem of the non-fictional prose forms. See also belles-lettres , canon, paraliterature. For a fuller account, consult Peter Widdowson, Literature (1998).

From:   literature   in  The Oxford Dictionary of Literary Terms »

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Literature in the Making: A History of U.S. Literary Culture in the Long Nineteenth Century

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Literature in the Making: A History of U.S. Literary Culture in the Long Nineteenth Century

Introduction: literary history as the history of “literature”

  • Published: November 2015
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Literature in the Making does not offer an account of how works of literature were written. It examines instead how the phenomenon “literature” came into being, seeking to uncover how strange literature is: a peculiar amalgam, not something self-evident or elemental. By examining how literature emerged—and how recently—I hope to loosen its hold on us and highlight our choices about what we wish to carry forward from or as literature as well as to examine features and effects of literature that ought to give us pause. I don’t mean to debunk the whole idea of literature or the texts that have counted as literature. However, the rhetorical drumroll that usually accompanies testimonials to literature can make it hard to notice how the category shapes our encounters with things we read and with each other. Suspending the drumroll, Literature in the Making will examine literature as a collective invention and an institution.

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[ lit -er- uh -cher , -ch oo r , li -tr uh - ]

  • writings in which expression and form, in connection with ideas of permanent and universal interest, are characteristic or essential features, as poetry, novels, history, biography, and essays.

the literature of England.

the literature of ornithology.

  • the profession of a writer or author.
  • literary work or production.

literature describing company products.

  • Archaic. polite learning; literary culture; appreciation of letters and books.

/ ˈlɪtərɪtʃə; ˈlɪtrɪ- /

  • written material such as poetry, novels, essays, etc, esp works of imagination characterized by excellence of style and expression and by themes of general or enduring interest

Scandinavian literature

the literature of the violin

scientific literature

sales literature

  • the art or profession of a writer
  • obsolete. learning

Discover More

Other words from.

  • pre·liter·a·ture noun

Word History and Origins

Origin of literature 1

Synonym Study

Example sentences.

If you want to understand the flamboyant family of objects that make up our solar system—from puny, sputtering comets to tremendous, ringed planets—you could start by immersing yourself in the technical terms that fill the scientific literature.

Poway Unified anticipates bringing forward two new courses – ethnic studies and ethnic literature – to the school board for review, said Christine Paik, a spokeswoman for the district.

The book she completed after that trip, Coming of Age in Samoa, published in 1928, would be hailed as a classic in the literature on sexuality and adolescence.

He also told Chemistry World he envisages the robots eventually being able to analyze the scientific literature to better guide their experiments.

Research also suggests that reading literature may help increase empathy and understanding of others’ experiences, potentially spurring better real-world behavior.

The research literature, too, asks these questions, and not without reason.

She wanted to know what happened over five years, or even 10, but the scientific literature had little to offer.

The religion shaped all facets of life: art, medicine, literature, and even dynastic politics.

Speaking of the literature you love, the Bloomsbury writers crop up in your collection repeatedly.

Literature in the 14th century, Strohm points out, was an intimate, interactive affair.

All along the highways and by-paths of our literature we encounter much that pertains to this "queen of plants."

There cannot be many persons in the world who keep up with the whole range of musical literature as he does.

In early English literature there was at one time a tendency to ascribe to Solomon various proverbs not in the Bible.

He was deeply versed in Saxon literature and published a work on the antiquity of the English church.

Such unromantic literature as Acts of Parliament had not, it may be supposed, up to this, formed part of my mental pabulum.

Related Words

  • composition
  • information

More About Literature

What is literature .

Literature is writing that uses artistic expression and form and is considered to have merit or be important.

As an artistic term, literature refers to written works, such as novels, short stories, biographies, memories, essays, and poetry. However, songs, movies, TV shows, video games, and paintings are typically not considered to be literature because the final output is not text.

At the same time, literature is usually thought to only include works of art . Informative works like newspapers, scientific journals, religious texts, press releases, and spreadsheets are generally not considered to be literature .

Yet in scientific study, especially anthropology or history, the word literature is used more broadly to describe everything that a specific society or group has ever written. For example, a researcher may be studying “Persian literature ,” which would include even mundane, non-artistic pieces of writing that was created by a citizen of the Persian empire, such as lists of food supplies.

Why is literature important?

The first records of the word literature come from around 1375. It ultimately comes from the Latin litterātūra , meaning “grammar” or “writing.”

What writings are considered literature is often debated. Average readers and literary experts often disagree on what counts as literature . Literary experts also disagree among themselves what is and isn’t literature . Usually, literature is defined as being “of interest” or having importance, which is obviously a subjective quality. Who gets to decide if a piece of writing is important? In the past, the answer was “people who can read.” In your own life, the literature you have studied has most likely been selected by an English teacher or a literature department at a college.

In everyday life, the word literature is most likely to be used when speaking academically or scholastically. Libraries and stores that sell books are less likely to use this broad, unhelpful term and are more likely to categorize written works using more specific words, like poetry , romance , or young adult fiction .

Did you know … ?

The oldest author whose name we know was Enheduanna, a Sumerian princess and high priestess who wrote poetry dedicated to the gods over 4,000 years ago. Her literature is the oldest written work we know of.

What are real-life examples of literature ?

People have many different opinions on what kinds of literature they like to read.

Who says great literature is dead? pic.twitter.com/m7yeKBkTxh — Stephen King (@StephenKing) April 11, 2018
Reading my twitter feed is still reading so that counts as literature right? — karlie jones (@__karlie__) March 11, 2013

What other words are related to literature ?

Quiz yourself.

Which of the following is NOT considered to be literature ?

A. a nature poem B. a science fiction novel C. a murder mystery television show D. a president’s autobiography

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1.1: What is Literature?

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  • Heather Ringo & Athena Kashyap
  • City College of San Francisco via ASCCC Open Educational Resources Initiative

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Defining Literature

In order for us to study literature with any kind of depth, first we must decide what constitutes literature. While works like William Shakespeare’s Romeo and Juliet and Harper Lee’s To Kill a Mockingbird are almost universally accepted as literature, other works are hotly debated, or included or excluded based on the context. For example, while most consider Toni Morrison’s Beloved literature, others debate whether more recent publications such as David Mitchell’s Cloud Atlas or Rupi Kaur’s Instagram poetry constitute literature. And what about the stories told through tweets, like Jennifer Egan’s “Black Box” ? What about video games, like Skyrim , or memes, like Grumpy Cat?

Students often throw their hands up in the air over such distinctions, arguing literature is subjective. Isn't it up to individual opinion? Anything can be literature, such students argue. At first glance, it could seem such distinctions are, at best, arbitrary. At worst, such definitions function as a means of enforcing cultural erasure.

However, consider a story about Kim Kardashian’s plastic surgery in People Magazine . Can this be considered on the same level of literary achievement as Hamlet ? Most would concede there is a difference in quality between these two texts. A blurb about Kim Kardashian’s latest plastic surgery, most would agree, does not constitute literature. So how can we differentiate between such works?

Literature vs. literature

As illustrated in the somewhat silly example above, one way we can define what constitutes literature is by identifying what is definitely not literature. For our intents and purposes of defining most terms in this textbook, we will use the Oxford English Dictionary ’s definitions. Many professors who teach Literature use the concept of Big L Literature vs. little l literature (Rollison).

While the definition of little l literature is fairly easy to understand and apply, the definition of Big L Literature remains amorphous. What makes a work “artistic”? How do we define “superior” or “lasting”?

Let’s break down some of the defining qualities of literature in a bit more detail, starting with the word “artistic.”

Exercise 1.1.1

Consider the following works of art. Which of these images do you feel is higher quality or more “artistic”? Which is lower-quality or less artistic? Why? Justify your position by analyzing the elements of each artwork.

man in dark suit stands on mountain overlooking a sea of clouds

While there may be some debate, most students usually respond that Friedrich's painting is more artistic. This is due to several composition differences between the two works:

  • Artist’s skill: it certainly appears as if the first image was produced by an artist with superior skill
  • Fame: for anyone who knows art history, the first image is famous while the other is not
  • Lasting quality: the first image has survived the test of time, remaining popular over two hundred years!
  • Meaning: the first image likely conjures deeper feelings, themes, or ideas, such as isolation and the primacy of nature. This is why this image has become the face of Romanticism.

But what about the images demonstrate the artists’ superior skills? While the second image appears to be produced with a simple doodle, and quickly composed, the first indicates more complexity, attention-to-detail, and craft. Freidrich leverages different colors, textures, shapes, and symbols to evoke a feeling in the viewer. Skilled artists will use different techniques, like the way they move the paintbrush, the pressure they exert or the direction of the brush. They will use textured paintbrushes for a specific effect, such as the difference between the light fluffy clouds and dark mountain rocks. They will use different color pallets to project, as accurately as possible, the feelings they are trying to evoke. In short, while anyone can paint, true artists leverage many different skills, techniques, and materials to render what is in their imagination into a real-life product.

So how does this relate to our attempts to define literature?

Literature is art, but with words.

While the artist uses different colors, paintbrushes, mediums, canvases, and techniques, the writer uses different genres and literary techniques called literary devices . Just like different types of paint, paintbrushes, and artistic tools, there are literally hundreds of literary devices, but some of the most common are metaphor, simile, personification, and imagery. Genre is the type or style of literature. Each genre has its own conventions. Literary genres include creative nonfiction, fiction, drama, and poetry . Works that are literary tend to masterfully use genre conventions and literary devices to create a world in the mind of the reader. Works that are less literary tend to be for practical and/or entertainment purposes, and the writer dedicates less focused energy towards artfully employing literary devices.

However, just because a work is not as literary as another does not mean it cannot be enjoyed. Just like a stick figure or cartoon character might be perfectly fine if intended for a particular audience or purpose, readers can still enjoy People Magazine even though it is not of the same literary quality as Hamlet .

So, to use an example from earlier:

While some literature falls into clear designations of literature or not literature, most works are open to debate. Given the sometimes difficult task of determining whether a work falls into one camp or the other, it may be more helpful to think of Literature less as a dichotomy than a spectrum, with popular magazines on one end and works like Hamlet and Beloved on the other, and most written works falling somewhere between the two extremes.

The Literary Spectrum

This spectrum can be a helpful way to think about literature because it provides a more open-ended way to discuss writing as art than simply labeling works as literary or not. After viewing the above chart, why do you think popular magazines and a Calculus textbook are considered "less literary"? In terms of popular magazines, they do not fit the definition of literature as "lasting" in the sense that they usually fade from relevancy quickly after publication. Additionally, the authors of such magazines are striving for quick entertainment rather than leaving a meaningful impression on the reader. They tend not to use literary devices, such as metaphor, in a masterful way. On the other end, Shakespeare's Hamlet definitely fits the definition of "lasting," in that it has survived hundreds of years. It is full of literary devices used for rhetorical effect and, one would argue, it touches upon deep themes such as death, the afterlife, murder, vengeance, and love, rather than trifling issues such as a starlet's most recent plastic surgery.

Certainly, works of literature are up for debate: that is the quintessential question literary scholars might ask. What makes certain literary works survive the test of time? What makes a story, poem, or drama "good"? While literary scholars are less interested in proving a certain work is "good" or not -- and more focused on analyzing the ways to illuminate a given work -- it can be helpful for you to consider what kinds of literature you like and why you like it. What about the way it was written causes you to feel the way you do about it?

Who Decides What is Literature?

Now that we have at least somewhat clarified the definition of literature, who decides what works are or are not literature? Historically speaking, kings, queens, publishers, literary critics, professors, colleges, and readers (like you!) have decided which works survive and which works do not.

Aristotle was one of the first writers to attempt to decide what works fall into the category of literature, and what works do not. While Aristotle was most famous for his contributions to science and philosophy, he is also considered one of the first literary critics. A literary critic is a person who studies and analyzes literature. A literary critic produces scholarship called literary criticism . An example of this would be Aristotle’s Poetics , in which he identifies the defining qualities of a “good” Tragedy. Aristotle’s analysis of Tragedy was so influential that it is still used today, over two thousand years later!

When a work is officially decided to constitute literature, it enters something called the Canon. Not to be confused with the large metal tube that shoots bombs popular in the 16th through the 19th centuries (cannon), the Literary Canon is a collection of works that are considered by the powers that be to constitute literature. A work that falls into this designation is called canonical. So, to use an example from Aristotle’s Poetics , Aristotle defined Sophocles’ Oedipus Trilogy as the pinnacle of the Tragic Genre. From there, in part due to Aristotle's influence, Greek society valued Oedipus so much that they kept discussing, reading, referencing, and teaching it. Thus, it became a kind of shining example of the Tragic Canon, one which has lasted thousands of years and continues to be read and lauded to this day. Other tragedies, fairly or not, are often judged on their quality in comparison to Sophocles' works. Wild to think that someone who died thousands of years ago still influences what we consider literature today!

Memes and Video Games: Today's Literature?

All this talk of thousands-of-years-old texts might seem out of touch. A lot of people think "old and boring" and literature are synonymous. Students are often surprised to hear that comic books and video games can arguably be considered literature, too. There are plenty of arguments to be made that comic books, such as Maus by Art Spiegalman (1991) or Fun Home by Alison Bechdel (2006) are literature. Cutting edge literary scholars argue video games like Kentucky Route Zero by Cardboard Computer (2015) can be considered literary. There is also literature that is published in tweets, like Jennifer Egan's "Black Box" (2012). Some might even consider memes literature!

Generative question: do you think memes can be literary?

chihuahua makes a dramatic face with superimposed text: "me, a writing professor: *assigns 500 word essay*; students: *dramatic chihuahua face*"

A meme is an image or video containing cultural values or ideas, often represented through allusion (implied reference to another work, without naming that work or its author). Memes can spread rapidly spreads through social media. Why? Because the best ones are #relatable; that is, they speak to a common human experience.

Usually memes take the form of text superimposed on an image. For example, the meme above conveys the dramatic reaction students sometimes give when I assign an essay. This is done primarily through a literary device called hyperbole , or exaggeration for rhetorical effect. It conveys its message comically through certain conventions that come along with the meme genre, such as the syntactic structure "me, a [insert noun]" and asterisks, which convey action. Just like in the Shakespearean drama, the colon indicates what each character (me and the students, in this case) is saying or doing. My chihuahua's face looks silly and very dramatic. Through this use of image, text, format, and convention, the meaning I intended to convey was that I was making fun of my students for being over-dramatic about what to me seems like a fairly simple assignment. While some might dismiss memes as shallow, when you start to unravel the layers of meaning, they can actually be very complex and even, dare I say, literary!

Think about a recent meme you have seen, or your favorite meme of all time. Imagine explaining this meme to someone who has no idea what it means. What is the message or idea behind the meme? What cultural reference points does it use to convey its message? In what ways might this meme be considered literature? How might this compare to a short poem, like a haiku?

