| | The use of “epitome” is a sophisticated without being overly complicated |
The phrase “a shadow if its former glory” uses vocabulary successfully to develop the description | ||
| The image of the lively house is contrasted with the word ‘dead’ to add emphasis | |
The focus on time adverbials emphasise the change e.g. “now”, “no longer” and “once” |
Use a range of vocabulary and sentence structures for clarity, purpose and effect, with accurate spelling and punctuation |
| | The separation of the clauses using a semi-colon in this long sentence is effective as the second phrase directly builds on the first |
Below is an example of a full-mark Level 4 model story:
|
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Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.
Posted on August, 2022
Having plenty of ideas for creative writing is one thing, but nailing down the right structure can be a bit more challenging.
There are several steps for children to think about before they begin writing, and that includes creating a structure or plan for how their story will flow.
Creative writing is all about grabbing the reader’s attention immediately, so children in their GCSE years need to understand the importance of structure when writing, in order to organise their ideas and make sure their work reads cohesively.
In this post, we will go through everything your child needs to know from paragraphing, to creating a satisfying ending, providing examples along the way to demonstrate the best way to structure their creative writing.
There are several types of creative writing questions that could come up on the GCSE reading and writing exam. There will be the option to either write creatively based on an image, or a made-up scenario.
Having a solid structure for longer creative writing questions and exercises helps to ensure your child is prepared.
By using a structure that helps to organise your child’s ideas, it helps their writing to flow. It also allows your child to become more confident in their creative writing process.
Planning is more important than you might think, as mark schemes from most exam boards include ‘well-controlled paragraphs’ or something very similar within the top band of criteria for creative writing.
Therefore, children should practise planning out creative writing structures well before their writing exam. Planning gives them time to get into the habit of always providing themselves with a simple, but focused idea of what they are going to write.
Introduction.
Understanding the fundamental structure of a story is crucial for crafting engaging narratives. Beyond basic sequences, story archetypes provide a deeper framework. Christopher Booker , a renowned scholar, identified seven main story archetypes.
Each archetype outlines a distinctive journey and the challenges faced by characters.
This archetype portrays an underdog’s quest to conquer a formidable evil. Examples include the epic tales of Harry Potter battling Lord Voldemort, the classic struggle in Jurassic Park, and the timeless narrative of Jack and the Beanstalk.
Embarking from a starting point of poverty or despair, characters rise to newfound wealth and success. Witness this transformation in stories like Slumdog Millionaire, The Pursuit of Happyness, and The Wolf of Wall Street.
A hero’s journey to discover something, overcoming trials and tribulations along the way. Iconic examples include the Fellowship of the Ring’s quest in The Lord of the Rings, Marlin’s journey to find Nemo, and the epic adventures of Odysseus in The Odyssey.
Protagonists venture into unknown territories, facing adversity before returning home transformed. Dive into this archetype with examples like the curious escapades in Spirited Away, Bilbo Baggins’ journey in The Hobbit, and the enchanting Chronicles of Narnia.
Contrary to our typical perception of humour, this archetype involves destined lovers kept apart by conflicting forces. Delight in the comedic twists of relationships in classics such as 10 Things I Hate About You, When Harry Met Sally, and Notting Hill.
Protagonists with major flaws or errors leading to their inevitable downfall. Witness the unraveling of characters in tragedies like The Great Gatsby, Requiem for a Dream, and the Shakespearean masterpiece Othello.
Characters succumb to darkness but redeem themselves throughout the narrative. Experience the transformative journeys in stories like Atonement, American History X, and the animated Beauty and the Beast.
Beyond literature, these archetypes seamlessly apply to filmmaking and photography. A well-crafted photograph or film can mirror the same narrative arcs, captivating viewers on a visual adventure akin to storytelling. Explore these archetypes to infuse depth and resonance into your creative endeavors.
First of all, paragraphing is central to creative writing as this is what keeps the structure solid.
In order to stick to a creative writing structure, children must know exactly when to end and start a new paragraph, and how much information each paragraph should contain.
For example, introducing the main character, diving into the action of the story, and providing 10 descriptive sentences of the weather and location, could be separated and spread throughout for impact.
