creative writing about a train station

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How To Describe A Train In Writing (12 Important Steps)

Introducing the art of describing a train in writing is akin to unveiling a portal to a world of captivating journeys, powerful locomotives, and the rhythmic heartbeat of rail travel.

Trains, with their imposing presence and iconic place in the annals of transportation, offer writers a canvas of inspiration unlike any other. In this exploration, we’ll embark on a literary adventure through the intricacies of locomotives, the allure of train cars, and the enchanting landscapes they traverse.

We’ll delve into the use of evocative language, sensory details, and metaphorical expressions, while also examining the significance of historical context and personal observations.

The goal is to transform words into a vivid tapestry that transports readers to the dynamic world of trains, where every description becomes a journey in itself, and the magic of rail travel comes alive on the page.

Table of Contents

How To Describe A Train In Writing

Describing a train in writing involves creating a vivid and detailed picture for your readers. Here’s a step-by-step process on how to do it:

Choose your perspective

Decide whether you want to describe the train from an inside or outside perspective. Are you a passenger on the train, an observer from the platform, or perhaps a combination of both?

Observe the train

Take a few moments to closely observe the train, paying attention to its various components. This includes the locomotive, carriages, wheels, windows, and any unique features that stand out.

Note the size and type

Describe the size and type of the train. Is it a sleek, modern bullet train, an old-fashioned steam locomotive, or a freight train loaded with cargo? Mention the length and number of carriages.

Details of the locomotive

If visible, describe the locomotive. Mention the shape, color, and any distinctive markings. Note whether it’s pulling the train or pushing from behind.

Carriage description

Describe the carriages. Are they passenger cars, freight cars, or a combination? Mention the colors, any graffiti or artwork, and any noticeable wear and tear.

Windows and doors

Discuss the train’s windows and doors. Are they large and panoramic, or small and functional? Mention any people or scenes you can see through the windows.

Wheels and undercarriage

Comment on the wheels and undercarriage of the train. Describe the size, the sound they make as they roll along the tracks, and any movement or vibration you feel.

Sounds and atmosphere

Explain the atmosphere around the train. Mention the sounds of the engine, the clattering of wheels on the tracks, and the hiss of brakes. Are there any scents associated with the train, such as diesel fuel or hot metal?

Passengers or cargo

If applicable, describe the passengers or cargo on board. Are there diverse groups of people, or is it primarily a freight train carrying goods? Provide details about their activities, expressions, and interactions.

Surroundings

Describe the environment in which the train is situated. Are you in a bustling station, a serene countryside, or an urban landscape? Mention any relevant details about the surroundings.

Emotions and atmosphere

Convey the emotions and atmosphere surrounding the train. Is there a sense of anticipation, adventure, or nostalgia? Use descriptive language to capture the mood.

Summarize the key elements and feelings you’ve described. Leave the reader with a lasting impression or a thought related to the train.

Remember to use vivid and evocative language to bring the train to life in your reader’s imagination. Incorporate sensory details like sights, sounds, and smells to make your description more engaging and memorable.

Understanding the Elements of a Train

The inner workings of a train are like the intricate gears of a well-kept secret. Beneath the majestic exterior, a locomotive is a mechanical symphony, each piston stroke echoing a century of innovation.

The cars that trail behind aren’t mere carriages; they’re time capsules, cradling stories of commuters, cargos, and cross-country odysseys.

To truly understand the elements of a train is to unlock the door to a world where steel behemoths dance on steel tracks, their engines pulsating with power and history.

It’s an invitation to peer into the heart of a juggernaut and be captivated by the soul of transportation itself.

The locomotive, often considered the beating heart of a train, is a marvel of engineering and raw power.

It is a symphony of mechanics, with massive wheels, towering smokestacks, and a relentless determination to conquer the rails.

Whether it’s a mighty steam engine, a sleek electric locomotive, or a robust diesel workhorse, each type tells a unique story of technological evolution.

The locomotive’s thunderous roars and rhythmic chugging are not just sounds; they are the very pulse of progress, propelling passengers and goods across vast landscapes.

With its imposing presence and timeless significance, the locomotive embodies both the romance and the relentless momentum of rail travel, forever etching its place in the annals of transportation history.

Exterior Features

The exterior features of a train are a visual spectacle that captures the essence of both function and aesthetics. The train’s formidable shape, often a study in sleek aerodynamics or rugged practicality, stands as a testament to engineering prowess.

The colors and livery adorning the train’s surface, whether adorned in striking steel-gray, vibrant corporate logos, or nostalgic heritage liveries, tell stories of identity and purpose.

The intricate details such as rivets, windows, and the prominent nose of the locomotive are like the train’s signature, offering a signature style that varies from one model to another.

The exterior of a train is not just a shell; it is the first impression, a bold introduction to the grand journey that awaits, and a canvas that reflects both the era and the spirit of the rail adventure.

Interior Features

The interior features of a train hold a world of comfort, style, and functionality, hidden behind the formidable facade.

Passengers step into a cocoon of well-designed spaces that transform mere travel into a memorable experience.

Seating arrangements, whether in spacious cabins with plush seats or classic cars with rows of bench seats, cater to different tastes and needs.

The decor, from the classic elegance of vintage cars to the modern minimalism of high-speed trains, speaks volumes about the train’s character.

The ambiance, set by soft lighting, soothing colors, and often panoramic windows, ushers passengers into a tranquil realm as the scenery unfolds outside.

The interior is a sanctuary of travel, where passengers can relax, socialize, or work, all while being serenaded by the rhythmic symphony of the tracks beneath, making the journey as much a destination as the arrival itself.

Research and Preparation

Research and preparation are the compass and map of every writer’s journey, guiding us through uncharted territories of knowledge and creativity.

They are the whispered secrets of experts, the whispered tales of history, and the whispered dreams of the imagination.

In the realm of writing, they transform mere words into worlds, characters into vivid personalities, and plots into gripping odysseys.

It’s a meticulous excavation of information, a curious exploration of diverse perspectives, and a passionate embrace of understanding.

Just as a ship requires a star to steer by, writers rely on research and preparation to navigate the vast seas of storytelling, allowing them to embark on adventures that can transport readers to any corner of the universe, be it real or imagined.

Historical context

Historical context is the backdrop against which stories unfold, the silent but influential character in every narrative. It is the master key to unlocking the significance of events, the motivations of characters, and the essence of any era.

Just as a photograph’s meaning deepens with the knowledge of when and where it was taken, a story gains depth and resonance when placed within its historical framework.

It transports readers to the heart of a different time, immersing them in the customs, challenges, and triumphs of the past.

Whether it’s a tale of bygone empires, a revolutionary period, or the quiet moments of everyday life, historical context is the luminous thread that connects the present to the past, allowing us to peer into the windows of history and learn from its wisdom, heartache, and grandeur.

Era and setting of the train

The era and setting of a train are the twin pillars upon which the journey of a locomotive unfolds. They determine not only the physical landscape but also the very spirit of the experience.

Whether it’s the age of steam locomotives chugging through the picturesque countryside of the 19th century, the modern bullet trains racing through futuristic cityscapes, or the nostalgic charm of a heritage railway winding through a historic town, the era and setting lend a distinctive flavor to the adventure.

The scenery outside the window changes, but so do the attitudes, expectations, and aspirations of those on board.

These elements are not mere stage decorations but are dynamic partners, shaping the narrative and imbuing it with a unique sense of time and place.

The era and setting of a train transport readers to different worlds, offering a glimpse into history, culture, and the ever-evolving human spirit.

Observation

Observation is the writer’s closest confidant, the gateway to a world of detail and nuance that others might overlook.

It’s the art of keenly perceiving the ordinary and transforming it into the extraordinary. To observe is to engage all the senses, from sight to sound, touch to taste, and even the intangible feeling of a moment.