Not Literature

Let's say you come to the conclusion that a meme, a gossip magazine, or the Twilight Series is not literary. Does that mean you have to feel guilty and give up reading it forever? Or that it is not "good"?

Just because a work is not literary does not mean it is "bad," that it does not have value, or that one cannot enjoy it. Indeed, there are plenty of examples of written works that are on the less literary side of the spectrum but are still fun and enriching to read. Joe Dirt i s not on the same artistic level of cinema as Schindler's List , but my husband still loves watching it. Nothing Taylor Swift has produced is as deep as Tupac Shakur's "Changes" (1992) or Mitski's "Last Words of a Shooting Star" (2014), but listening to Taylor Swift is my guilty pleasure. This is all to say that whether a text is literary or not is not as important as the methods of analyzing texts. In fact, texts which were excluded from literature are often argued into the literary canon through such analysis. Part of what makes analyzing literature so fun is that it means the definition of literature is always up for debate! This is especially important given the history of the canon.

The Problem with the Canon

In an ideal world, literature would be celebrated purely based on its artistic merit. Well-written works would last, poorly-written works would wither from public memory. However, that is not always the case. Works often achieve public prominence or survive based on qualities unrelated to skill or aesthetics, such as an author's fame, wealth, connections, or acceptance by the dominant culture. William Wordsworth, for example, was named Poet Laureate of England and has been taught as one of the "Big Six" major Romantic-era authors ever since. Indeed, he is accepted as part of the Romanticism literary canon. One would be hard-pressed to find a Literature anthology that does not feature William Wordsworth . However, how many people have read or heard of Dorothy Wordsworth , William Wordsworth's sister, who arguably depicted Romantic themes with equal skill and beauty? Or James Hogg, a Scottish contemporary of Wordsworth who was a lower-class shepherd? Similarly, while most readers have encountered F. Scott Fitzgerald or Edgar Allen Poe in their high school literature classes, how many have read Frederick Douglass in these same classes? In short, all artistic skill (arguably) considered equal, why do some authors predominantly feature in the Canon while others do not?

Let’s perform an experimental activity.

  • Find a piece of paper or a whiteboard. On this piece of paper or whiteboard, write down as many works of literature that you feel constitute “Big L Literature.” Perhaps they are works you read in high school, works which have been made into films, or works you have been taught or told are literary masterworks. Don’t turn the page until you have written them down. Try to think of at least 10, but a larger sample size is better. Once you are finished, continue to the next paragraph.
  • Alright, now look at your list. If you know the author of the literary texts you named, write their name next to the work. If you do not know the author, Google the information and write it down. Continue doing this until you have named the author of each work. Once you are finished, read on to the next paragraph.
  • Now, as uncomfortable as it seems, label the gender/race/age/presumed sexual orientation of the authors you listed. After you have categorized them to the best of your ability, consider the following questions:
  • What percentage of the authors are male?
  • What percentage of the authors are white?
  • What percentage of the authors are old/dead?
  • What patterns do you notice? Why do you think this is?

I have replicated this experiment dozens of times in the classroom, and, in most classes, the vast majority of what students have been taught are “Literary Masterworks” are written by (pardon my colloquialism) dead white males. Although, as time progresses, it seems there is increasing but not proportionate representation on average. For example, while women make up about half of the population, over 80% of the most popular novels were written by men ("Battle"). While there are many possible reasons for this discrepancy in representation (which could be the focus of an entire textbook), what does this mean for scholars of literature? For students? For instructors? For society?

As a cultural relic, similar to art, many scholars suggest literature is a reflection of the society which produces it. This includes positive aspects of society (championing values such as love, justice, and good triumphing over evil), but it can also reflect negative aspects of society (such as discrimination, racism, sexism, homophobia, historical lack of opportunity for marginalized authors).

For example, enslaved Africans were often prevented from learning to read and write as a form of control. When Phillis Wheatley published her book of poetry, Poems on Various Subjects, Religious and Moral (1773) she had to defend the fact that she wrote it, due to popularly held racist views that slaves were incapable of writing poetry. Later, Frederick Douglass wrote about how his enslavers banned him from reading and writing, as they realized "education and slavery were incompatible with each other" (Douglass). He later championed his learning to read and write as the means which conveyed him to freedom. However, even when trying to publish The Narrative of the Life of Frederick Douglass ( 1845) his publishers were forced to prove that it was, in fact, an enslaved person who wrote the story and not a white man who wrote it for him. Slave owners actively attempted to keep this book from circulation as it threatened the institution of slavery upon which they depended. Indeed, to this day, Douglass' book continues to be banned in some prisons for its potential to incite revolution (Darby, Gilroy).

How could Black writers enter the canon en masse if they were not allowed to read or write? Or if they were forced to spend all of their waking hours working? And if those who had the means to read and write had to jump through absurd hoops just to have their works published? And if even those texts which were published were banned?

Similarly, throughout much of Western history, women have been discouraged from pursuing reading and writing, as it distracted from society's expectations for women to focus on motherly and household duties. Until the 1700s, women were not allowed to go to college. Even then, very few went: only the extremely wealthy. It was not until the 19th century that women attended college in representative numbers. Virginia Woolf wrote in A Room of One's Own that if there are fewer works of literature written by women, it is only because society, historically, has not given women the time, education, funding, or space to do so. In this extended essay, she describes an imaginary sister of William Shakespeare who could have been just as great of a writer had she the same opportunities as her brother.

I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee's life of the poet. She died young—alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the cross-roads still lives. She lives in you and in me, and in many other women who are not here tonight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her.

Woolf argues that in our time those who have been excluded from literature can now join the canon by adding their voices. The inequity of representation in literature -- which has arguably improved, but in many ways persists today -- can be remedied if more people from a wide array of backgrounds and walks of life are empowered to study and create Literature. That is one reason why the current study of literature is so exciting. As a student and budding literary scholar, you have the power to influence culture through your reading and analysis of literature! For one author and scholar's perspective on this topic, please watch this the following TED Talk by Chimamanda Ngozi Adichie to see the ways in which such misrepresentations are harmful, and why it is important to veer away from the historically parochial Canon into what Chinua Achebe calls "a balance of stories" (qtd. Bacon).

screen capture of a TED Talk video of "The Danger of a Single Story" by Chimamanda Ngozi Adichie. Link to transcript and video.

  • Original video available on TED Talk website
  • Transcript of video

What "single stories" do you know? What are the "single stories" people have told about you? What story would you tell if you could? What kinds of stories do you want to read? Throughout this class, you will get the opportunity to encounter many different voices and stories from all over the world. While we faced hurdles of copyright permissions, the authors of this textbook attempted to embody the values espoused in this TED Talk & Chinua Achebe's conception of the "balance of stories." As you read the textbook, consider the stories which were omitted, why they were omitted, and what works of Literature you would include in this class if you could.

Works Cited

Bacon, Katie. "An African Voice." The Atlantic , 2000.

"Battle of the Authors: Are The Most Popular Rated Fiction Books Written by Men or Women?" Wordery , 1 Mar. 2019.

Darby, Luke. "Illinois Prison Bans Frederick Douglass's Memoir and Other "Racial" Books." GQ , 20 August 2019.

Douglass, Frederick. The Narrative of the Life of Frederick Douglass. 1845.

Friedrich, Caspar David. "Wanderer Above the Sea of Fog." Hamburger Kunsthalle Museum , 1818.

Gilroy, Paul. "Banned Books of Guantánamo: 'An American Slave' by Frederick Douglass." Vice , 14 Nov. 2014.

"literature, n.; 3b & 5" OED Online , Oxford University Press, September 2019, www.oed.com/view/Entry/109080. Accessed 6 September 2019.

Rollison, David. "Big L vs Little L Literature." Survey of World Literature I. College of Marin, 2008. Lecture.

Wheatley, Phillis. Poems on Various Subjects, Religious and Moral . 1773.

Woolf, Virginia. A Room of One's Own. 1929.

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literature noun

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What does the noun literature mean?

There are six meanings listed in OED's entry for the noun literature . See ‘Meaning & use’ for definitions, usage, and quotation evidence.

literature has developed meanings and uses in subjects including

How common is the noun literature ?

How is the noun literature pronounced, british english, u.s. english, where does the noun literature come from.

Earliest known use

Middle English

The earliest known use of the noun literature is in the Middle English period (1150—1500).

OED's earliest evidence for literature is from around 1450, in G. Boccaccio's De Claris Mulieribus .

literature is a borrowing from Latin; probably modelled on a French lexical item.

Etymons: Latin litterātūra , literātūra .

Nearby entries

  • literated, adj. 1611–47
  • literately, adv. 1600–
  • literati, n. 1620–
  • literatim, adv. & adj. 1623–
  • literation, n. 1783–
  • literatist, n. 1660–
  • literatize, v. 1836–
  • literato, n. 1655–
  • literator, n. a1641–
  • literatory, adj. 1652–
  • literature, n. c1450–
  • literatus, n. 1614–
  • literose, adj. 1859–
  • literosity, n. 1887–
  • lith, n.¹ Old English–
  • lith, n.² Old English–1275
  • lith, n.³ c1275–1377
  • lith, n.⁴ c1300–1485
  • lith, n.⁵ 1955–
  • lith, v. Old English–1540
  • -lith, comb. form

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Meaning & use

Pronunciation, compounds & derived words, entry history for literature, n..

literature, n. was revised in September 2011.

literature, n. was last modified in September 2023.

oed.com is a living text, updated every three months. Modifications may include:

  • further revisions to definitions, pronunciation, etymology, headwords, variant spellings, quotations, and dates;
  • new senses, phrases, and quotations.

Revisions and additions of this kind were last incorporated into literature, n. in September 2023.

Earlier versions of this entry were published in:

OED First Edition (1903)

  • Find out more

OED Second Edition (1989)

  • View literature in OED Second Edition

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Citation details

Factsheet for literature, n., browse entry.

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What is Literature? || Definition & Examples

"what is literature": a literary guide for english students and teachers.

View the full series: The Oregon State Guide to English Literary Terms

  • Guide to Literary Terms
  • BA in English Degree
  • BA in Creative Writing Degree
  • Oregon State Admissions Info

What is Literature? Transcript (English and Spanish Subtitles Available in Video; Click HERE for Spanish Transcript)

By Evan Gottlieb & Paige Thomas

3 January 2022

The question of what makes something literary is an enduring one, and I don’t expect that we’ll answer it fully in this short video. Instead, I want to show you a few different ways that literary critics approach this question and then offer a short summary of the 3 big factors that we must consider when we ask the question ourselves.

Let’s begin by making a distinction between “Literature with a capital L” and “literature with a small l.”

“Literature with a small l” designates any written text: we can talk about “the literature” on any given subject without much difficulty.

“Literature with a capital L”, by contrast, designates a much smaller set of texts – a subset of all the texts that have been written.

what_is_literature_little_l.png

speaker gesturing to literature with a small "l" rather than with a big "L"

So what makes a text literary or what makes a text “Literature with a capital L”?

Let’s start with the word itself.  “Literature” comes from Latin, and it originally meant “the use of letters” or “writing.” But when the word entered the Romance languages that derived from Latin, it took on the additional meaning of “knowledge acquired from reading or studying books.” So we might use this definition to understand “Literature with a Capital L” as writing that gives us knowledge--writing that should be studied.

But this begs the further question: what books or texts are worth studying or close reading ?

For some critics, answering this question is a matter of establishing canonicity.  A work of literature becomes “canonical” when cultural institutions like schools or universities or prize committees classify it as a work of lasting artistic or cultural merit.

The canon, however, has proved problematic as a measure of what “Literature with a capital L” is because the gatekeepers of the Western canon have traditionally been White and male. It was only in the closing decades of the twentieth century that the canon of Literature was opened to a greater inclusion of diverse authors.

And here’s another problem with that definition: if inclusion in the canon were our only definition of Literature, then there could be no such thing as contemporary Literature, which, of course, has not yet stood the test of time.

And here’s an even bigger problem: not every book that receives good reviews or a wins a prize turns out to be of lasting value in the eyes of later readers.

On the other hand, a novel like Herman Melville’s Moby-Di ck, which was NOT received well by critics or readers when it was first published in 1851, has since gone on to become a mainstay of the American literary canon.

moby_dick_with_quote.png

graphic with cover of Melville's "Moby Dick" and quote

As you can see, canonicity is obviously a problematic index of literariness.

So… what’s the alternative?  Well, we could just go with a descriptive definition: “if you love it, then it’s Literature!”

But that’s a little too subjective.  For example, no matter how much you may love a certain book from your childhood (I love The Very Hungry Caterpillar ) that doesn’t automatically make it literary, no matter how many times you’ve re-read it.

Furthermore, the very idea that we should have an emotional attachment to the books we read has its own history that cannot be detached from the rise of the middle class and its politics of telling people how to behave.

Ok, so “literature with a capital L” cannot always by defined by its inclusion in the canon or the fact that it has been well-received so…what is it then? Well, for other critics, what makes something Literature would seem to be qualities within the text itself.

According to the critic Derek Attridge, there are three qualities that define modern Western Literature:

1. a quality of invention or inventiveness in the text itself;

2.  the reader’s sense that what they are reading is singular. In other words, the unique vision of the writer herself.

3. a sense of ‘otherness’ that pushes the reader to see the world around them in a new way

Notice that nowhere in this three-part definition is there any limitation on the content of Literature. Instead, we call something Literature when it affects the reader at the level of style and construction rather than substance.

In other words, Literature can be about anything!

what_is_literature_caterpillar.png

speaker telling a secret with photo of Carle's "The Very Hungry Caterpillar" in the background

The idea that a truly literary text can change a reader is of course older than this modern definition. In the English tradition, poetry was preferred over novels because it was thought to create mature and sympathetic reader-citizens.

Likewise, in the Victorian era, it was argued that reading so-called “great” works of literature was the best way for readers to realize their full spiritual potentials in an increasingly secular world.

But these never tell us precisely what “the best” is.  To make matters worse, as I mentioned already, “the best” in these older definitions was often determined by White men in positions of cultural and economic power.

So we are still faced with the question of whether there is something inherent in a text that makes it literary.

Some critics have suggested that a sense of irony – or, more broadly, a sense that there is more than one meaning to a given set of words – is essential to “Literature with a capital L.”

Reading for irony means reading slowly or at least attentively.  It demands a certain attention to the complexity of the language on the page, whether that language is objectively difficult or not.

In a similar vein, other critics have claimed that the overall effect of a literary text should be one of “defamiliarization,” meaning that the text asks or even forces readers to see the world differently than they did before reading it.

