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How to Write a Novel in 10 Steps: Complete Writing Guide

Written by MasterClass

Last updated: Aug 19, 2021 • 9 min read

Writing a novel requires dedication, organization, and discipline. Once you’ve decided on an idea or story, use our step-by-step guide to learn how to write your novel.

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How to Write a Book in Ten Days

Philip k. dick award-winner meg elison on getting it done.

Henry David Thoreau did not consider his time on Walden Pond a writing retreat, per-se. He was retreating from all of life, and he wrote about how brilliant that was. Despite his assured and unremarked privilege to externalize the labor of keeping himself alive (meals cooked and laundry washed by his mother or other women) he was aware that he was lucky in life: “Sometimes, when I compare myself with other men, it seems as if I were more favored by the gods than they, beyond any deserts that I am conscious of; as if I had a warrant and surety at their hands which my fellows have not, and were especially guided and guarded.”

With the favor of the gods and the labor of his mother, Thoreau took ten years to produce Walden; or, Life in the Woods , a work of less than 50,000 words.

Last fall, with the hospitality of my own mother and the freedom of ten days, I wrote a novel of 90,000 words.

Both Thoreau and I cheated. There’s no way to do this kind of work without help and doing it as quickly as I did requires the conditions of retreat. If you want to try to attempt the same, I’m giving you my cheat sheet. This is the story of what it takes to write a novel in ten days.

First, you must be a writer already. This is not a purity test or a badge check: a writer is a person who writes. If you have a habit of writing and you know your own worth and ways, that is enough. Writing a novel is grueling and surprising work. If you haven’t done it before, you may not understand the flummoxing frustration that lies ahead. Do not attempt to write your first book in ten days.

You must also, to the best of your ability, escape your everyday life. Doing something extraordinary requires leaving behind ordinary circumstances. This is not to discount the work of writers who get their word count in while babies sleep and the washing machine thumps in another room. I know most lives don’t allow for escape, and I have nothing but admiration for the people who produce art within their routine. However, I am advising you on a spectacular timeline. Escape is the groundwork for that.

Leave home, if you have the option. Go see family. Stay with friends. Beg a guest room, or the use of a cabin in the mountains. It doesn’t have to cost money. Mine didn’t.

My mother owns a house in a scrub-desert suburb in Southern California. I lived there as a teenager, and it has the comfort and claustrophobia cocktail of home. She has a bed for me whenever I’m in town, and a swimming pool out back. I called her and asked if I could come to stay for ten days, but not spend most of that time with her. This last is crucial; if you go visiting in order to write a book, make sure people understand that the visit is not with them.

Set boundaries. This is true even at a retreat, if there are other people there. Create a calendar of times when you are available for brunch or dinner, set aside one day to see the beach or the ruins. Do not let the days or the company dictate your schedule. Life will always win if you let it contend with writing a book. Mark out at least eight hours every day in which you will do nothing but write.

That time is sacrosanct and requires a great deal of discipline. Do not plan to write in a public place, if you can help it. Cafes and libraries are full of noise and distractions. The chairs will likely pain you after a day spent unmoving and crabbed over a laptop. You may or may not be able to get someone to safely watch your things while you take a bathroom break. Work in a home or an office. Set yourself up at the start with water, maybe a snack, and any tools you know you need to work. Set a timer. Set a quitting signal. Do not let up from your task until that moment arrives.

When it does, quit. Quit fully and completely, and get the book out of your head. For me, this means doing something physical. I’d walk away from a day’s work wrung-out and very tired, without much left in the way of sparkling conversation. I’d change into a swimsuit and dive into the deep end of my mother’s pool. I swam for at least an hour, talking to no one and listening to music. Afterwards, I was suitable for dinner with family and far less stiff. If you aren’t as lucky as I was to have access to a pool, take a walk. Dance. Stretch as much as you can. Do what works for you to get yourself out of your book and back into your body. This job is hard. Don’t neglect yourself to do it, not even for ten days.

Get off the internet. I do not say this lightly; I am a power user of Twitter and Snapchat and I believe it makes me a better writer when I use them both correctly. Using them while concentrating on producing a draft will absolutely wreck your progress. Every notification breaks your focus. Every returned text is wasted words. If you have a child or a sick parent, someone to whom you cannot fail to respond, leave your phone on. Otherwise, turn it off. Turn your computer’s wireless off. Make whatever arrangements are necessary; let your friends and your adoring public know what your hours are like, and then get off the grid. No exceptions, not even on your lunch break.

Write an outline. A full outline, with the major beats, chapter starts and ends, and notes on characters and their relationships made it possible for me to keep a pace of 10,000 to 15,000 words per day. Your outline must also include any research you need to write, because you have no internet. Do not turn your wifi back on to look something up, just for a second, just to be sure. We all know what will happen once that genie is out of the bottle. Write a placeholder and put a margin note in to double-check during redrafting. You must go in ready. I did; with a ten-page outline and a stack of research. I came out with a whole first draft.

We must return to Thoreau now, so I can tell you about my own mother. I have a hard time feeling compassion for the generations of writers whose mothers and sisters and wives led lives of quiet desperation so that the men in their houses could make art. Writing at this pace requires some externalization of the labor of your life. Even if you can live on microwave burritos for ten days (please don’t) the ongoing disruption of planning and obtaining your meals can really take apiece of your workday. In my case, my mother loves to cook for anyone who’s in her house and was gracious enough to make me breakfast on most days.

I comfort myself with being better than Thoreau in a few easy steps, the first of which is acknowledgement. I told everyone that this was how I kept my breakneck pace, and that my mother’s kindness and labor made my whirlwind progress possible. Taking her out and spending time with her is a pleasure no matter what, but was important to me in response to work like this.

Finally, I indict Thoreau on the worst of all charges: that no woman in his life ever published her own screed on the price of bread and the drudgery of her own life, because that drudgery left her no time or energy to write. My mother is a food critic, and I copy-edit for her whenever she needs me. My publication does not come at the price of her silence.

This combination of experience, kindness, discipline, space, and quiet helped me to produce a novel faster than I’ve ever done it. My practice is to separate myself from my work upon completion and let enough time pass that I may see it with fresh eyes. I am revisiting this draft now, since months have passed, and beginning the process of shining it up. It’s not bad—my haste is more evident in the roughness of the prose than in the shape of the story itself. My ten days of hard work and the work of others were worth it, it seems. It might be for you, too.

Thoreau also wrote in Walden that the price of anything is the amount of life you exchange for it.The price of writing is often quite steep, and the life you pay with isn’t just your own. Writing a book in ten days will cost you, and it will cost the people around you.

Make the work worth it.

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Books for Writers #14

How to write a novel: from idea to book, joanna penn.

310 pages, Kindle Edition

Published August 13, 2022

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The Creative Penn

Writing, self-publishing, book marketing, making a living with your writing

Blueprint: How To Write a Novel

Thanks for signing up for the Author 2.0 Blueprint – and it's great to hear that you're interested in writing a novel!

I'll be sending you some emails and videos over the next few weeks, but if you're keen to get started right now, here are some resources.

You can also check out the  recommended books for writers here .

Getting Started

How to Find Time to Write

Writing Tips: How to Find and Capture Ideas for Your Novel

How to Research a Novel … And When to Stop

How To Write More And Create A Daily Writing Habit

5 Ways To Get Your First Draft Material Out Of Your Head And Onto The Page

How to Use Dictation to Write Faster and Become a Healthier Writer

Self-doubt and Imposter Syndrome

You Have Permission

On Writing And The Fear Of Judgment

What is your Definition of Success as a Writer?

Using Different Author Names or a Pseudonym as a Writer

Writing A Series: 7 Continuation Issues To Avoid

5 Lessons Learned From Writing 10 Novels

What Are You Writing? Word Count. Standalone, Series or Serial

The journey of my own first novel Stone of Fire – from idea to launch, finding an agent and bestseller status .

How to Find and Work With a Professional Editor

Tutorial: How to Improve your Writing with Grammarly 

My list of recommended editors

Tips for Editing your Book with Natasa Lekic from NY Book Editors

Useful interviews on writing fiction from The Creative Penn Podcast

How to Write Emotion and Depth of Character with Becca Puglisi

How to Write High-Volume Fiction in a Sustainable Way with Toby Neal

How to Make Money Writing Short Fiction with Douglas Smith

Stop Worrying, Start Writing. How to Overcome Fear and Self-Doubt with Sarah Painter

How to Write a Mystery with Rebecca Cantrell

Use your own life story to bring depth to your writing with Steven Pressfield

Story Genius: How to use brain science to write a riveting novel with Lisa Cron

Writing Authentic Settings and Keeping a Series Fresh with Toby Neal

How to find your author voice with Roz Morris

How to banish writer's block with K.M.Weiland

Writing Tips: Outlining for genre and literary fiction with Libbie Hawker

How to write faster and never get writer's block with Michaelbrent Collings 

Need more help?

• My  Books for Authors
• My  Courses for Authors , including How to Write a Novel and How to Write Non-Fiction
• The Creative Penn Podcast , interviews, inspiration and information on writing, publishing, book marketing and creative entrepreneurship every Monday
• My videos at  YouTube.com/thecreativepenn

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How to Write a Brilliant Novel

What does it take to write a brilliant novel? Best-selling, award-winning novelist Susan May Warren knows how--and you're about to find out. She's coached hundreds of writers into publication, onto best-seller lists, and onto the awards platforms. (And she lives what she teaches. Susan is the bestselling author of over 50 novels, has won the Rita, the Christy, and the Carol awards multiple times.) Now, for the first time, she's revealing her step-by-step storycrafting secrets that will show you how to discover, create, and publish the brilliant novel inside you.

Advanced Brilliant Writing

From best-selling, RITA, Christy and Carol award-winning novelist Susan May Warren comes the advanced writing techniques that help you build a powerful story! An amazing novel has two elements – deep characterization of a sympathetic hero, and a compelling, wide, breathtaking plot. But how do you create deep characters and wide plots and then apply them to your story? It’s time to learn Advanced (Brilliant!) Writing. The follow-up to How to Write a Brilliant Novel, Advanced Brilliant Writing utilizes RITA and Christy award-winning, best-selling novelist Susan May Warren’s easy to apply explanations, exercises and intuitive methods to teach you advanced fiction writing techniques that will turn any novel from boring to . . . brilliant.

How to Write a Brilliant Romance

Kiss and Tell, the essential step by step worktext on how to write a Romance. How do I structure my novel? How do I create loveable heroes and heroines? How should my hero and heroine meet? How do I create believable conflict? How do I make two characters fall in love? How do I write a sizzling kiss? How do I keep the tension high in the middle of my story? How do I put romance on every page? What is the breakup and why do I need it? Most of all.. How do I create a romance that touches the heart of my reader? Find the answers to all these questions as well as the secrets to creating award-winning romances in this essential workbook by award-winning, best-selling romance novelist Susan May Warren. With ten ingredients and step by step instructions you’ll learn how to plot and wordsmith a powerful, layered romance that will make your readers fall in love.

My Brilliant Book Buddy

It doesn’t fetch coffee or make cookies. It just helps make your writing dreams come true. The writing journey can be long and lonely. It’s easy to get lost in the weeds of your story, not sure where you are headed . . .or why. Wouldn’t it be nice to have a guide along the way? Someone to point you in the right direction, and keep you motivated? Meet your buddy. A manuscript companion to the foundational writer’s workbook How to Write a Brilliant Novel, and advanced writer’s guide, Advanced Brilliant Writing, My Brilliant Book Buddy puts feet to all the steps needed to create a powerful book, guiding you through character creation, plotting the inner and outer journey, creating essential scenes, and wordpainting. With step-by-step instruction, it helps you craft the perfect black moment, and pushes you on all the way to the climatic ending. “The Book Buddy is my new best friend! It takes all of the helpful tools, charts and tips from Inside Out and Deep and Wide and puts them in one place. It's like having Susan May Warren in the room helping you craft your story! I can't recommend it highly enough!" Melissa Tagg multi-published romance author You’ll never write a book alone again.

The Story Equation: How to Plot and Write a Brilliant Story with One Powerful Question

Discover The Story Equation! One question can unlock your entire story! Are you struggling to build a riveting plot? Layered characters? How about fortify that saggy middle? Create that powerful ending? You can build an entire book by asking one powerful question, and then plugging it into an “equation” that makes your plot and characters come to life. You’ll learn how to build the external and internal journey of your characters, create a theme, build story and scene tension, create the character change journey and even pitch and market your story. All with one amazing question.

Conversations With a Writing Coach: 40 lessons on how to write a novel

Start with an idea…and leave with a novel.

Writing books are helpful, but they can be overwhelming and challenging to understand. Sometimes all writers need is someone to sit down beside them, believe in them, and patiently walk through the novel creation process, step-by-step.

Best-selling, Christy and RITA award-winning author Susan May Warren, founder of My Book Therapy, the craft and coaching community for novelists, has been coaching and training writers for over a decade, helping them realize their dream of becoming a published author

Now, sit down with her and learn how to go from idea to publishable novel in 40 empowering, essential conversations.

How to write a book series: 6 secrets of success

Learning how to write a book series means mastering the challenges specific to series-writing. Sustaining characters’ development over a longer time. Sustaining conflict, tension, and irresolution too. Here are six secrets to creating a successful series:

• Post author By Bridget McNulty
• 4 Comments on How to write a book series: 6 secrets of success

1. Choose a central idea that creates intrigue

To write great fiction series , you need an idea that can sustain multi-arc plot and character developments.

Epic fantasy series such as George R. R. Martin’s  Song of Ice and Fire or J.K. Rowling’s beloved  Harry Potter  books have central, fascinating tensions at their heart. Power-struggles between rival forces unfold alongside characters’ struggles with their own flaws and shortcomings. Along the way there are mistaken identities, surprising reversals and secondary antagonists.

Many great ideas can be boiled down to an answer to one simple question: ‘What if…?’ For example:

• What if a once-powerful tyrant could regain strength through obtaining a lost magical talisman he created? (Sauron in Tolkien’s  The Lord of the Rings )
• What if a foreign service officer’s family was killed in a bombing in neutral territory and no country claimed responsibility? (Robert Ludlum’s  Jason Bourne  books)
• What if a provincial Chief Inspector became embroiled in the lives of a small town and had to navigate professional duty and evolving community relationships? (Inspector Gamache in Louise Penny’s Chief Inspector Armand Gamache series

Each of these ideas creates questions.