Structuring a creative writing piece also involves creating an appropriate timeline of events. Then, you must map out exactly where the story will go from start to finish. This is assuming the writing piece is in sequential order.
Occasionally, there may be a question that requires a non-sequential order.
The Ultimate Creative Writing Workout!
This list below details every section in a creative writing piece and should look something like this:
With this structure, it is important to bear in mind that for the AQA GCSE English Language paper 1 reading and creative writing exam.
You can also use Freitag’s pyramid or a story mountain to help you understand the basic structure of a story:
Children will be expected to spend about 50 minutes on the creative writing section. It’s therefore vital to get them into the habit of planning their writing first. As with anything, practice makes perfect.
If you want to find out more about GCSE English Language papers 1 and 2, check out our blog .
We will dive deeper into the creative writing structure further on in this post, but first, let us go through the importance of paragraphing, and how TipTop paragraphs can help to improve children’s writing.
Before children begin to plan out the structure of their stories, it’s essential that they know the importance of paragraphing correctly first.
At this stage of learning, your child should be comfortable in knowing what a paragraph is, and understand that they help with the layout of their stories throughout the whole writing process.
Paragraphs essentially help to organise ideas into dedicated sections of writing based on your child’s ideas. For example, having a paragraph for an introduction, then another paragraph introducing the main character.
This means your child’s writing will be in a logical order and will direct the reader further on into the writing.
To avoid your child straying from their creative writing structure and overloading paragraphs with too much information, there is a simple way to remind them of when they need to start a new paragraph.
Using the TiPToP acronym is such an easy way for you to encourage your child to think about when they need to change paragraphs, as it stands for:
When moving to a different time or location, bringing in a new idea or character, or even introducing a piece of action or dialogue, your child’s writing should be moving on to new paragraphs.
During creative writing practice, your child can ask themselves a series of questions to work out whether they need to move onto a new paragraph to keep their story flowing and reach that top band of criteria.
Providing opportunities to practise creative writing will help your child to get into the habit of asking themselves these questions as they write, meaning they will stick to the plan they have created beforehand.
Now it’s time to get into the all-important creative writing structure.
Producing a creative writing structure should be a simple process for your child, as it just involves organising the different sections of their writing into a logical order.
First, we need to start at the beginning, by creating an engaging opening for any piece of writing that will grab the reader’s attention. You might also be interested to check out this blog on story structure that I found in my research.
This leads us nicely onto step 1…
There are several ways to engage the reader in the opening of a story, but there needs to be a specific hook within the first paragraph to ensure the reader continues.
This hook could be the introduction of a word that the reader isn’t familiar with, or an imaginary setting that they don’t recognise at all, leaving them questioning ‘What does this all mean?’
It may be that your child opens their story by introducing a character with a description of their appearance, using a piece of dialogue to create a sense of mystery, or simply describing the surroundings to set the tone. This ‘hook’ is crucial as it sets the pace for the rest of the writing and if done properly, will make the reader feel invested in the story.
Read more about hooks in essays .
If your child needs to work more on description, I definitely recommend utilising the Descriptosaurus :
Additionally, it’s important to include a piece of information or specific object within the opening of the creative writing, as this provides something to link back to at the end, tying the whole storyline together neatly.
Providing a complication gets the storyline rolling after introducing a bit of mystery and suspense in the opening.
Treat this complication like a snowball that starts small, but gradually grows into something bigger and bigger as the storyline unfolds.
This complication could be that a secret has been told, and now the main character needs to try and stop it from spreading. Alternatively, you could introduce a love interest that catches the attention of your main character.
In this section, there should be a hint towards a future challenge or a problem to overcome (which will be fleshed out in the development and climax sections) to make the reader slightly aware of what’s to come.
The development seamlessly extends from the previous section, providing additional information on the introduced complication.
During this phase, your child should consider the gradual build-up to the writing piece’s climax. For instance, a secret shared in the compilation stage now spreads beyond one person, heightening the challenge of containment.
Here, your child should concentrate on instilling suspense and escalating tension in their creative writing, engaging the reader as they approach the climax.
The climax is the section that the whole story should be built around.