Along these lines, literary theorist Roland Barthes maintained that there were two kinds of texts: the text of pleasure, which we can align with everyday Literature with a small l” and the text of jouissance , (yes, I said jouissance) which we can align with Literature. Jouissance makes more demands on the reader and raises feelings of strangeness and wonder that surpass the everyday and even border on the painful or disorienting.

Barthes’ definition straddles the line between objectivity and subjectivity. Literature differs from the mass of writing by offering more and different kinds of experiences than the ordinary, non-literary text.

Literature for Barthes is thus neither entirely in the eye of the beholder, nor something that can be reduced to set of repeatable, purely intrinsic characteristics.

This negative definition has its own problems, though. If the literary text is always supposed to be innovative and unconventional, then genre fiction, which IS conventional, can never be literary.

So it seems that whatever hard and fast definition we attempt to apply to Literature, we find that we run up against inevitable exceptions to the rules.

As we examine the many problematic ways that people have defined literature, one thing does become clear. In each of the above examples, what counts as Literature depends upon three interrelated factors: the world, the text, and the critic or reader.

You see, when we encounter a literary text, we usually do so through a field of expectations that includes what we’ve heard about the text or author in question [the world], the way the text is presented to us [the text], and how receptive we as readers are to the text’s demands [the reader].

With this in mind, let’s return to where we started. There is probably still something to be said in favor of the “test of time” theory of Literature.

After all, only a small percentage of what is published today will continue to be read 10, 20, or even 100 years from now; and while the mechanisms that determine the longevity of a text are hardly neutral, one can still hope that individual readers have at least some power to decide what will stay in print and develop broader cultural relevance.

The only way to experience what Literature is, then, is to keep reading: as long as there are avid readers, there will be literary texts – past, present, and future – that challenge, excite, and inspire us.

Want to cite this?

MLA Citation: Gottlieb, Evan and Paige Thomas. "What is Literature?" Oregon State Guide to English Literary Terms, 3 Jan. 2022, Oregon State University, https://liberalarts.oregonstate.edu/wlf/what-literature-definition-examples. Accessed [insert date].

Interested in more video lessons? View the full series:

The oregon state guide to english literary terms, contact info.

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Definition of literature noun from the Oxford Advanced Learner's Dictionary

  • English/American/French literature
  • children's literature
  • great works of literature
  • For most people, the desire to study literature begins with a love of reading.
  • write/​publish literature/​poetry/​fiction/​a book/​a story/​a poem/​a novel/​a review/​an autobiography
  • become a writer/​novelist/​playwright
  • find/​have a publisher/​an agent
  • have a new book out
  • edit/​revise/​proofread a book/​text/​manuscript
  • dedicate a book/​poem to…
  • construct/​create/​weave/​weave something into a complex narrative
  • advance/​drive the plot
  • introduce/​present the protagonist/​a character
  • describe/​depict/​portray a character (as…)/(somebody as) a hero/​villain
  • create an exciting/​a tense atmosphere
  • build/​heighten the suspense/​tension
  • evoke/​capture the pathos of the situation
  • convey emotion/​an idea/​an impression/​a sense of…
  • engage the reader
  • seize/​capture/​grip the (reader’s) imagination
  • arouse/​elicit emotion/​sympathy (in the reader)
  • lack imagination/​emotion/​structure/​rhythm
  • use/​employ language/​imagery/​humour/ (US English) humor/​an image/​a symbol/​a metaphor/​a device
  • use/​adopt/​develop a style/​technique
  • be rich in/​be full of symbolism
  • evoke images of…/a sense of…/a feeling of…
  • create/​achieve an effect
  • maintain/​lighten the tone
  • introduce/​develop an idea/​a theme
  • inspire a novel/​a poet/​somebody’s work/​somebody’s imagination
  • read an author/​somebody’s work/​fiction/​poetry/​a text/​a poem/​a novel/​a chapter/​a passage
  • review a book/​a novel/​somebody’s work
  • give something/​get/​have/​receive a good/​bad review
  • be hailed (as)/be recognized as a masterpiece
  • quote a(n) phrase/​line/​stanza/​passage/​author
  • provoke/​spark discussion/​criticism
  • study/​interpret/​understand a text/​passage
  • translate somebody’s work/​a text/​a passage/​a novel/​a poem
  • contemporary

Take your English to the next level

The Oxford Learner’s Thesaurus explains the difference between groups of similar words. Try it for free as part of the Oxford Advanced Learner’s Dictionary app

literature origin definition

Literary Devices & Terms

An acrostic is a piece of writing in which a particular set of letters—typically the first letter of each line, word, or paragraph—spells out a word or phrase with special significance to the text. Acrostics... (read full acrostic explanation with examples) An acrostic is a piece of writing in which a particular set of letters—typically the first letter of each line,... (read more)

An allegory is a work that conveys a hidden meaning—usually moral, spiritual, or political—through the use of symbolic characters and events. The story of "The Tortoise and The Hare" is a well-known allegory with a... (read full allegory explanation with examples) An allegory is a work that conveys a hidden meaning—usually moral, spiritual, or political—through the use of symbolic characters and... (read more)

Alliteration is a figure of speech in which the same sound repeats in a group of words, such as the “b” sound in: “Bob brought the box of bricks to the basement.” The repeating sound... (read full alliteration explanation with examples) Alliteration is a figure of speech in which the same sound repeats in a group of words, such as the... (read more)

In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous individuals, historical events, or philosophical ideas, and they do so in... (read full allusion explanation with examples) In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to... (read more)

An anachronism is a person or a thing placed in the wrong time period. For instance, if a novel set in Medieval England featured a trip to a movie-theater, that would be an anachronism. Although... (read full anachronism explanation with examples) An anachronism is a person or a thing placed in the wrong time period. For instance, if a novel set... (read more)

Anadiplosis is a figure of speech in which a word or group of words located at the end of one clause or sentence is repeated at or near the beginning of the following clause or... (read full anadiplosis explanation with examples) Anadiplosis is a figure of speech in which a word or group of words located at the end of one... (read more)

An analogy is a comparison that aims to explain a thing or idea by likening it to something else. For example, a career coach might say, "Being the successful boss or CEO of a company... (read full analogy explanation with examples) An analogy is a comparison that aims to explain a thing or idea by likening it to something else. For... (read more)

An anapest is a three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. The word "understand" is an anapest, with the unstressed syllables of "un" and "der" followed... (read full anapest explanation with examples) An anapest is a three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable.... (read more)

Anaphora is a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences. For example, Martin Luther King's famous "I Have a Dream" speech contains anaphora: "So let freedom... (read full anaphora explanation with examples) Anaphora is a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences. For... (read more)

An antagonist is usually a character who opposes the protagonist (or main character) of a story, but the antagonist can also be a group of characters, institution, or force against which the protagonist must contend.... (read full antagonist explanation with examples) An antagonist is usually a character who opposes the protagonist (or main character) of a story, but the antagonist can... (read more)

Antanaclasis is a figure of speech in which a word or phrase is repeated within a sentence, but the word or phrase means something different each time it appears. A famous example of antanaclasis is... (read full antanaclasis explanation with examples) Antanaclasis is a figure of speech in which a word or phrase is repeated within a sentence, but the word... (read more)

Anthropomorphism is the attribution of human characteristics, emotions, and behaviors to animals or other non-human things (including objects, plants, and supernatural beings). Some famous examples of anthropomorphism include Winnie the Pooh, the Little Engine that Could, and Simba from... (read full anthropomorphism explanation with examples) Anthropomorphism is the attribution of human characteristics, emotions, and behaviors to animals or other non-human things (including objects, plants, and supernatural beings). Some famous... (read more)

Antimetabole is a figure of speech in which a phrase is repeated, but with the order of words reversed. John F. Kennedy's words, "Ask not what your country can do for you, ask what you... (read full antimetabole explanation with examples) Antimetabole is a figure of speech in which a phrase is repeated, but with the order of words reversed. John... (read more)

Antithesis is a figure of speech that juxtaposes two contrasting or opposing ideas, usually within parallel grammatical structures. For instance, Neil Armstrong used antithesis when he stepped onto the surface of the moon in 1969... (read full antithesis explanation with examples) Antithesis is a figure of speech that juxtaposes two contrasting or opposing ideas, usually within parallel grammatical structures. For instance,... (read more)

An aphorism is a saying that concisely expresses a moral principle or an observation about the world, presenting it as a general or universal truth. The Rolling Stones are responsible for penning one of the... (read full aphorism explanation with examples) An aphorism is a saying that concisely expresses a moral principle or an observation about the world, presenting it as... (read more)

Aphorismus is a type of figure of speech that calls into question the way a word is used. Aphorismus is used not to question the meaning of a word, but whether it is actually appropriate... (read full aphorismus explanation with examples) Aphorismus is a type of figure of speech that calls into question the way a word is used. Aphorismus is... (read more)

Aporia is a rhetorical device in which a speaker expresses uncertainty or doubt—often pretended uncertainty or doubt—about something, usually as a way of proving a point. An example of aporia is the famous Elizabeth Barrett... (read full aporia explanation with examples) Aporia is a rhetorical device in which a speaker expresses uncertainty or doubt—often pretended uncertainty or doubt—about something, usually as... (read more)

Apostrophe is a figure of speech in which a speaker directly addresses someone (or something) that is not present or cannot respond in reality. The entity being addressed can be an absent, dead, or imaginary... (read full apostrophe explanation with examples) Apostrophe is a figure of speech in which a speaker directly addresses someone (or something) that is not present or... (read more)

Assonance is a figure of speech in which the same vowel sound repeats within a group of words. An example of assonance is: "Who gave Newt and Scooter the blue tuna? It was too soon!" (read full assonance explanation with examples) Assonance is a figure of speech in which the same vowel sound repeats within a group of words. An example... (read more)

An asyndeton (sometimes called asyndetism) is a figure of speech in which coordinating conjunctions—words such as "and", "or", and "but" that join other words or clauses in a sentence into relationships of equal importance—are omitted.... (read full asyndeton explanation with examples) An asyndeton (sometimes called asyndetism) is a figure of speech in which coordinating conjunctions—words such as "and", "or", and "but"... (read more)

A ballad is a type of poem that tells a story and was traditionally set to music. English language ballads are typically composed of four-line stanzas that follow an ABCB rhyme scheme. (read full ballad explanation with examples) A ballad is a type of poem that tells a story and was traditionally set to music. English language ballads... (read more)

A ballade is a form of lyric poetry that originated in medieval France. Ballades follow a strict rhyme scheme ("ababbcbc"), and typically have three eight-line stanzas followed by a shorter four-line stanza called an envoi.... (read full ballade explanation with examples) A ballade is a form of lyric poetry that originated in medieval France. Ballades follow a strict rhyme scheme ("ababbcbc"),... (read more)

Bildungsroman is a genre of novel that shows a young protagonist's journey from childhood to adulthood (or immaturity to maturity), with a focus on the trials and misfortunes that affect the character's growth. (read full bildungsroman explanation with examples) Bildungsroman is a genre of novel that shows a young protagonist's journey from childhood to adulthood (or immaturity to maturity),... (read more)

Blank verse is the name given to poetry that lacks rhymes but does follow a specific meter—a meter that is almost always iambic pentameter. Blank verse was particularly popular in English poetry written between the... (read full blank verse explanation with examples) Blank verse is the name given to poetry that lacks rhymes but does follow a specific meter—a meter that is... (read more)

A cacophony is a combination of words that sound harsh or unpleasant together, usually because they pack a lot of percussive or "explosive" consonants (like T, P, or K) into relatively little space. For instance, the... (read full cacophony explanation with examples) A cacophony is a combination of words that sound harsh or unpleasant together, usually because they pack a lot of... (read more)

A caesura is a pause that occurs within a line of poetry, usually marked by some form of punctuation such as a period, comma, ellipsis, or dash. A caesura doesn't have to be placed in... (read full caesura explanation with examples) A caesura is a pause that occurs within a line of poetry, usually marked by some form of punctuation such... (read more)

Catharsis is the process of releasing strong or pent-up emotions through art. Aristotle coined the term catharsis—which comes from the Greek kathairein meaning "to cleanse or purge"—to describe the release of emotional tension that he... (read full catharsis explanation with examples) Catharsis is the process of releasing strong or pent-up emotions through art. Aristotle coined the term catharsis—which comes from the... (read more)

Characterization is the representation of the traits, motives, and psychology of a character in a narrative. Characterization may occur through direct description, in which the character's qualities are described by a narrator, another character, or... (read full characterization explanation with examples) Characterization is the representation of the traits, motives, and psychology of a character in a narrative. Characterization may occur through... (read more)

Chiasmus is a figure of speech in which the grammar of one phrase is inverted in the following phrase, such that two key concepts from the original phrase reappear in the second phrase in inverted... (read full chiasmus explanation with examples) Chiasmus is a figure of speech in which the grammar of one phrase is inverted in the following phrase, such... (read more)

The word cinquain can refer to two different things. Historically, it referred to any stanza of five lines written in any type of verse. More recently, cinquain has come to refer to particular types of... (read full cinquain explanation with examples) The word cinquain can refer to two different things. Historically, it referred to any stanza of five lines written in... (read more)

A cliché is a phrase that, due to overuse, is seen as lacking in substance or originality. For example, telling a heartbroken friend that there are "Plenty of fish in the sea" is such a... (read full cliché explanation with examples) A cliché is a phrase that, due to overuse, is seen as lacking in substance or originality. For example, telling... (read more)

Climax is a figure of speech in which successive words, phrases, clauses, or sentences are arranged in ascending order of importance, as in "Look! Up in the sky! It's a bird! It's a plane! It's... (read full climax (figure of speech) explanation with examples) Climax is a figure of speech in which successive words, phrases, clauses, or sentences are arranged in ascending order of... (read more)

The climax of a plot is the story's central turning point—the moment of peak tension or conflict—which all the preceding plot developments have been leading up to. In a traditional "good vs. evil" story (like many superhero movies)... (read full climax (plot) explanation with examples) The climax of a plot is the story's central turning point—the moment of peak tension or conflict—which all the preceding plot... (read more)

Colloquialism is the use of informal words or phrases in writing or speech. Colloquialisms are usually defined in geographical terms, meaning that they are often defined by their use within a dialect, a regionally-defined variant... (read full colloquialism explanation with examples) Colloquialism is the use of informal words or phrases in writing or speech. Colloquialisms are usually defined in geographical terms,... (read more)

Common meter is a specific type of meter that is often used in lyric poetry. Common meter has two key traits: it alternates between lines of eight syllables and lines of six syllables, and it... (read full common meter explanation with examples) Common meter is a specific type of meter that is often used in lyric poetry. Common meter has two key... (read more)