For Tolkien’s idea, we may ask ‘Where is the lost ring? Who can prevent Sauron from getting the ring? Who will Sauron enlist to help him?’ and more.

In the second, the reader may ask ‘Which country was responsible for the bombing? Why did they bomb neutral territory? Who survived? What will Jason Bourne do to pursue justice?’

For the third, the reader may ask ‘How will the inspector’s relationships affect their work? What secrets does the town have? What other criminals could it be harbouring?’

Writing great series starts with creating enough unknowns to fuel multi-novel intrigue, surprise, and engagement.

Complete the first step in the Now Novel dashboard and answer the step-by-step prompts to find a Central Idea that generates interesting questions.

2. Make each book self-contained to an extent

To write a great fiction series, each should be good enough to serve as a standalone novel.  Here are several ways to ensure that each book does just this:

• Pay attention to the structure:  Structure each installment around primary conflicts and unknowns that your series will resolve. Give each book some unknowns that you will resolve by the end. But also establish lingering mysteries you can draw out into subsequent installments.
• Develop emotional connection from the start in each installment:   Part of what keeps us reading a series is feeling connected to the characters, vicariously living through their predicaments and successes. J.K. Rowling was smart in starting many of the books in her Harry Potter  series with Harry’s time away from his magic school, boarding with his emotionally abusive aunt and uncle. This sets up the allure of escape from the outset. We anticipate an escape from the cruel and humdrum into the magical and adventurous.
• Leave the strongest climaxes until later:  It might be tempting to give away the juiciest details of your plot in the first book in your series. Yet plan rising action across the whole arc of your series and keep the biggest peak for the end.
• Create anticipation:  In a quest or adventure narrative like The Lord of the Rings , we know of an intimidating-sounding destination early. In a series like the Jason Bourne books, we know a government is up to no good and is yet to account for its misdeeds. Create anticipation in each book in your series and leave the reader somewhere between revelation and lingering mystery by the end.

3. Avoid excessive recapping

Don’t continuously remind the reader what happened previously. In some instances a little reminder may be useful. Even so, avoid treating your readers as forgetful (or even stupid) at all costs. If you feel you absolutely have to recap, here are some ways you can without becoming repetitive:

• Retell a prior scene from another character’s point of view . Did the hero of your fantasy novel narrowly escape her village being razed to the ground by a marauding army? Present the same event at a later stage through the eyes of another character for new information.
• Show new viewpoint characters hearing your main character’s backstory for the first time.  Instead of making a character constantly retell what’s happened to them, you could show another viewpoint character learning about it.  In David Mitchell’s book  Cloud Atlas,  a character discovers a journal kept by a main character from an earlier section of the novel. The later character (and thus the reader) realizes something awful about the journal-keeper’s doctor while reading. This twist makes a reminder of an earlier section grow and change; acquire new layers.

These are just two ways you can recap creatively. Use the act of retelling itself as a means of adding extra interest and drama to your series.

4. Keep your characters interesting and evolving

Knowing how to write a book series is knowing how to keep characters interesting and changing. Constant developments, whether great or small, sustain interest. To make sure each character in your series remains interesting:

• Write a list of character traits you have established. Is your character courageous? How might you show an exception to this in a new scene? Do they have a hitherto unseen weak spot? Gradually revealing surprises such as flaws and secrets is a useful way to keep characters fresh and interesting
• Don’t be afraid to kill minor characters off.  This doesn’t need to be literal, necessarily. In a quest narrative, for example, a secondary character might agree to travel along only to the next town. When the size of the travelling party changes, this is an opportunity for new meetings (and dangers)
• Listen to your characters. In a New Yorker  article on the historical fiction writer Hilary Mantel, the author describes practicing an exercise in which she pictures sitting her characters down on a chair in an empty room and asking them questions. Try exercises like these that help you turn fictional characters into complex people with history and individuality

5. Create multiple conflicts

There are at least six types of conflict you can use in your series to keep it interesting. In addition to conflicts between characters, there may be conflicts between characters and their environment , for example.

Scattering scenes of tension and release throughout your novel with a light hand will keep your readers anticipating what characters do next.

As an exercise, create a simple list, book by book, for the central or main conflict of each book , and write the overarching series conflict that runs through all the books together at the top of this list. Then write next to each book’s individual conflict how it connects to (or departs from) your series-wide conflict.

6. Keep a summary document of your series so far

Even if you don’t create a complete outline before you start writing a series, it helps to summarize what you have written.

Writing your fourth or fifth book in a series is a great milestone to reach. But with each successive book it becomes more and more important to have a simplified document you can scan through that reminds you of all that’s happened so far. Otherwise, it can be difficult to ‘see the wood for the trees’. A good summary will avoid getting lost in detail, so you can focus on connecting the many threads of each book’s story arc .

Are there any tips on writing a series you have found particularly useful? What are your favourite series?

To brainstorm plot, setting, characters and more and get feedback from a constructive critique community, join Now Novel.

Related Posts:

• How to plot a series: 8 steps for multi-book arcs
• How to write a rewarding series arc
• How to write a series: 8 novice mistakes to avoid

By Bridget McNulty

Bridget McNulty is a published author, content strategist, writer, editor and speaker. She is the co-founder of two non-profits: Sweet Life Diabetes Community, South Africa's largest online diabetes community, and the Diabetes Alliance, a coalition of all the organisations working in diabetes in South Africa. She is also the co-founder of Now Novel: an online novel-writing course where she coaches aspiring writers to start - and finish! - their novels. Bridget believes in the power of storytelling to create meaningful change.

4 replies on “How to write a book series: 6 secrets of success”

My favorit novel series is by the Norwegian author Margit Sandemo. It’s translated into “The Legend of the Ice People” and spans over several generations through 47 books, only to be combined with another of her series and pushed into 20 more books. Now THAT is a series. =) and I loved every single one.

Hi Isabelle – thanks for the recommendation! Hadn’t heard of her before and went and read up about her. Sounds incredibly prolific. I’ll have to sample some of her work. Thanks again.

I started reading her work in my teens, and I still go back an re-read them 25 years later. I can’t say if anything is lost in translation, but I hope not. I’m 3 books short of having every single novel she’s ever written. I think it’s the way she keeps her writing simple, and how she stays true to historical facts. I get educated and entertained. What could be better? ?

I’m happy to share, and I’m glad to hear you’re going to give her a try. Thank you for taking the time to write this wonderful blog.

My pleasure 🙂 I’m really glad you’re enjoying it.

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The proven path from blank page to 10,000 copies sold.

Book outlines are crucial when writing a book, so it's important to learn how to outline a book in the most effective way for your readers.

A book outline is the foundation for an organized writing process. It should precede your first rough draft and can be used as a roadmap for your entire book-writing process.

No matter how skilled you are as a writer, you've no doubt experienced the dreaded blank page syndrome, or “writer's block” as it's commonly referred to.

From aspiring authors to professional novelists, writing a book is challenging.

You know how daunting of a task it can be to string together a fluid sequence of words that accurately conveys a thought or concept. 

But you don't know how to outline a book or novel the right way.

In this post, you'll discover how to create a book outline that will help you start, and finish, writing your book.

Need A Nonfiction Book Outline?

This Book Outline Guide Will Cover:

What is a book outline.

A book outline is a structured document that plans out and sequences the information that your story will include. It is a wireframe or skeleton of your book, and will be used as the roadmap during your writing process.

Your book's outline is an agenda, or roadmap, that includes the main points or events that you will write about in your book. 

It's not uncommon to use a map (or GPS) when we go on holiday. And certainly, if we want to build a house, we use a blueprint. In football, the coach puts together a game plan. All of these make the actual task easier (sometimes it makes the task possible ).

Writing an outline for your book serves the same purpose – it is a guide that you can follow to write your book.

A book outline will essentially be the same concept for both fiction and nonfiction books, but the outline format and style will vary on the genre.

• A fiction novel will include important storytelling aspects such as structure, plot, scenes, and characters.
• A nonfiction book will include important information aspects such as topic clusters, concepts, and intentional information architecture.

Do You Need A Book Outline To Write a Book?

Without an outline, it will take a lot longer to finish your book, and it may hinder the book's quality and reader experience. You may not need a book outline, but it will certainly help you write faster and with better quality.

Think of a book outline as a writer’s plan. When you outline a novel or book, you are creating a plan or roadmap of your book’s contents. 

To outline or not to outline? Is it more difficult to write a book without an outline? Are there benefits to outlining a book?

These are just some of the questions you may have. But there is not one answer, and certainly not one way on how to outline a novel. 

“I always have a basic plot outline, but I like to leave some things to be decided while I write.” J.K. rowling

Many successful authors know not to underestimate the power of a book's outline. Not only does it help in writing an organized book with clear direction, but it also helps fight writer’s block when you’re stumbling your way through a work-in-progress. 

A good book outline changes and develops as you write. 

And there really is not one single way to outline a book. Sure, a book template is great to use, and there are models to follow, but every outline is different.

Book Outline Examples

Let's take a quick look at some examples of famous authors who learned how to write a book outline that fit their needs, and then went on to write and publish them successfully.

Below is the handwritten outline of novelist James Salter:

You may be familiar with this image of J.K. Rowling's plot lines of the Harry Potter books…

Famous outliners (or plotters) include John Grisham, J.K. Rowling, and R.L. Stine, to name a few.

Reasons To Outline Your Book

The biggest benefit of learning how to write a book outline is that your outline can help you start, and finish your book .

It can make your process towards becoming an author easier, and more clear – with fewer detours and frustrations along the way during your writing process. 

Here are some benefits to outline your book: 

• Write quickly. With a book outline, you know exactly what you have to write about next.
• Intentional structure . Although an outline is equally applicable to nonfiction and fiction, an outline can help you create a solid structure for your novel. This can result in a better quality piece of literature.
• Overcome blank page syndrome . With an outline, the dreaded blank page is not as daunting as it could be. When you sit down to write, you will be able to kickstart your writing with an outline.
• Prevent writer's block. Again, having an outline can help you eliminate writer's block because you open your outline, and there you have the next piece to start writing. It's like jump-starting the brain.
• Push through the sagging middle . If you're writing a novel, you no doubt are familiar with the uphill battle of writing the sagging middle. With a carefully structured outline, this becomes easier.
• First draft . K.M. Weiland, in her book Outlining Your Novel , says: “In many ways, an extensive outline is a first draft.”

To write a nonfiction book without an outline, is an invitation to stress and frustration (and it may likely result in a sub-standard book). 

To write a fiction novel without an outline is a bit more acceptable because it’s more of a creative process. But you should still have an idea of your book’s starting and ending points to avoid writer’s block and overwhelm – especially if you’re a first-time author .

In the Introduction of K.M. Weiland's book, Outlining Your Novel , she offers the following: “Outlining has transformed my own writing process from hit-and-miss creativity to a reliable process of story craft. Outlining allows me to ride the waves of my story with utter confidence , channeling the art into the craft to produce solid stories. And the best part about outlining? It's entirely learnable.” 

Free Book Outline Templates

A book outline template can make it super easy to get started writing your outline.

For FICTION, you can download the free template here.

For NONFICTION, you can download the free template here.

If you’re ready to get started, we have ready-made templates just for you.

Select your genre, and get a completed book outline that’s ready for you to plug in your book ideas. 

Use this outline template tool as a starting point to write your book’s outline. It’s yours to adjust as needed!

How To Outline A Book: Your Step-By-Step Guide

There is no single right way to outline a book . What works for you, may not work for another writer, and vice versa. 

Don’t feel like you have to follow a rigid set of rules to craft your outline and get started writing your book. But, your book outline should have the basics covered.

It’s perfectly fine to start with a loose structure and develop your outline as you go. 

So, how do you write an outline for a book?

1. Start with a one-line idea

Begin with a one-line idea. Write one sentence to summarize your book’s “big picture” idea. Although it sounds easy, summarizing the whole of your book in one single sentence can force you to strip away your ideas into one essential premise. 

2. Brainstorm the 5 Ws

Do a brain dump. Brainstorm the main components of your book’s idea . A mindmap or bubble map is a popular method for this step. I start by drawing a bubble in the center of the sheet (usually with the chapter number and/or title), and then asking the 5W + H (Who, What, When, Why, Where, and How) questions in individual bubbles. I add snippets in between the bubbles as well. 

When you start your outline, begin by asking the 5W + H questions:

• What? What is the concept, topic, or idea?
• Where? Where does this concept, topic, or idea, apply? Maybe it's an event or a context situation.
• Why? Why does this matter?
• Who? Who is this for, or who is involved?
• When? Is there a concept of time involved?
• How? If applicable, ask yourself: “How will this happen?”

Working through your outline, asking and answering these basic questions, you will likely find yourself. building a story. So, when you sit down to actually write your book, it will develop and grow almost magically. Give it a try.

If you're writing nonfiction, the value of questions is indispensable…

• What information do you want to share in your book?
• Who is your reader: beginner, intermediate, advanced?
• Why does your reader want to know the information in your book?
• What does your reader want to learn by reading your book?

If you're writing fiction, questions can also help…

• If my antagonist does that, how will my protagonist react?
• How can I get my protagonist out of that jam?
• Use “What if?” in different scenarios.

3. Determine your setting

Whether you're writing a novel or a nonfiction book, you need to decide where the series of events will take place. The setting helps to immerse your reader in your story, so think of the sights, smells, and sounds that would draw your readers into the setting with you.

If this is a novel, you can create fantastical laws of physics or new systems of government. If it's a memoir, describe your childhood home or first office down to the last detail.

Do research if you need to.

4. Decide on the order of events

Once you have your setting and have answered the main questions surrounding your story, it's time to set the order of events. Where should your story start? What will the conclusion be? And how will you get from one place to another? Whether you are designing a hero's journey, a dual-timeline story with flashbacks, or the trials to becoming a successful businessperson, you need to have a clear story arc to guide your reader smoothly through your chapters. Move sections of your plot around as needed until it feels clear.

5. Lay out the character’s arc

The character arc is the transformation your protagonist makes from the start to the end of the story. If this is a memoir, you will highlight the growth you made as a result of your challenges and experiences. If this is a novel, how will your character start and end up and why? How do the events of the story impact and shape them?