It’s the way a train conductor’s cap sits at a particular angle, the scent of the locomotive’s coal or diesel, the sensation of vibrations underfoot, and the symphony of whistles and clanking wheels.

Writers who observe well capture the essence of reality and infuse it into their stories, inviting readers to see, hear, feel, and ultimately, to deeply connect with the worlds they create.

Observation is the lens through which the writer brings the tangible and the intangible to life, illuminating the beauty and wonder that exists in the most ordinary of moments.

Personal experience

Personal experience is the storyteller’s most intimate treasure, a reservoir of emotions, insights, and authenticity. It’s the heart of narrative, the force that breathes life into characters, scenes, and events.

Drawing from one’s own encounters, whether mundane or extraordinary, adds a layer of genuine resonance to writing.

These experiences, like vibrant brushstrokes on a canvas, infuse the narrative with vivid colors and genuine emotions, allowing readers to connect on a profound level.

It’s the joy, sorrow, adventure, and vulnerability that the writer has personally felt, translating into words that resonate with universal truths.

Whether it’s a small detail like the taste of a childhood treat or a life-changing moment, personal experiences enrich storytelling, making it relatable, compelling, and, ultimately, unforgettable.

Utilizing Descriptive Language

Descriptive language is the artist’s palette of words, the alchemy of transforming mere text into a vivid, living canvas.

It’s like a symphony of imagery that dances in the reader’s mind, painting worlds, characters, and emotions with the brushstrokes of words.

It’s the way a single sentence can conjure the fragrance of a long-lost summer or make the reader feel the chill of a moonlit winter’s night.

Descriptive language is the enchanted doorway to boundless imagination, where metaphors and similes become the keys to unlocking hidden treasures of meaning.

It’s the language of dreamers and explorers, a portal to realms unknown, a vivid tapestry that turns words into windows through which readers can peer into the depths of the human experience.

Creating a Scene

Creating a scene is the author’s sorcery, a conjuration of worlds from mere ink and paper. It’s the architect’s blueprint for a journey through time and space, where the reader is the honored traveler.

Each word is a brick, every sentence a doorway, and together they construct the theater of imagination. The scene is a symphony of sensory experiences, an intricate web of sights, sounds, and emotions that can transport you to any realm, be it the bustling bazaar of Marrakech or the desolate expanse of an alien planet.

In the hands of a skilled wordsmith, a scene isn’t just a backdrop; it’s a magic carpet that whisks you away to adventure, emotion, and discovery.

It’s a portal to a realm that exists only in the mind, a place where the author and reader meet, and together, they explore the boundless landscapes of the human psyche.

Setting the Stage

Setting the stage is the writer’s invitation to step into a world of their creation, a theatrical overture to the story about to unfold. It’s the atmosphere, the ambiance, and the sensory palette that infuses life into the narrative.

The stage can be a cobblestone street in 19th-century London, an alien planet’s desolate wasteland, or a bustling cyberpunk cityscape, each with its own unique allure.

Through meticulously chosen details, the writer crafts a portal into an alternate reality, setting the reader on a sensory journey.

It’s not just the backdrop; it’s a character in itself, influencing the mood, the characters’ choices, and the emotions that will unfold.

Setting the stage is an artful act of immersion, and in that carefully constructed world, the reader becomes an integral player, each detail enticing them to journey further into the story’s enchanting tapestry.

Incorporating Surroundings

Incorporating surroundings is the writer’s method of breathing life into the narrative, painting the world with a brush dipped in the vivid hues of context and atmosphere.

The surroundings are more than just background; they are the soul of the setting, characters, and events. Whether it’s the sun-kissed meadows of a countryside idyll or the dimly lit, mysterious alleyways of a noir thriller, the surroundings set the mood, evoke emotions, and influence the narrative’s trajectory.

They are the intricate details – the whispering leaves in a forest, the distant hum of a bustling marketplace, or the ominous shadows lurking in a deserted mansion – that draw the reader into the story’s immersive embrace.

By incorporating surroundings, writers invite readers to not merely observe but to experience, to wander through the textured tapestry of the narrative’s world, adding layers of depth and authenticity to the story.

Interaction with Characters

Interaction with characters is the heartbeat of storytelling, the dynamic exchange that brings the narrative’s inhabitants to life.

It’s the way characters converse, collide, or collaborate, revealing their innermost thoughts, dreams, and conflicts.

These interactions sculpt the relationships that drive the plot, from the tender love between star-crossed lovers to the bitter clashes of adversaries locked in a battle of wills.

Through dialogue, actions, and reactions, characters breathe with authenticity, and readers become intimate observers of their personal journeys and growth.

It’s the subtle nuances, the sparks of conflict, and the warmth of camaraderie that make characters relatable and memorable, and it is within these interactions that the pulse of the story beats, creating the emotional resonance that leaves a lasting imprint on the reader’s heart and mind.

Structuring the Description

Structuring the description is akin to the delicate architecture of a suspension bridge, where each word and phrase is a carefully placed cable, holding the reader’s imagination aloft.

It’s a blueprint for the mind, a strategic arrangement that takes readers by the hand and leads them on an immersive journey.

Like a skilled conductor leading a symphony, structuring description means orchestrating the crescendos and pauses, the ebbs and flows, creating a narrative rhythm that is both mesmerizing and captivating.

With an opening that’s a siren’s call, paragraphs that dance in harmony, and transitions that are seamless, the writer forges a path into the reader’s heart.

It’s a blend of art and science, a mosaic of details and context that turns the story into a vivid, living tapestry where readers can walk, breathe, and experience the narrative’s essence, leaving them forever enchanted by the power of a well-structured description.

Tips for Capturing the Train’s Essence

Capturing the train’s essence is like catching a fleeting whisper of history and adventure in a bottle. It’s about summoning the spirit of steel behemoths hurtling through time and space and weaving it into words.

To encapsulate the train’s soul, one must become an alchemist, mixing the heady aroma of locomotive steam, the rhythm of wheels on the tracks, and the echo of travelers’ stories into a literary elixir.

But remember, it’s not just about the clangor of machinery or the thrill of speed; it’s the subtle symphony of emotions, the nostalgia of long journeys, and the promise of new horizons that you must distill into your prose.

Tips for capturing the train’s essence are akin to following a treasure map to the heart of transportation, where each tip is a clue that unlocks the secrets of this timeless and magnificent journey.

So, breathe in the metallic tang of adventure, close your eyes, and let the tips be your guide on this wondrous literary expedition into the essence of the train.

Focusing on the unique

Focusing on the unique is the writer’s compass to uncharted storytelling territory, an expedition into the unexplored corners of imagination.

It’s about eschewing the trodden paths and seeking out the hidden gems that make a story exceptional. Whether it’s an eccentric character with peculiar quirks or a plot twist that defies convention, the unique elements infuse a narrative with freshness and intrigue.

These are the precious details that set a story apart, that make it a standout among a sea of tales. In literature, as in life, it’s the singular, the extraordinary, and the unrepeatable that captures our attention and leaves an indelible mark.

When a writer focuses on the unique, they beckon readers to a world of wonder, where the extraordinary becomes the ordinary, and the ordinary transforms into the extraordinary, making storytelling an exhilarating journey of discovery.

Engaging the Reader’s Emotions

Engaging the reader’s emotions is the storyteller’s alchemy, the art of weaving invisible threads between words and the human heart.

It’s the power to make readers laugh, cry, tremble with anticipation, or swell with empathy, all within the confines of a few pages.

Whether it’s a character’s triumph over adversity, a heartbreaking loss, or a moment of sheer joy, the writer holds the key to unlocking the reader’s deepest feelings.