A conceit is a fanciful metaphor, especially a highly elaborate or extended metaphor in which an unlikely, far-fetched, or strained comparison is made between two things. A famous example comes from John Donne's poem, "A... (read full conceit explanation with examples) A conceit is a fanciful metaphor, especially a highly elaborate or extended metaphor in which an unlikely, far-fetched, or strained... (read more)

Connotation is the array of emotions and ideas suggested by a word in addition to its dictionary definition. Most words carry meanings, impressions, or associations apart from or beyond their literal meaning. For example, the... (read full connotation explanation with examples) Connotation is the array of emotions and ideas suggested by a word in addition to its dictionary definition. Most words... (read more)

Consonance is a figure of speech in which the same consonant sound repeats within a group of words. An example of consonance is: "Traffic figures, on July Fourth, to be tough." (read full consonance explanation with examples) Consonance is a figure of speech in which the same consonant sound repeats within a group of words. An example... (read more)

A couplet is a unit of two lines of poetry, especially lines that use the same or similar meter, form a rhyme, or are separated from other lines by a double line break. (read full couplet explanation with examples) A couplet is a unit of two lines of poetry, especially lines that use the same or similar meter, form... (read more)

A dactyl is a three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. The word “poetry” itself is a great example of a dactyl, with the stressed syllable... (read full dactyl explanation with examples) A dactyl is a three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables.... (read more)

Denotation is the literal meaning, or "dictionary definition," of a word. Denotation is defined in contrast to connotation, which is the array of emotions and ideas suggested by a word in addition to its dictionary... (read full denotation explanation with examples) Denotation is the literal meaning, or "dictionary definition," of a word. Denotation is defined in contrast to connotation, which is... (read more)

The dénouement is the final section of a story's plot, in which loose ends are tied up, lingering questions are answered, and a sense of resolution is achieved. The shortest and most well known dénouement, it could be... (read full dénouement explanation with examples) The dénouement is the final section of a story's plot, in which loose ends are tied up, lingering questions are answered, and... (read more)

A deus ex machina is a plot device whereby an unsolvable conflict or point of tension is suddenly resolved by the unexpected appearance of an implausible character, object, action, ability, or event. For example, if... (read full deus ex machina explanation with examples) A deus ex machina is a plot device whereby an unsolvable conflict or point of tension is suddenly resolved by... (read more)

Diacope is a figure of speech in which a word or phrase is repeated with a small number of intervening words. The first line of Anna Karenina by Leo Tolstoy, "Happy families are all alike;... (read full diacope explanation with examples) Diacope is a figure of speech in which a word or phrase is repeated with a small number of intervening... (read more)

Dialogue is the exchange of spoken words between two or more characters in a book, play, or other written work. In prose writing, lines of dialogue are typically identified by the use of quotation marks... (read full dialogue explanation with examples) Dialogue is the exchange of spoken words between two or more characters in a book, play, or other written work.... (read more)

Diction is a writer's unique style of expression, especially his or her choice and arrangement of words. A writer's vocabulary, use of language to produce a specific tone or atmosphere, and ability to communicate clearly... (read full diction explanation with examples) Diction is a writer's unique style of expression, especially his or her choice and arrangement of words. A writer's vocabulary,... (read more)

Dramatic irony is a plot device often used in theater, literature, film, and television to highlight the difference between a character's understanding of a given situation, and that of the audience. More specifically, in dramatic... (read full dramatic irony explanation with examples) Dramatic irony is a plot device often used in theater, literature, film, and television to highlight the difference between a... (read more)

A dynamic character undergoes substantial internal changes as a result of one or more plot developments. The dynamic character's change can be extreme or subtle, as long as his or her development is important to... (read full dynamic character explanation with examples) A dynamic character undergoes substantial internal changes as a result of one or more plot developments. The dynamic character's change... (read more)

An elegy is a poem of serious reflection, especially one mourning the loss of someone who died. Elegies are defined by their subject matter, and don't have to follow any specific form in terms of... (read full elegy explanation with examples) An elegy is a poem of serious reflection, especially one mourning the loss of someone who died. Elegies are defined... (read more)

End rhyme refers to rhymes that occur in the final words of lines of poetry. For instance, these lines from Dorothy Parker's poem "Interview" use end rhyme: "The ladies men admire, I’ve heard, / Would shudder... (read full end rhyme explanation with examples) End rhyme refers to rhymes that occur in the final words of lines of poetry. For instance, these lines from... (read more)

An end-stopped line is a line of poetry in which a sentence or phrase comes to a conclusion at the end of the line. For example, the poet C.P. Cavafy uses end-stopped lines in his... (read full end-stopped line explanation with examples) An end-stopped line is a line of poetry in which a sentence or phrase comes to a conclusion at the... (read more)

Enjambment is the continuation of a sentence or clause across a line break. For example, the poet John Donne uses enjambment in his poem "The Good-Morrow" when he continues the opening sentence across the line... (read full enjambment explanation with examples) Enjambment is the continuation of a sentence or clause across a line break. For example, the poet John Donne uses... (read more)

An envoi is a brief concluding stanza at the end of a poem that can either summarize the preceding poem or serve as its dedication. The envoi tends to follow the same meter and rhyme... (read full envoi explanation with examples) An envoi is a brief concluding stanza at the end of a poem that can either summarize the preceding poem... (read more)

Epanalepsis is a figure of speech in which the beginning of a clause or sentence is repeated at the end of that same clause or sentence, with words intervening. The sentence "The king is dead,... (read full epanalepsis explanation with examples) Epanalepsis is a figure of speech in which the beginning of a clause or sentence is repeated at the end... (read more)

An epigram is a short and witty statement, usually written in verse, that conveys a single thought or observation. Epigrams typically end with a punchline or a satirical twist. (read full epigram explanation with examples) An epigram is a short and witty statement, usually written in verse, that conveys a single thought or observation. Epigrams... (read more)

An epigraph is a short quotation, phrase, or poem that is placed at the beginning of another piece of writing to encapsulate that work's main themes and to set the tone. For instance, the epigraph of Mary... (read full epigraph explanation with examples) An epigraph is a short quotation, phrase, or poem that is placed at the beginning of another piece of writing to... (read more)

Epistrophe is a figure of speech in which one or more words repeat at the end of successive phrases, clauses, or sentences. In his Gettysburg Address, Abraham Lincoln urged the American people to ensure that,... (read full epistrophe explanation with examples) Epistrophe is a figure of speech in which one or more words repeat at the end of successive phrases, clauses,... (read more)

Epizeuxis is a figure of speech in which a word or phrase is repeated in immediate succession, with no intervening words. In the play Hamlet, when Hamlet responds to a question about what he's reading... (read full epizeuxis explanation with examples) Epizeuxis is a figure of speech in which a word or phrase is repeated in immediate succession, with no intervening... (read more)

Ethos, along with logos and pathos, is one of the three "modes of persuasion" in rhetoric (the art of effective speaking or writing). Ethos is an argument that appeals to the audience by emphasizing the... (read full ethos explanation with examples) Ethos, along with logos and pathos, is one of the three "modes of persuasion" in rhetoric (the art of effective... (read more)

Euphony is the combining of words that sound pleasant together or are easy to pronounce, usually because they contain lots of consonants with soft or muffled sounds (like L, M, N, and R) instead of consonants with harsh, percussive sounds (like... (read full euphony explanation with examples) Euphony is the combining of words that sound pleasant together or are easy to pronounce, usually because they contain lots of consonants with soft... (read more)

Exposition is the description or explanation of background information within a work of literature. Exposition can cover characters and their relationship to one another, the setting or time and place of events, as well as... (read full exposition explanation with examples) Exposition is the description or explanation of background information within a work of literature. Exposition can cover characters and their... (read more)

An extended metaphor is a metaphor that unfolds across multiple lines or even paragraphs of a text, making use of multiple interrelated metaphors within an overarching one. So while "life is a highway" is a... (read full extended metaphor explanation with examples) An extended metaphor is a metaphor that unfolds across multiple lines or even paragraphs of a text, making use of... (read more)

An external conflict is a problem, antagonism, or struggle that takes place between a character and an outside force. External conflict drives the action of a plot forward. (read full external conflict explanation with examples) An external conflict is a problem, antagonism, or struggle that takes place between a character and an outside force. External conflict... (read more)

The falling action of a story is the section of the plot following the climax, in which the tension stemming from the story's central conflict decreases and the story moves toward its conclusion. For instance, the traditional "good... (read full falling action explanation with examples) The falling action of a story is the section of the plot following the climax, in which the tension stemming from... (read more)

Figurative language is language that contains or uses figures of speech. When people use the term "figurative language," however, they often do so in a slightly narrower way. In this narrower definition, figurative language refers... (read full figurative language explanation with examples) Figurative language is language that contains or uses figures of speech. When people use the term "figurative language," however, they... (read more)

A figure of speech is a literary device in which language is used in an unusual—or "figured"—way in order to produce a stylistic effect. Figures of speech can be broken into two main groups: figures... (read full figure of speech explanation with examples) A figure of speech is a literary device in which language is used in an unusual—or "figured"—way in order to... (read more)

A character is said to be "flat" if it is one-dimensional or lacking in complexity. Typically, flat characters can be easily and accurately described using a single word (like "bully") or one short sentence (like "A naive... (read full flat character explanation with examples) A character is said to be "flat" if it is one-dimensional or lacking in complexity. Typically, flat characters can be easily... (read more)

Foreshadowing is a literary device in which authors hint at plot developments that don't actually occur until later in the story. Foreshadowing can be achieved directly or indirectly, by making explicit statements or leaving subtle... (read full foreshadowing explanation with examples) Foreshadowing is a literary device in which authors hint at plot developments that don't actually occur until later in the... (read more)

Formal verse is the name given to rhymed poetry that uses a strict meter (a regular pattern of stressed and unstressed syllables). This two-line poem by Emily Dickinson is formal verse because it rhymes and... (read full formal verse explanation with examples) Formal verse is the name given to rhymed poetry that uses a strict meter (a regular pattern of stressed and... (read more)

Free verse is the name given to poetry that doesn’t use any strict meter or rhyme scheme. Because it has no set meter, poems written in free verse can have lines of any length, from... (read full free verse explanation with examples) Free verse is the name given to poetry that doesn’t use any strict meter or rhyme scheme. Because it has... (read more)

Hamartia is a literary term that refers to a tragic flaw or error that leads to a character's downfall. In the novel Frankenstein, Victor Frankenstein's arrogant conviction that he can usurp the roles of God... (read full hamartia explanation with examples) Hamartia is a literary term that refers to a tragic flaw or error that leads to a character's downfall. In... (read more)

Hubris refers to excessive pride or overconfidence, which drives a person to overstep limits in a way that leads to their downfall. In Greek mythology, the legend of Icarus involves an iconic case of hubris:... (read full hubris explanation with examples) Hubris refers to excessive pride or overconfidence, which drives a person to overstep limits in a way that leads to... (read more)

Hyperbole is a figure of speech in which a writer or speaker exaggerates for the sake of emphasis. Hyperbolic statements are usually quite obvious exaggerations intended to emphasize a point, rather than be taken literally.... (read full hyperbole explanation with examples) Hyperbole is a figure of speech in which a writer or speaker exaggerates for the sake of emphasis. Hyperbolic statements... (read more)

An iamb is a two-syllable metrical pattern in poetry in which one unstressed syllable is followed by a stressed syllable. The word "define" is an iamb, with the unstressed syllable of "de" followed by the... (read full iamb explanation with examples) An iamb is a two-syllable metrical pattern in poetry in which one unstressed syllable is followed by a stressed syllable.... (read more)

An idiom is a phrase that conveys a figurative meaning that is difficult or impossible to understand based solely on a literal interpretation of the words in the phrase. For example, saying that something is... (read full idiom explanation with examples) An idiom is a phrase that conveys a figurative meaning that is difficult or impossible to understand based solely on... (read more)

Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After Apple-Picking" contain imagery that engages the senses of touch, movement,... (read full imagery explanation with examples) Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines... (read more)

Internal rhyme is rhyme that occurs in the middle of lines of poetry, instead of at the ends of lines. A single line of poetry can contain internal rhyme (with multiple words in the same... (read full internal rhyme explanation with examples) Internal rhyme is rhyme that occurs in the middle of lines of poetry, instead of at the ends of lines.... (read more)

Irony is a literary device or event in which how things seem to be is in fact very different from how they actually are. If this seems like a loose definition, don't worry—it is. Irony is a... (read full irony explanation with examples) Irony is a literary device or event in which how things seem to be is in fact very different from how... (read more)

Juxtaposition occurs when an author places two things side by side as a way of highlighting their differences. Ideas, images, characters, and actions are all things that can be juxtaposed with one another. For example,... (read full juxtaposition explanation with examples) Juxtaposition occurs when an author places two things side by side as a way of highlighting their differences. Ideas, images,... (read more)

A kenning is a figure of speech in which two words are combined in order to form a poetic expression that refers to a person or a thing. For example, "whale-road" is a kenning for... (read full kenning explanation with examples) A kenning is a figure of speech in which two words are combined in order to form a poetic expression... (read more)

A line break is the termination of one line of poetry, and the beginning of a new line. (read full line break explanation with examples) A line break is the termination of one line of poetry, and the beginning of a new line. (read more)

Litotes is a figure of speech and a form of understatement in which a sentiment is expressed ironically by negating its contrary. For example, saying "It's not the best weather today" during a hurricane would... (read full litotes explanation with examples) Litotes is a figure of speech and a form of understatement in which a sentiment is expressed ironically by negating... (read more)

Logos, along with ethos and pathos, is one of the three "modes of persuasion" in rhetoric (the art of effective speaking or writing). Logos is an argument that appeals to an audience's sense of logic... (read full logos explanation with examples) Logos, along with ethos and pathos, is one of the three "modes of persuasion" in rhetoric (the art of effective... (read more)

A metaphor is a figure of speech that compares two different things by saying that one thing is the other. The comparison in a metaphor can be stated explicitly, as in the sentence "Love is... (read full metaphor explanation with examples) A metaphor is a figure of speech that compares two different things by saying that one thing is the other.... (read more)

Meter is a regular pattern of stressed and unstressed syllables that defines the rhythm of some poetry. These stress patterns are defined in groupings, called feet, of two or three syllables. A pattern of unstressed-stressed,... (read full meter explanation with examples) Meter is a regular pattern of stressed and unstressed syllables that defines the rhythm of some poetry. These stress patterns... (read more)

Metonymy is a type of figurative language in which an object or concept is referred to not by its own name, but instead by the name of something closely associated with it. For example, in... (read full metonymy explanation with examples) Metonymy is a type of figurative language in which an object or concept is referred to not by its own... (read more)

