3.8 out of 5 stars
Click to play video
• Ustarus is a company that focuses its activities on getting involved in the field of lighting for houses.
• We are committed to creating excellent lighting for global families through constant innovation, dedicated work and timely and effective solution.
With remote controller.
• When you need a high-quality, modern, simply but special floor lamp as mood lighting;
• When you need a color changing floor lamp to decorate your room;
• When you need a dimmable rgb floor lamp with multi kinds of light effects and 4 music sync modes;
• the solid aluminum body with UL certified power supply ensures a long product life.
The Ustarus lit lamp can be used for living room, bedroom, study room, dining room, kitchen, children's room, commercial places, etc.
Mood Lighting
Featuring dimmable and mood settings to customize the illumination based on your preferences;
Please use the night light mode with memory function if you need a light at night.
Corner Decoration
Please use different modes to decorate your rooms or for adding ambience at holidays, parties and birthdays;
Please use the timer function in case you forget to turn off the lit lamp.
Gaming Room
Ustarus RGB corner floor lamp can also be used to decorate your gaming room.
|
|
|
Customer reviews.
3 star | 0% | |
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Customers like the atmosphere and ease of installation of the lamp. They mention it's a great corner light for ambience, comes with a remote, and has different lighting options.
AI-generated from the text of customer reviews
Customers like the atmosphere created by the lamp. They say it's a great corner light for ambience, it comes with a remote, and it makes the perfect brightness. Some love the different lighting options and say it gives off a dim yellow light.
"This light bar is amazing . Quality is good, it is easy to assemble, the lights are bright, and it looks amazing...." Read more
"...My favorite is the night time mode which gives off a dim yellow light . Really sets the mood for bedtime ❤️" Read more
"The light is easy to assemble and very bright ...." Read more
"...we would turn the lights off and leave this lamp on, it makes the perfect brightness ." Read more
Customers find the installation process of the lamp to be easy.
"This light bar is amazing. Quality is good, it is easy to assemble , the lights are bright, and it looks amazing...." Read more
" Super easy to put together and use . I love the different lighting options they give you...." Read more
"The light is easy to assemble and very bright...." Read more
"Great corner light for ambience, comes with a remote. Easy to install ." Read more
There was a problem filtering reviews right now. please try again later..
Filed under:
A filmmaker walks us through the reasons behind the ‘dark cinematography’ that’s causing so many complaints
If you buy something from a Polygon link, Vox Media may earn a commission. See our ethics statement .
“ Why is everything so dark in new films? ” has swiftly become one of the most common refrains in the moviegoing world. It first materialized in a big way back during the late seasons of Game of Thrones. Episode after episode, people furiously tweeted about how hard it was to see, well, anything going on on screen. A lot of explanations and theories have flooded the internet since then about a host of “dark” productions, some accurate ( brutal streaming compression , suboptimal viewing conditions ) and some decidedly less accurate. (No, it isn’t to “hide bad CG.”)
The truth can’t be boiled down to any one factor. But one key element has largely gone missing from this conversation: filmmaking choices, and the current trends that have directors producing darker imagery. If streaming compression is a necessary evil of modern distribution, and if viewers will choose to watch movies and shows in suboptimal conditions regardless of the filmmaker’s intent, then why are so many directors, cinematographers, and colorists designing their work in a manner that’s incompatible with how so many people view media nowadays? What benefit are filmmakers getting out of this? The answers are complicated.
And to get to those answers, we have to leave the conversations about technology off to the side. The real answers are based in form — meaning, the visual language of a movie or a show — rather than shallow conversations about which evil modern camera is to blame, or about whether digital cameras handle light differently than film cameras . Tools are just tools. They can be wielded in half a million ways. For every murky, digitally shot, VFX-heavy production, there are others like Mad Max: Fury Road , The Matrix Resurrections , or Avatar: The Way of Water , which rank among the most vibrant and crystal-clear blockbusters ever made. Tools are a vehicle by which to create an image, but at the end of the day, every component of the image on that screen is a choice an artist made.
So why are filmmakers choosing to shoot such dim, hard-to-parse images?