Before creating a structure like this one, your child should have an idea in mind that the story will be based on. Usually this is some sort of shocking, emotion-provoking event.
This may be love, loss, battle, death, a mystery, a crime, or several other events. The climax needs to be the pivotal point; the most exciting part of the story.
Your child may choose to have something go drastically wrong for their main character. They must regardless, need to come up with a way of working this problem into their turning point and resolution. The should think carefully about this will allow the story to be resolved and come to a close.
After the climax, the story’s turning point emerges, crucial for maintaining reader interest.
During this post-climax phase, address and resolve issues, acknowledging that not every resolution leads to a happy ending.
Turning points need not be confined to the story’s conclusion; they can occur at various junctures, signifying significant narrative shifts.
Even in shorter pieces, introducing turning points early on can captivate the reader.
Creative writing allows for individual storytelling, and effective turning points may differ between your child and you.
Maintain suspense in this section, avoiding premature revelation of the ending despite the climax’s conclusion.
The resolution should highlight the change in the story, so the tone must be slightly different.
At this stage, the problem resolves (happily or unhappily) and the character/s learns lessons. The close of the story must highlight this.
The writer should also not rush the resolution or end of the story.
It needs to be believable for the reader right until the very end. The writer should allow us to feel what the protagonist is feeling.
This creates emotion and allows your reader to feel fully involved.
Remember the piece of information or specific object that was included in the story’s opening?
Well this is the time to bring that back, and tie all of those loose ends together. You want to leave the reader with something to think about. You can even ask questions as this shows they have invested in the story.
To enhance your children’s GCSE creative writing skills, allocate time for practice.
Plan a structure for creative writing to guide children in organising their thoughts and managing time during the GCSE exam.
Apply this structure to various exam questions, such as short stories or describing events.
Focus each creative piece on a climactic event, building anticipation in the beginning and resolving it at the end.
Consider a tutor for GCSE preparation to help children focus on specific areas.
Redbridge Tuition offers experienced tutors for learning from KS2 to GCSE, providing necessary resources for your child’s success.
Get in touch to find out how our tutors could help.
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Develop KS3-4 English students' confidence and enjoyment in writing for pleasure with a selection of inspiring classroom resources and activities.
One of the great pleasures – and challenges – of teaching English is helping students to develop their own 'voice' and style as writers of short stories. Assessing their creative, imaginative, descriptive and narrative writing skills at GCSE is a different matter, and can prove to be less rewarding for students, as writing on demand can test even the most confident of writers. The rich collection of creative writing resources on Teachit, generously shared by our fantastic English teacher contributors, are a testament to the creativity, resourcefulness and ingenuity of English teachers as we seek to tease out the best in students' writing. Here is a selection of popular resources for writing classes and lessons, as well as some of our newly published creative and narrative writing resources:
Story building grids is a flexible writing prompt resource to help students with the first steps of planning the writing process, with suggestions for different literary devices to include (metaphors, similes, alliteration, personification, dialogue, point of view etc.).
Another writing prompt resource, Beth Kemp's Imaginative writing: creating a scene , carefully walks them through the whole planning and writing process. Like a screenplay writer, students learn how to zoom in on key scenes to create pace, tension and atmosphere, while considering point of view and their main characters' traits. This resource also focuses on the importance of re-writing and editing their piece of writing. Fran Nantongwe's delightful and hugely popular The quest for a cure is perfect for younger students and will take your class through a range of different genres and written forms over several English lessons, and also includes some non-fiction tasks.
Ditch the adjective is a great new resource by contributor Sally-Ann Griffin, which include a range of writing tips to guide students through the process of making better word choices and focuses on the importance of re-writing.
English teacher Helen Down's Turning pictures into word banks helps students to select really engaging words to use. Writing pyramids is a flexible resource for students to refer to again and again to support their writing experiments.
For inspiration for creative writing activities, try Super story starters or Engage your sleeping author! which offers students a range of examples of creative writing and opening sentences which help them to explore different forms (diary, epistolary, historical). With imaginative writing, it's important to inspire students. Stephen Mitchell's Exploring beginnings and Attention-grabbing story starters both encourage students to consider the effect of different story openings. For a series of lessons, try the thoughtful Memory-inspired creative writing . And if you are looking for more imaginative writing, creative writing or narrative writing resources, try our Writing fiction or Writing techniques collection for hundreds of classroom resources for English students and teachers on the following:
For non-fiction and creative non-fiction writing, try our Writing non-fiction texts collection.