The emotional journey in a story is a rollercoaster, each twist and turn orchestrated to elicit powerful responses. By igniting emotions, writers create a bridge between the imaginary realm and the reader’s own experiences, forging a connection that transcends the written word.

It’s in these emotional connections that stories take root in the reader’s soul, leaving an enduring impact, reminding us of the extraordinary power that words possess to touch, move, and inspire.

Frequently Asked Questions (FAQ) about How To Describe A Train In Writing

What’s the importance of describing a train in writing.

Describing a train in writing can help set the scene, create atmosphere, and engage the reader’s imagination. It’s essential for creating a vivid and immersive narrative or description.

What are some tips for making a train description more captivating?

To make a train description captivating, focus on sensory details, use vivid and descriptive language, and consider the perspective from which you’re describing the train.

Should I describe the inside or outside of the train in my writing?

The choice between describing the inside or outside of the train depends on your narrative’s context. You can do both or select the perspective that best serves your story or description.

What are some key elements to include when describing the exterior of a train?

Include details about the type of train, its size, locomotive, carriages, wheels, and any unique features. Mention its location and surroundings as well.

How can I describe the interior of a train effectively?

When describing the interior, focus on elements such as the design of the passenger or freight cars, windows, doors, passengers, and the ambiance. Capture any sensory experiences and emotions.

What’s the best way to convey the sounds associated with a train?

Use onomatopoeic words and descriptive language to convey the sounds, such as the engine’s roar, wheels clattering on the tracks, and the hiss of brakes.

How can I evoke the emotions associated with a train in my description?

To convey emotions, pay attention to the atmosphere around the train, the behavior of passengers or crew, and the surrounding environment. Use descriptive language to capture the mood and feelings.

Should I include historical or technical details about the train in my description?

It depends on your target audience and the purpose of your writing. Technical or historical details can add depth and context, but be mindful not to overwhelm the reader with excessive information.

How do I conclude a train description effectively?

Conclude by summarizing the main points and leaving the reader with a thought, feeling, or image related to the train. Create a sense of closure and completeness.

Can you provide examples of well-described trains in literature?

Some classic examples include the iconic Hogwarts Express from the Harry Potter series, the Orient Express in Agatha Christie’s novels, and the hauntingly described trains in Haruki Murakami’s works. Studying these can offer insights into effective train descriptions in literature.

Remember that the key to a compelling train description is creativity and the ability to transport the reader into the world you’re describing. Tailor your description to fit the context and purpose of your writing .

In conclusion, the art of describing a train in writing is an enchanting journey through words and worlds. Trains are not just vehicles; they are vessels of history, culture, and human connection.

Mastering the craft of vivid descriptions in train narratives allows us to capture the essence of these magnificent machines, the ambiance of their surroundings, and the emotional resonance they evoke.

Through the use of evocative language, meticulous research, and a keen eye for detail, writers can transform a simple train ride into an unforgettable literary experience.

As we conclude this exploration, we’re reminded that the power of storytelling lies in the ability to transport readers to places and moments they may never physically visit, and trains, with their timeless allure, offer a unique and compelling canvas for writers to create and readers to journey upon.

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How to Describe a Train in a Story

By Isobel Coughlan

Do characters in your novel take a train journey? If you want to illustrate this scene as vividly as possible, we’re here to help. In this post, we cover the topic of how to describe a train in a story.

Something that moves very quickly .

“The rapid train thundered down the tracks, leaving every passerby in shock. This was a sight no one would forget.”

“He needed a rapid train to make it to the interview on time, but the last express service had already departed.”

How it Adds Description

“Rapid” describes a train that moves very quickly or faster than others. If your characters describe the train as “rapid,” it could signal that they’re impressed by the speed. It can also hint that they need to get somewhere fast, especially if they’re looking for a “rapid” train. “Rapid” can also signal that your fictional world has modern technology that allows speedy journeys.

Something that’s old and has lots of value due to its rarity or beauty.

“The antique train rolled into the station, and the cameras started flashing. Such a beautiful locomotive hadn’t been on the tracks in decades.”

“She searched each train warehouse, but she couldn’t find the exact antique train needed for her project.”

If you want to include an old or vintage train in your story, “antique” can signal the age and condition of it. “Antique” implies the train is old and very valuable, which might make characters very interested in it. An “antique” train can also be used to show your reader a glimpse of your fictional world’s past.

Something not exciting or interesting.

“She boarded the dull train with a sigh. It was going to be a long and boring journey.”

“The train was dull at best. It has no personality, style, or features.”

The word “dull” signifies the train is not as exciting as other trains, which lets your reader know the characters aren’t interested in it. This could further show your characters aren’t particularly interested in trains or traveling in general.

4. Sluggish

Something that works or moves slower than others.

“The sluggish train took so long to arrive, many of the passengers had fallen asleep at the station.”

“I’m not getting on that sluggish train! Flying is much quicker.”

If you want to emphasize how slow your train travels, “sluggish” can give your reader a clear image. Also, if a character deems the train “sluggish,” it might hint that they don’t want to go on the long journey. “Sluggish” could also imply something’s wrong with the train, hence it’s not traveling at its usual fast speed.

Something that looks new and expensive .

“The sleek train was equipped with high-tech screens, a full-service bar, and a sauna.”

“She was drawn to the sleek train, and her secret wish was to travel across the country on it.”

“Sleek” implies that your fictional train is top-of-the-line, sophisticated, and expensive. Characters may aspire to travel on the “sleek” train to experience its luxury or to raise their social status. This could lead to some characters being obsessed with the “sleek” train, as they desperately want to experience it.

6. Gigantic

Something that’s extremely large in physical size.

“She gasped at the gigantic train. It was obvious she’d never seen a double-decker locomotive before.”

“The gigantic train could barely fit into the station.”

“Gigantic” shows the impressive size and scale of your fictional train. If a character thinks a train is “gigantic,” it can show they’re not used to traveling on large-scale public transport. “Gigantic” could also imply that the train is one of the largest in use, especially if many characters are shocked by its size.

7. Futuristic

Something that looks very unusual and modern .

“He curiously boarded the futuristic train. It felt like something out of a sci-fi film.”

“The futuristic train was groundbreaking. But it cost over $1000 for a single journey.”

The word “futuristic” shows that the train looks very modern or contains the latest technology. “Futuristic” trains might confuse your characters, as their design and features may be different from standard trains. “Futuristic” could also foreshadow technological innovations or tech-based plot points to come in your novel.

Something that’s not expensive or large.

“The modest train looked small in comparison to others, but it worked just as well.”

“He could only afford to travel on the modest train. However, this didn’t bother him one bit.”

The word “modest” hints that the train in question is more affordable and smaller than others. If your characters call a train “modest,” they might be unimpressed or unbothered about it. “Modest” could also signal that the train is older and there are newer and more expensive models.

9. Revolutionary

Something that changes the way something is made or done.

“Thousands gathered for the revolutionary train unveiling. The release was set to change locomotive history.”

“He took his seat on the revolutionary train and waited for the journey to begin. He could hardly contain his excitement.”

If you want to show your fictional train is new and groundbreaking, “revolutionary” is the adjective to use. This word signals that the train is a game changer. Characters attracted to a “revolutionary” train might be interested in progress and the future.

10. Stylish

Something fashionable and elegant in design.

“The stylish train was a fabulous affair. It had a multi-colored design, premium leather seats, and the latest decor inside.”

“He wished he was riding in the stylish train. But he could only afford to travel in the drab shipping container carriage.”

“Stylish” shows that your fictional train is very fashionable and thus might sport the latest designs and bright colors. If your characters are fans of the “stylish” train, they might also be very fashion-conscious and concerned with surface aesthetics. “Stylish” could also hint your fictional society is very advanced, as their transport is not basic or boring.