For starters, it’s probably better to view overly dim night scenes as a byproduct of a particular style rather than its central aim. The most recent uproar over a film looking “like that” cropped up on Twitter over the upcoming remake Peter Pan & Wendy , directed by The Green Knight filmmaker David Lowery . Though the unique hideousness of YouTube compression did a number on the photography by Lowery and cinematographer Bojan Bazelli — the version of the trailer on Disney Plus looks significantly better and brighter — it’s still a pretty perfect example of the modern style. Digging deeper into Lowery’s overall style, and where his work exists within the larger continuity of filmmaking trends, can help us better understand how this murky, low-contrast “look” came about.
A key concept to understand in the “Why are modern movies so dark?” debate is “motivated” light. Motivated light sources are those that have a rational, tactile logic within the world of a particular scene: sunlight pouring through a window, or the warm glow of a desk lamp. Un motivated lights are the exact opposite: lighting designed to create a particular stylistic impression that might not have any “real” basis in the context of a scene.
Take, for instance, Wes Craven’s 1996 horror classic Scream — a film often remarked on for just how lit everything in it is at all times. An early scene depicts protagonist Sidney Prescott embracing her boyfriend Billy Loomis in the wake of a terrifying home invasion and her near-death at the hands of a masked killer. After Sidney throws her arms around Billy, Craven cuts to a tight close-up on Billy’s face, which is illuminated by a harsh, ominous, icy-cool light that telegraphs his sinister intentions.
But where is that light coming from? The bedroom they’re in has no lamps switched on. Could it be the moon? Hard to justify, as the only windows in the space are behind Billy, and the light we’re staring at is so much brighter and closer than the moon could ever be. So what on Earth is that light?
The answer is, simply enough, nothing. Craven often didn’t feel any real need to rationalize why a bright light would suddenly appear one second before disappearing again in the following shot. It’s a purely stylistic choice, employed for that one moment to cast doubt on Billy’s trustworthiness in the audience’s mind. It’s an extremely stagey choice that fits neatly within the larger series’ heightened, melodramatic style. Scream wouldn’t really be Scream without it.
The hyper-lit style was a staple of cinematography in American films during the ’90s, and like all trends, it eventually fell out of fashion — in this case, a few years after Scream hit theaters. The 2000s saw filmmakers embracing more directional, shadowy lighting styles, evoking a grittier, more “grounded” aesthetic while retaining a sense of classic Hollywood polish. The 2010s featured another huge shift in style, this time toward hyper-naturalism. Even broad, big-budget blockbusters like Harry Potter and the Deathly Hallows – Part 1 embraced a look torn straight from indie cinema. Not only are the lights in that film always motivated, they’re realistic .
Where earlier films might have used the presence of the moon or a table lamp to justify much brighter lighting, movies like Deathly Hallows , Interstellar , and Dawn of the Planet of the Apes let the light of a lamp simply look like a lamp . That resulted in darker, more directionally lit sets. In big-budget studio fare, more and more filmmakers began to seek out real sunlight to light a scene — or, at least, lighting equipment that could precisely emulate its texture and quality. Where independent films used natural light to work within budget limitations, bigger films began embracing it for its sense of immediacy and tactility: the feeling of real human beings navigating real human spaces.
Established cinematographers like Emmanuel “Chivo” Lubezki and Roger Deakins started to lean more and more into this style to wild acclaim, on films like Birdman , Prisoners , and Skyfall . Lubezki, in particular, made headlines for his work on The Revenant , where he used almost no lighting equipment to shoot the incredibly technically complex revenge epic in the Canadian wilderness. He bet an entire film on the sun’s rays, firelight, and the low-light capabilities of a small army of Arri Alexa cameras. The results are striking and visceral in a uniquely modern way. It was a formative experience for many young cinematographers, who realized, “Wait, I can do that too!”
This is the landscape where the current generation of filmmakers cut their teeth — David Lowery being a prime example. Looking at his work, you’d be hard-pressed to find a single light, outside of surreal dream sequences, that isn’t thoroughly, fanatically rooted in the real-world logic of the space it’s set in. He and his most frequent cinematographer collaborator, Andrew Droz Palermo , are practically allergic to even the slightest hint of light that feels “unmotivated” or fake.