The mood of a piece of writing is its general atmosphere or emotional complexion—in short, the array of feelings the work evokes in the reader. Every aspect of a piece of writing can influence its mood, from the... (read full mood explanation with examples) The mood of a piece of writing is its general atmosphere or emotional complexion—in short, the array of feelings the work evokes... (read more)

A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the central themes of a book or play. For example, one... (read full motif explanation with examples) A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of... (read more)

A narrative is an account of connected events. Two writers describing the same set of events might craft very different narratives, depending on how they use different narrative elements, such as tone or point of view. For... (read full narrative explanation with examples) A narrative is an account of connected events. Two writers describing the same set of events might craft very different narratives,... (read more)

Onomatopoeia is a figure of speech in which words evoke the actual sound of the thing they refer to or describe. The “boom” of a firework exploding, the “tick tock” of a clock, and the... (read full onomatopoeia explanation with examples) Onomatopoeia is a figure of speech in which words evoke the actual sound of the thing they refer to or... (read more)

An oxymoron is a figure of speech in which two contradictory terms or ideas are intentionally paired in order to make a point—particularly to reveal a deeper or hidden truth. The most recognizable oxymorons are... (read full oxymoron explanation with examples) An oxymoron is a figure of speech in which two contradictory terms or ideas are intentionally paired in order to... (read more)

A paradox is a figure of speech that seems to contradict itself, but which, upon further examination, contains some kernel of truth or reason. Oscar Wilde's famous declaration that "Life is much too important to be... (read full paradox explanation with examples) A paradox is a figure of speech that seems to contradict itself, but which, upon further examination, contains some kernel... (read more)

Parallelism is a figure of speech in which two or more elements of a sentence (or series of sentences) have the same grammatical structure. These "parallel" elements can be used to intensify the rhythm of... (read full parallelism explanation with examples) Parallelism is a figure of speech in which two or more elements of a sentence (or series of sentences) have... (read more)

Parataxis is a figure of speech in which words, phrases, clauses, or sentences are set next to each other so that each element is equally important. Parataxis usually involves simple sentences or phrases whose relationships... (read full parataxis explanation with examples) Parataxis is a figure of speech in which words, phrases, clauses, or sentences are set next to each other so... (read more)

A parody is a work that mimics the style of another work, artist, or genre in an exaggerated way, usually for comic effect. Parodies can take many forms, including fiction, poetry, film, visual art, and... (read full parody explanation with examples) A parody is a work that mimics the style of another work, artist, or genre in an exaggerated way, usually... (read more)

Pathetic fallacy occurs when a writer attributes human emotions to things that aren't human, such as objects, weather, or animals. It is often used to make the environment reflect the inner experience of a narrator... (read full pathetic fallacy explanation with examples) Pathetic fallacy occurs when a writer attributes human emotions to things that aren't human, such as objects, weather, or animals.... (read more)

Pathos, along with logos and ethos, is one of the three "modes of persuasion" in rhetoric (the art of effective speaking or writing). Pathos is an argument that appeals to an audience's emotions. When a... (read full pathos explanation with examples) Pathos, along with logos and ethos, is one of the three "modes of persuasion" in rhetoric (the art of effective... (read more)

Personification is a type of figurative language in which non-human things are described as having human attributes, as in the sentence, "The rain poured down on the wedding guests, indifferent to their plans." Describing the... (read full personification explanation with examples) Personification is a type of figurative language in which non-human things are described as having human attributes, as in the... (read more)

Plot is the sequence of interconnected events within the story of a play, novel, film, epic, or other narrative literary work. More than simply an account of what happened, plot reveals the cause-and-effect relationships between... (read full plot explanation with examples) Plot is the sequence of interconnected events within the story of a play, novel, film, epic, or other narrative literary... (read more)

Point of view refers to the perspective that the narrator holds in relation to the events of the story. The three primary points of view are first person, in which the narrator tells a story from... (read full point of view explanation with examples) Point of view refers to the perspective that the narrator holds in relation to the events of the story. The... (read more)

Polyptoton is a figure of speech that involves the repetition of words derived from the same root (such as "blood" and "bleed"). For instance, the question, "Who shall watch the watchmen?" is an example of... (read full polyptoton explanation with examples) Polyptoton is a figure of speech that involves the repetition of words derived from the same root (such as "blood"... (read more)

Polysyndeton is a figure of speech in which coordinating conjunctions—words such as "and," "or," and "but" that join other words or clauses in a sentence into relationships of equal importance—are used several times in close... (read full polysyndeton explanation with examples) Polysyndeton is a figure of speech in which coordinating conjunctions—words such as "and," "or," and "but" that join other words... (read more)

The protagonist of a story is its main character, who has the sympathy and support of the audience. This character tends to be involved in or affected by most of the choices or conflicts that... (read full protagonist explanation with examples) The protagonist of a story is its main character, who has the sympathy and support of the audience. This character... (read more)

A pun is a figure of speech that plays with words that have multiple meanings, or that plays with words that sound similar but mean different things. The comic novelist Douglas Adams uses both types... (read full pun explanation with examples) A pun is a figure of speech that plays with words that have multiple meanings, or that plays with words... (read more)

A quatrain is a four-line stanza of poetry. It can be a single four-line stanza, meaning that it is a stand-alone poem of four lines, or it can be a four-line stanza that makes up... (read full quatrain explanation with examples) A quatrain is a four-line stanza of poetry. It can be a single four-line stanza, meaning that it is a... (read more)

A red herring is a piece of information in a story that distracts readers from an important truth, or leads them to mistakenly expect a particular outcome. Most often, the term red herring is used to refer... (read full red herring explanation with examples) A red herring is a piece of information in a story that distracts readers from an important truth, or leads them... (read more)

In a poem or song, a refrain is a line or group of lines that regularly repeat, usually at the end of a stanza in a poem or at the end of a verse in... (read full refrain explanation with examples) In a poem or song, a refrain is a line or group of lines that regularly repeat, usually at the... (read more)

Repetition is a literary device in which a word or phrase is repeated two or more times. Repetition occurs in so many different forms that it is usually not thought of as a single figure... (read full repetition explanation with examples) Repetition is a literary device in which a word or phrase is repeated two or more times. Repetition occurs in... (read more)

A rhetorical question is a figure of speech in which a question is asked for a reason other than to get an answer—most commonly, it's asked to make a persuasive point. For example, if a... (read full rhetorical question explanation with examples) A rhetorical question is a figure of speech in which a question is asked for a reason other than to... (read more)

A rhyme is a repetition of similar sounds in two or more words. Rhyming is particularly common in many types of poetry, especially at the ends of lines, and is a requirement in formal verse.... (read full rhyme explanation with examples) A rhyme is a repetition of similar sounds in two or more words. Rhyming is particularly common in many types... (read more)

A rhyme scheme is the pattern according to which end rhymes (rhymes located at the end of lines) are repeated in works poetry. Rhyme schemes are described using letters of the alphabet, such that all... (read full rhyme scheme explanation with examples) A rhyme scheme is the pattern according to which end rhymes (rhymes located at the end of lines) are repeated... (read more)

The rising action of a story is the section of the plot leading up to the climax, in which the tension stemming from the story's central conflict grows through successive plot developments. For example, in the story of "Little... (read full rising action explanation with examples) The rising action of a story is the section of the plot leading up to the climax, in which the tension stemming... (read more)

A character is said to be "round" if they are lifelike or complex. Round characters typically have fully fleshed-out and multi-faceted personalities, backgrounds, desires, and motivations. Jay Gatsby in F. Scott Fitzgerald's The Great Gatsby... (read full round character explanation with examples) A character is said to be "round" if they are lifelike or complex. Round characters typically have fully fleshed-out and... (read more)

Satire is the use of humor, irony, sarcasm, or ridicule to criticize something or someone. Public figures, such as politicians, are often the subject of satire, but satirists can take aim at other targets as... (read full satire explanation with examples) Satire is the use of humor, irony, sarcasm, or ridicule to criticize something or someone. Public figures, such as politicians,... (read more)

A sestet is a six-line stanza of poetry. It can be any six-line stanza—one that is, itself, a whole poem, or one that makes up a part of a longer poem. Most commonly, the term... (read full sestet explanation with examples) A sestet is a six-line stanza of poetry. It can be any six-line stanza—one that is, itself, a whole poem,... (read more)

Setting is where and when a story or scene takes place. The where can be a real place like the city of New York, or it can be an imagined location, like Middle Earth in... (read full setting explanation with examples) Setting is where and when a story or scene takes place. The where can be a real place like the... (read more)

Sibilance is a figure of speech in which a hissing sound is created within a group of words through the repetition of "s" sounds. An example of sibilance is: "Sadly, Sam sold seven venomous serpents to Sally and... (read full sibilance explanation with examples) Sibilance is a figure of speech in which a hissing sound is created within a group of words through the repetition... (read more)

A simile is a figure of speech that directly compares two unlike things. To make the comparison, similes most often use the connecting words "like" or "as," but can also use other words that indicate... (read full simile explanation with examples) A simile is a figure of speech that directly compares two unlike things. To make the comparison, similes most often... (read more)

Traditionally, slant rhyme referred to a type of rhyme in which two words located at the end of a line of poetry themselves end in similar—but not identical—consonant sounds. For instance, the words "pact" and... (read full slant rhyme explanation with examples) Traditionally, slant rhyme referred to a type of rhyme in which two words located at the end of a line... (read more)

A soliloquy is a literary device, most often found in dramas, in which a character speaks to him or herself, relating his or her innermost thoughts and feelings as if thinking aloud. In some cases,... (read full soliloquy explanation with examples) A soliloquy is a literary device, most often found in dramas, in which a character speaks to him or herself,... (read more)

A sonnet is a type of fourteen-line poem. Traditionally, the fourteen lines of a sonnet consist of an octave (or two quatrains making up a stanza of 8 lines) and a sestet (a stanza of... (read full sonnet explanation with examples) A sonnet is a type of fourteen-line poem. Traditionally, the fourteen lines of a sonnet consist of an octave (or... (read more)

A spondee is a two-syllable metrical pattern in poetry in which both syllables are stressed. The word "downtown" is a spondee, with the stressed syllable of "down" followed by another stressed syllable, “town”: Down-town. (read full spondee explanation with examples) A spondee is a two-syllable metrical pattern in poetry in which both syllables are stressed. The word "downtown" is a... (read more)

A stanza is a group of lines form a smaller unit within a poem. A single stanza is usually set apart from other lines or stanza within a poem by a double line break or... (read full stanza explanation with examples) A stanza is a group of lines form a smaller unit within a poem. A single stanza is usually set... (read more)

A character is said to be "static" if they do not undergo any substantial internal changes as a result of the story's major plot developments. Antagonists are often static characters, but any character in a... (read full static character explanation with examples) A character is said to be "static" if they do not undergo any substantial internal changes as a result of... (read more)

Stream of consciousness is a style or technique of writing that tries to capture the natural flow of a character's extended thought process, often by incorporating sensory impressions, incomplete ideas, unusual syntax, and rough grammar. (read full stream of consciousness explanation with examples) Stream of consciousness is a style or technique of writing that tries to capture the natural flow of a character's... (read more)

A syllogism is a three-part logical argument, based on deductive reasoning, in which two premises are combined to arrive at a conclusion. So long as the premises of the syllogism are true and the syllogism... (read full syllogism explanation with examples) A syllogism is a three-part logical argument, based on deductive reasoning, in which two premises are combined to arrive at... (read more)

Symbolism is a literary device in which a writer uses one thing—usually a physical object or phenomenon—to represent something more abstract. A strong symbol usually shares a set of key characteristics with whatever it is... (read full symbolism explanation with examples) Symbolism is a literary device in which a writer uses one thing—usually a physical object or phenomenon—to represent something more... (read more)

Synecdoche is a figure of speech in which, most often, a part of something is used to refer to its whole. For example, "The captain commands one hundred sails" is a synecdoche that uses "sails"... (read full synecdoche explanation with examples) Synecdoche is a figure of speech in which, most often, a part of something is used to refer to its... (read more)

A theme is a universal idea, lesson, or message explored throughout a work of literature. One key characteristic of literary themes is their universality, which is to say that themes are ideas that not only... (read full theme explanation with examples) A theme is a universal idea, lesson, or message explored throughout a work of literature. One key characteristic of literary... (read more)

The tone of a piece of writing is its general character or attitude, which might be cheerful or depressive, sarcastic or sincere, comical or mournful, praising or critical, and so on. For instance, an editorial in a newspaper... (read full tone explanation with examples) The tone of a piece of writing is its general character or attitude, which might be cheerful or depressive, sarcastic or sincere, comical... (read more)

A tragic hero is a type of character in a tragedy, and is usually the protagonist. Tragic heroes typically have heroic traits that earn them the sympathy of the audience, but also have flaws or... (read full tragic hero explanation with examples) A tragic hero is a type of character in a tragedy, and is usually the protagonist. Tragic heroes typically have... (read more)

A trochee is a two-syllable metrical pattern in poetry in which a stressed syllable is followed by an unstressed syllable. The word "poet" is a trochee, with the stressed syllable of "po" followed by the... (read full trochee explanation with examples) A trochee is a two-syllable metrical pattern in poetry in which a stressed syllable is followed by an unstressed syllable.... (read more)

Understatement is a figure of speech in which something is expressed less strongly than would be expected, or in which something is presented as being smaller, worse, or lesser than it really is. Typically, understatement is... (read full understatement explanation with examples) Understatement is a figure of speech in which something is expressed less strongly than would be expected, or in which something... (read more)

Verbal irony occurs when the literal meaning of what someone says is different from—and often opposite to—what they actually mean. When there's a hurricane raging outside and someone remarks "what lovely weather we're having," this... (read full verbal irony explanation with examples) Verbal irony occurs when the literal meaning of what someone says is different from—and often opposite to—what they actually mean.... (read more)

A villanelle is a poem of nineteen lines, and which follows a strict form that consists of five tercets (three-line stanzas) followed by one quatrain (four-line stanza). Villanelles use a specific rhyme scheme of ABA... (read full villanelle explanation with examples) A villanelle is a poem of nineteen lines, and which follows a strict form that consists of five tercets (three-line... (read more)

A zeugma is a figure of speech in which one "governing" word or phrase modifies two distinct parts of a sentence. Often, the governing word will mean something different when applied to each part, as... (read full zeugma explanation with examples) A zeugma is a figure of speech in which one "governing" word or phrase modifies two distinct parts of a... (read more)

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  • Literary Terms

Glossary of Literary Terms

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Also called “ action- adventure,” action is a genre of film, TV, literature, etc., in which the primary feature is the constant slam-bang of fights, chases, explosions, and clever one-liners. Action stories typically do not explore complex relationships between human beings or the subtleties of psychology and philosophy.