This article was first published as an Editor's pick newsletter in January 2022.
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by Jenn Linning | Nov 29, 2017 | English , Key Stage 4 , Users
Generating ideas for creative writing really shows us how interdisciplinary English can be. We are all different: we have different interests, we watch different TV shows and films, we read different books. Use these things to your advantage! You can take inspiration from things you have seen or know about. If you are someone who plays gymnastics outside of school, get some of that technical jargon into your writing as this will make your writing more authentic and interesting.
In your English exam, it is likely that you will be asked to write about something based on a statement or image. The task could state, ‘ Write about a time you were frightened’ . Pause. Think. Take a minute. While your classmates are automatically writing about dark forests and haunted houses, you need to think about all the different angles you could take this statement from so that your writing stands out from the rest.
You could try the following angles:
There is no single right way to interpret that statement – try to think outside the box.
The next hurdle you will usually encounter is starting your writing piece. Ultimately it comes down to the fact that you want to hook the reader in, so you need to give them a reason to read on. The most common techniques for starting is using a short sentence as this has an impact on the tone and it can speed up the pace, building tension as a result. Many writers also begin with a rhetorical question where they directly address the reader, for example: Do you remember a time when you felt frozen to the spot with fear, every fibre of your being on edge with your heart frantically racing?
Some writers also use something called ‘in media s res’. This is Latin for ‘into the middle of things’ and is where the narrative opens not at the beginning of the story, but in the middle, usually at a crucial point in the action. This immediately gives the reader incentive to read on and find out what this all means and what is happening. The key thing to remember when figuring out how to begin your writing piece is to have an air of mystery : don’t reveal your best parts all at once, but equally open with enough impact to interest someone to read on.
This is the final question we ask ourselves. Vocabulary is the key here : it spices up any story or description. Stay away from basic adjectives like ‘scared’ and cliché phrases such as ‘she ran as fast as lightning’. Be original. Literary techniques that promote figurative language such as similes and metaphors will help make your writing interesting.
Remember – you are a reader yourself! Think about what you tend to find interesting (plot twists, the unknown, cliff-hangers, action) and use that. Of course, you cannot cater to all of this in one writing piece, but you can carefully select and be intentional about achieving these effects in your writing.
You are not trying to write the next Harry Potter series. Often it is by describing the most ordinary and small ideas in vivid detail that your reader will be most engaged. It’s not always what you write about but the way you write it. If you can make eating a slice of cake sound like the most dramatic and engaging thing ever to be done, then you may just be the next J.K. Rowling….
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Retold Fable. Prompt: Modernize a classic fable or story, such as the Boy Who Cried Wolf, in a contemporary setting. Potential Story Directions: The story could be set in a modern city, exploring current social issues. It might be told from a different perspective, offering a fresh take on the moral of the story.
Unit 2 Reading and Writing: Description, Narration and Exposition gives two prompts to choose between, for an account and an essay perhaps, and Unit 3: Reading and Writing: Argumentation, Persuasion and Instructional sets up a letter, or similar. Jump ahead to WJEC Eduqas non-fiction writing prompts from past GCSE papers.
II. Desire. [6] Small child really wants cake but has been forbidden from taking it down from the shelf. Start this story with the child lusting after the cake, which you should describe - baking, decorating etc - in delicious detail. [ read a short, very funny version of this here]
2 Grade 9 Creative Writing Examples. I recently asked my year 11s to pen a piece of description and/or narrative writing for their mini assessment. I gave them the following prompts: Your school wants you to contribute to a collection of creative writing. EITHER: Write a short story as suggested by this picture:
Creative writing usually forms a significant part of the assessment, often as part of a coursework component or in a specific section of the exam. Knowing what is expected in terms of length, format, and content can significantly boost your confidence and performance. ... READ MORE: > 10+ GCSE creative writing ideas, prompts and plot lines.