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Descriptive writing - The train station

Tra i n Station

Clunking and Screeching, the frozen engine kicked into motion, pushing the sleek, modern train down the beaten, old track and into the black. Even after the train had left, the sound of the pulsing locomotives pounded through the night, until the deep booms of its powerful thrusts quietened down to gentle beats in the heart of the night.

Mist swirled gently across the now empty track, covering in the wispy blanket. The track was now hidden beneath a mysterious layer, like a deep secret or a myth. If anyone would’ve been there to see it, they would’ve have questioned whether the track was really there or not, for the mist kept the track, the mist controlled the track. The frozen mist began to spread, billowing up onto the platform, flooding it, burying it. The mist just grew and grew until it had covered the platform too and after it had finally engulfed the entire station it began to rise. Oh how the mist rose, reaching up into the sky and putting out the stars. After the mist was done, only the silver glow of the moon feebly peered through the mess.

Nothing could be seen, nothing could be heard. There was nothing, nothing at all. The mist had done its job; it had hidden this place from sight. But the mist did not know. No, it didn’t know that there was another. There was something moving in the dark, there was someone moving in the dark. But the mist didn’t know, so it just lay there, devouring everything in sight.

This is a preview of the whole essay

Deep in the darkness, a figure moved, a lone figure travelling through a hidden land. The wispy shadow crept silently out of the night and stood there, waiting, waiting. Silence. Chug Chug Chug Chug, Chu-Chug Chu-Chug Chu-Chug Chu-Chug Chu-Chug. It was was coming. Chu-Chug Chu-Chug Chu-Chug Chu-Chug Chu-Chug. Closer and closer. Faster and faster. Chu-Chug Chu-Chug Chu-Chug Chu-Chug Chu-Chug. The light tore through the blanket, a knife splitting the fibres of the mist. The train had arrived, and had cleared the way. The mist fled in its presence, spiralling away from its gleaming structure, away from the station, away from the figure and off into the night.

Now that the air was clear, time started to flow again, the figure rose and strutted towards the train, into the light and disappeared inside. Clunking and Screeching, the frozen engine kicked into motion, pushing the sleek, modern train down the beaten, old track and into the black. Even after the train had left, the sound of the pulsing locomotives pounded through the night, until the deep booms of its powerful thrusts quietened down to gentle beats in the heart of the night.

Document Details

• Author Type Student
• Word Count 447
• Page Count 1
• Subject English
• Type of work Controlled assessment

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How To Describe A Crowded Place In Writing (21 Best Tips & Examples)

I can’t tell you how many times I’ve need to write about crowds and crowded places in my stories.

Here is how to describe a crowded place in writing:

Describe a crowded place in writing by focusing on sensory details, emotions, and diverse interactions. Use vivid adjectives, metaphors, and sensory descriptions to convey the atmosphere, energy, and individuality in the crowd.

In this guide, you’ll learn all 21 of the most unique and creative ways to describe a crowded place in your stories.

Capturing the Atmosphere: Conveying the Energy and Mood of a Crowded Place

Table of Contents

To vividly portray the atmosphere in a crowded place, it is essential to focus on sensory details.

Describe how bustling bodies create an orchestra of sounds, like murmurs mingling with laughter and footsteps echoing through the space.

The aroma in such places can be overpowering – from mouthwatering food scents wafting by to sweat mixing with perfumes.

Paint a picture of the constant movement within a crowded place.

Detail how people weave through each other like dancers on a stage or cars maneuvering through heavy traffic. Capture their varied expressions – excited smiles, furrowed brows, or determined looks as they push forward towards their destination.

Highlight the contrasting emotions that exists side-by-side in these settings; joyous celebrations coexist with quiet moments of solitude as people carve out pockets for themselves amidst chaos.

his contrast adds depth to your descriptions and allows readers to fully understand both the energy and mood present in crowded places.

• Use descriptive language that appeals to multiple senses.
• Compare movements within a crowd to familiar images (e. g., ballet dancers or busy traffic).
• Show different emotions coexisting simultaneously for added dimension.
• Vary sentence structure and length for flow and readability.
• Use metaphors sparingly but effectively when describing crowds (e. g., “like bees buzzing around a hive”).

Painting with Words: Using Descriptive Language to Portray a Crowded Place

To effectively describe a crowded place in writing, it’s crucial to use descriptive language that evokes vivid imagery.

Start by painting the scene with colorful adjectives and adverbs. For example, instead of saying “the park was crowded,” you could say “the bustling park overflowed with people of all ages, their laughter echoing through the air.”

This not only conveys the idea of a crowded place but also gives readers a sense of the atmosphere and liveliness.

Next, focus on using sensory details to bring your description to life. Describe how the crowd sounds, smells, and feels.

You might mention “the cacophony of chattering voices” or “the aroma of sizzling street food wafting through the air.”

Additionally, consider incorporating tactile descriptions such as “shoulder-to-shoulder contact” or “a constant jostle among strangers.”

By carefully selecting descriptive words and appealing to readers’ senses, you can transport them into the chaotic yet exciting world of a crowded place without overwhelming them with too much information at once.

Keep paragraphs concise and straightforward so as not to lose their attention amidst the buzz!

Sensory Overload: Describing the Sights, Sounds, and Smells of a Crowded Place

Immersing oneself in a crowded place can be an assault on the senses.

The sights alone are overwhelming – a sea of people moving hurriedly, their colorful clothes blending together in a blur. Neon signs flicker and flash overhead while towering buildings cast long shadows that create a sense of claustrophobia.

The soundscape is equally chaotic.

Conversations merge into one indistinguishable hum, punctuated by bursts of laughter or raised voices trying to be heard above the cacophony. Music blares from storefronts, intermixed with sirens wailing in the distance and car horns blaring impatiently.

As your nose takes in the smells surrounding you, it becomes apparent why crowded places have such distinct odors.

Stale sweat mingles with perfume and cologne as bodies press tightly together.

Vendors’ stalls emit enticing aromas – sizzling hot dogs coated in mustard, sugary pastries wafting through the air like sweet promises.

In this world where every step brings new stimuli, describing the sensory overload experienced within a crowded place requires attention to detail and evocative language that transports readers directly into its midst.

The Dance of Movement: Depicting the Flow and Bustle of a Crowded Place

In a crowded place, every step becomes part of a delicate dance, choreographed by the ebb and flow of human movement.

People sway this way and that, their bodies navigating through tight spaces with graceful precision.

A symphony of footsteps fills the air as strangers brush past each other in an elaborate ballet.

The space pulses with energy, an electrifying atmosphere that crackles with anticipation.

Conversations blend together into a cacophony of voices, rising above them all is the steady hum of activity. It is impossible to ignore the vibrant rhythm that reverberates through every corner.

Glimpses caught are mere snapshots frozen in time – faces flicker by before disappearing into the melee once more.

Each individual seems consumed by their own mission or purpose; urgency etched upon their expressions as they dart from one point to another in this sea of humanity. Yet amidst this chaos lies an intriguing harmony – an orchestrated chaos where unity emerges from diversity.

Emotional Impact: Reflecting the Feelings and Reactions within Crowded Places

Crowded places can evoke a range of emotions in individuals.

The sheer volume of people bustling about creates an atmosphere charged with energy and excitement. In such spaces, one might experience a sense of exhilaration as they soak in the collective buzz and vibrant activity surrounding them.

At the same time, crowded places can also trigger feelings of anxiety or claustrophobia for those who prefer solitude or spaciousness.

Being engulfed by a sea of strangers may induce discomfort or unease, heightening their awareness of personal boundaries being invaded.

Ultimately, describing the emotional impact within crowded places requires writers to tap into the unique blend of sensations that arise from both exhilaration and uneasiness.

Social Interactions: Illustrating the Interplay and Relationships in Crowded Places

When describing a crowded place, it’s important to capture the social interactions that occur within it.