And while some might roll their eyes at the literalism of this approach, the power of the results is hard to argue with. Lowery’s films are soft, painterly, and melancholic. They feel as if they take place in the viewer’s own lived memories, rather than a heightened Hollywood fantasy world. Through his methods, he’s been able to make fantastical and strange stories feel tactile and humanist. The look has become Lowery’s calling card, one he shares with a host of other directors with similar sensibilities such as Amy Seimetz ( She Dies Tomorrow ), Jeremy Saulnier ( Green Room ), and Denis Villeneuve ( Dune , Arrival , Blade Runner 2049 ).
But like all styles, the motivated-light style has certain limitations. Those are felt most strongly in scenes that lack a good justification for practical light sources — especially night scenes. Where filmmakers of previous eras would lean on artificial blue-white “moonlight” flooding a dark street or room, contemporary filmmakers with a naturalistic itch can’t always make that approach work for them. In a movie that relies on motivated sources, the intrusion of an obvious film light masquerading as the moon threatens to undermine the audience’s immersion. It simply isn’t part of the film’s language.
So what are the solves? Many filmmakers have opted to stick to their naturalist guns and try to emulate the true-to-life sensation of being stuck in a dark space without sufficient light, forcing the audience to reckon with a dim, hard-to-navigate frame, just like the characters in the story. Others don’t stage scenes in those conditions in the first place, avoiding light-deprived environs altogether.
But the truth is, there’s no one-size-fits-all solution to this problem for filmmakers who feel married to an organic style of lighting. There will always be some scenes that will test the boundaries of a filmmaker’s chosen aesthetic, such as the night scenes that many viewers took issue with in that trailer for Peter Pan & Wendy . For the scene where Peter appears in the Darling children’s window, Lowery and Bazelli chose to use Tinker Bell as the main light source.
And yet this also poses a challenge: If Tink is too bright, and the room around her is realistically dark, then the effect could ultimately err on the side of “spooky,” which isn’t exactly fitting for the grand entrance of a certain magical boy from the wonderful world of Neverland. But if the surrounding environs are too bright , they risk no longer looking like nighttime at all. Ultimately, Lowery and Bazelli opted to split the difference, letting Tinker Bell cast a soft glow on other characters’ faces, and leaving the rest of the space fairly dark without being black .
Does it work? It depends on the viewer, as the arguments have made clear. And nobody will be able to speak on this with authority until the film is released at a viable resolution, with its intended final color grade. But the argument can be made — and deserves to be made — that this particular stumbling block is well worth the distinct, of-their-time sensibilities that artists like David Lowery bring to the table.
Rather than insisting on filmmakers bending their work to meet the lowest common denominator — that is, people streaming trailers on their phones via YouTube — we should take their commitment to the naturalistic light style as a demand for viewers to honor the intention of their work, and do the best they can to see movies the way they were intended and designed to be seen: on a good screen in a dark space, either in a theater, on a disc, or via a streaming service that doesn’t destroy their work with oppressive compression algorithms. For people who are really passionate about film as a medium, and respect what a delicate process image-making is, that shouldn’t be too big of an ask.
Commonwealth war graves commission Caring for the fallen
Commonwealth war graves Foundation Our charity site
05 June 2024
Our events and tributes to mark the 80th anniversary of D-Day are underway following the arrival Torch of Commemoration in Normandy, carried by D-Day veterans. This was followed by a service of thanksgiving and Bayeux Cathedral and a stunning tribute to the fallen at Bayeux War Cemetery.
Veterans travelled with the torch from Portsmouth and passed it on to young ambassadors, to symbolise the importance of commemoration for the generations to come.
The momentous occasion follows a series of torch events around the UK, launched in London by Prime Minister Rishi Sunak earlier in May, visiting Belfast, Edinburgh, Manchester, and many others before arriving in Portsmouth on Monday.
Following a procession and service of thanksgiving at Bayeux Cathedral this evening, a tribute to the fallen took place at Bayeux War Cemetery in Normandy, also broadcast live to Southsea Common in Portsmouth, featuring stunning lighting and drone displays.