6. Hash out the details

Narrow in on the essential details.

Now that you have the premise of your book’s idea, and you’ve had a chance to brainstorm all of your ideas, it’s time to get organized with the specifics.

Organize your book’s main points, and add in any specific details that you will have to touch on in each point.

It's important to note that the above steps are a loose starting point for any standard book idea. To really hone in and follow a book outline strategy, you need to know which type of book you are writing, since the outline can vary greatly depending on this.

Are you writing a novel, based on fiction, or are you writing a nonfiction book?

Let's take a look at the next two sections to determine the process for each.

How To Outline A Novel

A novel is based on fiction or imagination – it is not based on real life. If you are writing a fictitious narrative, then you need to create a novel outline.

Fiction and nonfiction books are very different, and while the steps to create an outline of a book can be similar, they are pretty different based on the book's genre.

Learn how to outline a novel well, and you will improve your storytelling and reader experience tremendously.

The purpose of a novel is to entertain, and your book's outline needs to be created with that in mind.

You are telling a story in a novel, and a well-structured book outline will help you create a roadmap to tell that story well.

Note: If you're writing a memoir , your memoir outline will most likely resemble more of a fiction structure than that of a nonfiction structure.

Here are the steps to outline a novel:

• Write your idea out. What’s your book’s big picture? This is the premise of your story; it’s the “big idea.” Try to write your idea into as few sentences as possible, preferably one. You’ll have a chance to get into the granular details later.  
• Answer the 5 W’s (Who, What, When, Where, Why). Get clear on the essentials of your story. This will help guide you in determining how to create your book’s outline framework, and will also help you identify any major “holes” that you might have missed.
• Use a book outline framework or template. Choose a template to work with as a starting point, then make any adjustments as you see fit and start plugging in your content.
• Create your plot. Start with a beginning, middle, and end. It’s perfectly fine if you don’t have a clear idea of every event in your book. You can flesh it out as you go, but you should have an idea of the starting and ending point, at the least. 
• Add characters. Now that you have a plot, it’s time to include your characters . This is important because it helps you identify any supplemental characters you hadn’t yet thought of. It also helps you chart out your protagonist’s purpose and hero's journey . 
• Plug in scenes. With a starting point for your plot, and an idea of which characters are needed, you can start plugging in the major scenes that will help tell your story. 

How To Outline A Nonfiction Book

If you plan to write a nonfiction book, then you need to know how to create an outline for a nonfiction book.

While the process is similar to the fiction outline steps, it's also very different, because of the differing structure.

Think about it: A nonfiction book is likely based on facts and real life, whereas a fiction book is based on imagination.

The purpose of a nonfiction book is typically to educate or inform, so you need a book outline that is structured to that purpose.

Here are the steps to outline a nonfiction book:

• Write out your idea. Write your big book idea out in one to three sentences. 
• Identify the purpose of your book. Think about the 5 Ws (Who, What, When, Where, Why) questions specifically in terms of the problem your non-fiction book is solving, or what purpose your book serves. 
• Choose your book structure. Many nonfiction books follow a specific structure. Is it a problem and solution structure? Maybe it’s a compare and contrast, or a chronological structure? If you’re having trouble deciding, go back to your purpose. 
• Use a book outline template. Start with a template, and fill in the details of your book as you go. 
• Add your main points as chapters. Brainstorm the main points your book will discuss to convey the topic you’re writing about. Then, add these main points as chapters. 
• Structure individual chapters with details. Once you have your main points mapped out as chapters, you can add the specific points or details that you will write about in each chapter.
• Write an outline for each chapter. Once you have your overall outline completed, you can hone in and continue developing it by creating an outline for each chapter.

Effective Strategies For Book Outlining

There are a lot of strategies and frameworks when it comes to writing a book outline. There are some effective ways to outline a novel or nonfiction book, and many authors find success using popular book outlining strategies. 

Let’s dive into some book outlining strategies that you can consider for your own book outline. Just be sure to make tweaks to any process that you see fit for your specific needs and writing process. 

A mindmap can be done with software or with paper and pen.  It's a brain dump at its core – as you think of an item or point, you add it to your mindmap. This can be a few words, a line, a sentence, or whatever you need to get the basic idea down.

The first round of mindmapping is all about speed; get your idea out of your head into your mindmap. You can set a timer, and start mindmapping by allowing your thoughts and ideas to freely flow out of your head and into a visual scheme.  Mindmapping is one of the best ways to outline a book.

This is similar to the mindmap; the difference is that a bubblemap is usually done on paper or a whiteboard. The same principles apply as with a mindmap: get the ideas out of your head onto paper (or whiteboard). You may find that doing this on paper (or a whiteboard), you'll be able to get the ideas out of your head quicker. You can scratch out, add, and move items: it's your outline, and you do it as you want to.

Below is an example bubble outline for a chapter in my forthcoming book (as you can see, it looks similar to a mindmap).

Scrivener Outline

Scrivener is a popular paid book-writing software used by many expert authors. To create an outline in Scrivener , you would use the Corkboard tool. This is an electronic version of using 3×5 flashcards, and the benefit of doing this in Scrivener is that all your “cards” are safely in one place.

The Corkboard in Scrivener is a neat tool to outline your book. Author Becky Levine uses Scrivener and says: “I create a text file/note for each scene in the story.”

Below are example notes on the corkboard in Scrivener…

If you're not familiar with Scrivener, and are looking for a free alternative, consider using Notion . It's not strictly a writing software, but it allows you to work in a similar way.

One-liner Outline

This is a quick and easy way to start your outline. Either in your word processor of choice, or with pen and paper, jot down root ideas. These can be questions, phrases, sentences, or whatever it takes to get the idea down on paper (or screen) as quickly as possible.

Chapter by Chapter

Usually, when you outline your whole book, it will be from a 30,000-foot view. After the book outline, it's a good idea to then outline it chapter by chapter. You can use any of the methods offered here to outline your chapters. The idea behind this is to drill down into the details of each chapter, so you can write each chapter more efficiently.

Post-it Notes

If you have the space, using Post-it notes is a great way to outline a book. This video by Pat Flynn is a great example of how to use Post-it notes to outline. 

Storyboard Outline

If you are more of a visual person, you can use a storyboard to outline your book. Here is a step-by-step video on how to outline a book.

Snowflake Method

Bestselling author Randy Ingermanson created the Snowflake Method . In his book, How to Write a Novel Using the Snowflake Method , he offers 10 steps on writing a first draft. 

“The Snowflake Method is nothing more nor less than the method that works best for me in writing fiction. If you can use it to guide your creativity as you write a powerful story, then I’ll be thrilled.” – Randy Ingermanson

Book Outline Tips

If you're still struggling to get started, or finish, your outline, we have four best practice book outline tips for you:

• Ask more questions. Questions are your most valuable asset to create an outline for your book. Start with the basic, What? Why? When? Where? Who? And How?
• Refer to similar books. If you're stuck with getting started, look at the Table of Contents of books in your niche. Do not plagiarize, but use them as ideas. Ask yourself these questions: Where can you add your unique angle? Can you add something more, or different?
• Leave blanks & skip over. If you can't hash out a particular detail, or have a gap in your outline, don't pressure yourself to fill the gap. Instead, skip it and leave it blank. It will come to you as you start writing!
• Be flexible. Don't be rigid with your book outline. The best outlines are those that can be adapted and tweaked on the go. The outline is just a starting point, but it's up to you to refine as you write.

Don't feel rushed to get your outline done. And always remember your outline is not cast in stone – you can change it how many times you want to. Investing time in writing a detailed outline will save you time when you write your book.

“The outline is 95 percent of the book. Then I sit down and write, and that's the easy part.” Jeffery Deaver

Don't lock yourself into just one type of outline. Try different types, and feel free to mix and match.

Outlining Software

Over the past decade, a number of companies have entered the market with software for writers . A few of them specifically help authors with outlining novels.

Most of these tools were made by authors, for authors, so they can be extremely useful. However, they will cost money and they do have a learning curve. That's why we offer the free templates in a simple word processor you're already familiar with and know how to use.

If you are interested in a more robust software for outlining, we have written reviews on many of them, including but not limited to:

• Novel Factory

If you'd like to see more novel writing software , you can read this article. Otherwise, it's time to get started with your outline!

Ready to write your book outline?  

If you're just starting out on your writing journey, give book outlining a try. 

It may just enable you to progress forward and avoid the hurdles of the blank page, writer's block, and other stumbling blocks.

Remember the sage advice of Winnie the Pooh…

“Organization is what you do before you do it, so when you do it, it’s not all messed up.” – Winnie the Pooh

And if you’re feeling stuck by this whole book writing and publishing process , consider a self-publishing course where you can be guided through the ins and outs of the entire book writing and publishing process.

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How to Write a Book Using Microsoft Word

by Sarah Gribble | 0 comments

If you want to write a book, you'll need book writing software that's up to the task. Yes, you can invest in dedicated book writing programs. But you don't have to: a great writing tool is likely already at your fingertips, if you know how to write a book using Microsoft Word .

There's a lot of book writing software out there. Many of these programs claim to offer intuitive use, help with organization, and even say they’ll keep you from distraction through your entire book. The options can be overwhelming as you try to pick the best one for your writing process.

There’s still one tried and true option if you’re not interested in all that (or can’t afford the fancier programs): Microsoft Word .

I write most of my books in Microsoft Word , not to mention short stories. Here’s the rundown of how to write a book using Microsoft Word, and why that might be your best choice, no matter your story or book size.

Want to learn how to write a book from start to finish? Check out How to Write a Novel: The Complete Guide , or for you nonfiction writers, How to Write a Book: The Complete Guide .

The Benefits of Microsoft Word for Book Writing

You most likely already have it. And so does everybody else. Word is the standard, accepted across platforms, and is easy to access for non-writers (your beta readers). It’s been around forever, so most people know how to use it.

There are book formatting templates. A ton of them. They have them for short story format and for manuscript format. Personally, I don’t use those templates, but they’re a nice baseline for beginners, or even old hats that just want to hurry up and write without setting up their document first.

It’s simple and uncluttered. There are a ton of apps and programs out there that will allow you to keep your plot structure notes close at hand, to rearrange your chapters with the click of a button, and to keep detailed character profiles right in the program. That’s all a little too much for me. I prefer handwritten notes and nothing else blocking my screen while I’m typing and Word gives me that.

It is worth noting that if all those extra features sound appealing to you, you can do those things in Word as well, it just won’t be as fancy as other programs.

Hey writer: the first step to writing a book is coming up with a great idea. The second step is figuring out the structure of your book. If you have an idea but you need help with the structure, check out our new book The Write Structure . In it, we'll teach you how to apply timeless story structure principles to write a great book.

Get The Write Structure »

How to Navigate Your Book in Microsoft Word

When you have a 90,000-word manuscript, navigating between chapters becomes daunting . Luckily there are ways to do it in Word that make it easier if you know where to look.

Chapter Headings

Word doesn’t divide your book into chapters for you like some other programs. There will be no easy way to click and drag to rearrange chapters.

What I recommend is using headings. On Word’s Home page, there are already standard headings listed. Definitely mess with them and change their formatting to something simple.

No one needs giant blue words as their chapter headings. (You can set your simpler formatting as your default style as well, so you don’t have to change it every time.)

Make the title or number of each chapter a heading. Then you can easily bounce around to different chapters through the navigation pane (check the Navigation Pane box under the View menu).

These basically work the same way as headings, but they work anywhere in your document. Have a specific scene you need to do more research on? You can bookmark it and jump back to it later.

Bookmark by going to the Insert menu and clicking Bookmark. Name your bookmark and voilà. You can delete them easily from the popup menu as well.

Find and Replace

CTRL+F brings up a simple search option to find words and phrases in your document. CTRL+H brings up the full gambit. From that dialogue box, you can search, replace certain words with others (i.e. Jennifer now becomes Julia all through the manuscript), and go to any page, section, heading, bookmark, etc. that you need to go to.

Microsoft Word is Great for Editing Your Book

Word has a ton of options for editing your story , including comments, tracking changes, and comparing documents. All of these are under the Review menu.

I use the comments feature to make notes to myself where I need to recheck facts or add description later. It’s easy to navigate through the comments with the search feature or the buttons under the Review menu. Don’t forget to remove them all before saving your document as a PDF or sending it off to an editor.

Tracking changes is awesome and a lot of editors (for short stories anyway) will use this feature to collaborate with you during the editing process. You can accept or reject changes or even revert back to the original.

Finally, make sure you have grammar and spellcheck on! Grammar check even allows you to check style issues (like how to use an ellipsis correctly ) and passive voice . It’s invaluable.

Pro tip: To keep you on track while you’re writing, turn off some of the more fine-tuning features of grammar check. There’s nothing that will ruin your flow more than a bunch of underlining you feel like you need to take care of immediately. I recommend running the full check when you’re done (or at least done for the day).

Formatting Your Book in Microsoft Word

Make sure you’re familiar with standard manuscript format for novels and formatting short stories . Take a look at those links and follow their instructions. You don’t want to get rejected out of hand because you tried some weird formatting that’s hard to look at.

One of the biggest gripes I see from editors is writers using spaces for paragraph indents. Don’t do this. It makes it super hard on them when they’re putting a book together. Instead, use the ruler in Word (under the View menu) or the paragraph settings (under the Home menu) to adjust your tabs. A half inch is standard.

Despite what most of us were taught in school, the standard is now one space after periods, not two. This is another sticking point with editors, so don’t do it. If you’re used to two, there’s a grammar check feature in Word you can turn on to highlight every time you use two spaces. Delete that extra space!

Finally, use the page break option to break for a new chapter, not enter or a million spaces. You can find the page break under the Insert menu.

Pro tip: When in doubt about your formatting, you can turn on the Show/Hide option under the Home menu (looks like a paragraph symbol) to see all your formatting symbols.

Microsoft Word is the industry standard word processing software. While limited in its features for writing books, it provides a familiar platform for writers to create, share, and review their work.