Before embarking on your creative writing journey, gaining a comprehensive understanding of the assessment criteria is imperative. The evaluators of your English language GCSE creative writing piece will scrutinise several key areas: the coherence of your narrative structure, range of ideas you explore, the variety and complexity of your sentence structures, and the precision of your spelling ...
Sophia Thakur and Solomon O.B. sit a mock English GSCE language exam. Suitable for teaching English language at GCSE and National 4 and 5.
Your creative writing component will be judged on spelling, grammar and punctuation, so make sure that you read your work once you're done to iron out any potential mistakes. If you want a little bit more help, Tutor House offers world-class English GCSE tutors. To find out more, or to book your tutor today, call 0203 9500 320. Alex is the ...
1. HAVE A BANK OF STORY PLOT LINES READY. One of our top tips for any creative writing exam, is to have a bank of easily adapted plot ideas up your sleeve. Time is precious in an exam and you need to spend minimal time thinking, leaving you with the maximum amount of time to crack on with your writing! 2.
Don't just stick to full stops and commas in your writing. As long as you use it correctly, get creative with the types of punctuation you use in your answer for a higher AO6 mark. For example, exclamation marks and question marks to create a more conversational tone between the author and the reader. Hyphens, brackets and colons are just a ...
50 GCSE English Creative Writing and Story Writing Prompts. Subject: Creative writing. Age range: 14-16. Resource type: Worksheet/Activity. File previews. docx, 220.6 KB. 50 varied and fun ideas for writing shot stories. Ideal to use individually for the whole class to write the same story or to use as a whole and let the students choose a prompt.
GCSE Edexcel 30/30 Creative Writing Coursework. This coursework showcases the author's exceptional writing skills, vivid imagination, and ability to create compelling characters and settings - fulfilling all the AOs necessary to achieve the highest possible mark. This resource is a great example of high-quality creative writing.
Audience: 2. Make sure you plan your work. This can be in any form that you find works best for you. For example, writing down the main ideas and content and breaking them down into different paragrahs of introduction, body, conclusion can certainly focus your writing and will give you points for not only clarity but also organisation. 3. Make ...
The style of the writing (sentence structure and overall structure) is dynamic and engaging; Below you will find a detailed creative writing model in response to an example of Paper 1 Question 5, under the following sub-headings (click to go straight to that sub-heading): Writing a GCSE English Language story; Structuring your story
Narration - the voice that tells the story, either first person (I/me) or third person (he/him/she/her). This needs to have the effect of interesting your reader in the story with a warm and ...
To enhance your children's GCSE creative writing skills, allocate time for practice. Plan a structure for creative writing to guide children in organising their thoughts and managing time during the GCSE exam. Apply this structure to various exam questions, such as short stories or describing events.
Published: 27/01/2022. One of the great pleasures - and challenges - of teaching English is helping students to develop their own 'voice' and style as writers of short stories. Assessing their creative, imaginative, descriptive and narrative writing skills at GCSE is a different matter, and can prove to be less rewarding for students, as ...
Think. Take a minute. While your classmates are automatically writing about dark forests and haunted houses, you need to think about all the different angles you could take this statement from so that your writing stands out from the rest. You could try the following angles: Write about a nightmare (writing as if you were still in the nightmare).
Gcse English Creative Writing Coursework Ideas - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Scribd is the world's largest social reading and publishing site.
Writing coursework, especially for a GCSE English course with a focus on personal writing, can be a challenging and time-consuming task. It requires a combination of creative thinking, linguistic skills, and a deep understanding of the subject matter. Here are some of the difficulties students might face: 1. Creativity and Originality: Crafting a piece of personal writing demands creativity ...
Gcse Creative Writing Coursework Examples - Free download as PDF File (.pdf), Text File (.txt) or read online for free. The document discusses the challenges students often face when completing creative writing coursework, such as generating original ideas, structuring their work effectively, and meeting specific guidelines. It also notes some common issues like creativity struggles ...
The document discusses the challenges students face with creative writing coursework for GCSE exams. It notes that generating original ideas, meeting assessment criteria, and dealing with time constraints can be difficult. It recommends seeking guidance from services like HelpWriting.net that can offer support developing writing skills and ensuring work meets standards, while respecting ...