As darkness fell, each of the 4,600 headstones of those that fell in Normandy were individually illuminated across Bayeux War Cemetery, creating a poignant scene of remembrance. Lights were also be placed by schoolchildren at key CWGC sites across Normandy.
Our President, Her Royal Highness The Princess Royal, alongside current serving military, led a vigil and moment of reflection focusing on the memories of those who fought and honouring those who never made it home.
The event featured two emotive and poignant performances from Bayeux War Cemetery accompanied by a seventy-two-piece military band and an eight-person choir.
Award-winning poet, author and broadcaster, Lemn Sissay OBE FRSL, read a newly commissioned poem during the evening vigil. Musician Jack Savoretti also performed a beautiful new arrangement of Soldiers Eye’s, and BAFTA-winning Katherine Parkinson gave a reading of a letter from Captain Derek Taylor to the mother of Bombardier Norman Harry Bottoms of the Royal Artillery.
Bombardier Bottoms died on 6 June 1944, aged 23, and the letter to his mother – that was read from his graveside – speaks of his “humour and zest for life, keenness of mind and generosity of spirit”.
From 9am on 6th June, the CWGC will lead a service of commemoration at Bayeux War Cemetery, a traditional service of remembrance. A ticketed event, guests will include Second World War veteran Jack Hemmings AFC, descendants of those who fought, veterans’ relatives and members of the public. The service will also feature a fly past by the RAF Red Arrows.
Our Director General, Claire Horton CBE, said: “We have seen some truly beautiful and poignant ceremonies all around the UK and we give our heartfelt thanks to all veterans, schools and young people for playing such an important role at our Torch of Commemoration events.
“It was very moving to be with veterans and their families as they arrived in France, and to witness the significant moment of them sharing our torch with young UK and France ambassadors.
“We are incredibly humbled and excited to be marking the 80th anniversary of D-Day with these events, which form a perfect and fitting tribute for veterans and the thousands we commemorate across the region. We truly hope our events will resonate with, inspire and engage people all over the world.”
Mr Sissay said: “I am grateful to be in Bayeux today, with the Commonwealth War Graves Commission, to share my poem, “As long as light shines”, and affirm our continued commitment to recognise the sacrifice of the brave soldiers who lost their lives for our freedom.
“Walking in the footsteps of our esteemed war poets, I feel honoured to add my contribution to bring the poetry of conflict to global modern audiences. While we reflect on the lessons we have learnt from the Second World War, and the future our fallen heroes gifted us, I hope my words serve to unite us all in our feelings of both sadness and immense pride.”
Join us as we commemorate the major events of 1944, and learn more about the Invasion of Normandy.
A gift in your will can help us continue telling those stories for generations to come, so their sacrifice is not forgotten.
A beacon celebrating the 'light of peace' was lit at a special ceremony to mark the 80th anniversary of D-Day.
Newport and District Agricultural Society and Harper Adams University held the ceremony at Chetwynd Deer Park on Thursday.
Designed by the university's engineering students, the beacon was originally designed to celebrate Queen Elizabeth II’s Platinum Jubilee.
It was one of hundreds of beacons and lamp 'lights of peace' which were lit across the country at precisely 9.15pm to commemorate D-Day.
Newport and District Agricultural Society's president, Duncan Gunn-Russell, read an International Tribute as the beacon was lit.
His Majesty’s Lord-Lieutenant of Shropshire, Anna Turner, attended the ceremony, as well as the High Sheriff of Shropshire, Brian Welti JP, and representatives of the Newport and District Agricultural Society and Harper Adams University - including engineering students and alumni who operated the Beacon.
Invited guests and family members of those affected by the Second World War or D-Day also attended the event, including the chief cattle steward of the Newport Show, Andrew Macleod, whose father was among those soldiers who took part.
Newport and District Agricultural Society president, Duncan, said: "I’d like to thank everyone, from the Society, Harper Adams, and the wider community, who organised or attended the event.
"The evening was one of remembrance, celebration, and commemoration – and it was quite something to think, at the very moment I read the International Tribute, that hundreds of others were doing so at the same time, as beacons were lit across the country."