Ad hominem is Latin for “against the man,” and refers to the logical fallacy (error) of arguing that someone is incorrect because they are unattractive, immoral, weird, or any other bad thing you could say about them as a person.

An adage is a brief piece of wisdom in the form of short, philosophical, and memorable sayings. The adage expresses a well-known and simple truth in a few words.

Adventure (pronounced ad-ven-cher) was originally a Middle English word derived from the Old French aventure meaning “destiny,” “fate,” or “chance event.” Today, we define adventure as a remarkable or unexpected journey, experience, or event that a person participates in as a result of chance. This last detail, a result of chance , is a key element of adventure; the stories usually involve a character who is brought to the adventure by chance, and chance usually plays a large role in the episodes of the story. Also, adventures usually includes dangerous situations, narrow escapes, problems to be solved through intelligence and skill, exotic people and places, and brave deeds.

An allegory is a story within a story. It has a “surface story” and another story hidden underneath. For example, the surface story might be about two neighbors throwing rocks at each other’s homes, but the hidden story would be about war between countries.

  • Alliteration

In alliteration, words that begin with the same sound are placed close together. Although alliteration often involves repetition of letters, most importantly, it is a repetition of sounds.

Allusion is basically a reference to something else .  It’s when a writer mentions some other work, or refers to an earlier part of the current work. In literature, it’s frequently used to reference cultural works (e.g. by alluding to a Bible story or Greek myth).

Ambiguity is an idea or situation that can be understood in more than one way. This extends from ambiguous sentences (which could mean one thing or another) up to ambiguous storylines and ambiguous arguments .

  • Amplification

Amplification involves extending a sentence or phrase in order to further explain, emphasize, or exaggerate certain points of a definition, description, or argument.

An anagram is a type of word play in which the letters of a word or phrase are rearranged to create new words and phrases.

An analogy is a literary technique in which two unrelated objects are compared for their shared qualities. Unlike a simile or a metaphor, an analogy is not a figure of speech, though the three are often quite similar. Instead, analogies are strong rhetorical devices used to make rational arguments and support ideas by showing connections and comparisons between dissimilar things.

Anaphora is when a certain word or phrase is repeated at the beginning of clauses or sentences that follow each other. This repetition emphasizes the phrase while adding rhythm to the passage, making it more memorable and enjoyable to read.

An anecdote   is a very short story that is significant to the topic at hand; usually adding  personal knowledge or experience to the topic.

In a story, the antagonist is the opposite of the protagonist, or main character. Typically, this is a villain of some kind, but not always! It’s just the opponent of the main character, or someone who gets in their way.

Anthimeria (also known as antimeria) is the usage of a word in a new grammatical form, most often the usage of a noun as a verb.

  • Anthropomorphism

Anthropomorphism is giving human traits or attributes to animals, inanimate objects, or other non-human things. It comes from the Greek words anthropo (human) and morph (form).

Antithesis literally means “opposite” – it is usually the opposite of a statement, concept, or idea. In literary analysis, an antithesis is a pair of statements or images in which the one reverses the other. The pair is written with similar grammatical structures to show more contrast.

  • Antonomasia

Antonomasia is a literary term in which a descriptive phrase replaces a person’s name. Antonomasia can range from lighthearted nicknames to epic names.

An aphorism is a short, concise statement of a general truth, insight, or good advice.  It’s roughly synonymous with “a saying.” Aphorisms often use metaphors or creative imagery to get their point across.

Aphorismus is a term in which the speaker questions whether a word is being used correctly to show disagreement. Aphorismus is often written as a rhetorical question such as “How can you call this music ?”to show the difference between the usual meaning of a word and how it is  being used. So, the point is to call attention to the qualities of the word, suggesting that how it is being used is not a good example of the word.

An apologia is a defense of one’s conduct or opinions. It’s related to our concept of “apology,” but in many cases it’s the precise opposite of an apology! When you apologize, you’re saying “I did the wrong thing, and I regret it.” But in an apologia, you’re defending yourself , either by saying that what you did wasn’t wrong or denying that you were responsible for what happened.

An apologue is a short story or fable which provides a simple moral lesson. Apologues are often told through the use of animal characters with symbolical elements.

In literature, aporia is an expression of insincere doubt. It’s when the writer or speaker pretends, briefly, not to know a key piece of information or not to understand a key connection. After raising this doubt, the author will either respond to the doubt, or leave it open in a suggestive or “hinting” manner.

  • Aposiopesis

Aposiopesis is when a sentence is purposefully left incomplete or cut off. It’s caused by an inability or unwillingness to continue speaking. This allows the ending to be filled in by the listener’s imagination.

Appositives are noun phrases that follow or precede another noun, and give more information about it.

An archaism is an old word or expression that is no longer used with its original meaning or is only used in specific studies or areas.

An archetype (ARK-uh-type) is an idea, symbol, pattern, or character-type, in a story. It’s any story element that appears again and again in stories from cultures around the world and symbolizes something universal in the human experience.

An argument is a work of persuasion. You use it to convince others to agree with your claim or viewpoint when they have doubts or disagree.

Assonance is the repetition of the same or similar vowel sounds within words, phrases, or sentences.

Asyndeton is skipping one or more conjunctions (and, or, but, for, nor, so, yet) which are usually used in a series of phrases. Asyndeton is also known as asyndetism.

  • Autobiography

An autobiography is a self-written life story.

Auto = self

Graph = print or written

It is different from a  biography , which is the life story of a person written by someone else. Some people may have their life story written by another person because they don’t believe they can write well, but they are still considered an author because they are providing the information.

Bathos is text that abruptly turns from serious and poetic, to regular and silly.

A buzzword is a word or phrase that has little meaning but becomes popular during a specific time.

Cacophony is the use of a combination of words with loud, harsh sounds—in reality as well as literature.  In literary studies, this combination of words with rough or unharmonious sounds are used for a noisy or jarring poetic effect. Cacophony is considered the opposite of euphony which is the use of beautiful, melodious-sounding words.

Caesura refers to a break or pause in the middle of a line of verse. It can be marked as || in the middle of the line, although generally it is not marked at all – it’s simply part of the way the reader or singer pronounces the line.

Catharsis,  meaning “cleansing” in Greek, refers to a literary theory first developed by the philosopher Aristotle, who believed that cleansing our emotions was the purpose of a good story, especially a tragedy. Catharsis applies to any form of art or media that makes us feel strong negative emotions, but that we are nonetheless drawn to – we may seek out art that creates these emotions because the experience purges the emotions from our system.

A character is a person, animal, being, creature, or thing in a story. Writers use characters to perform the actions and speak dialogue, moving the story along a plot line. A story can have only one character (protagonist) and still be a complete story.

Chiasmus comes from a Greek word meaning “crossed,” and it refers to a grammatical structure that inverts a previous phrase. That is, you say one thing, and then you say something very similar, but flipped around.

  • Circumlocution

Circumlocution means “talking around” or “talking in circles.” It’s when you want to discuss something, but don’t want to make any direct reference to it, so you create a way to get around the subject. The key to circumlocution is that the statement has to be unnecessarily long and complicated.

A cliché is a saying, image, or idea which has been used so much that it sounds terribly uncreative. The word “cliche” was originally French for the sound of a printing plate, which prints the same thing over and over.

Climax is the highest point of tension or drama in a narrative’s plot. Often, climax is also when the main problem of the story is faced and solved by the main character or protagonist.

Coherence describes the way anything, such as an argument (or part of an argument) “hangs together.”  If something has coherence, its parts are well-connected and all heading in the same direction. Without coherence, a discussion may not make sense or may be difficult for the audience to follow. It’s an extremely important quality of formal writing.

  • Connotation

A connotation is a common feeling or association that a word has, in addition to its literal meaning (the denotation). Often, a series of words can have the same basic definitions, but completely different connotations—these are the emotions or meanings implied by a word, phrase, or thing.

Consonance is when the same consonant sound appears repeatedly in a line or sentence, creating a rhythmic effect.

A conundrum is a difficult problem, one that is impossible or almost impossible to solve. It’s an extremely broad term that covers any number of different types of situations, from moral dilemmas to riddles .

Comedy is a broad genre of film, television, and literature in which the goal is to make an audience laugh. It exists in every culture on earth (though the specifics of comedy can be very different from one culture to another), and has always been an extremely popular genre of storytelling.

Denotation is a word’ or thing’s “dictionary defintion”, i.e. its literal meaning.

The denouement is the very end of a story, the part where all the different plotlines are finally tied up and all remaining questions answered.

  • Deus ex machina

Deus ex machina is Latin for “a god from the machine.” It’s when some new character, force, or event suddenly shows up to solve a seemingly hopeless situation. The effect is usually much too abrupt, and it’s often disappointing for audiences.

Diacope is when a writer repeats a word or phrase with one or more words in between. A common and persistent example of diacope is Hamlet’s  “ To be , or not to be !”

Dialogue means “conversation.” In the broadest sense, this includes any case of two or more characters speaking to each other directly. But it also has a narrower definition, called the dialogue form . The dialogue form is the use of a sustained dialogue to express an argument or idea.

Diction refers to word choice and phrasing in any written or spoken text. Many authors can be said to have their own “diction,” because they tend to use certain words more than others or phrase things in a unique way.

  • Doppelganger

Doppelganger is a twin or double of some character, usually in the form of an evil twin . They sometimes impersonate a main character or cause confusion among the love interests.

Drama has two very different meanings. In modern pop culture, it means a genre of film or television that deals with serious, often negative, emotions. It’s the opposite of comedy, which is just for laughs. Drama refers only to film and television, not novels or other purely written art forms.

A dystopia is a horrible place where everything has gone wrong. Whereas utopia means a perfect paradise, dystopia means exactly the opposite.

Enjambment is continuing a line after the line breaks. Whereas many poems end lines with the natural pause at the end of a phrase or with punctuation as end-stopped lines, enjambment ends a line in the middle of a phrase, allowing it to continue onto the next line as an enjambed line.

An enthymeme is a kind of syllogism , or logical deduction, in which one of the premises is unstated.

An epigram is a short but insightful statement, often in verse form, which communicates a thought in a witty, paradoxical, or funny way.

An epiphany is an “Aha!” moment. As a literary device, epiphany is the moment when a character is suddenly struck with a life-changing, enlightening revelation or realization which changes his or her perspective for the rest of the story.

Epistrophe is when a certain phrase or word is repeated at the end of sentences or clauses that follow each other. This repetition creates a rhythm while emphasizing the repeated phrase. Epistrophe is also known as epiphora and antistrophe.

An epitaph is a short statement about a deceased person, often carved on his/her tombstone. Epitaphs can be poetic, sometimes written by poets or authors themselves before dying.

An Epithet is a glorified nickname. Traditionally, it replaces the name of a person and often describes them in some way.

An eponym refers to a person or thing after which something else is named. A person or thing’s name can come to be associated with the name of another character, person, product, object, activity, or even a discovery.

  • Equivocation

Commonly known as “doublespeak,” equivocation is the use of vague language to hide one’s meaning or to avoid committing to a point of view.

An essay is a form of writing in paragraph form that uses informal language, although it can be written formally. Essays may be written in first-person point of view (I, ours, mine), but third-person (people, he, she) is preferable in most academic essays.

Etymology is the investigation of word histories. Every word in every language has a unique origin and history; words can be born in many ways, and often their histories are quite adventurous and informative. Etymology investigates and documents the lives (mainly the origins) of words.

A euphemism is a polite, mild phrase that we substitute for a harsher, blunter way of saying something uncomfortable.

An excursus is a moment where a text moves away from its main topic – it’s roughly similar to “digression.”

Exemplum is just Latin for “example.” And that’s all it is. It’s an example, story, or anecdote used to demonstrate a point.

The exposition of a story is the first paragraph or paragraphs in which the characters, setting (time and place), and basic information is introduced.

  • Extended Metaphor

An extended metaphor is a metaphor that is developed in some detail by being used in more than one phrase, from a sentence or a paragraph, to encompassing an entire work.

A fairy tale is a story, often intended for children, that features fanciful and wondrous characters such as elves, goblins, wizards, and even, but not necessarily, fairies. The term “fairy” tale seems to refer more to the fantastic and magical setting or magical influences within a story, rather than the presence of the character of a fairy within that story.

In literature, a fable (pronounced fey-buh l) is a short fictional story that has a moral or teaches a lesson. Fables use humanized animals, objects, or parts of nature as main characters, and are therefore considered to be a sub-genre of fantasy.

Fantasy, from the Greek ϕαντασία  meaning ‘making visible,’ is a genre of fiction that concentrates on imaginary elements (the fantastic). This can mean magic, the supernatural, alternate worlds, superheroes, monsters, fairies, magical creatures, mythological heroes—essentially, anything that an author can imagine outside of reality.

A farce is a comedy in which everything is absolutely absurd. This usually involves some kind of deception or miscommunication.

  • Figures of Speech

A figure of speech is a word or phrase using figurative language—language that has other meaning than its normal definition. In other words, figures of speeches rely on implied or suggested meaning, rather than a dictionary definition.

Flashback is a device that moves an audience from the present moment in a chronological narrative to a scene in the past.

Folklore refers to the tales people tell – folk stories, fairy tales, “tall tales,” and even urban legends . Folklore is typically passed down by word of mouth, rather than being written in books. The key here is that folklore has no author – it just emerges from the culture and is carried forward by constant retelling.

  • Foreshadowing

Foreshadowing gives the audience hints or signs about the future. It suggests what is to come through imagery, language, and/or symbolism.

A genre is a category of literature identified by form, content, and style. Genres allow literary critics and students to classify compositions within the larger canon of literature.

A haiku is a specific type of Japanese poem which has 17 syllables divided into three lines of 5, 7, and 5 syllables. Haikus or haiku are typically written on the subject of nature.

Hamartia is the tragic flaw or error that reverses a protagonist’s fortune from good to bad.

Homophone is when two or more words have the same sound, but different meanings. They may be spelled the same or differently.

In literature, horror is a genre of fiction whose purpose is to create feelings of fear, dread, repulsion, and terror in the audience—in other words, it develops an atmosphere of horror.

Hyperbaton is a figure of speech in which the typical, natural order of words is changed as certain words are moved out of order.

Hyperbole is a figure of speech in which an author or speaker purposely and obviously exaggerates to an extreme. It is used for emphasis or as a way of making a description more creative and humorous.

An idiom is a phrase that conveys a figurative meaning different from the words used. In this sense, idiom is pretty much synonymous with “figure of speech,” though with a slightly narrower definition: an idiom is part of the language.

Imagery is language used to create images in the mind of the reader. Imagery includes figurative and metaphorical language to improve the reader’s experience through their senses.

An innuendo is when you say something which is polite and innocent on the surface, but indirectly hints at an insult or rude comment,  a dirty joke, or even social or political criticism.