This can help paint a vivid picture for your readers and bring the scene to life.

Observe how people interact with one another – are they engaged in animated conversations, laughing together, or perhaps lost in their own thoughts? Describe the body language of individuals, emphasizing gestures like handshakes, hugs, or gentle touches on shoulders. These details provide insight into the relationships between people and add depth to your writing.

Furthermore, pay attention to group dynamics within a crowded space.

Are there clusters of friends huddled closely together while others stand alone?

Is there an undeniable bond among certain individuals that sets them apart from the rest of the crowd?

Reflecting on these details allows you to convey a sense of unity or isolation within the bustling atmosphere.

To enhance your description even further:

• Note any shared experiences or common interests that may bring people together.
• Show how different groups interact with each other through friendly exchanges or competitive energy.
• Highlight any cultural nuances and traditions playing out in these social interactions.

Faces in the Crowd: Portraying the Diversity and Individuality of People in a Crowded Place

In a crowded place, faces come alive with unique stories and experiences.

Each person stands out in their own way, adding to the tapestry of diversity that fills the scene. From young children clutching their parents’ hands to elderly individuals navigating through the throng with wisdom etched on their faces, every expression tells a different tale.

Observe closely and you’ll find eyes filled with hope, laughter lines etched deeply into smiles, and brows furrowed with concern.

There are those lost in conversation or immersed in deep thought.

In this kaleidoscope of humanity, no two faces resemble each other entirely; distinct features distinguish one person from another.

As you scan across this bustling space, notice the vibrant range of skin colors: light ivory tones alongside rich caramel hues; jet-black hair contrasting sharply against fiery red locks. Some wear traditional attire passed down through generations while others flaunt modern fashion statements. The unique fusion of cultures finds its reflection here amidst these lively individual characters.

The crowd is not just an anonymous mass pulsating as one entity.

It brims with myriad personalities waiting to be discovered by keen observers who take time to appreciate each face’s distinctive markings – signs that speak volumes about people’s lives without them uttering any words at all.

Tension and Excitement: Conveying the Intensity and Dynamism of a Crowded Place

There is an electrifying atmosphere in a crowded place, brimming with energy that buzzes through every inch.

Bodies move swiftly, colliding occasionally as they navigate the limited space.

The air crackles with anticipation and tension, creating an immersive experience for anyone present.

• Vibrant and Pulsating : A crowded place pulsates with life; every corner bustling with motion, vibrant colors clashing against countless bodies in ceaseless movement.
• Chaos and Disorder : The chaotic nature of a crowded setting adds to its allure—frustrated voices shouting over one another, hurried footsteps echo against floor tiles adorning the complex labyrinth.
• Eyes Wide Open : Observers strain their eyes in order to take it all in—the sea of faces merging into blurred murals of humanity; each face telling its own story.

The sensations are multiplied tenfold as throngs merge together like a single organism — undulating waves flowing spontaneously within predetermined boundaries yet eventually erupting beyond them under forces unseen but palpable to those immersed within it.

Claustrophobic Chaos: Describing the Feeling of Being Overwhelmed in a Crowded Place

In a crowded place, the overwhelming sensation can be like suffocating under a heavy blanket.

The air becomes thick with human presence, causing one’s heart to race and palms to sweat. Every step feels like an obstacle course as bodies press against you from all sides.

It’s claustrophobic chaos, where every movement is limited by the sheer mass of people around you.

The noise adds another layer to this overwhelming experience.

Conversations blend together into an unintelligible buzz, punctuated by occasional bursts of laughter or shouts for attention. The cacophony reverberates in your ears, making it difficult to focus on any single sound or conversation.

As you try finding your way through the crowd, visual input bombardment further intensifies the feeling of being overwhelmed.

Bright lights flicker overhead while colorful signs compete for attention at every turn.

Faces blur into anonymous masses as they merge into each other, leaving one feeling lost and insignificant amidst the sea of humanity.

Hidden Corners: Revealing the Intriguing Details and Hidden Gems of a Crowded Place

Amongst the sea of people, where chaos seems to reign supreme, lies a tranquility unbeknownst to many.

In the hidden corners of this bustling place, one can find solace amidst the commotion.

Flower vendors creating vibrant bouquets with delicate precision; musicians coaxing beautiful melodies from their instruments in street-side cafes; graffiti artists adorning crumbling walls with breathtaking murals – these are just a few examples of the captivating details that go unnoticed by most.

While tourists flock to popular attractions, it is in these lesser-known spots that true beauty resides.

Alleyways adorned with colorful string lights guide you through tiny markets teeming with unique trinkets and handmade crafts.

The aroma of freshly brewed coffee wafts through narrow streets lined with cozy bookshops waiting for eager readers to discover their treasures. These hidden gems offer respite from the crowd, revealing an intimate glimpse into the authentic heart and soul of this crowded place.

Intriguing tales await those willing to wander off-the-beaten-path.

Stories whispered by old buildings steeped in history or small family-run eateries passed down through generations.

Exploring these hidden corners unravels secrets only known by locals – an experience that transcends mere observation and allows for meaningful connection amid the overwhelming nature of crowded places.

• Curated flower arrangements at every corner.
• Musicians serenading passersby in sidewalk cafes.
• Vibrant graffiti art decorating forgotten alleyways.
• Narrow streets leading towards cozy bookshops fragrant with freshly ground coffee beans.
• Tiny markets overflowing with trinkets waiting for curious hands.

Escaping the Crowd: Offering Strategies to Find Solitude and Calm in a Crowded Place

Let’s talk about exit strategies for your crowded setting.

1. Seek Out Hidden Corners or Quieter Areas

• Look for secluded nooks or corners away from the main crowd.
• Explore less popular sections of the place, where fewer people tend to gather.
• Find spots with comfortable seating or beautiful views, such as gardens or rooftop terraces.

2. Visit During Off-Peak Hours

• Choose times when the place is likely to be less crowded, such as early mornings or late afternoons.
• Avoid weekends and holidays when visitor numbers are usually higher.
• Research online or inquire at local tourist information centers to find specific time recommendations for each location.

3. Utilize Noise-Canceling Headphones or Earplugs

• Invest in a pair of high-quality noise-canceling headphones that can block out ambient sounds and distractions.
• Alternatively, wear earplugs to reduce external noise and create your own sanctuary of quietness amidst the chaos.

By following these strategies, you can carve out moments of solitude and tranquility even in the most bustling places.

How to Describe Crowded Places in Different Writing Styles

I thought it would be nice to include full examples of crowded place descriptions in various styles.

Description in a Narrative Style

The bustling marketplace was alive with activity as people hurriedly shuffled through the narrow lanes.

The aroma of various spices filled the air, enticing passersby to stop and savor the flavors. Vendors called out their prices, their voices mingling with the sounds of animated conversations echoing off the walls. Women draped in vibrant sarees haggled for better deals while children weaved through the throngs, giggling and pointing at colorful trinkets displayed on makeshift stalls.

Description in a Descriptive Style

In this crowded place, bodies pressed against one another like puzzle pieces fitting together tightly.

The cacophony of chatter reverberated through every corner as individuals scurried past each other urgently. A symphony of scent wafted around; food stands offered an array of tantalizing aromas from freshly baked bread to sizzling stir-fries infused with aromatic spices. Eyes darted about as visitors navigated narrow pathways lined by countless shops that spilled over with merchandise–from handcrafted jewelry to exotic fabrics dyed into an explosion of rainbow colors.