• Familiar Interface : Known and used by many, making collaboration easier.
• Extensive Features : Provides a wide range of writing and formatting tools.
• Cost : Requires a subscription to Microsoft 365.
• Lack of Book Writing Features : Despite its extensive feature set, it lacks specialized tools for book writing included with applications like Scrivener or Dabble.
• Lack of Real-Time Collaboration : While it offers some collaboration features, it falls short in real-time collaborative editing compared to some cloud-native applications like Google Docs.

Now That You've Mastered Microsoft Word, Go Write Your Book

Don’t let choosing writing software stagnate your writing. Don’t overthink it. You don’t need to keep up with the Joneses with the latest writing technology that’s trotted out on tech forums and in writing chats.

The important thing about writing a book is actually writing it . No fancy book writing software is going to help you with that.

So get writing!

Ever used Word to write a book? Do you have any more tips for how to write a book using Word? Let me know in the comments !

Get The Write Structure – $9.99 $5.99 »

Take fifteen minutes to write. Just write. Don’t worry about page setup, formatting, or which program you’re going to use. Open up Word or get out a pen and paper if you’d like!

When you’re done, share your writing in the Pro Practice Workshop . Don’t forget to comment on your fellow writers’ work!

Sarah Gribble

Sarah Gribble is the author of dozens of short stories that explore uncomfortable situations, basic fears, and the general awe and fascination of the unknown. She just released Surviving Death , her first novel, and is currently working on her next book.

Follow her on Instagram or join her email list for free scares.

Work with Sarah Gribble?

Bestselling author with over five years of coaching experience. Sarah Gribble specializes in working with Dark Fantasy, Fantasy, Horror, Speculative Fiction, and Thriller books. Sound like a good fit for you?

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How To Write A Book: Writing A Novel That Sells Paperback – March 19, 2016

• Print length 104 pages
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Product details

• Publisher ‏ : ‎ NMD Books (March 19, 2016)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 104 pages
• ISBN-10 ‏ : ‎ 1936828448
• ISBN-13 ‏ : ‎ 978-1936828449
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Dan Brown is the bestselling author of Digital Fortress, Deception Point, Angels and Demons, The Da Vinci Code, The Lost Symbol and most recently, Inferno. Three of his Robert Langdon novels have been adapted for the screen by Ron Howard, starring Tom Hanks. They have all been international blockbusters.

His new Robert Langdon thriller, Origin will be out on 3rd October 2017.

Dan Brown is a graduate of Amherst College and Phillips Exeter Academy, where he has taught English and Creative Writing. He lives in New England.

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How To Write a Bibliography (Plus Printable Guide With Examples)

Give credit where credit is due.

Writing a research paper involves a lot of work. Students need to consult a variety of sources to gather reliable information and ensure their points are well supported. Research papers include a bibliography, which can be a little tricky for students. Learn how to write a bibliography in multiple styles and find basic examples below.

Plus grab our printable Bibliography Guide for Students with examples from all three major style guides: APA (American Psychological Association), MLA (Modern Language Association), or The Chicago Manual of Style . Just fill out the form on this page to get the free guide.

IMPORTANT: Each style guide has its own very specific rules, and they often conflict with one another. Additionally, each type of reference material has many possible formats, depending on a variety of factors. The overviews shown here are meant to guide students in writing basic bibliographies, but this information is by no means complete. Students should always refer directly to the preferred style guide to ensure they’re using the most up-to-date formats and styles.

What is a bibliography?

When you’re researching a paper, you’ll likely consult a wide variety of sources. You may quote some of these directly in your work, summarize some of the points they make, or simply use them to further the knowledge you need to write your paper. Since these ideas are not your own, it’s vital to give credit to the authors who originally wrote them. This list of sources, organized alphabetically, is called a bibliography.

A bibliography should include all the materials you consulted in your research, even if you don’t quote directly from them in your paper. These resources could include (but aren’t limited to):

• Books and e-books
• Periodicals like magazines or newspapers
• Online articles or websites
• Primary source documents like letters or official records

Bibliography vs. References

These two terms are sometimes used interchangeably, but they actually have different meanings. As noted above, a bibliography includes all the materials you used while researching your paper, whether or not you quote from them or refer to them directly in your writing.

A list of references only includes the materials you cite throughout your work. You might use direct quotes or summarize the information for the reader. Either way, you must ensure you give credit to the original author or document. This section can be titled “List of Works Cited” or simply “References.”

Your teacher may specify whether you should include a bibliography or a reference list. If they don’t, consider choosing a bibliography to show all the works you used in researching your paper. This can help the reader see that your points are well supported and allow them to do further reading on their own if they’re interested.

Bibliography vs. Citations

Citations refer to direct quotations from a text that are woven into your own writing. There are a variety of ways to write citations, including footnotes and endnotes. These are generally shorter than the entries in a reference list or bibliography. Learn more about writing citations here.

What does a bibliography entry include?

Depending on the reference material, bibliography entries include a variety of information intended to help a reader locate the material if they want to refer to it themselves. These entries are listed in alphabetical order and may include:

• Author/s or creator/s
• Publication date
• Volume and issue numbers
• Publisher and publication city
• Website URL

These entries don’t generally need to include specific page numbers or locations within the work (except for print magazine or journal articles). That type of information is usually only needed in a footnote or endnote citation.

What are the different bibliography styles?

In most cases, writers use one of three major style guides: APA (American Psychological Association), MLA (Modern Language Association), or The Chicago Manual of Style . There are many others as well, but these three are the most common choices for K–12 students.

Many teachers will state their preference for one style guide over another. If they don’t, you can choose your own preferred style. However, you should also use that guide for your entire paper, following their recommendations for punctuation, grammar, and more. This will ensure you are consistent throughout.

Below, you’ll learn how to write a simple bibliography using each of the three major style guides. We’ve included details for books and e-books, periodicals, and electronic sources like websites and videos. If the reference material type you need to include isn’t shown here, refer directly to the style guide you’re using.

APA Style Bibliography and Examples

Technically, APA style calls for a list of references instead of a bibliography. If your teacher requires you to use the APA style guide , you can limit your reference list to only items you cite throughout your work.

How To Write a Bibliography (References) Using APA Style

Here are some general notes on writing an APA reference list:

• Title your bibliography section “References” and center the title on the top line of the page.
• Do not center your references; they should be left-aligned. For longer items, subsequent lines should use a hanging indent of 1/2 inch.
• Include all types of resources in the same list.
• Alphabetize your list by author or creator, last name first.
• Do not spell out the author/creator’s first or middle name—only use their initials.
• If there are multiple authors/creators, use an ampersand (&) before the final author/creator.
• Place the date in parentheses.
• Capitalize only the first word of the title and subtitle, unless the word would otherwise be capitalized (proper names, etc.).
• Italicize the titles of books, periodicals, and videos.
• For websites, include the full site information, including the http:// or https:// at the beginning.

Books and E-Books APA Bibliography Examples

For books, APA reference list entries use this format (only include the publisher’s website for e-books):

Last Name, First Initial. Middle Initial. (Publication date). Title with only first word capitalized (unless there’s a proper name/noun) . Publisher. Publisher’s website

• Wynn, S. (2020). City of London at war 1939–45 . Pen & Sword Military. https://www.pen-and-sword.co.uk/City-of-London-at-War-193945-Paperback/p/17299

Periodical APA Bibliography Examples

For journal or magazine articles, use the following format. If you viewed the article online, include the URL at the end of the citation.

Last Name, First Initial. Middle Initial. (Publication date). Title of article. Magazine or Journal Title (Volume number) Issue number, page numbers. URL

• Bell, A. (2009). Landscapes of fear: Wartime London, 1939–1945. Journal of British Studies (48) 1, 153–175. https://www.jstor.org/stable/25482966

Here’s the format for newspapers. For print editions, include the page number/s. For online articles, include the full URL:

Last Name, First Initial. Middle Initial. (Year, Month Date) Title of article. Newspaper title. Page number/s. URL

• Blakemore, E. (2022, November 12) Researchers track down two copies of fossil destroyed by the Nazis.  The Washington Post. https://www.washingtonpost.com/science/2022/11/12/ichthyosaur-fossil-images-discovered/

Electronic APA Bibliography Examples

For articles with a specific author on a website, use this format:

Last Name, First Initial. Middle Initial. (Year, Month Date). Title . Site name. URL

• Wukovits, J. (2023, January 30). A World War II survivor recalls the London Blitz . British Heritage . https://britishheritage.com/history/world-war-ii-survivor-london-blitz

When an online article doesn’t include a specific author or date, list it like this:

Title . (Year, Month Date). Site name. Retrieved Month Date, Year, from URL

• Growing up in the Second World War . (n.d.). Imperial War Museums. Retrieved May 12, 2023, from https://www.iwm.org.uk/history/growing-up-in-the-second-world-war

When you need to list a YouTube video, use the name of the account that uploaded the video, and format it like this:

Name of Account. (Upload year, month day). Title [Video]. YouTube. URL

• War Stories. (2023, January 15). How did London survive the Blitz during WW2? Cities at war: London [Video]. YouTube. https://youtu.be/uwY6JlCvbxc

For more information on writing APA bibliographies, see the APA Style Guide website.

APA Bibliography (Reference List) Example Pages

MLA Style Bibliography Examples

MLA style calls for a Works Cited section, which includes all materials quoted or referred to in your paper. You may also include a Works Consulted section, including other reference sources you reviewed but didn’t directly cite. Together, these constitute a bibliography. If your teacher requests an MLA Style Guide bibliography, ask if you should include Works Consulted as well as Works Cited.

How To Write a Bibliography (Works Cited and Works Consulted) in MLA Style

For both MLA Works Cited and Works Consulted sections, use these general guidelines:

• Start your Works Cited list on a new page. If you include a Works Consulted list, start that on its own new page after the Works Cited section.
• Center the title (Works Cited or Works Consulted) in the middle of the line at the top of the page.
• Align the start of each source to the left margin, and use a hanging indent (1/2 inch) for the following lines of each source.
• Alphabetize your sources using the first word of the citation, usually the author’s last name.
• Include the author’s full name as listed, last name first.
• Capitalize titles using the standard MLA format.
• Leave off the http:// or https:// at the beginning of a URL.

Books and E-Books MLA Bibliography Examples

For books, MLA reference list entries use the following format. Add the URL at the end for e-books.

Last Name, First Name Middle Name. Title . Publisher, Date. URL

• Wynn, Stephen. City of London at War 1939–45 . Pen & Sword Military, 2020. www.pen-and-sword.co.uk/City-of-London-at-War-193945-Paperback/p/17299

Periodical MLA Bibliography Examples

Here’s the MLA-style format for magazines, journals, and newspapers. For online articles, add the URL at the end of the listing:

For magazines and journals:

Last Name, First Name. “Title: Subtitle.” Name of Journal , volume number, issue number, Date of Publication, First Page Number–Last Page Number.

• Bell, Amy. “Landscapes of Fear: Wartime London, 1939–1945.” Journal of British Studies , vol. 48, no. 1, January 2009, pp. 153–175. www.jstor.org/stable/25482966

When citing newspapers, include the page number/s for print editions or the URL for online articles:

Last Name, First Name. “Title of article.” Newspaper title. Page number/s. Year, month day. Page number or URL

• Blakemore, Erin. “Researchers Track Down Two Copies of Fossil Destroyed by the Nazis.” The Washington Post. 2022, Nov. 12. www.washingtonpost.com/science/2022/11/12/ichthyosaur-fossil-images-discovered/

Electronic MLA Bibliography Examples

Last Name, First Name. Year. “Title.” Month Day, Year published. URL

• Wukovits, John. 2023. “A World War II Survivor Recalls the London Blitz.” January 30,   2023. https://britishheritage.com/history/world-war-ii-survivor-london-blitz

Website. n.d. “Title.” Accessed Day Month Year. URL.

• Imperial War Museum. n.d. “Growing Up in the Second World War.” Accessed May 9, 2023. www.iwm.org.uk/history/growing-up-in-the-second-world-war.

Here’s how to list YouTube and other online videos:

Creator, if available. “Title of Video.” Website. Uploaded by Username, Day Month Year. URL.

• “How did London survive the Blitz during WW2?” Cities at war: London | War stories.” YouTube . Uploaded by War Stories, 15 Jan. 2023. youtu.be/uwY6JlCvbxc.

For more information on writing MLA-style bibliographies, see the MLA Style website.

MLA Bibliography (Works Cited) Example Pages

Chicago Manual of Style Bibliography Examples

The Chicago Manual of Style (sometimes called “Turabian”) actually has two options for citing reference material: Notes and Bibliography and Author-Date. Regardless of which you use, you’ll need a complete detailed list of reference items at the end of your paper. The examples below demonstrate how to write that list.

How To Write a Bibliography Using The Chicago Manual of Style

Here are some general notes on writing a Chicago -style bibliography:

• You may title it “Bibliography” or “References.” Center this title at the top of the page and add two blank lines before the first entry.
• Left-align each entry, with a hanging half-inch indent for subsequent lines of each entry.
• Single-space each entry, with a blank line between entries.
• Include the “http://” or “https://” at the beginning of URLs.

Books and E-Books Chicago Manual of Style Bibliography Examples

For books, Chicago -style reference list entries use the following format. (For print books, leave off the information about how the book was accessed.)

Last Name, First Name Middle Name. Title . City of Publication: Publisher, Date. How e-book was accessed.

• Wynn, Stephen. City of London at War 1939–45 . Yorkshire: Pen & Sword Military, 2020. Kindle edition.

Periodical Chicago Manual of Style Bibliography Examples

Here’s the style format for magazines, journals, and newspapers. For online articles, add the URL at the end of the listing.

For journal and magazine articles, use this format:

Last Name, First Name. Year of Publication. “Title: Subtitle.” Name of Journal , Volume Number, issue number, First Page Number–Last Page Number. URL.

• Bell, Amy. 2009. “Landscapes of Fear: Wartime London, 1939–1945.” Journal of British Studies, 48 no. 1, 153–175. https://www.jstor.org/stable/25482966.

When citing newspapers, include the URL for online articles:

Last Name, First Name. Year of Publication. “Title: Subtitle.” Name of Newspaper , Month day, year. URL.

• Blakemore, Erin. 2022. “Researchers Track Down Two Copies of Fossil Destroyed by the Nazis.” The Washington Post , November 12, 2022. https://www.washingtonpost.com/science/2022/11/12/ichthyosaur-fossil-images-discovered/.