  • Intertextuality

Intertextuality is a fact about literary texts – the fact that they are all intimately interconnected. Every text is affected by all the texts that came before it, since those texts influenced the author’s thinking and aesthetic choices.

Invective is the literary device in which one attacks or insults a person or thing through the use of abusive language and tone.

Irony is when there are two contradicting meanings of the same situation, event, image, sentence, phrase, or story.  In many cases, this refers to the difference between expectations and reality.

Jargon is the specific type of language used by a particular group or profession.

  • Juxtaposition

Juxtaposition is the placement of two or more things side by side, often in order to bring out their differences.

Kairos in Ancient Greek meant “time” – but it wasn’t just any time. It was exactly the right time to say or do a particular thing.  In modern rhetoric, it refers to making exactly the right statement at exactly the right moment.

A limerick is a five-line poem with a strict rhyme scheme (AABBA, lines 1,2, and 5 rhyme together, while lines 3 and 4 rhymes togther) and a reasonably strict meter (anapestic triameter for lines 1, 2, and 5; anapestic diameter for lines 3 and 4). Limericks are almost always used for comedy, and it’s usually pretty rude comedy at that – they deal with bodily functions, etc., and could be considered “toilet humor.”

Lingo is language or vocabulary that is specific to a certain subject, group of people, or region; including slang and jargon. The term lingo is relatively vague—it can mean any type of nonstandard language, and varies between professions, age groups, sexes, nationalities, ethnicities, location, and so on.

  • Literary Device

In literature, any technique used to help the author achieve his or her purpose is called a literary device .

Litotes is an understatement in which a positive statement is expressed by negating its opposite. The classic example of litotes is the phrase “not bad.” By negating the word “bad,” you’re saying that something is good, or at least OK.

  • Malapropism

Malapropisms are incorrect words used in place of correct words; these can be unintentional or intentional, but both cases have a comedic effect.

A maxim is a brief statement that contains a little piece of wisdom or a general rule of behavior.

Metanoia is a self-correction. It’s when a writer or speaker deliberately goes back and modifies a statement that they just made, usually either to strengthen it or soften it in some way.

A metaphor is a common figure of speech that makes a comparison by directly relating one thing to another unrelated thing (though these things may share some similarities).

Unlike similes, metaphors do not use words such as “like” or “as” to make comparisons.

Metonymy is a figure of speech that replaces words with related or associated words.  A metonym is typically a part of a larger whole, for example, when we say “wheels,” we are figuratively referring to a “car” and not literally only the wheels.

A mnemonic, also known as a memory aid, is a tool that helps you remember an idea or phrase with a pattern of letters, numbers, or relatable associations.  Mnemonic devices include special rhymes and poems, acronyms, images, songs, outlines, and other tools.

A monologue is a speech given by a single character in a story.

A motif is a symbolic image or idea that appears frequently in a story. Motifs can be symbols , sounds, actions, ideas, or words.

Mystery is a genre of literature whose stories focus on a mysterious crime, situation or circumstance that needs to be solved.

A narrative is a story. The term can be used as a noun or an adjective. As a noun, narrative refers to the story being told. As an adjective, it describes the form or style of the story being told.

A nemesis is an enemy, often a villain. A character’s nemesis isn’t just any ordinary enemy, though – the nemesis is the ultimate enemy, the arch-foe that overshadows all the others in power or importance.

Neologism is new word or phrase that is not yet used regularly by most speakers and writers.

In the strict definition, an ode is a classical poem that has a specific structure and is aimed at an object or person.  In the loose definition, an ode is any work of art or literature that expresses high praise.

  • Onomatopoeia

Onomatopoeia refers to words whose pronunciations imitate the sounds they describe.  A dog’s bark sounds like “woof,” so “woof” is an example of onomatopoeia.

An oxymoron is a figure of speech that puts together opposite elements. The combination of these contradicting elements serves to reveal a paradox, confuse, or give the reader a laugh.

A palindrome is a type of word play in which a word or phrase spelled forward is the same word or phrase spelled backward.

A parable is a short story used to illustrate a moral or spiritual lesson.

A paradox is a statement that contradicts itself, or that must be both true and untrue at the same time.

  • Parallelism

Parallelism, also known as parallel structure, is when phrases in a sentence have similar or the same grammatical structure.

A paraphrase is a restatement or rewording of text in order to borrow, clarify, or expand on information without plagiarizing.

A parody is a work that’s created by imitating an existing original work in order to make fun of or comment on an aspect of the original.

Pastiche is a creative work that imitates another author or genre. It’s a way of paying homage , or honor, to great works of the past.

  • Pathetic Fallacy

The pathetic fallacy is a figure of speech in which the natural world (or some part of it) is treated as though it had human emotions.

Peripeteia is a sudden change in a story which results in a negative reversal of circumstances. Peripeteia is also known as the turning point, the place in which the tragic protagonist’s fortune changes from good to bad.

Persona can refer to the characters in any dramatic or literary work.  But it has another special meaning in literary studies, where it refers to the voice of a particular kind of character—the character who is also the narrator within a literary work written from the first-person point of view.

  • Personification

Personification is a kind of metaphor in which you describe an inanimate object, abstract thing, or non-human animal in human terms.

Plagiarism is the act of using someone else’s ideas, words, or thoughts as your own, without giving credit to the other person. When you give credit to the original author (by giving the person’s name, name of the article, and where it was posted or printed), you are citing the source.

A platitude repeats obvious, simple, and easily understood statements that have little meaning or emotional weight.

A pleonasm is when one uses too many words to express a message. A pleonasm can either be a mistake or a tool for emphasis.

In a narrative or creative writing, a plot is the sequence of events that make up a story, whether it”s told, written, filmed, or sung. The plot is the story, and more specifically, how the story develops, unfolds, and moves in time.

Poetry is a type of literature based on the interplay of words and rhythm. It often employs rhyme and meter (a set of rules governing the number and arrangement of syllables in each line). In poetry, words are strung together to form sounds, images, and ideas that might be too complex or abstract to describe directly.

Polyptoton is the repetition of a root word in a variety of ways , such as the words “enjoy” and “enjoyable.” Polyptoton is a unique form of wordplay that provides the sentence with repetition in sound and rhythm.

A prologue is a short introductory section that gives background information or sets the stage for the story to come.

Prose is just non-verse writing. Pretty much anything other than poetry counts as prose.

  • Protagonist

Protagonist is just another word for “main character.” The story circles around this character’s experiences, and the audience is invited to see the world from his or her perspective.

A proverb is a short saying or piece of folk wisdom that emerges from the general culture rather than being written by a single, individual author.

A pun is a joke based on the interplay of homophones — words with the same pronunciation but different meanings.

A quest is a journey that someone takes in order to achieve a goal or complete an important task. Accordingly, the term comes from the Medieval Latin questa, meaning “search” or “inquiry.”

A rebus is a code or reference where pictures, letters, or symbols represent certain words or phrases. Perhaps the simplest and most common rebus in use today is “IOU” for “I owe you.”

  • Red Herring

A red herring is a misleading clue. It’s a trick used by storytellers to keep the reader guessing about what’s really going on.

Quite simply, repetition is the repeating of a word or phrase. It is a common rhetorical device used to add emphasis and stress in writing and speech.

The resolution, also known as the denouement, is the conclusion of the story’s plot structure where any unanswered questions are answered, or “loose ends are tied.”

Rhetoric is the ancient art of persuasion, in the broadest sense. It is the way you present and make your views convincing or attractive to your audience.

  • Rhetorical Device

A rhetorical device is any way of using language that helps an author or speaker achieve a particular purpose. Usually, the purpose is persuasion , since rhetoric is typically defined as the art of persuasion.

  • Rhetorical Question

A rhetorical question is a question that is not asked in order to receive an answer, but rather just to make a point.

In the strictest academic terms, a romance is a narrative genre in literature that involves a mysterious, adventurous, or spiritual a story line where the focus is on a quest that involves bravery and strong values, not a love interest. However, modern definitions of romance also include stories that have a relationship issue as the main focus.

Sarcasm is a form of verbal irony that mocks, ridicules, or expresses contempt. You’re saying the opposite of what you mean (verbal irony) and doing it in a particularly hostile tone.

The formal definition of satire is “the use of humor, irony, exaggeration, or ridicule to expose and criticize people’s stupidity or vices.” It’s an extremely broad category.

  • Self-Fulfilling Prophecy

A self-fulfilling prophecy is a prediction that somehow causes itself to come true. The characters may try to prevent their fate, but in the end their actions simply cause that fate to come about.

Setting is the time and place (or when and where) of the story. It may also include the environment of the story, which can be made up of the physical location, climate, weather, or social and cultural surroundings.

A simile is a literary term where you use “like” or “as” to compare two different things, implying that they have some quality in common.

A soliloquy is a kind of monologue , or an extended speech by one character. In a soliloquy, though, the speech is not given to another character, and there is no one around to hear it.

A sonnet is a fourteen line poem with a fixed rhyme scheme. Often, sonnets use iambic pentameter: five sets of unstressed syllables followed by stressed syllables for a ten-syllable line.

In poetry, a stanza is a dividing and organizing technique which places a group of lines in a poem together, separated from other groups of lines by line spacing or indentation. There are many important pieces that together make up a writer’s style; like tone, word choice, grammar, language, descriptive technique, and so on.

Style is the way in which an author writes and/or tells a story. It’s what sets one author apart from another and creates the “voice” that audiences hear when they read.

The subtext is the unspoken or less obvious meaning or message in a literary composition, drama, speech, or conversation.

Surrealism is a literary and artistic movement in which the goal is to create something bizarre and disjointed, but still somehow understandable.

A symbol is any image or thing that stands for something else. It could be as simple as a letter, which is a symbol for a given sound (or set of sounds).

A synecdoche is figure of speech which allows a part of something to stand for a whole, or the whole to stand for a part.

A synonym is a word that has the same or nearly the same meaning as another word. When words or phrases have the same meaning, we say that they are synonymous of each other.

A synopsis is a brief summary that gives audiences an idea of what a composition is about. It provides an overview of the storyline or main points and other defining factors of the work, which may include style, genre, persons or characters of note, setting, and so on.

Tautology is defining or explaining something by saying exactly the same thing again in different words.

Theme is the central idea, topic, or point of a story, essay, or narrative.

A thriller is a genre of literature, film, and television whose primary feature is that it induces strong feelings of excitement, anxiety, tension, suspense, fear, and other similar emotions in its readers or viewers—in other words, media that thrills the audience.

A thesis is the main argument or point of view of an essay, nonfiction piece or narrative—not just the topic of the writing, but the main claim that the author is making about that topic.

Tone refers to the “feel” of a piece of writing. It’s any or all of the stylistic qualities of the writing, such as formality, dialect, and atmosphere.

The word trope can refer to any type of figure of speech, theme, image, character, or plot element that is used many times.  Any kind of literary device or any specific example can be a trope.

  • Understatement

Understatement is when a writer presents a situation or thing as if it is less important or serious than it is in reality.

Utopia is a paradise. A perfect society in which everything works and everyone is happy – or at least is supposed to be.

  • Verisimilitude

Verisimilitude simply means ‘the quality of resembling reality’ and a work of art, or any part of a work of art, has verisimilitude if it seems believably realistic. A verisimilitudinous story has details, subjects, and characters that seem similar or true to real life.

A villain is the bad guy, the one who comes up with diabolical plots to somehow cause harm or ruin. It is one of the archetype characters in many stories.

Wit is a biting or insightful kind of humor. It includes sharp comebacks, clever banter, and dry, one-line jokes. It is often cynical or insulting, which is what provides it with its characteristic sharpness.

Zeugma is when you use a word in a sentence once, while conveying two different meanings at the same time.

List of Terms

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  • Cliffhanger
  • Comic Relief
  • Deuteragonist
  • Double Entendre
  • Dramatic irony
  • Flash-forward
  • Point of View
  • Polysyndeton
  • Science Fiction
  • Synesthesia
  • Turning Point
  • Urban Legend
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Cambridge Dictionary

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Meaning of in absolute terms in English

  • In absolute terms , the risk of dying from this type of cancer is very low .
  • For the first time in years , rents had fallen in absolute terms .
  • Coal consumption was expected to rise in absolute terms .
  • (all) in one piece idiom
  • all or nothing idiom
  • all told idiom
  • all-inclusive
  • full strength
  • full-fledged
  • full-length
  • thoroughgoingly
  • through and through idiom
  • to the last idiom

You can also find related words, phrases, and synonyms in the topics:

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The Met Gala’s Strange but Fitting Literary Inspiration

In 1962, J.G. Ballard published “The Garden of Time,” a short story about aristocrats overrun by “an immense rabble.” Now it’s the dress-code theme for the year’s most lavish ball.

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Runway models wear clay-like makeup.

By Jim Windolf

  • May 6, 2024

In an Instagram post on Feb. 15, Vogue rather cryptically announced the dress code for this year’s Met Gala: “The Garden of Time.”

An article published that same day on the Vogue website cleared things up a little, noting that “The Garden of Time” was the title of a short story by J.G. Ballard , a British author who specialized in dystopian works of fiction.

“The Garden of Time” appeared in the February 1962 issue of The Magazine of Fantasy & Science Fiction and was included in the “The Complete Stories of J.G. Ballard,” a collection published not long after the author’s death in 2009. The story describes the last days of Count Axel and his wife, known only as the Countess, who reside in a Palladian villa surrounded by a garden.

They pass the days in seclusion. The count busies himself by attending to rare manuscripts. The countess plays Bach and Mozart on a harpsichord.

The threat to their peaceful existence arrives in the form of an army on the horizon. As it moves closer, Count Axel develops a clearer view of this “vast throng of people, men and women, interspersed with a few soldiers.” In an effort to turn back the advance of this “immense rabble,” he reverses time by plucking blooms from the garden’s most exquisite plant, the time flowers.

Soon enough, the last flower is plucked, and the mob overruns the property. The villa lies in ruins, and all that remains of the count and countess is a pair of statues “gazing out over the grounds” from behind a stand of thorn bushes.

“The Garden of Time” is a fitting but ironic choice as a theme for the year’s most lavish celebration. It’s fitting because the Met Gala celebrates the contemporary equivalents of aristocrats at a time of widespread social anger toward elites; it’s ironic because the reference suggests that the guests and hosts may be doomed.

The same Ballard story inspired a 2021 fashion collection by the designer Thom Browne. The clothing was understated and classic, and the clay-like makeup worn by some of Mr. Browne’s models suggested creatures halfway between statue and human.

The sympathies of “The Garden of Time” seem to lie with the count and countess. And yet the author slips in hints that their lovely existence may be empty. When Count Axel puts his arm around his wife’s waist, he realizes that “he had not embraced her for several years.”