Best Words to Describe Crowded Places

Check out this list of words to describe crowded places in your stories:

• Bustling: The crowded place was filled with people moving quickly, creating a lively and energetic atmosphere.
• Teeming: The streets were teeming with pedestrians, making it difficult to navigate through the crowd.
• Thriving: The popular market was thriving with shoppers browsing various stalls and vendors selling their wares.
• Congested: The narrow street became congested as more people arrived, causing delays and difficulties in getting through.
• Swarming: Tourists swarmed the famous landmark, capturing every angle on their cameras.
• Packed: The concert arena was packed with excited fans eagerly awaiting the start of the performance.
• Jam-packed: The train station during rush hour was jam-packed with commuters trying to catch their trains amidst chaos and noise.
• Crowded-to-the-brim: People spilled into every available space at the music festival, turning it into a crowded-to-the-brim event
• Overcrowded: Due to limited seating, the small café felt overcrowded as customers jostled for tables or stood shoulder-to-shoulder along the counter.
• Abuzz: As dusk fell over Times Square, neon lights illuminated a bustling cityscape—the area abuzz with excitement.
• Densely populated – Large numbers of people are concentrated closely together in this area.
• Humming – A buzz of activity characterizes this busy environment.
• Clamoring – Noisy voices overlap and compete for attention within this raucous setting
• Vibrant – This lively scene is full of color and energy
• Electric – Excitement crackles throughout this energized atmosphere
• Blanketed – Multitudes cover every inch of available space like overlapping blankets
• Cacophonous – An overwhelming mix of sounds creates a chaotic feeling
• Suffocating – The sheer volume of people makes it difficult to breathe or move freely
• Pulsating – A rhythmic beat seems to emanate from the crowded masses, creating an intoxicating pulse.
• Drumming: Footsteps and chatter echo through the air like a steady drumbeat.
• Overflowing: The city streets overflowed with pedestrians during rush hour, their movements almost synchronized in perfect chaos.
• Mobbed: Tourists mobbed the popular attraction, snapping photos and vying for a closer look
• Foreigners every-flaming-where – In this overcrowded bazaar, foreigners can be seen everywhere you turn
• Ant-like: People scurried around purposefully like tiny ants hustling about their work
• Humongous queues – Long lines snaked around as waiting visitors anticipated entrance into the crowded venue
• Invaded :Suddenly invaded by students pouring out of classrooms—a school hallway became congested within seconds.

Best Phrases to Describe Crowded Places

Here are some of the best phrases to describe crowded places:

• A throng of people filled the streets, creating a bustling atmosphere.
• The crowded market was a hive of activity, with vendors shouting and customers jostling each other.
• Bodies pressed together in the concert venue as fans eagerly awaited the performance.
• The train station during rush hour became a sea of commuters, all rushing to catch their trains.
• The park was teeming with families enjoying picnics and children playing games.
• People swarmed the shopping mall on Black Friday, seeking out deals and discounts.
• A queue stretched around the block outside the popular restaurant as eager diners waited for a table.
• Tourists flocked to see famous landmarks, making it difficult to navigate through narrow streets or courtyards.
• The stadium overflowed with enthusiastic spectators cheering for their favorite team.
• As I entered Times Square, my senses were overwhelmed by a cacophony of sounds and an onslaught of colorful lights
• Inside the nightclub, bodies gyrated on the dance floor like sardines packed into a tin can.
• A crowd surged forward at an outdoor festival when fireworks burst forth above them.
• During rush hour subway rides are akin to being trapped inside cans crammed full with strangers
• At music festivals thousands gather together jumping up and down while belting out lyrics in unison.
• Cramped bazaars emanate pungent aromas that mingle from food stalls offering spicy delicacies.
• January sales attract hordes clamoring over each other like seagulls fighting over bread crusts.
• Traffic congestion turned city roads into parking lots
• Escape rooms fill faster than last minute tax submissions—flocks spill into hallways awaiting their turns
• Family fun-fair’s carousel line is more tightly wrapped than a mummy
• Commute spaces during rush hour are overfilled with bodies like cans of jam
• Swimmers in beaches and pools float together showcasing various colorful bathing attires.

Here is a video about how to describe a crowded place:

Final Thoughts: How to Describe a Crowded Place in Writing

Capturing the dynamic essence of crowded places in writing can vividly transport readers into the heart of bustling environments – for more enriching insights, explore other articles on our website.

Read This Next:

• How To Describe A Basketball Game In A Story (17 Tips + Examples)
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• How to Describe a Train in Writing (30+ Words & Examples)
• How to Describe a City in Writing (100+ Best Examples)

Fronteirsin.org (Research on Crowds)

Descriptive Writing: The train

In this blog post, we will explore the art of descriptive writing, focusing our lens on the mesmerising world of trains, and learn how to craft vivid and evocative descriptions that transport our readers to the tracks, where the wheels of imagination meet the steel of reality.

As the sun dipped below the horizon, the train emerged from the shroud of twilight, its metal behemoth illuminated by a cascade of golden, molten light. The locomotive, a colossal steed of industry, exhaled great plumes of smoke and steam, shrouding the platform in a misty veil, through which the world appeared in fragmented glimpses. The platform thrummed with a symphony of life and motion, a frenetic ballet of travelers, each with their own story etched upon their faces.

The train itself stood as a monument to progress, an intricate tapestry of rivets, pistons, and wheels. Its iron flanks bore the scars of countless journeys, a weathered testament to the unforgiving passage of time. As the whistle’s haunting cry pierced the air, the locomotive roared to life, its heartbeat reverberating through the very bones of those who stood witness.

Inside the train, passengers found themselves in a realm both familiar and otherworldly. The rhythmic clatter of wheels against tracks served as a hypnotic lullaby, an intricate melody composed by the hands of engineers and the whims of destiny. Carriages were a canvas of diverse humanity, a mosaic of characters woven together by the iron threads of their shared journey.

Beyond the windows, the landscape unfurled like a panoramic dreamscape. Moonlight spilled over vast, open fields, painting them in shades of silvery enchantment. Trees whispered secrets in the language of rustling leaves, while rivers carved pathways through the earth’s flesh, their waters glinting like liquid diamonds.

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Occasionally, the train passed through tunnels – moments of darkness, punctuated by fleeting glimpses of distant stars. These interludes became metaphors for life itself, moments of obscurity that heightened the appreciation for the radiant moments when the train burst forth into the open, revealing the world anew.

All the while, the train hurtled forward, an unstoppable force that bridged the chasm between departure and arrival. In this moving sanctuary, strangers shared smiles, stories, and stolen glances, connecting in fleeting yet profound ways.

As the night deepened and constellations danced above, the train became a vessel of dreams, a realm suspended between the realms of the ordinary and the extraordinary. The rhythmic pulse of its wheels, the symphony of its whistle, and the poetry of its passengers fused together, creating an intense atmosphere of journey, wonder, and the unyielding passage of time.

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GCSE Creative Writing: Using Trains and Railway Station( Bolton English Tuition)

• by Janet Lewison
• March 11, 2020 March 11, 2020

Ticket To Ride: Creative Writing Inspiration from Trains and Railway Stations.

The train plunged into a tunnel.

The calm, monotonous voice was drowned. At the next table, a small one, sat Colonel Arbuthnot—alone. His gaze was fixed upon the back of Mary Debenham’s head. They were not sitting together. Yet it could easily have been managed. Why? Perhaps, Poirot thought, Mary Debenham had demurred. A governess learns to be careful. Appearances are important. A girl with her living to get has to be discreet. His glance shifted to the other side of the carriage .

( Agatha Christie, Murder on the Orient Express )

Exercise One.

• Make a note of as many novels, stories, poems, plays and films involving trains or railway stations.
• Consider the mood of each and how the setting affects the ‘story’ of each text.  

Exercise Two .

It was clear that the sleigh from Weymore had not come; and the shivering young traveller from Boston, who had counted on jumping into it when he left the train at Northridge Junction, found himself standing alone on the open platform, exposed to the full assault of night-fall and winter . ( Edith Wharton, The Triumph of the Night).