Electronic Chicago Manual of Style Bibliography Examples

Last Name, First Name Middle Name. “Title.” Site Name . Year, Month Day. URL.

• Wukovits, John. “A World War II Survivor Recalls the London Blitz.” British Heritage. 2023, Jan. 30. britishheritage.com/history/world-war-ii-survivor-london-blitz.

“Title.” Site Name . URL. Accessed Month Day, Year.

• “Growing Up in the Second World War.” Imperial War Museums . www.iwm.org.uk/history/growing-up-in-the-second-world-war. Accessed May 9, 2023.

Creator or Username. “Title of Video.” Website video, length. Month Day, Year. URL.

• War Stories. “How Did London Survive the Blitz During WW2? | Cities at War: London | War Stories.” YouTube video, 51:25. January 15, 2023. https://youtu.be/uwY6JlCvbxc.

For more information on writing Chicago -style bibliographies, see the Chicago Manual of Style website.

Chicago Manual of Style Bibliography Example Pages

Get Your Free Printable Bibliography Style Guide

Just fill out the form on this page to grab our printable Bibliography Guide for Students with examples from all three major style guides: APA (American Psychological Association), MLA (Modern Language Association), or The Chicago Manual of Style .

Now that you know how to write a bibliography, take a look at the Best Websites for Teaching & Learning Writing .

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Blog • Perfecting your Craft

Last updated on Feb 07, 2023

How to Write a Book (with Tactics from Bestsellers)

What’s the secret formula to tapping into your creativity and writing a book? Some authors would tell you there is no single path to authorship , as every writer’s journey is unique. However, almost every bestselling author will have highly effective writing patterns and habits that help them reach their writing goals . In this post, we'll share some of their most commonly used tactics for starting and finishing a book.

How to write a book:

1. Start with a book idea you love

2. research by reading genre-prominent books, 3. outline the story, 4. write the opening sentence , 5. write the first draft, 6. set a schedule with achievable goals, 7. find a good writing space, 8. pick a "distraction-free" writing software, 9. finish your draft, 10. edit the manuscript, 11. publish your book for readers to buy.

There's a long, exciting road ahead. So let's get started.

The one thing you absolutely  need  to write a book is, of course, an idea. If you don't have that, you'll never get past the first page of your draft.

You may already know what you want to write about, or you may be at a total loss. Either way, you can settle on a “big book idea” by asking yourself a few simple questions:

• What do I  want  to write about?
• What do I feel is  important  to write about?
• Who will want to read about this story/subject?
• Will I be able to carry out this idea effectively?

Your answers to these questions will help you narrow it down to your best options. For example, if you have several different ideas for a book, but only one that you're truly passionate about and feel you can pull off, then voilà — there's your premise!

On the other hand, if you  lack  ideas, these questions should steer you in a firmer direction. Think about the kinds of books you love to read, as well as books that have made a significant impact on you. In all likelihood, you'll want to write a book in a similar vein.

Tools to help you find an idea

If you're grasping at straws, consider using creative writing prompts or a  plot generator  to get the ball rolling! You might stumble upon an interesting concept or story element that sparks a “big idea” for your book. (And if you're still uninspired even after trying these tools, you may want to reconsider whether you really want to write a book after all.)

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Once you've found your big idea, the next step is to research your genre. Again, if you're writing the book you like to read , you already have a leg up! Reading books in your genre is by far the best way to learn how to write in that genre yourself.

But if not, you'll want to select a couple of representative titles and analyze them.  How long are they  and  how many chapters do they have ? What does the  story structure  look like? What are the major  themes ? Perhaps most importantly, do you think you can produce a book with similar elements?

Find out what people are reading

You should also conduct market research on Amazon to determine the most  popular  books in your genre. If you want your book to succeed, you'll have to contend with these bestsellers. Go to the  Amazon Best Sellers page  and find your genre in the lefthand sidebar:

Then read those books' blurbs to figure out what really sells. What do they all have in common, and why might readers find them appealing? Does your book hold up to these standards?

Finally, think about how your book can offer something NEW. For example, if you're writing a psychological thriller, will there be a particularly sneaky  unreliable narrator , or maybe a  series of twists  that the reader never sees coming? If you're  writing a nonfiction book , do you have a unique take on the subject, or a particularly deep well of knowledge? And so on.

Going above and beyond is the only way to give your book a chance in today's hyper-competitive market. So don't skimp on the genre research, because this will tell you where the bar is and how you can surpass it.

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If you want to write a great story , you need to outline it first. This is especially important if it's your first book, since you need a solid blueprint to rely on when you get stuck! (Because believe us, you will  get stuck.)

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So how do you go about creating that outline for your book? We actually have a  whole other post on the subject , but here are the essentials:

• Pick a format that works for you.  There are so many different types of outlines: the free-flowing mind map, the rigorous chapter-and-scene outline, the character-based outline, and so on. If one approach doesn't work for you, try another! Any kind of plan is better than none.
• Have a beginning, middle, and end.  Way too many authors go into writing a book with a strong notion of how their story should start... yet their middle is murky and their ending, nonexistent. Take this time to flesh them out and connect them to one another.  Remember:  the best books have endings that feel “earned,” so you should try to be building toward it from the start!
• Consider your conflict points.   Conflict is at the heart of any good book  — it draws in the reader, conjures tension and emotion, and ultimately reflects the themes and/or message you want to convey. You don't have to know  exactly  where your conflict will manifest, but you should have a pretty good grasp of how it works throughout your book.
• Get to know your characters.  If you haven't done much  character development  yet, your outline is the perfect opportunity to do so. How will your characters interact in the story, and how will these interactions demonstrate who they are and what matters to them?

If you'd like to outline your story directly in a writing app, we recommend using the pre-made templates in the free Reedsy Book Editor. Simply create your account with one click below and start creating the building blocks of your story — right away.  

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Let's get into the actual writing and make a dent in your first draft . One of the most important parts of writing a book is  starting the story ! It's no exaggeration to say your first few pages can make or break your book — if these pages aren't good enough, many readers will lose interest, possibly never returning to your book again.

First off, you need an opening hook that grabs the reader's attention and makes it impossible for them to look away. Take a look at the first lines of these hit bestsellers:

“Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.” — Harry Potter and the Sorcerer's Stone

“Renowned curator Jacques Saunière staggered through the vaulted archway of the museum's Grand Gallery.” — The Da Vinci Code

“If all the Saturdays of 1982 can be thought of as one day, I met Tracey at 10 a.m. on that Saturday, walking through the sandy gravel of a churchyard, each holding our mother's hand.” — Swing Time

All of these books fall into different genres, yet all their opening lines do the same thing: capture the reader's attention. You can imitate them by making a similarly strong, slightly furtive statement in  your  opener!

From there, your job is to maintain the reader's interest by heightening the stakes and  inciting the plot . You should also make the reader care about the main characters by giving them distinct personalities and  motivations . (Note that “main” is a key descriptor here; never introduce more than a couple of characters at a time!)

Of course, there are infinite ways to write your first chapter. You might have to experiment with lots of different opening lines, even opening scenes, to find the right balance — but it's worth the effort to set the stage perfectly.

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Many writers believe that the key to writing an amazing book is style: impressive vocabulary, elaborate sentences,  figurative language  that would make Shakespeare swoon.

We're here to dissuade you of that notion. While style is great (as long as your prose doesn't  start to become purple ),  substance  is far more important when writing a book — hence why you should focus primarily on your plot, characters, conflict(s), and themes.

Make sure your book is all killer, no filler

Of course, that's easier said than done, especially once you've already started writing . When you get to a patchily outlined section, it's tempting to  keep  writing and fill out the page with literary gymnastics. But that's exactly what this content is: filler. And if you have too much of it, readers will become frustrated and start to think you're pretentious.

This is another reason why outlining is so important. You need to KNOW your story in order to stay on track with it! But besides outlining, here are a few more tips for making substance a priority:

• Every sentence must do one of two things — reveal character or advance the action.  This advice comes straight from Kurt Vonnegut, and it's 100% true: if a sentence doesn't accomplish one or both of those things, try removing it. If the passage still makes sense, leave it out.
• Be conscious of your pacing.  Slow pacing is a symptom of excess description. If the events of your book seem to move like molasses, you're probably using too much style and not enough substance.
• Use a writing tool to reduce flowery language.  Speaking of great American novelists,  Hemingway  is a fantastic tool to help you write like the man himself! Simply paste your writing into the app and Hemingway will suggest ways to make your prose more concise and effective.

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Keep readers in mind while writing

Do you want to be the author of a novel that people will really  enjoy (and buy)? Well, this is pretty much the cardinal rule: you should always be thinking about your audience and trying to write “reader-first.”

For example, sometimes you'll have to write scenes that aren't very exciting, but that  serve the overall story arc . Don't rush through these scenes just to get them over with! Even if they don't seem interesting to  you,  they contribute to the reader's experience by building tension and preserving the pacing — and the reader deserves to relish those things.

Create 'fake' people who will want to read your book

When considering your readership, you should also  keep a proto-persona in mind  for marketing purposes. These are constructed personalities that marketers use to better understand their target customers. The more your book can cater to this hypothetical reader, the easier it will be to sell!

Maybe you're writing a true-crime account for zealous  true crime readers . Such readers will have pored over countless criminal cases before, so you need to include unique details to make  your  case stand out, and craft an extra-compelling narrative to engage them.

Let's move on to practical ways that you can improve your writing habits. Word count goals play a huge part in creating an effective writing process, especially if you're trying to finish your book  in a certain amount of time .

You should create word count goals for both your individual sessions and per week — or per month, if that's how you prefer to think about your writing output. For relatively novice writers, we'd recommend the following word count goals:

• 500-750 words per day
• 1,500-2,500 words per week
• 6,000-10,000 words per month

These goals are based on a pattern of 3-4 sessions per week, which is reasonable for a beginner, but still enough to make commendable progress. Even if you only follow our  minimum  recommendations — 500 words per session at 3 sessions per week — you can still easily finish your book in less than a year!

Speeding up the writing process

If you're looking for how to write a book  as fast as possible , your word count goals should look a little more like this:

• 1,500-2,000 words per session
• 9,000-15,000 words per week
• 35,000-50,000 words per month

The figures above adhere roughly to  NaNoWriMo , the event in which participants write an average of 1,667 words/day to complete a 50,000-word book in  one month . It's hard work, but it's definitely possible to write a book that quickly; hundreds of thousands of people do so every year!

But as any author who's done NaNo can attest, it's also a pretty grueling experience. Most authors find it exhausting to write such great quantities for so many days in a row — and they still have to  edit copiously  once they're done.

If this is your first book, make sure you take your time, set manageable word goals, and gradually build to bigger goals.

Use writing sessions to establish a schedule

Having a healthy writing routine is the only way you'll actually hit those word count goals — not to mention it fosters a better relationship with writing overall! To establish a healthy routine, ask yourself these baseline questions first:

• When do I have the most free time in the day/week?
• What time of the day do I tend to be most productive?
• How can I space out my writing sessions effectively?
• Will I realistically be able to balance my writing goals with other responsibilities?

The best way to set up your routine is to take advantage of your pre-existing schedule and natural patterns. So for example, if you already go to the gym on Tuesdays and Thursdays, perhaps the best time to write would be on Mondays, Wednesdays, and Fridays. Or if you find yourself most creative late at night ( many of us do! ), you can plan late-night sessions over the weekend/before your day off, so you can sleep in the next day.

Ultimately, you just want a well-balanced writing routine that facilitates productivity, yet keeps you from burning out. If you find that writing for several days in a row is too much for you, space out your sessions more or try to shake things up by moving to a new writing space. If you can't keep up with your goals, it's okay to reduce them a little.

Yes, writing a lot is important, but it's not more important than your mental health! Remember that writing a book is a marathon, not a sprint, and that a consistent, healthy approach is absolutely vital. Here are some tips for making the most of your writing routine.

Don't skip more than one session in a row

Life happens, and sometimes you won't be able to make a planned writing session. However, unless it's a serious emergency, you should try to get back in the saddle for your next session. Otherwise, you'll lose too much progress and feel discouraged, which typically leads to skipping even  more  writing sessions, and eventually giving up.

Track your progress

With our free writing app, the Reedsy Book Editor , you'll see the numbers update automatically depending on your activity: you'll see how many words you added  and deleted on any given day. Depending on the overall goal you set for your manuscript, you'll also see your daily targets adjust depending on how much you've written so far.

Use a site blocker to stay focused

Distraction is the enemy of routine, and the biggest distraction in our modern world is the Internet. To that end, download a site-and-app blocker to use during your writing sessions so you won't be enticed by social media or adorable cat memes. We'd recommend  Freedom , as you can schedule block sessions in advance and even keep track of your productivity   within  the app.

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Another major component of how to write a book is  where  you write, hence why it gets a separate section. If you want to complete an entire book, you absolutely must find a calm, focused space for your writing.

This may be in your house, a coffee shop, a library, a co-working space — wherever you can work productively and without interruptions. It should also be a place that you can access easily and go often. Working from home is the most convenient option in this sense, but it may be difficult if you have family around, or if you don't have a designated “room of one's own” (i.e. an actual office, or at least a desk).

What does a good writing space look like?

Try out different locations to see what works for you. Indeed, you may find that you like to rotate writing spaces because it keeps you energetic and your writing fresh! But wherever you go, do your best to make the space:

• Quiet  (noise-canceling headphones can be very helpful)
• Clean  (no clutter, especially if you do chores to procrastinate)
• Non-distracting  (nothing too fun around to tempt you away from writing; turn off your phone so other people won't bother you)
• Your own  (cultivate a nice atmosphere in your home office with posters and plants, or simply take the same seat at your local café every time — truly carve out a “dedicated writing space”)

We've already talked about a few different pieces of software to help you with writing a book. But if you haven't found the right app or program yet, never fear — there's plenty more where those came from!

Book writing software is a topic we've actually  written an entire post about , but it's worth touching on a few of our favorite writing tools here:

Scrivener 🖋️

Scrivener is  the  downloadable writing software of choice for many writers, and for good reason: it has an exceptional interface and tons of useful features. You can outline chapters with its drag-and-drop system, create labels for elements you want to track, and use various templates to plan AND format your book. If you want to feel like a true professional, you can't go wrong with Scrivener — and it's even free to try for 30 days.