Harper Adams University's Vice-Chancellor, Professor Ken Sloan, added: "In a world in which, sadly, we remain affected by war, we should remember the sacrifices of all those who took part in D-Day and the Second World War, and I was honoured that Harper Adams employees and students were among those involved in the celebration."
'Merciless' fraud, 68, drained his own mother's bank accounts after she went into nursing home Plus Crime | 3 hours ago
Dozens of affordable homes planned for farmland behind Shrewsbury cul-de-sac Plus Shrewsbury | 3 hours ago
Shropshire market town named 'best place in the UK to live as a single parent' Bishop's Castle | Jun 9
Road in Shrewsbury to shut so water company can repair its own defective work Shrewsbury | 3 hours ago
See all 85 of our photos from RAF Cosford Air Show of spectacular flying displays and crowd fun Plus Attractions | 17 hours ago
In Portsmouth, D-Day commemoration events were brought to a close with a spectacular drone light show.
Thursday 6 June 2024 06:23, UK
Please use Chrome browser for a more accessible video player
IMAGES
VIDEO
COMMENTS
Size:55 inches (140 cm) tall, 15.7 inches (40 cm) along each leg. Materials:Aluminum housing with a textured finish. Body color:Black or White. Power consumption:20 W. Input voltage:100-240 v. Power switch:an on-off button foot pedal. Color output:Color changing (RGB) Control method:Remote. Warranty: 2 years.
LED Color Changing Light — LitLamp™. (482) €93,95. Color. Model. Qty. Add to Cart. "Say Goodbye to Boring Rooms Forever with LitLamp™ - The Ultimate Solution for Dull Spaces! 😍🌟💡. Introducing LitLamps Corner Lamp: Embrace Illumination and Transform Your Space with our Minimalist Corner Lamp.
51K Followers, 132 Following, 154 Posts - Lit Lights (@thelitlights) on Instagram: "☽ - aesthetics made easy ️ ☽ - questions/promo? DM ↓ start vibing"
The Lit Lamp, Asheville, North Carolina. 2.2K likes. The Lit Lamp is an online retailer that sells all things mood and atmosphere lighting. (We also sell
Mini Christmas Tree-with Lights,2ft Pre Lit Artificial Small Christmas Tree Snow Flocked Christmas Tree with 24pcs DIY Decorations Tabletop Christmas Pine Tree with Lights for Christmas Decorations. 4.4 out of 5 stars 51. 600+ bought in past month. Black Friday Deal. $26.20 $ 26. 20. List Price: $39.00 $39.00. Exclusive Prime price.
Lit Lamp. · July 28, 2021 ·. Lit Lamp updated their phone number. 70. Lit Lamp. 3,964 likes · 1,450 talking about this. The Lit Lamp was designed to bring vibrance and flavor to your home, studio or general workspace.
The Lit Lamps, Islamabad, Pakistan. 279 likes. Offering lamps made from camel skin that are handcrafted and then handpainted. A rare art to have.
Vector Millennium Falcon 3D Led Lamp 3d vector illusion acrylic lamp lamp led light file Cut Laser cnc Route FILECNC. (249) $1.82. F... Around And Find Out style Sign , Edge Lit acrylic 3D lamp,multi-collor LEDs with remote. (105) $21.25. $25.00 (15% off) FREE shipping.
Buy LED Corner Floor Lamp for Living Room, 2 Pack, Lit Lamp LED, RGB Dream Color Changing Modern Mood Lighting, Bluetooth APP and Remote Control Music Sync Great Theater Lighting Effect for Home: Everything Else - Amazon.com FREE DELIVERY possible on eligible purchases
Custom Edge Lit Lamp | Fandom Lamps | Sport Team Lamps | E-Sport Lamps | Gaming Set-ups | Den Décor (1k) $ 38.24. FREE shipping Add to Favorites Locksport Edge Lit Tabletop Sign Round MultiColored RGB LED edgelit acrylic USB or Batteries Includes Remote Locksmith Lamp (91) $ 39.95. FREE shipping ...
Find helpful customer reviews and review ratings for LITLAMP Standing Lamp LED Color Changing Lights, Stand Corner Floor Lamps for Living Room and Bedroom, RGB Controller Dimmable Multicolor Light - Black at Amazon.com. Read honest and unbiased product reviews from our users.