In a 1975 interview with Science Fiction Monthly, Mr. Ballard denied that the story suggested that he missed a bygone way of life. “I think some social changes that took place in this country in the mid-’60s are the best and greatest thing that ever happened here,” he said, adding that it was “marvelous” to see the breakdown of old class divisions.

Our Coverage of the 2024 Met Gala

Zendaya Makes Two Arrivals: The actress wore a second John Galliano design to make a late (re)entrance at the Met Gala . The first was a custom Maison Margiela couture dress he created specifically for her.

A Fitting Literary Inspiration: In 1962, J.G. Ballard published “The Garden of Time,” a short story about aristocrats overrun by “an immense rabble.” It was a fitting but ironic choice as this year’s  dress-code theme .

The Body Spectacle: The night saw Kim Kardashian engaged in a kind of body modification  via extreme corseting. While Tyla, the South African singer and songwriter, appeared coated in sand .

Arrests and Protests: As expected, protesters gathered near the Met Gala to protest the war in Gaza, creating an atmosphere far different  from the one inside the event.

The ‘Naked’ Trend: What better way to distinguish oneself  from hundreds of well-dressed competitors than to wear almost nothing at all?

A Night of Firsts: Here’s the story behind Rebecca Ferguson’s sequin, bird-covered dress , Da’Vine Joy Randolph’s all-denim look , Pamela Anderson’s new incarnation , Christian Cowan and Sam Smith’s debut as a couple , and Amanda Seyfried’s semi-recycled look .

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‘Night Watch,’ ‘King: A Life,’ among 2024 Pulitzer Prize winners

“ Night Watch ,” by Jayne Anne Phillips, has won this year’s Pulitzer Prize for fiction. “ A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy ” by Nathan Thrall won the award for general nonfiction.

Village Voice critic Greg Tate was awarded a posthumous special citation for his innovative music and literary criticism on Black culture. His essay collection “Flyboy in the Buttermilk” (1992) and its sequel, “Flyboy 2” (2016), have been profound influences on generations of cultural critics. After Tate died at 64 , in 2021, journalist and jazz writer Adam Shatz wrote in a tweet that Tate was “to avant-Black music what Clement Greenberg was to Abstract Expressionism, a pioneering critic, canon-builder, curator, astronaut-explorer of planets unknown to most of his peers.”

This is the final year that eligibility for the literary and arts prizes was restricted to U.S. citizens. The Pulitzer Prize board announced in September that, starting with the 2025 awards cycle, it would broaden eligibility to permanent residents and “those who have made the United States their longtime primary home.” Previously, authors of any nationality could win the history prize for a book on U.S. history; now, consistent with the updated rule, entries in that category “must be written by U.S. authors.”

Here’s a full list of the 2024 winners and finalists in all of the categories:

1. Fiction: “ Night Watch ” by Jayne Anne Phillips

The author’s sixth novel continues to reflect her interest in how war scars both civilians and combatants. This one takes place in her home state of West Virginia, where 12-year-old ConaLee and her mother, Eliza, struggle to survive the brutal, chaotic aftermath of the Civil War. In a review in The Washington Post, Wendy Smith wrote : “Phillips’s artistic conscience won’t let her flinch from this truth,” that good and bad people often suffer equally, “but her generous heart won’t let it be the last word.”

Phillips called the Pulitzer news “unbelievable.” She was just stepping outside of her home in her Boston neighborhood of Jamaica Plain to tend to flowers on her balcony when, she said, “I happened to check my email and there was an email from my editor’s assistant. I thought he was joking, but then I started seeing other messages.”

The author spent eight years working on “Night Watch,” and she considers it to form a trilogy of sorts with two of her previous novels: “Machine Dreams,” about an American family’s experience during the Vietnam War, and “Lark and Termite,” about a family in West Virginia whose father is fighting in the Korean War. “The period during the Civil War, especially the experience of unsung, ordinary people, is something we should all be thinking about because we are such a divided country,” Phillips said. “It’s an inescapable fact that there are parallels.”

“Wednesday’s Child” by Yiyun Li

“ Same Bed Different Dreams ” by Ed Park

2. General Nonfiction: “ A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy ” by Nathan Thrall

Thrall’s book grew out of a 2021 article he wrote for the New York Review of Books. The book follows Salama, a Palestinian man living in the occupied territories of the West Bank, on the long, Kafkaesque path he had to take to learn the fate of his 5-year-old son after a bus accident. The tragedy becomes a lens through which Thrall, a journalist, explores other systemic issues involving the Israeli government and Palestinian life, such as the separation wall and permit system that forced the school bus to detour, the slow response of emergency services, and the ID card system that prevented Salama from searching Jerusalem hospitals for his child.

The book was published just days before the Hamas attacks on Oct. 7, and as Israel invaded Gaza, a quarter of Thrall’s scheduled book talks and appearances this past fall were called off .

Reached by phone at the bar in Berlin where he was celebrating after learning the Pulitzer news, Thrall said, “You know, the truly ironic thing about all of this is that Josh [Yaffa, a writer for the New Yorker] and I are doing an event around the book tomorrow in Frankfurt — and that Frankfurt event was canceled. We had to scramble just in the last few days to find another venue for it because of the insane atmosphere in Germany about anything mildly critical of Israel.”

“ Fire Weather: A True Story From a Hotter World ” by John Vaillant

“Cobalt Red: How the Blood of the Congo Powers Our Lives” by Siddarth Kara

3. Memoir or Autobiography: “ Liliana’s Invincible Summer: A Sister’s Search for Justice ” by Cristina Rivera Garza

In “Liliana’s Invincible Summer,” Cristina Rivera Garza investigates the murder of her sister in Mexico City, which at the time was considered a “crime of passion” rather than “femicide” or “intimate partner violence.”

Garza “may never find what she is seeking, but writing about the process is a kind of conjuring of the sister she lost. An artful catharsis,” wrote Erika L. Sanchez in her review for The Post . “Her words come together in a book that is not so much plot-driven but rather a very careful excavation.”

“The Country of the Blind: A Memoir at the End of Sight” by Andrew Leland

“ The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions ” by Jonathan Rosen

4. History: “No Right to an Honest Living: The Struggles of Boston’s Black Workers in the Civil War Era” by Jacqueline Jones

Jacqueline Jones, a professor at the University of Texas at Austin, has been a Pulitzer finalist twice before, for her work on the history of race and the roles of Black women. Her new book takes its title from an 1860 speech given by doctor John S. Rock, criticizing White Bostonians for their “studied indifference” to the plight of their Black neighbors even as they criticized the South.

“Continental Reckoning: The American West in the Age of Expansion” by Elliott West

“American Anarchy: The Epic Struggle Between Immigrant Radicals and the US Government at the Dawn of the Twentieth Century” by Michael Willrich

5. Biography: “King: A Life” by Jonathan Eig and “Master Slave Husband Wife: An Epic Journey From Slavery to Freedom” by Ilyon Woo

“King,” widely regarded as the definitive biography of the Rev. Martin Luther King Jr., made headlines last year when Eig shared his archival discovery that King’s harshest criticism of Malcolm X appeared to have been fabricated. In his Post review calling it “the most compelling account of King’s life in a generation,” Mark Whitaker noted that the book “deals only briskly with the complex and evolving rivalry” between the two activists, though he praised its nuanced portrait of Coretta Scott King.

“Master Slave Husband Wife” follows a couple’s escape, in 1848, from the slave state of Georgia to Pennsylvania. The wife, Ellen Craft, personated a wealthy White enslaver; her husband, William, played the role of her enslaved attendant. “I’ve been continually inspired by each of the choices the Crafts make,” author Ilyon Woo told NPR . “It starts, of course, with their journey and pursuing their own freedom. The way in which they continually challenge themselves — for me, that’s been an ongoing inspiration.”

“ Larry McMurtry: A Life ” by Tracy Daugherty

6. Poetry: “Tripas: Poems” by Brandon Som

“Tripas” draws on the experiences of Som’s Chicana grandmother and Chinese grandfather to explore ideas of family history, language and other inherited practices. “American family elegy has rarely found such multilayered wordplay,” wrote critic Stephanie Burt in the London Review of Books.

“ To 2040 ” by Jorie Graham

“Information Desk: An Epic” by Robyn Schiff

This story has been updated.

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COMMENTS

  1. Literature

    literature, a body of written works. The name has traditionally been applied to those imaginative works of poetry and prose distinguished by the intentions of their authors and the perceived aesthetic excellence of their execution. Literature may be classified according to a variety of systems, including language, national origin, historical ...

  2. Literature

    Definition. Literature (from the Latin Littera meaning 'letters' and referring to an acquaintance with the written word) is the written work of a specific culture, sub-culture, religion, philosophy or the study of such written work which may appear in poetry or in prose. Literature, in the west, originated in the southern Mesopotamia region of ...

  3. History of literature

    The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment or education to the reader, as well as the development of the literary techniques used in the communication of these pieces. Not all writings constitute literature.Some recorded materials, such as compilations of data (e.g., a check register) are not considered ...

  4. Literature

    Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose, fiction, drama, poetry, and including both print and digital writing. In recent centuries, the definition has expanded to include oral literature, also known as orature much of which has been transcribed.

  5. Literature Definition & Meaning

    The meaning of LITERATURE is writings in prose or verse; especially : writings having excellence of form or expression and expressing ideas of permanent or universal interest. How to use literature in a sentence.

  6. What Is Literature and Why Do We Study It?

    Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.". This definition is well-suited for our purposes here because throughout this course, we will be considering several types of literary texts in a variety of contexts.

  7. literature

    Great literature is simply language charged with meaning to the utmost possible degree. [Ezra Pound, "ABC of Reading"] Saintsbury ("Elizabethan Literature," 1893) defines it as "a system of treating all subjects in the vernacular according to methods more or less decidedly arranged and accepted by a considerable tradition of skilled craftsmen."

  8. Literature

    Until the mid-20th century, many kinds of non-fictional writing—in philosophy, history, biography, criticism, topography, science, and politics—were counted as literature; implicit in this broader usage is a definition of literature as that body of works which—for whatever reason—deserves to be preserved as part of the current ...

  9. Introduction: literary history as the history of "literature"

    Literature in the Making does not offer an account of how works of literature were written. It examines instead how the phenomenon "literature" came into being, seeking to uncover how strange literature is: a peculiar amalgam, not something self-evident or elemental.

  10. LITERATURE Definition & Meaning

    Literature definition: writings in which expression and form, in connection with ideas of permanent and universal interest, are characteristic or essential features, as poetry, novels, history, biography, and essays.. See examples of LITERATURE used in a sentence.

  11. 1.1: What is Literature?

    Literature is art, but with words. While the artist uses different colors, paintbrushes, mediums, canvases, and techniques, the writer us es different genres and literary techniques called literary devices. Just like different types of paint, paintbrushes, and artistic tools, there are literally hundreds of literary devices, but some of the ...

  12. literary, adj. & n. meanings, etymology and more

    4.a. Of a person or group: engaged in the writing or critical appreciation of works of literature; having a thorough knowledge of literature; spec. engaged in literature as a profession; cf. literary agent n., literary editor n. The tenth, of Literary Societies, and the Conversations of the Learned.

  13. literature, n. meanings, etymology and more

    What does the noun literature mean? There are six meanings listed in OED's entry for the noun literature. See 'Meaning & use' for definitions, usage, and quotation evidence. literature has developed meanings and uses in subjects including. literature (Middle English) printing and typography (1850s) See meaning & use.

  14. What is Literature? || Definition & Examples

    Let's start with the word itself. "Literature" comes from Latin, and it originally meant "the use of letters" or "writing.". But when the word entered the Romance languages that derived from Latin, it took on the additional meaning of "knowledge acquired from reading or studying books.". So we might use this definition to ...

  15. literature noun

    Collocations Literature Literature Being a writer. write/ publish literature/ poetry/ fiction/ a book/ a story/ a poem/ a novel/ a review/ an autobiography; become a writer/ novelist/ playwright; find/ have a publisher/ an agent; have a new book out; edit/ revise/ proofread a book/ text/ manuscript; dedicate a book/ poem to…; Plot, character and atmosphere

  16. LITERATURE

    LITERATURE definition: 1. written artistic works, especially those with a high and lasting artistic value: 2. all the…. Learn more.

  17. Glossary of literary terms

    Literature. This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in ...

  18. Literary Devices and Terms

    Literary Devices & Terms. Literary devices and terms are the techniques and elements—from figures of speech to narrative devices to poetic meters—that writers use to create narrative literature, poetry, speeches, or any other form of writing. All.

  19. Literary Definition & Meaning

    literary: [adjective] of, relating to, or having the characteristics of humane learning or literature. bookish 2. of or relating to books.

  20. Etymology Definition & Meaning

    etymology: [noun] the history of a linguistic form (such as a word) shown by tracing its development since its earliest recorded occurrence in the language where it is found, by tracing its transmission from one language to another, by analyzing it into its component parts, by identifying its cognates in other languages, or by tracing it and ...

  21. Glossary of Literary Terms

    D . Denotation. Denotation is a word' or thing's "dictionary defintion", i.e. its literal meaning.. Denouement. The denouement is the very end of a story, the part where all the different plotlines are finally tied up and all remaining questions answered.. Deus ex machina. Deus ex machina is Latin for "a god from the machine." It's when some new character, force, or event ...

  22. IN ABSOLUTE TERMS definition

    IN ABSOLUTE TERMS meaning: 1. If something is true or right in absolute terms, it is true or right when it is not considered…. Learn more.

  23. What's the Meaning Behind 'The Garden of Times,' the J.G. Ballard Story

    A Fitting Literary Inspiration: In 1962, J.G. Ballard published "The Garden of Time," a short story about aristocrats overrun by "an immense rabble." It was a fitting but ironic choice as ...

  24. Section 462A.2

    Section 462A.2 - [Effective 7/1/2024] Definitions. As used in this chapter, unless the context clearly requires a different meaning: 1. "Alcohol concentration" means the number of grams of alcohol per any of the following: a. One hundred milliliters of blood. b. Two hundred ten liters of breath. c. Sixty-seven milliliters of urine. 2.

  25. 'Night Watch,' 'King: A Life,' among 2024 Pulitzer Prize winners

    "Night Watch," by Jayne Anne Phillips, has won this year's Pulitzer Prize for fiction. "A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy" by Nathan Thrall won the award ...

  26. Electronics

    The global agricultural sector confronts significant obstacles such as population growth, climate change, and natural disasters, which negatively impact food production and pose a threat to food security. In response to these challenges, the integration of IoT and AI technologies emerges as a promising solution, facilitating data-driven decision-making, optimizing resource allocation, and ...