Or if you're not much for outlines because your thoughts are all over the place, Milanote can help. The super-flexible interface allows you to “mind map” just as you would longhand, and rearrange different sections as you please. When writing, you can see all your notes at once, so you don't have to stress about forgetting things. It's a very refreshing, intuitive way approach that's worth a try for all disorganized authors.

FocusWriter ✍️

Speaking of intuitive, what's more intuitive than simply writing on a piece of paper, no distractions — just like the old days? Meet FocusWriter, which allows you to do exactly that. The full-screen default interface is a sheet of paper on a wooden desk: no bells, no whistles, no distractions whatsoever. Seriously, this one will get you in the zone.

The Reedsy Book Editor 📖

We couldn't leave out one of the coolest word processing, editing, and formatting tools on the market! All jokes aside, the RBE lets you cleanly format your book  as you go,  so you can watch it take shape in real-time. You can also add sections for front matter and back matter and invite collaborators to edit your text. Plus you can toggle on goal reminders to make sure that you're on track with your writing schedule. Once you finish writing, you can export the files of your book. But don't take our word for it: you can try the RBE for free right here .

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Getting into the groove of writing a book can be difficult. When there are a million different things to distract and discourage you, how can you keep going with your writing routine and finish your book?

Based on ours and other writers' experience, here are a few motivational strategies for you to try:

• Make a list of reasons  why  you want to write a book.  Having a tangible reminder of your true purpose is one of the best ways to motivate yourself, so think hard: Do you want to send an important message? Reach a certain group of people? Or do you simply yearn to tell this particular story? Write down all your reasons and keep them as an ace in the hole for when your motivation dwindles.
• Find someone else to write with you.  Getting a writing buddy is another great way to stay motivated! For one thing, you get some camaraderie during this process; for another, it means you can't slack off too much. So ask your writer friends if they'd like to meet up regularly, or join an  online writing community . With the latter, just make sure you exchange progress updates and proof that you're actually writing!
• Reward yourself at important milestones.  Sometimes the best motivation is the prospect of treating yourself. If you respond well to this kind of motivation, set a goal, a deadline, and a reward for meeting it: “If I can write 10,000 more words by the end of the month, I'll go out for an amazing, fancy dinner with all my friends.” This kind of goal is also helpful because you can  tell  your friends about it, and that very act will hold you accountable.

For even more advice on how to staying motivated through the writing process, check out this Reedsy Live from author and writing coach Kevin Johns!

Don't give up

Remember how we said you'd inevitably get stuck? Well, that's what this step is all about: what to do when you hit a wall. Whether it's a tricky plot hole, an onslaught of insecurity, or a simple lack of desire to write, all writers experience setbacks from time to time.

There are countless ways to  overcome writer's block , from freewriting to working on your characters to taking a shower (yes, that's a legitimate tip!). However, here are some of the most effective techniques we've found:

• Revisit your outline.  This will jog your memory as to planned story elements you've forgotten — which may help you find the missing piece.
• Try writing exercises.  It's possible you just need to get the words flowing, and then you can jump get right back into your book. Luckily for you, we have a whole host of great writing exercises  right here!
• Share your experience with friends.  This is another great role for your writing buddy to fill, but you can easily talk about writer's block with your non-writing friends, too. If you're struggling, it always helps to vent and bounce ideas off other people.
• Take a  short  break to do something else.  Yes, sometimes you need to step away from the keyboard and clear your head. But don't take more than a day or so, or else you'll lose momentum and motivation.

Most of all, remember to take setbacks in stride and not let them get you down. As platitudinous as that might sound, it's true: the only thing that can stop you from writing a book is if you, well,  stop writing . So keep calm and carry on — every day brings new opportunities and you'll get through this.

Your aim at this point is not to emerge with an instant masterpiece. The quality almost always emerges in the edit.

You can write all day, all night, to your heart's content... but if no one else likes what you've written, you might end up heart broken  instead. That's why it's crucial to request feedback on your book, starting early and from as many sources as possible.

Begin by asking your friends and fellow writers to read just a few chapters at a time. However, apply their suggestions not only to those chapters, but wherever relevant. For example, if one of your friends says, “[Character A] is acting weird in this scene,” pay extra attention to that character to ensure you haven't misrepresented them anywhere else.

Once your book is finished, you're ready for some more intensive feedback. Consider  getting a beta reader  to review your entire book and provide their thoughts. You may want to hire an editor to give you professional feedback as well. (Find out about the different types of editing, and which type your book might need,  in this post .)

Finally, it might sound obvious, but we'll say it anyway for all you stubborn writers out there: feedback is useless if you don't actually listen to it. Separate yourself from your ego and don't take anything personally, because no one wants to offend you — they're just trying to help.

You’ve persevered to the end at last: brainstormed, outlined, and written a draft that you've edited extensively (based on feedback, of course). Your book has taken its final form, and you couldn’t be prouder. So what comes next?

Well, if you’ve taken our advice about catering to your target readers, you may as well give publishing a shot! We have a  full guide to publishing right here  — and if you’re thinking about traditional publishing,  read this article  to decide which is right for you.

Get help from publishing professionals

Publishing is another rigorous process, of course. But if you’ve come this far to find out how to write a book, you can pretty much do anything! Invest in  stellar cover design , study up on  marketing , or start writing an  irresistible query letter  that will get you an offer.

Whichever route you take, one thing will remain true: you’ve written a book, and that’s an incredible achievement. Welcome to the 0.1% — and may the next book you write be even greater than the first. 📖

13/12/2019 – 15:33

thank you for helping me find a new way to write my book

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New ‘Hunger Games’ Novel by Suzanne Collins Set for 2025

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Suzanne Collins has announced that a new “Hunger Games” novel, titled “Sunrise on the Reaping,” will be released next year.

According to the Associated Press , the fifth novel in Collins’ bestselling series — which has been turned into a successful movie franchise — is also a prequel to the original trilogy, taking place 40 years after the events of the most recent tale, “The Ballad of Songbirds and Snakes,” the film adaptation of which released last year. “Sunrise on the Reaping” is set to release on March 18, 2025.

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The film rights for the novel have not yet been announced, but one can assume that “Sunrise on the Reaping” will follow the path of its predecessors and make its way onto the big screen.

“The Ballad of Songbirds and Snakes,” which premiered in November and starred Rachel Zegler and Tom Blyth, earned an impressive $337.4 million at the global box office. The original trilogy was adapted into four films starring Jennifer Lawrence, which were highly successful and catapulted her to worldwide fame. Altogether, the “Hunger Games” film series is the 20th highest-grossing franchise of all time, making $3.3 billion for Lionsgate.

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These Two Supreme Court Justices Made More From Their Books Than Their Salaries In 2023

The disclosures of outside income come as the Supreme Court faces increased scrutiny over potential conflicts of interest and ethical violations.

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Justice Brett Kavanaugh and Justice Ketanji Brown Jackson reported the most in book income for 2023.

W riting books, it seems, can be more lucrative than writing law. The two least-wealthy Supreme Court justices—Ketanji Brown Jackson and Brett Kavanaugh—reported book income greater than their $298,500 judicial salaries in 2023, according to personal financial disclosures released Friday.

Jackson saw the most outside income of any justice in 2023, reporting a payment of $893,750 from Penguin Random House for a book advance. The sum is the first part of a deal reportedly worth $3 million in total; her memoir, “Lovely One,” is slated for release in September. Additionally, Jackson disclosed a $3,712 gift of four concert tickets from Beyoncé, the centimillionaire pop star who also gifted tickets to vice president Kamala Harris last year.

Kavanaugh, too, reported a hefty check: $340,000 from Regnery Publishing, which specializes in conservative books. It’s unknown how large the full deal, first reported Thursday by Axios , actually is, but it apparently has been moved to Hachette’s Center Street imprint following Regenery’s acquisition. The still-untitled work is expected in 2025 or 2026.

The pair have the most to gain from book deals— Forbes last estimated the net worths of Jackson and Kavanaugh at $2 million each, the lowest of all the justices.

But they aren’t alone in earning book writing income. Neil Gorsuch, who is worth an estimated $8 million , reported $250,000 from HarperCollins. “Over Ruled,” which Gorsuch coauthored with his former clerk (and which also earned him a payment of $250,000 in 2021), is set to come out in August. And Sonia Sotomayor, who has written several books since joining the Court—and generated criticism for reportedly using Court staff to push sales—said she earned about $87,000 from Penguin for royalties in 2023. The first Latina justice, Sotomayor is worth $5 million , per Forbes’ last estimate.

Amy Coney Barrett, Gorsuch and Kavanaugh all reported income from teaching in 2023 as well. Gorsuch taught at George Mason’s law school, while the other two went to Notre Dame’s, where Barrett, worth an estimated $4 million , worked for years before being appointed to the judiciary by former president Donald Trump in 2017.

All the outside income comes as the Court faces mounting pressure over potential conflicts of interest and ethical violations. On his disclosure released Friday, Clarence Thomas (worth an estimated $4 million ) amended his previous disclosures to include trips paid for by Harlan Crow, a wealthy benefactor. Samuel Alito (worth an estimated $10 million , the second most on the Court), who has also received scrutiny for plush trips and for flags connected to the January 6th attack on the Capitol, did not release a disclosure Friday morning. A Court spokesperson did not immediately reply to a request for comment.

No amount of teaching, book deals or gifts will bring any of the associate justices anywhere close to their boss’ level of wealth. Chief Justice John Roberts, who reported no outside income himself in 2023 but whose wife works for an elite legal recruiting firm, is worth an estimated $25 million , nearly 40% of the total wealth of the entire Supreme Court as of Forbes’ last tally in March.

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How to Write a Book From Start to Finish: A Proven Guide

So you want to write a book. Becoming an author can change your life—not to mention give you the ability to impact thousands, even millions, of people.

But writing a book isn’t easy. As a 21-time New York Times bestselling author, I can tell you: It’s far easier to quit than to finish.

You’re going to be tempted to give up writing your book when you run out of ideas, when your own message bores you, when you get distracted, or when you become overwhelmed by the sheer scope of the task.

But what if you knew exactly:

• Where to start…
• What each step entails…
• How to overcome fear, procrastination, a nd writer’s block…
• And how to keep from feeling overwhelmed?

You can write a book—and more quickly than you might think, because these days you have access to more writing tools than ever. 

The key is to follow a proven, straightforward, step-by-step plan .

My goal here is to offer you that book-writing plan.

I’ve used the techniques I outline below to write more than 200 books (including the Left Behind series) over the past 50 years. Yes, I realize writing over four books per year on average is more than you may have thought humanly possible. 

But trust me—with a reliable blueprint, you can get unstuck and finally write your book .

This is my personal approach on how to write a book. I’m confident you’ll find something here that can change the game for you. So, let’s jump in.

• How to Write a Book From Start to Finish

Part 1: Before You Begin Writing Your Book

• Establish your writing space.
• Assemble your writing tools.

Part 2: How to Start Writing a Book

• Break the project into small pieces.
• Settle on your BIG idea.
• Construct your outline.
• Set a firm writing schedule.
• Establish a sacred deadline.
• Embrace procrastination (really!).
• Eliminate distractions.
• Conduct your research.
• Start calling yourself a writer.

Part 3: The Book-Writing Itself

• Think reader-first.
• Find your writing voice.
• Write a compelling opener.
• Fill your story with conflict and tension.
• Turn off your internal editor while writing the first draft.
• Persevere through The Marathon of the Middle.
• Write a resounding ending.

Part 4: Editing Your Book

• Become a ferocious self-editor.
• Find a mentor.
• Part 5: Publishing Your Book
• Decide on your publishing avenue.
• Properly format your manuscript.
• Set up and grow your author platform.
• Pursue a Literary Agent
• Writing Your Query Letter
• Part One: Before You Begin Writing Your Book

You’ll never regret—in fact, you’ll thank yourself later—for investing the time necessary to prepare for such a monumental task.

You wouldn’t set out to cut down a huge grove of trees with just an axe. You’d need a chain saw, perhaps more than one. Something to keep them sharp. Enough fuel to keep them running.

You get the picture. Don’t shortcut this foundational part of the process.

Step 1. Establish your writing space.

To write your book, you don’t need a sanctuary. In fact, I started my career o n my couch facing a typewriter perched on a plank of wood suspended by two kitchen chairs.

What were you saying about your setup again? We do what we have to do.

And those early days on that sagging couch were among the most productive of my career.

Naturally, the nicer and more comfortable and private you can make your writing lair (I call mine my cave), the better.

Real writers can write anywhere .

Some authors write their books in restaurants and coffee shops. My first full time job was at a newspaper where 40 of us clacked away on manual typewriters in one big room—no cubicles, no partitions, conversations hollered over the din, most of my colleagues smoking, teletype machines clattering.

Cut your writing teeth in an environment like that, and anywhere else seems glorious.

Step 2. Assemble your writing tools.

In the newspaper business, there was no time to hand write our stuff and then type it for the layout guys. So I have always written at a keyboard and still write my books that way.

Most authors do, though some hand write their first drafts and then keyboard them onto a computer or pay someone to do that.

No publisher I know would even consider a typewritten manuscript, let alone one submitted in handwriting.

The publishing industry runs on Microsoft Word, so you’ll need to submit Word document files. Whether you prefer a Mac or a PC, both will produce the kinds of files you need.

And if you’re looking for a musclebound electronic organizing system, you can’t do better than Scrivener . It works well on both PCs and Macs, and it nicely interacts with Word files.

Just remember, Scrivener has a steep learning curve, so familiarize yourself with it before you start writing.

Scrivener users know that taking the time to learn the basics is well worth it.

Tons of other book-writing tools exist to help you. I’ve included some of the most well-known in my blog po st on here (for software) and here (for writing tools) fo r your reference.

So, what else do you need?

If you are one who handwrites your first drafts, don’t scrimp on paper, pencils, or erasers.

Don’t shortchange yourself on a computer either. Even if someone else is keyboarding for you, you’ll need a computer for research and for communicating with potential agents, edi tors, publishers.

Get the best computer you can afford, the latest, the one with the most capacity and speed.