In the early 19 th century, soldiers unfit for active duty lit the city lamps and each of them received a pitiful 13 roubles annually. The lamp-lighter's profession. The first street lamps had the following structure: A metal lantern with glass windows and a small door was fastened to a low wooden post. A lamp filled with hemp oil was located ...
Waterproof Lighting. With a high level of waterproof structure, it can be used outdoors and in the bathroom. The table lamp can be lit for up to 500 hours after charging for 6 hours, which is easy to carry with you. Premium. Crystal glass and a newly developed LED light source provide unprecedented transparency and high-quality lighting.
Buy Decoration Lights online at low prices in India, from the luxurious allure of our chandelier lights to the understated elegance of our pendant lights, each piece in our range is specifically crafted to enhance the aesthetic of any space. At The Lit Concept, we specialize in Premier Luxury Lighting as well as Best Interior Lighting in India ...
Nizhny Novgorod Kremlin eternal flame memorializing losses during World War II .. An eternal flame is a flame, lamp or torch that burns for an indefinite time. Most eternal flames are ignited and tended intentionally, but some are natural phenomena caused by natural gas leaks, peat fires and coal seam fires, all of which can be initially ignited by lightning, piezoelectricity or human activity ...
Lighted is an adjective, where it means of or related to being illuminated. It is also a verb, where it can function as the simple past and past participle form of the verb to light. Lit can function as the simple past tense and past participle for the verb to light. Even though it is frequently used as an adjective, this usage is incorrect.
The display on the eve of Pride Month came after the state Department of Transportation decided the nearby Acosta Bridge would be lit in red, white and blue for state government's "Freedom Summer ...
Almost a million lamps are lit in Moscow every evening. The most beautiful buildings are decorated with architectural lighting. "Over the past 10 years, the level of illumination in Moscow increased by 1.5 times, the number of buildings with architectural lighting has quadrupled. Today the Russian capital is one of the five most illuminated ...
Downtown Cary lights up rainbow for Pride Month. Downtown Cary is known for rotating the colors of their lights in honor of different national recognitions and holidays. They lit up blue during ...
The museum was opened in 1980 and displays a wide range of lighting equipment, including a torch of splinters, hand lanterns and street lamps light fixtures of various shapes and sizes. Street lamps encompass oil, kerosene, gas, and electric lamps, and many of the displayed lanterns still function and may be lighted for visitors to enjoy.
LED Corner Floor Lamp for Living Room, 2 Pack, Lit Lamp LED, RGB Dream Color Changing Modern Mood Lighting, Bluetooth APP and Remote Control Music Sync Great Theater Lighting Effect for Home Govee RGBIC Floor Lamp, LED Corner Lamp Works with Alexa, Smart Modern Floor Lamp with Music Sync and 16 Million DIY Colors, Color Changing Standing Floor ...
Stapleford Beacon Lighting ceremony will be taking place at the Old Mill Club Credit: ITV NEWS. Wythall, Birmingham. Ceremony in Wythall Park, with the beacon on the mound being lit at 9:15pm.
Image: Warner Bros. Pictures. Where earlier films might have used the presence of the moon or a table lamp to justify much brighter lighting, movies like Deathly Hallows, Interstellar, and Dawn of ...
The Great Vigil for the D-Day 80th anniversary at Bayeux War Cemetery. Our events and tributes to mark the 80th anniversary of D-Day are underway following the arrival Torch of Commemoration in Normandy, carried by D-Day veterans. This was followed by a service of thanksgiving and Bayeux Cathedral and a stunning tribute to the fallen at Bayeux ...
A fter an evening of trick-or-treating in Maplewood, Minnesota, on October 31, 2003, 4-year-old Vincent Ledvina and his family were heading home for the night. Suddenly, he noticed the sky was lit ...
A beacon celebrating the 'light of peace' was lit at a special ceremony to mark the 80th anniversary of D-Day. D-Day anniversary is marked with beacon lighting ceremony at Harper Adams University ...
A candle-lit vigil was held at Bayeux War Cemetery this evening following the annual D-Day service of thanksgiving at Bayeux Cathedral in Normandy.