You are going to create a story around a railway station. The station can be real or imagined, modern or more ancient. Names are evocative and help propel your story’s mood and sense of purpose and adventure.

• What is your station called?
• Make some notes on the appearance and situation of the station as well as the type of facilities offered.
• Waiting rooms are useful for encounters or reflection.

Exercise Three.

Read these extracts for possible railway inspiration.  Make notes on their effects.

“Stand clear, sir, if you please. One. Two. Right!”

Lamp waved. Signal lights ahead already changing. Shriek from engine. Train gone.

 “Mugby Junction!” said the traveller, pulling up the woollen muffler round his throat with both hands. “At past three o’clock of a tempestuous morning! So!” He spoke to himself. There was no one else to speak to. Perhaps, though there had been any one else to speak to, he would have preferred to speak to himself. Speaking to himself he spoke to a man within five years of fifty either way, who had turned grey too soon, like a neglected fire; a man of pondering habit, brooding carriage of the head, and suppressed internal voice; a man with many indications on him of having been much alone.

 He stood unnoticed on the dreary platform, except by the rain and by the wind. Those two vigilant assailants made a rush at him.

 “Very well,” said he, yielding. “It signifies nothing to me to what quarter I turn my face.”

Thus, at Mugby Junction, at past three o’clock of a tempestuous morning, the traveller went where the weather drove him. (Dickens, Mugby Junction)

That Whitsun, I was late getting away:

    Not till about

One-twenty on the sunlit Saturday

Did my three-quarters-empty train pull out,

All windows down, all cushions hot, all sense   

Of being in a hurry gone. We ran

Behind the backs of houses, crossed a street

Of blinding windscreens, smelt the fish-dock; thence   

The river’s level drifting breadth began,

Where sky and Lincolnshire and water meet.

 ( Larkin, Whitsun Weddings )

The apparition of these faces in the crowd:

Petals on a wet, black bough.

(Ezra Pound, In the Station of the Metro)

Yes. I remember Adlestrop—

The name, because one afternoon

Of heat the express-train drew up there

Unwontedly. It was late June.

The steam hissed. Someone cleared his throat.

No one left and no one came

On the bare platform. What I saw

Was Adlestrop—only the name

(Edward Thomas, Adlestrop )

Light spreads darkly downwards from the high Clusters of lights over empty chairs That face each other, coloured differently. Through open doors, the dining-room declares A larger loneliness of knives and glass And silence laid like carpet. A porter reads An unsold evening paper. Hours pass, And all the salesmen have gone back to Leeds, Leaving full ashtrays in the Conference Room. In shoeless corridors, the lights burn. How Isolated, like a fort, it is – The headed paper, made for writing home (If home existed) letters of exile: Now Night comes on. Waves fold behind villages.

( Larkin , Friday Night at the Royal Station Hotel )

2 thoughts on “GCSE Creative Writing: Using Trains and Railway Station( Bolton English Tuition)”

Funny – I stumbled on your blog whilst looking for an image for Dicken’s The Signalman. And look – you are still blogging – and your latest blog is on the topic of trains. “Halloa, below there!”

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Writing Prompt Story Starter: Trains

While I’m working from home, I’ll occasionally hear a train in the distance, sounding its horn as it passes through our little station . . . and I’ll feel a Story Starter coming on!

Every time I hear it, it reminds me how much I’m looking forward to the day when we can travel freely again. And every passing day is one day closer.

In the big picture of what people are going through at the moment, not being able to travel is not even a ‘thing’, but travelling by train again is definitely something to look forward to.

The inspiration

Railways, and train stations, have been popular in stories since there have been railways! I’m thinking of “The Railway Children”, “Brief Encounter”, and if you’ve read the Harry Potter books, you’ll know the Hogwarts Express and Platform 9 ¾.

Bringing people together. Travel. Going on a journey.

The first steam trains. The ‘iron horse’. Puffing Billy and Stephenson’s ‘Rocket’. The Flying Scotsman, 4472.

The Victorians, and their spirit of enterprise. Building the railway bridges, and stations .

The Orient Express. Luxury travel. Second class. And third!

Trips on the train. The ‘sleeper’. The underground – in Glasgow, the Subway .

Tickets, please! Railcards. Commuting.

Train station cafes. The buffet car.

Little stations. Level crossings. Dr Beeching . London stations – for us arriving from the east coast of Scotland, it’s usually Kings Cross.

Train journeys in other parts of the world. Transcontinental; coast to coast.

A journey to dream about

I saw a lovely programme on ‘catch-up’ this week – The World’s Most Scenic Railway Journeys – all about a train journey through the south-east of Sicily.

At the moment, all non-essential travel is off-limits, but it’s nice to have a journey to dream about/plan for/start a savings jar for, once all this is over, wherever our journeys might take us.

Good luck with your writing this week.

Click here to pick out another Story Starter from Fiction Ed Lucy’s archives.

• Story Starter

Lucy Crichton

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Descriptive Writing Prompt: A Busy Place

Posted on: 02-13-2012 by: Brian Wasko

This assignment is an experiment in descriptive writing. Understand that description rarely stands alone in literature; it is normally woven into the fabric of a story or larger work. Your assignment, however, is to avoid story-telling and focus on description alone. Paint a picture using words. Of course your “painting” can appeal to more than just the sense of sight. You can make your reader hear, feel, smell, even taste your subject as well.

Now, just because description and narration are different in purpose doesn’t mean that your description can’t involve action. In fact, a secret to good descriptive writing is motion. That’s why this assignment is intentionally restricted to “active” places. Bring your scene to life by showing people and things in action.

The difference between active description and story-telling is plot. In narrative writing (story-telling) the action has meaning that contributes to the story itself. People make decisions and act in response to some kind of problem that need solving. Purely descriptive writing — like this assignment — may involve people acting and objects moving, but it’s just observation. No meaning is offered for the motion the reader sees.

Some other keys to good description include:

•  interesting detail
• specific nouns
• active, vivid verbs
• carefully chosen adjectives and adverbs (not too many)
• appeals to various senses
• creative comparisons and figures of speech

For this assignment, describe in a few paragraphs a busy, active place. You may choose from the suggestions below or one of your own.

a train station

A football game, a murder trial, a concert                                        , an amusement park, a church service                          , a city street                                    , the scene of a crime                   , an emergency room, a hockey fight                               , an assembly line, a ballet                                            , an earthquake.

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Categories:   Writing Assignments/Prompts Tags:   assignment , creative writing , description , descriptive writing , prompt , writing , writing assignment , writing prompt

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Brian Wasko Brian is the founder and president of WriteAtHome.com. One of his passions is to teach young people how to write better. View all posts by Brian Wasko

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Busy train station descriptive writing activities, language analysis revision exam practice

Subject: English

Age range: 14-16

Resource type: Worksheet/Activity

Last updated

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Creative writing busy train station descriptive activities

Two detailed paragraphs filled with language techniques to conveys the busy train station . Students will be asked to:

-Highlight the language techniques -Name the language techniques -What connotations do they have.

Language analysis question -How does the writer use language to describe the sunset in the city?

Punctuation -Add more complex punctuation in the paragraphs

Great as a revision aid for creative writing.