Try to imagine everything you’re going to need in addition to your desk or table, so you can equip yourself in advance and don’t have to keep interrupting your work to find things like:

• Paper clips
• Pencil holders
• Pencil sharpeners
• Printing paper
• Paperweight
• Tape dispensers
• Cork or bulletin boards
• Reference works
• Space heaters
• Beverage mugs
• You name it
• Last, but most crucial, get the best, most ergonomic chair you can afford.

If I were to start my career again with that typewriter on a plank, I would not sit on that couch. I’d grab another straight-backed kitchen chair or something similar and be proactive about my posture and maintaining a healthy spine.

There’s nothing worse than trying to be creative and immerse yourself in writing while you’re in agony . The chair I work in today cost more than my first car!

If you’ve never used some of the items I listed above and can’t imagine needing them, fine. But make a list of everything you know you’ll need so when the actual writing begins, you’re already equipped.

As you grow as a writer and actually start making money at it, you can keep upgrading your writing space.

Where I work now is light years from where I started. But the point is, I didn’t wait to start writing until I could have a great spot in which to do it.

• Part Two: How to Start Writing a Book

Step 1. Break your book into small pieces.

Writing a book feels like a colossal project, because it is! Bu t your manuscript w ill be made up of many small parts .

An old adage says that the way to eat an elephant is one bite at a time .

Try to get your mind off your book as a 400-or-so-page monstrosity.

It can’t be written all at once any more than that proverbial elephant could be eaten in a single sitting.

See your book for what it is: a manuscript made up of sentences, paragraphs, pages. Those pages will begin to add up, and though after a week you may have barely accumulated double digits, a few months down the road you’ll be into your second hundred pages.

So keep it simple.

Start by distilling you r big book idea from a page or so to a single sentence— your premise . The more specific that one-sentence premise, the more it will keep you focused while you’re writing.

But let’s not get ahead of ourselves. Before you can turn your big idea into one sentence, which can then b e expanded to an outline, you have to settle on exactly what that big idea is.

Step 2. Settle on your BIG idea.

To be book-worthy, your idea has to be killer.

You need to write something about which you’re passionate , something that gets you up in the morning, draws you to the keyboard, and keeps you there. It should excite not only you, but also anyone you tell about it.

I can’t overstate the importance of this.

If you’ve tried and failed to finish your book before—maybe more than once—it could be that the basic premise was flawed. Maybe it was worth a blog post or an article but couldn’t carry an entire book.

Think The Hunger Games , Harry Potter , or How to Win Friends and Influence People . The market is crowded, the competition fierce. There’s no more room for run-of-the-mill ideas. Your premise alone should make readers salivate.

Go for the big concept book.

How do you know you’ve got a winner? Does it have legs? In other words, does it stay in your mind, growing and developing every time you think of it?

Run it past loved ones and others you trust.

Does it raise eyebrows? Elicit Wows? Or does it result in awkward silences?

The right concept simply works, and you’ll know it when you land on it. Most importantly, your idea must capture you in such a way that you’re compelled to write it . Otherwise you will lose interest halfway through and never finish.

Step 3. Construct your outline.

Writing your book without a clear vision of where you’re going usually ends in disaster.

Even if you ’re writing a fiction book an d consider yourself a Pantser* as opposed to an Outliner , you need at least a basic structure.

[*Those of us who write by the seat of our pants and, as Stephen King advises, pu t interesting characters i n difficult situations and write to find out what happens]

You don’t have to call it an outline if that offends your sensibilities. But fashion some sort of a directional document that provides structure for your book and also serves as a safety net.

If you get out on that Pantser highwire and lose your balance, you’ll thank me for advising you to have this in place.

Now if you’re writing a nonfiction book, there’s no substitute for an outline .

Potential agents or publishers require this in your proposal. T hey want to know where you’re going, and they want to know that you know. What do you want your reader to learn from your book, and how will you ensure they learn it?

Fiction or nonfiction, if you commonly lose interest in your book somewhere in what I call the Marathon of the Middle, you likely didn’t start with enough exciting ideas .

That’s why and outline (or a basic framework) is essential. Don’t even start writing until you’re confident your structure will hold up through the end.

You may recognize this novel structure illustration.

Did you know it holds up—with only slight adaptations—for nonfiction books too ? It’s self-explanatory for novelists; they list their plot twists and developments and arrange them in an order that best serves to increase tension .

What separates great nonfiction from mediocre? The same structure!

Arrange your points and evidence in the same way so you’re setting your reader up for a huge payoff, and then make sure you deliver.

If your nonfiction book is a memoir ( more scene based ), an autobiography ( more fact-based ), or a biography, structure it like a novel and you can’t go wrong.

But even if it’s a straightforward how-to book, stay as close to this structure as possible, and you’ll see your manuscript come alive.

Make promises early, triggering your reader to anticipate fresh ideas, secrets, inside information, something major that will make him thrilled with the finished product.

While a nonfiction book may not have as much action or dialogue or character development as a novel, you can inject tension by showing where people have failed before and how your reader can succeed.

You can even make the how-to project look impossible until you pay off that setup with your unique solution.

Keep your outline to a single page for now. But make sure every major point is represented, so you’ll always know where you’re going.

And don’t worry if you’ve forgotten the basics of classic outlining or have never felt comfortable with the concept.

Your outline must serve you. If that means Roman numerals and capital and lowercase letters and then Arabic numerals, you can certainly fashion it that way. But if you just want a list of sentences that synopsize your idea, that’s fine too.

Simply start with your working title, then your premise, then—for fiction, list all the major scenes that fit into the rough structure above.

For nonfiction, try to come up with chapter titles and a sentence or two of what each chapter will cover.

Once you have your one-page outline, remember it is a fluid document meant to serve you and your book. Expand it, change it, play with it as you see fit—even during the writing process .

Step 4. Set a firm writing schedule.

Ideally, you want to schedule at least six hours per week to write your book.

That may consist of three sessions of two hours each, two sessions of three hours, or six one-hour sessions—whatever works for you.

I recommend a regular pattern (same times, same days) that can most easily become a habit. But if that’s impossible, just make sure you carve out at least six hours so you can see real progress.

Having trouble finding the time to write a book? News flash—you won’t find the time. You have to make it.

I used the phrase carve out above for a reason. That’s what it takes.

Something in your calendar will likely have to be sacrificed in the interest of writing time . 

Make sure it’s not your family—they should always be your top priority. Never sacrifice your family on the altar of your writing career.

But beyond that, the truth is that we all find time for what we really want to do.

Many writers insist they have no time to write, but they always seem to catch the latest Netflix original series, or go to the next big Hollywood feature. They enjoy concerts, parties, ball games, whatever.

How important is it to you to finally write your book? What will you cut from your calendar each week to ensure you give it the time it deserves?

• A favorite TV show?
• An hour of sleep per night? (Be careful with this one; rest is crucial to a writer.)

Successful writers make time to write.

When writing becomes a habit, you’ll be on your way.

Step 5. Establish a sacred deadline.

Without deadlines, I rarely get anything done. I need that motivation.

Admittedly, my deadlines are now established in my contracts from publishers.

If you’re writing your first book, you probably don’t have a contract yet. To ensure you finish your book, set your own deadline—then consider it sacred .

Tell your spouse or loved one or trusted friend. Ask that they hold you accountable.

Now determine—and enter in your calendar—the number of pages you need to produce per writing session to meet your deadline. If it proves unrealistic, change the deadline now.

If you have no idea how many pages or words you typically produce per session, you may have to experiment before you finalize those figures.

Say you want to finish a 400-page manuscript by this time next year.

Divide 400 by 50 weeks (accounting for two off-weeks), and you get eight pages per week. 

Divide that by your typical number of writing sessions per week and you’ll know how many pages you should finish per session.

Now is the time to adjust these numbers, while setting your deadline and determining your pages per session.

Maybe you’d rather schedule four off weeks over the next year. Or you know your book will be unusually long.

Change the numbers to make it realistic and doable, and then lock it in. Remember, your deadline is sacred.

Step 6. Embrace procrastination (really!).

You read that right. Don’t fight it; embrace it.

You wouldn’t guess it from my 200+ published books, but I’m the king of procrastinators .

Don’t be. So many authors are procrastinators that I’ve come to wonder if it’s a prerequisite.

The secret is to accept it and, in fact, schedule it.

I quit fretting and losing sleep over procrastinating when I realized it was inevitable and predictable, and also that it was productive.

Sound like rationalization?

Maybe it was at first. But I learned that while I’m putting off the writing, my subconscious is working on my book. It’s a part of the process. When you do start writing again, you’ll enjoy the surprises your subconscious reveals to you.

So, knowing procrastination is coming, book it on your calendar .

Take it into account when you’re determining your page quotas. If you have to go back in and increase the number of pages you need to produce per session, do that (I still do it all the time).

But—and here’s the key—you must never let things get to where that number of pages per day exceeds your capacity.

It’s one thing to ratchet up your output from two pages per session to three. But if you let it get out of hand, you’ve violated the sacredness of your deadline.

How can I procrastinate and still meet more than 190 deadlines?

Because I keep the deadlines sacred.

Step 7. Eliminate distractions to stay focused.

Are you as easily distracted as I am?

Have you found yourself writing a sentence and then checking your email? Writing another and checking Facebook? Getting caught up in the pictures of 10 Sea Monsters You Wouldn’t Believe Actually Exist?

Then you just have to check out that precious video from a talk show where the dad surprises the family by returning from the war.

That leads to more and more of the same. Once I’m in, my writing is forgotten, and all of a sudden the day has gotten away from me.

The answer to these insidious timewasters?

Look into these apps that allow you to block your email, social media, browsers, game apps, whatever you wish during the hours you want to write. Some carry a modest fee, others are free.

• Freedom app
• FocusWriter

Step 8. Conduct your research.

Yes, research is a vital part of the process , whether you’re writing fiction or nonfiction.

Fiction means more than just making up a story.

Your details and logic and technical and historical details must be right for your novel to be believable.

And for nonfiction, even if you’re writing about a subject in which you’re an expert—as I’m doing here—getting all the facts right will polish your finished product.

In fact, you’d be surprised at how many times I’ve researched a fact or two while writing this blog post alone.

The last thing you want is even a small mistake due to your lack of proper research.

Regardless the detail, trust me, you’ll hear from readers about it.

Your credibility as an author and an expert hinges on creating trust with your reader . That dissolves in a hurry if you commit an error.

My favorite research resources:

• World Almanacs : These alone list almost everything you need for accurate prose: facts, data, government information, and more. For my novels, I often use these to come up with ethnically accurate character names.
• The Merriam-Webster Thesaurus : The online version is great, because it’s lightning fast. You couldn’t turn the pages of a hard copy as quickly as you can get where you want to onscreen. One caution: Never let it be obvious you’ve consulted a thesaurus. You’re not looking for the exotic word that jumps off the page. You’re looking for that common word that’s on the tip of your tongue.
• WorldAtlas.com : Here you’ll find nearly limitless information about any continent, country, region, city, town, or village. Names, monetary units, weather patterns, tourism info, and even facts you wouldn’t have thought to search for. I get ideas when I’m digging here, for both my novels and my nonfiction books.

Step 9. Start calling yourself a writer.

Your inner voice may tell you, “You’re no writer and you never will be. Who do you think you are, trying to write a book?”

That may be why you’ve stalled at writing your book in the past .

But if you’re working at writing, studying writing, practicing writing, that makes you a writer. Don’t wait till you reach some artificial level of accomplishment before calling yourself a writer.

A cop in uniform and on duty is a cop whether he’s actively enforced the law yet or not. A carpenter is a carpenter whether he’s ever built a house.

Self-identify as a writer now and you’ll silence that inner critic —who, of course, is really you. 

Talk back to yourself if you must. It may sound silly, but acknowledging yourself as a writer can give you the confidence to keep going and finish your book.

Are you a writer? Say so.

• Part Three: The Book-Writing Itself

Step 1. Think reader-first.

This is so important that that you should write it on a sticky note and affix it to your monitor so you’re reminded of it every time you write.

Every decision you make about your manuscript must be run through this filter.

Not you-first, not book-first, not editor-, agent-, or publisher-first. Certainly not your inner circle- or critics-first.

Reader-first, last, and always .

If every decision is based on the idea of reader-first, all those others benefit anyway.

When fans tell me they were moved by one of my books, I think back to this adage and am grateful I maintained that posture during the writing.

Does a scene bore you? If you’re thinking reader-first, it gets overhauled or deleted.

Where to go, what to say, what to write next? Decide based on the reader as your priority.

Whatever your gut tells you your reader would prefer, that’s your answer.

Whatever will intrigue him, move him, keep him reading, those are your marching orders.

So, naturally, you need to know your reader. Rough age? General interests? Loves? Hates? Attention span?

When in doubt, look in the mirror . 

The surest way to please your reader is to please yourself. Write what you would want to read and trust there is a broad readership out there that agrees.

Step 2. Find your writing voice.

Discovering your voice is nowhere near as complicated as some make it out to be.

You can find yours by answering these quick questions :

• What’s the coolest thing that ever happened to you?
• Who’s the most important person you told about it?
• What did you sound like when you did?
• That’s your writing voice. It should read the way you sound at your most engaged.

That’s all there is to it.

If you write fiction and the narrator of your book isn’t you, go through the three-question exercise on the narrator’s behalf—and you’ll quickly master the voice.

Here’s a blog I posted that’ll walk you through the process .

Step 3. Write a compelling opener.

If you’re stuck because of the pressure of crafting the perfect opening line for your book, you’re not alone.

And neither is your angst misplaced.

This is not something you should put off and come back to once you’ve started on the rest of the first chapter.

Oh, it can still change if the story dictates that. But settling on a good one will really get you off and running.

It’s unlikely you’ll write a more important sentence than your first one , whether you’re writing fiction or nonfiction. Make sure you’re thrilled with it and then watch how your confidence—and momentum—soars.