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Engli5h_t3ach3r

Excellent resource, great for revision practise and ideas for creative writing question! :)

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tmahmoodshafi

A great piece for revision

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WRITERS HELPING WRITERS®

Helping writers become bestselling authors

Setting Thesaurus Entry: Subway Station

December 20, 2008 by BECCA PUGLISI

subway trains, subway platforms, posts, escalators, stairs, posters, security guards, business men and women, couples, groups of young people, tracks, litter, lights, graffiti’d walls, speakers, ticket turnstiles, patched seats, torn seats, grime, dirt, street people…

bells signalling the door is closing/train is arriving/leaving, station prompt on loudspeaker, people talking, coughing, laughing, music from ipods, static from security/police walkies, the whoosh of the train arriving or leaving, the whirr of the …

dirt, musty fabric, urine, cologne, perfume, sweat, bad breath, the smell of newsprint, ‘canned’ air conditioned air, hair products, BO, breath mints, people who smell like cigarette smoke or pot, coffee, hot dogs

Food or drinks from vending machines (pop, water, chips, chocolate bars, coffee, granola bars, etc), gum, breath mints, chewing tobacco

Cold metal handrails and turnstiles, too-hard plastic seats, worn plastic ceiling hand loops, dry newsprint, smooth paper ticket (people generally avoid touching/holding anything on the subway), holding a hot cup of coffee or cold drink, slathering on hand sanitizer…

Helpful hints:

–The words you choose can convey atmosphere and mood.

Example 1: The smeared plastic door shuddered open and the odor of urine washed over me. I took a peek inside and saw only one occupant–a man lying across the plastic bench, his layers of tattered clothing bulking up a sickly frame. An empty Jack Daniel’s bottle clutched in his grimy fist, explaining how he could sleep through the too-loud station prompt on the speakers. Grimacing, I stepped back. I’d wait for the next train…

–Similes and metaphors create strong imagery when used sparingly.

Example 1: ( Metaphor)  I clutched the handrail and prayed for my stop to come. The electricity was erratic in my shuddering car, buzzing on and off, reducing my unsavory fellow riders to infrequent flickers. As the dark took hold yet again, I thought of a carnival fun house moving at lightning speed, one where the knife wielding psycho might be real…

Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers —a powerhouse online library created to help writers elevate their storytelling.

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Reader Interactions

December 23, 2008 at 11:14 am

I watched some little boys break dance on the subway once…it was pretty amazing.

December 22, 2008 at 1:53 pm

Becca, ewww. I’ve been wondering about the whole armpit deal, but I never imagine it was a she-pit. Poor Al!

Shana, thanks for giving us your experiences. Here in Calgary we have a train system, but it’s pretty tame compared to the NYC lines. Those rules for riding are very valuable to make the writing authentic.

December 22, 2008 at 11:40 am

I’ve had my share of stories similar to yours, Becca. It’s worse for me because even if I am standing, I am shorter than most passengers. I can’t even reach the highest handrail. And I’ve learned to hold my nose when walking through the platforms earlier in the morning to avoid the homeless stench I will inevitably find.

I have worse stories of crowded subways, one that had me crying and distraught by the time I got to work.

In defense of NYC though, not all subways or passengers are like that. The 6 train is usually clean and delightful. My path train from NJ into the city is always safe, even if you ride alone late at night. If you live here, you get to know which lines are worse than others and which to avoid. For example, I will avoid the E train at all costs, but the V which runs on the same line for some stops is awesome.

I do have rules to follow though. -Never make eye contact -Keep your headphones on so people know not to speak with you -Don’t touch the railings with your bare hands, and if you do, wash them after riding. Seriously. -Don’t stand too close to the platform edge, there are some crazy people out there and too many stories of innocents being pushed to ignore -Don’t go into an empty car (if it’s not the first stop on the line). There’s usually a reason it’s empty, and you don’t want to be caught in there alone if someone less than desireable enters

If I think of more, I will post it.

December 21, 2008 at 9:19 pm

How could we have forgotten the rats???

As for the story, we were in New York on our honeymoon. The train was really crowded, but we were able to cram together on the seat rather than standing. It seemed like a great arrangement until a rather large woman grabbed the nearest hand-rail, which happened to be just above Al’s head. His face was pretty much in her armpit, which hadn’t been shaved in quite some time. He was trying to figure out how to extricate himself from the situation without breathing and without getting us both killed–you know how it is in New York. I was no help, since I had already pretty much fallen off my seat laughing.

It was shocking, how many NYC subway stereotypes were proven true on that day…

December 21, 2008 at 3:20 pm

Yes, NYC is full of many goodies that other cities don’t have. Don’t be too jealous of our rat population, now.

Good things do come of rats in subways. For example, KIKI STRIKE by Kristen Miller would have lacked some very cool showdowns if rats stayed away from underground tunnels.

December 21, 2008 at 10:18 am

Shana–Rats! Yikes, you’re right. Luckily, rats don’t live up here in my corner of Canada.

Thanks PJ–glad it helps!

December 21, 2008 at 12:36 am

Great (and useful) location! I have a subway station in one of my WIPs! Thanks!

December 20, 2008 at 11:29 pm

You forgot the rats! Often while I’m waiting on the platform, a bit of movement on the track will catch my eye, and yep. Rat.

I have worse stories than this that I will refrain from sharing. Just don’t go in the subway at night, that’s all I’m saying.

December 20, 2008 at 5:45 pm

Thanks Marian. I feel so bad for the homeless this time of year, especially with the freezing temperatures we’ve been having. I hope they’ve made it into a shelter…

Becca, no WAY are we letting you off the hook without spilling that story!

*taps foot*

December 20, 2008 at 3:55 pm

I have a really funny subway story that involves my husband, a really hairy armpit, and the worst b.o. EVER. Lol.

Husband didn’t think it was funny, but it totally was…

December 20, 2008 at 11:26 am

“crazy people talking to themselves or ranting at the crowds”

Or begging for money. I always feel guilty when they do that – especially this one homeless woman who wasn’t even wearing shoes.

And the #1 type of paper litter after newspapers seems to be religious pamphlets. I see those a lot on subways in Toronto.

Thanks for the post!

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My Experience Of A Train Journey

A child’s experience of a long, tiring 29 hours train journey, which helped him see the scenic beauty of rural India.

It was 28th April, 2014 and I was very excited because I was going to my native place, Kolkata with my mother and this time by train!

Our train was scheduled to depart by 11:15 a.m. but was delayed by 1 hour. As soon as the train came into the platform, the passengers rushed to get into the train. There was a little commotion as passengers searched for their seats. With a lot of difficulty we could find our seats and placed our luggage.

I was flabbergasted to see the scenic beauty of rural India. (Pic: Karunakar Rayker , Wikimedia, Creative Commons Attribution 2.0)

By the time the train started for Kolkata we had settled down comfortably and I was busy observing the children who were near about my age.

After we settled down, we started chit-chatting with co-passengers. I discovered most of them were going to their home town to spend summer vacations. Some of them were going to hill station, Darjeeling for their holiday trip.

Since the train was passing through the country side of different states like Karnataka, Andhra Pradesh and Orissa, I was flabbergasted to see the scenic beauty of rural India.

In Karnataka, we saw many paddy fields where farmers were harvesting crops. Cows were grazing at the field. The huts were made up of bamboo stems and mud.

Andhra landscape was dotted with hills. In Orissa, we passed over rivers and streams. I was happy to see the longest platform of the Asia, Kharagpur.

The train was about to reach Howrah station and I was very eager to meet my grandparents. My grandfather was waiting at the platform to receive us. Though it was a long, tiring 29 hours train journey, but it was really a memorable experience for me.

My Magnificent Trip Through Mesmerising Ladakh

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Jaipur, The Pink City: A Dream Destination

Hope you enjoyed reading...

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5 thoughts on “ My Experience Of A Train Journey ”

VERY NICE, BEST OF LUCK

It was very nice it was nicely written by yourself that what your mind though it very very good and you write all the line so so nicely keep it up you will become a huge person

Thanks It helped a lot Kal mera speech hein

Thank you Maria,

Glad to know this lovely essay by Rounak helped you!

Wish you all the best for your speech. Do well 🙂

Best wishes, Antara Editor, Learning and Creativity

It is nice 😊

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