Most great first lines fall into one of these categories:

1. Surprising

Fiction : “It was a bright cold day in April, and the clocks were striking thirteen.” —George Orwell, Nineteen Eighty-Four

Nonfiction : “By the time Eustace Conway was seven years old, he could throw a knife accurately enough to nail a chipmunk to a tree.” —Elizabeth Gilbert, The Last American Man

2. Dramatic Statement

Fiction : “They shoot the white girl first.” —Toni Morrison, Paradise

Nonfiction : “I was five years old the first time I ever set foot in prison.” —Jimmy Santiago Baca, A Place to Stand

3. Philosophical

Fiction : “Happy families are all alike; every unhappy family is unhappy in its own way.” —Leo Tolstoy, Anna Karenina

Nonfiction : “It’s not about you.” —Rick Warren, The Purpose Driven Life

Fiction : “When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon. —James Crumley, The Last Good Kiss

Nonfiction : “The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’” —Truman Capote, In Cold Blood

Great opening lines from other classics may give you ideas for yours. Here’s a list of famous openers .

Step 4. Fill your story with conflict and tension.

Your reader craves conflict, and yes, this applies to nonfiction readers as well.

In a novel, if everything is going well and everyone is agreeing, your reader will soon lose interest and find something else to do.

Are two of your characters talking at the dinner table? Have one say something that makes the other storm out.

Some deep-seeded rift in their relationship has surfaced—just a misunderstanding, or an injustice?

Thrust people into conflict with each other . 

That’ll keep your reader’s attention.

Certain nonfiction genres won’t lend themselves to that kind of conflict, of course, but you can still inject tension by setting up your reader for a payoff in later chapters. Check out some of the current bestselling nonfiction works to see how writers accomplish this.

Somehow they keep you turning those pages, even in a simple how-to title.

Tension is the secret sauce that will propel your reader through to the end . 

And sometimes that’s as simple as implying something to come.

Step 5. Turn off your internal editor while writing the first draft.

Many of us perfectionists find it hard to write a first draft—fiction or nonfiction—without feeling compelled to make every sentence exactly the way we want it.

That voice in your head that questions every word, every phrase, every sentence, and makes you worry you’re being redundant or have allowed cliches to creep in—well, that’s just your editor alter ego.

He or she needs to be told to shut up .

This is not easy.

Deep as I am into a long career, I still have to remind myself of this every writing day. I cannot be both creator and editor at the same time. That slows me to a crawl, and my first draft of even one brief chapter could take days.

Our job when writing that first draft is to get down the story or the message or the teaching—depending on your genre.

It helps me to view that rough draft as a slab of meat I will carve tomorrow .

I can’t both produce that hunk and trim it at the same time.

A cliche, a redundancy, a hackneyed phrase comes tumbling out of my keyboard, and I start wondering whether I’ve forgotten to engage the reader’s senses or aimed for his emotions.

That’s when I have to chastise myself and say, “No! Don’t worry about that now! First thing tomorrow you get to tear this thing up and put it back together again to your heart’s content!”

Imagine yourself wearing different hats for different tasks , if that helps—whatever works to keep you rolling on that rough draft. You don’t need to show it to your worst enemy or even your dearest love. This chore is about creating. Don’t let anything slow you down.

Some like to write their entire first draft before attacking the revision. As I say, whatever works.

Doing it that way would make me worry I’ve missed something major early that will cause a complete rewrite when I discover it months later. I alternate creating and revising.

The first thing I do every morning is a heavy edit and rewrite of whatever I wrote the day before. If that’s ten pages, so be it. I put my perfectionist hat on and grab my paring knife and trim that slab of meat until I’m happy with every word.

Then I switch hats, tell Perfectionist Me to take the rest of the day off, and I start producing rough pages again.

So, for me, when I’ve finished the entire first draft, it’s actually a second draft because I have already revised and polished it in chunks every day.

THEN I go back through the entire manuscript one more time, scouring it for anything I missed or omitted, being sure to engage the reader’s senses and heart, and making sure the whole thing holds together.

I do not submit anything I’m not entirely thrilled with .

I know there’s still an editing process it will go through at the publisher, but my goal is to make my manuscript the absolute best I can before they see it.

Compartmentalize your writing vs. your revising and you’ll find that frees you to create much more quickly.

Step 6. Persevere through The Marathon of the Middle.

Most who fail at writing a book tell me they give up somewhere in what I like to call The Marathon of the Middle.

That’s a particularly rough stretch for novelists who have a great concept, a stunning opener, and they can’t wait to get to the dramatic ending. But they bail when they realize they don’t have enough cool stuff to fill the middle.

They start padding, trying to add scenes just for the sake of bulk, but they’re soon bored and know readers will be too.

This actually happens to nonfiction writers too.

The solution there is in the outlining stage , being sure your middle points and chapters are every bit as valuable and magnetic as the first and last.

If you strategize the progression of your points or steps in a process—depending on nonfiction genre—you should be able to eliminate the strain in the middle chapters.

For novelists, know that every book becomes a challenge a few chapters in. The shine wears off, keeping the pace and tension gets harder, and it’s easy to run out of steam.

But that’s not the time to quit. Force yourself back to your structure, come up with a subplot if necessary, but do whatever you need to so your reader stays engaged.

Fiction writer or nonfiction author, The Marathon of the Middle is when you must remember why you started this journey in the first place.

It isn’t just that you want to be an author. You have something to say. You want to reach the masses with your message.

Yes, it’s hard. It still is for me—every time. But don’t panic or do anything rash, like surrendering. Embrace the challenge of the middle as part of the process. If it were easy, anyone could do it.

Step 7. Write a resounding ending.

This is just as important for your nonfiction book as your novel. It may not be as dramatic or emotional, but it could be—especially if you’re writing a memoir.

But even a how-to or self-help book needs to close with a resounding thud, the way a Broadway theater curtain meets the floor .

How do you ensure your ending doesn’t fizzle ?

• Don’t rush it . Give readers the payoff they’ve been promised. They’ve invested in you and your book the whole way. Take the time to make it satisfying.
• Never settle for close enough just because you’re eager to be finished. Wait till you’re thrilled with every word, and keep revising until you are.
• If it’s unpredictable, it had better be fair and logical so your reader doesn’t feel cheated. You want him to be delighted with the surprise, not tricked.
• If you have multiple ideas for how your book should end, go for the heart rather than the head, even in nonfiction. Readers most remember what moves them.
• Part Four: Rewriting Your Book

Step 1. Become a ferocious self-editor.

Agents and editors can tell within the first two pages whether your manuscript is worthy of consideration. That sounds unfair, and maybe it is. But it’s also reality, so we writers need to face it.

How can they often decide that quickly on something you’ve devoted months, maybe years, to?

Because they can almost immediately envision how much editing would be required to make those first couple of pages publishable. If they decide the investment wouldn’t make economic sense for a 300-400-page manuscript, end of story.

Your best bet to keep an agent or editor reading your manuscript?

You must become a ferocious self-editor. That means:

• Omit needless words
• Choose the simple word over one that requires a dictionary
• Avoid subtle redundancies , like “He thought in his mind…” (Where else would someone think?)
• Avoid hedging verbs like almost frowned, sort of jumped, etc.
• Generally remove the word that —use it only when absolutely necessary for clarity
• Give the reader credit and resist the urge to explain , as in, “She walked through the open door.” (Did we need to be told it was open?)
• Avoid too much stage direction (what every character is doing with every limb and digit)
• Avoid excessive adjectives
• S how, don’t tell
• And many more

For my full list and how to use them, click here . (It’s free.)

When do you know you’re finished revising? When you’ve gone from making your writing better to merely making it different. That’s not always easy to determine, but it’s what makes you an author. 

Step 2. Find a mentor.

Get help from someone who’s been where you want to be.

Imagine engaging a mentor who can help you sidestep all the amateur pitfalls and shave years of painful trial-and-error off your learning curve.

Just make sure it’s someone who really knows the writing and publishing world. Many masquerade as mentors and coaches but have never really succeeded themselves.

Look for someone widely-published who knows how to work with agents, editors, and publishers .

There are many helpful mentors online . I teach writers through this free site, as well as in my members-only Writers Guild .

Step 1. Decide on your publishing avenue.

In simple terms, you have two options when it comes to publishing your book:

1. Traditional publishing

Traditional publishers take all the risks. They pay for everything from editing, proofreading, typesetting, printing, binding, cover art and design, promotion, advertising, warehousing, shipping, billing, and paying author royalties.

2. Self-publishing

Everything is on you. You are the publisher, the financier, the decision-maker. Everything listed above falls to you. You decide who does it, you approve or reject it, and you pay for it. The term self-publishing is a bit of a misnomer, however, because what you’re paying for is not publishing, but printing. 

Both avenues are great options under certain circumstances. 

Not sure which direction you want to take? Click here to read my in-depth guide to publishing a book. It’ll show you the pros and cons of each, what each involves, and my ultimate recommendation.

Step 2: Properly format your manuscript.

Regardless whether you traditionally or self-publish your book, proper formatting is critical.

Because poor formatting makes you look like an amateur .

Readers and agents expect a certain format for book manuscripts, and if you don’t follow their guidelines, you set yourself up for failure.

Best practices when formatting your book:

• Use 12-point type
• Use a serif font; the most common is Times Roman
• Double space your manuscript
• No extra space between paragraphs
• Only one space between sentences
• Indent each paragraph half an inch (setting a tab, not using several spaces)
• Text should be flush left and ragged right, not justified
• If you choose to add a line between paragraphs to indicate a change of location or passage of time, center a typographical dingbat (like ***) on the line
• Black text on a white background only
• One-inch margins on the top, bottom, and sides (the default in Word)
• Create a header with the title followed by your last name and the page number. The header should appear on each page other than the title page.

If you need help implementing these formatting guidelines, click here to read my in-depth post on formatting your manuscript.

Step 3. Set up your author website and grow your platform.

All serious authors need a website. Period.

Because here’s the reality of publishing today…

You need an audience to succeed.

If you want to traditionally publish, agents and publishers will Google your name to see if you have a website and a following.

If you want to self-publish, you need a fan base.

And your author website serves as a hub for your writing, where agents, publishers, readers, and fans can learn about your work.

Don’t have an author website yet? Click here to read my tutorial on setting this up.

Step 4. Pursue a Literary Agent.

There remain a few traditional publishers (those who pay you and take the entire financial risk of publishing your book rather than the other way around) who accept unsolicited submissions, but I do NOT recommend going that route. 

Your submission will likely wind up in what is known in the business as the slush pile. That means some junior staff member will be assigned to get to it when convenient and determine whether to reject it out of hand (which includes the vast majority of the submissions they see) or suggest the publisher’s editorial board consider it.

While I am clearly on record urging you to exhaust all your efforts to traditionally publish before resorting to self-publishing (in other words, paying to be printed), as I say, I do not recommend submitting unsolicited material even to those publishers who say they accept such efforts.

Even I don’t try to navigate the publishing world by myself, despite having been an author, an editor, a publisher, and a writing coach over the last 50 years.

That’s why I have an agent and you need one too.

Many beginning writers naturally wonder why they should share any of their potential income with an agent (traditionally 15%). First, they don’t see any of that income unless you’re getting your 85% at the same time. And second, everyone I know in the business is happy to have someone in their corner, making an agent a real bargain.

I don’t want to have to personally represent myself and my work. I want to stay in my creative lane and let a professional negotiate every clause of the contract and win me the best advance and rights deal possible.

Once under contract, I work directly with the publishing house’s editor and proofreader, but I leave the financial business to my agent.

Ultimately, an agent’s job is to protect your rights and make you money. They profit only when you do.

That said, landing an agent can be as difficult and painstaking as landing a publisher. They know the market, they know the editors, they know what publishers want, and they can advise you how to put your best foot forward.

But how do you know who to trust? Credible, trustworthy agents welcome scrutiny. If you read a book in your genre that you like, check the Acknowledgments page for the agent’s name. If the author thinks enough of that person to mention them glowingly, that’s a great endorsement.

If you’re writing in the inspirational market, peruse agents listed in The Christian Writer’s Market Guide . If you’re writing for the general market, try The Writer’s Market . If you know any published authors, ask about their agents.

The guides that list agents also include what they’re looking for, what they specialize in, and sometimes even what they’re not interested in. Study these to determine potential agents who ply their trade in your genre. Visit their websites for their submission guidelines, and follow these to a T.

They may ask for a query letter, a synopsis, a proposal, or even sample chapters. Be sure not to send more or less than they suggest. 

The best, and most logical place to start is by sending them a query letter. Query simply means question, and in essence the question your letter asks is whether you may send them more.

Step 5: Writing Your Query Letter.

It’s time to move from author to salesperson.

Your query letter will determine whether a literary agent asks to see more, sends you a cordial form letter to let you down easy, or simply doesn’t respond.

Sadly, many agents stipulate on their websites that if you hear nothing after a certain number of weeks, you should take that as an indication that they’re not interested. Frankly, to me, this is frustrating to the writer and lazy on the part of the agent. Surely, in this technological age, it should be easy to hit one button and send a note to someone who might otherwise wonder if the query reached the agent at all.

But that’s the reality we deal with.

So, the job of your one-page single-spaced email letter is to win a response—best case scenario: an invitation to send more: a proposal or even the manuscript. 

Basically, you’re selling yourself and your work. Write a poor query letter and an agent will assume your book is also poorly written.

Without being gimmicky or cute, your letter must intrigue an agent. 

Your query letter should:

• Be addressed to a specific person (not to the staff of the agency or “To Whom It May Concern”)*
• Present your book idea simply
• Evidence your style
• Show you know who your readers are
• Clarify your qualifications
• Exhibit flexibility and professionalism

*If you see a list of agents in a firm, choose one from the middle or bottom of the list. It could be that they get less personal mail than the person whose name is on the door. Who knows? That you single them out may make them see your query in a more favorable light.

For some great advice on writing a query letter, check this out: https://janefriedman.com/query-letters/  

• You Have What It Takes to Write a Book

Writing a book is a herculean task, but that doesn’t mean it can’t be done.

You can do this .

Take it one step at a time and vow to stay focused. And who knows, maybe by this time next year you’ll be holding a published copy of your book. :)

I’ve created an exclusive writing guide called How to Maximize Your Writing Time that will help you stay on track and finish writing your book.

Get your FREE copy by clicking the button below.

Are You Making This #1 Amateur Writing Mistake?

Faith-Based Words and Phrases

What You and I Can Learn From Patricia Raybon

Before you go, be sure to grab my FREE guide:

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Just tell me where to send it:

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By Leah Reich

Leah Reich writes about tech and culture. She lives with Lumpy, her cat, in New York City.

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